#and to show his artistry

[yunwooz]

from the very start the road hongjoong took to get where he is now has been rocky between his career choice not being ideal to his family to pursuing a company with such a passion that he sent in a cd of his work through registered mail directly to the ceo only for them to ignore it for a year and by absolute chance someone found it when they were moving. and to be introduced into this place he wanted to work at and being told you must do well if you want other trainees to come. you have to be good so others will join. while being alone and the first and only trainee for 6 months in a company who had less than/equal to 10 employees at the time and had no experience with trainee idols in any sort of way. and his mentor being so harsh and unwilling to teach him that he gave him a difficult task and giving him scathing remarks on his first day and yet. hongjoong still looked at that situation where he was hurt and belittled and said 'if nothing else, i need to prove this one man wrong and get him to respect me'. to have 40+ songs created by him before debuting and losing everything except the mp3 files on all those songs bc someone happened to break into their residence in the states during ateez's training and to still pick himself up and remake some of those songs despite that. hongjoong is someone so in love with his job and his dream and so persistent in the perfection of his craft beyond it being a fame game or for money or for attention. a lot of his art gets lost in the process because the edenary team is unwilling to look outside themselves and allow him the space to grow and develop inside ateez's sound, and you'll constantly hear hongjoong say that he doesn't make much music for ateez because the sounds he makes don't suit ateez but i think that's a bs excuse the production team are feeding him bc he is this fundamental foundation in ateez. he is ateez, he is part of ateez, he is someone who represents ateez no matter what he does. there is no one better suited to help ateez flourish than the members themselves and as the captain and leader and the one person ateez was built around, hongjoong deserves the platform for his creativity and work.

[nenoname]

while the only redeeming quality of love god really is the stan joke, it does emphasize how bad mabel is at matchmaking and also how much romance sucks actually

[louismygf]

girls when they just finished watching aotv

[raccoonspooky]

I just found the funniest knife from my middle school years and like lmfao what in the vincent sinclair

[groovytimes]

I cannot stand AI art, it’s so creepy.

[kazeofthemagun]

@dragonofthestone asked the summoner:

Chimera wants Kaze to see their now treasured music box, because they will show it off to anyone and everyone.

The hybrid walked up to him, scaled hands holding a small device. The gunmage's gaze fell on the box, inspecting it thoroughly. Until it was opened, though, he could only guess what was inside.

"Hm?"

Timaeus was a silent type, much like him - though it seemed less a philosophy, more fear. Kaze decided to give the man a verbal poke, see if that enticed him to speak. "What is it?"

[mikrokosmos-rkive]

Not me making another side blog because I couldn’t keep up lmaoo... Also I felt it was about high time to do so, with Namjoon’s Indigo coming out.

[omgeto]

☆ COVER UP — tattoo artist!GETO SUGURU

summary: all you wanted was a cover up tattoo to replace the name your ex left on you. you didn't think you'd be leaving the tattoo shop with a replacement for your ex's tattoo and a replacement for him as well.

wc: 3k

cw: afab!reader, geto gives you backshots, he's kinda obsessed w/ your ass here, unprotected sex (since I forget condoms) BUT he's a gentleman pulls out </3 your kinda a meanie. he's kinda a meanie so light angst (?) but barely. MDNI

an: haven't posted a longer work in a hot minute, but here is how you meet tattoo artist boyfriend!geto soooo give this one a chance big fanks to my lil twat @kazushawty for helping me out and reading bits of it.

as you push open the heavy glass door of ‘cursed ink studios,’ a subtle bell chimes softly, announcing your presence. instantly, the atmosphere inside crackles with an electric charge. the air is thick with the intoxicating scent of ink, mingling with the sterile bite of antiseptic. the walls are adorned with vivid flash art form a chaotic tapestry, while the rhythmic hum of a tattoo gun echoes through the room.

and there he is, geto suguru – a tall, enigmatic figure with jet-black hair and sleeves of mesmerising tattoos that seem to tell stories of their own. he sits at his workbench, surrounded by an array of ink bottles and tattoo machines, his piercing eyes never leaving the art he's creating. a carefully curated playlist of music plays softly in the background, punctuated by the occasional buzzing of the tattoo gun.

he glances up from his intricate work as you enter, his gaze slowly travelling up and down your form. there's a hint of curiosity in his eyes, as though he's wondering why you, of all people, have ventured into his sacred space. his expression, however, suggests that he's far from thrilled about the interruption.

"need something?" he asks, his irritation evident.

"i need a cover-up” you swallow your nerves, holding your head high, your voice steady, ”my ex's name."

geto raises an eyebrow, seemingly unimpressed by your request. "ex's name, huh? you people never learn."

your jaw clenches at his condescending tone. "well, i'm here now, so can you do it or not?"

he continues to scrutinise you, his gaze feeling like a judgmental weight. finally, he nods, albeit reluctantly. "fine, show me."

with a sigh of resignation, you turn around, your heart pounding as you pull down the waistband of your jeans just enough to reveal the offending name covering your left ass cheek. it's a constant reminder of a relationship gone wrong, and you're more than ready to be rid of it.

"this won't be easy," he mutters, his fingers cool against your skin as he traces the outline of the name. his touch lingers, just a little too long, sending an unexpected shiver down your spine. his fingers, skilled and confident, continued to trace the inked letters of your ex's name on your skin — almost toyingly. and you could feel the chill of the tattoo parlour's air-conditioning contrasted by the warmth of his touch.

his voice, though still gruff, held a trace of disgust "who did this?" he asks, not looking up from the tattoo.

you hesitate, your memories of that past relationship flooding back. "my ex-boyfriend," you reply tersely.

geto's fingers stop their tracing, and he lets out a low, almost imperceptible sigh. "you let your boyfriend do a shitty tattoo on you, and you let him make it his name," he mutters, more to himself than to you. "you practically let him brand you."

“is it your job to be such a bitchy artist?” you snap, already fed up by his comments. you’ve heard it from your parents, your friends, ever since you got that trashy tattoo. but couldn't disagree with that sentiment — you knew it was a shit tattoo. “i thought i was paying you for your artistry, not your smart mouth.”

"listen," he growls, his voice low and dangerous. "you walk in here with that god awful mess on your skin, and you've got the nerve to criticise my attitude? if you want to be rid of it, you'll do well to keep that attitude in check, sweetheart."

you bite back a retort, realising that you've indeed crossed a line with your comment. there's a palpable tension in the air now, a simmering anger beneath the surface, and it seems that geto has no intention of backing down.

with a deep breath, you swallow your pride and offer a reluctant apology. "i'm sorry," you mutter, a touch of remorse in your voice. "i shouldn't have snapped at you."

he continues to hold your gaze for a moment, his expression still stern, before finally nodding. "apology accepted."

you didn’t actually have an idea of what you wanted for the cover up, you just knew you needed it gone. geto was a highly sought out cover artist so you had no doubt that he’d be able to do you good. with your initial meeting being heated, you thought it was best to leave him to do his thing.

with a sense of relief that the confrontation has subsided, you decide to give geto some space to work his magic. "i'll leave you to it," you say, your voice quieter now, and you turn away from him.

"good," he mutters, his focus fully on his ipad as he starts to sketch, not even looking as you leave the shop. 

geto usually was quick to draw up tattoo sketches for clients, but when it came to you he was stunned — too busy thinking about how your ass looked rather than what he was meant to tattoo on it. from the moment you stepped in his shop, he was intrigued, you didn’t see the type to get work done by him and the marking stretched on your ass didn’t seem like it would belong to someone with an attitude like yours. 

his mind was anything but focused on the design. he couldn't help but replay the encounter with you in his thoughts, your brashness and the way you'd stood your ground, even under his scrutiny.

"why the hell did she get that shitty tattoo?" he mutters to himself, his fingers deftly working his pen. the sketch was beginning to take shape, but his mind kept drifting back to the curve of your ass. he couldn't deny the attraction he felt, and it frustrated him. he was supposed to be a professional, detached from his clients beyond the art he created on their skin. but something about you had thrown him off balance.

“so you ready to get this tatted on you?” is the first thing he asks when you return the following day. you inspect his sketches in awe, of course you never doubted his talent but you didn’t think he’d be able to draw something you wanted without you even having to say.

“well it seems you do live up to your reputation,” you comment with a neutral facade, but you both know that you were downplaying your excitement — you were pleased. and like with any client, that made geto satisfied that he was doing his job correctly. but when he saw the way your eyes lit up when he initially showed you the sketches, it was a sight he wanted to see again. “i guess we can start the tattoo.”

“okay i’ll get my stuff set up, get rid of those,” he says nodding towards your jeans, “and lay down when you’re ready.” you slip yourself out of your bottoms, leaving the itty bitty thong that you knew you’d need for the appointment and that a small part of you hoped he liked.

he pauses when he sees you laying down on the seat in his station, your head resting in your arms, your ass slightly raised.  ‘this is gonna be a long session,’ he thinks to himself as he smirks, shaking his head as he works his way to his seat.

as he sits down, he places the stencil over your ass, and you berate yourself for getting giddy at the feeling of him rubbing over the design to make sure it was in place — wishing that his hand stayed for longer. 

“how are you with pain?” he asks, and from the way you were laying you weren’t able to see the way he was gawping at your ass.

“what type of pain?” you retort.

“y’know the type of pain where someones drilling into your ass for hours,” he comments as if it’s obvious but you both knew his words were hinting at more than just the tattoo.

“choice words there,” you muse, “but any type of pain i’m alright with, so give me your best.”

geto's needle hovers just above your skin, poised for action. "you sure about that?" he murmurs, his voice low and suggestive.

a coy smile tugs at your lips as you respond, "I can handle it if you can."

with a deliberate, almost tantalising slowness, he lowers the needle to your skin. the first touch is a sharp, stinging sensation, but you refuse to flinch. you're determined to hold your own, to meet geto's challenge head-on.

he continues to work, the needle dancing across your skin with a practised precision. the room is filled with the rhythmic sound of the tattoo machine, creating a hypnotic backdrop to your growing tension.

as minutes turn into hours, you find yourself lost in a strange mixture of pleasure and pain. the pain is undeniable, but there's something oddly exhilarating about it. you steal a glance at geto, his intense focus on his work, and you can't help but wonder if he's enjoying this as much as you are.

"still doing okay?" he asks, his tone a mix of concern and something more primal.

you bite your lower lip, suppressing a moan that threatens to escape. "i told you, i can handle it."

geto smirks, his gaze locked on your ass as he continues to tattoo. "you've got quite the threshold for pain. impressive."

“is it really? i'm sure you’ve worked on a lot of other clients with higher thresholds for pain.”

“but none of them have had an ass like yours though,” he mumbles to himself — but you hear him loud and clear, a grin forming on your face at the confession. “anyways, we’re all done now, go ahead and look in the mirror.”

you stand in the full length mirror, your head slightly turned at an angle as you gawp at your ass. your eyes widen seeing what was once your shitty exes name, now turned into a piece of true art. 

“so what d’you think?” he asks, and you didn’t even notice him coming to stand behind you until you felt his breath on the back of your neck, “this shit is hot right?”

“you can say that again,” you agree, keeping your eyes focused on the tattoo, trying to ignore the quickening of your heart beat at the presence of him, “this is really great though, like i couldn’t imagine my ass could look this good after having that tattooed on on it all his time.”

“well no need to imagine anymore,” geto’s face forms a smiling grin, you can tell he was admiring way more than just his artwork, “you mind if i take a picture… for my instagram?” he says, barely asking as his phone is already out of his pocket and is in his hands, he looks up at you for permission and you give a slight nod before he’s snapping away at your ass.

“are you sure this is for your instagram,” you tease, as he continues to take photos crouched down, as he circles your ass with his phone, “or is this just for your personal wank bank?”

“would you like it to be?” he retorts back swiftly, there wasn’t even any mischief in his eyes as he looks up at you, just pure lust.

“um i–” you stutter, only now feeling exposed — as if he hadn’t been working on your ass already for the past six hours.

“don’t get shy on me now,” he coos, standing up to face you head on, “y’gonna let me finish off making you forget that ex or yours or what?”

“be my guest,” you respond, trying to come across as nonchalant, but the eager look in your eyes gave geto all he needed to know. 

he pushes you softly, as he commands, “hands against the mirror and spread your legs.” and you do just that, as he comes behind you, fitting in between your legs perfectly. his hand forces ur back down, deeping the arch of your spine before both of his hands grab onto your ass.

geto really rubs and digs his thumbs into your cheeks, biting his lip at the sight at the way his fingers mould into your ass. “fuckk man,” he groans out, he’s not even in you yet and he was already obsessed with every inch of you. 

he frees his dick from his pants, and pumps it quickly before sliding it across your already gushing slit. you hiss at the contact, a pleased smile working its way on your face as the tip of his dick edges into you.

“s-shit,” you stammer, as he inches himself into you deeper, “w-what about the rest of the shop?”

“what about them?” he shrugs, “you don’t want them to hear naught you’re being right now? HEY GUYS—”

“oi,” you hiss out, your eyes widening as you turn your head to look directly at him.

“i’m just playing, i’m not ready to share you quite just yet,” he retorts, his dick moving in you at an achingly slow pace, “now, keep your eyes focused on the mirror, and you better not let those hands slip.”

before you can respond, he thrust his hips into you as deep as he could, his dick slamming into you. you moan out at the surprising force, trying your best to keep your palms flat on the surface of the mirror, as you stare straight at him — watching how he works his hands from your ass to your hips so he can drive into you with all of his force. 

“this pussy is s-so fucking good,” he praises, the sloppiness of your cunt making it easy for him to slide his dick in and out of you. “oh and this ass,” he continues giving a hard spank on your ass cheek, to emphasise his point, “c’mon throw your ass back on my dick, i wanna see it bounce.”

you fuck him back, doing exactly as he says, your ass meeting his hips with the same amount of force. his spanks encourage you to be quicker, to give him everything he wants. his repeating, strong strokes, have you feeling weaker, your hands slipping as you try to stay up right, when all you want to do is collapse and cum everywhere. 

“f-fuckk it’s too much,” you whine, as he drills into you.

“nah,” he says, shrugging his head, “it’s not enough,” he lifts up his legs, his digits pressing into your deeper, as he now angles his strokes even further into your pussy, hitting your spot with ease. “give it to me harder, i know you can” he encourages, another two swift spanks landing on your ass.

with his continuous contact of your ass and his hips, and the way his dick pushes into you deeper, you felt like you were splitting in two. but you kept going, thinking back to your earlier conversation, you didn’t want to prove him wrong, you wanted to show him that you can handle it, handle him.

geto was practically beaming, licking his lips feverishly at the sight of your fucked out face through the mirror as he watches himself plough into you, your body rocking forward with every thrust. his eyes concentrate on your ass, as he says, “d’you see how your rocking my work on you now?” and you nod dumbly, too busy trying to reach your climax to string a sentence together, “so fuck that ex of yours and his shitty ass tattooing, from now on you only can me on your body, you got that?” he asks and you nod again, but he shakes his head, his hand moving from your waist to your chin as he grips it making your eyes stay locked on his through the mirror, “i said do you got that?”

“ahhh s-shit yet i do, i do,” you say, mirroring his words, “i will only have you on my body, ‘promise.”

“good girl,” he approves, giving your chin a squeeze before letting go, “now cum.” 

with those simple words, you release all over him, your stance getting weaker, as you shoot out cum all over his dick. he’s quick to pull out of you though, stroking his dick as he sprays his cum all over your ass, with a deep groan.

your hands are still on the wall, as you take deep breaths, trying to recollect yourself. but you turn around swiftly seeing a flash of a camera behind you, and geto is back to crouching down, with his phone out, taking pictures of your cum covered ass.

“you mind if i keep these in my wank bank forreal this time?” he asks, smirking as you nod, “i’ll take some more later, but i got two questions to ask.”

“and those are…” you say, prompting him to continue.

“first, let me take you out after this?” he asks with a smirk, already knowing the answer. after the way he just dicked you down, you’d be a fool not to let him wine and dine you, “second, y’gonna come suffocate my face with that ass of yours or not?” you couldn’t even answer the second question since he’s pulling you down to the floor with him, with a joyous grin on his face.

AN: IGNORE THE FACT THAT HE CUMS ALL OVER UR FRESH TATTOO. LIKE JUST IGNORE IT. just focus on the fact that you have a lovely ass and geto loves it too. but yes do you want to see more, I HAVE ENOUGH IDEAS TO EVEN MAKE A LIL MASTERLIST FOR IT. I love tattoo artist boyfriend!geto so so much, like when u guys become an established relationship it actually gets so good. BUT I DONT REALLY LIKE THIS ONE, BUT IF U GUYS FW IT I PROMISE ILL ACTUALLY WRITE AND POST THE ONES I LOVE. BUT I FELT LIKE I HAD TO WRITE THIS FIRST SO YOU COULD SEE HOW U AND GETO STARTED. LMK UR THOUGHTS

[theworld-accordingtocasey]

T O L O

IS

COMING

!!!

[countesspetofi]

Harry Belafonte and The Muppets - Earth Song (short version)

[x-i-l-verify]

#I work with horses and #Epona is INCREDIBLE- she's extremely attuned to humans and emotions. she doesn't scare easily and can keep her cool in a fight #but it's still super stressful to suddenly be in a fairly large and populated town- separated from her person#and for such an empathetic horse? Four going and TALKING to her- gently petting her nose and just being near her #means so so much! that literally matters so much to a horses mental state in a foreign situation- just having company#he checked on Epona and gave her company like !!!!!! it's so considerate and means so much for Epona! Four I love you !!!!! #with the food- I don't think the innkeeper would have free/complimentary food out- but wars wallet def had it covered #then wild showed up with potions in a cooking frenzy- but four was still shown with food behind him- he thought of everything #I don't know what's gonna happen with the shadow crystal and stuff. but no matter what happens in the future- this matters. #he did a ton of small things no one else thought of it matters he cares so much didjdkdksjfjj

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[gay-dorito-dust]

Types of kisses that I’d -loosely- think these boys would suit…

Dick - playful, teasing kisses that made you feel light off your feet and your stomach feel as though it was harbouring a million restless butterflies. Kisses that made you feel giddy as a child in a candy store while also making you feel as though you could sprout wing and fly into the cotton clouds above. However the taunting rapid fire pecks often finished as soon as they start, causing for frustration to rise on the odd occasion, as you were forced to hold his face still between your hands as you gifted him with a proper kiss.

Meanwhile he smiles against your lips in victory knowing how easily you’ve taken the bait he shamelessly had laid out.

Jason - tender, slow, gentle kisses where time was no longer a thing. From the tender weaving of his lips, to the languid strokes of his tongue that had you forgetting about your bodily need for air as you indulged in the fantasy of your own making, up until your were abruptly pulled back into reality as your lungs were burning for rest and recovery. Then there’s also the tenderness in how you held onto each other so closely, almost as though you were afraid to loose each other within your accumulated love and affection for one another.

Time was no longer existent the moment your lips touched, and it didn’t exist when you were taking your sweet time rediscovering each others bodies with featherlight caresses, possessive grasping of the waist to pull the other in closer and firm squeezes of strong calloused hands.

Damian - kisses that were planted on the back of your hands in appreciation and made you feel respected, honoured and above all looked upon as though you were a priceless piece of artistry that was one of a kind; Blessed with being one of a kind, forever being replicated and imitated but never perfected and worshiped as a deity in your own right with devote followers kneeling at your shrine, your beloved being the most devote of them all. He would gladly forfeit his life for yours should the occasion arise but would never tell you.

Bruce - passionate kisses that only increases the more you were made aware of the fact that any day could be your last, a reality that was no more true when living in an extremely hostile city such as Gotham, and so you show your relief in seeing him come home with little less then a few scrapes and bruises is by pushing up his cowl and kissing him with everything you had. Every kiss pressed into each others lips acted like a wordless conversation between the two of you, confessions of happiness for the others return home and the fear that festered in your mind during his absence; to his attempts of reassuring your frantic mind into a state of calm and grounding you with his skilful touch.

John- rough, fast paced kisses that finishes with both of you walking away with bruised, puffy lips and severely out of breath. His kisses alone were another to set every never within your body aflame with a multitude of emotions such as desire, lust and restlessness; all of which would pile up on top of each other the longer this continued to the point where you were pushed to the brink of utter insanity. And of course the delicious prickling sensation of his stubble against you didn’t help make things any better, and the smug bastard knew this as he chuckled at how easily you feel apart in his arms, something he’ll tease you about later, but for now he’ll allow himself to indulge in the needy pull of your hands on the collar of his shirt.

[personastrologyhub]

Degree Theory Series: The Leo Degrees (5°, 17°, 29°): Unveiling the Complexities of Power, Prestige, and Presence

☆ Leo degrees represent a striking influence—one that combines ambition, charisma, romance, and a near-magical allure. The house that Leo is in your chart is reflective of the area of life that you have the potential to receive a lot of attention.  It is literally the sign of reaching for the stars.   But beneath the well-known themes of fame, leadership, and power, these degrees have deeper, sometimes hidden qualities that shape the lives they touch. Here’s an exploration into these powerful degrees, plus the distinctive flavors they create when combined with different planetary energies.

5° Leo: The Catalyst for Expression and Presence

Keywords: Bold action, self-expression, initiator, elite status, teaching and guidance.

���° ✩࿐

Personality and Physicality: Known as a degree that heightens presence, 5° Leo lends a dignified, commanding air that can be quite magnetic. David Hasselhoff’s for example has a Venus at 5 degrees of Leo. Back in the day, David was known for his magnetic charm and stage presence. He had set the Guinness world record of the most watched man on Tv. This degree supports his appeal as the central figure of Baywatch, Knight Rider and other things, and it shows his ability to thrive under the spotlight. He had set the Guinness world record of the most watched man on Tv.

5° Leo isn’t just the “leader” degree; it often marks those who naturally attract authority and influence without having to seek it.

Hidden Quality of Resourcefulness: A lesser-known quality of 5° Leo is its connection to resourcefulness in high-stakes situations. Those with this degree on key planets often discover remarkable ingenuity under pressure, especially in challenging or isolating circumstances. To thrive in the spotlight, you have to be very resilient.

17° Leo: The Degree of Visionary Influence and Endurance

Keywords: Legacy, public service, intellectual pursuits, mentorship, teaching roles, family connections.

Social Reach and Legacy: 17° Leo reflects someone whose influence extends over time, resonating through a legacy, particularly through teaching, law, or service roles. the 17th degree is the 2nd highest degree amongst the leo degrees (5, and 29 are the other leo degrees) meaning that it has a “longevity��� behind it. There’s often a connection to mentorship or guiding others, and those with 17° Leo placements may be naturally drawn to academia, justice, or philosophical pursuits. They often think in terms of generations and long-term impacts.

Oprah has her MC in 17 degree of Libra.

Elvis Presley is a prominent example of a celebrity with a 17° placement, specifically with his Sun at 17° Capricorn, which is influenced by the “Leo degree” due to degree theory. This degree is associated with lasting fame, a magnetic stage presence, and the ability to create legacy and extend over time. Elvis Presleys music has the ability to transcend time—this aligns with Elvis’s legendary status as the “King of Rock and Roll.” The 17° Leo degree amplifies qualities like charisma, recognition, and impact in the public eye, traits strongly reflected in Elvis’s career and enduring influence in music and culture.

Another example is George Michael, whose Ascendant is at 17° Cancer, lending him a path aligned with Leo qualities—drawing attention, captivating fans, and excelling as a charismatic performer in the entertainment industry. Both figures illustrate how the 17° Leo degree enhances the potential for significant, long-lasting public impact and memorable artistry.

These cases highlight how the 17° degree is seen as one of prestige and enduring influence in charts of famous figures, marking individuals with an aura of distinction and an ability to maintain a lasting legacy in their field.

The Role of Family and Support: This degree frequently connects individuals with family lineage, both in values and sometimes through inheritance or positions of responsibility within family networks. The “father” degree, it suggests an ability to support or uplift family lines or nations—carrying a certain gravitas that inspires collective respect. Just as 17° Leo was prominent in Bill Clinton’s chart, it speaks to enduring influence, as well as the idea of a “national father figure.” Again with Presley he was considered the Father or King of Rock and Roll.

Lesser-Known Influence in Social Structure: Lesser known is 17° Leo’s gift for navigating social structures, from rallying support to surviving intrigue. Individuals with this degree may exhibit a resilient streak, successfully facing threats or challenges within power structures=Much like Elvis who did receive multiple death threats and kidnap warnings, particularly while performing in Las Vegas. 

29° Leo: The Degree of Transformative Leadership and Strategic Vision

Keywords: Finality, transformation, intuition, covert planning, prestige, challenging circumstances.

Mystery and Power Dynamics: Known as an “anaretic” degree, 29° Leo carries themes of completion, change, and high-stakes decisions. People with this degree tend to face intense personal or public challenges that demand creative problem-solving and often put them in complex or strategic roles. A bit of a “chameleon” degree, it suggests someone who can operate under the radar and emerge victorious, often as a reformer or innovator within traditional structures.  Leaders like Winston Churchill, who had his Moon at 29° Leo, epitomize the strength of this degree. Similarly, Donald Trump's 29° Leo Ascendant underscores a charismatic presence and his controversial but impactful role in the public sphere, navigating complex political power structures. They guy became the president of the United States at one point and is up for office again. 

Transformation and Symbolic Rebirth: 29° Leo may indicate the ability to work behind the scenes or in covert ways, potentially in intelligence, diplomacy, or advocacy roles where resilience is paramount. Often, individuals here face life events that force them to “become someone new,” such as a leader rising unexpectedly or a figure dealing with transformative personal setbacks. Just as Churchill rose during Britain’s darkest hour, those with 29° Leo can emerge from crises as symbols of strength and change. his degree also enhances adaptability, suggesting a capacity to emerge stronger after setbacks or public scrutiny. This is also seen in Drake (BBL Drizzy) and Heidi Klum, both with Ascendants at 29°, which contributes to their enduring relevance and adaptability in the ever-changing entertainment landscape.

Lesser-Known Themes of Hidden Loyalty: There’s also a lesser-known aspect of loyalty and readiness to defend others, even to the point of self-sacrifice. This degree attracts followers or allies who support them in unlikely ways, often during critical transitions or public shifts.

Planetary Combinations:

Mercury at 29° Leo: Mercury here indicates someone who speaks with finality and influence, often giving speeches or communications with a lasting impact. They may find themselves in pivotal discussions, historical moments, or transformative media.

Pluto at 29° Leo: This pairing suggests a powerful leader who can influence others profoundly, sometimes by overturning existing power structures. Pluto at 29° Leo is highly transformative, especially in public roles, and may attract both fame and intrigue, giving the individual an almost mythic quality.

Uranus at 29° Leo: With Uranus, there’s a push for radical change and an ability to innovate under pressure. Individuals with this placement can disrupt the status quo effectively and are unafraid to act independently, even if it means losing support temporarily. Their vision is ahead of its time, and they may be involved in pioneering work or historic moments of change.

Hidden Qualities Across the Leo Degrees

Each of these degrees in Leo also carries unique subtleties, especially when it comes to handling public pressure, love for prestige, and overcoming personal trials. Whether seen in how they survive adversities (often with an unexpected inner resilience) or in their commitment to their people or causes, Leo degrees add depth and charisma that’s impossible to ignore.

If you hold one of these degrees in a major placement, consider it a call to embody love, loyalty, and leadership in your unique style. The Leo degree asks for authenticity and confidence, even when the stakes are high.

Observation:

Sun at 5° Leo: A classic position for leaders who are highly visible and admired. The Sun here drives an ambition that others respect, even if they don’t fully understand the drive behind it. There’s a fierce desire to succeed on one’s terms, often in high-profile careers or pursuits.

Moon at 5° Leo: Emotional expression is vital here, with a need to connect in visible, memorable ways. A Moon at 5° Leo can feel happiest when making an impact in social or familial spheres, perhaps guiding or inspiring others. There’s a special talent for evoking loyalty and support from people, often based on an instinctive understanding of group dynamics.

Mars at 5° Leo: Mars here is a warrior spirit that fights with purpose. It’s often associated with a physical stature or confidence that commands space, possibly leading to military or athletic pursuits. There’s a heightened ability to rally others, leading to leadership roles that arise naturally in tense situations.

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[vasilissadragomir]

people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.

snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.

ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?

so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.

and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.

but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.

by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers their winnings to the family of a fallen tribute.

snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capitol as the one who ended the life of katniss everdeen, she’ll still be a martyr.

but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.

and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.

katniss becomes the mockingjay because of her solidarity.

lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.

katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.

only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.

the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.

and really, he should have known better. after all, even when snow lands on top, fire melts snow.

[hauntingofhouses]

uhhh thinkin about how mizu and taigen's relationship was described as "this meeting of the minds, this meeting of the swords, that they could not share with anybody else" in one of the netflix articles about the show

and i'm going crazy because YEAH they're both equally invested about swords and fighting in a way that nobody else in their lives are. and that's just. so important considering we're talking about mizu, who sees her sword as her own soul.

and it's not JUST mizu who's obsessed with fighting. taigen is too. cuz like after their duel at the shindo dojo, as taigen is examining his bald spot in the mirror where mizu cut off his hair, he literally interrupts his own turmoil over losing his honour, just to express his awe, openly admiring mizu's skill DESPITE the fact that mizu just beat his ass and stripped his honour and status from him

then in the next episode, mizu says a very similar line when she examines the cut flower that fowler had pinned to heiji shindo's robe.

this was also such a sudden thing to notice in the middle of their conversation (my interpretation of this is that it hints to fowler's own skills with a blade, and gives mizu information about her enemy being a formidable opponent), but the fact that mizu had such a keen eye and managed to hone in on such a tiny detail from like a foot or two away is interesting because it shows us just how attentive mizu is, especially when it comes to blades and anything to do with them

to mizu (when she's not spiralling and agonising over her own self-hatred and the way the world treats her), swords are not a mere tool for revenge, but an art form which she is fascinated by and loves and admires. we see this from time to time, during rare moments of respite, like when she admires the duel in the beginning of ep4

mizu also takes to heart all the teachings from her years training, while taigen is interestingly less strict about them, basically disregarding some of those teachings as mere pedantry, or even if he doesn't actually really think so, he at least tells mizu as much in his attempt to comfort her after her sword breaks

but that doesn't mean he doesn't care for the more formal aspects of his training at all. because in ep3 when he says this

this line about mount sumeru is not talking about the literal mountain in front of them, but is a recitation of a line from the lotus sutra, which is among the mahayana sutras that they learned as part of their spiritual training, as zen buddhism forms a lot of the basis for samurai doctrines and philosophy. the sutra given more emphasis in the show is the heart sutra that mizu writes on her body in ep7 during her rite of rebirth

so taigen saying this line, as i see it, is a way to bond with mizu, or at least make conversation over their shared knowledge, as we see him await a reaction as soon as he says this. but mizu gives him none, and he looks disappointed/annoyed/frustrated or what have you as he watches her walk off without a word

also we see a little more of their shared knowledge of swordsmanship in the last episode when it's clear that mizu has been training ringo in sword fighting techniques

and later taigen recognises it instantly

they're both nerds about swords and fighting!!! they both respect each other's skills!!!

GOD i really hope in future episodes they get to bond some more over their shared passion and common training and just samurai camaraderie in general!!! mizu clearly loves the artistry of sword fighting so much, she deserves to have a confidant who shares that with her, someone she can talk openly about these things to!!!

because like remember when mikio was telling her about the naginata, she looked soooo uwu in love!!! admiring her husband as he showed off the weapon and told her the benefits of using it!!! believing at the time that she'd found a match who she could openly share her love of martial arts with!! she was having so much fun sparring him too. everyone says fighting is part of her love language and YES it IS!!!

except the difference is that mikio—due to, among other things, their large age difference and subsequent gap in life experience—believes he is mizu's teacher, rather than her equal. this is the role he's readily taken throughout their marriage, from teaching her how to throw a knife to cut down fruit (not like she needed that particular lesson), to teaching her equestrian skills.

meanwhile taigen and mizu were both kids growing up poor in the same backwater fishing village, which means that they are and always have been PEERS. and this becomes even more pronounced once taigen is stripped of his giant ego and unlearns his prejudice, allowing them both to fully respect each other and view each other as equals

which is again why it frustrates taigen when mizu admits later in this scene that she basically doesn't care about saving the shogun. like he gets mad because it upends his initial belief in their shared goals and aligned values, believing them both to be samurai of equal standing and honour.

ALSO i'd like to add, that though mizu is the better swordsman as we see her win all their brawls and matches, she doesn't surpass him by that much, and mizu knows this.

these words coming from mizu is such a huge compliment all things considered, acknowledging that he was strong enough to deserve fighting her, because shortly before this mizu was just about to say "no one has given me much of a challenge" only for taigen to enter the scene and, well, challenge her.

now combine this with her saying that chiaki's broken blade suits him well, giving to him HER sword which SHE made AND won, as a surety, promising him a duel that he "deserves". it's proof that even though she finds taigen an annoying brat and oftentimes an obstacle to her mission for revenge, she DOES respect him and does value his skills.

IN CONCLUSION nobody else is on their level, nobody else shares their love of swordsmanship and that is such an important factor to their bond and the way they relate to each other. i rest my case your honour