#The creation of a new universe is like how you have to create a new identity | Explore Tumblr posts and blogs

solxamber · 29 days ago

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Trash Novel Chronicles: I Want to Retire - Idia Shroud x reader

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it. Now, as the villainess you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

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You’ve lived a life. A noble life, full of honor, glory, and caffeine-fueled late-night writing sessions.

You're an aspiring author.

An aspiring author who, unfortunately, just created the most stupid novel plot of all time.

At least, that’s how it feels. You sit back, staring at your screen, utterly defeated as your latest creation flickers mockingly before you.

You’ve named it: "The Battle for Genius Prince Idia’s Hand" (working title, don’t judge). And wow, it’s a mess.

Here’s the breakdown of your disaster:

You’ve got your heroine—a girl so sweet she’s practically made of sugar, like one of those cookies that look good but crumble the second you bite into them. Naturally, she’s fighting for the affection of your male lead, Prince Idia, who is a socially awkward, genius mechanic prince (because you thought it’d be fun to make him hot and bad with people).

Then there’s the villainess. Ah, the villainess. She’s smart, sharp-tongued, and has enough sass to level a small city. Her entire personality? Sabotage. And she’s also after Idia—because apparently, that’s the only thing women in this story care about. (You regret this immensely.)

But oh no! Plot twist! Idia gets kidnapped by some unnamed evil force (you’ll figure it out later). The heroine? Well, instead of rescuing him, she falls for some Bland Prince. You don’t even know why. You think his name might be Greg. Or Gerald. Honestly, he’s that unremarkable.

Meanwhile, the villainess doesn’t even care anymore about Idia. Instead, she’s full-on dedicated to ruining the heroine’s new, bland romance because… well, that’s her whole schtick.

It’s… awful.

You sit back, hands in your hair, groaning aloud. “What is this? Who would even read this?”

You glance at your notes. They’re a chaotic mess of random scribbles: “Idia = genius, but hates people,” “Villainess needs more fire,” and “Heroine? Too boring. Spice her up. Maybe dragons?”

Yeah. This isn’t working.

You slump in your chair, utterly defeated. The characters are good, great even! But the plot? Oh, the plot is a dumpster fire. No, worse. It’s a flaming dumpster floating down a river of bad decisions. You can’t believe you spent hours writing this.

That’s it. You’re scrapping the entire thing. You’ll keep the characters, sure. But the story? Gone. Deleted. No one needs to suffer through this mess.

Determined, you crack your knuckles and reach for the keyboard, ready to hit the big red “DELETE” button on your disasterpiece.

“Say goodbye to this trash heap,” you mutter, “and hello to some actual good writing.”

But, alas, the universe has other plans.

Just as your finger hovers over the delete key, the worst possible thing happens. Your elbow, as if possessed by the forces of chaos itself, nudges the precariously balanced coffee cup on your desk. The liquid inside, which you had so carefully placed right next to your laptop like a ticking time bomb, tips. In slow motion, you watch the dark, caffeinated doom spill over the edge and land directly onto your keyboard.

“No, no, no, no, NO!” you shout, lunging forward, but it’s too late.

The coffee floods your keys like a tidal wave of misfortune. Your laptop makes a sickening little noise, a soft bzzt, and the screen flickers ominously. You sit there, frozen in horror, watching your computer sizzle as if it’s been cursed by the gods of terrible life choices.

And then—just when you think it couldn’t get worse—it gets worse.

There’s a small, but very real, spark. You flinch back, because nothing good ever comes from sparks. The screen flickers violently, the keys start to buzz, and then—before you can even process what’s happening—you feel it.

ZAP!

Electricity courses through your body. Your vision flashes white, your muscles seize, and in one horrifyingly comedic moment, you realize you’re being electrocuted by your own laptop.

You’d scream if you could, but all you manage is a high-pitched whimper before everything goes black.

Dead. You’re dead. Killed by your own coffee and a poorly thought-out novel. Fantastic.

You blink your eyes open, your head pounding like you’ve been hit with a ton of bricks—or, more likely, an electrical charge. Slowly, your vision clears, and you find yourself… staring at an unfamiliar, ornately decorated ceiling.

Where the hell are you?

You sit up with a groan, and that’s when it hits you: the bed. It’s massive, plush, and absurdly luxurious—definitely not your usual ratty mattress. Panic sets in, and you scramble out of bed, only to catch your reflection in a nearby mirror.

It’s not your reflection.

Oh.

Oh, Shit.

Staring back at you is her. The villainess. The sharp-tongued, drama-fueled antagonist of your novel. The one with a penchant for ruining lives and stealing the spotlight. The one you made up.

You gasp, gripping the sides of the mirror. “No. NO.” You stare at the dark hair cascading over your shoulders, the perfectly arched brows, and the terrifyingly intense smirk that seems to have a life of its own. “Why am I her? Why this of all characters?”

You step back from the mirror and slap your cheeks, half hoping that’ll wake you up from this fever dream. It doesn’t. You’re still stuck in the body of the villainess, and with each passing second, reality—or whatever twisted version of it this is—sinks in deeper.

“Of course,” you mutter, throwing your hands up in frustration. “Of course this is my life now. I write the dumbest novel in existence, and this is what I get.” You pace in front of the mirror, ranting to no one in particular. “Who even thinks it’s a good idea to make me the villainess? Me?! I didn’t sign up for this!”

After a few minutes of thoroughly berating yourself—and by extension, the cosmic forces that brought you here—you finally stop, resting your hands on your hips.

“Okay. Fine. FINE. I’ll play your stupid game, universe.” You throw one last glare at your reflection. “But I’m not tormenting the heroine. Nope. She can have her stupid one-sided rivalry for all I care. I want nothing to do with this mess.”

The decision made, you shake your head and take a deep breath. “Alright, what’s next?” You glance around the villainess’s extravagant room, trying to figure out your next move. And then, a lightbulb goes off in your head.

Prince Idia.

In your novel, he’s socially awkward, reclusive, and definitely doesn’t deserve to get caught up in this disaster. He’s just collateral damage in your sorry excuse for a plot, and honestly? You feel kinda bad about it.

You snap your fingers. “That’s it. I’ll find Prince Idia. Save him or something. Maybe I can even get a reward for rescuing a royal!” You’re feeling pretty good about this plan—much better than sticking around and causing drama with the heroine, at least.

With a dramatic flourish (you are still the villainess, after all), you head for the door, ready to track down Idia and redeem yourself in whatever twisted way you can manage. Who knows, maybe this whole situation won’t be as bad as you thought.

Or… maybe it’ll be even worse. But you’ll cross that bridge when you get to it.

After what feels like hours of arguing with your stubborn, uptight butler—who is absolutely convinced that your decision to head straight for the abandoned palace at the edge of town is the worst idea you’ve ever had—you finally break free.

“If anyone was kidnapped, that’s where they’d be!” you shout over your shoulder as you march toward your carriage, ignoring his protests about "safety" and "reckless behavior."

Butler or not, you’re on a mission. And after a bumpy ride to the palace, here you are, standing at the entrance, waiting for the traps or menacing guards to pounce.

...Nothing.

It’s strangely anticlimactic, actually. You push open the door, expecting maybe a cackle or some ominous fog. But no, just dust and an eerie silence. You frown, stepping cautiously inside.

“What kind of royal abduction is this? Budget cuts?”

Just as you’re about to chalk this whole thing up to a monumental waste of time, you hear it—a low curse, followed by the distinct sound of tinkering. You freeze, listening closer.

Definitely someone messing with something.

Your hand instinctively reaches for your trusty gun (bless past-you for deciding guns belonged in this novel), and with practiced ease, you pull it out and slam open the nearest door.

"Hands up!" you yell, pointing the barrel directly at—

A very, very scared Prince Idia, crouching beside what looks like a half-assembled mechanical gadget. His wide, shocked eyes meet yours, and he lets out a startled yelp, nearly knocking over the tools scattered around him.

"Wh-What the hell?!" you blurt, lowering the gun slightly. This was not the daring rescue scene you imagined.

Idia flinches, awkwardly raising his hands. “I—uh, I don’t know who you are, but how did you even find me?!” he stammers, looking at you like you just kicked his favorite gaming console.

"How did I—? Are you kidding me?" You gesture dramatically with the gun, still in shock. "I’m one of the people you were supposed to choose from! Remember? The whole ‘Battle for the Hand of Prince Idia’ thing?”

He blinks at you, deadpan. “Oh… Oh, no,” he mutters, more to himself than you. “Absolutely not. I’m not going back. I staged this whole thing for a reason.” He crosses his arms, stubborn. “I’ll just stay here with my gadgets. You can go back to… whatever you do.”

You stare at him, flabbergasted. “What do you mean you staged this?” You glance around the dusty, decrepit palace. “This is your brilliant escape plan? Hiding out in the palace equivalent of a haunted IKEA?”

He sighs, running a hand through his hair. “Look, it’s quiet, it’s out of the way, and no one bothers me here. I didn’t get kidnapped, okay? I just—didn’t want to deal with all the royal court nonsense.” He shrugs, as if staging a fake kidnapping is the most logical thing in the world.

“You do realize that Ortho is still at the palace, right? Your little brother? Alone? Without you?” You raise an eyebrow, watching the slow dawning horror creep across Idia’s face.

“Yeah, so?” He huffs. “He’s the Crown Prince now. I’m sure he’s fine—"

“Bro,” you interrupt, “have you seen high society? Ortho’s gonna get eaten alive. Not to mention the other princes aren’t just gonna let him waltz around with a crown on his head without making his life miserable.”

Idia’s eyes go wide, his brain clearly working overtime as the realization hits him like a ton of bricks. “Oh… Oh no. I didn’t think of that.”

You nod sagely. “Yeah. Big oops.”

He stares at the ground, looking like he’s physically shrinking under the weight of his own bad decisions. And then—something unthinkable happens.

“Help me,” he says, his voice desperate. He looks up at you with pleading eyes. “Please. I’ll—I’ll make you anything you want, build you gadgets, whatever you need! Just help me navigate high society while I… hide in the shadows or whatever.”

You stare at him in disbelief. “Are you… Are you asking me to pose as your fake fiancée?”

Idia flushes crimson, his hands flailing. “N-No! Well, maybe? Yes. I mean, yeah, but it’s not like I want to—" He groans, burying his face in his hands. “Just… ugh. Yes. Please.”

You cross your arms, tapping your chin. “Hmm. Fake engagement, huh? Alright, but only if you give me a beach house when this farce is over and Ortho officially takes the crown.”

Idia looks up at you, blinking in surprise. “A beach house? That’s your condition?”

You smirk. “Hey, I know what I want. So, do we have a deal?”

He hesitates for a moment, but then sighs, defeated. “Fine. You get the beach house. Just… make sure no one talks to me. Or atleast, you have to handle almost all the talking.”

With a satisfied nod, you extend your hand. “Deal.”

Idia, still red-faced and awkward, shakes your hand. You can’t help but wonder what sort of chaos you’ve just agreed to—but at least you’re getting a beach house out of it.

Sneaking Idia back to your manor wasn’t the most glamorous affair. He insisted on wearing a cloak, “for dramatic effect,” even though the streets were practically empty.

"You know, for a guy who's supposed to be a genius, you're real bad at blending in," you deadpan as he stumbles over his own cloak.

"It’s supposed to make me inconspicuous," Idia mutters, pulling the hood down further. "People see a cloak, they assume you’re some weirdo and leave you alone. It’s basic stealth mechanics."

“Uh-huh. And tripping on it helps too?”

“Shut up.”

Once inside the manor, you sit him down to discuss the details of how you’re going to spin this whole ‘rescue’ thing. Idia, now a little more at ease, starts fiddling with some gadget he pulled from one of his cloak’s hidden pockets. You can't tell if he's actually paying attention, but you figure you’d better get started.

"Okay," you say, leaning in like you’re about to hatch the greatest scheme of your life. "We need a story. Something grand. Heroic. Full of intrigue, mystery—"

“Or we could just say I, uh, got lost?” Idia offers halfheartedly. “And you happened to find me by accident. That sounds more plausible.”

You shoot him a look. "Idia, this is high society. No one ‘just gets lost for 3 months.’ We need something more exciting. Like, I fought off a band of rogue kidnappers—"

“Did you now?”

“And there was this epic battle—"

“With what? Your sense of direction?”

You glare. “Focus. We need an alibi."

Idia sighs. “Fine, whatever. Make it sound cool, but not too cool. If it’s too impressive, people will start thinking I owe you something.”

“Oh, don’t worry. I already have an idea of what you owe me,” you say, smirking.

His eyes narrow in suspicion, but you move on.

"Alright, so I 'bravely' tracked you down to the abandoned palace—"

"Because obviously that's where I'd be hiding," Idia interrupts sarcastically, rolling his eyes.

"—and I singlehandedly defeated a gang of ruthless kidnappers, saving you from a life of captivity. You, overwhelmed by my gallantry, are forever in my debt—"

Idia snorts. "Forever in your debt? Yeah, right. You're more likely to find me dead than in your debt."

“Just go with it. It’s a good story.”

Eventually, you both settle on a suitably ridiculous tale where you, after days of tireless investigation, heroically rescued him from an evil plot to overthrow the royal family. It's unnecessarily elaborate, full of conveniently absent witnesses and a dramatic escape from a non-existent dungeon. The whole thing’s so ridiculous, you almost feel bad for making anyone listen to it.

“Right,” you say, standing up. “Now we just need to sell this at court.”

When you arrive at the palace, Idia hangs back while you step forward, playing your part as the "heroic rescuer." Ortho’s the first one to spot you, and when his eyes land on Idia, they widen with shock and excitement.

“Brother!” Ortho shouts, practically flying over to tackle Idia in a hug. “I knew you’d come back!”

Idia, not really one for public displays of affection, awkwardly pats Ortho’s head. “Yeah, yeah, don’t make a big deal out of it,” he grumbles, though you can see the tiny smile tugging at his lips. “I was, uh, working on some top-secret stuff. Y’know, important genius-level projects.”

Ortho beams. “That sounds just like you!”

You have to hold back a snicker. Yeah, real “top-secret.” Like avoiding social interaction at all costs.

Soon, you’re ushered into the royal court. The king—who clearly knows something is up—doesn't look remotely surprised by the "revelation" that Idia was never actually kidnapped. But, because royal politics are weird, he plays along.

“So, Prince Idia,” the king says, raising an eyebrow, “I suppose you’ll want the Crown Prince title back now that you’ve returned?”

Idia freezes, panic flashing in his eyes. "Uh, absolutely not. Hard pass. Nope. Ortho’s got it handled, right? He can keep the whole… crown… thing.”

Ortho nods eagerly from behind him. “I’ve got it covered!”

The king sighs but nods. “Very well. And what about you?” He turns to you. “Surely, a brave soul such as yourself deserves a reward.”

Here it comes. You’ve rehearsed this with Idia, but now that you’re on the spot, you can’t help the dramatic flair in your voice as you clasp your hands together and say, “All I ask… is for Prince Idia’s hand.”

The king looks thoroughly amused, while Idia, beside you, is turning a very interesting shade of red.

“What?” Idia hisses under his breath. “That was not the line.”

You grin, leaning closer. “Yeah, but you have to admit, it’s funnier this way.”

To his credit, Idia doesn’t collapse on the spot, though he does look like he’s reconsidering his life choices.

Meanwhile, from across the room, you catch the third prince—your so-called "male lead"—glaring daggers at you. He looks like he's about to burst a blood vessel, while the heroine next to him is scandalized beyond belief.

“B-but Idia’s hand was supposed to be won!” she protests, clearly flustered.

You tilt your head innocently. “Oh? Not satisfied with the third Prince?” you ask, batting your lashes at her.

Her face goes red, and the Bland Prince—whoever he is—looks equally scandalized.

Next to you, Idia quietly high-fives you behind his back.

“Nice one,” he whispers.

As you both walk away from the court, Idia glances over at you, his usual sarcasm softened by relief. “You know, I really thought I’d end up hating this whole scheme, but you’re not bad at playing the part.”

You chuckle, nudging him. “Told you it’d be fun. And now I get a beach house, so it’s a win-win.”

Idia sighs but can’t hide the smile tugging at his lips. “Yeah, yeah. Just don’t make me go to any more parties, okay?”

“Deal.”

You’re sitting across from Idia in the study, supposedly "spending time together" to prove to the world how deeply smitten you both are. In reality, though, you’re plotting out your beach house retirement plan, while Idia is hunched over his latest gadget, muttering like a mad scientist.

"Okay, so if I tweak this—boom, self-repairing AI drone. Easy. The idiots at court would never get it," he whispers to himself, eyes glued to the wires and gears he's fiddling with.

You’re busy doodling floor plans of your dream beach house, adding an extra pool for fun. “Yeah, totally, sweetheart,” you mumble, pretending to listen. This fake relationship thing is going swimmingly.

That’s when the door flies open, and in waltzes the male lead—of course he doesn't knock. The guy practically drips entitlement as he saunters in, admiring himself in the reflection of a spoon he’s for some reason carrying.

Without missing a beat, you and Idia scramble to look like actual lovers. You slide closer to him, casually tossing an arm over his shoulders, and he—already flustered—just stiffens like he��s been caught in a trap.

“I see you two are enjoying each other’s company,” the male lead says, not even looking up from his spoon reflection. “I came to invite you to the tea party. You know, with all the nobles. The whole ‘Idia’s too traumatized to socialize’ excuse isn’t gonna fly anymore. It’s been three months.”

Idia’s eyes widen, and you can practically hear his soul leave his body. You give him a reassuring nudge.

“Don’t worry,” you whisper. “I’ll do all the talking. You just have to sit there, sip tea, maybe nibble on a pastry, and nod at Ortho. I’ve got the rest covered.”

Idia doesn’t look convinced, but he nods anyway. “Sure, sure, as long as I don’t have to, like, interact.”

The two of you arrive at the tea party, and the moment you step into the garden, you realize you're absolutely screwed. It’s not a tea party at all—it’s some weird medieval Olympics with archery targets set up, and a bunch of nobles are taking turns shooting arrows while their wives cheer them on.

“What… is this?” you whisper, horrified. “Why are there archery targets at a tea party? Is this... a misogyny power trip?”

Idia looks like he wants the ground to swallow him whole. He’s already backing away slowly, trying to make his great escape, but you grab him by the back of his cloak before he can bolt.

He shoots you a look like you’ve just committed the ultimate betrayal. “This... is not a tea party. You said tea and pastries. Where are the pastries?!”

“I didn’t know!” you hiss back. “I thought we’d just sip tea and gossip about whose cousin married whose horse!”

Before either of you can make another move, the heroine spots you and immediately latches onto your arm, dragging you to the tea table. At the same time, the male lead grabs Idia and hauls him over to the archery side.

"Wait—no—uh—" Idia stammers, but he’s already been thrown into the testosterone-fueled chaos of nobles trying to outdo each other.

Thinking fast, you impulsively declare, “I’ll be the one doing the archery! For my fiancé, of course. You know, because those thugs that kidnapped him? They had bows too!”

Idia, catching on, immediately puts on his best terrified expression. “Y-Yeah! Bows! I’m… I’m still traumatized! Please don’t make me relive it.”

The crowd collectively gasps, and you inwardly pat yourself on the back. Nailed it.

Somehow, despite knowing absolutely nothing about archery, you end up winning the whole thing. Turns out, none of the nobles have actually seen a bow before. You didn’t even hit the bullseye—you just got the arrow near the target, which was apparently enough to impress them.

The prize? A complex-looking mechanical device, something straight out of Idia’s dream workshop. You look at it, completely clueless, before handing it over to him.

“Uh, here. I have no idea what to do with this.”

Idia stares at the device, his eyes wide in disbelief. “You’re… giving it to me?” He looks touched but also suspicious. “You’re not gonna ask for some crazy favor in return?”

You shake your head. “Nah. It’s all yours. Consider it a thank-you for not leaving me to deal with this disaster alone.”

He blinks, clearly not used to receiving gifts without strings attached. “Well… uh, thanks. And… good job on the archery. You, uh, really sold the ‘traumatized fiancé’ bit.”

Before you can respond, the rest of the nobles start talking about "true love," and you can practically feel the heroine’s eyes boring holes into you. She’s fuming, glaring at the male lead—who, by the way, didn’t win—and looks like she’s about five seconds away from tearing out her hair.

You shoot her a smug grin, thoroughly enjoying her frustration. Idia, who’s been watching the whole thing with mild amusement, lightly bumps you with his elbow.

“Thanks for… you know, saving me from whatever that was. And for giving me this… thing,” he says, holding up the device.

“No problem,” you reply, smirking. “I think we’re pulling off this whole ‘smitten lovers’ thing pretty well.”

Idia snorts, trying to suppress a smile. “Yeah, well, if you keep dragging me to ‘tea parties’ like this, we’re gonna need to come up with a better plan. Preferably one where I don’t have to socialize with archery-obsessed nobles.”

“Deal,” you laugh. "Next time, I'll find a real tea party."

"Please don't."

You’re lounging on a comfy chair, lazily chatting with Ortho, who’s happily explaining some new contraption he and Idia worked on. You’re half-listening, more focused on sipping tea and enjoying the rare moment of peace in this chaotic castle.

That is, until Idia suddenly appears in front of you, looking unusually determined. He stands there, awkwardly shifting his weight, before thrusting his hand out in front of you.

Without thinking, you blink up at him and, in your confusion, place your chin on his outstretched palm. You give him a questioning look, waiting for further instruction.

Idia’s face immediately flushes a deep red. “W-What are you doing?! That’s not—I didn’t—gah!”

Ortho’s trying not to laugh, but it’s clear he’s barely holding it together.

“What?” you ask innocently. “You held out your hand, so I thought…”

Idia runs a hand through his hair, clearly flustered, before spluttering, “I—no, I was asking for your gun!”

“Oh. Right.” Without hesitation, you hand him the trusty weapon you always keep on hand, because at this point, you’ve learned to never question what Idia needs. It’s always better that way.

“Thanks,” he mutters, grabbing it like he’s on a mission and rushing off to whatever secret lair he retreats to.

You glance at Ortho, who’s giggling to himself. “Do you think I should be worried about that?”

“Nah,” Ortho says with a cheerful shrug. “He’s probably just making modifications. He’ll be fine!”

The next day, your luck runs out. Just when you were hoping for another peaceful afternoon, the heroine arrives for a surprise visit, dragging along her little posse of noble followers. You’re seated in a stiff parlor chair, forced to endure the barrage of small talk and fake smiles, feeling as if the universe is punishing you for all the nonsense you wrote in that novel.

One of the heroine’s cronies leans in with a sickeningly sweet voice, “Oh my, Lady Heroine, I just love your new gown. You look positively radiant. Unlike some people who seem to… dress for comfort, I suppose.”

You shoot her a withering glare, but it’s hard to focus when the heroine herself joins in, adding with a falsely sympathetic tone, “It must be so difficult for you, pretending to fit into high society. I can’t imagine how exhausting it must be, keeping up appearances.”

You’re just about to snap back when, suddenly, the door bursts open. In comes Idia, holding your gun, looking both determined and completely out of his element. For a brief, terrifying moment, you wonder what kind of chaos he’s about to unleash.

Before you can ask, he walks straight over to you and hands it to you, his expression serious. “Here. I finished the modifications.”

Your jaw drops as Idia starts rattling off a list of improvements. “So, I increased the firepower by 30%, added a cooling mechanism so it doesn’t overheat, and now it’s got an auto-targeting system that can scan multiple threats at once. Oh, and I swapped the trigger to be more responsive, so you won’t have any lag—”

You can’t help but notice how animated he looks. His usual deadpan expression is replaced by a lively spark in his eyes as he talks about all the intricate details. He’s completely in his element, and you find yourself enchanted by the way he speaks. It’s rare to see him so passionate, so alive.

The moment is shattered when he finally notices the others in the room. His face drains of color, and he gives a forced smile that screams I don't want to be here. Without another word, he turns on his heel and flees the room. But you notice something strange—he had been holding your hand the entire time. His grip, tight and warm, leaves a lingering sensation even after he’s gone.

You’re left holding your newly modified gun, your face heating up as you process what just happened. The heroine's entourage are all staring at you with wide eyes, as if they’ve just witnessed the most romantic moment of the century. Even the butler, who’s usually the epitome of professionalism, is grinning like he’s just uncovered the secret to eternal happiness. The maids nearby are giggling behind their hands, clearly entertained.

You glance down at the gun, then back to where Idia disappeared. Great, you think to yourself. How am I supposed to survive this?

As if reading your mind, the heroine gives you a smug smile. “It seems your fiancé is quite… attached. How charming.”

You roll your eyes, trying to ignore the sudden rush of blood to your cheeks. “Yeah, he’s a real romantic,” you mutter sarcastically.

But even as you try to brush it off, your thoughts keep returning to that sparkle in Idia’s eyes, the way he had held your hand, and the way his enthusiasm had made your heart skip a beat. Maybe this royal con is going to be more complicated than you expected… but also, maybe not as bad as you feared.

Dragging Idia to get fitted for the imperial ball is like trying to drag a cat into a bathtub. He’s actively resisting, feet planted as you haul him toward the tailor with all the enthusiasm of a man being led to the gallows.

“Why do you keep doing this to me?” he groans, leaning back so far you think he might just throw himself on the floor in protest. “An angel loses its wings every time you make me do this. Do you want heaven to be wingless? Is that what you want? To singlehandedly destroy heaven?”

“I’m aiming to open a black market for wings, yes,” you say, deadpan, yanking him forward. “The profits will be incredible.”

“You’re a menace,” he mutters, shuffling along behind you, still resisting like a particularly stubborn mule. “Just put me in a broom closet with a bag of chips and leave me there. I don’t need to go to this ball. No one wants to see me.”

“I do,” you quip. “I’m dragging you into society, one unwilling step at a time.”

By the time you actually manage to get him dressed, you feel like you’ve aged five years. But when you take a step back to admire the result, it’s worth it. Idia looks stunning, even if he’s fidgeting like his clothes are secretly made of fire ants. He’s basically the human version of a rare collectible: usually hidden away, but absolutely jaw-dropping when you finally get to see him.

“Alright, Prince Drama,” you say, exhaling, “I’m going to get dressed. Try not to set anything on fire while I’m gone.”

When you return, you immediately notice something’s up. Ortho’s whispering something to Idia, and whatever it is, it’s causing a nuclear-level blush to spread across his face. He’s stiff as a board, and when he turns around and sees you in your ball attire, he goes straight from “mildly panicked” to “catastrophic system error.”

Without warning, he chucks a flower at you. Just full-on throws it like it’s a projectile weapon.

“Here,” he croaks out, his voice cracking halfway through.

You blink, catching the flower mid-air with one hand. “Uh, thanks? Were you... trying to plant this on me?”

Idia’s face somehow manages to get even redder. “No—I mean yes—I mean—” He looks around for help, but Ortho just gives him an unhelpful thumbs up from the corner.

You grin, deciding to help the poor guy out. “Why don’t you pin it in my hair instead?”

His hands shake as he fumbles with the pin, and you’re pretty sure he’s using every ounce of self-control not to stab you in the scalp. You bite your lip, trying not to laugh, but the whole situation is just too funny. Especially when Ortho gives you a conspiratorial wink from behind Idia’s back like he’s this close to winning a bet.

The ball itself is, as expected, a social hellscape. You and Idia survive by sticking together like conjoined twins, fending off the waves of nosy nobles and fake smiles. You can practically see the stress radiating off of Idia, his expression one of pure misery.

And then, the king makes his grand address, signaling the start of the first dance. You feel Idia stiffen beside you.

“Oh no,” he mutters, “Oh no. This is where it all goes downhill. I’ll trip, I’ll break my leg, and then they’ll throw me in the royal dungeon for embarrassing the family.”

“Relax,” you say, squeezing his hand. “It’s just one dance. I’ll lead, you follow. Easy.”

“I hate this,” he mumbles as you drag him onto the floor. “I hate everything about this. I should have just set myself on fire and gotten out of it that way.”

But despite his protests, you manage to lead him through the first few steps of the waltz. To your surprise, he’s not completely hopeless. He stumbles a little at first, but with you guiding him, he starts to get the hang of it.

“You’re doing great,” you say encouragingly.

“Stop lying,” he grumbles. “I’m one misstep away from taking us both out like a bowling ball hitting pins.”

The music continues, and with every turn and spin, you notice the room around you fading into the background. For a moment, it’s just you and Idia, navigating the intricate steps of the dance together. He’s still anxious, but he’s keeping up, and more importantly, you can tell he’s starting to trust you. He’s letting you take the lead, and for someone like Idia, that’s huge.

From Idia’s perspective, this entire ball is a waking nightmare. He’s completely out of his element, surrounded by people he’d normally go to great lengths to avoid. But then there’s you. You’re handling everything with this... ease, this grace that he can’t even begin to comprehend. You’re not just dancing with him, you’re actively navigating the minefield of court politics like it’s no big deal.

And you don’t need to do this. This isn’t your problem—it’s Ortho’s succession, not yours. But you’re here, by his side, going all out to make sure Ortho’s future is secure. Idia’s heart twists in his chest. He doesn’t get it. You’re way too cool for this. Too cool for him. You wink at him mid-spin, and he feels like his brain’s short-circuiting.

"Oh no. I like them. Like, really like them. And soon, they’ll be gone. This whole engagement is just for show. After Ortho’s investiture, we’ll go back to our separate lives, right?"

He swallows hard, trying not to freak out, but it’s too late. He’s in way too deep.

After the dance, you lead him off the floor and start mingling with the other nobles, making alliances and doing your whole “political mastermind” thing. Idia stands awkwardly to the side, trying to blend into the wallpaper, but his eyes keep following you. You don’t have to do all this for Ortho, but you are. And that’s... that’s really cool. He admires you, he can’t help it.

And then—oh no. The lower nobles. They spot him and beeline toward him like sharks smelling blood. Before he can make a break for it, they swarm around him, throwing party invitations at him like confetti.

“Prince Idia, you simply must attend our garden soirée next week,” one of them gushes, eyes sparkling.

“And our evening gala!” another pipes up. “You’ll be the guest of honor, of course!”

Idia’s face goes pale, and he shoots you a look that screams, HELP ME.

You swoop in like a knight in shining armor. “Ah, yes, well, unfortunately, Idia can’t attend. He’s... uh... allergic to sunlight.”

The nobles stare at you, blinking in confusion. Idia stares at you too, his expression a mix of disbelief and amusement.

“Allergic to... sunlight?” one noble repeats, frowning.

You facepalm. Smooth. “I mean... it’s a joke! Ha! Obviously! What I meant to say is... uh...” You scramble for an excuse. “I need a nap.”

There’s a beat of silence.

“I—uh—can’t sleep without him,” you blurt out. “It’s, uh, a couple thing.”

The nobles blink at you again, thoroughly bewildered.

You grab Idia’s arm, muttering, “We’re leaving,” and make a quick exit, practically dragging him behind you.

As soon as you’re out of earshot, you let out a groan. “Oh my god, I can’t believe I said that. ‘Allergic to sunlight’? Really?”

Idia is doubled over laughing, completely losing it. “You what?!” he howls. “You need a nap? And you can’t sleep without me?!”

“Shut up!” you say, cheeks burning. “I was trying to save you!”

“You saved me? More like doomed me!” He wheezes between laughs, clutching his stomach. “Oh man, you are terrible at this. You make me look good, and that’s saying something.”

You glare at him, but his laughter is so infectious that you can’t stay mad. And honestly? He looks free. Unbridled, even. It’s the first time you’ve seen him laugh so openly, so without reservation, that it almost makes you forget how embarrassing the situation was.

Almost.

It's finally time for Ortho's investiture, and to say you feel unprepared would be an understatement. Not for any political reason—you've long since mastered the art of navigating court intrigue. No, the issue is far more personal, far more heart-wrenching. After today, once Ortho is declared Crown Prince, Idia will no longer have any excuse to stay in the spotlight. He'll retreat, back into the shadows, probably even fake his own kidnapping to get out of any future public events. And you?

You'll finally get that peaceful beach house you’ve been dreaming about.

But the thought doesn’t feel like a reward. It feels bitter. You don’t want that beach house—not if it means losing Idia. The man who’s wormed his way into your heart with his sarcasm, awkwardness, and hidden kindness.

But you know he’s not someone you can tie down. Idia doesn’t do well with permanence. And as much as your heart begged to hold on to him, you also know he’d likely slip through your fingers if you tried.

So you do what any self-respecting person would in this situation: put on a brave face, slip into your formal attire, and prepare to smile your way through heartbreak.

When you walk out to greet Idia, he’s already dressed in his formal robes, looking every bit the reluctant royal. His eyes widen slightly when he sees you, but he says nothing, fidgeting with the hem of his sleeve.

You muster up the strength to smile and reach for his hand. “Ready?”

He nods, but neither of you can meet the other’s eyes.

From Idia’s perspective, today should feel like a victory. He’s been planning for Ortho’s investiture for months, and now that the day is finally here, he should be feeling nothing but relief. But no—he’s filled with an overwhelming sense of dread. It’s not about Ortho. His little brother is brilliant, and Idia knows the kingdom is in good hands.

No, what he’s not ready for is letting you go.

If someone had told him a year ago that he would care about someone—want someone—so desperately, he would’ve locked them up in a mental facility. But here he is, standing on the precipice of his worst nightmare.

You, who shine in every public setting, who effortlessly charm everyone around you, are going to move on. He knows he can’t tie you down with his reclusive lifestyle, his constant desire to escape from the world. How could he? You’re everything he’s not—bright, resplendent, beloved. He can’t ask you to give up your life for him.

But when you come out and take his hand, his heart skips a beat. Neither of you are able to look each other in the eye, but the gesture says more than any words could.

The investiture itself goes off without a hitch. Ortho’s speech is flawless, full of the hope and wisdom of a ruler who will no doubt lead the kingdom into a golden age. You’re so proud of him—of the boy who’s become like a little brother to you.

But even as you smile and clap with the rest of the court, you feel a heaviness in your chest that has nothing to do with the political spectacle unfolding before you.

A few tears slip down your cheeks, and you don’t even know if they’re from the overwhelming pride you feel for Ortho or the quiet heartbreak you’ve been trying to suppress all day.

Before you can wipe them away, Idia silently hands you his handkerchief. He doesn’t say anything, doesn’t even look at you, and that just makes the ache in your heart a little worse.

You take it with a quiet, “Thanks,” dabbing at your eyes, and you both stand there in tense silence, watching as the formalities continue around you.

Once the investiture concludes and the guests filter out, you and Idia retreat to a balcony to catch your breath. The sky is darkening, and the cool evening breeze does little to soothe the heaviness you feel in the pit of your stomach.

Idia breaks the silence first. "I've, uh... already arranged the beach house. It’s in your name now."

You blink, looking over at him. His voice cracks slightly, and when you finally turn to face him fully, you realize that he looks like the very picture of heartbreak. He’s not meeting your eyes, staring out into the distance as if it’ll keep him from falling apart.

You swallow hard, trying to keep your voice steady. “Idia... do you want me to leave?”

He freezes, still not looking at you. "I... I want you to be happy. I mean, that's the whole point, right? The beach house, everything—you’ve been wanting that for ages."

“I didn’t ask if you wanted me to be happy,” you say quietly. “I asked if you want me to stay or go.”

The silence between you stretches, heavy and suffocating. You hold your breath, waiting for him to answer. When he finally speaks, his voice is barely above a whisper.

“I... I don’t know what I’m gonna do if you’re not here anymore.”

That’s all the confirmation you need. Before he can say anything else, you step forward, cupping his face and pulling him into a kiss. For a split second, he stiffens, shocked, but then he melts into it, his arms wrapping around you like he’s afraid you might disappear if he lets go.

It’s everything you needed and more—sweet, desperate, and filled with all the words neither of you have been able to say. When you finally pull away, you rest your forehead against his, both of you breathing heavily.

“Come with me,” you whisper. “To the beach house. We can... we can figure everything out from there.”

Idia lets out a watery laugh, one that’s half-disbelief, half-relief. “You really want a shut-in like me hanging around your dream house? You’re gonna get sick of me in a week.”

You smile, brushing a strand of hair away from his face. “I don’t think I could ever get sick of you. So... what do you say?”

He hesitates for a moment, then gives a small nod, his eyes shining with unshed tears. “Yeah... okay. I’ll come with you.”

And just like that, the weight that’s been pressing down on your chest all day lifts. It’s not the end—it’s a new beginning. One where you and Idia don’t have to part ways, where you can move forward together.

As you both stand there on the balcony, holding each other close, the world feels a little less daunting, and the future a little brighter.

The grand hall is slowly emptying out, nobles drifting away after offering their congratulations to Ortho. You and Idia maneuver through the lingering crowd, dodging overly-friendly dukes and avoiding eye contact with barons hoping to extend the festivities.

Idia clings to your arm like a cat being dragged to the vet, mumbling, “Please tell me we’re not about to be emotionally ambushed again.”

You smirk. “Relax. It’s just Ortho.”

“Yeah, that’s what you always say before things get sentimental and I have to deal with ‘feelings.’”

You spot Ortho standing near the dais, still wearing the ceremonial robes from his investiture. Despite the long night, he looks bright-eyed, waving cheerfully at some departing courtiers. When he catches sight of you two, his face breaks into the biggest grin, and he hurries over like an eager puppy.

“There you are!” Ortho beams, practically glowing with excitement. “I was worried you left without saying goodbye.”

“Us? Leave without saying goodbye?” you tease. “What kind of villains do you think we are?”

“Exactly the kind who would sneak away in the middle of a banquet,” Idia mutters under his breath. “And you know what? That plan still sounds great.”

Ortho rolls his eyes fondly. “You’re impossible, brother.”

“Only when I’m awake.”

“Anyway,” you cut in, shooting Idia a playful glare before turning back to Ortho, “we wanted to talk to you before we go.”

Ortho’s smile falters, just a bit. “You’re leaving already?”

You nod, squeezing Idia’s arm. “Yeah. We’re heading to the beach house.”

Ortho tilts his head, curious but not upset. “You’re moving there?”

“For a while, yeah,” you explain gently. “Idia and I need a break from all the court politics. But don’t worry. We’ll visit you. Often.”

Idia shifts beside you, scratching the back of his neck. “Yeah, uh... It’s not like I’m leaving forever or anything. Just... you know, temporarily escaping society.”

Ortho laughs, but there’s a softness in his gaze now. “I get it. I don’t blame you for wanting to leave all this behind for a bit.”

You take a step closer, voice lowering. “And hey... I know you’ve got a lot on your plate now. But we’re still family. If you need anything—anything—we’ll be here for you.”

Ortho’s grin returns, full force. “I know. I’m really glad you two have each other. Honestly, I was worried for a long time that Idia might never find someone willing to put up with him.”

“Gee, thanks,” Idia deadpans. “Glad my personal development arc has been so inspiring for you.”

“But seriously,” Ortho says, his expression softening again. “Thank you. You’ve done more for us than you had to. I know you could have just... gone back to your world or left things as they were. But you stayed. And you helped him.”

Oh no. Not this again. That suspicious prickle starts in your eyes, and you blink rapidly to fend off the tears. Not now. Not in public.

“You’re not... making me cry,” you insist, even as your voice wobbles. “This is just... allergy season.”

“Oh no, it’s happening,” Idia groans dramatically, pinching the bridge of his nose. “Please don’t cry. If you cry, Ortho’s gonna cry, and if Ortho cries, the nobles will definitely blame me.”

“Shut up, you big baby,” you sniffle, swatting his arm before pulling Ortho into a hug. “Come here, you. Group hug, now.”

Ortho barely has time to react before you’ve wrapped him up in your arms. He laughs, squeezing you back. You reach out blindly and grab Idia’s sleeve, yanking him into the fray.

“Wait—wait, what—!” Idia stumbles forward, sandwiched awkwardly between you and Ortho. “This is... I don’t...”

“Shhh,” you whisper, patting his back. “Feel the love.”

“This is emotional ambush!” Idia protests, voice muffled against your shoulder. “I want it on record that I was forced into this.”

“Noted,” Ortho says with a laugh, hugging both of you tighter. “But you’re not getting out of it.”

For a moment, the three of you just stand there, huddled together in a ridiculous knot of limbs, nobles glancing your way but tactfully avoiding comment.

Idia mutters into your ear, “This... this is basically treason against introverts.”

You grin. “Consider it penance for being emotionally stunted.”

“You’re both the worst,” he grumbles, but his arms stay wrapped around you.

Eventually, you pull back, wiping your eyes with the heel of your hand. “We’ll be back soon, Ortho. I promise.”

“I know.” Ortho smiles warmly, giving you one last squeeze. “And when you do, I’ll make sure you never have to attend another dull court event again.”

Idia perks up at that. “Oh. Now that’s what I call incentive.”

With one last shared laugh, the three of you break apart. Ortho steps back, standing tall and proud in his new role, though his smile still holds all the warmth of a little brother seeing his family off.

“Take care of him,” Ortho says quietly, glancing meaningfully at you.

“I plan to,” you reply, meeting his gaze with a small, reassuring smile.

“And you,” Ortho adds, looking at Idia. “Don’t screw this up.”

Idia gapes, indignant. “I—why does everyone assume I’m the one who’s going to screw it up?!”

You and Ortho exchange amused glances before both of you answer in perfect unison:

“Because you will.”

Idia groans. “Yeah, okay. Fair.”

With that, you bid Ortho one final goodbye, tugging Idia along before anyone else can rope you into small talk. As you leave the grand hall and step out into the cool night air, the weight on your shoulders feels a little lighter.

Idia sighs in relief. “Well, that’s over. Time to hibernate for the next decade.”

You chuckle, lacing your fingers through his. “Hibernation in the beach house?”

“Hell yeah.”

And with that, the two of you set off into the night, leaving the court behind—for now.

Oh, what happened to the heroine and the male lead, you ask? Let’s rewind a few months before Ortho’s investiture—back when they were still blissfully unaware of the elaborate downfall that awaited them.

You knew that the heroine and the male lead would try to make a spectacle of themselves during Ortho’s rise to power. The way they pranced around, flaunting their superficial charm and good looks like they owned the place—it was insufferable. And, of course, they were always scheming in the background, hoping to secure power and glory for themselves. You couldn’t stand it.

So, you set up the perfect trap.

It began at a lavish gala, one of those unnecessarily extravagant events where nobles gathered to network, gossip, and throw subtle insults at each other. You arrived fashionably late, as any proper duchess would, with Idia reluctantly in tow, mumbling under his breath about how every social event felt like “one of those long quests with zero rewards.”

“The rewards are emotional, Idia,” you whisper, linking arms with him.

“Yeah, emotional damage,” he mutters.

You suppress a smile, but your mind is elsewhere. Tonight is the night. You had planted the seeds weeks ago, a few well-placed rumors, some whispered insinuations, and a letter you’d accidentally left behind in a well-trafficked corridor. It was all coming together like a beautifully chaotic symphony, and now, the climax.

You spot the heroine first, her radiant smile masking the venom beneath. She’s making a grand entrance, arm-in-arm with the male lead, who, as always, looks like he’s stepped straight out of a romance novel. His hair is perfect, his jawline sharp enough to cut through glass. But you know better. They’re both so predictable.

“They’ve arrived,” you murmur to Idia.

He gives you a blank stare. “Yeah, cool, I’m just here to not die of social exhaustion. Whatever you’re planning... don’t tell me. I don’t wanna be involved.”

“Suit yourself,” you reply with a grin.

You watch them mingle, waiting for the right moment. And there it is—the heroine, attempting to cozy up to the king, laughing a little too loudly at one of his mediocre jokes. You slip through the crowd, making your way to where a certain nosy noblewoman is holding court. A noblewoman known for her love of gossip and her even greater love of ruining people’s lives with it.

Perfect.

You lean in, feigning concern. “Oh, My Lady... I probably shouldn’t say this, but I heard the strangest thing about the heroine. You won’t believe it.”

Her eyes gleam with curiosity. “Do tell, my dear.”

“Well,” you drop your voice to a whisper, “there’s talk that the heroine and the male lead are involved in some... unsavory business dealings. Something about embezzling funds from the royal coffers for their own gain? I don’t know how true it is, of course... but it would explain some things, wouldn’t it?”

You leave the rest unsaid, letting her imagination do the rest. The best part? It’s all technically true. You had orchestrated it so well, the heroine and the male lead had no idea that their “private” meetings and “innocent” financial maneuvers were anything but secret.

She gasps, her fan snapping shut. “I knew there was something off about them! Oh, the gall! I must inform the king immediately!”

And just like that, the gossip spreads like wildfire. Within minutes, the entire room is buzzing with scandalous whispers. The heroine and the male lead notice the shift, the way people start looking at them, and for the first time, they’re on the back foot. They try to smile, but their unease is palpable.

You sit back, watching the chaos unfold, sipping your wine as nobles begin to distance themselves from the pair, shooting them suspicious glances.

Idia sidles up next to you, looking around at the suddenly tense atmosphere. “What... what did you do?”

“Who, me?” You bat your eyelashes innocently. “I have no idea what you’re talking about.”

He gives you a side-eye. “You’re terrifying.”

“You knew that when you asked me to be your fake fiancée.”

The next day, official inquiries are launched into the heroine and the male lead’s finances, and though they try to clear their names, it’s no use. The damage is done. Their reputations are ruined beyond repair, and they’re forced to withdraw from court life entirely. A fitting end for their ambitions.

Which brings you to the present...

It’s a peaceful morning in your beach house, and you’re sitting on the veranda, enjoying your coffee while the sun rises over the horizon. The sound of waves crashing against the shore is your only company, and for once, there’s no looming political intrigue or royal drama to worry about.

That is, until Idia stumbles out of the bedroom, his hair a messy blue cloud, his eyes half-closed with sleep. He groans as he sees you, one hand on the wall to steady himself. “Why are you up so early? It’s like... the middle of the night.”

“It’s 10 AM,” you reply with a laugh.

“Exactly,” he grumbles, shuffling over to you. Without another word, he flops down beside you, his head immediately finding its way to your neck. He nuzzles into you, muttering something unintelligible, and you chuckle softly, patting him on the cheek.

“You’re such a big baby in the morning,” you tease, pressing a soft kiss to his forehead.

Despite being married for the past two years, Idia’s face turns tomato-red every time you do something affectionate. He blushes furiously now, burying his face in the crook of your neck to hide it.

“Y-You’re unfair,” he mumbles, voice muffled. “Saying stuff like that... it’s embarrassing.”

You grin. “But you’re so cute.”

“I’m not cute. I’m a grown man. And you’re a villain for making me get up before noon.”

You laugh, running your fingers through his messy hair. “Maybe, but I’m your villain. So deal with it.”

Idia groans dramatically but makes no effort to move away, too comfortable where he is. You continue sipping your coffee, enjoying the moment of peace, when he finally speaks again, a little softer this time.

“Y’know... you really did a number on the heroine and the male lead. They’re still laying low, huh?”

“Maybe the rumor I spread was truly a masterpiece,” you say with a smirk, remembering how perfectly everything had gone according to plan.

Idia snorts. “A masterpiece of destruction, maybe.”

You chuckle, pressing another kiss to his forehead. He sighs contentedly, the two of you basking in the quiet comfort of your shared life. It’s moments like this that remind you just how far you’ve come together, from court intrigue and scandal to peaceful mornings at your beach house.

And honestly? You wouldn’t have it any other way.

Series Masterlist ; Masterlist

For the next part,

#twst x reader #twisted wonderland #twisted wonderland x reader #twst #idia x reader #idia shroud x reader #idia shroud x you #idia shroud #idia #idia x you #trash novel chronicles

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just-ornstein · 6 months ago

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[JK] My first job was as an Assistant Producer for a video game company called Interplay in Irvine, CA. I had recently graduated from Boston University's School of Fine Arts with an MFA in Directing (I started out as a theatre nerd), but also had some limited coding experience and a passion for computers. It didn't look like I'd be able to make a living directing plays, so I decided to combine entertainment and technology (before it was cool!) and pitched myself to Brian Fargo, Interplay's CEO. He gave me my first break. I packed up and moved out west, and I've been producing games ever since.

[JK] I loved my time at EA. I was there for almost a full decade, and learned a tremendous amount about game-making, and met the most talented and driven people, who I remain in touch with today. EA gave me many opportunities, and never stopped betting on me. I worked on The Sims for nearly 5 years, and then afterwards, I worked on console action games as part of the Visceral studio. I was the Creative Director for the 2007 game "The Simpsons", and was the Executive Producer and Creative Director for the 2009 game "Dante's Inferno".

[JK] I haven't played in a long while, but I do recall that after the game shipped, my wife and I played the retail version for some time -- we created ourselves, and experimented with having a baby ahead of the actual birth of our son (in 2007). Even though I'd been part of the development team, and understood deeply how the simulation worked, I was still continually surprised at how "real" our Sims felt, and how accurate their responses were to having a baby in the house. It really felt like "us"!

Now for some of the development and lore related questions:

[JK] So I ended up in the incredibly fortunate position of creating the shipping neighborhoods for The Sims 2, and recruiting a few teammates to help me as we went along.

Around the same time, we started using the Buy/Build tools to make houses we could save, and also bring them into each new build of the game (correcting for any bugs and incompatibilities). With the import tool, we could load Sims into these houses. In time, this "vanguard QA" process turned into a creative endeavor to define the "saved state" of the neighborhoods we would actually end up shipping with the game.

On playtesting & the leftover sims data on various lots:

Basically, we were in the late stages of development, and the Save Game functionality wasn't quite working. In order to test the game properly, you really needed to have a lot of assets, and a lot of Sims with histories (as if you'd been playing them for weeks) to test out everything the game had to offer. So I started defining a set of characters in a spreadsheet, with all their tuning variables, and worked with engineering to create an importer, so that with each new build, I could essentially "load" a kind of massive saved game, and quickly start playing and testing.

It was fairly organic, and as the game's functionality improved, so did our starter houses and families.

The thought process behind the creation of the iconic three neighborhoods:

I would not say it was particularly planned out ahead of time. We knew we needed a few saved houses to ship with the game; Sims 1, after all, had the Goth house, and Bob Newbie's house. But there wasn't necessarily a clear direction for what the neighborhood would be for Sims 2. We needed the game to be far enough along, so that the neighborhood could be a proper showcase for all the features in the game. With each new feature that turned alpha, I had a new tool in my toolbox, and I could expand the houses and families I was working on. Once we had the multi-neighborhood functionality, I decided we would not just have 1 starter neighborhood, but 3. With the Aging feature, Memories, a few wacky objects, plus a huge catalog of architectural and decorative content, I felt we had enough material for 3 truly distinct neighborhoods. And we added a couple of people to what became the "Neighborhood Team" around that time.

Later, when we created Strangetown, and eventually Veronaville, I believe we went back and changed Pleasantville to Pleasantview... because I liked the alliteration of "Verona-Ville", and there was no sense in having two "villes". (To this day, by the way, I still don't know whether to capitalize the "V" -- this was hotly debated at the time!)

Pleasantview:

Anyway, to answer your question, we of course started with Pleasantview. As I recall, we were not quite committed to multiple neighborhoods at first, and I think it was called Pleasantville initially, which was kind of a nod to Simsville... but without calling it Simsville, which was a little too on the nose. (There had also been an ill-fated game in development at Maxis at the time, called SimsVille, which was cancelled.) It's been suggested that Pleasantville referred to the movie, but I don't think I ever saw that movie, and we just felt that Pleasantville kind of captured the feeling of the game, and the relaxing, simple, idyllic world of the Sims.

Pleasantview started as a place to capture the aging feature, which was all new to The Sims 2. We knew we had toddlers, teens, and elders to play with, so we started making families that reflected the various stages of family life: the single mom with 3 young kids, the parents with two teens, the old rich guy with two young gold-diggers, etc. We also had a much greater variety of ethnicity to play with than Sims 1, and we had all new variables like sexual orientation and memories. All these things made for rich fodder for a great diversity of families. Then, once we had family trees, and tombstones that carried the actual data for the dead Sims, the doors really blew open. We started asking ourselves, "What if Bella and Mortimer Goth could be characters in Sims 2, but aged 25 years? And what if Cassandra is grown up? And what if Bella is actually missing, and that could be a fun mystery hanging over the whole game?" And then finally the "Big Life Moments" went into the game -- like weddings and birthdays -- and we could sort of tee these up in the Save Game, so that they would happen within the first few minutes of playing the families. This served both as a tutorial for the features, but also a great story-telling device.

Anyway, it all just flowed from there, as we started creating connections between families, relationships, histories, family trees, and stories that we could weave into the game, using only the simulation features that were available to us. It was a really fun and creative time, and we wrote all of the lore of Sims 2 within a couple of months, and then just brought it to life in the game.

Strangetown:

Strangetown was kind of a no-brainer. We needed an alternate neighborhood for all the paranormal stuff the Sims was known for: alien abduction, male pregnancy, science experiments, ghosts, etc. We had the desert terrain, which created a nice contrast to the lush Pleasantville, and gave it an obvious Area 51 vibe.

The fact that Veronaville is the oldest file probably reflects the fact that it was finished first, not that it was started first. That's my guess anyway. It was the simplest neighborhood, in many ways, and didn't have as much complexity in terms of features like staged big life moments, getting the abduction timing right, the alien DNA thing (which I think was somewhat buggy up until the end), etc. So it's possible that we simply had Veronaville "in the can", while we put the last polish on Pleasantville (which was the first and most important neighborhood, in terms of making a good impression) and Strangeville (which was tricky technically).

Veronaville:

But my personal favorite was Veronaville. We had this cool Tudor style collection in the Build mode catalog, and I wanted to ship some houses that showed off those assets. We also had the teen thing going on in the aging game, plus a lot of romance features, as well as enemies. I have always been a Shakespeare buff since graduate school, so putting all that together, I got the idea that our third neighborhood should be a modern-day telling of the Romeo and Juliet story. It was Montys and Capps (instead of Montagues and Capulets), and it just kind of wrote itself. We had fun creating the past family trees, where everyone had died young because they kept killing each other off in the ongoing vendetta.

[JK] You know, I have never seen The Lone Gunmen, and I don't remember making any kind of direct references with the Strangetown Sims, other than the general Area 51 theme, as you point out. Charles London helped out a lot with naming Sims, and I'm pretty sure we owe "Vidcund" and "Lazlo" to him ... though many team members pitched in creatively. He may have had something in mind, but for me, I largely went off of very generic and stereotypical ideas when crafting these neighborhoods. I kind of wanted them to be almost "groaners" ... they were meant to be tropes in every sense of the word. And then we snuck in some easter eggs. But largely, we were trying to create a completely original lore.

[JK] Well, I think we kind of pushed it with The Sims 2, to be honest, and I remember getting a little blow-back about Bunny Broke, for example. Bunny Broke was the original name for Brandi Broke. Not everyone found that funny, as I recall, and I can understand that. It must have been changed before we shipped.

We also almost shipped the first outwardly gay Sims in those neighborhoods, which was bold for EA back in 2004. My recollection was that we had set up the Dreamers to be gay (Dirk and Darren), but I'm looking back now and see that's not the case. So I'm either remembering incorrectly (probably) or something changed during development.

In general we just did things that we found funny and clever, and we just pulled from all the tropes of American life.

[JK] The alien abduction started in Sims 1, with a telescope object that was introduced in the "Livin' Large" expansion pack. That's when some of the wackier ideas got introduced into the Sims lore. That pack shipped just before I joined Maxis in 2001; when I got there, the team had shipped "House Party" and was underway on "Hot Date". So I couldn't tell you how the original idea came about, but The Sims had this 50's Americana vibe from the beginning, and UFOs kind of played right into that. So the alien abduction telescope was a no-brainer to bring back in Sims 2. The male pregnancy was a new twist on the Sims 1 telescope thing. It must have been that the new version (Sims 2) gave us the tech and flexibility to have male Sims become pregnant, so while this was turned "off" for the core game, we decided to take advantage of this and make a storyline out of it. I think this really grew out of the fact that we had aliens, and alien DNA, and so it was not complicated to pre-bake a baby that would come out as an alien when born. The idea of a bunch of guys living together, and then one gets abducted, impregnated, and then gives birth to an alien baby ... I mean, I think we just all thought that was hilarious, in a sit-com kind of way. Not sure there was much more to it than that. Everything usually came from the designers discovering ways to tweak and play with the tech, to get to funny outcomes.

[JK] Possibly we were just testing the functionality of the Wants/Fears and Memories systems throughout development, and some stuff got left over.

[JK] I can't remember, but that sounds like something we would have done! I'm pretty sure we laid the groundwork for more stories that we ended up delivering :) But The Sims 2 was a great foundation for a lot of continued lore that followed.

I once again want to thank Jonathan Knight for granting me this opportunity and taking the time from his busy schedule to answer my questions.

#BURNING LORE QUESTIONS FINALLY ANSWERED!! :D #the sims 2 #ts2 #sims 2 #ea games #ea #electronic arts #sims #the sims #strangetown #veronaville #pleasantview #jonathan knight interview #the sims 2 development #sims 2 development #sims 2 beta #I'm so glad I got this opportunity man.

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making-you-in-spore · 6 months ago

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pinned post

TRANS RIGHTS!! TERFS GET THE FUCK OFF MY BLOG!!!!!!!

who are you?

i'm just a guy who likes spore [2008]

why do this?

i just really like spore and making creatures in spore. it helps me practice my creature creation abilities.

can you make my oc in spore?

as of right now i do not take requests. i generally find characters and creatures i want to make by them appearing on my dashboard. refer to the Request Beast.

what is in your icon?

captain thunderhide, my main spore space stage captain.

what is peeling?

peeling is when i remove all detail parts from a creature and show the bare sculpt underneath - anything that is not eyes, mouth, hands, feet, or limbs will be removed. it is a tradition around these parts

do you use mods?

i exclusively play this game with mods.

can i download the creatures you make?

only if the original creator of the design is okay with it and requests a png. please note that in order to successfully download the creatures, you will need to download every mod used to create them.

i will not always be able to say what mods i use to make something, so it's a gamble if you don't have all of the ones i use.

how do i mod spore/do advanced creature creation like you?

darkedgetv's FAQ is a very good resource to begin. i started there, and it's where i recommend you to start if you're interested in spore modding. it also contains many other mods i have not listed under the cut.

as much as i disagree with the process of using a discord server to contain vital information and resources, the davoonline spore modding community discord is also a good source of resources and mods that even i do not use.

what editor mods do you use?

a lot, so they'll be under the cut.

not mods, but highly recommended for enhanced playing experience

4GB patch - Tutorial - patches spore [and other 32bit programs] to be able to use 4gb of RAM. recommended if playing a highly modded copy, and makes the game more stable.

Reshade & ReSpore - post-processing injector & shader that alters the appearance of spore, giving it more detailed shading and vibrant colors. i use this for gameplay and screenshots. runs on GPU power, so excellent if you have a strong graphics card

HD graphics fix - this doesn't actually seem to work for my copy, but it alters the textures of base spore to be more high-quality.

mods that are absolute must-haves

these mods are ones that i use in almost every creation, and add a lot of QoL to the editors. if i forget a mod in a creature png i post, it will be one of these.

Dark injection - THE spore mod. it's likely a lot of other mods you'll download will mesh well with dark injection. you can turn off whatever you don't want to use through the installer.

Universal Property Enhancer - a library mod that many other mods require

The Smoother - a useful tool for building muscles and smoothing out your creatures' bodies

Enhanced Color Picker - a requirement for super detailed creations, enables hexcode color picking and color wheel selection beyond normal limits of spore

[UPE] Infinite Part Scaling - allows scaling of parts near-infinitely, beyond the limits of the original game

Project Skyncraft - adds new creature skinpaints

Unshackled - adds nodes and limbs for creating custom wings, heads, hands, etc. a little bit unstable, i mostly use this for wings.

Spore Stacker - allows stacking of any part

Subtle Rotations - reduces part rotation snapping

Advanced CE - adds building editor manipulators to the creature editor

Every Part Costs Nothing - self explanatory

Rotate Anything - lets you rotate anything, including feet and hands

Advanced Creature Paint - allows for individual coloring of parts on a creature, like in the building and vehicle editors

Ambient Occlusion Disabler - removes baked-on shadows for creatures

Delta Paints - adds new skinpaints

Valla's Skinpaint Switcheroo - adds duplicates of all vanilla, C&C, and GA creature coat and detail skinpaints into their opposite category

test drive related mods

these mods are not required to download the creatures i post, but are recommended for the test drive.

No More Creature Editor Animations - turns off the animations that play when you add eyes, mouth, feet/hands, etc

Sevan's TF2 editor animations - adds multiple animations from tf2 into the creature test drive.

Mx3's Dance Animations - adds a multitude of dance animations into the creature test drive.

Tenebris's Creature Test Drive Animations - adds many animations from within the game to the creature test drive.

EditorBG - adds extra editor backgrounds

Ramone Kemono's MMD Drag Ball - high-effort dance mod complete with special effects and a reverse engineered camera system

part mods

these mods add parts to the editors.

DroneParts 2017 - adds many mechanical and polygonal parts useful for machine creatures, i like to use it for building clothes and markings.

New Drone Parts - a sequel to droneparts 2017, compatible with the old version. install both at the same time if you want to be able to use creatures from the old droneparts mod.

Himeric Engine - adds horror-themed parts to the creature editor.

Spore Resurrection Next Steps - adds a few parts to the creature editor and several new textures to the building and vehicle editors.

Dinosaur Parts - adds parts based on dinosaurs and other animals. mostly heads.

Strange And Beautiful - a now-discontinued, reuploaded mod that adds unusual and unique parts to the creature editor

Bionicle parts - adds a few bionicle pieces to the creature editor

Little Box Of Horrors - adds many parts with an overall horror theme. some are animated.

Pandora's Toolbox [1.0] - adds a multitude of basic shapes and polygons to build with

Replicant - adds non-textured animating parts and non-animating parts in a separate tab. good for if you want to use hands, limbs, etc without them animating or adding stats

Armoured And Dangerous - adds a few high detail mechanical looking parts.

Delimbiter - increases the amount you can scale limb parts, and allows for more crazy movements of certain limb parts

Valla's Vanilla Style Parts - adds several parts which mimic the vanilla style

Wordsmith 2.1 - adds letters to the creature, building, and vehicle editors

Kaiju parts - adds several parts based on popular kaiju

Organic Help - adds many membrane pieces to the creature editor, for creating wing webbing among other things

Project: Mad Mannequins - adds many human body based parts. and a horse for some reason

A Mouth For All Seasons - adds alternate versions of all vanilla mouths [and all unused cell mouths] with alternate diets

Valla's Captain Badges - adds all space badge models into the captain outfitter and creature editor

Rock On! - adds rock props from spore into the building and creature editors

#not spore

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becomingthatgirl111 · 1 year ago

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guide to become your best version ✨

the first step, be clear about what your best version would look like. questions to ask yourself.

what would my best version look like?

what habits would i have?

what would my life be like?

what would be my morning and evening routine?

what thoughts would i have?

what would i focus on?

what thoughts and habits should i leave behind?

how would i like to feel?

and lastly��

what can i start doing to connect with this version of me?

you can also add your own questions if they resonate with you, the important thing about this exercise is that you connect a little bit more with that better version of yourself.

from my experience, it is important to focus and work on these three areas of our life at the same time so that none of these areas are out of balance and we can flow to that version more easily.

it is important because i have realized from my own experience and from other people who send me questions that they only focus on one area, in most cases, the habits, and forget others, then when something happens or we go through a bad moment we feel lost and it seems that everything is "wrong" but if we work on these areas at the same time and we nurture them day by day we will have more control of our emotions and thoughts, then we will not stagnate in "bad times". remember, we can always go through bad times but these always bring us a learning experience.

✨ physical

daily movement, create an exercise routine

eating healthy food, for the sake and perfect functioning of our body.

create a daily routine that will help us reach our goals.

healthy habits

hobbies that help us connect with our best self.

focus on the well-being of our body

✨ mental and emotional

read about personal growth, psychology, and topics that will help us to improve our personal best.

journaling

keep a daily record of our emotions, as well as our habits.

focus on what we do want rather than what we don't want

detect what our negative thought patterns are and change them for - more positive ones according to how we want to think and feel from now on.

affirm positively

work on those areas of our life that we need to improve or are damaged

✨ spiritual

healing and balancing both your feminine and masculine energies

develop your intuition

have faith in yourself and in the process of creation (god, universe, energy…)

read about spirituality

meditate day and night

doing energetic cleansing

connect with your spiritual side

love yourself for who you are now

forgive the people who hurt us and forget the past

practice gratitude

practice compassion and tolerance towards yourself and others

connect with nature

this is what i believe brings us closer to becoming our best version, as i am always learning new things about the subject and evolving both personally and spiritually so i will continue to share this in future posts.

as always all questions related to the topic are welcome and if you have any doubts you can also ask.

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cutieeva · 3 months ago

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God Of The Chisel

𝐅𝐚𝐧𝐟𝐢𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐉𝐮𝐣𝐮𝐭𝐬𝐮 𝐊𝐚𝐢𝐬𝐞𝐧 Female Reader

Warnings : Manipulation. Detail Sex. Rape.

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒

❛ 見る人目の ❜

Sculpture. Molding soul into a form, where art meets emotions. That's the definition for (Y/N), the reason of her learning it, the motivation of her creating such art because she can release her emotions through it yet what happens if she has to create the most beautiful sculpture in the entire world, a sculpture who fell for his own sculpturor.

"So, (Y/N) senpai what sculpture are you going to do this time ?" Itadori Yūji asked clearly excited for his senior's new otherworldly addition to arrive.

"I have no idea this time". She answered, a deep sigh slip her lips as her (E/C) eyes continue to stare at the thin poster of competition.

"Why though ? You are a genius in our major or should I say in Cutieeva university". Kugisaki Nobara replied, chewing the thin end of her paintbrush. "Right Megu-chan ?" The said boy, Fushiguro Megumi nod senselessly busy creating his own carving.

"Look, the competition has clearly said the participators has to sculpture the most beautiful creation the world has yet to seen out of their perspective imaginations and the winner would only be who's sculpture is most well loved by the audience not even judges or critics !!" (Y/N) explained re-reading the poster. "If my art didn't seem beautiful enough to normal eyes than it will be pure humiliation ! Not only for me but for other participators too ! Because it indirectly suggest that us all elite students of art isn't yet good enough to be approved by daily to daily audience only capable to approve to the mediocre judges who stuck by rules and that we are worthlessly wasting money". She expressed her further worries.

"Oh ! I didn't knew it was that deep". Yuji glib laughed.

"Shut up !" Nobora nudged the boy seeing (Y/N) dug fingers on her scale as if she desire to rip hair from the roots.

"(Y/N)-san do not worry. Art is a way to release your emotions not for others to ridicule". Getō Suguru smiled, walking into the art studio earning all four student's attention. "No pressure should be felt or else the art won't be as nearly beautiful as it could be if you do it like you did in the past".

"But Suguru sensei I can't stand the humiliation of losing in front of others so bluntly". Shamefully she down her head.

"Then mold it". (Y/N) tilted her head.

"What do you mean ?" Geto smiled wider.

"Mold your frustration, anger, disappointed, fear on the clay. Use your vivid imagination of horrors and your version of beauty on the sculpture. Use this gift of sculpting to release your emotions so you can at least create something because without creating how can you refine it in the first place ?" The art teacher thoroughly described his most talented student who nod feeling a bit light yet uncertain.

"Also those monkeys are called monkeys for a reason if they don't understand your brilliant art". He added causing Yuji to chuckle.

"They are humans as you, sensei". Megumi mutter loud enough for each to hear.

"Also Fushiguro-San not forget I will be there to inspect your sculpture".

"I know".

"I am reminding it. Just in case". Geto merely smiled at the black head boy glaring at him making other three laugh.

"Ha ! Thank you Suguru sensei and megumi-Chan ! I will do my best". She raised her closed fist in the air.

"Thank us too !" Yuji yelled.

"Thank you Yuji-chan and nobara-chan too". She added giggling at their childish antics finding a new spirit to work with even though in the back of her mind she wonder what will be the result of her emotions molding the clay will be.

In a quiet, isolated white room (Y/N)'s fingers wrapped around the cool, damp clay, she felt an surge of creative energy coursing through her veins. With unwavering focus, she closed her eyes, surrendering to the depths of her imagination. In the darkness, a vision began to take shape— the most breathtakingly beautiful form her mind could conjure. With each gentle touch, the clay yielded to her will, as if alive and responding to her every thought. Her hands moved deftly, sculpting the body, hands, arms, and every delicate detail, just as she envisioned. Time stood still as she became one with the creative process, lost in the pool of her imagination.

Hours passed, or perhaps only moments – (Y/N) was oblivious to the world around her. Her entire being was consumed by the artistic expression unfolding beneath her fingers. Finally, she opened her eyes, and her gaze fell upon the emerging masterpiece. Almost half of the body had taken form, and she gasped in wonder, grasping the clay as if to ensure it was real. A soft smile spread across her face as she realized that whatever she was creating was going to be breathtakingly beautiful – a true reflection of the vision that had possessed her. The clay seemed to pulse with a life of its own, as if infused with the essence of her imagination. (Y/N)'s heart swelled with excitement, knowing that she was crafting something extraordinary, a testament to the transformative power of art.

As the day succumbed to the allure of twilight, (Y/N) remained entranced, her fingers moving with a life of their own. The setting sun cast a warm orange glow upon her workspace, but she didn't notice. The stars began to twinkle like diamonds in the night sky, and the moon rose high, bathing the world in a soft, ethereal light. Yet, she continued to create, oblivious to the passage of time. Hours melted away, and the night deepened, however (Y/N)'s focus never wavered. Her body seemed to forget its needs – hunger, fatigue, and thirst became distant memories. Her sole purpose was to bring forth the masterpiece unfolding before her. The clay appeared to respond to her every touch, as if a divine force had taken residence within her.

With each delicate stroke, the sculpture evolved, gaining refinement and nuance. (Y/N)'s hands moved with a precision that bordered on reverence, as if she were channeling the essence of the divine. The air around her seemed to vibrate with creative energy, and the clay itself appeared to pulse with an otherworldly life. In this state of flow, (Y/N) became one with her art, transcending mortality. Her soul merged with the sculpture, infusing it with a spark of the divine. The boundaries between creator and creation blurred, and she became the deity, shaping the clay with an omnipotent touch. Time lost all meaning as she worked tirelessly, sleepless and unrelenting, driven by an insatiable passion to bring forth perfection.

As the next day dawned, her fingers moved with a newfound sense of purpose, her fingers deftly shaping the final details of her masterpiece. The sculpture stood before her, a magnificent form born from her unwavering dedication. Yet, one crucial element remained— the face, the window to the soul, where expression and emotion would breathe life into her creation. Thus, she was about to move to add details when the sun's warm, golden light danced across her art, her (E/C) eyes gaze locked onto her creation, and she felt the weight of reality settle upon her. The world around her snapped into focus, and she beheld her masterpiece in awe.

Transfixed, she reached out a trembling hand to touch the sculpture, as if to ensure it was truly real. However her body finally acknowledged its limits, her legs buckled, and she sank to the ground, exhausted. A soft cry escaped her lips as she left a voice message "Nobara... food... water..." she whispered, voice barely audible.

Despite her physical collapse, an overwhelming sense of joy and pride swelled within her chest, threatening to burst forth. Tears of happiness pricked at the corners of her eyes as she gazed upon her creation, now radiant in the warm sunlight. The sculpture seemed to pulse with a life of its own, as if infused with the essence of her being. (Y/N)'s heart overflowed with a sense of accomplishment, knowing she had poured her very soul into this masterpiece that is yet to be finished.

Moments later Nobara approached Y/N with a gentle smile, carrying a tray laden with food and water, the aroma of nourishment wafted through the air, enticing Y/N's senses. Nobara's eyes sparkled with warmth as she helped Y/N sit up, cradling her head as she offered a refreshing sip of water.

Meanwhile, Yuji's excitement burst forth like a pent-up torrent, his words tumbling out in an effusive stream: "Wow, (Y/N) senpai this is... this is... incredible! The detail, the emotion, the sheer beauty of it! It's like nothing I've ever seen before!" His gaze darted between his senior and the sculpture, his eyes aglow with wonder.

Geto, beaming with pride, nodded his head in approval, his smile stretching from ear to ear. "(Y/N)-san, my student, you have truly outdone yourself. I've never seen such imagination, such skill, such... life breathed into a creation. You've surpassed even my expectations!"

Megumi, usually a silent observer, stood transfixed, his dark blue eyes fixed upon the sculpture as if mesmerized. His gaze seemed to hold a deep reverence, as if the artwork had awakened a part of him long dormant. For once, his quiet nature was not a result of reserve, but rather, utter captivation.

(Y/N) sipped the water and nibbled on the food, her strength slowly returning, she smiled weakly, basking in the praise and admiration of her friends and teacher. The warmth of their words enveloped her, filling her with a sense of pride and accomplishment.

"I know. This year's grand prize will also be rewarded to our university, won by none other than you, (Y/N) !" Geto's eyes shone with warm and paternal pride. His smile radiated deep satisfaction like his heart had been poured into the sculpture. Unspoken awe. Golden pride.

(Y/N) blush from all the showers of compliment yet she remained a little doubtful as the expression of the face is yet to be crafted dwelling whether the window of the model's will ruin her almost masterpiece.

"Hopefully I can create his expression. I still do not know how or what to shape his expression, hair". Nobora chuckle, sitting near her.

"Do not worry ! We all believe in you. Do your best !" She raised her fist in the air, trying to cheer her friend which she succeed because (Y/N)'s tension dissolved, chewing the food.

"But ! Do not forget to take food because forget award you can't even move your hands if this is how it goes on". Megumi calmly advised.

"Right ! (Y/N) senpai ! Please rest your body". Yuji cheerfully agreed, still captivated by the art with his eyes.

"Thank you. I will". And she did heed to their advise taking full three hours break while laying on her bed with jumble of confusion, thoughts tangled in a web of uncertainty inside her mind. She stared blankly at the clay, her fingers poised in mid-air, as if waiting for the familiar spark of inspiration to strike.

However it didn't come.

For the first time, her natural gift seemed to be faltering. She felt like a novice again, fumbling in the dark, unsure of how to mold his expression. The ease with which she usually shaped clay into breathtaking works of art had deserted her. Her eyes, once closed in confident intuition, now snapped open in frustration. Reaching for a sketchbook, (Y/N) began to scribble down ideas, trying to coax her elusive creativity back to the surface. The pencil scratched across the paper, a staccato rhythm that echoed her racing thoughts. She was forced to confront the possibility that her imagination, once a boundless ocean, might have limits after all.

This unfamiliar struggle was like reminiscing her beginning stage again, rediscovering the basics of her craft. The discomfort was palpable, like trying to relearn a forgotten language. Fingers moved hesitantly, as if seeking permission to create, her mind clouded by self-doubt. The sketchbook became a lifeline, a tangible connection to her artistic voice, which seemed to be whispering in a language she could no longer understand.

"I think I should sleep". Trying for hours with no avails she shut her notebook harshly, closing her eyes to drift into the land of dream in hopes of re-freshing her mind and back to her usual gifted self.

(Y/N) unusually found herself standing in a familiar sun-drenched studio, surrounded by half-finished sculptures and scattered tools. Her late mother stood before a work-in-progress, chisel in hand and for odd reasons she approached, curiosity etched on her face, and asked "Mother, what are you doing?"

"I am creating a sculpture, sweet one. I'm bringing this clay to life." A smile curve upon her frown look

(Y/N)'s gaze wandered to a nearby model, posed with elegance, yet lacking an upper torso. "Mother, why is she like that?" she asked, her voice tinged with innocence.

"Oh, my child, I couldn't complete her". Her mother burst into laughter

"Then will it always be like this?" Her younger self tilted her head.

Her mother's expression turned gentle, "No, my dear. Creating art means being patient. When I feel stuck, I pause, enjoy life, and give time for creativity to return to me. It's like a river, flowing and ebbing. I must learn to wait for the tide to come back."

And suddenly the image turn distant and faded into burl letting (Y/N) open her eyes with tears gliding her sides and reality welcome her, a world without her mother.

The memory of her mother's words lingering like a whispered secret with other bitter memories of her coffin flood too spreading a bittersweet taste on her lips. "Mother you never left me. Did you ?" Smiling to her herself she understood the truth : patience was the key. She needed to wait, to let her imagination recharge, and trust that the muse would return to her when the time was right rather than forcing the art to flow.

From the moment on she let go the weight that had been pressing upon her by abandoning the almost-finished sculpture, leaving it to stand silently, a testament to her temporary surrender.

With a newfound sense of freedom, she wandered into the garden, her fingers trailing across the soft petals of blooming flowers. The gentle rustle of leaves and sweet songs of birds enveloped her, calming her mind. Next, she found herself lounging on her bed, surrounded by pillows, lost in the world of games on her console. The vibrant colors and soothing music transported her to a realm where worries didn't exist.

As the day wore on, (Y/N) continued to indulge in the joy of doing nothing. She lazily flipped through the pages of a book, savoring the feel of the paper between her fingers. The words blurred together, but she didn't care – she was too busy basking in the serenity of the moment. Time lost all meaning as she drifted from one leisurely activity to the next. The competition, the sculpture, and her doubts all faded into the background, replaced by a sense of tranquility and release.

Until the creativity flowed back to her motivating her emotions to meet her clay giving birth to the sculpture's expression she always think is the true definition. With renewed inspiration, (Y/N) approached her sculpture, her hands moving with deliberate purpose. She carefully crafted the expression, etching a window to the soul onto the cold, clay body. The eyes, once blank, now sparkled with a deep, inner light, as if the very essence of life had been breathed into them.

The subtle curve of his lips, the gentle tilt of the head, all conspired to reveal the depths of the subject's being. The clay, once mere material, had transformed into a vessel for the human experience and the sculptor stepped back, her gaze swept across the masterpiece, drinking in the nuances of her creation. The world, with all its complexities and emotions, seemed to emanate from this single, silent form.

With a final, gentle touch, she completed the sculpture, infusing it with a sense of vulnerability and strength. The cold body now pulsed with a quiet, inner radiance, as if the very soul of the subject had been laid bare for all to see. In this moment, (Y/N) knew she had created something extraordinary—a window to the human experience, crafted with precision, passion, and patience. The world would soon behold her masterpiece and she was ready to be crowned as the winner of all, surrounded by claps of people.

"But what the name of this model will be ?" Deep in thought she grab her notebook looking at her male utter beautiful sculpture posed in the very same pose she choose before a name pop in her mind and she bestow the name sought to capture the harmony of opposing forces that her sculpture embodied. "Gojo" represented the balance of the five elements or more like five attributes of the human body such as head, body, arm, torse while "Satoru" symbolized the enlightenment and comprehend of his unworldly creation.

"Good". Smiling, she name her creation, granted him an identity, a sense of self that transcended the mere clay and stone even creating a inexplicable connection to herself with the art. "Is this how mother felt granting her pieces names ?" A chuckle escape her lips remembering how the old woman usually call her pieces her children along her own breathing child, (Y/N).

The competition host's voice boomed, "Welcome to the Grand People's Award Choice! Today, you will decide which sculpture reigns supreme!" The crowd murmured in excitement as they began their journey through the exhibition hall.

Sculptures of varying shapes, sizes, and materials dotted the landscape, each one unique and breathtaking in its own right. The host deliberately omitted the artists' names, allowing the art to speak for itself. Amidst the sea of onlookers, the creators themselves blended in, anonymous and eager.

(Y/N) fidgeted, her mind racing with doubts despite her teacher's encouraging words and her friends' reassurances and the crowd flowed around her, something remarkable happened. People would pause, glance at her sculpture, the Gojo Sataru, and then stop dead in their tracks. They couldn't help but be drawn back to the majestic male form, as if an otherworldly deity had been captured in clay.

Whispers spread like wildfire: "This one...this one is something special." Strangers would nod in agreement, their eyes locked on the sculpture's serene face. Even those who attempted to move on to other pieces found themselves inexplicably returning, transfixed by the beauty before them.

As the hours ticked by, a sense of certainty settled over the crowd. It was as if the winner had already been chosen, not by the judges, but by the people themselves. (Y/N)'s anxiety began to dissipate, replaced by a cautious optimism. She crossed her fingers, hoping against hope that the next hours would fly by, bringing the voting to a close and confirming what the crowd had already decided in their hearts.

The countdown clock struck its final moment, and the host's face ignited with a triumphant smile. "The moment of truth has arrived!" he declared, his voice electric with excitement. "The votes are in, and the winner of this Supreme competition will be revealed!"

(Y/N) held her breath, her heart racing like a wild stallion. Her friends offered reassuring pats on the shoulder, but she was too entranced by the host's dramatic pause to notice.

The room hung in suspended animation, the only sound the soft hum of bated breath. And then, a sly smile crept onto the host's lips, like a whispered secret. He parted his lips, and (Y/N)'s heart skipped a beat.

"(L/N) (Y/N) from Cutieeva University... Congratulations! You are the champion!" he announced, his voice thundering through the hall like a victorious fanfare.

Pandemonium erupted as (Y/N) stood frozen, her eyes wide with wonder. Her friends screamed with joy, hugging her tightly as tears of elation streamed down her face. The host approached her, a congratulatory envelope in hand, and (Y/N) felt like she was soaring on the wings of triumph, her dream finally within grasp. She still can't believe out of all the brilliant universities around the globe did her sculpture won, granting her the award. (Y/N) felt like she was living in a dream, where time blurred and moments merged into a kaleidoscope of emotions. One instant, she was standing frozen, her heart racing with excitement; the next, she was beside the host, basking in the glory of her triumph.

The award felt heavy in her hands, a tangible symbol of her achievement. Thunderous applause enveloped her, a deafening roar that threatened to consume her. She opened her mouth to speak the speech, but her words were lost in the chaos, barely audible even to herself.

Before she knew it, she was swept away by a tide of well-wishers —friends, classmates, teachers, and even her principal — all beaming with pride, cheering her as the pride of their school. The celebration was a whirlwind, a colorful blur of laughter, tears, and congratulations.

And then, suddenly, she found herself alone, sitting on her bed, surrounded by the quiet of the night. The moon cast an ethereal glow, illuminating her room with an otherworldly light. She breathed in deeply, the stillness a balm to her frazzled nerves and she gazed out the window, a slow smile spread across her face. It had happened. She had won. The realization dawned on her, and she felt a shiver run down her spine.

"Mother ! I have achieved what I wanted". She said gazing fondly at the frame of her mother, settling the golden award beside it. Everything is perfect and will be. Right ? Because little did she know, this moment of triumph was only the beginning of a dark and twisted journey.

From that moment on, (Y/N)'s sculpture became a global sensation, drawing thousands of tourists to the university gallery. At first, she was ecstatic, basking in the glory of her creation's viral fame. She had won awards before, yet never had her work resonated with so many people worldwide. With pride, she showcased her masterpiece to art enthusiasts, critics, and curious onlookers. She reveled in their admiration, laughing and joking about being a "deity" who had created such a stunning work. However as time passed, a creeping sense of unease began to shadow her joy.

The whispers started innocently enough of

"How handsome he is!"

"I wish he was real!"

"Oh god, why couldn't I meet such a man?"

"Why the god didn't create such wonderful man ?"

"Hopefully he come to life".

"If I could then I would sacrifice my everything to see this man alive".

"Ah ! Why can't he come alive".

Hoever soon, the comments took on a life of their own, echoing in her mind like a mantra. She began to feel like she was losing control, as if her own creation had taken on a persona of its own. The praise, once music to her ears, now felt like a dark omen. She started to wonder if she had unleashed something sinister into the world. The constant attention, the endless scrutiny, and the obsessive admiration began to suffocate her. The deity joke wasn't funny anymore. It felt like a haunting prophecy.

A desolate realm of darkness she could see along the suffocating void that crushed her beneath its oppressive weight. The air was heavy with the stench of malevolent presence, and she sense of eyes upon her, boring into her very soul. In mist of that a voce came, first the voice was a distant whisper, a faint rustling of dry leaves that seemed to carry on the wind however it grew louder, more urgent, until turning a maddening chant that echoed through her mind. A single, raspy voice, repeating a phrase that seemed to draw closer with each iteration, its words indistinguishable but its sinister intent clear.

The voice was a cold breeze on the back of her neck. (Y/N) tried to flee, but her legs were leaden, her body trapped in a living nightmare. And then, the voice whispered a single, chilling phrase, its tone a masterful blend of malice and seduction "Gojo Sataru."

The name exploded in her mind like a firework of terror, shattering the fragile remnants of her sanity. (Y/N) jolted awake, her eyes wide with horror, her lips frozen in a silent scream. Sweat dripped from her brow like blood from a wound, her heart racing with a fear that threatened to consume her whole. For a moment, she lay there, paralyzed with terror, the darkness of her dream still clinging to her like a shroud. Then, she sat up with a gasp, her eyes scanning the room frantically, as if searching for an escape from the terror that still lingered in her mind, waiting to pounce.

"What is going on ?" (Y/N) ask feeling alike an mad woman slowly descending into madness. In fear she didn't closed her eyes for moment, staring blankly at the ceiling or sometimes sketching a new art mindlessly to distract her disturbed mind.

In no time sun made it's presence known, offering bit of warmth to all and each even to (Y/N) who felt comfort to the golden rays before her ringtone took her attention. Answering the phone she greeted. "Good morning, Geto sensei".

"Good morning, (Y/N)-San, but could you please come to the university gallery ?" Hearing this a frown knitted her brows and she check her wrist watch. 5:00 am.

"So early if I may ask ?"

"Actually". He paused as if unsure what to speak "Please it's urgent". Understanding the hastily tone she agreed, doing a brief wash and clothes change she went to the location asked and oh dear, (Y/N) wasn't expecting the overwhelming amount of crowd standing outside her art gallery. Spotting her teacher she stood nearby.

"Sir, what's going on ?" Her (E/C) eyes dart from the crowd to her teacher.

"Well". Sheepishly the teacher tilted his head. "They came to see your sculpture". Earning a loud grasp from her.

"T-They ? You mean all ?" She stutter.

"All". Geto smiled nervously as if he finding his own words strange.

"So early in the morning and so many ?" Geto nod again.

"What in the world..." (Y/N) tailed off unable to comprehend the situation of what's going on, yes, she admits herself this particular art is special, a living masterpiece basically yet the amount of spotlight seems unnecessary, uncomfortable and— her thoughts went back to the nightmare she woke up— and strange.

"So, (Y/N) please guide the people. I have no choice but to let them in, you know". His smile strained and the girl knew there was not much say she has so she nod wordlessly standing in front of the glass door, a wall between the people and her. The glass door slid open with a soft whoosh, unleashing a torrent of humanity into the gallery. Hundreds of people poured in, their faces alight with excitement, smiles, and eagerness. The air was electric with anticipation, a palpable sense of wonder that was almost tangible.

(Y/N) stood at the forefront, a forced smile plastered on her face as she greeted the throngs of visitors. She waved her hand graciously, guiding them towards her sculpture, the centerpiece of the exhibition. Her eyes darted back and forth, her mind racing with a growing sense of unease and she stood before her creation, a strange, unsettling feeling washed over her. She couldn't bring herself to look at her own creation, her gaze skittering away like a frightened animal. The sculpture, once her pride and joy, now seemed to loom over her, its presence oppressive and menacing.

(Y/N)'s smile faltered, her lips trembling ever so slightly. She felt like a puppeteer whose strings had been cut, her control over the situation slipping away. The crowd's excitement and admiration only added to her growing sense of discomfort, their eagerness to behold her creation now feeling like a suffocating weight. With a Herculean effort, (Y/N) raised her eyes, her gaze finally meeting the sculpture's serene, enigmatic face. Rather of pride, she felt a shiver run down her spine, as if she was staring into the abyss itself despite his face turned to the other side.

"Miss (L/N), with what thought you created this masterpiece ?" A young woman asked within the mist of people.

"Masterpiece ?" (Y/N) mutter under her breath tasting a bitterness. "Well, it came naturally". She replied smiling and staring at the woman's eyes.

"Amazing !" One of them compliment.

"Then Miss (L/N), had you thought the model will be this viral ?" A young man this time asked.

"Never". She answered holding her tremble.

"Then, what motivate you to create such man ? Is he a real man or a part of your imagination ?" Another asked who's face (Y/N) unable to see.

"As the rules of competition. All of the participators had to bring their imagination out into the clay so did I". Calm her voice and confident her (E/C) eyes.

"So Miss (L/N) how long did it take to make you ?"

"Miss (L/N) were you always inspired to make someone of it ?"

"Miss (L/N) are you aware of the name we call you ? The deity ?"

"Miss (L/N), any hint of inspiration in process of making him ?"

One after another the questions jumped from one man to another to another that (Y/N) lips didn't had the time to even open eventually the cacophony of voices and laughter merging into a distant, muffled din. The room began to spin, and she felt herself becoming detached, as if floating above the chaos. The excitement and admiration of the crowd now seemed like a distant hum, a buzzing in her ears that threatened to consume her. With a sense of morbid curiosity, (Y/N) dared to glance at her sculpture, the root of all the chaos. Her heart raced and from the tail of her eyes locking onto its serene, enigmatic face.

And then, she saw it. Or thought she saw it. His eyes, once mere clay and stone, seemed to flicker with life. They moved, ever so slightly, as if connecting with hers. The room froze, time standing still as (Y/N)'s heart sank like a stone.

She felt a chill run down her spine, her mind reeling in horror. It was impossible, yet she swore she saw it. The eyes, once lifeless, now seemed to hold a spark of consciousness, a glimmer of awareness that was not of this world.

(Y/N)'s breath caught in her throat, her voice trapped in a silent scream. She stumbled backward, her eyes fixed on the sculpture, her mind racing with the implications. The crowd's din returned, but she didn't hear it. She was lost in the abyss of her own terror, staring into the eyes of her creation, which now seemed to stare back.

"Miss (L/N) ?"

"(Y/N) senpai ?" Snap ! (Y/N) looked at the familiar call of her best friend Yuji running towards her, holding her hand worried. "Are you alright ?" His voice ringed yet her care is about the sculpture, about the man !

Slowly she turn her head, finger point to his face only to blink twice and find the lifeless eyes as it belonged unlike the glimpse of terror she saw.

Confusion.

Betrayed.

Madness.

Alone.

Did no one saw that ? Did even she saw that ? But it's liveless right ? It's a mold of clay, a non-living thing yet why ? How ? What is going on ? (Y/N) mind spin threatening to burst any moment.

"Yuji, I-I am not okay". Her words stutter and she lean on his strength.

"Understood". Yuji sprang into action, bellowing at the crowd to part and make way unlike (Y/N) who couldn't process the commotion, her mind reeling like a maelstrom. She felt her grip on reality begin to slip, her thoughts spiraling into a vortex of doubt and terror. Was she truly seeing things, or was her own sanity unraveling? The world around her became a blur, as if she was trapped in a never-ending nightmare. Yuji's voice grew distant, a fading echo as (Y/N)'s consciousness teetered on the edge of collapse.

"High blood pressure, high stress level and sleep deprivation". Ieiri Shōko said, with a sigh looking at the chat. "It's a dangerous combination, (Y/N)-san that's why rest your body". Before glaring at her teacher Geto. "And you ! who even gave you the permission to be a teacher huh ? If you can't act like one ?" Her raspy voice and judgmental eyes send daggers in his way.

"I am sorry, (Y/N)-San, I didn't know I was creating pressure for you". Guilty written over his face as he ease his frown.

Megumi commented "Well, you as a teacher should know yourself". Right away avert his gaze to not meet his glare.

"It's alright. My fault. I should have voiced out my problem but I really think I need rest". Indeed (Y/N) felt the need to relax after seeing the movement never will she ever recover the horror her heart felt.

Nothingness. No hint of light, nothing at all. A silent void of nullity only suddenly, two glints of light materialized, like sapphires bursting forth from the shadows. The brightest blue she had ever seen, piercing and vivid, locked onto her. Eyes, hidden until now, stared directly into her soul. A whisper, a murmur, a voice she couldn't decipher, grew in intensity, swelling to a deafening crescendo. The words remained elusive, but the urgency was unmistakable. She strained to comprehend, her heart racing, until the sound shattered the darkness, jolting her awake with a silent scream, as if her own soul was being torn from her throat, leaving her gasping in terror, her breaths coming in ragged, desperate gulps, like a dying thing clawing its way back from the abyss.

"What was that ? I never saw those eyes—" She pause recalling the vivid eyes. "I didn't or did I ?" Oddly enough her mind went to her own sculpture. "His eyes, his lifeless eyes". Repeating the thought in her mind, She threw off the covers and got out of bed, her bare feet making barely a sound on the cold floor.

"It can't be". She hoped. "It shouldn't be, it must not be". Like a protection mantra she chanted it sprinting to the exhibition where her once masterpiece to nightmare stand on and she somehow unlock the door and run to stand in front of her model, Gojo Sataru in the darkness she was begin to spiral and to her denial the moon cast an eerie glow through the window, illuminating the sculpture's face. (Y/N) felt a shiver run down her spine as her (E/C) eyes bore into its eyes and saw nothing. No color, no sparkle, just emptiness like it should be. "Ha ! I knew it. It was another my imagination working too much". With a scoff she breath properly ignoring her intitution of feeling not being alone in this room so she walk away quietly yet quickly escaping from the burning empty eyes of the sculptures.

The night wore on, a sleepless vigil, as her fingers held the pencil scratched across the paper, trying to capture the haunting blue eyes that lingered in her mind. The memory of their piercing gaze refused to fade, fueling her creativity as she sketched into the wee hours. Just as the first light of dawn crept in, her friend arrived, bearing the missed class lessons and a gentle smile.

"Here, I am giving you all you need". Nobara pat her head, able to point out dark circles in her friend's eyes.

"Thank you a lot". Gratitude mingled with exhaustion and her hands accepted the offering, placing it in the wooden desk where her eyes caught the shining golden award she forget to keep somewhere else due to the chaos happening.

"By the way (Y/N) I also wanted you to know today your sculpture would be the model for beginner students to learn how to create the perfect body, arms and you know basics". Her hands move with the notion earning a smile over (Y/N)'s lips.

"Understood". She didn't, she didn't understood the meaning behind seeing the same art so many times anymore. Why can't people move on, go, see some other new, fresh and normal art unlike her strange, hauntingly beautiful one. That's when the curiosity to see the art awaken, for unknown reason she desperately wants to see or perhaps it was the promise of safety in numbers she asked to go along with her.

(Y/N) strolled hand in hand with Nobara towards the exhibition, the warm light danced across her skin, a comforting sensation she savored. "Let's go in". Reached the glass door Nobara said touch the doorhandle and about to open breaking the space between them when her (E/C) eyes dare peek through her lashes to the glass exterior and her her serenity, sanity shattered because for a fleeting instant, the hands of the stone seemed to twitch, fingers trembling, arms stiffening, like a macabre puppet springing to life. The horror of her nightmare resurfaced, threatening to consume her. Madness lurked, its dark tendrils creeping closer.

Averting her gaze, she felt her grip on reality falter once again. With shaking hands and a voice barely above a whisper, she stammered "I am sorry...I suddenly feel sick. I need to rest".

Without awaiting Nobara's response, she turned and fled, leaving the girl worried and tense, her eyes wide with concern as she called out however (Y/N) was already gone, vanished into the crowd, pursued by the demons of her own mind.

"This is happening again. It moved right in front of my eyes, in front of Nabora and others too !" Claps her palm to her mouth she tightly close her eyes, sitting on her bed and without a second thought opened the wooden drawer taking few pills of sleeping pills and drank in rapid speed.

"I need a dreamless sleep, I need a dreamless sleep". Repeating she lay on the cold fabric of bed and close her eyes.

Darkness enveloped her sight, a suffocating shroud that obscured all else And then, like specters emerging from the void, a pair of pale hands materialized before her. They glowed with an ethereal light, as if the darkness itself had taken on a life of its own. The hands, unmistakably male, reached out with an unsettling gentleness, his fingers tracing the contours of her body. (Y/N) felt a shiver run down her spine as the hands caressed her, his touch leaving her skin crawling with unease. She tried to recoil yet the palm tightly held her waist in it's root however she tried to move again that's when a low, velvety voice unfolded like a dark flower, its laughter echoing through the shadows like a predator's taunt along the blue eyes snapped open, blazing with an otherworldly intensity. Those cerulean orbs incinerated her defenses, laying bare her soul like a ravaged landscape despite clothes attached to her body.

"How cute you are trying to run away ?" His sinister voice carried like wind coming from behind to front or from nothing to assume.

Slowly his hands caress her visible neck, lacing with curiosity and desire. Tracing the curve of her side to the front from her chin to pausing at the collarbone unleashing a chill that seeped into her bones. Disgust and fear entwined, a toxic embrace that left her paralyzed, her heart a wild animal racing against her ribs and almost as if he could smell the fear those gleaming eyes smile into crescent moon and frosty fingers unbutton her night shirt one by one swelling tears in her eyes.

"No. Please. No. Please". She preyed to each and every god she knew the existence of, hoping to be saved by the creation she created by her own hands. Spared by the humiliation she might face by the monster and—Snap ! Her eyes jolt open to a world that is too bright, too loud. The screeching alarm pierced her eardrums, a forgotten relic of a previous night's routine. As she struggled to sit up, the harsh light overhead stabbed at her eyes, making her squint and shield her face with a groggy hand.

Tear drops silently land on her lap, soaking the fabric with her sorrows she experienced and unconsciously her hand went to her chest making her breath hitched because the two first buttons of her shirt is separated leaving her to wonder the line between her reality and nightmare erasing. "What is happening ? Why is this happening ?" Fingers dug inside her hair to the roots, only helpless questions is jumbled on her mind with unanswered and those question will remain more unanswered when increasingly she unmistakenly gets glimpse of the model and her blood run cold witnessing the torso seemed to twist, ever so slightly, like a snake slithering through grass and that very same night she is laying on her bed, inside her nothing of dream joined by the pair of hands, alive eyes, cold hard torse crawling above her warmth of skin exporling her body as if she belonged to him, violently the privacy (Y/N) wants to keep and when she teetered on the brink of death. The alarm clock screamed, shattering the spell, saving her at the same time lingering the terror.

The next time she didn't gave the chance her eyes could to see her sculpture anywhere from her phone, to her poster, she even avoiding going out frighten by the fact to see him coming alive however fate speaks otherwise accidentally letting her eyes meet the flicker of the monster named Gojo Sataru and finally along his legs twitched, its entire body began to stir, like a creature awakening from a centuries-long slumber. (Y/N) watched in pure horror, her mind reeling, as the once-inanimate object now moved with a sinister purpose. Feeling her own life force ebbing away, as if the sculpture's newfound vitality was draining her very existence and known echoed in her mind "This is the end. I'm staring death in the face."

Desperate to escape the terror from going to sleep, (Y/N) tried to distract herself. Fingers grabbed her sketchbook, but her pencils trembled in her hand, unable to capture the beauty of art amidst such evil however eyes moved to watched entertainment shows only to feel the laughter and music seemed hollow, a cruel mockery of her fear. Even old videos of her parents, once a source of comfort, now seemed distant, unable to shield her from the encroaching darkness waiting to pounch.

No matter what she did, her eyelids grew heavy, threatening to surrender to sleep despite the knowledge that if she succumbed to sleep, the sculpture would claim her. So she fought, hard and limit past her strength. She'd rather die awake, than let the darkness consume her.

Despite her valiant efforts, (Y/N)'s eyelids finally betrayed her, succumbing to the relentless pull of exhaustion and the last thing she saw was her mother smiling face holding her younger self's hand in the video.

This time when she faced the void of nothingness, she has complex layers of emotions piling one after another. Fear of what might bound to happen, confusion of why or how's this situation is even occurring to her so many times, regret of creating a monster she mistakenly did and little calm of at least knowing what's about to come in front yet she wasn't ready to face the tide like all ship captains are no matter how much they nagivate above the ocean, they fear bear fear and the darkness coalesced, swirling around itself like a vortex of ink, deepening into an abyssal void. It churned and eddied, alike creating a pathway for the entity that lurked beyond the shadows. The air seemed to thicken, heavy with anticipation, as the darkness parted like a curtain, revealing a glimpse of what lay beyond. Slowly, the entity began to take form, its presence unfolding, no longer just fragments of limbs or eyes, but its entire self, a being of unutterable horror, emerged from the shadows. The darkness swirled around it, a mad dance of tendrils, as if worshiping the monstrosity that now stood before (Y/N).

Gojo Saturu, her sculpture moving in flesh and form of an living human. A vision of devastating beauty that the viewers oh so desired. His lips in a perpetual smirk while his sapphire eyes look straight into his creator's soul.

"Hello, my creator". He mockingly greet, voice smooth flowing to (Y/N)'s ears. "Nice to meet ya". He giggle at the end as his own comment was funny. "I was oh so waiting to meet. Took so long". His long legs march forward to (Y/N) who is frozen, breathing hard to have her creation talk to her.

His face lean forward inching almost few inches apart to where her (E/C) could see his unblemished and smooth skin like she curved out of her fingers, well she bestowed him everything but flaw, a mistake on her part and a power to his. Deliberately his slender pale finger tips touch her cheek—her imperfect skin. She fully embraced to shiver by his coldness yet it was oddly warm causing her eyes wide filling questions in them.

He wordlessly smiled further, cupping her entire face on his both palm like one would to their deity. Thumps ever so slightly stroke her skin. "You must be dying to know the truth ? How I created ? Breath to live ?" His eyes flicker to hers. She choose to not say.

"Well, it's cause you, all because of you and those humans. Their hopes, admiration, wishes and your believe of me springing to live manifest into a unseen force, a force of blending your believes turning and fueling my life from mere stones. The moment you believed my eyes moved, my eyes spring into live, you believed my hands twitch it gave me life and slowly little by little you were all along bringing me life. My creator, my love. My eve of life". Stretching his lips ear to ear he close their distance, enveloping her lips.

Astonishing her and letting her limbs finally protest against the unwanted touch yet his hands larger, faster, stronger that held her both wrist in one palm, focusing solely on devouring her lips and wrapping tongue above one another, swirling like the taste of saliva and sucking breath out of her leaving her utterly surrender and vulnerable. (Y/N) suffocated by the soul draining kiss she kicked his any part only for him to remain unyielding and finally when he deem to be satisfied he seprated their lips with a glistening string of saliva linked and heavy breathing followed.

"Is this how it feels to need air ?" A husky laugh bubble out of his throat. "Then it's addicting". The sly smile stayed as he branded her skin with tender kisses, tracing a path of desire. The soft curve of her cheek, the tantalizing corner of her lips, the delicate slope of her chin, the whisper-soft lids of her eyes, and the gentle expanse of her forehead like marking her his.

"Stop. Stop all of this madness. Why are you doing this ? If you want to kill me then kill me already why torture me ?" Desperate her breath brush aganist his skin, fearful written on her eyes.

"Aww, there is a misunderstanding between us love, a grave one". He dramatically chuckle. "Why would I want to kill my own creator when you are the reason I even form an shape ? And torture ? Is this torture when I am soaking you in love. This is my passion for you. My burning desire for you". Yearning his brightest shade of eyes hold and rather of feeling moved all she felt was forced.

"But I do not want". Tears prickly down her eyes, watering her vision. "I really do not want this". She threw her head back, moving as her physical self can.

"It's okay. You do love me because if you don't then you wouldn't have created me so love me. Like you are suppose to. Bear the consequences of your actions, darling". Shushing her lips with his finger, he gently kiss the vulnerable curve of her neck and descend in downwards ignoring all of her pleads, protest and fight. Eventually his lips brush against her collarbone and ever so gently he suck the skin purple and red moving to the valley of her chest.

His free hand cup the breast through her dress ignited an fire and blood rush to his pants. Tearing her shirt scattering her buttons he came to face with her lovely bra, the only shield protecting against being bare yet he with ease snatch that away. Laying her upper body to feast by those eyes.

"Hmm" A groan slip past his lips from merely stare at those breast and the outline of her body with the way her blush expression, tears streaming, hands tied by his palm, hair spread beneath her was a divine sight than himself. Oh how he recall watching her from his stone form and yearn to touch those skin which he is now relishing.

Shamelessly his large palm cup her breast earning a sweet whimper and dive to taste if it's sweet as her lips and he was beyond ecstatic, twisting the bud as he please and sucking whole even biting with his canines enjoying the melody of her sobbing and her warmth skin. Before jumping to the another untouched one claiming his like it belonged and butterflies kisses on the entire breasts.

To lacing his tongue on her center of skin, tailing down and stopping at her stomach pecking each imperfect and perfect spots covering her whole. How couldn't he ? If he was served with a human like her, (Y/N) who is in his eyes the prettiest girl to even laid eyes on.

While she is on other end of hell, despising the kisses like an lava drops, burning with a fiery hatred that left her scarred. Every touch was a toxic assault, poisoning her senses and corroding her soul. His lips were venomous serpents, injecting deadly venom into her veins with each caress. His hands are acid, dripping with malice as they crawled across her skin. She couldn't and didn't felt a loving sense from him let alone love he was confessing about. Nightmare his life is.

And he knew about. Knew perfectly of her hatred, pain and still choose to love her because she does love him. She just doesn't know herself or he will make her. That's why he is mastering the very skill to pleasure her in ways a woman could be by ripping her only thread of cloth wrapped around her hip and fully nude her.

Viewing her lay bare, all nude couldn't conceal the heart crafting on Gojo's eyes and the madness smile heating his pale skin. Swiftly he dug his head in between of her legs, inside the clit his cum will enter. Well, for later because now his mouth was engulfed inside, tongue forcefully rip inside to taste the creamy fluids his love made of making her grasp and thrash around more harder than she could.

Even squirming underneath him only to prove fruitless while he continue to taste her juices, eating as if it's a delicacy itself, swallowing down and circling his tongue inside her tight walls, loving every bit of it however his patience comes to end making him pull out his flesh with dripping saliva and ran his fingers past his hair.

"P-Please. Please spare me. Please..." Her voices somewhere blended with her sobbed sorrows and her grasp when he impatiently without preparation unbuckle his restrictions, pulling out his shaft and pierce straight inside her walls.

Arching her back and cry out a scream she felt utter hopeless and pain coursing through her limbs. "It hurts ! I-it hurts". Dragging her air she wail. "It hurts please Gojo. It hurts". pricked at his name Gojo shush her more, whispering sweet nothings like an lover not a rapist he is and claim her lips once more. Even stealing her right to speak.

Heartlessly he slam his throbbing shaft again and again, groaning within the kiss and savouring the feeling. "Ah ! Is this what feels to have sex ? Because if it is then I would do it again and again". Tilting his head, Gojo separated his lips and eventually his hips came to stuttering as he cum inside without a care of world unlike (Y/N) who's heart rattled under her ribcage.

"No ! No ! No ! No ! No ! You monster ! What did you do ?" In disbelief she kicked her tireless legs and dug her nails on his soft skin. Anger filling her mind. "I can be pregnant !" She cried out.

"Really ?" Honestly he asked, laughing. "Then I should do it properly". With that the horrors repeated with his hips penetrate her clit deeper.

Her lips parted echoing her scream along her eyes snap open. Her body jolt up from her bed and gasping for air as if she'd been underwater for too long. Her chest heaved, and her eyes frantically scanned the familiar surroundings of her room. Her clothes clung to her damp skin, a testament to the terror she had endured. "Wai—I am wearing my clothes. Does that mean ?" As reality set in, a wave of relief washed over her—it was just a nightmare, a twisted episode of her own madness, nothing more. Smiling to herself she craved the comfort of her friends so with a sense of urgency, she rushed to their room, catching a glimpse of them at the exhibition hall. She burst in, smiling wider and navigated through the crowd. Her eyes locked onto Nabora, and she grasped her best friend's hand like a lifeline.

"Good morning (Y/N)". Cheerfully she greeted.

"Good morning to you too". She breathed. "I had a nightmare". Her voice confessed. "Believe me or not the worst one".

"What do you mean". Concern fill the girl's face and (Y/N)'s lips about to elaborate when a pair of hands— disgustingly familiar and unsettling— wrapped around her shoulders from behind. A low, husky voice whispered in her ear.

"A nightmare huh ?" Gojo's words dripped with an unsettling intimacy, his tone implying secrets shared and terrors unspoken washing cold bucket of water over her head.

How ?

What ?

Impossible ?

"Right ! Gojo senpai, help your girlfriend ! She is in need of your help". Nobara spoke in an familiar tone to which he replied "of course".

"B-Boyfriend ?" Her words stutter.

"Oh ! Sorry not boyfriend. Fiancé !" She facepalmed herself laughing. Alone. Not with (Y/N) who's questions and terrors trapped in the vice of his embrace.

Leaning closely Gojo tucked her shirt a little making her aware of the intimacy marks she was blind to miss and whispered the bitter truth. "I have become the god of the chisel".

FIN

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maybe-boys-do-love · 23 days ago

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It's wild that the whole global trend of gay-focused happy ending romance shows and movies has only been going on for *looks at calendar* a measly ten years!

Just ten years ago. 2014. That's when you get the discovery of a market for queer romance series and films with happy endings. That year the OG Love Sick in Thailand came out. Brazil puts out The Way He Looks, which deserves so much more credit than it receives for influencing the aeshtetics of the genre. Looking premieres on HBO, and despite low ratings, it's an important touchstone. South Korea has the darker Night Flight. And, despite Nickelodeon’s censorship and shifting the program from tv to its website, the Legend of Korra confirms Korrasami in its season finale.

The next year, in 2015, we get Love Sick season 2, and China, pre-censorship laws has a few options: Happy Together (not the Wong Kar Wai one lol), Mr. X and I, and Falling In Love with a Rival. Canada, premieres Schitt's Creek. In the US, Steven Universe reveals Garnet as a romantic fusion between two female characters, and will proceed to just be so sapphic. Norwegian web series Skam premieres and sets up a gay protagonist for its third season, which will drop in 2016 and entirely change the global media landscape.

Then, 2016! This is the MOMENT. That aforementioned Skam season happens. Japan puts out the film version of Ossan's Love and anime series Yuri!!! on Ice. China has the impactful Addicted Heroine, which directly leads to increased censorship. The US has Moonlight come out and take home the Oscar. In Thailand, GMMTV enters the BL game and Thai BL explodes: Puppy Honey, SOTUS, Water Boyy, Make It Right, plus, the Thai Gay OK Bangkok, which, like its influence, Looking, is more in the queer tradition but introduces two dramatically important directors to the Thai BL industry, Aof and Jojo.

By 2017, Taiwan enters the game with its History series. Korea’s BL industry actually kicks off with Method and Long Time No See. Thailand’s got too many BLs to mention. Call Me By Your Name, though not a happy ending, makes a big splash that will send ripples through the whole genre, and God's Own Country offers a gruff counter-argument to problematic age differences and twink obsessions. This is also the year of Netflix reboot of One Day At a Time bringing some wlw to the screen, and the Disney Channel has a main character come out as ‘gay’ on Andi Mack ( I’m am ready to throw fists with anyone who thinks the Disney Channel aesthetic isn’t a part of current queer culture). And I'd be remiss not to mention the influential cult-following of chaotic web-series The Gay and Wondrous Life of Caleb Gallo: "Sometimes things that are expensive...are worse."

All this happened, and we hadn’t even gotten to Love, Simon, Elite, or ITSAY, yet.

Prior to all this there are some major precursors some of which signaled and primed a receptive market, others influenced the people who'd go on to create the QLs. Most significantly you have Glee, and its ending really makes way for the new era that can center gay young people in a world where queerness, due to easy access to digital information, is less novel to the characters. And the QL book and graphic novel landscape was way ahead of the television and film industries, directly creating many of the stories that the latter industries used.

There's plenty of the traditional queer media content (tragic melodramas and independent camp comedies) going on prior to and alongside QL, and there are some outlying queer romance films with happy endings that precede the era but feel very much akin to QL genre tropes and goals (Saving Face, The Wedding Banquet, Big Eden, Maurice, My Beautiful Launderette, and Weekend). I don't mean to suggest that everything I’ve listed ought to be categorized as QL.

Rather, I want to point out how all of these new-era queer romance works are in a big queer global conversation together, in the creation of a new contemporary genre, a genre that has more capacity and thematic interest to include digital technology and normalize cross-cultural relationships than other genres (there's a reason fansubs and web platforms are so easily accepted and integrated to the proliferation genre).

You're not too late to be part of the conversation. Imagine being alive in the 1960s and 70s and participating in the blossoming of the sci-fi genre. That flowering is where gay romance sits now. Join the party.

#just constantly gob-smacked to be alive right now #i know there's plenty of reason to be horrifically distressed about the condition of the world #queer history #thai bl #japanese bl #korean bl #chinese bl #skam

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lc-holy · 9 months ago

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Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

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-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

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-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

------------------------------------------------------------------------------

-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

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- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

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- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

#miraculous ladybug #ml writing team #Conférence Masterclass 808

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barbs111claims · 24 days ago

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You are Universe looking back at itself

(Guys, brace yourself because it is not going to be your usual post.)

I don't know if you guys understand why it is "assumption".

The thing we see, hear, smell, touch, taste. They aren't real. I'm not trying to say the same thing again and again.

I'm not emotional blackmailing you to have faith in imagination in order to have your desires in 3D. But I'm telling you to have faith in imagination because it is the only truth. The source creation.

If the 3D is actually real and vivid as it seems,

there wouldn't be Ageusia, Dysgeusia, Color Blindness, Anosmia, Anaphia and literally tons other mental illness or disorders.

Dysgeusia: A condition where taste is distorted, leading to unusual or unpleasant flavors. Color blindness: A deficiency in color vision, usually involving difficulty distinguishing between certain colors. Dysacusis: A hearing disorder where sounds are distorted or unclear, making them hard to understand despite normal hearing. Anosmia: The total loss of the sense of smell, often caused by damage to the olfactory system Anaphia: The loss or impairment of the sense of touch, often due to nerve or brain damage.

Similarly between them?

"In short, they all relate to disruptions in the way the body processes sensory information."

Now, what proves that our entire lives that what we feel is not a distortion?

our brain? the only thing that distorts?

science? the thing is which is created by human brain?

These disorders happens due to a change in neural pathway in brains or due to medical treatment of which it affects the brain of some people which alters their entire reality.

People with color blindess don't know that their brain cannot see certain colors until other people make that person aware. Only then, the person with the color blindness gets aware of their condition, so till then... That person assumes that is their reality because that's what consciousness does.

So now, what if everyone on earth had color blindness?

It would simply just be the 'true reality'.

Brain provides distortion and consciousness accepts which then repeated becomes a belief in deep subconscious mind.

Nothing is "truth". We don't actually see 3D but the brain repeats us the old assumptions again and again.

That's why 3D is a reflection of our own mind.

The assumptions doesn't affect the 3D but becomes the 3D.

Assumptions are the true reality, 4D is the true reality.

Whether new or old, there is no "true reality" out there. (link)

There is no active 3D existing. Everything is 4D. Your so called material world is just interpreted by your brain through sensory nerves. You were always living in your head.

"Oh but why do need something external like water if we only live in our head?"

Because you exist in a physical body at this moment. Your body needs it. You don't. So you can actually shift to a reality where you don't need water.

Our physical never had to suffer or endure pain, we were provided with abundant water, minerals, trees which ripe fruits, vegetables, human physical and mental strength to power other creatures since the dawn.

"Oh then why do we innovate new physical objects if it already exists in 4D?"

Because we are source of creation. Our imagination, 4D. We don't just create out of no where. Just like how the airplane was a fantasy of the Wright brothers before it came into existence. We imagine something, we drive in creating.

Everything that is existing right now is a fantasy of the creator.

We are a mere fantasy of I am.

We are the I am conceived in human form who then forgot ourselves and became a dream character.

When we are first born, our subconscious develops at 6months. The duty of subconscious is solely to protect and serve you. The baby in the womb knows how to suck milk from the mother. Your subconscious protects you now and forever, you then develop consciousness which has the possibility to change the subconscious belief considering changes in adaptation in surroundings and to mend with the society.

That's why kids are very 'spongy' from 6-8yrs. Their conscious and subconscious both are developing together. This is where their majority life's belief starts forming deep onto their subconscious.

(Your subconsciousness is why you are here, making you able to read this at the moment. Heart beat, lungs functioning etc. It developed long ago and is consciously listening, it can't process every thoughts like consciousness, it just simply takes you as the dominant thought)

You get adapted to 3D and forget about 4D.

So it becomes 3D-> 4D->3D (old assumptions becomes 'true'.)

instead of 4D-> 3D-> 4D (you create assumption, your own reality which then becomes the 'true').

You are only truth, I am.

Whatever state you associate yourself with after that is an illusion that you can choose to be.

Anything is possible to I am.

You were/are/will be void forever.

You are whatever you desire and get conscious of.

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plutosunshine · 1 year ago

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What leads you in life?

Our Ascendant is the lens we look through, our direction and navigation. The ruler of Ascendant can show what leads us in life.

The ruler of Ascendant in the 1st house

Basically, your identity is what leads you in life. Life gives you situations when you need to realize that you are number 1 on your path. You learn to lean on yourself and trust your gut. You will gradually build a strong sense of self and become self-reliant, strong, and dedicated. The universe wants you to realize how special and unique you are and that you can count on yourself. Trust your instincts and don’t allow others to manipulate and mislead you. You know what you want and need, so if you trust yourself, you will win this life.

The ruler of Ascendant in the 2nd house

Your values are leading you in life. You are meant to build strong and solid self-esteem and become your own source of energy and inspiration. Your values are this strong solid foundation you lean on. This gives you self-confidence and direction in life. You have your system of values and worldview which allows you to feel stable and secure going throughout life. You are dedicated and have great stamina, which helps you to reach your goals in life. You know that you can count on this side of your personality and that’s why you can move forward towards any goal that’s in your mind.

The ruler of Ascendant in the 3rd house

Your desire to learn and get new experiences leads you in life. You are curious and like everything new and unusual and that allows you to experience different kinds of moments in life. Your curiosity and intellect lead you toward great opportunities. You always want to refresh your system of values and judgments, and your attitude toward life goals is flexible. Your desire to get knowledge and experiences will lead you toward the most incredible opportunities and moments. So it is important not to ignore this great desire inside you!

The ruler of Ascendant in the 4th house

The exploration of your true self and inner needs is what leads you in life. Unconsciously you desire to dig deep into your soul and find all the treasures and dark sides you have. Investigation of your roots or even previous life may be interesting for you as a tool of exploration yourself. Also, you need to work through your suppressed emotions to get the opportunity to set yourself free from heavy emotional baggage. Spirituality, psychology, esoteric, and other techniques may be good tools for self-exploration. Your connection to the people you love is very important for you and you find your authentic self through the soul connections.

The ruler of Ascendant in the 5th house

Creation is what leads you in life. It is not necessarily art or something creative but it is anything connected to creating something new. Whether it be new life or a new project, maybe even starting a new life with no strings attached. Self-expression is one of the most important themes of this placement. You need to explore your talents and express all you have inside through them. One of the things I would like to mention is your attitude toward life. The universe wants you to not take life so seriously. The 5th house is all about lightness, playfulness, and positivity, so you will discover the best opportunities in life only by following this approach to things.

The ruler of Ascendant in the 6th house

Self-improvement is what leads you in life. You are extremely hard-working in terms of self-exploration and your detailed and persistent approach to things helps you not only know yourself but also help others with that. You are a great helper and advise-giver because of how much knowledge you have. You know that information is what opens the best opportunities for you and don’t stop receiving new knowledge. Being in service to others gives you the energy for reaching your own goals. And you have so much to tell others about life!

The ruler of Ascendant in the 7th house

The desire to live in harmony and balance is what leads you in life. Life can be stressful and exhausting but the universe creates the situations when you need to set peace in your mind. It is not easy and requires a lot of hard work on yourself, however, inner balance is what brings you the best opportunities in life. This harmony relates to all your one-to-one relationships as well. You need to find balance, when you give and take equally. Only that type of relationship will bring you happiness and satisfaction.

The ruler of Ascendant in the 8th house

Transformation and epiphany moment is what lead you in life. What I mean is that you are going through transformations all the time and you get so many insights about life, so much wisdom and epiphany moments that you could even become a spiritual teacher. The universe will try to open your intuitive abilities so that you could dig deep into your soul and souls of the others. You cannot be fooled easily, you see what people hide beneath. And it comes from your own dark and transformative experience. You are meant to help others on their spiritual healing journey because you have so much wisdom inside. And it comes from a place where you had to explore your fears and unhealed wounds.

The ruler of Ascendant in the 9th house

Expansion of the horizons is what leads you in life. The 9th house is all about expansion, open-mindedness, exploration, teaching, spirituality, and intellect. You desire to get new experiences to share them with others later. A positive attitude is what brings you the best opportunities in life. The universe will create spontaneous and unpredictable situations for you to get new unforgettable experiences and realize the meaning of life from a different angle. If the 8th house explores the dark sides of life, the 9th house is meant to explore the brightest. In the best expression, this placement gives you a lot of luck and unexpected opportunities.

The ruler of Ascendant in the 10th house

The desire to be the most respected and recognized in your field is what leads you in life. Also, I would say that a big goal leads you. Because the 10th house is a very strong house and it needs attention, recognition, respect, and success. But also, it needs patience and persistence because as we all know Saturnian influence slows everything down. The native slowly but surely reaches one goal after another to build the biggest empire. It all sounds very big but it doesn’t necessarily have to be something huge. The 10th house just needs the direction where to navigate all its forces.

The ruler of Ascendant in the 11th house

Dreams and hope are what lead you in life. Even if you have been through a lot in life, you still have that little sparkle of hope. You have dreams and you have everything you need to achieve them because the 11th house is ruled by a fixed sign. Connection to some group of people may bring a lot of success into your life because the energy you get from others fires your dreams up and allows you to continue. Even in the hardest times, this placement suggests you direct all your forces to a bright future.

The ruler of Ascendant in the 12th house

Healing is what leads you in life. You are meant to dig deep into your traumas and the traumas of your family. Even if you are not doing it consciously, something leads you on that path. You may be into spirituality, meditation, psychology, or esoteric, and even music may be your tool of exploration. You are meant to help others on their journey with all compassion and wisdom you have. Also, art and any creative field may be very good for you and others may say that it is healing and calming.

#astrology #astro #natal chart #astro observations #birth chart #ascendant #astro notes #astrology posts #zodiac #zodiac signs

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xmalereader · 4 months ago

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— Endless Pt. 1 —

Bruce Wayne x Endless! Male Reader

☆ — MASTERLIST — ☆

SUMMARY: The endless family is made up of 7 children, so why is their an 8th? Reader is the black sheep of the family with no purpose to fulfill the human realm. He spends his days locked away in the Dreaming where he stays under his brothers watch. It wasn’t until one of Dreams new nightmares escapes the realm and starts causing problems in the Waking, giving reader a chance to show that he can be helpful in his family by tracking down his brothers nightmare, not knowing what awaits him.

WARNINGS/CONTENT: Angst, slow burn, MDNI 18+, language, endless family, dream trying to be a good brother, mentions of abuse, black sheep, self esteem problems, mentions of death, family secrets, friends to lovers, post riddler chaos, mentions of new villains, foreshadowing, reader and Bruce balancing each other out, Gotham is shit, slight kissing, trauma mentioned, OC nightmare, non-canon works.

WC: 5k

TAGS: @circusdexxter @lordzachariah0-0 @apolo1808 @i-cant-sleep615 @kayden1 @boylicious143 @h-ib @kik1010 @toxic90sboy @multifandomsimp69 @moththesadmage @stalker0

NOTES: Finally! After a very long break I’m finally getting back into writing again! I will mainly be focusing on my series that I’ve been planning for quiet awhile and really want to focus on this Endless series that I’ve had in mind for months. I’ll try my best to update as much as possible since each chapter will be between 5k-8k words or longer in order to have fewer chapters, but other than that, here is the first part and thank you for being patient on my writing!

Blinding - Florence And The Machine

The Endless had 8 children, each with a purpose in life.

Destiny with the purpose of defining all that is, Death was destined to put the universe to rest, Dream with the creation of stories and imagination, Destruction with the power of not only destroying but of making and producing, Desire with the purpose of wanting and lust along with their twin Despair who is the personification of despair and hope, and Delirium who can create realities and manipulate the human mind.

They all had an important purpose.

All but one.

The eighth child was the youngest of them all, having been born eons later after Delirium resulting in the last sibling of the Endless family. His siblings figured that he would have a purpose just like them only to have none. The last sibling wasn’t special nor was he given a proper name that would fit his so called ‘purpose’ instead both Father Time and Mother Night left their last child in the hands of their other children.

He expected his brothers and sisters to help him find a purpose that brought balance to the human realm, but neither sibling was much help. The twins simply teased him, mocking his existence while the others grew to busy in their own duties to give him the attention he needs, a few of his other siblings were busy searching for the ‘Prodigal’ who had left his duty many years ago and was being searched in order to restore balance again.

The youngest Endless could only watch from the sidelines holding onto hope that he too, would have a purpose of his own.

As he was passed around from sibling to sibling he spent most of his time in their realms watching their work and staying in line from overstepping into their duties. He spent most of his time in Dreams realm feeling his heart warm in joy when he walked through his brothers creation. The creation of stories and imagination was a powerful thing for many humans something that his brother found joy in doing.

There were times that he spent his time in his brothers library, hidden behind many rows of books, watching from the corners as his brother speaks with Lucian and Marvin. No matter how long he spends in this dreaming he never had the chance to actually create a bond with his brother, growing afraid each time he approached him when returning a book or when trying to ask a simple question about his creations.

Delirium was technically the baby in the family before he came into the picture and Dream already struggled with creating a bond with his sister and he didn’t want to get in the way of their bond. He spent years without knowing his duty that he’s grown used to being an outsider from his siblings, spending his ‘family’ dinners alone in Dreams realm, trying to stay out of their business as much as possible.

Even if his sister, Death, tired to convince him to join them for dinner he’d refuse and continue on with his day. What was the purpose of him being there? He can’t stand their whispers of pity, so why even bother.

He felt like a burden to his own family, so instead of trying to fit in he’d slowly pushed himself out of the picture and allowing them to have the spotlight while he stood out the frame. There were times that wished to disappear like his brother, Destruction. He didn’t know much about him and the others didn’t talk about him, not because they hated him, but because of the pain it brought them when reminded of their brother leaving without a word, abandoning his duty and hiding from the world.

When wandering around Dreams library he had found a book hidden deep in the shelves that contained a photo of his brother, Destruction. He looked older than the others and with a rugged expression on his face, having facial hair on his face and perhaps a grumpy like exterior. He kept the image of his brother in mind before putting the book back where it belongs in order to keep his brother, Dream from knowing his findings.

“A nightmare has escaped.”

He was doing his usual routine, hiding in the library and nose buried in a book before his ears perk at the sound of the ravens worried tone when landing near Lucians desk and letting her know about the situation.

“Does Lord Morpheus know about this?” Lucian had asked while she looked through the new plans of the realm, showing very little interest towards the situation since she had no control over dreams and nightmares.

The raven, Matthew tilts his head to the side. “He does—“

“Then I don’t see what this has to do with me.”

“It’s that new nightmare.” Said Matthew, voice laced with worry and concern.

His words causes Y/n to look up from his book, eyes widening when hearing Matthew. He knew what nightmare he was referring to and knew how messy the situation can turn out if a nightmare were to abandon its duties. Dream always kept an eye on his dreams and nightmares and had been making changes in his realm, more like improvements. He had been changing his nightmares into dreams and leaving him with time to make new nightmares for the dreamers, having created one that lurks on your deepest fears named Pitch.

Y/n never liked the nightmare when first meeting him, his tall structure and sharp yellow eyes always made him shiver and whenever he was alone the nightmare always found him.

“Pitch is nothing but problems.” Sighed Lucian while removing her glasses.

Matthew lets out a small sound of understanding. “He reminds me of the Corinthian in some way.”

The name was familiar to Y/n, having heard about him and the troubles he’s brought into Dreams realm the nightmare was so bad that Dream had to destroy his creation and store him away. His brother had claimed that he will restore the Corinthian again, one day when he deemed the time right.

Y/n doesn’t stay longer to listen to their conversation and closes his book, leaving it on the table and standing from where he sat. He doesn’t spare the librarian and raven a glance, having grown used to their silent glances when his presence is made known, leaving the library and making his way towards his brothers chambers where he finds him pacing around the room while reading a book in hand. He’s noticed the stack of books scattered on the floor with different names from many dreamers.

He can’t help but raise a brow at his brothers mess, but doesn’t point it out when approaching him.

“I suppose you are busy?”

Dream doesn’t look away from his book and keeps pacing. “I am always busy.” His voice echos back before stopping mid pace to look over to Y/n who stood a good distance from the other Endless. Dream looks at him up and down before asking. “Is there something you need?” He’d usually brush off anyone’s needs and focus on himself, but after his imprisonment of 100 years and spending more time around humans he’s grown to change.

Showing some compassion for once.

The younger endless stares at Dream and then down at the books that surround them both. He wants to jump in and help his brother with finding his missing nightmare to be able to do something for once. “I heard that Pitch left the realm.” He starts, noticing the slight frown appear on his brothers face which makes him bite the inside of his cheek in a nervous manner.

“I can help with finding him?” He finally asks.

Dream shuts his book which causes Y/n to flinch and avoid his brothers eyes, looking away nervously after asking. He would expect his brother to be upset for wanting to step in and provide assistance to his mistake when it was his duty to fix the problem and not Y/n’s.

But his brothers words surprise him. “I’d appreciate the help.”

Y/n’s eyebrows raise in surprise when he’s accepted to help, nodding slowly as he takes a few steps closer and a bit hesitant on what to do. “What are you looking for in these books?” He asks and bends down to pick one up, reading the name of the dreamer before flipping it open and skimming through the pages.

“Pitch lurks on fear. Since I no longer have my ruby, I am unable to find my nightmares and must doing things a bit differently.” Dream being to explain as he walks over to the other side of the room to toss the book he was currently reading on top of another pile. Y/n guessed that it’s the finished books he’s read. “If I wish to find Pitch I have to find out which dreamers are most likely to be targeted by him.”

Y/n looks back at the stack of books with wide eyes. “You’re trying to locate a dreamer who could possibly lure Pitch in?” He says in disbelief and turns back to Dream. “That could take hours or days, all dreamers have nightmares so Pitch could be going after anyone.” He sets the book down and steps back to stare at the different piles, reading off names and trying to figure out his brothers outrageous system of locating his missing nightmare.

Dream lets out a dry chuckle when hearing his little brothers worries and shakes his head. “Then,” he walks over to Y/n and hands him a book. “Lets get started.” The little Endless can only mentally groan as he takes the thick book in hand and watched Dream get back to his own reading.

The room falls into a comfortable silence as the two read for what felt like hours. The sound of flipping pages echoed in the throne room and the placement thud of the book beings piled up as the continued their reading. As much as he enjoyed spending time in his brothers library he was slowly growing tired of reading dreamers lives and how they spent their time in the dreaming realm when sleeping. Even though he doesn’t have a purpose he’s starting to realize that being a Dream lord wouldn’t be for him.

It wasn’t until he breaks out into a yawn that it gets the Dream lords attention, eyes glancing up from his book and towards his brother who was half asleep at this point. Dream sighs through his nose and closed his book, setting it aside from where he sat on the steps. “You're tired, get some sleep.”

Y/n snaps his head up and shakes his head at Dreams words. “I’m fine I can keep going.” He waves him off and tries to concentrate on the book o his lap, but Dream had quickly taken the book from him and closed it. “I can tell when someone doesn’t sleep.” His voice is low as he towers over Y/n who sits on the floor and sighs to himself, rubbing his eyes and nodding his head slowly. “Okay, I’ll get some sleep.” He mumbled in return as he stands from where he sat.

Even though he wanted to help Dream in finding Pitch he’d need to get some rest if he wishes to keep going. When letting Dream know that he will head off to his room and get some proper rest for the night he makes sure to sneak at least one book back to his bedroom in order to keep helping out of his brother sight and not get into any trouble.

He holds the book against his chest when leaving his throne room and down a different hall in his castle. He yawns again when reaching his own bedroom, its big and spacious when entering a few books are on the shelf and small little valuables are sitting near the balcony not having a lot since he spent most of his time in the Dreaming with his brother.

He tossed the book on his bed and falls face first into his pillow, moaning tiredly and closing his eyes for a few seconds, letting his body relax against the soft blankets and pillows. The silence wakes him back up, opening his eyes and glancing over to the book he had snuck into his room.

It was surprisingly thin and the binding is all black, getting his attention as he sits up and turns around to lie on his back. He grabs the book and holds it up, reading the name on the front cover.

“Bruce Wayne…” He whispers the name to himself and flips the cover open, starting at the beginning like every other book he’s read. He knows he’s suppose to be sleeping or else his brother will use his sand on him, but he can’t help but grow eager to continue helping his brother, to be able to do something for once as he reads the book in hand.

He’s nodding off little by little and trying to concentrate on the words on the pages, shaking the sleep away and sighing as he adjusts his sleeping position and groans before flipping to the next page only to freeze, his eyes full of confusion as he sits up, fully awake as he stares down at blank pages. He’s never seen something like this in the books, finding half of the pages blank.

The mans life ends in nightmares, but the blank pages had to mean something. He quickly pulls the blankets back and slips out of bed, rushing out of his room and holding the book in hand as he heads back to his brothers throne room to ask him about the strange book.

“Dream—?”

“Aren’t you suppose to be sleeping?” Dream cuts in and slams his book shut, setting it aside onto a pile. The time that Y/n spent reading had resulted in the shift of books, having less around the throne room since his brother had finished reading a few on his own. Before Y/n can ask about the blank pages in the book his brother had approached him and takes his wrist in hand, dragging him back to his room.

“Wait—!”

“I’ve told you many times that you are to be asleep, unlike me you need the rest since your body isn’t adjusted to the dreaming realm quiet yet.” He began to explain, disregarding Y/n’s protests as he’s dragged back to his room. “But Dream—!?”

“Enough talk.” They make it back to his room where Dream shoves him back into bed and takes the book from his grip, setting it aside and ignoring the title of the book since he was focused on Y/n.

“But the book!” said Y/n as he reached out to grab it only for Dream to push him back into bed.

“You can tell me about it tomorrow, now you sleep.” He doesn’t give Y/n the chance to speak again as he uses his sand on his little brother, watching as he yawns and his eyes slowly flutter closed.

—

Y/n doesn’t dream.

He knows that his own brother does since its apart of him, but Y/n never had dreams or nightmares. He always wondered if it was because he wasn’t an Endless like his siblings with a purpose in the human realm. His siblings had dreams, but never spoke about them. Dream had their books with their dreams and nightmares written locked away from prying hands, he never read their books in order to keep the privacy and respect, never lurking in their dreams to see what they think of when sleeping. He made a rule to never do such thing, but Dream was surprised when his little brothers book wasn’t on the shelf.

He had given it time since he was still young, but after eons, nothing.

That’s why Y/n had woken up without feeling anything, falling asleep in darkness and waking up as if nothing ever happened. He’d stare at the ceiling of his room, quiet and still as he thinks about last nights discoveries. He turns to his left where his brother had left the book. He would have expected Dream to take it back instead of leaving it in his room.

He takes the book into his hands again and reads the name to himself once more. His fingers opening the book as he flips through the empty pages in hopes of finding new words only to find nothing, ending in the same way as last night.

“You can’t be dead.” He says to himself when closing the book, he’s seen how their story is written before death comes for them. It always ends with a dream before their story reaches an end, but Bruce’s didn’t have that and it made him question it.

He holds the book in hand when leaving his room, heading off to see his brother only to find the throne room empty when arriving. The books that were scattered around were gone, leaving the place empty and clean. He decides to check the library, perhaps he could find his brother there if the books were all cleaned up.

Only, he doesn’t find his brother there other than Lucian.

“Lucian, have you seen Dream?” He speaks up softly towards the librarian as she organized a few books and puts them in their designated space in the shelves. She looks up from her work and sighs. “Lord Morpheus had to attend a family dinner.” She responds back which makes Y/n’s heart race at the statement, forgetting that family dinners were every few years.

He was always invited but rarely went since he didn’t want to deal with the usual conversations.

“Found your purpose yet?”

“Still staying with Dream?”

“Why even have another endless when you can’t figure out why you are here.”

The past conversation makes him shudder, hating the feeling of being different.

Lucian can easily see the sadness hidden behind Y/n’s eyes as if showing that he’s fine when deep down inside he was hurting.

“I was curious about something,” He began to say, holding the book under his arm. “have you ever dealt with a dreamers dreams not showing in their books?”

Lucian raises a brow at his question. “Lack of dreams?”

Y/n shakes his head. “More like, disappearing from the human realm when they aren’t really dead?” He winced at his own question, unsure if he was making sense towards the librarian.

“Oh,” Lucian gives him a look of surprise. “Well, we once dealt with a boy who went missing in the dreaming. We couldn’t find him in his books and it looked like he had disappeared from the world.” She explains while shelving books. “Turns out that a nightmare was keeping him hidden, using their power and work to hide the boy from the real world. A way of escaping reality and hiding in the dreaming.”

Y/n takes in her words, glancing down at the book he had. Thinking that perhaps this Bruce is suffering from nightmares, making him easy bait for Pitch. He isn’t sure if he’s right or wrong, but he knows he should let his brother know since its an urgent matter due to pitch leaving his duties and causing a problem to his brother.

“Thank you, Lucian.” He leaves the book on the table and quickly leaves the library. He doesn’t usually attend family dinners, but perhaps this once he can make an appearance only to let Dream know about his discoveries and then leave. His siblings always took turns in hosting dinners, sharing each others realms for a short period of time together.

Last dinner took place in Deaths realm, today it’s Destiny’s.

In order to enter his brothers realm he’d have to ask permission, but since its a family dinner he doesn’t need to ask. He’s only been in Destiny’s realm a few times, liking his garden that he walked through in order to make it to the clear opening where a dining table is set and finds his siblings conversing amongst each other.

He always felt nervous around his other siblings. He’s known them for eons, but he didn’t really know them. He only saw them as his siblings who took care of him when he was a child, but as time went by and he continued to age things had changed between them.

“Look who decided to join us.”

Desires voice floats through the air as he looks over to his sibling, giving them a small nod of acknowledgment. “Desire.”

“Endless.” They said back.

Y/n mentally flinched at the name. He’s Endless, but Endless of what?

“That’s a surprise, you usually don’t come to these dinners.” They continued on, taunting him with a sly grin on their face. “Oh!” They gasp out. “Are you here to tell us that you’ve finally found a purpose or did you just come to ruin the dinner?” They and Despair laugh at their comment which leaves Y/n quiet.

“That’s enough.” Dream cuts in, stopping his siblings mocking. Desire clicks their tongue and rolls their eyes when their fun is ruined.

Dream looks over to Y/n. “Are you here to join us?”

He doesn’t know what to say, his mind feels fuzzy and can hear his heart racing in his ears. His eyes glancing over to the twins who murmured to each other, his eyes then shift over to Death who looks at him with eyes full of pity and concern—he hated that look. His brother Destiny didn’t even look at him and and Delirium was lost in her own world.

It wasn’t until his eyes land on the empty chair across from Dream. He’s confused at first, asking himself why they would have a chair for him. “Oh…”

There was 7 seats, one for each sibling.

The seventh wasn’t for him. It was for his missing brother, Destruction.

He’s now realized had he’s never had a seat amongst them.

“Y/n?”

Dreams voice pulls him out of his thoughts, looking back at his brother and noticed the small hint of concern in his voice.

“Is something wrong?”

Y/n gives his brother a fake smile. “It’s nothing.”

He doesn’t stay much longer and turns his back, leaving his brothers garden and heading back to the Dreaming where he belonged. Did he really belong to the dreaming? Dream was only being a kind brother and letting him stay in his realm until he’s found his purpose but its been eons and he still hasn’t figured out what kind of endless he is. Thinking about it makes him feel like a burden, having bothered his brother for years not asking himself if Dream has perhaps grown tired of having him around.

He found beauty in his brothers work always amazed by his creations and ideas that he can’t help but think that he’s a mistake wandering around his brothers creation.

“You are just Endless.”

Dream of the Endless.

Death of the Endless.

Desire of the Endless.

They all had a name, but him.

“How can I know who I am…” He whispers in the emptiness of his room, staring at the pile of books that he had left forgotten in his room only to remember last nights book.

“Bruce Wayne.”

He may not be someone who can lead him to Pitch, but he could be a start. He’s curious to know why his book ended in blank pages, waiting to be filled with words. Even if he was wrong at least it was an excuse for him to leave the realm to perhaps find himself something out in the Waking.

Y/n had seen the Waking and had very little interactions with mortals, but perhaps he’ll get the chance to know them at a better level. There isn’t much for him to take other than a notebook with notes regarding his brothers dreams and nightmares and his time here in the dreaming. His room never had anything valuable only a simple bed and a few books, nothing else.

He flips the book open and reads his last page.

“Gotham City.”

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