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juniperhillpatient · 2 years ago

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Sozin's Comet Part 3: Into the Inferno Re-Watch

Wow, I'll be honest I forgot how many parts this finale had (& thank goodness because it's way too much to cover in one post.) While I've randomly re-watched various episodes of this show a lot, this is my first time doing a full re-watch & only my second time re-watching these finale episodes. That's because....well, this finale doesn't fuck around!

Let's get right into it. I gotta be petty & say it's kinda funny this show is so disdainful of its own main "romance" (& calling it that is a stretch) that they have Katara & Zuko go together on a ride or die life or death journey to the Fire Nation after baiting their noncanon romance quite a bit in the last few episodes. Fun! I'll briefly address that I know a lot of you guys don't like the setup for the Zuko Vs. Azula fight, & it's certainly a little flawed but...& this might be a hot take - Zuko showing up during Azula's coronation to claim the throne & the two of them having an Agni Kai does make a certain amount of narrative sense. It's just that a few details about the setup itself (the time it takes to get from Ba Sing Se to the Fire Nation, Iroh knowing that Azula would be crowned Firelord, in general, the buildup to Zuko's decision to become Firelord) could have been executed a little better. But I still love the beautiful tragedy of the final Agni Kai & I still think it was overall set up well save for a few details.

Zuko Vs. Ozai I would argue is pretty perfectly set up by the previous episode. Aang is ready for this fight. And Ozai is ready for genocide - & showing off his abs! I'm sorry if this upsets some of you but Ozai is getting +1000 iconic behavior points for stripping off his shirt for this fight & generally acting like a dramatic king. Yes trying to burn the world to the ground is pretty bad, but Ozai sure does manage to be a fun-to-watch villain while he does it. I only wish we'd gotten more scenes showcasing Ozai's personality & badassery throughout Book 3 to really set him up as the Final Boss.

[id: Ozai about to fire-bend Aang. end id]

I can really appreciate that Aang is out of his comfort zone here. Throughout this entire show, Aang has been an evasive fighter. He's not aggressive. He prefers to deftly outmaneuver his opponents & cause them to wear themselves out rather than attacking directly himself. Aang doesn't have that option this time. First of all, Ozai is just a very aggressive fighter who is determined to take Aang down. Second of all, this is the big battle - Aang needs to do something to take Ozai down, & he knows it. I have to appreciate that Aang offers Ozai the chance to back down. Obviously, it seems silly - of course Ozai won't take this chance. But it means something that Aang offers it anyway.

Sokka, Suki, & Toph's mission feels so desperate & scary. Toph gets +1000 iconic behavior points for her badass metal bending. Then Sokka comes up with a plan that will help protect the earth-kingdom but also might just kill them & shit gets real when they're separated from Suki. My heart dropped during that scene. Sokka protectively crouching over Toph just makes me so emotional. +1000 iconic behavior points to Sokka for this insane & potentially suicidal but brave plan.

[id: Sokka crouching protectively over Toph. end id]

Yeah, this part just makes me emotional.

Speaking of being emotional.....Let's get into the beginning of the end for my favorite emotionally damaged war criminal. Azula's downfall is heartbreaking. I didn't understand what was happening the first time that I watched this show, & I was just confused about why Azula was banishing everyone until it slowly crept up on me that she was paranoid after Mai & Ty Lee's betrayal. This show is incredibly well-written & as I'm re-watching again having put a completely normal & not at all insane amount of thought into Azula's characterization, I realize that it's so much more complicated than that. Azula was abandoned as a small child by her mother, who she believed never cared about her. Later, her brother is banished & after she finally gets him back, he abandons her too - for reasons she cannot understand. Then Mai & Ty Lee too. No wonder she can't trust anyone.

And even if it weren't for all of these people turning on Azula for reasons she doesn't get, Azula was taught that "trust is for fools, fear is the only reliable way" by her genocidal egomaniac father who burned her brother in front of her when she was eleven. The same father who just abandoned her (just like everyone else does) to fulfill a rather pointless role (now that he's the Phoenix King). I'm not sorry but what the actual fuck is wrong with people who can't sympathize with --- nope, I'm just. I'm....moving on, let's continue the analysis.

[id: Azula standing in front of her mirror throwing a hairbrush at a hallucination of her mother, who is reflected in the mirror. end id]

Let's talk about the mirror scene for a second. This is another scene that's been highly analyzed & discussed already but I want to talk about it a little anyway. It's important to remember that this is a hallucination, meaning that what we're seeing is what some part of Azula's mind is conjuring up. Ursa doesn't call Azula a monster, interestingly. She says "I love you, Azula, I do." Is this what Azula remembers her mother saying? What she wants to believe her mother is saying? We just don't know because we are simply not given enough information, but I think it could be a mix of both.

I also think it's very interesting that Ursa says "I think you're confused." Again, this is some part of Azula's own mind manifesting. I think this is pretty strong evidence that Azula knows that she's wrong - this as well as the comment in 'The Beach' about believing herself to be a monster - but I don't think she has the context to really understand how or why she's wrong. How could she? She's never had the opportunity to learn from sources outside the Fire Nation, or adults other than her father, the way that Zuko did.

And then of course....we have the showdown that breaks my heart the most. Zuko & Azula's Final Agni Kai. When Azula says "I'm sorry it had to end this way, brother," & Zuko says "No, you're not," that truly is the culmination of their entire relationship, isn't it? And it's so devastatingly tragic because it didn't have to be this way - they could have been normal siblings, in another life - but at the same time, it did always have to be this way, because of generations of toxicity, because of Ozai & his choices. +1000 iconic behavior points to each of the fire siblings for being dramatic fucked-up bitches.

I think that Azula really is sorry it has to end this way, she does not understand Zuko's reasons for abandoning her or their nation after she did everything she could to put him back in his rightful place at their father's side. And Zuko doesn't believe her, not for a second, because their father has always made him feel like the mental, emotional & physical abuse he's been put through is all because he can't measure up to Azula & he sees her as an enemy & believes that she hates him even though she doesn't. It's all just incredibly fucking sad.

And I want to be super clear, I sympathize with both siblings here a lot, but Zuko is right to challenge Azula. Ozai & Azula need to be taken out of positions of power at this point in time. Whether Zuko or Iroh or whoever "should" have the throne, it definitely shouldn't be Azula, & Zuko & Katara are doing what they have to do here.

[id: Azula generating lightning. end id]

The music, the animation, & voice acting during the final Agni Kai is beautiful. It's just an incredible scene. It's haunting, honestly. One of the most intense & emotionally charged battle scenes in any show that I've ever seen.

And of course...Zuko taunts Azula until she shoots lightning. I think it's worth noting that Azula was avoiding doing so up until now. Almost like she didn't really want to kill Zuko. And then Azula goes for Katara. This is a coldhearted & calculated move, in a way. Azula is manipulative even in the midst of her breakdown. She knows that going for Katara is the way to disarm Zuko. But I also think that it's because she didn't want to kill Zuko. Sorry Azutara besties, but Azula didn't know Katara at all on a personal level, so I think she made the quick decision in a desperate moment that if she had to kill someone, she didn't want it to be her brother & that this would be a great way to get Zuko distracted so she could burn him & win. But like...I also think this was all whizzing through her brain in chaos because she's also mid-breakdown & had to think fast.

Anyway, Zuko takes a heroic & brave dive & saves Katara. This moment just gets me every time. However, you interpret the relationship between Zuko & Katara (for me personally, I see it as a deep friendship) this is an act of love. +1000 iconic behavior points for Zuko. Pretty sure Zuzu is already taking the lead, but I can't not award him points for saving Katara's life.

I'll end this review by saying that Aang redirecting lightning against Ozai (but still not killing him) was a really amazing moment & I loved it. +1000 iconic behavior points for Aang.

[id: Aang redirecting lightning. end id]

This show really is epic, & its conclusion is proving to be just as intense, emotional, & beautiful as I remember it.

#atla book 3 #sozin's comet part 3 #sozin's comet part 3: into the inferno #atla re watch

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starlight-time-machine · 6 months ago

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Week in Review

05/19/2024 – 05/25/2024

Sunday

Week 15 of missing Cipher Academy

Had to head out on a day trip, but before I did I quickly read the new Undead Unluck chapter. This was mainly a set-up chapter, disseminating the information we’ve learned from the Language fight and preparing for the next arc, but wow I never expected that we’d see Fuuko’s parents… I have a feeling that the next arc is going to be pretty emotional…

Monday

Oshi no Ko 149: I think Kana and Akane should just get together instead. Seeing Akane pull her Machiavellian schemes is funny, though.

Dandadan 152 and 153: Dammit the mangaka has got me again with the tragic backstory. I think they’ve really perfected their craft in this regard – they don’t get too long-winded about it, instead focusing on presenting specific images and moments that tell a much bigger story. Seeing the myriad of stickers in the apartment on the doors and counters at kid-height was so…the place just felt really lived in and realistic, making the tragedy hit even more as Zuma’s mom begs to stay. Zuma covering his little brother’s ears was also a nice touch, and we understand right away what their brotherly relationship must’ve been like. But then the silence as his little brother loses his umbrella…and we just see Zuma’s desperation and the aftermath… His mom’s cold grip around his wrist and then those last few panels are just so so horrible, especially the one where you can see Zuma trying his best to hold his mom back… I also appreciated this thematic thread of “people placing the blame on individuals rather than the lack of support infrastructure and the ways modern society crushes the less fortunate under its heel”, it makes sense why Zuma would feel angry towards the entire world and how it’s failed his family.

Magilumiere fine. Feels like textbook final fight stuff.

Chainsaw Man fine. The narrative just feels so…aimless and vague.

Rewatched some Succession episodes just to feel something. Season 3 episode 5 will always be a favourite for the absolute chaos it brings, but this time I really enjoyed Tom likening him and Shiv to sorority sisters whose cycles have synced up…he’s so girlcoded it’s insane. And then I watched season 4 episode 7 for the satisfaction of watching Tom and Shiv’s marriage blow up – I have their argument almost memorized by now.

Tuesday

Against my better judgement, I stayed up and read The Unusual Suspects by Michael Buckley in pretty much one sitting, and was fairly underwhelmed. As with the first book in this Sisters Grimm series, I love the premise and setting of this story, but the actual writing leaves a lot to be desired. Finding out that Buckley’s writing career started in TV makes so much sense, because his book writing is so bland and uninspired. The characters are fun and have decently enjoyable dialogue, but the descriptions lack any real finesse or artistry. Things just happen one after another like a TV writer marking out a beatsheet, and the comedic bits are the kind of wacky hijinks you’d find in the platonic ideal of a 2000’s Saturday morning cartoon. At least Sabrina had a semblance of an interesting arc, I guess…? In that she has to grapple with racism LMAO? And I guess Prince Charming’s gesture and her realization that her anger/racism was literally powering up the bad guy was a decent resolution, but I do hope the narrative stresses the importance of seeing “the other” as people in future instalments (and maybe throw in a human culprit for one of the mysteries). Also, I remembered the Puck/Sabrina romance as being more of a slowburn, but here they basically fall in love with each other on the flimsiest of basis and are doing the whole bickering/flirting thing right away…I think kid me was really excited at each crumb of ship content, but adult me wishes their romance had a subtler hand.

Wednesday

Went outside and had a life event, heh

Thursday

Read a lot today, mostly just bits and pieces of various books in my search of a good one, but the only one I started in earnest was Between Two Fires by Christopher Buehlman. The hook was immediately gripping – a horror story set during the Black Plague – and I’m happy to find that the writing is evocative enough to match. The prose sets me in the time period and atmosphere immediately, and there are so many striking visuals that have stuck in my mind thus far. Unfortunately, in an inverse of Buckley, the dialogue writing is so bad it nears comical at points. Some of the passages literally read like bad sitcom banter, and it completely takes me out of the moment with its anachronistic tone. The only saving grace is that the conversations are usually short, I suppose.

Friday

DunMesh with leftover stir-fried lamb from a restaurant I went to on Wednesday. Episode good! Food good! Fun to see the Canaries make their anime debut at last.

I got fully invested and finished Part I of Between Two Fires. The dialogue still grates on me at times, but the wonderful prose keeps me going, as does the dreaminess of the plot – it really feels like an early canon work in how it moves between different locations and their self-contained stories, and while I saw some people say that they didn’t like the episodic nature, I think it really fits the tone. I was pleasantly surprised to see the priest join the party, I was really expecting the story to just revolve around Thomas and the girl, but the priest’s presence is welcome for how it adds another dimension to the group dynamic beyond the girl annoying Thomas with her innocent and inscrutable actions. I also didn’t expect so much gayness? I can’t tell if it’s just being used as a way to cast the priest as a sinful man (like with his drinking), but I’m going to enjoy the fujo crumbs regardless. Thomas’ fight against the river creature and the men’s stint in the illusory castle felt truly hellish, and you really get the sense that their world is pulling apart at the seams.

Saturday

I started reading She Who Became the Sun by Shelley Parker-Chan today because I like to have a few books going at once, and I’m becoming cautiously optimistic that some actually good adult fiction books exist in the world. After some deliberation, I think I’ve come to the realization that what I really want in a book is for things to happen. As in, I’m sick and fucking tired of the 340523rd treatise on the fucking “human condition” – I’ve been through enough human condition and I don’t need to read 400 pages of melodramatic waffling as characters talk and talk and talk but actually do very little of consequence. But if I want to find a book where an actual journey occurs, my best chances are in the fantasy or sci-fi genres…which I also kind of hate reading lol. I hate being bombarded with impenetrable names and countries and factions before I even get the chance to care about them, so I usually avoid high fantasy/high sci-fi like the plague. But She Who Became the Sun is set in historical China, which I’m already familiar with and interested in, and the fantasy elements have been fairly light so far, so I’ve been greatly enjoying it. I especially like Parker-Chan’s prose, and how they build Zhu’s inner turmoil in Part One and her struggle between identity vs body and the central thesis of greatness vs nothingness. But once again, I’m floored by just how good the writing is when compared to some of the other books I’ve tried reading this week. I used to think that maybe adult fiction as a whole just wasn’t for me, but now I’m regaining hope that there are good books out there, I just have to find them…it’s a process, to be sure, when literally no other critics or BookTubers I can find share my tastes, but I’ll keep trying…

#week in review #2024

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phoenixrisesoncemore · 4 years ago

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I was tagged by @wangxianbunnydoodles (oh my, this is long and you might regret it; also I don’t follow instructions well 😉). I tend not to be very good at these things (sorry to anyone else who has tagged me in these kinds of things before—this is a rare event happening mostly because I wanna talk about Tolkien books and ships) but here goes:

Top 3 Ships

I don’t actively ship characters that often. I’m not sure why that is. I do enjoy reading fic with pairings either canon or not, but I don’t often go “all in” on ships in most narratives I consume. There are notable exceptions (more than three but these are the three most recent—I have no idea how to identify my top ships):

WangXian (CQL). This is surely obvious from the current state of my blog, right? I blame The Untamed and its impossibly tender, only-subtextual-by-a-hair’s-breadth romance. I don’t think I’ve ever seen a show express ultimate devotion, deep affection, true appreciation, complete understanding (eventually), and the sheer *necessity of the other* between two people quite like this one has. Hell, I don’t think I’ve ever seen two characters and desperately wanted them together and happy as much as I have these two, so bravo to the cast and crew for generating such second-hand devotion in me.

Silvergifting (Tolkien). This is all @thearrogantemu’s fault. I’d read some Silvergifting before I read These Gifts That You Have Given Me, mostly out of curiosity (some good stuff, too!), but I had never read any Tolkien fic that convinced me it was *true* (on many, many levels, though the ship level is the one pertinent to this post). In any canon-like universe this ship hurts, but in the Gifts universe it hurts the most; it hurts like Hell. It hurts in the way only razor-sharp, sorry-the-universe-works-this-way, oh-are-those-my-entrails-on-the-floor-I-didn’t-even-feel-the-knife tragedy can hurt. And it’s so convincing that it’s just...a fact now. Tolkien just forgot to tell us. So now I ship Silvergifting, but most deeply, specifically THAT Silvergifting. (Meanwhile, 14 year old me continues to look at *significantly* older me like I’m insane.)

ZeLink (Legend of Zelda). Deep down I’m still 12 years old and no amount of fine lines and wrinkles is going to change that. When is Breath of the Wild 2 coming out?

Last Song

I listen to soundtracks and bombastic and dramatic orchestral pieces much more often than I listen to what people mean when they say “songs,” and a significant chunk of the “songs” I listen to are from musicals/operas.

Earlier today it was Hanz Zimmer’s soundtrack to Dark Phoenix (don’t start me up on the continuing disappointment that Phoenix adaptations continue to be to me—you don’t want to hear it; even I don’t want to hear it).

Before that it was Barbra Streisand’s The Broadway Album. (I prefer her outer space cover of “Somewhere” to the actual thing. Fight me.)

Before that it was Carmina Burana (One of my favorite things ever was when we went to a live performance of Carmina Burana and a boy who couldn’t have been more than 7 years old sat in the aisle in front of us and head-banged enthusiastically through “O Fortuna.” It was so metal. You go, kid. You get it.).

Before that it was a splattering of Billy Joel hits with emphasis on “2000 Years”, “River of Dreams”, “Scenes from an Italian Restaurant”, “The Stranger”, and “Only the Good Die Young” (thanks to that outstanding WangXian interpretation!).

Of course the soundtracks to The Untamed/CQL have been on repeat for weeks around here, particularly every single iteration of “WuJi” and the flute-heavy instrumental pieces (man, those are good!).

Not long ago I had Sarah Brightman’s covers of “Figlio Perduto” from La Luna and “Glosoli” and “One Day Like This” from Dreamchaser burning through my iPhone battery (yes, I like popera).

Enya, and especially Shepherd Moons and The Track Which Shall Not Be Named has been on repeat a lot.

Last Movie

I don’t sit down to watch movies that often any more. It just takes too much stillness and undivided attention and more resistance to multi-tasking than I have. The actual last movie that I watched (in a “have it on on another screen while I work” kind of way) was Raiders of the Lost Ark, which, of course, I’ve seen umpteen times and which followed a similar rewatch of the Back to the Future trilogy. The last movie I watched completely without distraction was Book Smart; I don’t watch comedies very often, but I really enjoyed it in an “OMG, I can totally relate to this” kind of way (except for the class president thing—that would have required that I interact with other people my own age and also not be homeschooled). Before that I think it was the Tolkien biopic. Man, I still haven’t written anything about that.

Currently Reading (in order of when I started them)

Oh dear.

The Familiar: part 1, Mark Z Danielewski. *sigh* For as much as I think Danielewski is brilliant and House of Leaves is one of my favorite books ever, I’ve just not been able to get into much of his other work. It’s universally a time and energy investment to penetrate and puzzle through, and I just don’t have as much of that as I used to. House of Leaves makes that investment worth it from early on and is absolutely a page-turner once you settle in, but other than The Fifty Year Sword I’ve just not been able to get into the rest of his work. The Familiar: part 1 is supposed to be the first in a 26 part series which is currently halted at part 4, I think. Without a guarantee of all parts ever being published, I don’t think I’m ready to invest more time into part 1 and may end up abandoning it, unfortunately.

History of The Hobbit, Douglas Anderson. Anderson did what Christopher didn’t and gave The Hobbit the HoMe treatment (if a bit less literal and opaque in format). It’s fascinating (I mean, there’s the Beren and Luthien name drop you were not expecting right there in the first draft), but reading essentially the same passages with only small changes over and over can be a slog, so reading it has been an ongoing project for over a year now.

Splintered Light: Logos and Language in Tolkien’s World, Verlyn Fleiger. This is Fleiger’s look at Tolkien’s Middle-earth in light of his association with Owen Barfield. Particularly, she is examining Tolkien’s work in conjunction with Barfield’s Poetic Diction and his thoughts on language and meaning. I have not read Poetic Diction, but I probably will now since it apparently addresses language formation as related to the origin of human consciousness which is SO up my alley.

New Seeds of Contemplation, Thomas Merton. My late sister-in-law had a masters in theology from Notre Dame and became a huge Merton fan. Meanwhile, my best friend actually spent a weekend retreat at The Abbey of Gethsemani. Between hearing about him from the two of them, I developed an interest in Merton. I happened to read “Moral Theology of the Devil” a couple of years ago. It was one of the most illuminating theological things I have read and deeply inspired my own Tolkien fic-writing (let’s just say the progress there is otherwise slow). This book is a collection of pieces which happens to contain that piece, and I’ve been skipping around through it for a while now.

The Lord of the Rings reread (Tolkien, obviously). I hate this, but I am so deep in so many critical Tolkien books that I’ve not had the chance to really sit down and relax into my reread for months and months and will likely just end up starting over. Plus I want to read it concurrently with the next entry in this list and the next entry is taking longer to get through because of its format. That entry being:

The Lord of the the Rings: A Reader’s Companion, Hammond and Scull. This is a treasure trove of data and insights for those really wanting to dig critically-historically into The Lord of the Rings on a chapter-by-chapter, passage-by-passage basis. The only issue with it is that jumping back and forth between the two (as you have to: this is a reference book) tends to kill the mood of The Lord of the Rings when read as it’s meant to be read: for enjoyment!

The Power of Limits: Proportional Harmonies in Nature, Art, and Architecture, Gyorgy Doczi. This has been an ongoing read here and there since Christmas, especially as I work on two personal projects.

The Gospel in a Pluralist Society, Lesslie Newbigin. To be honest I don’t think I am going to finish this one. I like a few of the things he says, things I think are truthful and which need to be confronted in American Christian culture in particular, but it’s just too much Calvin for my taste, too many assumptions I do not share being the heretic that I am, and I spend too much time anger-notating about theology to read it with grace.

In Full Measure I Return to You, thearrogantemu. This is a reread of the (relatively) happy AU fic for my most favoritest Tolkien fic (Gifts), but I’ve put my reread on hold while I finish one of the two projects, after which I am diving in and screw the rest of this list for the time being.

Food Craving

Sushi. My kingdom for some good sushi. I’ve only had sushi once since we got back from NY and while it was the best sushi I have had locally IT WAS NOT OMAKASE AT SUSHI NOZ. It also didn’t require a personal loan to pay for, but *shrug* I’m spoiled now and will forever crave what I can no longer have.

People I’d Like To Get To Know Better

I hate tagging people in these things because I’m awkward and shy and do them so rarely myself that it feels hypocritical for me to ask it of others. That being said: if you’re a follower of my blog and you want to do this, please do! And please tag me! I’d love to get to know more about you 😊.

#getting to know you #wangxianbunnydoodles #tolkien #the untamed #movies #music #books #food

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alls-fair-in-pride-and-prejudice · 4 years ago

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The Star King’s Labyrinth Part 1

part 2, part 3

As promised, here is part one of my Dragon Prince/Labyrinth mashup fic. Aaravos is in the role of the lovely Goblin Elf king, and my OC Lyra is the lucky poor unfortunate human to be whisked away. The plot of this fic will largely mirror that of the original Labyrinth, but I went ahead and changed a bunch of things. For one, I spent longer on exposition than the movie did. (In which we will see professors Viren and Opeli - which made me wonder if people in The Dragon Prince have last names?)

Rated T on AO3 because cursing.

Tagging: @psijics and @king-bito (since you were the first I mentioned this idea to I figured you’d want to see I did the thing)

Let me know if you’d like to be tagged for future parts!

~~~

Lyra was already stressed after her physics class earlier that day. She knew Professor Viren strict, but she had no idea it was this bad.

“I have made myself clear in the past, no late work is accepted in my class,” the physics professor said, not even looking up from the work on his desk.

“I’m not asking for credit; I’ll accept the zero. I just want to be able to do the online assignment to make sure I learn the material,” Lyra explained. She needed to master her understanding of gyroscopes to move on to future material, but the online problems were closed the moment the due date hit, and she could not even check her answers. “Please, I was sick. There was only so much schoolwork I could do before the cold medicine knocked me out.”

Professor Viren shot her a withering look from overtop his glasses. “Then perhaps you should have worked on this material earlier so getting sick wouldn’t have been a problem. If you want to succeed, you have to prepare in advance in case of these things.”

Lyra gritted her teeth, wanting to say something like “Since it’s clearly been a while since your student days, maybe you’ve forgotten how hard it is to keep your head above water in the day to day work.” Or maybe even something like, “I know they had only just accepted the heliocentric model when you were in school, but we modern day students have a lot more to cover, so some fucking basic empathy would be appreciated you pretentious asshole.” She held her tongue, only muttering to herself once out of his office, “it’s just not fair.”

At least she had multivariable calc afterwards. It was always entertaining if they went over something with applications in physics, because then they would witness one of Professor Opeli’s legendary anti-physicist rants. “You do not need to understand the underlying concepts. In fact, you’re probably better off not trying to. You just have to do the math and you’ll sail right through the classes. Don’t even bother with physics professors, they’re virtually useless.” she said once. A student said that Professor Viren would probably be offended to hear that.

Professor Opeli simply gestured to her stony expression. “Does this look like the face of a woman who cares what he thinks?”

Any good feelings Lyra had towards Professor Opeli were immediately dissipated once she decided to assign extra work for the fall break. It’s so unfair! Do these people not understand the concept of a break? Lyra wondered.

The answer, of course, is “yes,” but college professors do not see days off from school as breaks, but more as lost time that must be made up.

Lyra, a fool that did not yet know that expectation is the root of all heartache, had set her hopes on a relaxing trip home for the four-day weekend. She wanted to go to the pumpkin patch and catch up on some reading while drinking hot apple cider. At the rate she was getting homework assigned, it appeared that she would be lucky to get the cider as a comforting treat while she worked.

At least her parents would help her with laundry and meals… she hoped.

But, as we have already established, Lyra was one to set her hopes too high. Her mother had forgotten that her daughter was coming home that weekend and had booked a gig that would require her and Lyra’s father to travel out of town for the weekend. “At least the dog doesn’t have to go in the kennel now,” Lyra’s mother said over the phone.

“Yeah, so on top of all the stress I’m under, I can also spend the weekend picking up dog shit,” is what Lyra wanted to say. Out loud, she said, “yeah it’ll be nice to cuddle with him this weekend.” Which, she supposed, was true. At least she had a furry companion to help ease her stress levels.

After a two-hour drive Thursday night, Lyra decided she could afford the rest of the evening to relax in the empty house. After taking Orpheus the labradoodle out to do his business, she made herself a cup of hot chocolate and curled up with a fantasy romance novel. It was extremely cliché and an easy read – by no means a great literary work – just how Lyra liked it.

It had just enough spooky elements in it to feel suited to the season too, a gothic vampire romance. The heroine rescued by a creature of the night and taken back to his castle (never mind that there were not castles just laying around in colonial United States, where the tale takes place).

Still, Lyra could not completely keep her mind on the story for her stress. She was already considering what online resources she would have to practice with since Professor Viren had such a stick up his ass that he couldn’t even leave the practice problems open to the students. Khan Academy maybe? It was invaluable in her high school days. Did they have college level coursework on there? How would her grades survive if she couldn’t learn this?

Lyra sighed, trying to turn her attention back to the fantasy world in hand. This was supposed to be her one chance to relax and she was not about to waste it. She reached for her mug only to discover the greatest of all tragedies: her hot cocoa had gone cold, and the marshmallows melted into a sticky inconvenience around the rim. Setting the mug back on the coaster, Lyra groaned. Orpheus, awoken from his nap on the floor by the noise, trotted over to Lyra, apparently deciding he needed belly rubs.

Lyra obliged him, making room for him to curl up next to her on the couch. Of course, despite his size, Orpheus was under the impression he was a lap dog, and there had to be careful maneuvering for Lyra to get some semblance of comfort once he decided she was his new bed.

Cuddling her dog had always been comforting in the past, but it was not long before Lyra wondered about her future, and she could fell the loneliness creeping in sitting in the otherwise uninhabited house. She couldn’t blame school stress for her inability to enjoy that moment, now could she? Why could she not enjoy what moments of rest she had? How was that fair?

Lyra could not deny that her grades were falling apart, and she wasn’t even sure that astrophysics was what she should pursue, but if she was not an academic, what was she? What else did she have going for her in this world after devoting her life since elementary school to good grades and academic success? Despite being a junior, she lacked any social connections that lasted more than a few months. Friendships were hard. She could never really figure out where she stood with people, always being as accommodating and friendly as possible to be safe. After the fact she always worried she came across as clingy, which would set the whole cycle of isolation over again.

“Wouldn’t it be nice if I could just run away from all of it?” Lyra mused aloud as she rubbed Orpheus’s ears. He did not respond, since he was a dog, and this isn’t the kind of story where animals start talking out of nowhere. “I guess that’s what I was hoping to accomplish by coming home this weekend, but my problems followed me here.” She inspected the art on the cover of the cheap paperback. “I want a castle. No, not a castle, I just want to run away somewhere that my problems don’t follow me. Where hot cocoa doesn’t get cold and gross and I don’t have to deal with stuck up professors and unreasonable deadlines.”

Lyra leaned back on the sofa, throwing her head back to look to the ceiling. She was not often one to talk to herself aloud, but perhaps it was the need to fill the empty space that made her voice her lamentations. Maybe some part of her, an instinctual part left over from the days when humans had to evade large predators, knew she was not really alone, that someone was listening in.

“I just wish I could leave this world altogether,” Lyra shouted to the (seemingly) empty room.

All the lights in the house flickered for a moment, then went dark, the only light coming from the streetlamps and moon outside. “It is my pleasure to grant your wish, Lyra,” replied a voice from the shadows.

Lyra leapt off the couch in alarm, spinning around to see where the intruder was. From what she could see, there was nothing out of the ordinary. Orpheus confirmed for her that something was wrong, raising his hackles and growling softly. Lyra grabbed a nearby decorative candlestick as an improvised weapon for self-defense. “Who’s there?”

There was no answer in any sort of verbal language, but Lyra felt an instinctual pull towards the entryway of the house. She crept along cautiously, Orpheus keeping close by her. She gave him a soft pat on his head as thanks for his loyalty.

In the entryway, across from the coat closet, was a small end table where keys and other assorted odds-and-ends were kept, with a mirror above it to check one’s appearance before leaving. As Lyra approached, she saw a figure in the mirror alongside her own reflection that became clearer bit by bit, as if emerging from fog.

She knew she had to be going insane at that point. The first thing she noticed about the figure in the mirror was that he was purple with silver freckles across his skin. Then his horns, curving against a head of silver-white hair, became clear through the mist, and Lyra wondered if she was dealing with some sort of demon. The sclera of his eyes was black, and his irises were golden and almost glowed in the dim light. Those eyes carried, like the rest of the figure, a frightening sort of beauty, like lightning that strikes a little too close for comfort.

In the mirror, the strange figure stood next to Lyra wrapped in a black cloak with gold trim. Whatever he was… he certainly was not human. Against perhaps her better judgment, Lyra reached out to touch the glass of the mirror in disbelief of what she was seeing. The figure glanced down to where Lyra’s hand met her reflection and smirked.

The person in the mirror reached forward, and Lyra saw a sparkling violet hand reach out to touch hers on her side of the mirror. She screamed and whirled around, swinging the candlestick. The stranger caught her by her wrist, seeming only mildly annoyed at most.

“Is that any way to greet the one that just granted your heart’s desire?” the stranger asks, with a deep baritone voice like honey.

“Granted… what?” Lyra sputtered, taking a moment to find her voice, and managing to wrench back her wrist from his grip in the process. Lyra realized that at some point in her shock, Orpheus had disappeared. So much for a loyal companion. She took a cautious step back from the very strange man in her house, finally settling on one question to start: “Who the fuck are you?”

The man took Lyra’s hand, bowing and placing a gentle kiss to her knuckles. She tried to ignore the fluttering of her heart at the gallant gesture. “I am Aaravos, king of this realm. You wished to leave your world, so I brought you here.” He stood, snapping his fingers, and the walls dissipated like mist, leaving the two of them standing in a twilit forest.

Lyra looked around, taking in the ethereal surroundings: the lights like tiny multicolored stars hanging in the branches, and the floating bits of stardust around them. They stood on a hillside, and in the distance, atop another hill, a gleaming castle with impossibly tall and spiraling spires reached into the night sky. Surrounding it in the valley below was a labyrinth so large and twisted it could rival Greek myth.

“And… where is here?”

Aaravos leaned against a nearby tree that bended and curved upon his approach to something more comfortable to rest against. “This was once a realm that served as a prison, but those that sent me here underestimated my power and my ability to mold this world into something more suitable. These days, I find I prefer my new home to the one that banished me. You would be advised to stay close to me, and I can help you avoid the areas that still serve as places of torment.”

“Torment??” Lyra laughed, a tense and nervous sound that grated even on her own ears. “This is just a weird dream. I fell asleep on the couch and I will wake up any minute now… right? Right? I just… I want to go home.”

Aaravos’s face scrunched up in confusion, and a darkness took hold of his gaze as he stalked toward her. “Not five minutes ago, you wished to leave your home. I have graciously granted your wish, and now you would rudely refuse my gift to you?”

Lyra gulped, debating whether she should appease this being with an apology, or whether she should try to reason with him and defend her right to go home. When looking up into the face of this man that radiated dangerous power, Lyra’s sense of self-preservation demanded she choose the former. “I’m sorry,” she said, voice quiet and shaky, “I did not mean to offend.”

Aaravos smiled, reaching up to brush his fingers along Lyra’s cheek. The sweet caress made her shiver, though she was not sure if it was from fear or… something else. “Nothing in this world or any other, dear Lyra, is truly free. I will admit I had an ulterior motive for bringing you here.”

Lyra sucked in a deep breath, staring up at Aaravos with as much courage as she could muster. “And what was that, exactly?”

Aaravos grinned. “I am terribly bored, and you little humans are so interesting.” He took a lock of Lyra’s dark hair that had fallen from her bun and twirled it around a finger. “I could get a lifetime’s worth of entertainment just watching how you react to magic that is so commonplace for me. Do you really wish to go back to your dull human world with your deadlines and lonely nights? Reading books about magical adventures instead of having your own?”

Lyra hesitated, tempted by the offer... but it all sounded too good to be true. There had to be another catch, and she knew she could not trust this Aaravos to be transparent. Besides, as frustrating as it was at times, she loved her studies. She loved her family and her dog and she could not give that up forever. “Please, let me go back. I didn’t mean it when I said I wanted to leave. I was just frustrated. Let me go, please.”

Aaravos sighed melodramatically. “Oh, if you insist… I suppose I shall have to amuse myself some other way.”

Lyra almost laughed in relief. She began to say her thanks, but Aaravos cut her off with a look that carried a sadistic glee to it. “Let’s play a game, then,” he said, his tone sharp and without any of the softness it carried moment before. With a wave of his hand, a clock floated above his palm. “I will give you thirteen hours. If, in that time, you can make it through that labyrinth to my castle, I will send you home. If not, you will stay here forever.” With a snap of his fingers, the second hand on the clock began ticking.

“Wait!” Lyra cried, “I never agreed to that! What kind of deal is that?”

Aaravos cocked a snowy white eyebrow. “You seem to be under the impression, little star, that I was asking your permission. No. I have simply informed you of your current predicament. If you wish to return home so badly, I suggest you get moving. After all,” he gestured to the floating clock with a nod of his head, “the clock is ticking.”

In a flash of blinding white, Aaravos disappeared, and Lyra was no longer on the hilltop, but staring at an elegantly carved stone archway possibly thirty feet tall. She stomped her foot and shook her fist at the sky. “YOU BASTARD,” she screamed, “That’s not fair!”

Left with no other option, Lyra stepped through the archway into the labyrinth.

A/N: Opeli’s disdain towards physics professors is based off an actual calc professor I had. The physics and calc professors I had that semester talked shit about each other and their departments. It was great.

Lyra is a college student because an immortal elf hitting on a 21-year-old is less creepy than one hitting on a 16-year-old. In her original universe, Lyra’s parents were bards, so I decided to leave them as vague performers/musicians in the modern world.

#Labyrinth #aaravos fanfic #tdp aaravos #alls fair creations #oc lyra

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meibemeibelline · 4 years ago

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part 3 (FINAL) of highlights from that 32k word doc i wrote when i marathoned gazette songs (2012-2018)

PART 1 | PART 2

once again:

This is a combo of thoughts on music, lyrics and other random things I wrote while listening. Not every song will be featured, sorry.

I sometimes directly quote translations and when I do, I’ll specify whose it was. Here are the masterposts of lyrics by Heresiarchy , Defective Tragedy and Trauma Radio

I will write song titles for which there are warnings in bold and all caps

So this part will be a bit different because mental health and The Band became really prominent themes in their music in a way it wasn’t really before, so rather than simply writing about songs as they come, I do (attempt to) connect some dots between songs and albums

Also this is REALLY LONG (~5k words)

If you read any of these posts, thank you <3

CONTENT WARNINGS: murder (In Blossom), reference to abuse (In Blossom), suicide/suicidal thoughts (Kagefumi, Deux/Blemish), reference to PTSD (Incubus). Overall LOTS of discussions about mental health.

buckle up folks it’s gonna be a long one

So I listened to Division according to the limited edition version where the songs got split into the ‘story-like songs’ and the ‘hype songs’. Just while we’re on that, I like to think that Vein is the story part because these songs (the blood) are meant to go TO our hearts, while Artery, which is the ‘raw emotion’, is the heart doing the talking and supplying the oxygen that will do its thing. LIKE HEADBANGING.

“Ibitsu is not the first song they’ve written about changes in the music industry, but it’s quite different from others like 13Stairs[-]1 and Dim Scene. They were quite angry about the state of things, lamenting it. But here, Ruki is writing his and the band’s place in all of that. It’s like in the other two songs he’s like, “wow look at all this rubble. This sucks.” But in Ibitsu he’s writing about how he’s also in that rubble and thinks about what HE feels about it in relation to himself and the GazettE. And I find that quite interesting. Also hell YES imagery – skies as ideals, the world around them collapsing into ruin, the band as a flower amidst the rubble that can’t reach the sky. It sounds like he’s trying to navigate how he’s supposed to move forward when his ideals and what’s happening in the industry oppose each other quite a lot. He doesn’t reach an answer in this song and ends by asking whether it is actually in ruins or whether he’s just afraid of change, I think.” - interestingly, he uses this same imagery in Kuroku Sunda Sora to Zangai to Katahane to write about anxiety and not feeling good enough.

Quick disclaimer on KAGEFUMI: I do want to say first that I’m talking about this purely as a piece of art. Not as in, like, “this is peak romance”, but just as an artwork I can have Opinions™ about, even if they’re possibly in disagreement with that of the creator. “The shadow tag metaphor for a couple committing double suicide meaning that they’re ‘becoming one’ and being together in death is A Lot. There’s an incredibly strong belief in an afterlife where they can be together makes (what Ruki describes) this stronger bond between them that literally lasts or even transcends the boundaries between life and death, rather than a tragic end (unlike Tokyo Shinjuu). Musically, I love this song and think it’s gorgeous, the way it’s sad yet hopeful. We over here with that bittersweet stuff again but lyrically it’s a WILDLY different route than others before it.”

“Yoin is such a heavy end to disc 1. The ending lines, “The sea of loss / Understanding of helplessness / That day we grieved” about the Tohoku earthquake/tsunami and the nuclear disaster is just so ……. And not only that, but how even though people still struggle to survive, people are moving on like it’s a thing of the past. It’s SO heavy.” (Cr: Defective Tragedy)

“I think [Derangement] is about a massive internal struggle between wanting longing for the past, knowing it won’t come back, but also wanting to destroy the past out of self-hatred. There are aspects of the past, perhaps ambition and drive for example, that are good, but other parts that are not. It’s almost like a continuation of Remember the Urge but like…angrier and with more hatred towards his own past rather than only the longing of it. Which is also really interesting.” – this is definitely one of the themes that comes up A LOT from now, ESPECIALLY in Ninth. We’ll get to that.

“IS KAI GOOD??? That man is NOT human. I swear to god his drums in Required Malfunction are INSANE. ANYWAY, this song is about how people cannot be perfect and we all have flaws, especially in the context of relationships. I like that even though people argue and butt heads sometimes, there’s that Japanese verse where he sings “Let’s send a song without stains / to that innocence without lies / so you can swallow those wounds” and the last lines “Because you are always here, I can advance” to mean like…them being together can ultimately make them better and it can be a good relationship (if they work on it, imo). Also, I love the language he uses here – viruses and malfunctions and inputs – a very non-human way to write about human relationships.” (Cr: Trauma Radio)

(Dripping Insanity) “Solitude drenched in red laughs / in the insanity dripping in silence” is SUCH a good line yes hello I appreciate this. (Cr: Heresiarchy)

“EYYY HAVEN’T HEARD FORBIDDEN BEAVER IN FOREVER. At first I was wondering if this might be judgmental but honestly? I think this is satirical, especially from the line “May the truth you spew on taboos going frantically around / Shred the rhythm of high society”. Like the fact they’re gossiping about a famous woman who has a lot of sex and just TARNISHING her name bc of it, to Ruki, is a load of bullshit. Also, some of the lyrics in the chorus are funny coming from Ruki – “She has a sex addiction / Bang! Bang! / Cute luv machine” – like he does NOT ever write like this and this song is just a huge satirical joke I’m YELLING.” (Cr: Heresiarchy)

“The transition from Malformed Box to Inside Beast >>>>”

“[Inside Beast] is definitely about having a ‘beast’ inside you that’s like all your demons and ugly feelings and to let them all out. He wrote about demons in Derangement, but the way he writes about acceptance is like…empowering and freeing. Not necessarily through words but through the music and just how hard this song slaps.”

“I really love the lyrics of [Until it Burns Out] and its whole thing about valuing the time they have as a band and to be together making music precisely because it’s going to end someday, and it’s going to be their last shot at living their dreams, which is to make music and perform TOGETHER as the GazettE. Like that’s so meaningful, and powerful in the way they just…grab it by the fucking throat. Breaking down the walls that hold them back, TOGETHER, towards the future in which they see their dreams. Like they’re not letting this be the end. They won’t allow it. UGH. UGHHH. The middle eight is so beautiful and I love the lines “The light that colours this irreplaceable scenery / burns the significance of standing here into me / Until the last” like they just love performing SO MUCH UGGGHHH FEELINGS”. (Cr: Trauma Radio)

“[REDO] IS SO GODDAMN SENTIMENTAL I’M IN MY FEELINGSSSSS. Kai being the composer, I can’t help but feel this is him paying homage to jazz, which is the music his mother plays and he loves her so so much. I’m probably reaching but THAT’S JUST HOW I FEEL.”

“EVERBODY SHUT UPPPP IT’S LAST HEAVEN TIMEEEE. It’s so gd gorgeous and sweet. I’M GETTING REALLY EMO WHAT THE FUCKKKK. BRUH. BRUUUUHHH. THIS IS SO BEAUTIFUL //THROWS. SHUT UPPPP. TOO MANY SKY, STAR AND FOREVER REFERENCES FOR THIS TO BE OKAY BITCH. This is Ruki’s love song to the cosmos, wishing to be eternal like the stars but acknowledging that all he can do is chase it knowing his life will end, BUT THAT THEY DON’T HAVE TO GRIEVE BECAUSE THEY WILL MEET AGAIN IN THE AFTERLIFE BECAUSE IN SOME WAY WE /ARE/ ETERNAL. IT’S LOVING AND INNOCENT AND WISTFUL. This song is the goddess to all the GazettE love songs. THANKS FOR COMING TO MY TED TALK. “The distant sky, this infinite moment / I now wish from the visible stars / in this youthful merry-go-round / that continues to turn endlessly / I want to be eternal like you” – is just…such a beautiful image. “Let’s stay like this, having dreams we cannot reach / Long road which leads to the calm hill / I go, leaving my sadness behind / Good night…my beloved / Last heaven of mine” – it’s yearning but it’s the yearning for LIFE. And to leave behind sadness…Ruki very rarely writes about pain like this. And to call the ‘beloved’ his last heaven, the last thing in his life that’s just THE BEST THING THAT’S EVER HAPPENED TO HIM AND THE THING HE WANTS TO BE ETERNAL WITH goodbye………GOODBYE. “Love without shape changing day by day / Close together / we become / one shooting star” – AAAHHH AAAAAAAAAHHHHHHHH. Also, for him to say ‘memento mori’ which means “Remember, you must die” in the middle eight of a song about wanting to be eternal just gives the entire sentiment a new meaning ;-;” (Cr: Trauma Radio)

“There’s a particular sound to Division and Beautiful Deformity (but more in BD). It sounds like rushing water. Loss in particular sounds like this. Like, the sound isn’t just ‘dark’ and ‘heavy’, it moves A LOT and there is sooo much emotionality in the songs on this album. It’s really dynamic.”

“The Stupid Tiny Insect revisits the theme of inner demons. Specifically, in this song it sounds like negative internal self-talk. It’s interesting though, the way that Ruki writes it as an entirely separate being to how he writes inner demons and whatnot in other songs, where it’s either another entity within a person that is part of them OR just…themselves. Here, they are VERY separate, and that probably allows him to feel and express rage instead of helplessness or confusion. I also love the reference to pretending to be okay – “I get high on delusion / And act as if I made them die out / ‘Just like a summer moth to a flame”.” (Cr: Heresiarchy)

“IN BLOSSOM is pretty fucking brilliant lyrically imo. It reminds me a lot of 32 Koukei no Pistol in that a protagonist who was abused/neglected by the parents kills them, and in the latter’s case only, also themselves. Some other differences: In Blossom is WAY angrier (and a lot more loaded) and the protagonist is trying to ‘make their own life’ (even if the way they choose to do that DOESN’T WORK), whereas the narrator in 32 Calibre Pistol was mostly lamenting that they’ve ‘lost their way’ and deep-down were wishing for their family to be happy together. I can’t say WHY that is. But it’s interesting that in In Blossom, the abuse just…DESTROYED their concept of family that they used to believe in entirely, and the fact they cannot separate themselves from their abusers neither by dying nor killing them is A Lot. So, they try to free themselves and ‘get hope’ by killing their abusers as revenge (“Die away, along with these wounds I’d counted”), but it doesn’t bring them happiness or heal them (“Even if I slash so much it’s unparalleled by the wounds I’d counted, it still starts to ache / It doesn’t even fight off the decay, much less heal me”). It’s very much saying that despite pain, revenge is not the answer. I also love the line “They adorn vividly – have blossomed beautifully / The sun that has started to set makes sure of it” to describe the wounds as the narrator kills their abusers and their loss of sanity as they do so.” (Cr: Heresiarchy)

“To Dazzling Darkness is about that moment when a concert is over and the lights start to come on. It’s so gorgeous. This is sort of like, the other side of Until it Burns Out. If UIBO is about the band then TDD is about the fans, and the band’s place in the world. I love the imagery in the first verse – darkness is usually associated with bad things, but here darkness is peace, escapism and unity that are part of the happiness of a concert, while the light symbolises the continuation of life. The scenery here is the same scenery in UIBO, which is the scenery of a concert that this band cherishes. There’s also the acknowledgement that time is fleeting and nothing is forever. Like, this is really the other side of the coin and I love it.”

“Dogma defines their new (2015) sound so well, which is HEAVY AND DIRTY AS FUCK. Like, it is SO conceptual and experimental and the painting is just GORGEOUS. I love the harpsichord in this song – as the predecessor of the piano, it was used in a lot of churches and religious music in the Baroque period (1600-1750ish), so using it here in a song where the band is likened to idols (the religious type) is super cool. And to combine it with these really low and heavy guitars just gives the DARKEST image.

And there’s so much going on in the lyrics – MANY MOTIFS, MANY MEANINGS. They bring back the concept of darkness as a symbol for escape from harsh life and of unity during concerts. As for death, Reita has an iconic quote where he said something along the lines of: “we often say in lives ‘to die’, but what we actually mean is to live. Live and be free”. I see death for GazettE as a kind of transformation – and end, yet also a beginning to become something or someone new.

Ruki hasn’t really mentioned god since Ogre in Dim, in which he basically wrote “idk if God exists but I don’t really care – all I need is me”. But here he likens the band to an idol of worship. We as the fans worship the GazettE, and they are also gods to us, their followers, in the sense that they provide us with life and unity (referred to here as death and darkness, respectively). The GazettE as a band brings darkness and death to the world (with their own meanings, of course).

This is also a song about the band breaking away from current gods and dogmas of the music industry, and from its greed. I also love the line, “The rite I must face is cloaked in darkness and isolation” – this process of their journey to finding their truth is lonely, and no one but them can do it for themselves. To do so also isolates them from everything they once knew. It’s them navigating what is expected of them by the masses and those they work with vs doing what they want without getting shunned for it.” (Cr: Defective Tragedy)

“DAWN IS ABOUT REDISCOVERING THEMSELVES. I love the number of metaphors he brings back in this song – 13 stairs, death, merry-go-rounds and again dogma. Death here is about the transformation of them as a band, which occurs at the top of the 13 stairs to the gallows. And I find that so interesting because he uses the image of gallows (eg: 13 Stairs[-]1 and Forbidden Beaver) as like…an actual Death that means the end of a genre or a person’s reputation, but here it’s a place of transformation. In Last Heaven, the merry-go-round is a symbol of life – it comes back here but this time it’s red instead of blue (youthful) and is paired with the image of a mad banquet with emotions running wild (ie concerts). Basically, this is about the band’s life and, like, their life being about concerts. My favourite part is “Overcoming a period of confusion, I took those stirring emotions / And hung them up high on the 13 stairs” because there’s also the line “I’ve already had a lethal dose of misfortune / The ruined gallows towers above me” -> WE WENT THROUGH SOME SHIT BUT WE FOUND OURSELVES AND SURPRISE BITCH, BET YOU THOUGHT YOU’D SEEN THE LAST OF ME.” (Cr1: Heresiarchy, Cr2: Defective Tragedy)

Not from my notes directly but I feel like the difference between Bizarre to Juuyonsai no Knife (ie the only two songs about Real juvenile criminals) is a REALLY good representation of how Ruki’s lyrics have changed over the years. He went from taking perspectives of people who perpetrators of violence (to write horror stories, imo, but also to generally Explore their minds through art) to making comments about society and how systems affect people in real life. Not to say he doesn’t write about killers anymore or that social commentary is NEW for him, but just…a big change in what’s PROMINENT.

“Interesting that Wasteland is next, which is about Justice on the Internet. I know Ruki has always been really critical of the internet and the kind of social processes that occur online (see: Nakigahara) and here it’s about morality and justice, but more importantly the way it’s about crowd mindsets and CONTROL. And he just summarises it SO WELL in the first verse: “The thousand eyes that can kill even God / Transform into rebels that lust for control / If the time comes when right and wrong disappear / It will all end with a blood-red moon”. There’s also the line “Innocence gives way to sinful judgment” ie the innocent go along with their ways or it’s the innocent (the weak, as he says later) that are scrutinised. And I think about this a lot considering…some other fandoms I’m in >.>” (Cr: Defective Tragedy)

(INCUBUS) “The song is a lot of wondering what they did to deserve their trauma and how they want the dreams/nightmares to go away. I do like that at the end of the song they come to the conclusion that they cannot change what happened and decide “fuck the why”, accepting they didn’t deserve it. Even though the narrator is still stuck in the maze (of trauma), the letting go of asking why it happened is like, a really important step in healing. Because it’s the end of self-blame. So, I hope narrator can heal :( “

(DEUX) “My dumbass never realised this but the music of Deux itself has DUALITY. Metal with solo piano. IT REALLY TOOK ME FIVE YEARS TO REALISE THAT HUH. It’s about two conflicting selves (which to me sound more like intrusive thoughts, considering Blemish’s VERY LOUD “These days I’m better dead”) and the effect that has on like, your emotionality and how it leads to loneliness. His use of nightmares in this song is fascinating – the Japanese word he uses (sakayume) is like…a reverse dream, like if a child has a nightmare you tell them it’s a sakayume so it means what happened in their dream definitely won’t happen AND something good will happen instead. And this is something Ruki prays for.”

(Ominous) “The imagery is really dark in this – “A prayer crushed under wreckage / Reflects in your eyes as you start to fly / I see you in the sky thick with shadows / Spinning around with nightmares” – there’s a desperate attempt to fly and get better and do Well but still they’re surrounded by darkness and nightmares, unable to escape. “Don’t forget that a heart cannot die / Don’t forget that dreams aren’t predictions of the future” –There’s hopefulness in a heart not dying yet a very strong despair when he says dreams don’t predict the future, not even reverse dreams. “It steals away my still-unformed future, and whenever I step forth / I can’t see a thing in that shadowed sky / My screaming can’t save anything / when I’m killing myself with sadness” – oh that hurts, that hurts A LOT. He wants to fly but he can’t. This is just SO MUCH. And they didn’t even have an instrumental outro, IT JUST ENDS WITH ACCEPTANCE OF HOPELESSNESS AND DEPRESSION.” (Cr: Heresiarchy)

“The drums in Goddess uggghhh UGGGHHH. AND THE GUITAR TOOOOOO. Lyrically, this is really a mid-point between depression and healing. It’s A Lot. He writes about his suffering, wanting to make something of his mistakes and his sins and actually WANTING TO LIVE. But it’s so sad that in the end he still feels really helpless – the subtle changes between “I want to become the stars that fill the silence” vs “I can’t become the stars that fill the silence”. But I think that on some level he knows what the next step is. He wishes in the last two lines, “If only I could share my grief that can’t be put to words / If only I could face reality and live accepting my crippling despair”. THAT’S THE FIRST STEP!!!! THAT’S A STEP!!!! TO HEALING!!!! “These bleak thoughts are my sacrifice that will one day begin to thaw into a selfless, smiling heart” – this line is fucking LOADED. Like, he sacrifices his bleak thoughts by expressing them and by making art out of his pain in hopes that he will be able to acknowledge and accept his suffering and his pain as a means to heal, as a way of allowing him to have a selfless and smiling heart. Like, this is SO much of what his art is about and what it has been for SUCH a long time it makes me so emotional that this is what he’s saying about his own lyrics.” I realise too that the goddess is likely the same goddess from Blemish. I’m still unsure what to make of it because Blemish ends in Ruki writing he doesn’t wants to be reborn, and not abandoned. But here he ends with wanting to heal. Wanting to move on and live.

WHICH BRINGS ME TO UNDYING.

“WHEN HE BROUGHT BACK “SLEEP, COUNT ME DOWN AGAIN” >>> God, this song is so powerful. THERE ARE SO MANY CALL-BACKS TO DOGMA. I SHOULD’VE KNOWN THIS BUT STILL. BITCH WHAT THE FUCK. It’s a direct continuation of Ominous (“I won’t arise from this”). I think in this song he’s becoming that figure that is flying in Ominous, and the one that is surrounded by nightmares and shadows – the first verses are about how the future is drenched in misfortune yet we must continue to live (and suffer, but WE CAN AT LEAST BE A BIT HOPEFUL). Ruki says this YET HE IS STILL DREAMING, EVEN AS THE END COMES (“My heart starts to disappear along with the spirit of my words / And though it knew the end was near / It dreamt of things it shouldn’t want / And even now I am still—“). There’s also his mentions of sins again that he continues to drown in :( But overall, this song is really about living despite all the pain, which is really meaningful after Dogma ended on such a note of hopelessness. There’s so much power in this song.” (Cr: Heresiarchy)

“Vacant doesn’t necessarily sound like a romantic relationship breaking down as much as it is about making a mistake and being unable to fix it between you and someone else (or other people), even if Ruki said he wrote it with a band’s image in mind. But the gist is is that there is yet again a struggle within the self (“Self-condemnation distorts the answer / And I lose sight of what I should be / Because of those unconscious actions / I can’t even dream”). The line “In the pain of not being able to tie back the undone thread / The traces left by stopping time keep piling up” really got to me – being stuck in time and constantly wishing for something that was and being hurt by the fact it’s gone is something I personally relate to. But even as the narrator is stuck in time, their grip on the past is loosening – they are forgetting, memories fade, and they lose their strength (“Vacant, you are withering”).” (Cr: Heresiarchy)

(Faling) ““Together, embracing the same pain: it’s only temporary / Don’t forget that this is not the end / So come on, let’s open our eyes and fall / We just believe in ourselves to die / Sometimes it’s okay to be broken” THIS MEANS SO FUCKING MUCH AFTER THE AMOUNT OF TIMES RUKI ENDED DOGMA SONGS WITH HOPELESSNESS AND AT BEST “WE HAVE TO KEEP LIVING AND SUFFERING AND BEING IN PAIN” BUT IN FALLING, PAIN IS TEMPORARY. PAIN IS TEMPORARY. WE WILL HEAL, BITCH. WE WILL GET BETTER, BITCH.” (Cr: Defective Tragedy)

Can’t find my notes bc it’s somewhere else in my Tumblr drafts but basically: I consider Mortal, Utsusemi and Sono Kore wa Moroku like a Depression Trilogy™ in Ninth. Mortal is about depression, loneliness and loss but like, tying it to a singular person or event in which the narrator felt grief. Utsusemi is about loneliness and depression as well, AND RUKI USES THE CICADA SHELL METAPHOR, WHICH IS THE SAME AS CRUCIFY SORROW (ALSO ABOUT DEPRESSION, BUT SOMEONE ELSE’S). But then, Sono Koe wa Moroku is THE turning point and where he first mentions (in this album) and actual DESIRE to heal and like, ON HIS OWN. IT’S ABOUT BEING STRONG FOR HIMSELF AND THAT MAKES ME SO EMOTIONAL. And as I mentioned before, Falling also ends on a hopeful note about sadness not lasting forever – it’s like he’s prefacing the album with the fact sadness IS temporary and that there IS a turning point.

“Babylon’s Taboo is interesting…so apparently Babylon is a figure of western imperialism and capitalism in the Rastafari movement (an afro-centric anti-capitalist and anti-imperialist movement from Jamaica). The narrator is COMPLETELY aware of the oppression and injustice that goes on around him but confesses to doing nothing. I interpreted this as complacency to violence, which Ruki has written about before. Also, he describes a starry sky (which I presume represents wealth and happiness) as a lie, and that they are actually black eyes that watch and look down upon you. In the context of anti-capitalism, my interpretation is that the ‘guaranteed fate’ he writes about is the life-long struggle to attain wealth and happiness – we are doomed to dedicate our lives to this, futilely, to no end. and there’s nothing we can do about it. Another line that stood out to me most is “all I need is sanity but uncertainty will do”. this, along with the rest of the song, implies that the narrator is PRETTY DAMN SURE that we’re all fucked so like....HAHA COOL.” (Cr: Defective Tragedy)

(Two of a Kind) Okay so…another motif I noticed in this album is an I and a You. And I know this sounds weird considering almost EVERY SINGLE GAZETTE SONG uses first and second pronouns, but mental health is SUCH a prominent, overarching theme in a way no album concept has been before, hence why I’m saying this. Two of a Kind is really solidifying this for me, but they appear in almost every song (but the You is known as ‘she’ in The Mortal). This pair are connected in an extremely emotionally intimate way. For one, they share pain and understand each other’s pain. Secondly, the narrator falls into depression after they’re gone. A part of me thinks it could be a past self and a current self, considering Ruki’s said this album involved the Most introspection from him and Falling writes about sins and past mistakes again. So, it could be a way of separating a past and current self – a past self that was perhaps lost, and made mistakes, but ultimately creates his current self.

But it could also be another person, as this You figure is also a source of light – someone Ruki shares his wounds with, in Two of a Kind. If it’s another person, it may also make sense that the depression and loneliness written about in The Mortal and Utsusemi is triggered by someone extremely close leaving him. Either way, it is this understanding and connection between the I and the You that also bring hope for the future and I REALLY love the way that hope is conveyed in the chorus of Two of a Kind. There’s so much light in it compared to the parts of the song where ruki calls himself filthy and ugly, and when he writes about negative feelings that never go away and bleed into this other person. but i think this other person understands it, and that’s why he can move on.

“Abhor God is a REALLY dark and heavy take on MOVING FORWARD. Like there’s so much rage in the way he writes about killing his lust, pride and anxiety and stringing up his nightmares in a noose, yet so much power in how he moves forward and sings victory with his music and his art. This is likely connected to Ninth Odd Smell and Uragiru Bero - where he writes about the band’s history and his imposter syndrome as an artist despite the band never going to die just because of that. He contrasts ‘too fast to live’ and ‘too young to die’ like, he’s really in a sort of purgatory where he’s constantly making too many mistakes to be happy but has too much to do for him to give up. So it’s here that he chooses to keep going no matter how weak the beat is. Imagery-wise this feels like.....continuing to live not because you have happiness to look forward to but just out of sheer willpower. Like it’s just so angry. Angry at the world, at yourself, but carrying that anger to try to be better and move forward.”

“And Unfinished is about the fans being his reasons to live and IT MAKES ME VERY EMOTIONAL THAT THIS IS HOW THE ALBUM ENDS!!!!!!! WITH HOPE!!!!! AND MOVING FORWARD!!!!! THEY LITERALLY ENDED THEIR ALBUM THAT’S ABOUT THEM ‘MAKING THEIR MARK ON THEIR WORLD’ WITH LIGHT AND HOPE AFTER LIKE TWO STRAIGHT ALBUMS OF /DEPRESSION/. EVERYBODY GO HOME WE LOVE HEALING IN THIS HOUSE.”

AND THAT’S THE END FOLKS!!!! if you made it here thank you so much for reading my ramblings and i appreciate u so so much <3 i hope you learned something new about the gazette’s music (i sure did - it’s why i went on this marathon in the first place!!) and again i have a list of posts i might write (which will definitely be shorter than these) so! yeah! anyway!! it’s past 11pm and i have no more brain cells. thanks again love ya have a good day/night <3 <3

#the gazette #gazetto #ruki #uruha #aoi #reita #the gazette kai #kai #the gazette ruki #the gazette uruha #the gazette aoi #the gazette reita #why am i tagging this #anyway i just want to say #i tried to stream bts' new song while putting this together #but i physically COULD NOT #the dissonance was too much #anw i love dynamite it's such a great serotonin boost haha <3

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recentanimenews · 5 years ago

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The Best Anime of the 2010s

Here it is, the third and final installment in our Best of the 2010s series! We’ve gotten manga and video games out of the way, so it’s time for anime.

If you’re just tuning in, here’s how it works: our three contributors (Evan Minto, Ink, and David Estrella) each ranked their top anime series and movies released between 2010 and 2019. We scored them all based on their positions in the three lists, and came up with a single combined list of 10, which you’ll find below. We haven’t seen every anime out there, so there may be some conspicuous omissions, but of all of our lists, this is the one we’re most confident in. That’s mainly because the contributors covered over 120 titles between the three of them! The full lists for anime, manga, and games, including our individual rankings, are now available on the Ani-Gamers Patreon.

Below you’ll find everything from lo-fi comedies to tragic war stories. And befitting the many ways anime is produced and distributed, our list contains TV series, net animations, short films, big-budget feature films, rotoscope animation, and more. It’s been a great decade for anime, and we hope you find something new (er, more like old) to add to your watch list. Enjoy, and feel free to chime in with your own picks in the comments!

10. Tantei Opera Milky Holmes: Act 2 (2012)

David Estrella: No one believes me when I say that Milky Holmes II is an essential anime and frankly, I don’t have the wherewithal to argue with close-minded idiots that have had the bulk of the 2010s to listen to me for once. If you have to ask, it’s already too late for you but in case you’re 14 and your first anime was a post-Bleach shonen thing, Milky Holmes is a comedy that begins as a mildly amusing goofy slapstick magical girl detective cartoon and soon spirals out into an insane spectacle that completely incinerates all the other half-way passable, middle-of-the-road multimedia schlock that used to made before it all became indistinguishable idol gacha crap. Someone went highly off-script on this production and every Milky Holmes afterwards is not even worth mentioning next to these first two seasons. Between this, gdgd Fairies, and Teekyu, the last breaths of creative expression in TV anime were all concentrated in 2012, and before we knew it, it was gone.

9. Flowers of Evil (2013)

Ink: As far as manga adaptations go, hell, as far as film goes, Flowers of Evil is nothing short of a masterwork. Layering animation atop live action (rotoscoping) to emulate the basic premise behind the poetic movement so treasured by the “tortured” protagonist … not to mention actually including relevant, inspirational poems, Director Hiroshi Nagahama takes great risks – from pacing to form and even content – and sticks the landing with technical and emotional force to improve upon the source material (even though the anime only adapts half the manga). It’s an anime that reveals how beautiful ugliness can be and vice-versa.

8. Kill la Kill (2013–2014)

Evan Minto: There’s nothing quite as enjoyable as watching Hiroyuki Imaishi and Kazuki Nakashima go to town on an anime TV series. Kill la Kill is a bonkers ride from start to finish. It’s got superpowered talking school uniforms, nudist secret societies, fanservice so obnoxious it somehow becomes cool, and a never-ending parade of shocking heel-turns. There’s something in there about fascism and the fashion industry and maybe if you squint hard enough you can argue it’s feminist, but the most important F word when it comes to Kill la Kill is “fun.”

7. Kizumonogatari (2016–2017)

David Estrella: I don’t think I’ll ever fly to Japan for the sake of seeing an anime film on opening day again, and fortunately Kizumonogatari was such a peak for cinema that I’m perfectly fine with that. Kizumonogatari left me fulfilled in a way that people with weaker immune systems would pass on to the hereafter upon leaving the theater. It’s not a coincidence that my interest in anime tanked severely once the Kizu trilogy wrapped up since, with a few rare exceptions, very little anime possesses the same ambitious spirit as I found in Kizumonogatari. While Makoto Shinkai is busy making extended Apple commercials under the guise of magical realist teen romance films, I’m really finding it easier and easier to call the anime medium completely and totally solved as early as 2017.

6. From the New World (2012–2013)

David Estrella: Due to circumstances outside of my control, From the New World appears higher on the list over the definitive best anime of the decade and I’m stuck writing about it. I’ll play along if only because From the New World is a great show that deserves another look to appreciate how much it was doing within the boundaries of weekly 24-minute episodes. Adapted from a science-fiction novel that will never be translated and published into English, it’s the rare sort of anime TV show that gets its hooks in early and continues sinking them in until the thought of taking a break before reaching the resolution is unbearable.

5. JoJo’s Bizarre Adventure (2012–present)

David Estrella: The loudest JoJo people say that Stardust Crusaders is the best JoJo, then two camps split between Diamond is Unbreakable and Golden Wind say their JoJo is the best JoJo, and then I’m the obnoxious voice in the back that hoots and hollers anytime someone says the phrase “Battle Tendency”. All the other JoJo’s are technically more sophisticated than the first couple of parts, but none of them really match the sheer power of that initial hit, those two amazing openings, and the actual best JoJo, Joseph Joestar, voiced by Tomokazu Sugita giving the performance of a lifetime. At the very least, we will all be haunted by Roundabout memes for as long as JoJo remains relevant.

4. Endless Night (2015)

Ink: Storytelling that relies solely on visuals is seemingly rare in anime these days, and even though Sayo Yamamoto’s Animator Expo figure skating short (which led to the more verbose Yuri!!! on Ice) is backed by a perfectly expressive song by Hiroshi Nakamura, the latter is made superfluous thanks to emotionally soaked movements and settings, laudably implemented surreality, seamless flow, minimalist color palette, and evocative texturing. Seven minutes (if that) lays out, engrossingly, a complete story of inspiration, infatuation, and (ultimately) realization. Ignore the East German judge; the passion and implementation is a 10/10.

3. Inferno Cop (2012–2013)

Evan Minto: “Best of” lists like this one have a tendency toward “high” art, toward stories about Big Ideas and Important Subjects. Inferno Cop is the lowest art of all: a series of nonsensical, lo-fi cutout animated shorts written with the reckless abandon of children playing with action figures. It’s also one of the funniest anime series in a very long time, and certainly one of the best comedies of the decade. It’s only fitting that it served as the world’s introduction to Studio Trigger, who closed out the 2010s with their smash-hit feature film Promare.

2. The Tale of Princess Kaguya (2013)

Ink: The recently late and perpetually bereaved Isao Takahata was, ironically, given the work about which this blurb is written, a realist compared to Ghibli co-founder’s (Miyazaki) escapist tendencies. Why, then, is this retelling of a very familiar folktale in The Tale of Princess Kaguya so powerful? Because the characterizations are as palpable as the animation is expressive; there are few scenes in the all of anime that draw breath like those of the MC’s dashing sequences. The art itself is simultaneously emulative of both a child’s picture book and a depiction of time as age sets in. Fairy tales are forever. RIP and thank you, Takahata.

1. In This Corner of the World (2016)

Evan Minto: This movie handily snagged the #1 spot in our ranking, and it’s not hard to see why. It’s a story about the hardships of World War II told not through combat, but through the grueling travails of civilian life. In This Corner of the World’s gut-wrenching tragedy is tempered and amplified by the currents of love and big-hearted, true-to-life comedy that run through it. The film is a beautiful tribute to the innocent souls trampled by war, comparable and even — dare I say — superior to the classic Grave of the Fireflies.

Check out our list of the Best Manga and the Best Video Games of the 2010s!

The Best Anime of the 2010s originally appeared on Ani-Gamers on February 21, 2020 at 8:43 PM.

By: David Estrella

#Anime #News #Ani-Gamers

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attemptedfilmcritic · 7 years ago

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Spider-Man: Homecoming Review (Spoiler Free/Spoiler Talk Below)

Rating System:

buy it on DVD or digitally (legally)

see it opening weekend

pay full price at the theatre

catch a matinee if you want

rent it for $3-$5

I wouldn't recommend it

As someone whose lived almost their entire in life in love with this character and has been on both spectrums at one time or the other with the Toby-Andrew feud, it is safe for me to say this is the best interpretation put to screen yet. Said every tv spot and critic ever so far. And, they're right. Well admittedly in most cases.

For Peter Parker/Spider-Man, there's one thing I picked up on throughout the movie that I could not drop or forget for the life of me. It's that Tom Holland is beat for beat Marty McFly in some key moments in this film. And that's not a bad thing! The way he delivers when in panic or excitement of any kind just screams 1980s Michael J. Fox to me. And I dig it. He had such a youthful and comedic charm which translates well with this character. Which helps with their allusions to ‘80s classic films. That's what this Peter as Spider-Man is like. He's panicky and screams his confusion. And he's genuinely pretty nerdy and innocent. He's apart of an academic club and was in band. I was in band, I know these things.

Speaking of comedy! This film is full of it, as promised with any film slapped with a Marvel Studios logo on it. It's done very well and not really shoved in your face. Sometimes its situational and sometimes it’s through written dialogue. It doesn’t sacrifice sincere moments for the sake of an extra laugh (a gripe Doctor Strange received a lot). The comedy is where it belongs and the powerful climactic superhero moments are where they belong. Nothing messily meshed. Save one joke, that was totally worth it.

The suit in the film is really interesting. I’ve always loved the design itself, but the features it provides is insane. And it makes sense character wise because it was built by Tony Stark. Of course its going to be over the top and have insane gadgets. But l love the Peter has no idea how to use them or even a clue why he would use some. Some critics were getting antsy about 576 web shooter combinations. “That’s outrageous! What happened to plain and simple Spider-Man?” Well I can tell you Peter agrees! It’s a great touch to his character. He’s from Queens and isn’t used to high-tech luxurious super-suits. He just uses what he knows. And that’s all he needs. Though, when it’s time to take advantage of some features its pretty neat.

The primary love interest is Liz (who would be a loose interpretation of Liz Allan). Her character somewhat correlates to her comic roots. She's popular. They got that right. This Liz is also smart and apart of the academic decathlon club, something I would not expect from Liz Allan in the comics. But in all honesty that's pretty much it for her character sadly. Not a lot said nor done. She's not annoying but not compelling either. His friend in this film is a huge departure from Harry Osborn. Not Ned Leeds confirmed (later Hobgoblin) but just “Ned”. I thought he was a great addition and carried a good amount of the comedy from this film. Some claimed he wavered back and fourth from annoying to funny. I never felt he was annoying. A breath of fresh air, since both portrayals of Harry were quite angsty and “I will never be good enough for my father” territory. This is nice. Just a positive friend there to help. Basically also joining Peter on this cool, adventurous, dangerous ride.

Michael Keaton is a good baddie. He plays the part. Intimidating and has a motive, but sadly not really Loki tear of relevance and memorability. He's a good starting villain for Spider-Man. You are given an insight to why he does what he does. Granted, it's not Zemo level of tragedy. But he pulls his weight in the film. Not completely over-doing it into campiness but not phoning it in at all either. As for Shocker he's in a few scenes and is somewhat of a throwaway villain plucked from Spider-Man's rogue gallery. He's not a particularly interesting villain even in comic form so if he had not been there and was replaced with Bad Guy #2 the story wouldn't have lost a beat. I understand wanting new and never used bad guys adapted because “we have the rights now! Let's go crazy!” But I say quality over quantity. Vulture would've been—no, is plenty for the whole movie. And yes, Tinker gets a little bit too, but I argue he'll be more useful and brought back for future installments. Similar to what they're doing with Klaue. So he might actually have a pay off. Unlike Shocker, sadly. As for Donald Glover he's great! Only in two scenes, but cool. He's chill and even helps Spider-Man. I really want them to bring him back because he was criminally underutilized. The second scene with him is incredibly funny.

Right off the bat I will just say the ending is hilarious and made the entire theatre burst out laughing. I love the ending credits because it was new and thoughtful. It was youthful, yet again, and just made the part of watching the credits to get to the after credits scene more fun. It's colorful, which is what this movie is as well. It's bright and sunny. Marvel gets a good amount of flack for its gloomy cinematography despite its much more playful tones. Not all juxtaposition is good, translates well, or quite frankly makes sense. This movie breaks the trend. And it's fitting for a great summer-y superhero blockbuster flick. You want to have an exciting harmonious display to inflict a positive memory of seeing this movie on a relaxing summer day with your friends. You'll remember it with affection and ease. The stakes aren't as high with this film. The whole earth isn't in peril. There is conflict and tension but none too much that The Avengers themselves would have to come take care of. So it helps with the logic in that aspect of the universe as well.

Quite recently I've been big on spotting patronizing films with telling and not showing. Or worse. When they do both. They don't trust the audience to put it together, watch, or be intrigued. Invested. But we are! This film does hardly any of that, though it is slight. Sam Raimi is king of showing and not telling thus far out of all three Spider-Man directors. But overall it treats its audience with respect. The pacing is balanced as well. Some scenes are slow for development and even plot purposes and others a grand and big for a superhero film.

The theme of the film is slightly muddled and mixed for me to put my finger on. Overall it's to take responsibility. I mean, what else would it be? Do the right thing. When confronted with the Vulture, Peter is given a very clear and major threat on his life and his friends and family’s life. The whole scene he is clearly scared out of his mind. But he doesn't hesitate to drop everything and go after him the second he can. Knowing everything at stake. Because he has to. It's inspiring. He also humbles himself and feels the need to learn more and grow before becoming a full time Avenger. Ya know, go to school and stuff.

The musical score will have you smile with the opening theme. Otherwise, sadly nothing will top Danny Elfman’s. There aren’t any other distinct themes I picked up on could hum other than the iconic one everyone already knows.

Rating time. I would say both see this opening weekend and buy it when it comes out. It's truly great and a prime example of fun popcorn movies that can have quality. Quality acting, special effects, writing, you know the drill. I'd recommend it for kids (probably 10+), teens, and adults. See it with your family, see it with your friends to support watching movies as great as this in the theatre. And for Marvel to keep making fun movies that are all creating a bigger interconnected world. Or! If you just simply love Spider-Man and only care about him!

Either way, just see it!

Because it's honestly amazing.

SPOILER TALK

Now that the overall review is laid out I do want to give comments on…other things.

All I can say is I don't mind that Zendaya was/is “MJ” but I'm curious as to how they're going to play her out. Is her name solely just a wink at the character Mary Jane or is she going to be a genuine love interest? Time will tell, but personally I prefer the former. I'd really appreciate a plain and simple companionship between Peter and this character. I can't see these characters having a love for each other that isn't platonic. Let her be Michelle and let Mary Jane be Mary Jane. There doesn’t have to be some new spin or cross making of the sort. Preferable I’d say have this new character made be her own thing or adapt Mary Jane from the comics as well as you did with Peter Parker/Spider-Man. Because those two characters of Michelle and Mary Jane are absolutely nothing alike. Obviously.

I'm picky about Spider-Man love interests, okay.

As for the connection of Liz being the daughter of Vulture it is hilarious, but has very little impact emotionally. Yes it is funny but you don't feel bad for Peter in the way you should. You feel bad because he's in a bind and can be harmed physically. Not because this girls parental ties puts a burden on their love or relationship. It gives temporary tension, which is awesome, but in the long run the relationship between Liz and Peter went nowhere and is more or less one-sided anyways. It had no strain. If they really developed Liz to have more depth and a mutual love and admiration for Peter it would be more painful, in a good way. But the tie doesn't hurt. It pays off when she has to move to Oregon(?) and is given a gentle boot for MJ to step into the shoes of the love interest. To which I ask, why not just have MJ be the main love interest in the first place? And I don't mean have Peter fawn over her the way he did with Liz, but in build a strong friendship that clearly indicates room for romance in the future. Start with some chemistry first. They know each other but I can't say they're even friends right now.

Also, I'm so glad they brought back Pepper and repaired her relationship with Tony. Honestly, I really missed her.

Also also! With Donald Glover’s role as Aaron Davis, Miles Morales totally exists in this universe as well! He even references having a nephew. I just really don't want them to kill off Peter Parker after the trilogy is over for Miles Morales. Keep them both! We can’t lose the best Spider-Man put to screen!

And the last after credits scene is clever as hell. Nothing special or big. Not baiting anymore movies or characters or plots. Just simple and new.

#spider-man: homecoming #spiderman #movie review #movie recommendation

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living-the-fastlife · 8 years ago

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Another year has come and gone and what better way to wrap up the year than with this End of Year Survey, created by Jamie @ Perpetual Page Turner.

Number of books I read:

Number of rereads: Sadly I only managed to fit in one reread, A Darker Shade of Magic.

Genre I read the most from: Contemporary (a surprise since Fantasy has always been my most read genre in years past)

1. BEST BOOK I READ IN 2016:

Top 3 A Gathering of Shadows by V. E. Schwab Crooked Kingdom by Leigh Bardugo The Hard Count by Ginger Scott.

2. BOOK I WAS EXCITED ABOUT AND THOUGHT I WAS GOING TO LOVE MORE BUT DIDN’T

Riders wasn’t a pure disappointment but I did expect more. The book served as a nice introduction to the world and I’m hoping it’s sequel can elaborate on some aspects.

3. MOST SURPRISING (IN A GOOD OR BAD WAY) BOOK I READ

The Weight of Feathers. I knew it was a Romeo and Juliet inspired magical realism tale but I wasn’t expecting it to be so beautiful. The writing was captivating, the characters were fascinating and the book really explored the beauty in the simplicity.

4. BOOK I PUSHED THE MOST PEOPLE TO READ (AND THEY DID)

I’ll Meet You There is the one book that I will always push onto people and I am happy to see that some people have picked up this beauty of a book.

5. BEST SERIES I STARTED IN 2016? BEST SEQUEL OF 2016? BEST SERIES ENDER OF 2016?

Best Series Started: Nevernight by Jay Kristoff Best Sequel: A Gathering of Shadows by V. E. Schwab Best Series Ender: Crooked Kingdom by Leigh Bardugo

6. FAVOURITE NEW AUTHOR I DISCOVERED IN 2016

Sarina Bowen. I completely devoured her True North series. Great characters that I could easily realate to, swoony romances and a great exploration of multitude of themes e.g. drug addiction.

7. BEST BOOK FROM A GENRE I DON’T TYPICALLY READ/WAS OUT OF MY COMFORT ZONE

This was the year for Sports Contemporary books. I’m not one to read a lot of New Adult books but the little corner I’ve discovered in Sports contemporary novels has provided some of the funniest and addictive books I’ve ever read. I’m definitely a fan of this genre.

8. MOST ACTION-PACKED/THRILLING/UNPUTDOWNABLE BOOK OF THE YEAR

Crooked Kingdom. Can I just use this book for every question? This book was so worth all of the sleep I sacrificed. Filled with an intricate plot, unpredictable plot twists and incredibly character insights, Crooked Kingdom was hands down the most addictive book I read in 2016.

9. BOOK I READ IN 2016 THAT I’M MOST LIKELY TO REREAD NEXT YEAR

Wolf by Wolf by Ryan Graudin. While I’m still heartbroken over the events of it’s sequel, Wolf by Wolf was another addictive read. I love the cross continental setting and the underlying themes of identity and fascinating characters were an added bonus.

10. FAVOURITE COVER OF A BOOK I READ IN 2016

SANYO DIGITAL CAMERA

Nevernight. I loved the book and the cover, red sprayed edges and just the entire design of the book is beautiful. The maps are my favourite part though.

11. MOST MEMORABLE CHARACTER OF 2016

The Bastard of the Barrel aka Dirtyhands aka Kaz Brekker. What can I say that hasn’t already been said about this man. He is ruthless, greedy and has a penchant for violence and chaos. However, he’s also a man full of grief and complex layers and would crawl to the edge of the earth to get his Wraith back. Every single character in this series were an absolute delight to read about.

12. MOST BEAUTIFULLY WRITTEN BOOK READ IN 2016

Saving Francesca by Melina Marchetta. It doesn’t have a flowery prose or anything fancy. Most wouldn’t name this book as their most beautifully written but the simplicity of the book is what makes it so effective in portraying the affects of depression on a family.

13. MOST THOUGHT-PROVOKING/LIFE-CHANGING BOOK OF 2016

I wouldn’t call it a life changing book but Salt to the Sea definitely had a huge impact on me. To think that this maritime tragedy has gone overlooked when an estimate of 9000 lives were claimed by the sinking of the Wilhelm Gustloff is unbelievable. It definitely sheds a light on such a monumental event and further highlights the horrors of war.

14. BOOK I CAN’T BELIEVE I WAITED UNTIL 2016 TO FINALLY READ

Half a King by Joe Abercrombie. This is my kind of fantasy. The plot follow the typical fantasy trajectory but its the characters that makes this book so incredible. This is the ultimate underdog story and the representation of women is phenomenal.

15. FAVOURITE PASSAGE/QUOTE FROM A BOOK I READ IN 2016

“Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.” – Crooked Kingdom, Leigh Bardugo

16. SHORTEST AND LONGEST BOOK I READ IN 2016

17. BOOK THAT SHOCKED ME THE MOST

Blood for Blood by Ryan Graudin. I should have seen this coming but it doesn’t mean I wanted it to happen. This event was shocking and gut-wrenching and I’m still so bitter about it. That moment hurt!

18. OTP OF THE YEAR (I WILL GO DOWN WITH THIS SHIP!)

Shazi x Khalid, The Wrath and the Dawn duology. This is my kind of romance. The swoon levels were off the charts in this series. Why? Because of the respect shown between Shazi and Khalid. They are equals in every possible way and the maturity of their relationship was incredible.

19. FAVOURITE NON-ROMANTIC RELATIONSHIP OF THE YEAR

Kate and August, This Savage Song. A most unlikely friendship but one that definitely kept me on the edge. These two were on the run for most of the book and along the way they both learn to embrace parts of themselves they’ve tried to deny for so long.

20. FAVOURITE BOOK I READ IN 2016 FROM AN AUTHOR I’VE READ PREVIOUSLY

The Unexpected Everything by Morgan Matson. My go-to contemporary author. Her books always deliver and as always the delicate balance between the friendship, romantic and family dynamics were greatly established.

21. BEST BOOK I READ IN 2016 THAT I READ BASED SOLELY ON A RECOMMENDATION

Air Awakens by Elise Kova. I love the cover but at the time it wasn’t enough to sway me. Then I read all the glowing reviews for the series and had to check the book out.

22. NEWEST FICTIONAL CRUSH FROM A BOOK I READ IN 2016

Garrett Graham, The Deal. This man, oh how he makes me swoon. I didn’t really like him at first but as his friendship with Hannah developed and blossomed into a beautiful romance he also managed to steal my heart in the process. He’s an incredibly supportive friend and boyfriend and I would snatch him up in a heartbeat.

23. BEST 2016 DEBUT THAT I READ

A Promise of Fire by Amanda Bouchet. Again, I didn’t know what to expect from this book but I loved the incorporation of Greek mythology and the camaraderie between Griffin, Cat and the rest of the company was hilarious.

24. BEST WORLDBUILDING/MOST VIVID SETTING I READ THIS YEAR

Nevernight. Despite my qualms with the footnotes, I must admit they did ultimate help clarify some things about the world. Do I remember every detail, no, but I did finish the book with a clear understanding of the type of world this book is set in.

25. BOOK THAT PUT A SMILE ON MY FACE/WAS THE MOST FUN TO READ

The Deal by Elle Kennedy. Hilarious, addictive and swoony. The banter between the guys and Hannah was on point and there were plenty of laugh out loud moments in this book.

26. BOOK THAT MADE ME CRY OR NEARLY CRY IN 2016

Crooked Kingdom is the only book that succeeded in making me cry this year. I won;t spoil the moment but it was soul-crushing and happened at the moment I dared to hope that everyone was out in the clear.

27. HIDDEN GEM OF THE YEAR

Rites of Passage by Joy. N. Hensely. I would not be able to survive a military academy. I was exhausted after 5 minutes. The intensity levels are taken to new heights in this book and I definitely appreciated Sam’s determination to prove to everyone that she belonged.

28. BOOK THAT CRUSHED YOUR SOUL

Blood For Blood: See no. 17.

29. MOST UNIQUE BOOK THAT I READ IN 2016

Something Real by Heather Demetrios. Reality TV is not something I follow but this book did an excellent job at exploring the dark side to this world and how manipulative and damaging it can be for someone so young to have her identity carved out by the producers of the show.

30. BOOK THAT MADE ME THE MOST MAD

Walk the Edge by Katie McGarry: I loved this book but Breanna’s parents drove me absolutely insane. The way they treated her was horrible and I hate how they thought that years of neglect could be pushed aside the moment she finds happiness in someone they disapprove of.

1. FAVOURITE BOOK BLOG I DISCOVERED IN 2016

I don’t know if I discovered them in 2016 but some of my favourite blogs are Nick and Nereyda @ Nick and Nereyda’s Infinite Booklist, Aimal @ Bookshelves and Paperbacks, Richard @ The Humpo Show, Deanna @ A Novel Glimpse. These are just a few of the amazing blogs I’ve come across and I’m hoping to up my blog hopping game in 2017 cause I have been slacking as of late.

2. FAVOURITE REVIEW THAT I WROTE IN 2016

I have two; the first one is my review of The Hard Count by Ginger Scott. The second is my review for Salt to the Sea by Ruta Sepetys

3. BEST DISCUSSION/NON-REVIEW POST I HAD ON MY BLOG

I’ve not done many discussion posts but I was quite proud of my post on the ways to beating a reading slump

4. BEST EVENT THAT I PARTICIPATED IN

Again I’ve not participated in many of these because events like the twitter chats and such take place at 2am UK time. Time zones suck. On top of that when it comes to book signings, the closest one to home would be a good 2 hour drive away.

5. BEST MOMENT OF BOOKISH/BLOGGING LIFE

My one year blogiversary. I gave myself a hefty pat on the back for reaching that milestone.

6. MOST CHALLENGING THING ABOUT BLOGGING OR MY READING LIFE THIS YEAR

Keeping up with comments and blog hopping. I’ve been slacking on that front as of late and it is something I plan on improving on this year.

7. MOST POPULAR POST THIS YEAR ON MY BLOG

My most popular blog post was the Bloggers to Follow Top Ten Tuesday topic. My most popular review was A Gathering of Shadows

8. POST I WISH GOT A LITTLE MORE LOVE

My TV Talk for Mr. Robot and my review for The Hard Count.

9. BEST BOOKISH DISCOVERY

Bookstagram. I might not be the most active user but I love all the bookstagram accounts that have popped up over the year or so.

10. DID I COMPLETE ANY READING CHALLENGES OR GOALS THAT I HAD SET FOR YOURSELF?

1. ONE BOOK I DIDN’T GET TO IN 2016 BUT WILL BE MY #1 PRIORITY READ IN 2017

Where do I even begin. There are a lot of books I failed to read in 2016 and plan on reading in 2017. These include; The Winner’s Trilogy, Gemina and Outrun the Moon.

2. BOOK I AM MOST ANTICIPATING FOR 2017 (NON-DEBUT)

Strange the Dreamer by Laini Taylor

3. 2017 DEBUT I AM MOST ANTICIPATING

Wait for Me by Caroline Leech

4. SERIES ENDING/A SEQUEL I AM MOST ANTICIPATING IN 2017

A Conjuring of Light by V.E. Schwab

5. ONE THING I HOPE TO ACCOMPLISH OR DO IN MY READING/BLOGGING LIFE IN 2017

Comment/blog hop more. Write more discussion posts. I’m also considering writing some TV/Film reviews but I’m not sure if anyone would be interested in that.

6. A 2017 RELEASE I’VE ALREADY READ AND RECOMMEND TO EVERYONE

Sad news. I’ve not read a single books since the first week of December. I hate this slump.

That was my reading year. How was your 2016 reading year?

2016 End of Year Survey Another year has come and gone and what better way to wrap up the year than with this End of Year Survey, created by Jamie…

#2016 #Blogging #Books #End of Year #List #Miscellaneous #Q&A #Recap #Survey

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