#TONI STORM PEGGING REFERENCE!!
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EXCLUSIVE! #AEW Women's World Champion "Timeless" Toni Storm sets the stage for her Championship Match against "The Professor" @SerenaDeeb at #AEWDoN!
#👏this👏isn't👏real👏life👏this👏is👏 professional👏wrestling👏#TONI STORM PEGGING REFERENCE!!#scooping up a frankly pathetic looking mariah and carrying her away#another banger promo from our women's world champion#AEW#Toni Storm#Mariah May#Luther
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Dynasty preview
Samoa Joe vs. Swerve Strickland - Joe is defending the AEW men's world championship. These two already met in a three-way for the title on March 3, but since Joe tapped out Adam Page in that match, he still has unfinished business with Strickland.
When Swerve started chasing the title, I figured he'd lose to Joe and move back down the card for 6-12 months, to get heated up for a real run on top. By the end of February, it was pretty clear this guy has It and a lot of people were going to be disappointed if he didn't win the big one ASAP. I figured he wouldn't lose the fall on March 3, but I never imagined they'd give him another shot this quickly. On top of that, the build feels like Swerve has to win this time. They've done all the little things that will make it super disappointing if he can't close the deal. It feels too early to take the belt off Joe, but I don't know if they can get away with denying Strickland again.
If Joe is going to retain, they'll really have to pull out all the stops. Joe cannot beat Swerve clean--that would be promotional malpractice at this point. You'd need a huge surprise run-in to keep fans from totally hating a Swerve loss. Maybe if Adam Page returns to renew his endless feud with Swerve. Maybe if MJF returns to get revenge on Joe. Maybe if Jack Perry clips Swerve's knee before the match, and the 101st Airborne hold him down for the three-count. But even with all that, I wouldn't want to be the guy booking Swerve to lose tonight, and facing the media after the show.
Even so, I can't quite convince myself Swerve is actually going to win the world title. I'm so used to pro wrestling dicking us around with these things, and making us wait past the peak. So even though I think the finish should be a foregone conclusion, I'm gonna be on the edge of my seat for every near-fall. Should be good times.
Matt Jackson & Nick Jackson vs. Dax Harwood & Cash Wheeler - This is the final match in a 10-team tournament for the AEW tag team championship, which was vacated by Sting and Darby Allin after Sting retired. It's also a ladder match, so the title belts will be hung above the ring, and ladders will be provided at ringside for the wrestlers to climb; the first man to pull down the belts wins the match and the title for his team. Both teams have held the title twice before; whichever team wins here will become the first 3-time AEW tag team champions.
This will be the fourth two-on-two match between the Young Bucks (Matt and Nick) and FTR (Dax and Cash). FTR leads the series 2-1 after their last encounter on August 31. The Bucks recently claimed that they only lost that match because they were distracted by the infamous CM Punk/Jack Perry incident, and insinuated that FTR planned it somehow.
I would like to think this match could be the last final word on making cutesy references to CM Punk drama. I'd like to think that, but the Bucks have an approach to heel heat that lends itself to beating dead horses and not being terribly subtle about it. That will probably take the match down a peg. I'm not sure which team will win, but it feels inevitable that Jack Perry will run in to help the Bucks, and I don't see FTR coming up with a counter for that. So I guess I'm picking the Bucks.
Will Ospreay vs. Bryan Danielson - Danielson is winding down his career by wrestling all his dream matches, and brother he got himself a good one here. I figure these two will tear the house down. Other than that there isn't a whole lot of story here, except that the Don Callis Family may or may not have any confidence in their man Ospreay to win, and the Blackpool Combat Club is getting sick of the Don Callis Family. It's only a matter of time before Callis turns on Will, but I'm not sure it'll happen tonight. I'm cautiously picking Ospreay to win, but I can't rule out a Danielson victory.
Toni Storm vs. Thunder Rosa - Storm is putting the AEW women's world title on the line. This match was supposed to happen waaay back in September 2022, with Storm challenging Rosa for the title, but Rosa was sidelined with a back injury. Since then Storm has become a three-time champion, and gone off the deep end with her current "old-timey movie starlet" gimmick.
I always wanted Rosa to come back and get a shot at the title she never lost. But now that we're here, I'm a bit concerned. Rosa's matches since her return haven't wowed me--although to be fair, they've mostly been squash matches. I just don't get the sense she's as hot now as she was a couple of years ago, and it feels like Storm has passed her by and lapped her a few times. I can't help thinking Rosa isn't going to look good here, but I hope I'm wrong. In any case, Storm should probably retain.
Kazuchika Okada vs. PAC - Okada is making his first defense of the AEW continental title. Per the rules for this title, there will be no one allowed at ringside. Pac is cool and he'll give us a great match. But, dude, c'mon. Okada just got here, and he's still on that "new guy wins all the time" streak. I learned a long time ago not to bet against Okada.
Mark Briscoe & Adam Copeland & Eddie Kingston vs. Malakai Black & Brody King & Buddy Matthews - Briscoe lent a hand when FTR and Daniel Garcia were feuding with the House of Black, and ever since then he's been feuding with the House of Black. Lucky for him they've also managed to piss off Copeland and Kingston. It was only a couple of weeks ago that Mark and Eddie beat the hell out of each other over the ROH men's world title, but this time they're on the same side.
Briscoe's superteam looks like more than a match for the House of Black, so it'd be easy to pick them to win. But the fact each of the babyfaces has a singles title makes me wonder if it'd be better for the heels to win to set up three new challengers down the line. I could be overthinking it, but something tells me the House will win here.
Roderick Strong vs. Kyle O'Reilly - This is for Strong's AEW international title. These two used to be teammates within Adam Cole's Undisputed Era faction in NXT. Then O'Reilly and Cole were buddies in AEW in 2022, until they both got sidelined with injuries. By the time O'Reilly returned, Strong was in AEW as a part of Cole's Undisputed Kingdom faction, and it seemed logical for Kyle to join up. Instead O'Reilly chose to go it alone, and I guess Roddy didn't appreciate that, so here we go. I think O'Reilly has a fair chance of winning the title, but it seems too early to take it off Strong, so I'll go with him to retain.
Julia Hart vs. Willow Nightingale - Willow won a four-way match for the right to challenge Julia for the AEW TBS title. Mercedes Mone has already issued a challenge to the winner of this match for May 26. Meanwhile someone has been sneak attacking both Mone and Willow, which sure suggests Julia is behind it but I bet it's someone else.
So I think both these women are super cool and awesome, and this is one of those matches where I just hope everybody has a good time. But let's get down to brass tacks. I really want to see Julia step up and defend the title against Mone. I know, I know, the backstory is already in place for Mone vs. Nightingale, and that's cool too, and if I had to put money on it that's the match that will happen. But...I gotta root for my girl Julia here. Sorry Willow.
HOOK vs. Chris Jericho - Hook already beat Jericho last month, but this time he's putting his FTW title on the line, so there will be no count-outs or disqualifications. Jericho wanted to mentor Hook, but he got too pushy about it and Hook decided there's nothing Jericho can teach him.
I'm 99% sure the point of this match is for Jericho to win the title, whereby Hook will realize he underestimated Jericho's cunning. The problem is that "FTW champion Jericho" would be a retread of "FTW champion Jack Perry" and "ROH champion Jericho." Everything about this storyline feels like a rehash of previous Jericho storylines in AEW. So I hope Hook wins to put an end to it, but I don't expect to get that lucky.
Anthony Bowens & Max Caster & Billy Gunn vs. Jay White & Austin Gunn & Colten Gunn - This is scheduled for the pre-show. It's a unification match for the AEW trios title (held by Billy and the Acclaimed) and the ROH trios title (held by Jay and the Gunns). I assume the winners will keep the AEW belts and the ROH belts will be retired. I have been looking forward to this, because I have long felt that AEW absolutely does not need two trios titles (unless Julia Hart and Skye Blue find a cool chick to be their spooky friend).
Austin and Colten turned on their father and the Acclaimed in 2022, and joined Jay White's Bullet Club Gold back in June. The two groups reconciled and joined forces in January, but within a few months White and the Gunns showed their true colors again.
Throughout this storyline I've been expecting Billy and the Acclaimed to prevail in the end. But now that we're in the eleventh hour I'm having second thoughts. I could see either team losing and moving out of the trios division altogether. And I think it's high time Caster and Bowens get back in the hunt for the tag title. So I think I've talked myself into picking the Bang Bang Gang.
Orange Cassidy & Katsuyori Shibata vs. Shane Taylor & Lee Moriarty - Another pre-show match. Shane Taylor Promotions really put a beating to Cassidy on April 17. Since Trent Beretta turned on Orange and Chuck Taylor is injured (and we don't know where his loyalties lie), Cassidy is running low on friends to help him in situations like this. Shibata seems like a strong partner to bring in, and a month ago I'd have said the faces win this one easy. But Taylor's group seems to be starting to get a push, so they might surprise you here...
Trent Beretta vs. Matt Sydal - More pre-show stuff. When Shane Taylor Promotions was beating up Orange Cassidy, Trent ran in just to take out anybody else who tried to run in and help Orange. What a dick. Anyway, he laid out one guy so fast I didn't even see who it was, and I guess it was Sydal. Sydal is going to lose pretty hard here.
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Games We Play
Steggy Week 2k20, day 3 Prompt: Modern Day
Summary: Steve and Peggy’s new interest in their phones has the others confused and concerned.
AO3 link here. Thanks to @steggyfanevents for organizing!
Steve often sits up front to chat with Clint when he’s in the pilot’s seat. According to him, he used to do that during the war sometimes too, just shooting the breeze while being transported here or there. (Well, he actually said “shooting the shit,” which made Clint raise an eyebrow, but probably like him more than he thought he’d ever like someone who referred to “the war,” as if there’d only been one.)
It’s just the two of them today - unusual but they were the ones around - and yet Steve takes out his phone as they take off, fiddling around and muttering at it.
“You need me to drop you over the Apple Store on the way back?” Clint finally asks, trying to tease out what the issue is. He’s actually fine without a conversation, and Steve is pretty good at comfortable silence, but you take care of your teammates, notice when something’s different. Agent Carter might be around, understanding him in ways no one else can, but it can be good to get a new perspective.
“What?” Steve says, still distracted. “No, it’s fine.” He gives a final, triumphant tap to his screen, mutters, “How d’you like that?” and puts his phone into his pocket.
“Okay.” He leans back in his seat, crossing his legs at the ankle. “Now explain the appeal of NASCAR to me again.” So Clint does, and Steve still doesn’t get it, and Clint notices him continuing to check his phone the whole rest of the trip back.
“Morning, Aunt Peg!” Tony strides into her office as if Peggy’s assistant is a potted plant, and not even a particularly interesting one. Hugo is a bulldog with nearly everything, and had actually tendered his resignation in shame over his inability to stop Tony from doing what he wanted; Peggy told him that unfortunately this was a Stark feature that they would both have to simply learn to live with.
By which she means that Hugo can stand down and allow Tony entry without a fight - but that Peggy doesn’t have to give him a scrap of attention until she is ready to do so.
She doesn’t even glance up as he seats himself across from her, slapping a file folder against his palm. The gum he is chewing - actual bubble gum, like a child - is obvious from both the scent and the bubbles he blows to entertain himself as she continues to drag her finger across her tablet.
His patience, of course, runs out first. Doubtless he’d already been a little buzzy with energy if he’d decided to take a trip down with hard copy documents for her. “What are you doing there?” he asks, craning to see, but the glare from the window is too strong and a second later, she’s dropped the cover shut anyway and transferred her attention to her computer monitor.
“I think you’ve adapted too well to modern technology,” he tells her grumpily, watching the ease with which she switches between them. That actually makes her flick a laughing eyebrow upward.
“We use what we have and do what we must. I would certainly like to see you trying to get by in 1945.”
Tony shudders. “No bet. I’ve seen one of my dad’s old soldering irons from back then. Thick as a pipe. Totally without finesse.”
“Howard did manage quite a bit without your fancy tools, but there’s no shame if you couldn’t,” she says innocently, attention entirely focused on clicking something as he sputters in front of her. Typing a few final words, she finally turns toward him fully. “Now what was it you needed, or were you merely finding it dull in your workshop despite your precision soldering irons?”
“I’m starting to remember why I always regret coming down here,” he mutters, but flips the folder onto her desk anyway. “Just need your John Hancock by the arrows. Or Jane Hancock, I guess.”
She picks up the file, starting to page through it as she remarks over the top, “Oh, are we going to waste some perfectly good tea by tossing it into the harbor?”
“I think your Lipton is safe.”
“As if I would ever,” she says sternly, marking a large X across a paragraph she doesn’t like, turning the page and doing it again. Once she’s finished with the whole document, she drops it back onto the desk so it slides toward him.
“You must have known I wouldn’t sign that.”
“Worth a try,” he shrugs.
“Well, try again and see if it’s worth your while,” she says, just as her tablet makes a soft, insistent ding.
“Need to get that?” Tony asks, leaning shamelessly forward as she flicks the cover open.
She spins her chair, saying archly, “I do, actually. I assume you can find your way out?”
“Naughty pics from Cap, huh?”
“Yes, which leaves me to wonder why you’re so eager to catch a glimpse.”
“He’s a handsome man,” Tony says, seemingly unbothered, but when Peggy replies, “He certainly is,” he makes a retching sound and stands to leave.
“Bothered by a woman enjoying her sexual prime, are we?” she asks, and he beats his way out of her office, passing Hugo at a near-jog.
She chuckles quietly and applies herself back to the task at hand.
“I don’t think it has an easy answer,” Bruce says, “and we’ll probably be dealing with it for a long time yet.”
“It’s probably a good first step that it’s being taken on at all. Back—” Steve stops himself, takes a sip of his drink; he tends toward coffee on the whole, but when they meet up he usually joins Bruce in his search for the best chai in the city.
“You were going to say, “back in my day…” weren’t you?” Banner teases, gently delighted. “It’s okay, you still can. I won’t tell.”
Steve shakes his head. “Tony probably has some kind of radar for it.” He moves off the curb to let a couple pushing a baby carriage go by, then steps back up to walk the last block to the tower beside Bruce.
“How’s the latest alloy coming?” Steve asks, tossing his cup into the garbage by the reception desk. Bruce groans, even though it’s nice to have someone actually remember what project he’s working on.
“We’re getting close, but the fine tuning is a killer.” The elevator arrives and people start flowing out into the lobby. “What are you up to for the rest of the afternoon?”
“Not much,” Steve starts, but then puts his hand in his pocket, distracted by the vibration from his phone. “I’m just—I have to—”
“Are you coming?” Bruce asks, after he’s been holding the door of the empty elevator for a solid minute and Steve, engaged with the device, doesn’t even seem to have noticed. Bruce wonders if he’s read the research about changing brains based on screen use.
Steve waves a hand, attention still on the screen. “I’ll take the next one.”
“Same time next week for book club?” Bruce calls as the doors close.
“Yeah.” Steve actually looks up at him for a second, that familiar grin on his face. “This’ll all be finished by then.”
Bruce returns to his lab with the definite feeling that he doesn’t want to know exactly will be finished.
“There really aren’t any beaches like the ones over there. I’ve only ever been while I was working, and I still managed to have a good time,” Natasha says, finishing the last of her steak.
“We are planning a vacation,” Peggy says thoughtfully. “The middle of April, as long as no world-ending danger pops up between now and then.”
Nat smiles. “We’ll try to keep it to a minimum. Although you could always slip out before things get really bad and just forget to have your phones on.”
“Steve would never stand for it,” Peggy says, which is true, but they both know that Peggy herself wouldn’t either.
“Is everything…” Natasha hesitates. Uncharacteristic, maybe, but she still isn’t entirely used to the rules of having friends. “Are you and Steve okay? Because I’ve been picking up a little...something lately.”
“What? Oh, yes, everything’s fine.” Peggy takes a little sip of iced tea through her straw. “I have no idea what you might have detected.” And if Nat wouldn’t have said it with equal complete casualness, she might have believed her.
“Are you sure? Because--”
Peggy’s phone buzzes inside her purse on the table. She takes it out, pursing her lips as she looks at the screen.
“You’ve been on your phone a lot lately,” Nat says slowly.
With a laugh, Peggy taps one last time and slides her phone away. “Isn’t everyone these days? Terrible habit, but I’m sure I’ll break myself of it one day soon.” She picks up the dessert menu. “Now, what’s for pudding?”
Natasha orders the most deeply chocolatey thing on the menu; she figures she deserves it with whatever’s going on.
“A strong bout,” Thor says, clapping Steve approvingly on the shoulder.
Steve walks over to the bench at the side of the gym where they left their stuff. “You too, even if the whole ‘mythical god who can call down storms’ bit tilts things a little in your favor.”
“Your little disc stands up well to them!” Thor assures him earnestly, tapping the shield as Steve sets it down and picks up his phone. “But perhaps I can make it up to you.”
“Depends,” Steve says with a frown, taking in whatever is on the screen, “on whether you know anything about the game Scrabble and what to do with these letters.”
Thor leans over to look. “You use the letters to make words which intersect, I understand.” His eyes roam over the board and then he says tentatively, “Are there not gherkins on Midgard?”
“Huh?”
“Gherkins?” Thor forms a little shape with his large fingers in demonstration. “Small pickled cucumbers?”
A smile grows over Steve’s face. “You’re a genius,” he says, manipulating something on the screen. “A genius at storms and at Scrabble.”
“Well,” says Thor, clearly pleased but trying to be fair, “perhaps only very good at Scrabble.”
“You know what was really great? When you put down kinkajou,’” Steve says around the toothbrush in his mouth. He spits. “I had wanted to use that N but it was worth it.”
“It was,” says a satisfied Peggy from where she’s changing into her pajamas. “And I’d like to know where exactly you pulled ‘bezique’ from.”
“Churchill loved it. He tried to get me to play a time or two. I was just lucky the B was already on the board.” Flipping off the bathroom light, he comes over to the bed and pulls the covers aside for himself.
Between their combined salaries - well, after Peggy found out that Steve was still getting the baseline amount agreed to after he’d woken up and had negotiated an appropriate raise on his behalf - they’ve been able to afford not only a bed that they can sprawl in, but a bedroom that their new mattress can fit into. Lying down in it might be Steve’s favorite part of the day.
“Did you realize we’d been worrying everyone this week? They all think something awful has been happening or that we’re breaking up.” He stretches, shoving the extra pillow to her side (he can’t sleep with more than one).
Peggy snorts. “Amateurs. They should just be lucky that they didn’t see us after the poker championship back in—What was it, ‘44?”
“Just before - December of ‘43. I didn’t think I’d make it to New Year’s,” he recalls fondly as she climbs into bed and snuggles into him.
“I’d never have let that happen. You’re smart, moderately talented, and you play to win; it would be a shame for that to go to waste.”
He kisses her. “Good to know where I stand, I guess.” He kisses her again. “Maybe we’ll tone things down a bit but how about a new game tomorrow?” He kisses her a gentle third time.
“We’ve played every day since we discovered the application,” she points out. “Why should tomorrow be any different?” She kisses him this time, pressing him back into the pillow until he forgets all about competition or vocabulary or any of it.
(Eight and a half months later, she types “magnetizes” triumphantly into her phone - and on a triple word score too - as they wheel her up to the maternity floor. They don’t tell anyone else about that part.)
#steggyweek20#Steggy#Steggy fic#Steve Rogers#Peggy Carter#Avengers#this is prob the weak link of the week but here we are...
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Streaming on Plex: Best Movies and TV Shows You Can Watch for FREE in September
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This article is sponsored by Plex. You can download the Free Plex App now by clicking here!
There’s an overwhelming amount of new movies and TV shows hitting streaming services this fall. If you’re starving for new content, it’s set to be a fantastic time, but if your wallet is starving for funds, it can be pretty stressful. With studios and content providers spreading their libraries out across so many different streaming services, keeping up with all of your favorites can get expensive. Thankfully, Plex TV is here to keep you entertained without breaking the bank.
Plex is a globally available one-stop-shop streaming media service offering thousands of free movies and TV shows and hundreds of free-to-stream live TV channels, from the biggest names in entertainment, including Metro Goldwyn Mayer (MGM), Warner Bros. Domestic Television Distribution, Lionsgate, Legendary, AMC, A+E, Crackle, and Reuters. Plex is the only streaming service that lets users manage their personal media alongside a continuously growing library of free third-party entertainment spanning all genres, interests, and mediums including podcasts, music, and more. With a highly customizable interface and smart recommendations based on the media you enjoy, Plex brings its users the best media experience on the planet from any device, anywhere.
Plex releases brand new and beloved titles to its platform monthly and we’ll be here to help you identify the cream of the crop. View Plex TV now for the best free entertainment streaming and check back each month for Den of Geek Critics’ picks!
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DEN OF GEEK CRITICS’ PICKS
Teenage Mutant Ninja Turtles
They’re the world’s most fearsome fightin’ team. They’re heroes in a half-shell and they’re green. I mean, what more do we need to say? 2014’s Teenage Mutant Ninja Turtles is no Citizen Kane, but comic book movie fans flock to it like the four titular turtles to pizza. The film knows exactly what it is, providing cheesy one-liners, silly action, and unpretentious fun. Throwing in Will Arnett as a sidekick for April O’Neil was an inspired choice that paid dividends in laughs and whoever tapped Tony Shaloub to voice Splinter should get a pay raise. Produced by Nickelodeon Pictures, Teenage Mutant Ninja Turtles wasn’t only the highest grossing film in the series, but also the highest grossing Nickelodeon film of all-time. This reboot of the classic ninja team helped spawn further films, new TV series, and a renewed interest in one of the most beloved comic book properties ever. Cowabunga, dude!
Noah
This isn’t your Sunday School’s Noah. Darren Aronofsky’s adaptation of the story of the biblical figure Noah is an awe-inspiring epic that takes the bones of the famous story and infuses themes about environmentalism, self-doubt, and yes, faith. Pulling liberally from texts like the Book of Enoch, the film has far more action than just leading animals onto a boat and a storm. Shot by Matthew Libatique, the movie looks absolutely gorgeous and at times can be genuinely breath-taking, but it’s not just about the visuals. Russell Crowe stuns in the title role, but the entire ensemble is great, including a post-Potter Emma Watson and a ferocious Ray Winstone. No one expected Noah to be more akin to a thought-provoking art house film than a straight-forward epic, but that’s the sort of genius you get from Aronofsky, one of the most exciting and inventive filmmakers working today.
Shine a Light
Even if we hadn’t just lost the immortal, suave Charlie Watts, the heartbeat of rock and roll’s longest institution, The Rolling Stones, we’d still be recommending Martin Scorsese’s Shine a Light. Capturing the legendary band during their A Bigger Bang Tour in 2006, Scorsese spends a lot of the time rightfully focusing on Watts. With the camera fixated on Watts, you witness his unflappability; the way that he can make such raucous playing look so effortless. You also catch the man’s unique, jazz-influenced technique, like how he rarely hits the center of his snare, or how he changes his grip whenever he hits a cymbal. Even in their old age, the Stones are still one of the tightest, most electrifying live acts, and Shine a Light puts you right on stage with them as they barrel through one of the deepest catalogs in recorded music. It’s simply a masterful concert film.
The Virgin Suicides
Sofia Coppola likely has to deal with accusations about nepotism to this day, but anyone who saw her directorial debut The Virgin Suicides knows that Francis’ daughter would have made it as a filmmaker even without her famous last name. This haunting adaptation of Jeffrey Eugenides’ novel of the same name taps into the melancholy of childhood, the dreamlike haze of memory, and the mystery that lurks inside suburban homes. Coppola expertly captures the pull that an ethereal group of sisters have on the imaginative group of boys that pine for them in a way that is relatable for anyone that had an unrequited crush in high school. As a coming-of-age movie, it is one of a kind. As an exploration of trauma and grief, it is crushingly effective. The original score by the band Air only adds to its hypnagogic vibe.
Rock ‘n’ Roll High School
Punk rock music and Roger Corman pictures are some of the core tenants that Den of Geek was founded on, so of course we’re going to recommend 1979’s Rock ‘n’ Roll High School, which features possibly the coolest band of all-time, The Ramones. Let our resident punk rock movie expert Jim Knipfel break it down for you:
“After producing so many dozens of teen rebellion films over the years, Corman finally hit the pinnacle, the ultimate teen rebellion picture, with the cartoon antics ratcheted up more than a few notches. There are so many bad jokes flying around, so many visual gags and film references packed into every scene, so many overwrought teen film clichés pushed way past absurd, it’s a film that demands multiple viewings. Even if “Riff Randall, rock ’n’ roller” (P.J. Soles) doesn’t look much like any punk chick I ever knew, I’m perfectly willing to accept it. And in historical terms, it really was this film more than the 4 albums they had out at the time that spread the word about The Ramones to mainstream America, and that’s worth something. Old as I am I still get a thrill every time the students and the Ramones blow up Vince Lombardi High, and anyone who doesn’t must be wrong in the head somehow.”
New on Plex in September:
1000 Times Good Night
13
13 Assassins
The Accidental Husband
All Good Things
Assassination of a High School President
Awake
Bent
Bordertown
Brain Dead
Cold Mountain
The Descent
The Descent Part 2
Even Money
Fear City
First Snow
Freedom Writers
Gray Matters
The Jesus Rolls
Johnny Was
Keys to Tulsa
The Legend of Bagger Vance
Mad Money
Marrowbone
Murder on the Orient Express
The Ninth Gate
Nothing but the Truth
Ordinary People
Rememory
Rock ‘n’ Roll High School
Sanctuary
Shine a Light
Soul Survivors
Taboo
Teenage Mutant Ninja Turtles
The TV Set
The Virgin Suicides
What Doesn’t Kill You
Winter Passing
World Trade Center
Catch before it leaves in September:
31
Absolution
Accident Man
Aeon Flux
After.Life
Angel of Death
Answer Man
The Bang Bang Club
Battle Royale
Blood and Bone
The Broken
Cashmere Mafia
Child 44
Cleaner
Cold Comes the Night
Coming Soon
The Connection
Conspiracy
The Cookout
Critical Condition
Dark Crimes
The Death and Life of Bobby Z
Death Proof
Dickie Roberts: Former Child Star
Downhill Racer
Dragged Across Concrete
The Dresser
The Duel
Dummy
Flight of Fury
Flirting with Disaster
The Foreigner
Goat
Gutshot Straight
Halloween III: Season of the Witch
The Hard Corps
Hesher
High Right
Honeymoon
The Hunt
I Saw the Devil
In the Mix
Jason and the Argonauts
Jeff, Who Lives at Home
Jiri Dreams of Sushi
Joe
Journey to the West
Kill ‘Em All
A Kind of Murder
The Kite Runner
Lake Placid 2
Lake Placid 3
Last Resort
The Lazarus Project
Misconduct
Mr. Church
Mutant Chronicles
Mythica: The Godslayer
Mythica: The Iron Clown
Never Back Down: No Surrender
News Radio
Noah
Ong Bak: The Thai Warrior
Ong Bak: The Beginning
The Order
Out for a Kill
The Outcasts
Phantoms
Pistol Whipped
The Protector
Pulse (2001)
Reprisal
Return to the Blue Lagoon
The River Murders
The Romantics
Second in Command
Shadow Man
Shattered
The Shepherd
Southside with You
Space Station 76
Square Pegs
Standoff
Starship Troopers 2: Hero of the Federation
Starship Troopers 3: Marauder
Steel Dawn
Substitute
The Super
SWAT: Under Siege
The Terminal
The Three Burials of Melquiades Estrada
Touchy Feely
Trollhunter
UFO
Universal Solider: Day of Reckoning
Vamps
Vicky Cristina Barcelona
Walking Tall: Lone Justice
Warlock
What Planet are You From?
World’s Fastest Indian
World’s Greatest Dad
The Yellow Handkerchief
Still streaming on Plex:
2:22
2 Days in New York
21 Jump Street
22 Bullets
24 Hours to Live
3rd Rock from the Sun
6 Bullets
99 Homes
A Little Bit of Heaven
A Walk in the Woods
The Air I Breathe
Alan Partridge
ALF
Alone in the Dark
Amelie
American Pastoral
And Soon the Darkness
Andromeda
Are You Here
Arthur and the Invisibles
Awake
Battle in Seattle
Bernie
Better Watch Out
Black Death
Blade of the Immortal
Blitz
The Brass Teapot
Bronson
The Brothers Bloom
The Burning Plain
But I’m a Cheerleader
Cake
Candy
Catch .44
Cell
The Choice
Clerks II
Coherence
The Collector
Colonia
Congo
Cooties
The Core
The Cotton Club
Crossing Lines
Croupier
Cube
Cube 2
Cube Zero
Cyrano de Bergerac
Death and the Maiden
The Deep Blue Sea
Deep Red
Derailed
Detachment
The Devil’s Rejects
Diary of the Dead
District B13
DOA: Dead or Alive
Dr. T and the Women
Eden Lake
The Edge of Love
The post Streaming on Plex: Best Movies and TV Shows You Can Watch for FREE in September appeared first on Den of Geek.
from Den of Geek https://ift.tt/3DV4bW5
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Outlaws
Summary: It's easy for a good girl to go bad. But once they're gone, best believe they're gone forever.
Pairing: Loki x Black!Witch!Reader; Avengers x Black!Witch!Reader
Requested by: @blackreaders-assemble
WC: 3.1K
Warnings: mentions of black magic, witchcraft, blood, transition of good to evil, homicide, nerve gas, angst, major character(s) death, slight smut, Bonnie and Clyde kinda deal.
A/N: I have classes everyday starting Monday (Jan 28) (obviously other than Saturday and Sunday) so I will try to upload as much as I can. If you like this, please comment. Feedback means a lot!<3 I also don't know much about witchcraft, I wrote it based off tv.
“See our faces on the posters by the roadside?,” you pointed. You knew you were the wanted ones long before the ink dried.
Loki smiled at you, hand gripping yours as he looked at the road ahead, “We’ll be fugitives running from the mundane,”
Bringing your hand up to his lips, kissing it.
“You and I... we were just born to live in this lane,”
————
You’d been on the team for years yet they still treated you like the red-headed stepchild. It irritated you to the core and you begged your ancestors to give you the strength to keep pushing or to send you a better opportunity where you’re wanted and can thrive.
They accepted Wanda so why not you? They had more that one guy with the bird gig, more than one person with the fucking bug gimmick and pretty much two different Iron Men. No one’s ability or power was that different anymore.
Maybe it was because your magic was a birth given right, passed down from generation to generation and it was black magic. They didn’t understand that black magic is fine as long as the person knows how to properly use it and you obviously did. You learned it all from the time you were born to now. Two decades you practiced, learned and read. It was all trial and error but you were exceptional with your abilities now.
The more they underestimated you and pushed you to the side lines, the more you felt your grip on your powers loosen as you would just want to shut them up and prove them what bad you could really do since they wanted to believe it so bad in the first place without being open-minded. The only ones who actually cared about you was Sam, Tony and Wanda.
“Y/N, we need you on the East wing,” Steve spoke into the com.
You ignored his orders as you saw Natasha and Clint needed your help more right now. Running West, you saw the two trapped in a shit storm of agents from the opposite side. Helping them in the fight you heard Steve still yelling for you but you were too busy to reply. The agents kept swarming and you saw only one solution. Kill them before they even get close enough to try and kill you. With a wave of your hand, you pushed Clint and Nat out of the room shutting the door leaving them completely lost at what you were doing.
“Hello, boys,” you winked, “Now, I knooow you kinda hate us but I’m sick of fighting so I’m just gonna burn you to crisps is that okay?,”
The men raised their guns at you and started shooting, you put up an invisible force field and looked at your nails and yawning, “Aalllright. I’m a bit bored, goodbye,”
Your palms facing to them, raising your arms back you let the power of your ancestors flow through you and push your arms forward, a wall of fire standing before you as your eyes went blank.
Once the smell of burnt flesh passed, you dropped your hands to your sides before sighing, “This all could have been avoided has you just surrendered. But now I’m gonna get a never ending lecture,” you spoke to the skeletons laying before you.
You strolled nonchalantly out of the room and saw no one in he hallway.
“Y/L/N, quinjet now!,”
Steve’s stern voice boomed in your ear and you rolled your eyes knowing what would happen. You’d get yelled at and removed from the next couple of missions. It’s happened before. You saved the people that needed more help than him and he took it as you disobeying him, what a crock of shit honestly.
—————
“What about go East do you NOT understand?!” Steve was seething and you couldn’t see why. You just sat there uninterested.
“You don’t have to talk to me like I’m dumb. I went West because Natasha and Clint were getting swarmed. If I could fuse the two places together and make ‘Weast’ so I could help you all at the same time then I would. But I saved them from being mauled to death,”
Surprisingly Clint had admitted they did need the help and he was thankful you did help but Steve wasn’t hearing it.
“Why not use that magic of yours to make two of you then?,”
You sat back in your chair and glared at him and his stupidity.
“Not how it works, dumbass,” you tried to keep your cool but the more he ran his mouth the more you just couldn’t take it.
“Why am I even getting yelled at by you?! Who the hell made you leader and why? If I need to be getting yelled at by anyone it’s Tony. He’s the real leader here,” you tried to walk away but Steve grabbed your arm which was a really bad idea. Your ancestors always looked after you and flowed in your veins so when it felt like you were being threatened, they took it into their own hands.
When Steve grabbed your arm he ended up getting thrown back, hitting the door of the the quinjet, knocking the wind out of him. This action did not sit well with Steve at all.
“I’ll be contacting Fury to discuss your termination,”
Anyone else would be upset, but after all the unnecessary pressure he placed on you, it was a relief honestly.
—————-
“You blasted Rogers into the door of the quinjet?,” Nick scolded. He had so much faith in you since day one but Steve and his unnecessary complaining put a bad taste in Nick’s mouth. On all the reports Steve would score everyone else well but you, you wondered how you weren’t terminated sooner.
“I don’t know why he’s out for me! I haven’t done a single fucking thing to that peewee baby,” you rolled your eyes in frustration.
“I won’t terminate you but you are on probation. I’m placing you on a babysitting job,”
“Nick, you know I despise children,” you stomp your foot and whine just like a child.
“Though he can act like one... he’s not exactly a kid,”
——
“Out of all people... you want me to watch Loki? it’s LOKI!,” waving your hand at the cuffed man.
“Oh please, you’ll be just fine. You just have toooo... keep him under control until Steve feels you’re worthy enough to come back,”
“Steve can shove it!,” you crossed your arms as Nick shook his head and paced.
“Does he need to be fed?,”
“I am not a dog,” Loki’s tone was laced with offense.
You’d honestly rather just be kicked off the damn team than sit and watch him for however long they want you to.
“Nick I don’t wannaaaaa,” you whines but he wasn’t having any of it. He gave your shoulder a pat and smirked before walking to the door.
“I’ll be checking in Ms. Y/L/N. I’m sure you two will get along just fine,”
You two and everyone else were in for quite the awakening.
——-
Two month. TWO WHOLE MONTHS you two had been around each other and though you two bumped heads a lot. You couldn’t deny you two were a good pair. You were similar in so many ways, always misunderstood, pushed to the side lines.
Every morning at two o’clock you’d come to his cell and sit with him just talking about nothing. You realized he wasn’t so bad. Under his hard exterior it was just someone who needed to be heard and you heard him just like he heard you. Most nights you wouldn’t even return to your room, you’d stay with him so he didn’t feel lonely. He hated being alone and you wouldn’t let that happen as long as you could help it.
You’d bring your dinner down to eat with him. You brought your TV so you could watch sitcoms and have something to judge together.
You guys were like two peas in a pod but instead you were two cynics in a cell.
“Let’s run away.” You huffed. You sat with him in his room. You figured you’d never get the chance to get back on the team and the more you spent time with Loki the more you realized it just wasn’t worth it.
“I beg your pardon?,” out of all the people, you wouldn’t peg Loki to be hesitant.
“Let’s run away. I’ll take your cuffs off, we take a car and run and never look back. This hero life is not for me,” you were certain. You were forced into this, you had been on SHIELD’s radar far before they even approached you. They didn’t want to risk you becoming a threat so they gave you an ultimatum. Join or stay locked away into confinement forever where you can’t put anyone at risk. You didn’t want to live in a forced cage anymore.
Loki looked straight into your eyes looking for any doubt before raising his cuffed wrists to you.
“Once we leave... we can’t come back. We have to go off the grid,”
“Loki, I’m sure of it. You know the life you and I were meant to live. Let’s live it,”
———-
“Loki they’re gaining on us!!!!,” opening the sun roof of the SUV you placed your sniper on the roof, kneeling on the dash as you looked through the scope.
You and Loki had be wreaking havoc on New York and SHIELD was not too happy about that. News stations referred to you two as the modern day Bonnie and Clyde.
“Bingooo,” you whistled when the bullet shot through the agents windshield hitting them right in the shoulder, making them steer off the road. The next car came and you easily shot the front tire making it flip over and over like a tumbleweed.
“Alright, sweetheart. Time for the real show,” Loki called up at you. You smirked and climbed out of the roof. Bullets from the agents not even touching you. All the time you spent with Loki had helped you reach your peak in your magic. You were practically unstoppable and the Avengers’ worse nightmare.
Loki open ya side door and pulled the grenade pin. With you jumping off the roof and him jumping out of the car, you teleported him and yourself to the roof of a skyscraper to watch it all unfold. The agents skid to a stop when your car blew up, some of the others sliding right into the blast. Some civilians getting caught in the shit storm as well.
You felt Loki's hand wrap around your waist and he pulled you into a strong kiss. You never would have expected your life to turn out like this. You're not complaining about it. You'd rather live like this... putting your life on the line, living risky and taking chances of your freedom being taken away from you rather than to live inside a box with a boring cliché life.
But with Loki by your side it makes this whole adventure even better. You both were once trapped souls and now you were are free. It's fun when the adrenaline courses through your veins and your heart pumps faster when you get away with another crime. You love laughing at the TV when the authorities think they're so close to catching the modern day "Bonnie & Clyde". You're precise with your work. No one is quite sure who they're looking for yet as you guys change your appearance but SHIELD and the team know, they're the ones leading the searches, but they're not disclosing any information until they catch you.
They've been trying to catch you for months now. You call Tony from a payphone and he always tells you to stop before you get caught but you wear a big smile on your face every time-
"We're too good to get caught,"
-------
"Fury, they're pretty much causing Armageddon. What can we do?," Steve was in distress, pacing the room.
"Have we traced her calls? Thor you can't find Loki?," Bruce was pacing as well, he knew if it came down to it, he'd have to bring out the other guy and he wanted to diffuse the situation quickly before it got to that point.
"Loki and Y/N have fused their magic to disguise themselves. Not even Heimdall can see them and that is unheard of," Thor sat with a scowl, thinking hard.
"Their attacks... they're strictly twelve days apart at the twelfth hour and they're always at an important land mark that is specific to New Your. What place haven't they attacked yet?," Clint read over the case file and discovered the pattern.
Everyone thought about his words when realization hit them.
Tony took in a deep breath and his eyes widened in horror, "Here. Their next attack is here. The tower,"
-------
You walked inside the tower with a delivery uniform and a cart full of boxes. You've been tracking their deliveries and you knew they were expecting something. You had disguised yourself as the original delivery girl.
"Delivery for Mr. Stark, Mr. Rogers aaaand Ms. Romanoff," you smiled and showed her the clipboard even though it was a bunch of nonsense. She buzzed you win and let you go through to the elevators. While in the elevators, you used your power to distort the frame. You went into the boxes and set the timer. You don't even need these. You could always just use your power but you'd rather watch a domino effect. Setting it all off and then attacking. Loki was waiting for you in the delivery truck.
You went all the way up to Tony's floor and knocked on the door. You did hate doing this to him as he was one of the few that actually cared about you. But you didn't want to leave any room for liabilities. Knocking on the conference door where they all sat, you knew they were discussing you and your now husband as you two eloped. They were expecting you, but didn't know how you'd come in with attacking.
"Hello, Mr. Stark, I have a few packages for you,"
"O-oh you can leave them by the door," he waved his hand, fully engrossed in the file.
"Okie dokie," you said happily.
Tony paused, looking up at you as you placed the boxes down. No one else that he knows just says "okie dokie" no one except for you. He's interacted with the delivery girl, she never says that. Though it was simple, it was a crucial hint.
"Y/N." he deadpanned.
The team stopped and followed Tony's gaze to you.
"Pardon?," you smiled. Tony noticed the glint in your eye and he knew for sure it was you.
"Y/N, don't do this," he raised from his seat slowly. You frowned and tilted your head at him.
"I'm not quite sure I understand,"
They all stood, ready to attack and you sighed, rolling your eyes and letting your disguise falter pressing your ear piece so Loki could listen in on the conversation.
"Y/N, stop whatever you and my brother have planned," Thor pleaded, It was honestly adorable.
"It is too late for that Odinson," you smiled and Steve sent his shield flying toward you but you didn't flinch as it went straight through you, you looked down and tsked as they all looked surprised and confused.
"It turns out, Steve... that I can be in more than one place at one time," you pointed out the window and they saw the original you standing there on the roof of another building, waving.
"Why are you doing this?," Natasha questioned, hand on her gun on her hip.
"You can shoot me if you want, I am at my peak and I can not come down. My ancestors have blessed me and I now know the full extent of what I can do. So go ahead and try. You will regret it," you looked at the boxes and knew time was winding down, "In these boxes are a nerve gas that not even your god status can protect you from. It is efficient and to those who cared, you have your leader to blame," turning to look at Steve.
"Y/N, I am so sorry. I should have been a better Captain to you. There's no excuse,"
"Of course there isn't," you smile was sick and evil, "Now that I finally have my hands on the wheel you're begging for your life," you laughter sent a chill through them
"Sweetheart, they're sending reinforcements," you heard Loki state through your earpiece.
"By the time they get up here, you will have already been knocked out. First, the gas will paralyze you, then it will feel like all your nerve endings are on fire. Then is my favorite part," you smirked at the ground, "You'll start crying blood from all the pain. The opaque red covering your eyes in a film and you can't even blink it away. Your lungs will collapse, suffocating, then finally, you'll just choke on your own vomit,"
The real you had already gotten in the delivery truck and you guys drove off but the apparition was still standing there,
"Y/N, Stop it!," Thor sent Mjolnir flying into the boxes and then the pretty magenta colored gas started seeping across the floor.
"That was a bad idea, Thor," you waved a finger at him, "You still had a few extra minutes but look at what ya done did. It's sad that such a pretty thing can be so deadly," you laughed hysterically like you did at those stupid sitcoms.
Hulk came through and tried to break out of the glass to save him and Banner, "Black magic. You can't break out, bud,"
Hulk came over and tried to attacked you but his fists just kept going through you. Wanda started coughing and you watched it begin, "I better get going, as much as this would be a wonderful sight to see... my husband is waiting for me. Thanks for trying to make me good. But you pushed me to the edge and there is no coming back from this. Goodbye,"
"Y/N NO STOP THIS!,"
-------
Loki kissed up and down your neck as he thrusted deep inside you.
"You did so well, baby,"
After every successful attack he fucked your brains out. He slow stroked hard and deep bringing you closer to cumming. He kissed all over your neck, making sure to love you all over.
"Fuck, Loki," you whimpered as you came around him, setting off his orgasm as well. Staying still for a few, you two just gently kissed as the news played in the background notifying the world that Earth's greatest defenders are now dead.
You know how people fuck to slow jams or whatever? The news broadcast was the music to your ears instead
"Did you ever imagine this happening? Starting off having to babysit me like a sick child to us causing hell like this?," Loki asked as he held you in his arms.
"At first no.. But I wouldn't have it any other way,"
----
I AM SORRY THIS IS SO BAD? PLEASE TELL ME THIS ISN'T THAT BAD?! This is not my best work.
I WANNA CRY UGH, I hope you guys liked this though. I'll do better with my upcoming pieces
Please leave feedback <3
Tags- @sideeffectsofyou @chonisberonica @majikmelanin @babybubastis @scarletlingeries @mirajanestrauss1999
#black mcu imagines#black!reader#avengers x reader#marvel imagine#mcu imagines#mcu x reader#poc!reader#marvel one shot#marvel x reader#poc reader#loki x reader#loki imagine#loki fanfic#loki x black!reader#avengers x enhanced!reader#avengers x black!reader#avengers imagine#marvel fanfiction#marvel angst#mcu fanfiction
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So Many Questions
read it on the AO3 at http://ift.tt/2u3u0zC
by HouseElfMagic
Johnny was a persistent bastard, Peter decided. Johnny always pestered him about his identity. To be fair, Johnny wasn’t overly familiar with the concept. He’d been well-known even before the whole space-trip-powers thing, so Peter got it, the not understanding secret identities thing. But he hadn’t expected Johnny to be so... infuriating about it. “What’s your favorite breakfast cereal?” It was things like this that enamored Peter to Johnny and also made him hate him with a fiery passion. “Lucky charms.” “Huh, I pegged you as a FruitLoops kinda guy.” ... Identity reveal with lots of feelings
Words: 1216, Chapters: 1/1, Language: English
Fandoms: Marvel, Marvel (Comics), Fantastic Four, Fantastic Four (Comicverse), Spider-Man - All Media Types, Spider-Man (Comicverse), Captain America (Movies)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: Gen, M/M
Characters: Peter Parker, Johnny Storm
Relationships: Peter Parker/Johnny Storm
Additional Tags: references to Tony Stark's B.A.R.F. tech, Pre-Slash, could be read as gen - Freeform, spideytorch - Freeform, Awkwardness, Secret Identity, Identity Reveal
read it on the AO3 at http://ift.tt/2u3u0zC
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Snakes on a Field: The 1995 Super Bowl Halftime Served Up a Spectacle
MIAMI — Dale Girard was wearing long underwear covered in what he said looked like “ectoplasmic slime from ‘Ghostbusters’” but was actually freezing cold fire gel. Costumed as “The Executioner,” he was in a holding area underneath a massive metal stage as it was being rolled onto the field at what was then known as Joe Robbie Stadium.
There was one thing on his mind, he recalled this week: “I’m about to be set on fire, and I’m three feet from Patti LaBelle.”
Welcome to the 1995 Super Bowl halftime show.
This Sunday, about 100 million people in the United States will watch as the pop stars Jennifer Lopez and Shakira perform during halftime of the Super Bowl. They were recruited in part by Jay-Z and his company, Roc Nation, which signed a deal with the N.F.L. last year to become the league’s “live music entertainment strategist.”
For the N.F.L., far more important than the quality of the show is the absence of controversy. Last year several artists, including Rihanna, reportedly declined to perform during the Super Bowl halftime out of concern for Colin Kaepernick, the quarterback who has not played in the N.F.L. since the 2016 season, when he knelt during the national anthem to protest racism and police brutality. Once the league landed its performers, Maroon 5 and Travis Scott, it opted to cancel the traditional news conference ahead of the show, pre-empting questions about the decision.
Super Bowl halftime shows have not always been delicate issues. And they have not always been just concerts. They used to have speaking roles and narrative arcs, more akin to theater. They used to be campy. They used to make no sense.
That changed along with the N.F.L. itself, as the league’s airtime ballooned in value and made the Super Bowl show one of the most coveted gigs in entertainment. The marching bands of early shows gave way to Up With People — an educational organization — and eventually to theatrical spectacles and concerts from megastars.
Perhaps the most bizarre halftime show in Super Bowl history happened 25 years ago, here in South Florida, the fifth and last time the San Francisco 49ers won the Lombardi Trophy.
“Bring to me, the trophy,” boomed a musclebound king, wearing a crown of snakes and clutching a skull-topped scepter. Just minutes before, Steve Young and the 49ers had jogged off the field, up by 28-10 and on their way to a 49-26 blowout against the Chargers. But in seconds the stadium was transformed into a giant temple, replete with torches, snakehead drummers and men on stilts.
Over a frenetic 11 minutes, the odd show played out. A costumed temple worker brought the N.F.L.’s Lombardi Trophy to the king, and LaBelle, dressed as a temple goddess, belted out the opening lines to “Release Yourself.” But alas, this gang’s ambitions of stealing the trophy would be foiled by Indiana Jones and his sidekick, Marion Ravenwood, who both sky-dived onto the field.
They battled the temple guards — including Girard’s “Executioner,” who was set on fire with a torch — were threatened with snakes, and ultimately made their way into Club Disney, where Tony Bennett, the jazz trumpeter Arturo Sandoval and the Miami Sound Machine performed.
After Marion and Indiana recaptured the trophy, they held it aloft as LaBelle, Bennett and the supporting cast of dozens for some reason broke into a rendition of “Can You Feel the Love Tonight?” — an Elton John song from the movie “The Lion King.”
A quarter-century later, it makes even less sense.
The show was the brainchild of a Disney marketing executive. One month after the Super Bowl, Disneyland would open a ride called The Indiana Jones Adventure: Temple of the Forbidden Eye. And as part of an estimated $20 million marketing budget for a ride that required years of construction and reorienting Disneyland, why not put it front and center on television’s biggest stage?
A few months before the Super Bowl, a stuntman named Bryan Friday was performing at the Six Flags amusement park in Dallas. He heard there were auditions for a new Indiana Jones stunt show at Disney World in Orlando so he piled into a car with four friends for the long drive to Florida.
The audition went well, he said in an interview last week, but he was told that he was too tall for the permanent role of Indiana Jones at the park. But did he want to come back the next day, when Disney was holding auditions for a Super Bowl show?
And that is how Friday came to perform as an iconic movie character in front of tens of millions of people. Not that he was paid handsomely. “I want to say it was $3,000, and that was for three weeks,” he said. “But you figure, 1995? It was definitely worth doing.”
He also didn’t get to watch the Super Bowl. The cast members thought they might get to see the second half, but they were shepherded onto buses and driven out of the stadium. “They took us to Don Shula’s restaurant,” Friday said, referring to the longtime Miami Dolphins coach, “and we ate and drank there and had a really nice party at their expense.”
There was an unexpected perk, however. “I met Patti, and she was actually kind of flirty with me,” Friday said.
“I probably was, if he was cute,” LaBelle said in a telephone interview.
Though the television viewers probably didn’t notice, there were a handful of minor problems with the show. In a full dress rehearsal the day before, the flares worn by sky divers singed the field. The N.F.L. forbade the performers to wear them during the actual halftime, so that part of the broadcast came from video shot during the rehearsal.
The metal stage also had numerous holes, to make it lighter and improve traction, which LaBelle says wreaked havoc on her high-heeled strutting.
And, of course, the snakes. Indiana Jones is famously afraid of snakes, so what would an Indiana Jones show be without them? Two purple-turbaned snake charmers performed in the show with 12-foot reptiles — Storm and Slither. There was only one problem.
“They scared the absolute bejeebers out of Patti,” said Ron Magill, the longtime communications director of the Miami-Dade Zoological Park and Gardens who is a South Florida celebrity. Magill was one of the snake charmers. “It was Patti LaBelle and Tony Bennett, and Patti just screeched, ‘Oh no, child. Oh no, child.’”
“I am petrified of snakes,” LaBelle said, remembering her response: “You all gotta do something different right now. You gotta move those snakes.”
In many ways, the halftime show has become simpler. “It was like a Broadway play back in the day,” LaBelle said. “Today you go out there, you have your three- or four-song set, you do it and you go home.”
But the current versions are far more lavish than the shows at the first 20 or so Super Bowls. Michael Eisner, Disney’s chief executive from 1984 to 2005, pegged the evolution to the spectacular opening ceremony of the 1984 Summer Olympics in Los Angeles.
“John Williams created what is now the music that introduces everything in the Olympics,” he said. “That was really a monumental moment.”
As the 1995 show and several subsequent Super Bowl halftimes have proven, those moments are not easily manufactured, no matter how many snakes are involved.
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Snakes on a Field: The 1995 Super Bowl Halftime Served Up a Spectacle
MIAMI — Dale Girard was wearing long underwear covered in what he said looked like “ectoplasmic slime from ‘Ghostbusters’” but was actually freezing cold fire gel. Costumed as “The Executioner,” he was in a holding area underneath a massive metal stage as it was being rolled onto the field at what was then known as Joe Robbie Stadium.
There was one thing on his mind, he recalled this week: “I’m about to be set on fire, and I’m three feet from Patti LaBelle.”
Welcome to the 1995 Super Bowl halftime show.
This Sunday, about 100 million people in the United States will watch as the pop stars Jennifer Lopez and Shakira perform during halftime of the Super Bowl. They were recruited in part by Jay-Z and his company, Roc Nation, which signed a deal with the N.F.L. last year to become the league’s “live music entertainment strategist.”
For the N.F.L., far more important than the quality of the show is the absence of controversy. Last year several artists, including Rihanna, reportedly declined to perform during the Super Bowl halftime out of concern for Colin Kaepernick, the quarterback who has not played in the N.F.L. since the 2016 season, when he knelt during the national anthem to protest racism and police brutality. Once the league landed its performers, Maroon 5 and Travis Scott, it opted to cancel the traditional news conference ahead of the show, pre-empting questions about the decision.
Super Bowl halftime shows have not always been delicate issues. And they have not always been just concerts. They used to have speaking roles and narrative arcs, more akin to theater. They used to be campy. They used to make no sense.
That changed along with the N.F.L. itself, as the league’s airtime ballooned in value and made the Super Bowl show one of the most coveted gigs in entertainment. The marching bands of early shows gave way to Up With People — an educational organization — and eventually to theatrical spectacles and concerts from megastars.
Perhaps the most bizarre halftime show in Super Bowl history happened 25 years ago, here in South Florida, the fifth and last time the San Francisco 49ers won the Lombardi Trophy.
“Bring to me, the trophy,” boomed a musclebound king, wearing a crown of snakes and clutching a skull-topped scepter. Just minutes before, Steve Young and the 49ers had jogged off the field, up by 28-10 and on their way to a 49-26 blowout against the Chargers. But in seconds the stadium was transformed into a giant temple, replete with torches, snakehead drummers and men on stilts.
Over a frenetic 11 minutes, the odd show played out. A costumed temple worker brought the N.F.L.’s Lombardi Trophy to the king, and LaBelle, dressed as a temple goddess, belted out the opening lines to “Release Yourself.” But alas, this gang’s ambitions of stealing the trophy would be foiled by Indiana Jones and his sidekick, Marion Ravenwood, who both sky-dived onto the field.
They battled the temple guards — including Girard’s “Executioner,” who was set on fire with a torch — were threatened with snakes, and ultimately made their way into Club Disney, where Tony Bennett, the jazz trumpeter Arturo Sandoval and the Miami Sound Machine performed.
After Marion and Indiana recaptured the trophy, they held it aloft as LaBelle, Bennett and the supporting cast of dozens for some reason broke into a rendition of “Can You Feel the Love Tonight?” — an Elton John song from the movie “The Lion King.”
A quarter-century later, it makes even less sense.
The show was the brainchild of a Disney marketing executive. One month after the Super Bowl, Disneyland would open a ride called The Indiana Jones Adventure: Temple of the Forbidden Eye. And as part of an estimated $20 million marketing budget for a ride that required years of construction and reorienting Disneyland, why not put it front and center on television’s biggest stage?
A few months before the Super Bowl, a stuntman named Bryan Friday was performing at the Six Flags amusement park in Dallas. He heard there were auditions for a new Indiana Jones stunt show at Disney World in Orlando so he piled into a car with four friends for the long drive to Florida.
The audition went well, he said in an interview last week, but he was told that he was too tall for the permanent role of Indiana Jones at the park. But did he want to come back the next day, when Disney was holding auditions for a Super Bowl show?
And that is how Friday came to perform as an iconic movie character in front of tens of millions of people. Not that he was paid handsomely. “I want to say it was $3,000, and that was for three weeks,” he said. “But you figure, 1995? It was definitely worth doing.”
He also didn’t get to watch the Super Bowl. The cast members thought they might get to see the second half, but they were shepherded onto buses and driven out of the stadium. “They took us to Don Shula’s restaurant,” Friday said, referring to the longtime Miami Dolphins coach, “and we ate and drank there and had a really nice party at their expense.”
There was an unexpected perk, however. “I met Patti, and she was actually kind of flirty with me,” Friday said.
“I probably was, if he was cute,” LaBelle said in a telephone interview.
Though the television viewers probably didn’t notice, there were a handful of minor problems with the show. In a full dress rehearsal the day before, the flares worn by sky divers singed the field. The N.F.L. forbade the performers to wear them during the actual halftime, so that part of the broadcast came from video shot during the rehearsal.
The metal stage also had numerous holes, to make it lighter and improve traction, which LaBelle says wreaked havoc on her high-heeled strutting.
And, of course, the snakes. Indiana Jones is famously afraid of snakes, so what would an Indiana Jones show be without them? Two purple-turbaned snake charmers performed in the show with 12-foot reptiles — Storm and Slither. There was only one problem.
“They scared the absolute bejeebers out of Patti,” said Ron Magill, the longtime communications director of the Miami-Dade Zoological Park and Gardens who is a South Florida celebrity. Magill was one of the snake charmers. “It was Patti LaBelle and Tony Bennett, and Patti just screeched, ‘Oh no, child. Oh no, child.’”
“I am petrified of snakes,” LaBelle said, remembering her response: “You all gotta do something different right now. You gotta move those snakes.”
In many ways, the halftime show has become simpler. “It was like a Broadway play back in the day,” LaBelle said. “Today you go out there, you have your three- or four-song set, you do it and you go home.”
But the current versions are far more lavish than the shows at the first 20 or so Super Bowls. Michael Eisner, Disney’s chief executive from 1984 to 2005, pegged the evolution to the spectacular opening ceremony of the 1984 Summer Olympics in Los Angeles.
“John Williams created what is now the music that introduces everything in the Olympics,” he said. “That was really a monumental moment.”
As the 1995 show and several subsequent Super Bowl halftimes have proven, those moments are not easily manufactured, no matter how many snakes are involved.
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