#banger thoughts

[wooeo]

stopp the chan fighting jyp to let u in the group is so real 😭😭 so cute!

omg for me, a member!reader headcannon i have is so simple but it always makes me soft :(( is the found family trope (which is 🔛🔝!!!)

the reader who is maybe a bit closed off or just acquaintances with the boys at first. and maybe they’re a bit awkward but as time passes, you slowly worm your way into their hearts without meaning too and suddenly, they’re remembering the little things about you or sending you messages/buying you things that remind them of you.

:(( they take care of you and fans notice the change in your bond with the boys from predebut to present, and everyone gets so soft because they can tell that there is a noticeable difference from when you’re with your members to when you’re with other idols.

this can go for any group but i imagine it as enhypen bc they are my ults lolol and im having constant brainrot about them 😭

i would love to hear ur ideas/cannons about member!reader (for any group!!)

this feels so ateez!mc coded to me ,, i think enha would’ve gotten to know each other better during il*and // but it can be whoever u want

thats so cute ijbol it would be awkward in the beginning especially since you're the only girl?? it would feel very strange ... the boys would tiptoe around you , trying to make you fell welcome and comfortable, but they're also stiff and have never shared a living space with a girl they weren't related to

but people warms up over time - maybe eating dinner together got a bit louder, jokes being said louder, skinship happening more frequently and comfortably. they learn things about you, you learn things about them until you feel like you know too much. (have one of them seen you half naked? maybe) (have you seen them naked? probably yeah they definitely forgot to lock the door to the bathroom in the beginning)

ohhhhh and ur fans love making then vs now comparisons from the predebut to now, years into your careers so true

[pinkturnabout]

edgeworth is not here to fucking play

[skysmadness]

like a wise man once said: "we did it. we are a good team."

[v1-kisser]

Maybeeee Imagine your F/O walking into the bedroom while they know you're in bed, trying to be quiet in case you're asleep... n smiling when they see you cozy under the covers...

Maybe they're just arriving home and they can't wait to join you, trying to get ready for sleep as quietly as possible. You can hear drawers opening and closing, the sink running. See the light from the next room cascading on the floor. Maybe you sleepily stare at the shadow of your F/O brushing their teeth or pulling off their shirt. Safe and warm. Almost nostalgic. Knowing that they're near. Sitting in the pleasant fog of drowsiness while someone you love is preparing to come lay with you. And then the distant light flicks off. For a moment you almost miss it, the certainty of where they were... the intimacy without touch. But the second that their weight sinks into the bed, and their warmth graces your back, those feelings dissipate like smoke.

They mumble a "goodnight" in case you're awake.

Talk to you in the morning.

proship/comship dni

[crabussy]

for the record I think wind turbines are beautiful and are not a stain on any landscape and the sounds they make are beautiful and whenever I see one I am filled with love for human innovation and hope for the future of clean energy and if they needed to be built close to my house I would go YAYY ^_^ WAHOO ^_^ WIND TURBINE!!

[thegreatyin]

a compilation of my favorite scenes from the arknights 5th anniversary web event, which 1) includes every single operator rendered in cute chibi form, and 2) is SO cute im going to eat a fork or perhaps a table

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[iaminjail]

michael mell gets bullied by an evil supercomputer.png this is not a michael gets squipped au btw lol i just wanted to draw smth silly. anyways i love this guy forreel <3

cropped ver.

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 10 (Masterlist)

(Part 11)

@bruciemilf THERE’S MORE BESTIE

[akiarathewitch]

Hear me out-

[totem-but-shark]

I have to give props to foolish for the way he plays qfoolish because whether intentionally or not he really sells the vibe of an ancient immortal character, though not in the expected sense. Where other immortal characters may become jaded by a life so long qfoolish is literally just chilling, he's seen it all before and so can't be shaken so easily. Moments that to other mortal characters are earth shattering are just another Tuesday for him, funny even.

Despite this he's no less enthusiastic for life, he wakes up every morning and simply lives, as he has done for an unknowable amount of days prior.

It's fascinating, hes able to roll with every punch and shrug off every struggle with a laugh. Why should he be upset? in the grand scheme of everything he's lived through it's not even a blip, why cant it be funny instead?

But this makes it so much more impactful when he DOES care, the rare moments where he is affected are heart wrenching when contrasted with his usual easygoing happy-go-lucky laissez-faire attitude. There's something raw and human to me in the way that for however long he's lived he still feels, he loves and grieves. He still lives and so he still feels.

Anyways stan an unbothered king

[snekkerdoodles]

nicknames.

[gillionmeowstrider]

absence of warmth.

based off this post by @theratdruid

[carnivalcarriondiscarded]

come get yer Laughin'stock! get it hot off the press! free Laughin'stock right here!

[v1-kisser]

Imagine forcing your f/o to play LPS with you

proship leave thanks

[iridescentscarecrow]

what frustrates me about fandom interpretations of makima as a one note Source of evil, apart from the fact that the manga itself refutes this, is that her character haunts and ties together so much of part two that it's impossible to fully understand without understanding her.

makima isn't ever a unilateral antagonistic force. she's an agent of the institutional evil that looms over all of CSM. she's in as much a commentary on gender and performance of gender as denji is.

and fjmt in part two enacts the "haunting the narrative" trope in such an interesting manner because you see flashes of makima in every female character. you see elements of her diluted into, most visibly, the characters of asa, nayuta and fumiko.

in asa, i see makima in that yearning for connection. i see her in the way that asa herself is fundamentally unable to approach the relationship of equals that she so desperately desires, partly due to her own social awkwardness but also because of yoru's threat: everyone she gets close to turns into a weapon. the fundamental inequality to human relationships that makima is unable to overcome.

during the aquarium date, you see asa echo makima again and again in lines that evoke makima's purposing of denji. that weaponising. "i'll grant you any request / save me chainsaw man! / you don't have to think about a thing."

and her connection with denji also founds itself upon this. yoshida talks to asa about parasocial relationships -- rerendering makima's idealisation of the CSM in how asa sees denji as a love interest. asa and denji parallel each other so organically in their gendered suppression and portrusion of desire. it's a punctuation of denji's search for intimacy that's mirrored by makima's in part one. exploring how asa is different from makima is perhaps the most intriguing part of this reflection though: an example being the way asa overthinks her outfit for her date with denji while makima seamlessly models herself into an Effortless woman.

[it's not like asa borrows just from makima. for example, there are things to be said about the way she views her Body (as compared with reze and quanxi) but examining how mkm's character bleeds into asaden is quite compelling.]

nayuta being the most visible remnant of what makima was is also interesting because makima herself appears so little in nayuta beyond the surface. nayuta's role as the control devil is hinted at frequently as is her appearance resembling makima's

but her and denji's dynamic more often echoes the hayakawa family and pochita than anything else. consider: aki giving up his goal (his 'easy revenge' that he finally sees for what it is) for the sake of his family, that warmth of blood and platonic bodily intimacy that power embodies--

it's all referenced to again with nayuta and denji, in direct panel callbacks and the plot itself! nayuta is The Family that makima constructs for denji in part one to pull him along the plot she prepares. i'm thinking about how makima is an allegory for capitalism. and what the family unit means in a capitalistic structure. the propagation of an ideal that hinges on birth and descendancy, about narrative and reproduction of narrative, about how nayuta births herself from makima and denji's relationship.

and this is also why nayuta herself exerts so much control over denji in the plot, as well as why she's used as a piece to control him. in part one, family was used to create the Chainsaw Man from denji. in part two, it's used to make denji abandon the Chainsaw Man, this icon that the church and the public now take possession of. [something something alienation of the worker from the product. from the collective. from the self.]

fumiko is perhaps the hardest to pin down here because her role evolves as the fandomisation of the Chainsaw Man evolves too. in fact, as a denji fan, she represents not just makima but multiple people who see something in and want something from denji! (think of how she references reze in her highlighting how denji is just a child; how reze uses her commentary on denji to engage with her Self. it's fandomisation,,, and what is makima but Chainsaw Man's fan?)

fumiko most obviously calls back to these wants and their conceptualisation of denji in the raw sexual violence that the events in the theater scene moving into the karaoke scene embody. the undercurrent of sa that runs through p1 and p2 is brought to the forefront in this scene -- denji falling back into these cycles of abuse, him slipping into habitating the wants of others (his initial horrified expression and then his grin during the fight. his initial inner monologue and then the cut to him licking the tentacle.)

so much of CSM rests on this fandom of denji, this theme of what production and idealisation means, one you can trace through fjmt's body of work. and this fandom reaches its crescendo in p2. what's even more interesting about fumiko is her pathos under this layer. her seeing denji as denji at some level but in the end, her handling of him is so selfish. her echoing makima's uninhibited laughter at the horror of denji's situation, her predatory cruelty. denji simultaneously humanised and dehumanised through her fandom.

fjmt's characters exist as foils, as parallels and ideas. makima's character has such a stranglehold over part one and these ideas run over into part two naturally -- as a consequence of denji being a reciever of these themes, but also deliberately in fjmt evoking the Thing that is makima repetitively -- to underscore the forever re emerging structure that denji and now asa are trapped in. the same structure that makima produced and was simultaneously caged by.