#‘who am I? why am I here? what’s the point of all this?’ ash to the luxon. the luxon to ash.

[hand-of-devotion]

The potential of Ashton’s relationship with The Luxon is so so important to me actually.

Him being “reborn” ritualistically as a “Titan of blood”, then “reborn” AGAIN after being infused with distilled dunamis (essentially giving them a beacon brain and explicitly binding their very SOUL to the Luxon), and THEN viewing the act of finally beginning to learn and understand more about himself as “intoxicating”?

Meanwhile it being believed that the Luxon “birthed” the original primordial titans, became saddened by their lack of consciousness/understanding, and then broke themself apart into the beacons in the hopes that one day they would be bound to a soul who would grow in resemblance to the Luxon so that they could connect with one another and ask for themself “what am I, what is my purpose”

[daycourtofficial]

I am ash from your fire

Summary: Eris retires after a long night to find his mate, the princess of the night court, in his chambers upset.

Author’s note: Rhys is a jackass in this one. Honestly this was supposed to be Eris comforting reader but idk how it flipped at some point and sometimes you just gotta go with where the story takes you 🤷🏼‍♀️ also I’m headcannoning that Eris reads anything and everything he can get his hands on

(1k celebration masterlist 🍾)

Eris feels his shoulders sag ever so slightly, allowing the formalities of his stature to soften slightly as he moves further into his private chambers.

The only place in the Forest House he can at least somewhat relax. The hues of brown coating the walls, the paintings of hounds and forests covering the walls have been a comfort since his youth.

It was one of the few places Beron never entered. The High Lord would never sully himself by entering into his children’s chambers. No, he’d have word sent to them so they can come to him.

Eris walks towards the bookshelves, long fingers softly gliding over the edges of the leather bindings. His personal library was extensive - books of maps, histories, biographies, all subjects expected of a first-born heir. But also books of poetry, fantasy, and intrigue.

Eris was always a voracious reader, that need for escapism a constant in his life. His hands move on their own accord, searching for something to lose himself in when his ears perk up at a noise in his bedchambers. Unsheathing a dagger from his hip, he moves towards the room, seeing a shadow of movement underneath the door.

He reaches the door, slowly moving his hand to the handle. Once it’s in his hand, he turns it quickly, throwing open the door and pouncing on top of the person in his chambers.

His dagger is held at their throat, determined to find out who sent the risk before disposing of them. A laugh bursts out from under him, his dagger so close to their throat it knicks their throat at their laughs.

“That’s one way to say hello.”

His grip on the dagger falters momentarily, the sweet sounds of his mate’s voice causing him to loosen his hold. He pulls the dagger back, sheathing it back into his pants.

He brushes the hair from your face, taking in your amused look, his other hand going to inspect the slight knick on your throat.

“My precious fox.”

The nickname rolls off his tongue, his senses on high alert at your unexpected presence. He can sense something is off with you, and his eyes roam your body for injury.

Coming up short of any injuries sans the knick he just gave you, he sits on his haunches, grabbing your hands, helping you to sit up. You sit on your legs, keeping a tight hold on Eris’s hands, playing with his fingers.

You pull off one of his rings, sliding it on and off your own fingers, the warm metal soothing your cold hands.

He watches you for a moment, watches your fingers play with the rings he wears every day. He’s never understood your fascination with them, a nervous habit perhaps. He watches as you move the gold ring onto your thumb before pulling you into his arms. The feel of you settles him, and he can finally breathe deeply for the first time in weeks.

He holds you, pressing his face into the side of your neck, breathing in the scent of your hair. He pours what love and devotion he can down the bond, enjoying your presence before he can bring himself to ask why you’re here.

The two of you usually meet in his private cabin, miles and miles from the cruelties of the Forest House. He can’t recall if you’ve ever even been in his private chambers.

You pull back from him, shuffling around so you can sit in between his legs, back pressed to his chest. You know you have to tell him why you’re here, but you can’t look at him while you do it.

You’re not sure what you’ll find from him as you recount your tale.

You take in a breath, deciding to tell him what happened instead of letting him wait.

“Rhys found one of your letters,” you say, not able to look at him. “I was called away while I was reading one of them. It was foolish - I always hide them before leaving my room.”

Something warms in Eris’s chest at the thought of you, courts away from him, pouring over every word in the letters full of love you’d exchange between each other.

Much like he did every night.

“We got into a big fight, and he uh-“

Eris watches the tear slip out, sliding down your face.

“He told me I was no sister of his.”

Eris can’t help the snarl that comes from him, and you gingerly place a hand on his thigh, a motion he knows is grounding the both of you.

“What did his little lackeys have to say?” He spits out, unable to hide his contempt for them as he asks.

His dislike of Cassian and Azriel was no secret, but it took you a long time to coax out of him what about them he disliked.

“Truthfully, I found out how Illyrians treated females and it left a foul taste in my mouth,” he had told you once. It was all you could coax out of him, and perhaps that’s all there was to it.

At his core, Eris defined males by how they treated the females in their lives. Perhaps he assumed that Cassian and Azriel were the same as the other Illyrians and did not want to press further.

“They uh weren’t there,” you reply, “no one else was there. Perhaps he sent them all away so he could throw a fit.”

You laugh a little, thinking of just how red Rhysand’s face had gotten during your fight. You feel Eris’s head lay against your own, his fingers tangling into the strands of your hair.

“He was yelling, screaming about how I was defiling the family name by being with a Vanserra.” You sigh. “Then he began screeching about how you’re awful, you’re terrible, and ‘what about Mor’ and blah blah blah.”

“How’d you respond?” Eris asks, hands idly moving to hold onto yours in a soft grasp.

“I told him to ask Mor about what actually happened that day.”

He hums, allowing you to absentmindedly play with his fingers as you speak.

“He said that Mor would never lie to him. That she would never lie to any of us.” You blow out a breath, “then he said I had been cursed by the Mother to be mated to you.”

Eris knew the words were not your own, but the sound of them on your lips still stung deep in his chest.

“That’s when I told him to fuck off.”

Eris looks down at you as you peer back up at him, adoration, love, and a hint of sadness shines onto you through his gaze.

“We fought back and forth for a while after that. Then, after realizing I wasn’t giving up so easily, he gave me a choice.”

“My family name, my title, my claim to the throne, or you.”

Eris’s grip tightens. You two had spoken about what the worst outcomes would be if you were found out. Neither of you had ever expected Rhys to disown you.

Rhysand, who adored his little sister more than anything. Rhysand, who insisted you were an integral part of his life. Rhysand, who constantly ensured you were safe and happy.

He threw all that away the second he said you would never give up your tiara collection for Eris.

“Oh, my little fox.”

He peers down at you, your eyes wide as you peer up at him, your face upside down.

He knew he’d never get to love you wholly, unabashedly, publicly. He always knew something would come between you. He lets his gaze linger, memorizing the slope of your nose, the curve of your cheeks. His fingers move and, without his prompting, they start gliding across your face. They move as if he were studying it, preparing himself to have to recognize you in blindness.

To only see you in the darkest hour of the night, when his fingers can retrace these patterns, and pretend you’re next to him again.

He could, he thinks. He’d recognize you anywhere. His breath is shaky, knowing he will have to wait until you two are gone from this world to be together.

He would spend the entirety of his afterlife searching for you, in whatever form you took. If you were nothing more than stardust, a gentle whisper on the wind every Starfall, his flame would burn higher that day, reaching out for you one last time.

He resigns himself to these last few minutes with you, but he doesn’t feel the despair in his heart mirrored in your own.

You feel hopeful. You feel open.

He can’t ask, but you know he needs to hear it.

“I am no longer the Princess of the Night Court.”

Hot tears pour down his face, and he struggles to keep his mouth closed to keep from gasping at your decision. A tear falls onto your face beneath his, splashing across your cheek.

“I am officially without a name, without a home, and with no title,” your voice full of more determination than Eris could imagine, “I humbly ask if you could provide these things for me.”

A strangled sob breaks from him, and you twist in his arms to hold him. Surprise takes over your face, utter shock cascading through the bond before you can stop it.

Eris Vanserra, heir to the Autumn Court, a master of masks and facades, always playing the sly courtier three steps ahead. Never in all the years have you known him have you ever seen him so emotional.

Eris looks to the ceiling as you throw your arms around him, embracing him tightly. The heat from his hands was clawing at your back, but it didn’t burn.

You shushed him as he continued crying into your hair, the sight of him becoming undone such a shock to your system.

“I apologize, my love, deeply and truly.”

His hands stay on you, every inch of you needing to make that contact with him.

For so long, his life revolved around choices he was not privy to, choices that were not his. He was a pawn in an ever tiring game, one he was trying to make his way out of.

He presses you into him, unable to believe that someone, anyone, especially you, would choose him.

You chose him. You chose him the day the bond had snapped, and you chose him now, when everything was on the line for you.

He knew that he would make the same choice, putting everything on the line for you, preparing to finally take down Beron.

“I choose you too.”

[brainrotdotorg]

here is my pitch for a mainstream movie trailer for disco elysium because i want you to suffer

Starts with complete darkness.

VO Ancient reptillian brain: “There is nothing… Only an ancient primordial blackness…”

“Radioactive” by imagine dragons starts playing

We see harry appear in this dark void, floating in slo-mo, camera slowly zooms into Harry’s face

VO Ancient Reptillian brain “Your consciousness ferments in it, no larger than a single grain of malt…”

Camera comes to rest on harry’s face, taking up the whole screen

VO Ancient Reptillian brain “No ex-wives are contained in it…”

Wham sound effect, music cuts out

Reaction shot of Harry opening his eyes. “Wait. Ex-wives?”

VO Limbic System: “Time to go to work in the shit factory!”

Sound of Kineema engine starting up that blends into the first lyric of the song

“I’m waking up to ash and dust” plays just as we see Harry open his eyes on the floor, Voice over plays as he looks around the trashed room confused

VO Harry: “Who am I? Why am I here?”

Clip of kim and harry shaking hands

Kim: “We’re detectives. We’re here to solve a murder.”

Harry: “I’m a police officer? I must be a superstar cop!”

“I’m breathing in the chemicals” inhale right as harry snorts some speed

Kim facepalms

Text in the disco elysium font on black screen:

HE’S LOOKING FOR ANSWERS

VO Joyce over a shot of the skyline: “Something is happening in this town, officer.”

VO Harry over numerous quick clips of him failing little things: kicking the mailbox, dropping the barbell, etc: “I’m an alcoholic. I’ve got a bunch of voices in my head. I don’t even know who I am! How do you expect me to solve a murder?”

VO Kim over him writing in his notebook: “I expect you to work, detective. It’s not easy; but thats the job.”

TO A MYSTERY:

Extremely fast montage of action or particularly striking moments synced up to a bunch of edited in bass thumps to the song– harry making the jump to get the coat, swinging to punch measurehead, visual calculus constructing a crime scene in glowing CGI effects, cuno shouting “fuckpig!” harry and kim dancing in the church, Harry reaching out his hand to the phasmid (who is out of frame), dolores dei turning away from the camera, culminating with kim lifting his gun in slow-mo to point at the mercenary

VO KIM: “Never fuck with Kim kitsuragi.”

Music slows and stops entirely

WHAT KIND OF COP IS HE?

Smash cut to a reaction shot of Harry looking in admiration. “How’d you get so cool, Kim?”

Reaction shot of Kim making a smug expression thats cut from a different scene.

Beat drop

THIS SUMMER IS GOING TO BE

Montage of different characters clipped saying the word “disco”

DISCO ELYSIUM

Wham shot, music cuts out. Harry leaned over a countertop about to lick the rum stain. Kim clears his throat.

Harry’s eyes dart to look up at kim. Shot of kim raising the eyebrow.

Slowly, slowly, he moves to lick the stain.

VO Electrochemistry: Aww, yeah.

Kim, sighing and shaking his head: “We’re all doomed.”

RATED PG-13

[zweiginator]

Reader making out with Tashi after she wins a game at Stanford. And Art and Patrick are jealous!

Oh my god yes...

Patrick and Art are obsessed with you two. You're not on the women's tennis team at Stanford, but you and Tashi had been assigned as random roommates freshman year and had been inseparable since. You came to all of her matches; you were the first person she ran to after a big win, pressing a big kiss against your cheek and spinning you around, high on adrenaline.

Patrick and Art had fantasies about the two of you. Of course, as the two best players on the men's tennis team, you both knew of them. But neither of you had paid much attention to them. They were exceptionally popular and well-liked, and every girl (and mom) within a 100-mile radius of Stanford University knew and admired the two of them. Fire and ice.

They would talk about the two of you late at night as they stared at the ceiling, watching the fan go around and around until they were dizzy and drunk off PBRs.

"I think they are just really close. Girls are like that." Art said, sitting up to rest on his elbows. They had a match the next morning at UC Berkeley; the team was staying at a hotel close to the campus.

"Yeah, maybe." Patrick sighed. "I would do anything for them."

"I don't know who wouldn't."

Patrick sat up quickly. "Do you think she is here?"

"Well," Art responded, his mouth full of cool ranch Doritos. "Given Tashi is on the team, I would say yes."

Patrick threw a pillow at his friend from his side of the room. "No, dipshit. Like, I think Y/N comes with Tashi sometimes on these trips. 'Cause she never misses a match."

"Okay asshole." Art rolled his eyes. "I don't obsess over every move they make like you do."

"Bullshit."

"What is your point?" Art changed the subject, confused at where Patrick's mind was headed. He figured somewhere perverted.

"I mean," Maybe it was the five beers in Patrick's quite empty stomach that was giving him this idea. This confidence. He was usually good at girls, but he couldn't get himself to talk to the two of you--especially not sober. "Maybe we could find their room. And maybe we could hang out with them."

Art lit a cigarette, his second of the night. "We have never spoken more than 5 consecutive words to them. What makes you think that would ever work out?"

"Can you not be a pussy for just tonight?" Patrick got up, pulling his linen button down on. He grabbed Art's cigarette from between his lips and took a hit. "Or be a pussy, and I'll just go by myself."

Art stood up quickly. "I'll go." He stole his cigarette back, ashing it into the trash bin haphazardly placed between their beds. "But how do we know what room they are in?"

They knew the girls' team was staying on the floor above them. And they knocked on every door until you answered, rubbing your eyes.

"What are you guys doing here?" You yawned, whispering to not awake Tashi, who was sleeping soundly on the side of the bed closest to the alarm clock, which read 2:15 AM. "Shouldn't you be sleeping?"

Art looked embarrassed; he was red in the face. But Patrick leaned into the room, looking down at you in a shirt he recognized as Tashi's and little sleeping shorts that made his breath hitch.

"We wanted to see if you guys wanted to hang out." Patrick raised his eyebrows and looked over to Art, who nodded.

"We can't sleep. We were thinking it would be cool to get to know you guys better, I guess."

"You mean Tashi?" You whispered. "She's sleeping, you know."

"No," Patrick shook his head. "Both of you."

Tashi stirred awake. She was wearing a black tank top and similar sleeping shorts as you were. "What's goin' on?" She slurred.

"Patrick and Art are here."

"Why?" Tashi, sat up; her hair was in a neat braid. "It's late."

"They have beer, and they want to hang out." You were half making fun of them, how they looked so nervous.

"We can't sleep." Art repeated.

"Sure, come in." You didn't know if Tashi meant it. She was delirious when she was tired. But you allowed them inside, curious about their intentions.

Obviously, they were attractive. They were also exceptionally talented. But you and Tashi were content in your own little bubble, eating gummy bears and potato chips in bed and laughing at inside jokes from 3 years before.

You sat on the bed, next to Tashi. The boys sat on the carpet, looking up at the two of you.

"So," You said, hugging a pillow to your chest. Tashi rested her head on your shoulder. "Did you come here hoping to fuck us or?"

"Wha-"

"No," They responded, simultaneously. But their cheeks changing from peach to crimson told you and Tashi otherwise.

"We are just interested in getting to know you both."

Tashi scoffed. "Oh, Y/N, they are interested in getting to know us."

You laughed, throwing your head back.

You and Tashi noticed the dynamic you had created, completely on accident. She and you on the bed, them below you. Their eyes were glassy and lips parted, and you knew if you told them both to jump out the fifth story window, they would do it before they knew what exactly they were doing. You looked at each other and licked your lips.

"So if we offered to fuck you guys, you would say no?" You asked, furrowing your brows together.

"No, no, I wouldn't say that," Patrick scooted forward, hugging his knees. He looked vulnerable and small. "I can't speak for Art, but I-"

"I wouldn't say that either." Art said bluntly.

"Y/N," Tashi said, pushing your hair behind your ears. You were facing each other on the bed now; the boys were blurry in your peripheral vision. "How do you think they would kiss us?"

Patrick and Art swallowed.

You thought. "Hmm," You answered. "I bet it would be desperate."

"I think so too," Tashi leaned in, her lips brushing yours. "Probably pretty sloppy."

She kissed you, tangling her hands into your hair. You cupped your face, pulling her even closer than she already was. Your mouths opened against each other's, exchanging spit and each other's hungry moans. You pulled her braid to expose her neck, and kissed down the column of her throat, climbing on top of her. You and her had never done this before; of course, there existed the inevitable rumors, but they were untrue--until now.

"Holy fuck." Patrick was the first to break the silence; you and Tashi grinding against each other as Tashi's hands kneaded your ass.

Patrick's hand grazed the bed, a move made in an attempt to join.

"Uh uh uh." You tsked. "No touching."

Tashi flipped you around so she was on top now. Her thumb grazed your bottom lip, pulling your mouth open. You whimpered as her spit fell onto your tongue. Tashi pushed your--her--shirt up, palming your tits.

"Can we-" Art began.

"Can you what?" You and Tashi asked simultaneously, pulling away from each other. A string of your mixed saliva connected the two of you for just a second longer.

The boys rolled their heads back and moaned.

"Can we join you?" You could see their boners, prominent in their sweatpants. Beads of sweat dribbled between their collarbones and over their brows.

"God, you guys sound pathetic." Tashi laughed. "What do you think, Y/N?"

You pretended to think. "Well, I guess it's only fair." You began. You saw the boys' ears perk up like they were hungry little puppies, their lips bitten from lust. "That you guys show each other a little love and appreciation."

[niqhtlord01]

Humans are weird: Minecraft

Alien: What is the point of this game? Human: It doesn’t have one; you can do whatever you want. Alien: Can I burn this world and leave nothing but ash? Human: Disturbingly specific but go ahead.

------------

Alien: How do I get wood? Human: Punch some trees. Alien: ……….. Alien: Punch some trees. Human: Yup. Alien: Are you mocking me? Human: What? Alien: Do you think I’m some sort of joke? Alien: An object of ridicule for your amusement!? Human: Okay, before you over react let me just show you. Alien: *Starts reaching for sword when they see the human literally start punching trees for wood* Alien: Oh. *Puts sword away* My apologies. -------------

Human: Why aren’t you playing? Alien: There is a monster in my home. Human: Is it an ender man? Alien: No. Human: Skeleton? Alien: No. Human: Creeper? Alien: Nope. Human: ………… Human: Zombie? Alien: Thwarp no. Human: *Takes controller and goes inside the house* What could it possibly be- *Sees creature* Human: That is a pig. Alien: It is the stuff of nightmares. Human: What the hell is scary about a pig? Alien: Look into its eyes. Alien: It has no soul; no remorse. ----------------

Alien: What are you making? Human: A doomsday device. Alien: Are you allowed to build that on a public server? Alien: Surely the admins would seek to stop you. Human: They can’t stop it if they can’t find it. Alien: What did you build? Human: I placed a claim block, fifty blocks down, and started a cow farm. Alien: That doesn’t sound so bad. Human: There are currently five hundred cows in a four block pen. Human: I have seen the amount of lag it generates drive men to madness. Alien: You are the worst of your species. ---------------

Alien: How goes it? Human: I’ve created a massive creeper farm. Alien: Dear gods why?!?! Human: I want to see what happens when one of them is hit by lightning. Alien: Why? Human: I heard that it turns them into a super creeper. Alien: Why would you want to make the sentient explosive even deadlier? Human: To leave as a surprise for that griefer who blew up my chicken farm last week. Alien: Ah. ----------------

Alien: What are you building today? Human: A nether portal Alien: Is that the purple doorway thing in front of you? Human: Yup. Alien: What does it do? Human: It’s a portal to this world’s version of hell. Alien: WHAT?! Alien: Is that not dangerous? Human: I mean, I want glow stone for my city; and the only place to get glow stone is in the nether. Alien: I weep for this world that has you as its caretaker.   ---------------

Alien: Why is all the sand from my beach gone? Human: Needed it. Alien: For what? Human: Copious amounts of TNT. Alien: Do I even want to know why? Human: Remember that village that I defended only for the golem to attack me? Alien: Yeah. Human: Good. Human: Because that memory of yours is all that is left of it. -----------

*stumbling down extensive mine network to find human friend deep underground.* Alien: You ever coming topside again? Alien: I just found these things called “Pandas” and they are adorable. Human: Not until I find a diamond. Alien: Oh gods, here we go again. Human: There’s only fucking copper down here! Human: What the hell can I even use for copper!?! Alien: I think you can make lightning rods out of them. Human: Oh yeah, sure, lightning rods. Human: I’m sure those will be useful SIXTY BLOCKS UNDERGROUND!!!! ------------

Human: What’s this? Alien: I’ve created an elaborate rail system that will allow me to transfer the citizens of one village to another village to make it a super village! Human: Isn’t that considered kidnapping and human trafficking? Alien: ……….. -------------

Alien: I have created these five iron golems to protect my home. Alien: Nothing shall destroy it while I am away! *Alien leaves into mines* *Returns after an hour of mining to find the entire home destroyed by creepers* Alien: What the flarp! Alien: Where are my go- *Turns to see all five golems distracted by some flowers* -------------

Alien: Something just occurred to me. Human: What’s that? Alien: If you can use the portal to this nether, why can’t things down there use it to escape? Human: Pfft. Human: That’s impossible. Alien: Is it? Human: *Dramatic pause before sprinting over to portal with alien behind him* *Both arrive to find legion of pigmen pouring out from the portal* Alien: Congratulations, you created the end times. Alien: I hope that glow stone was worth it. Human: *draws sword* It really was.

[szkunas]

KNOCK KNOCK, GUESS WHO! ౨ৎㅤsuguru geto.

synopsis / premise ♱ㅤwhen things in your life go well for a long time, there will undeniably be a problem knocking on your door. this time, the issue is your ex-boyfriend, wanted by the jujutsu society — who is very angry with you, even after he stole your money. || PART ONE (previous)

featuring ♱ㅤsuguru geto (jjk0 / 2017 version) x FEM reader.

warnings ♱ㅤ NSFW ♡︎ ㅤporn with very little plot ! toxic behavior ! suguru (GENOCIDAL man) ! unprotected sex (wrap it up) + unrealistic portraits of sex ! creampie ! reader and gojo are not in a relationship, but mutually interested in each other ! coercion / dub-con (both consent but just to be safe) ! genocide / death mentions (geto) ! stalking and breaking in ! bondage + choking ! spanking ! edging ! obsessed suguru agenda ! delusional suguru (you will see) ! seduction !

honorary mentions (inspirations, please read) ♱ㅤthis ask, by anon! all credits to them, i was not planning a part two, haha. whoever you are, i hope you enjoy it.

author’s note ♱ㅤso, today i was sitting down and thinking “im going to finish that yuta draft and probably start the sukuna draft for the event, since he’s winning the poll”. guess which of these two things I did? exactly. none. so, here is more suguru geto for you. i apologize in advance — i am not good at writing seduction. this is a bit rushed lol. repost because i can't see my post in tags

THERE IS NOTHING SCARIER than discovering that the person you love most is hiding a dark secret. it could be a lover, a second family, a dark past or a real, rotting present. that’s the feeling you get: everything is rotten. the walls around you and the space are shaped into a molten mist that rots as time passes, as you read the letter that someone slipped under your door.

the highly wanted criminal, suguru geto, was seen in your apartment two weeks ago, as shown in the photos below. we ask for your full and complete cooperation in the investigation, and soon some sorcerers will need to interrogate you. expect their visit at any time and answer the door when the time comes.ㅤ— the higher-ups from jujutsu society.

oh, hell. no. this cannot be happening.

as the procedure says, you burn the letter and get rid of the ashes.

although your situation is absolutely desperate, the secrecy of jujutsu comes before your disastrous love life. you turn to look for your cell phone, and the delay hurts your bones.

it seems like the object disappears when you need it most. when you find the damn phone, you don’t even hesitate. as you type the number that, at this point, your head knows by heart, your hands shake. this cannot be true. they are lying, they are trying to deceive me and defame suguru. but why? why would society need to do this?

of course, mentally, you suppress yourself. and a rational part of your brain — the part that isn’t driven by the love you feel for a man who’s been with you a long time — slowly realizes that this is the truth.

that’s why the disappearances in the middle of the night, the slight disregard for non-sorcerers touching you or him. the preference for privacy and not allowing you to post photos of the two of you together. he doesn’t have social media, he said. it feels very public. what a lie, he was actually a wanted criminal and cult leader.

no one answers the call, and you press the button once again. and again. and again. by the sixth time, you’re not sure if your hands are shaking with fear, disgust, or hate.

your money. your savings, built up after you left the witch life behind. a small guarantee of your future, a future you planned to have with suguru. a future stolen and lost, by the same man who once stole her heart. beautiful black hair and purple eyes really make a girl forget to pay attention to the red flags.

you leave voicemail after voicemail, until the box is full. then, messages. text after text while your fingertips digit furiously. it didn’t take long for you to realize that a response from him would be even worse, so your last messages were simple, direct. do not talk to me anymore. don’t ever appear in front of me again. and don’t you dare involve me in your affairs, you bastard.

pressing the send button through tears was one of the hardest things you’ve ever done in your life. and so, blocking the number seemed like the most sensible solution. it’s not like he would respond, even if you gave the number to the investigators — your exact intention.

so everything went as it should. 39 missed calls, 104 unanswered messages that changed her perspective of him forever, along with a letter that turned to ash, like a caterpillar turning into a butterfly. your life took a new direction, an unpredictable metamorphosis that made you move to another address after the entire legal process on your part was concluded. you didn’t know, and you had no involvement, as hard as it was to believe. and then the sorcerers left you alone, and this was your second new start to normal life.

lonely and with a betrayed heart, in a new apartment far from your ex. unloading the last box does not bring the relief of releasing a chain, but the pain. the pain of losing something. as if the chain had tied itself to one of your ribs and ripped it away, taking a part of you.

but the tears dry. time passes. the pain diminishes, and the space that takes it in the heart is hatred. you become your priority again, and in time, you rise again only to fall again. one last effort, a call to a certain sorcerer you once knew, satoru gojo. this was his noah’s ark, his last hope before resorting to more desperate methods.

he answered. and since then, a lot has changed.

it’s been almost ten months since suguru stole your money and trampled on your love and dignity. almost ten months in which you had your heart broken, and you slowly put the pieces back together. now, your latest relationship — it’s not really a relationship.

six weeks ago, you and satoru had sex in your apartment for the first time. since then, he has been very helpful in all aspects of your life and visits you regularly. he takes you on dates and even carried you when his feet got sore from walking. it sounds crazy, feeling so comfortable with someone after just six weeks, but that’s what happens.

gojo is more than an arrogant boy who uses humor in every situation he sees, he has a heart, and a very generous one at that. despite his insistence, the credit card that was entrusted to you is rarely used (and you managed to convince him to change the password, too). his intention was to ask for help, not to become a parasite that will take as much from him as he can. not when he’s a much better person than you expected. a kind of clumsy white knight, in a cute and a bit of a loser way at the same time.

so, of course, the dates have become routine now. cinemas, walks in the park, roller skating, going for ice cream. these experiences stand out in your memories, as sweet as scenes from clichéd romance films. kisses in the rain, desperate hands pushing you into the apartment — maybe this time, you might be able to tease him a little, make him lose it and have you right there, in a dark corner? the idea is exciting, dangerous, and so stupid it makes your heart flutter.

he still owes you a new bed, though. you keep fucking on your couch because you two broke your single bed the last time you did it.

checking yourself in the mirror before a date is, naturally, what everyone does. the red dress that adorns her body is a little short, the kind of thing you see on a seductive movie character. but satoru asked for this tiny — as tiny as the dress, in his words — favor and promised anything you wanted later if you wore that and hung on his arm all night. even when he’s being a pervert, he’s just a guy who’s whipped for you.

the idea makes you take a step back. satoru can’t be in love with you. yeah, okay. he does cute things often. he takes you on dates almost every week. he’s always trying to make you laugh and has already learned most of your quirks, likes and dislikes. he remembers you throughout the day, at random intervals, and buys you things so casually that you had to beg him to stop and not max out his card bill — he just laughed and said it was all cheap anyway. heirs…

but he can’t be in love. it’s all new, recent. perfect, but maybe it’s just hidden by the love fog at the beginning of a relationship. it has already blinded you to bad signals once, and you internally wonder if you are using gojo.

of course, part of you has already thought about it. having sex with your ex’s best friend and solve your financial problems. two birds, one stone. but satoru is everything suguru is not — true. intense and real, without a mask of sweet truth that covered a rotten truth.

honestly, you don’t want to think about it too much right now. this is a conversation that should be between you and satoru, not between you and your intrusive, insecure thoughts. he deserves to know the truth and he deserves to know that you’re just as interested as he is — not on the money, but on him.

a text message makes you smile right after spraying a sweet perfume on your neck. the screen lights up with that contact that has now become your favorite.

toru <3; ㅤ already in the dress? photos or else ill die (seriously)

a small laugh escapes your throat, and you immediately prepare to take a photo. stepping back a little and posing in front of the mirror, you could swear you heard something near your apartment door while simultaneously hearing the soft click of your cell phone.

one pose to show the front, and one for the back, with a soft, evil smile. satoru isn’t your boyfriend, but with his attitude, he could very well be. he looks at you as if you were the only woman in the world, and as if he wanted you forever. it’s beautiful. it’s such a beautiful emotion to see in those blue eyes that you can’t wait for the next time you look.

after texting back, asking what time the movie starts, your eyebrows come together in a frown. omnisity takes over the environment quickly, and you swear your heart stops beating.

this energy— it cannot be.

“hi princess. missed me?”

the whisper in your ear is so sudden that you immediately turn your face to look. a hand grabs your chin and forces your head to turn back to the mirror, and you gasp, immediately struggling.

suguru geto, on the flesh, the greatest traitor to have walked the earth since judas. traitor to the jujutsu society, criminal and mass murderer, and of course — your ex-boyfriend. right behind you, and forcing you to stare at the mirror as his free hand snatches your phone away.

you hit him with your elbow, but he barely moves. humming, as if he is amused. as if you are some game. geto’s hips press forward against yours, and he efficiently traps you between the sink and him.

this cannot be happening.

what suguru doesn’t find amusing, though, is your text messages with satoru. long or short, little flirtations or obvious nudes, these messages are simply something that makes him turn his nose up in disgust. how dare him. how dare satoru take the one thing suguru truly loved that way?

“get off me.” you murmur, your eyes widening. like any sorcerer, you know the basics of defending yourself, but panic runs through your veins like poison. your muscles feel like solid stone, and you can’t stop your breath from hitching when his hand stops cupping your cheek to grab you by the throat.

he’s a criminal who definitely must have had his share of fights. you are a sorceress who has not been in the field for almost ten years. in a real fight? he could drown you in that sink and satoru would only find out hours later.

satoru. the thought makes you immediately ramble.

“don’t you dare lay a hand on me. satoru will—” he squeezes your neck softly, a silent message for you to keep your mouth shut. suguru sighs, annoyed he needs to explain it to you, word by word. he really, really likes you, but he’s not in the mood after all these games.

this small action — squeezing your neck gently — makes you remember old times. old times, not good days. because, although they were good, the memory was effectively corrupted when he left you, almost a year ago.

“satoru will not do a thing. he doesn’t know i’m here, and he won’t know.” a break. “yet.”

your eyebrows shoot up, before your face contorts into confusion. what does he mean, yet? if anyone knows he’s here, he will be executed. why would he risk it, just to see you? is he here to kill you?

the thought brings visible panics into your eyes — the wonderful, pretty eyes you have. the window to your soul. your soul and body, which suguru would like to possess again.

again, what a ridiculous term. he never stopped owning it, in the first place.

maybe if you buy time, satoru will come see what’s taking so long. he will help. you’ll be safe.

but the date is only thirty minutes, and for satoru to come in person, you would have to wait another forty. one hour and ten minutes with your genocidal ex-boyfriend. wow. this must be some kind of twisted lottery of fate, where winning makes you unlucky.

you force your voice to remain calm, composed. he does not deserve the satisfaction of your fear.

“why are you here?”

“oh, look at her.” he mocks, as if you’re not even just there, listening. “asking why i’m here as if she has no idea.”

“i don’t.” you grit your teeth. “this is why people ask, imbecile. they want answers— ugh.” he squeezes your neck again, making you grow quiet until he relaxes.

“darling.” suguru smiles softly, but some veins are popping up on his hand. he is absolutely pissed, using that sweet voice to smooth you. “you know why i’m here. don’t play dumb. you— let satoru touch you.”

his tone is still soft, affectionate as the boyfriend you once called yours. but beneath the sweetness, there is an anger, a possession. like an animal whose territory has been pierced.

“did you think I wouldn’t find out?” he leans in, his hot breath making shivers run down your spine violently. “you underestimate me, my love. i’m a bit offended. coming from you, i expected so much more.”

his hand snakes all over your body, and close as he is, you’re sure he can hear your erratic heartbeat. thump-thump. thump-thump. thump-thump.

like the engine of a machine, accelerated to its limits. if your organs are your gears, you believe you are malfunctioning right now. a poorly functioning machine due to information overload.

it’s a lot to handle. his hands are warm as they gently pull your dress up, groaning. “i barely had to move it away. what, you enjoy dressing like a slut for satoru?”

it seems like your voice only works normally, as it should, when you feel your panties being pulled down, gasping. “suguru, no! you can’t!”

“oh, i can’t? why? c’mon, darling, just the tip.” he throws your phone away — the sound the device makes when it breaks against the wall is blood-curdling. he wraps both his arms around your waist, pressing his hips to yours. “pretty please?”

you grit your teeth. why the hell is this attractive? perhaps it’s because you barely heard geto beg before. but, no. you can’t. satoru, your satoru, he’s waiting for you — instead, you have your freak ex humping slowly against you. no way, is he wearing buddhist attire? like a monk or something. but these thoughts don’t matter. his words take you out of your head.

“i saw everything that day, you know. and a little before, and after that. getting all cozy with satoru, because i’m not here? you offend me, sweetheart. i’m a bit hurt.”

“oh, i’m not hearing this.” you curl your hands into fists, slamming them on his arms. “not after you lied about who you are, stole my damn money, and left! fuck you, geto! fuck. you.”

he smirks against your ear, grabbing your wrists and pulling your arms behind your back. you groaned, and he quickly decided to hit two birds with one stone.

tugging at the clothing strip that holds his robes together, he rips it off and uses it to tie your hands together as you squirm. he gives it a little tug, confirming it’s not too tight, and throws his clothings to the other side of the room.

“i know i haven’t been here.” he pauses, and you can watch him through the mirror as he forces you a bit down. “and i’m sorry. i wanted to tell you, i did. but i couldn’t. i know what you would think, and— i couldn’t lose you.”

it’s like a sincere admission, but you’re not foolish enough to feel sorry. not for him, definitely. throwing salt at the wound is your strategy right now.

“you lost me anyway. y’know, satoru really has a way with backshots that—” your words are cut off by a gasp, when he rips your panties off you and holds you down by the back of your neck. your back does a pretty arch for him like that, but suguru is not nearly amused enough.

“don’t be a brat. i made mistakes, but you, too. whoring yourself for my best friend? are you kidding me, love?”

“i’m not your love, don’t call me that.” he grabs you by the hair, tugging your head back up to look at his eyes through his reflection.

a pause, and suguru decided against what he was going to originally say, softening his grip on you.

“i missed you. i did. can’t i show it to you? just a little, baby, please?” he presses his hips into yours a bit more gently, and you can feel it.

his rock-hard erection, rubbing softly against your warm pussy. it makes you shiver and hum against your will. a part of you misses it. nothing wrong with satoru — he’s a great learner for an inexperienced guy — but geto knows just how to blow your back and be soft at the same time. an art satoru hasn’t mastered yet.

the idea of doing this to that white haired man who is so good to you — it brings tears to your face. how dare you want to say yes? but also, how could you say no when suguru’s head is rubbing deliciously against your entrance?

you close your eyes in defeat, not able to look at yourself.

“be quick. and don’t ever ask me anything again. you get this— and you disappear from my sight. forever.”

a deal with the devil. sacrifice something and gain something. your body for peace.

he chuckles, throwing his head back with a smirk. “oh, you and i both know that’s not happening, sweetheart. i’ll be here, forever.” he slips his hands down your waist, grabbing it gently and pushing his cock in.

the feeling is— exquisite. geto could try all he wanted, search in all the world, but he never could find someone like you. your body is almost poisonous — intoxicating is the right word. he just bottomed out and he’s already mixing his thoughts. that’s the effect you have on him.

suguru’s hips start moving at a restless pace, not giving you time to breathe or a warning. he can’t waste time with words, not now. not after being pulled away from you, his beloved, for ten torturous months. just when he was planning to come back and convince you to join his cult — or just grab you and lock you up, whatever —, he found you riding his best friend. sinking down satoru’s cock and making him cream all inside you.

the idea makes him huff, thrusting harder.

and you, under him? with your wrists tied up? well, you’re a mess. you’ll have to try bondage with satoru later, it’ll surely make his cock explode. your eyes widen, and you babble something — what’s wrong with your head? why are you thinking about satoru, then, suguru, then satoru again?

oh, lord above, maybe both at the same time? it’s a fantasy that makes you blush more than what you’re doing right now.

suguru guides your head up again, holding your neck gently.

“what are you thinking about, love? you keep—” he grunts. “clenching down on me.”

“nothing,” you stammer out. okay, there is something seriously wrong with you for enjoying this so much. a moan escapes you before you can stop it. “nngh— satoru!”

his eyes widen at the same time as yours. if your hands weren’t tied up, you would have brought one up to your mouth. the squeezing on your neck is firm, enough to not cut air circulation, but present. surely. the whisper of your name echoes through the bathroom.

“what did you just say?”

he looms over you, blushed cheeks and vulnerable expressions changing all the time, staring at your dumb little face in the mirror. suguru has a soft frown on his face, his eyes wide in horror, and his lips are slightly parted. but there’s a dark shadow oozing off him, a rage that cannot be contained.

he’s hurt. he’s mad.

you try to justify it quickly, to do damage control. “suguru! i said— i said suguru!”

but it’s a little too late for that, and lies only make it worse. he pins you down harder, his hips moving back at a ruthless pace this time. harder, faster — no mercy or trace of the sweet man who used to make love with you as if you were made of glass.

now, he fucks you as if he hates you, he hates your guts.

your moans and whines are muffled by the obscene sounds escaping where your hips meet. plap plap plap, mixed with a softly, slightly wet whisper of some sort. suguru lets go of your waist and brings his hand up.

you gasp when it hits the back of your thigh in a loud smack!

he forces you to look up, breathless as he murmurs.

“start counting.” he groans, harshly. and he smacks you again, right on the ass. he’s hitting so hard that you believe his intention is leaving a red mark — a present for satoru to look at later. and you’re right. his friend knows no boundaries and keeps taking what is his. what choice does he has, unless to mark you up?

smack.

you shiver, trying to squirm away and kick before he pins you down again.

“behave, brat. now start counting.”

smack.

“one—” you moan when his heat hits your sweet spot, huffing. smack. “two.”

“good girl.” smack. smack. smack. “how many is that, princess, mm? ohh, that’s the good pussy i missed so much. so— tight.”

“ngh! three! four! f—five?”

“is that a question, or are you answering me, my love?”

he chuckles meanly, thrusting into you again. you both grunt — near the edge already.

“suguru.” you throw your head back, whimpering. “i’m— i’m gonna—”

“ohh, you’re going to cum? that fast, honey? satoru hasn’t been good enough to you, i see.” he thrusts harder, laughing meanly at the way your eyes widen and tear up. “aww, he can’t treat you like you want. he fucks you like a good girl, i bet. but you want to be fucked like a slut.”

he leans down, peppering your neck with kisses and hearing your deep breaths. “it’s okay. i’m close, too. you have this effect on me, my love.” he grunts again, grabbing your hips. “throw that ass back on me, baby, yeah? yeah, juuuust like that.”

he grabs your chin, forcing you to look up as he presses his lips to yours in a upside down kiss. it would be romantic if it weren’t so possessive, visceral, crude. carnal. desperate.

when your lips part, he grunts and sighs softly, while you’re moaning loudly. nearly at the same time, your orgasms hit you both with everything.

suguru’s thrusts become messy, sloppy, and his skin feels a bit sticky against yours as he fucks himself using your pussy, pushing in ropes of cum to paint your insides.

you let your head fall forward when it’s your turn, squirming and whimpering softly. his forehead would have hit the sink if he weren’t holding you up. some more seconds, to dry out both of your highs. slowly, gently, he pulls out of you, watching the fat drops oozing out of your used hole.

suguru smirks as he undoes your restraints, kissing the back of your neck tenderly and adjusting your dress.

“don’t forget who has you first, mkay? i left a little gift for you and satoru here.” he sighs, sounding a bit sad. “i’ll have to go again, i’m sorry. but i’ll be back soon. don’t miss me too much. just leave your window unlocked, and i’ll be here again.” he grabs your face to turn it again, brushing his lips against yours. “unlocking them is a chore.”

geto leans back, and you shiver, confused. the sound of clothes being adjusted and thrown back into a body makes you turn your head moments after you heard it, still a bit too slow.

and he is gone. as you fix yourself up on your feet, you shiver as the realization hits you hard as a stone. no, no. satoru. no.

you stumble to the corner of the bathroom, picking up your phone. the screen is broken, but a call icon appears. you accept immediately, nearly sobbing.

“hey, senpai,” the nickname is soft coming from his lips. a small joke, playing with an honorific that he does not use with figures he should use. “you’re— a bit late. did something came up, or?”

“satoru.” you sob, and even through the screen, you can feel him tense up. his voice becomes more serious.

“what happened? are you okay? where are you? i’m on my way.” the scraping of a chair can be heard in the background of the call.

“i’m— my apartment. i have something to tell you. we need to talk, seriously, we—”

you shiver, and for some reason, you can picture your ex perfectly — walking proudly, with his nose up, the wind making his black hair flow behind him and cruel, purple eyes accompanied by a soft smirk.

“i made a mistake.”

ENGLISH IS NOT MY FIRST LANGUAGE, I APOLOGIZE FOR ANY MISTAKES.ㅤthank you for reading! <3

[autisticlancemcclain]

“You’re not going.”

Keith picks his head up from the table. “Huh?”

“To the Blades,” Lance clarifies, chopping up something that looks like a bright pink potato and throwing it in a rapidly boiling pot in what Keith would call an aggressive manner. “You’re not going.”

“…I didn’t say I was.”

He didn’t. He didn’t mention anything about the Blades to any living soul. Like, yeah, he had made the decision and was going to, but.

There’s no reason Lance should know that.

“Good, then, because I took your uniform — which looks like a slutty catsuit, by the way, just so you’re aware — to the incinerator last night. It’s ash now.”

Keith stares at his best friend, jaw dropped, hands resting limply on the edge of the dining table, because — huh? pardon? what happened?

“Whatever identity crisis you’re having can happen here,” Lance adds, shaking some spices into the boiling pot and stirring it a couple times. He dips in a spoon, brings it up to his lips, then makes a face. “Here, try this.”

He marches over to where Keith has been moping as he makes dinner and shoves a spoon into his gaping mouth. Keith chokes, hot stew making its merry way down his trachea, eyes watering and chest heaving.

“A little too salty,” he rasps.

Lance scowls. “Fuck. I knew it. Gotta add more barbie potatoes.” He turns down the heat, grabbing more potatoes from the sack and busying himself with peeling them. Slowly, as he recovers from the fear of his actual lungs collapsing in on themselves, Keith stands, hesitantly approaching Lance and reaching for a knife to chop what he peels.

“So,” he starts.

Lance ignores him.

But Keith is used to this dynamic. It’s either this or flipped. Friends or not, if there’s one thing they can’t do it’s use their big boy words. So he carries on.

“I take it you…don’t want me to go, then.”

Lance grunts. “Oh, look, the caveman has room in his skull for a brain after all.”

“Uncalled for,” Keith says, scowling. “I am not the one who’s refusing to communicate right now.”

The corner of Lance’s mouth twitches upwards.

Score. Point to Keith.

“Obviously I don’t want you to leave, you stupid dumbass,” Lance admits finally. He wrestles the chopped roots out of Keith’s hands and practically dunks them in the pot, turning the heat back up. Keith smears his starch covered hands on his shirt in revenge (and then wisely takes three quick and giant steps back, well out of backhanding range).

“But there are too many paladins,” Keith points out. “You said it yourself.”

Lance grabs a dishtowel, twisting it menacingly in his hands. Keith tries not to think about the scar he knows Hunk has from when Lance snapped a towel at him when they were kids, wrestling in the McClains’ kitchen. He fails.

“Do you actually have any braincells left in your head at all?”

“Yes, jackass. That’s why I did the math. I leave and the numbers add back up. Problem solved.”

“You leave and Voltron falls apart,” Lance snaps. “So maybe crunch those numbers again.”

Keith stills. Lance steps towards him, still glaring, still menacing, but he doesn’t move — he holds Lance’s gaze, searching his dark eyes, looking for the words he isn’t saying. Because Keith…Keith isn’t the one holding Voltron together. There was a reason his heart caught in his throat when Lance came to him downtrodden and talked about being a seventh wheel. There’s a reason his duffel is packed, a reason he’s talked to Kolivan. He knows who needs to step aside.

“You just don’t get it,” Lance says, frustrated. He takes another step.

“You talk to us about teamwork all the time.”

Another step.

“You’re favourite thing to whine about is the bonding moment.”

Another step, this time as he pitches his voice high and mocking, flapping his hands.

“You never shut up about training as a group.”

One final step and he’s toe to toe, shoes to boots, nose to nose. Keith realises, startlingly, that they’re the exact same height, now.

“We are a crew, imbécil. Team, group, boyband. Whatever you wanna call it. All for one and one for all. The whole nine yards, all that cheesy bullshit.” He pokes Keith hard in the chest. “You don’t get to ditch.”

“But it makes more sense,” Keith argues, weakly and half-desperately. “We only have so many resources. If I can be useful at the Blades —”

“Fuck the fucking Blades.”

Keith deflates. His hand comes up to stop Lance’s jabbing finger, curling around his knuckles. Lance softens, slightly.

“I just want to be as useful as I can be.”

“And if you’re enough as you are?” Lance asks quietly.

Keith opens his mouth, but stops, automatic I’m not dying in his throat. For the first time in his life, it doesn’t seem like the truth, with the determined set to Lance’s jaw and the sliding of their fingers together, gripping tightly.

“Then I guess I’m staying,” Keith breathes.

Lance nods. “Good.”

Keith notices his hands are kind of clammy. His forehead, too, is a little sweaty. The air between them feels hot. Keith swallows.

“Your stew is on fire,” he croaks, voice rough.

Lance drops his hand, cursing.

“Oh — por amor de dios, hablas en fucking serio —”

———

At dinner, Keith eats his burnt stew without a word of complaint. When Lance drags him to the sink to help clean up, after, even though it’s not his turn, he goes, and he lingers too close and too long, and he’s grateful that the duffel he packed to leave home for good is laid emptied on his bed when he turns in for the night.

[virtueking233]

Alright, time for angst before I do a nice silly talk about how Ruby and Weiss brought out the best in each other/grew to be who they are now with the help of the others

So what angst am I talking about today? Simple!

Y’all know how Blake leaving Yang was a breaking point for Yang

Or that Pyrrha’s death was a major breaking point for Jaune

Y’all ever noticed how Weiss misunderstanding Ruby or that Weiss lack of support in V9… was what truly broke Ruby/caused the dam to break for Ruby?

What do I mean by this?

Well

Let’s begin by talking about the possible misunderstanding that happened with Weiss in V9 ep 2

Specifically the moment where Weiss talks to Ruby and both opens up to Ruby about her own doubts and tries to get Ruby to open up to her towards the end

Then two Things happen here

1. Weiss, upon failing to get Ruby to fully open up and talk to her, most likely feels sad/guilty that unlike all the times Ruby has managed to be there for Weiss, Weiss isn’t able to be there for Ruby/get Ruby to open up and provide her comfort

And

Now for the misunderstanding

2. Weiss most likely believes that Ruby is asking/wanting to be left alone right now, given time and space so that she can process and figure out her emotions before she opens up and talks to everyone

Now, how does this lead up to Weiss being the one to cause Ruby’s breaking point/cause Ruby’s dam to finally break open?

Simple, a mix of another misunderstanding and self blame

Throughout the course of Volume 9

Ruby is going through a ton of sorrow and pain… but also, through some interactions/moments with Weiss

A great deal of self blame

Most likely Starting with episode 2 and how Ruby most likely took Weiss words as something to blame herself for

That the loss of atlas… and their “failure” in the finale of V8 is on her… no one else

That since she was supposed to be the Leader and be the one who always puts other before herself/be “perfect”, it’s ultimately her fault everything failed

Even later, as know in episode 5, Ruby takes the words of Weiss, “leaving places in ashes”, as another thing that Ruby takes as her own fault /her failure at Being her fault, since she is supposed to be the leader… and she is the one who has led to this happening (again, “perfect” leader mindset)

Then a little later in episode 6 where Ruby sees Weiss staring at the water mirror vision of atlas falling

She blames herself once Again

For being the leader that caused them to leave a place in ashes

To leave her partner’s home… in ashes

And that now all comes to and is finished off in episode 7

Where the greatest misunderstanding by Ruby and her blaming herself comes to play

With Ruby Weiss with what she says and does in this episode

As something that leads Ruby to believe… that Weiss has broken her promise

Because Ruby is no longer a “great”/“perfect” leader

That Ruby is no longer needed anymore

And this comes from a few factors ranging from how Weiss makes a suggestion about being lead out of the EA or how Weiss went and gave comfort to Jaune but never did it for Ruby

Thus leading to that misunderstanding

But you want to know another thing?

Weiss quickly puts this together and comes to realize (most likely) that She was the one who greatly led to Ruby breakdown

Especially after she realized why Ruby felt like she couldn’t open up to anyone/talk to any of them (realizing Ruby thought she had to be a “perfect” leader)

But overall, why this is important and why this is a major moment For Ruby and Weiss relationship is because this leads/has a major set up to a moment where Ruby and Weiss relationship can greatly change

Set up to a moment where Ruby and Weiss have a major heart to heart moment and greatly reconnect to one another… come back together and Be whole once again

Either way, I hope you all enjoy this little angsty analysis and hope you all have a wonderful day/night

(Also, in the making of this analysis… I’ve made several connections and realized how big brain the writers are)

[ash-says]

Tips on how to dodge personal questions in a Professional Setting:

I know. I know. I said I will be on a break and I still stand by that but it was difficult to throw away the sudden surge of motivation so here I am.

I received a request to make a post on this long back so here is your girl serving it. Honestly I am not much of an expert at it either but I have some ways that work sometimes so here goes nothing.

1) Do not give in to the pressure.

Literally that's the starting point. Whenever someone asks us a personal question we feel obligated at some level to answer because of xyz reasons. That's why we first need to escape the pressure of answering.

2) Straightforwardly and Politely state I am not comfortable answering that.

The bulletproof method. No explanation needed.

3) If you are in a situation where the person is being really nosy and can't take a no for an answer. Try saying to them,"I don't understand how it's relevant to our topic of discussion."

4) If you are not in a position to decline at all which happens when the person asking the question is of higher authority and has influence in this situation give vague answers that lead nowhere.

Example: So are you dating anyone?

It's tough to say in particular you know the dating scene nowadays it's difficult to put a name on anything.

Or what do you do on your weekends?

Nothing just the usuals. I am an office worker after all.

This creates a sense of familiarity with the crowd but at the same time does not reveal anything in precision.

5) Turn the topic on them. One of the smartest things you can do is make them the central focus. People love to talk about themselves so it works most of the time until you come across someone truly smart.

Example: hey how's the new office? Are you liking it here?

Ans: Well I am still getting used to the environment here. What about you? How long have you been working here?

6) Another thing you can do is dance around the topic but not on the topic. You remember how you used to write a 1 mark question for 5 marks exactly like that. Tell the prequel and sequel of the question but never answer the exact question.

7) This one is kinda rude I won't suggest doing it around randomly but if you have been in the corporate space for sometime you would know that there are some people who like to ask things only to belittle you or spread gossip or to be mean. The jealous ones that don't have a life of their own.

In case they ask something or say something rude or cross a boundary just start singing a song or change the topic completely. Don't acknowledge anything they say and continue with your random talks or humming. Trust me it's the easiest way to get rid of them.

Still some are persistent and will try to get an answer. Simply say it's not worth discussing. It's boring.

8) Apart from that there are subtle things you can do which can create a persona that conveys you are not open towards personal questions. You can do it by simply detaching yourself whenever someone starts talking about their personal lives. Don't be a participant or a listener. It gives a que you are not looking to bond personally and many other similar things.

9) If you are truly in a toxic work culture where your colleagues seem to constantly bug and bully you to share personal stuff (happened with me in my previous workplace) Firmly state,"I come here to work not to make personal relations."

10) Ignore.

I hope it helps even a little there's not much we can do without offending the other person but we can be gentle and polite in our tone and gesture that's the only way.

That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.

[its-your-mind]

Some Thoughts on the importance of physical touch and connection for the Hells: A reflection on the new animated intro.

In general, I think the Hells are a really strange and special group, especially for a dnd party. They pretty much laid all their baggage on the table within the first week of meeting each other (What the Fuck is Up With That?) almost as a litmus test: "hey, here's all the shit that comes with being me, last chance to run away if that's too much."

and none of them did. and they all kept choosing to stay, even as shit got even weirder and more and more disturbing answers came to light. I think that continued choice from all of them - to stay - is what makes the bonds between the Hells so deep and so special.

okay trauma analysis and party dynamics is a DIFFERENT POST but it was all RELEVANT INTRODUCTION bc the CHOOSING TO STAY and the KNOWING EACH OTHERS' SHIT are like. key components to understanding why I am so feral about this. okay hopefully you will understand. the body of my essay is below. it has pictures. it got... too long. so. it went under a read more. yw. anyway click below if you want a very detailed analysis of an animated intro that is literally only one minute and thirty seconds long

For the first bit, character intros for Fearne, Orym, Imogen, Ashton, there’s no physical contact.

BUT. First intro of hells as a team. Ashton Trauma Flashback interrupted by laudna approaching slowly from beside him with her hand gently in front of him to signal her presence without startling him, and THEN just talking at them. Bringing him out of those flashbacks. Reminding him where he is and who he’s with.

And tbh? For Ashton? Touch is always iffy, so this is almost a more understanding and kind way to bring them out of the flashback. Just physical presence is good! UNLESS. (unless) first actual touch. Fearne stealing their coin purse, so gently that they don’t even notice it (FLIRTING THROUGH THEFT callowmoore my beloved)

(also grabbed the cap that shows her with his coinpurse these fucking ANIMATORS)

okay pt 2 FLYING OFF THE AIRSHIP

Ashton's first instinct and priority is grab laudna’s hand bc he KNOWS she is made of paper mache and he is ALWAYS watching out for her out of the corner of his eye bc she is breakable and he’s not gonna let her break bc he KNOWS what it’s like to be breakable and need someone to catch you when you’re falling but ANYWAY. he grabs her he uses his hammer as a fulcrum to throw her at Imogen

because OF COURSE he knows that the safest and most comfortable space for laudna is in imogen’s arms. and the two of them wrap their arms around each other and hold tight Superman style bc ofc they do and once laudna is in imogen’s arms she’s absolutely delighted by this whole situation bc OFC SHE IS

(tf do you mean I can’t add more than ten images on mobile UGH fine I’ll finish writing then draft and move to PC the images are IMPORTANT TO MY POINT anyway insert lesbians here) (note from future mind: I have decided that these pic descriptions i left for myself to grab the right images are fucking hilarious so they’re staying in yw)

Then fearne (who had been on her way in that direction already) swoops under Ashton to catch him as he flips over from the momentum so he can land on her giant bird back and she can fly him away.

(Pics: It’s fine to touch Ash if you’re saving their life)

(also not pictured: chet staying on the ship but losing his hat, orym grabbing it out of the air, imogen casting fly on fcg right before she catches laudna, fcg flying over to grab orym) All of this happens in six seconds by the way. One round of combat. These animators are fucking incredible.

BACK TO CHARACTER INTROS laudna who is ofc alone and in the dark at the bottom of the Sun tree, reliving her past…

(Pic: sad lonely laudna)

right up until Imogen puts her head on her shoulder, and the darkness burns away into light. She doesn’t say anything, or talk with laudna - all it takes is that physical reminder that she’s not alone anymore, that there is warmth, that she is surrounded by a family who loves her so much they chose to turn down comfortable beds in a lord’s manor so that they could join her in sleeping at the bottom of the Sun Tree. (Fav lil detail - fearne wrapped around Orym like he’s a teddy bear, and holding tight to laudna’s blanket to make sure she can’t go anywhere.)

(Pics: THE POWER OF LESBIANS AND FOUND FAMILY)

fcg. Fuck. Starts with their flashback, with their red eyes and their buzzsaw, but almost immediately we see Ashton reach out to grab their shoulder and Orym whip out a vine to tie up their saw.

(pics: reaching out even if it might hurt youuuuu)

Imogen goes on her knees and wraps her arms around FCG’s other side, and the rest of them all gather around him, holding him to keep him and each other safe, but mostly just grounding him in the present by surrounding him physically until the flashback fades and he’s once more aware of his surroundings.

(Pics: what the fuck they just need to be held)

(once shit has calmed down fearne uses this opportunity to pick Ashton’s pocket again. Flirting through theft).

(Pic: fearne is a menace to society)

final fight scene. fuck yes.

(Pic: IT’S THURSDAY NIIIIIIIIIIIGHT)

This is mostly just giving all of them room to be badasses (as they deserve) - but there are some things!! First!!

(pics: THESE WITCHES BE BITCHES minus fearne sry fearne we miss u but you are on fire and laudna is made of wood currently)

Imogen and laudna casting spells back to back, trusting each other to take care of what’s on their side. Inseparable, even in a battle where their party has scattered to fight other enemies.

BUT. The BIG thing though in this sequence. Maybe my favorite part? Idk I don’t have a favorite. But!! Orym. taking out four of Otohan’s shadow knights. then facing off against her personally!! And it’s one-on-one, because this was Orym’s task alone - to find the person who attacked his leader and killed his family. He’s angry, but mostly he’s honed-in and focused and determined. This is his mission.

(Pics: WHO’S JUST A LIL GUY NOW HUH)

But then, when Otohan pushes him back…

(Pic: fuck. shit. fuck. im. fine. anYway. them.)

FCG and Ashton are there right behind him, and they put their arms out and catch him so he doesn’t fly back any farther. And there’s this look of surprise on his face, because once he lost Will, he never expected there to be anyone else standing behind him, ready to catch him. And yet, here they are.

(Pics: fuck yes fuck yes fuck yes GOOOO ORYM!!!)

They give Orym a push forward and follow behind him, and he walks back towards Otohan with confidence. Lil grin on his face, brisk walking pace - he even does a little fancy sword swoosh! Because maybe he’s not strong enough to take out Otohan on his own. But the thing is, he’s not alone anymore.

(Pic: THEY.)

None of them are alone. And whenever any of them forget, or slip into old habits and memories, the rest are right there to reach out a hand to remind them.

Building a family out of broken pieces is difficult even without an apocalypse. But the Hells have shown each other, over and over and over, often with their actions even more than their words, that they really are dedicated to this family that they've built together. This intro fucking slaps so hard and the animators deserve so much praise for how incredible this intro is

[disco-archetypes]

SHIVERS - All around you, rain falls on the great city of Revachol. Rain drips from the eaves and floods the gutters, washing the filth away.

SHIVERS - Winter's grip on the city is loosening. The spring thaw is here.

YOU - Finally. What now?

SHIVERS - Your shirt sticks to your chest. The shoulders of your disco blazer grow heavy. The cold finds its way in under your skin. You shiver, and the city shivers with you.

YOU - What is in the west?

SHIVERS - Sheets of rain over the water. A flight of stairs leading into the ocean. Wave after wave washing the coast of Martinaise, with its motorboats and gently swaying reeds.

SHIVERS - The ruins of a half-sunken seafort crumble on an inlet. Beyond the Bay of Revachol, ghosts rise into the sky.

YOU - Who are you, ghosts?

SHIVERS - The skyscrapers of La Delta, the financial district. Faint golden light seeps from the office windows.

YOU - What is down the shore?

SHIVERS - Urban coastline, rain dripping off eternite-covered roofs. Cinder blocks left over from half-finished construction. A defunct research and development building once seized by revolutionaries. An old wooden church stands on stilts above the water.

YOU - And beyond that?

SHIVERS - Coal City, end of all lines.

YOU - Run your fingers through your dampened hair.

SHIVERS - Your hair is an oily mess flecked with ash from neighbouring coal plants. Smoke stacks rise somewhere in the distance.

YOU - What's in the east?

SHIVERS - The great gates of the industrial harbour are locked. A chill runs down your back. You shudder like an animal trying to shake water from its hide.

YOU - Clench your teeth to stop shuddering.

SHIVERS - Behind the gates -- heaps of supply crates. Red and blue metal shipping containers slick with rain. The Greater Revachol Industrial Harbour is an artificial mountain range. Immense wealth resides within, and immeasurable poverty in its shadow.

YOU - And beyond that?

SHIVERS - La Drisienne, King Dris's Passenger Harbour. Cruise ships flanked by dock arms. Cranes watching over the mouth of the river distributary.

YOU - What is across the distributary?

SHIVERS - Couron, the lower middle class. Distributary after distributary cuts the city blocks in half. Seven-story buildings trail off into the rain.

YOU - What is beyond the Couron?

SHIVERS - A silvery curtain of rain over the houses. The class divide.

YOU - What's in the north?

SHIVERS - Capeside apartments -- tower blocks crowd one another, 4.46 mm bullets still lodged in their war-torn stone walls.

SHIVERS - Hallways collapsed from the mortar hits of a war that was lost long ago. Clotheslines go to waste in the rain. Radios play.

YOU - And closer to here?

SHIVERS - A yard. Rain falls onto the roof of a woodshed. Filthy water pools around a body. Droplets of rain slip from the dead man's cold cheeks.

YOU - What's in the south?

SHIVERS - A traffic jam. Rain thrumming on the roofs of motor vehicles. Inside, drivers watch water streaming down their windshields. The statue of a king shudders, he too is cold. The canal bridge has been raised.

YOU - What's on the other side?

SHIVERS - The road ascends; a raised motorway loops above the ghetto. Beneath its concrete columns -- a sea of rooftops, woodwork, and tar stretches northward. Four-story buildings as far as the rain can fall. The snows melt in Jamrock.

YOU - Why am I not there?

SHIVERS - To be in Martinaise, where no one goes. At the run-off point of a long-forgotten canal, in the whitest part of town. In the shadow of the day the Revolution failed.

YOU - What am I doing here?

SHIVERS - Standing in the rain, looking north, where Jamrock Rock City stretches inland.

YOU - Where do I live?

SHIVERS - On a street there that flows like a muddy river in the snow, with fire traps rising on either side. A film rental opens its doors to the rain, an armoured motor carriage rushes past the corner where you used to walk together... Suddenly, the hair on your back rises.

SHIVERS - YOU CANNOT RETURN.

YOU - Shudder, look further...

SHIVERS - In the rain-swept distance above the rooftops of Jamrock, a re-purposed silk mill stands perched above the motorway exit. Precinct 41 hunches in the rain.

SHIVERS - Your vision blurs. You wipe your face with your hand. The rain stings your eyes, making you look up and blink.

YOU - What's above?

SHIVERS - More coalition aerostatics. Way up there -- where rain forms -- rotors flutter silently. Your sight clears.

YOU - What's below?

SHIVERS - Collapsed storm drains. Old sewage systems flooded with rainwater. Hidden weapon caches from the Revolution. Doors leading down to Le Royaume -- the catacombs to which, for three centuries, they delivered the blue-blooded dead.

YOU - "Motherfucker." [Finish thought.]

SHIVERS - These spring thaw will not last. The winter will return to Revachol.

[morganski-19]

The One with Sleeping

Steve wakes up with someone’s arm wrapped around his stomach. Which is odd considering he didn’t have anyone over last night. And he’s on his couch with beer bottles on the coffee table and what looks like two crushed ends of a joint in the ash tray.

But he’s too groggy to figure it all out, and it’s probably just Robin anyway, so he leans his head back down and starts to fall back asleep. Until the other person stirs and sits up rapidly, causing him to fall off of his couch.

“What the fuck,” he grunts, slowly getting up from the ground. At least he’s awake now. “Why did you throw me off the couch Rob-.” Steve stops as he sees who’s on the couch. “You’re not Robin.”

Jonathan stares at Steve with a mix of concern and fear. “No, I’m not.”

“Why were you sleeping on my couch?”

“Why were we cuddling?” Jonathan asks, acting as if it was the more pressing question of the two.

Steve collects himself off the ground. “I don’t know. I tend to sleep cuddle people.”

“You sleep cuddle people. That’s a thing?” Jonathan sits up, running a hand through his tangled hair.

“Yeah. Ask Robin, she has a lot of stories about it.” Steve fixes his shirt, it having twisted weird when he fell off the couch. “Thanks for throwing me off the couch by the way.”

Jonathan makes a sheepish face. “Sorry. You scared me when I woke up.”

Steve sits down next to him. “It’s fine. So, why were you sleeping on my couch.”

“I don’t know,” Jonathan scratches at his chin. “I remember coming over last night for some drinks, and then we got high. We must have just dozed off.”

“Together, on the couch,” Steve reasons.

“You don’t think we, you know. Did anything, right?” Jonathan asks cautiously.

Steve laughs. “No, no we’re good. Even cross faded me knows not to flirt with my friends.”

“Does sober you know not to do that?” Jonathan deadpans. Having witnessed Steve play flirt with Eddie multiple times.

Steve clears his throat, avoiding answering that. “The point is, I wouldn’t have tried anything. Not with you, so we probably just fell asleep and somehow ended up in this position.”

“What do you mean not with me?”

“Oh my god,” Steve rolls his eyes. “Now you’re offended? You don’t even like me like that.”

Jonathan scoffs. “And neither do you.”

“Exactly, which is why I wouldn’t have tried anything.”

“But if it was Eddie, would you have tried something.”

“I’m not answering that.” Steve gets up to clear away the old bottles, carrying them over to the recycling can. “If it was Argyle, would you have?” he finally counters.

Jonathan’s face breaks out in a flush that he tries to hide with a cough. “Can we agree not to mention this is anyone?” he changes the subject. “Say I just stayed over and slept on your couch, alone.”

Steve shrugs. “I guess. What, you ashamed that we cuddled on my couch or something?” Jonathan looks away. “Oh my god, you are. How fucking dare you?”

“What do you mean? This isn’t exactly normal for the two of us.” Jonathan stands.

“Sure. But you wanting to hide it means you’re ashamed. Are you ashamed that you slept with me.”

Jonathan gives him a blank expression. “Please don’t call it that.”

“I am calling it that, because it was true. The two of us, slept on the same couch, together, also while cuddling a little bit. It happens, it was an accident. We use it as a funny story and move on.”

“Or we don’t mention it at all.”

Steve crosses his arms. “Alright, under one condition. You admit that was the best sleep you’ve gotten in a while.”

Jonathan huffs. “I don’t know what you’re talking about.”

“I think you know exactly what I’m talking about. Chronic insomniac Jonathan, falling asleep for what looks to be about, oh I don’t know,” Steve looks at the clock on the oven. “Six or so hours, undisturbed. That had to have been a good night’s sleep.”

Jonathan scrunches up his face before giving in. “Fine, ok.”

Steve laughs in victory.

“It was the best night I’ve gotten in a while, you’re right.”

“For me too, actually.”

“Wait. Wasn’t Robin here last night?” Jonathan remembers.

Steve’s eyes widen. “Yeah, she was. Where is she?” He lightly taps on her door before opening it, finding an empty, unmade bed. “Shit, she’s gone.”

“So, she saw us,” Jonathan accepts defeat. “Great. Where do we think she is?”

There is suddenly a loud burst of laughter from across the hall. “Oh no,” Steve groans.

“We’re never going to live this down, are we?” Jonathan asks with a wince.

“Nope,” Steve says defeated. “We go in together?” He turns to Jonathan.

Jonathan nods. “Only way to do it at this point.”

Steve heads across the hall to Nancy and Eddie’s apartment. He nods at Jonathan before opening the door to ruckus laughter.

“There are the sleepy heads,” Robin teases on the couch. Waving her phone in the air. “Hope we didn’t wake you up,” she fake pouts.

Eddie comes out of his room with a picture in his hand, holding it close to his chest when he realized Steve and Jonathan are there. “Oh, hey guys,” he says with a knowing smile.

Nancy starts laughing. “How’d you guys sleep?” she asks innocently.

Argyle sits on the armchair with crossed arms. “Terribly, I hope.”

“I thought this would happen,” Jonathan whispers while pinching the bridge of his nose. “We slept as good as two people sharing a couch do.”

“You admitted it so fast,” Robin barks. Cackling.

“You all already know,” Steve defends. “Also, what the hell is in your hands?”

Eddie tries to cover the picture with his hands. “Nothing.”

Steve walks toward Eddie. “So, I can see it then?”

Eddie runs to the other side of the room, Steve chasing after him. They do a whole back and forth at the kitchen table, Eddie almost running into the counter when he gets away. Steve fails to catch up with him as Eddie does another lap.

Jonathan moves out of the way before he gets run into, walking over to a still upset Argyle. “It really wasn’t that great,” he lies.

“Don’t lie to me,” Argyle says, avoiding Jonathan’s gaze.

Eddie runs into his bedroom, unable to lock the door before Steve gets it open, following him in. There’s a crash, causing Nancy to perk up with concern. But when yelling and sounds of wrestling continue, she sits back on the couch, sipping her coffee.

“Fine, it was the best sleep I’ve had for a few weeks. But it doesn’t mean anything, it was an accident I promise.”

“Are you weirded out by this,” Robin whispers to Nancy.

She just shrugs. “Not really.”

“It was really an accident?” Argyle asks.

“Yes, I really didn’t mean to. I’m sorry.”

Argyle finally looks at him, his face softening. “Promise?”

“I promise.”

“No,” Eddie yells from the bedroom. “Don’t rip it.” Followed by a “Ha, got it,” from Steve. He walks out victoriously with the picture.

“Neither of you are bleeding, right?” Nancy confirms, not really caring anymore. Steve shakes his head.

Eddie comes out of the room, leaning on his doorway, panting. “Please don’t tear it up. It was my last piece of picture paper.”

“Out of all of us, why is it you that has a printer?” Robin asks. Eddie just shrugs.

“What is it?” Jonathan asks, wincing.

Steve walks over to show him. “What you think. Why did you print it out anyway?”

“To put on the wall of many shames,” Eddie says, pointing to the wall covered in pictures of the group scattered along the back wall. Some with pictures drawn on their faces and other various situations they’ve gotten themselves into.

Steve looks at Jonathan, who just shrugs. With a roll of his eyes, Steve walks over and tapes it to the wall.

Tag list (let me know if you want to be added or taken off) @slowandsteddie, @annieofhearts, @cacdyke, @ubpd, @captain--low, @thespaceantwhowrites, @goodolefashionedloverboi, @anne-bennett-cosplayer, @lunaticparisianlady, @apomaro-mellow, @dolphincliffs, @dragonmama76, @maggiebug417, @stevesbipanic, @fearieshadow, @mentallyundone, @eightpackdiaz, @au79burger @bookworm0690 , @practicallybegging, @potato-of-the-lord

[ladymarvel27]

Live for someone | Carlos Sainz | (i)

Werewolf!Carlos Sainz x Witch!Reader

Summary: Years ago, you lost the love of your life. But when he has returned back, why is he hostile towards you?

Word count: 1.2k+

Warnings: Supernatural creatures, blood, injuries, mentions of smut, brief smut. English isn't my first language either, so apologies for errors if any.

A/n: What can I do? He gives off so much werewolf vibes that I had to write one.

Part 1 Part 2

Your eyes were heavily watered. He was standing in front of you, real and alive. For a moment, you couldn’t believe your eyes.

How It could be real?

You saw him disappearing into flames. The love of your life left you alone in this cruel cruel world. There was a strong bond between the two of you, despite being of different breeds. His big brown eyes always held his unconditional love for you.

But not today.

Today, his eyes held pure rage and hatred for you. You brought your hand forward to touch him, cup his cheek but it was soon dismissed on the way by his hand.

“Don’t touch me!” He snapped. Your smile dropped.

“Why, Carlos?” You asked as if you were begging.

“You are nothing more than a witch.” He answered as he walked away from you.

“I didn’t kill them.” You said, following him. “Those hybrids made it look like I did it. But I didn’t. The hybrids killed them.”

He was listening to you, his hands folded in front of his chest, but his eyes were down like he didn’t want to believe in anything you were saying.

You were searching for poison in the enemy's lair. You didn't expect yourself to run into someone you thought was dead.

The vampires had infiltrated and had been trying to take over your city. You thought they all were annihilated years ago when you had burned them to ashes with the same flames that had consumed the love of your life. Your destined mate, who has nothing but hatred for you.

You heard a distant foot approaching. He immediately grabbed you and locked both of you in a storage room. You were about to scream in pain when his hand was pressing on your shoulder. The footsteps outside faltered.  In an instant, he covers your mouth. You crossed your fingers to slow the volume of both of your hearts. He relaxes, removes his hands from you and moves away. The footsteps were now walking away and seemed to be gone. You allowed your heartbeats to be back to normal.

Suddenly, the door was banging. He immediately came in front of you in a protective stance. You know you and both his strengths combined will be negligible in front of whatever was banging the door.

Could this be your end? At least you were going to die alongside the love of your life. The love of your life who was filled with hatred for you.

The door broke down and opened, revealing a woman.

“Carlos!” It was your best friend. “Is this real?” She was the one in whose arms you cried when you thought your wolf-boy died. Your estimation was right because she was stronger than both of you. But, at least you were safe now.

“Yes,” was all Carlos could say.

“Y/n?”

“She is with me.”

“I am here,” You spoke. “I got a vial,” you pointed to the poison vial you had in your hand.

“Good job.” She turned to Carlos, “I hope you’re not a hybrid.”

“I am just a werewolf.” He replied.

She nodded. “Let’s get you both out of here.”

"I am going to get some groceries. Close the door behind, you two are the most wanted this time." You heard her saying to him before she left.

You took off your shirt. The open wound was throbbing with pain. It looked even more disgusting in the mirror. You didn't heal like that anymore.

You jerked when you made eye contact with him in the mirror as he entered the room. You immediately took a towel to cover your torso. "My apologies." He immediately apologised when he noticed you were shirtless and was about to leave until he noticed the wound. He came and stood behind you. Placing a hand gently on the wound, he asked, "Who did this to you?" You made eye contact with him. "The vampires." You replied. "And, did you see the injuries on your back?" You half turned to give it a look. "Lay on the bed." He ordered.

He closed the door behind him and came to you.

"How did you survive?" You asked out of nowhere. "Like how those vampires did. They captured me but didn't kill me." He answered. "They tortured me to near death instead."

"What else did they do?" You asked. "What else did you see?"

“They used to whip us with wolfsbane-coated whips.” He replied. “Some either died due to poisoning or due to brutal torture.”

"And he didn't, how lucky I am." You mumbled to yourself. "This wasn't your luck." He said and you jerked. You forgot he has superhearing. "I wanted to live. I knew if I were able to get out of there, a woman would be waiting for me." You turned to look at him. "But I expected you to move on." He removed his hands from your back. "You're done."

You got up to sit straight on the bed, wrapping a towel around your torso to cover yourself. “I never moved on.” He got up and opened the closet. He took out a button-up shirt. It was a powdered blue one. He always looked so good in them. He came near you and presented it to you. “Wear it.”

“I am fine.”

“You’re uncomfortable.” You sighed lightly and took it. You put it on and unwrapped the towel. The fabric when rubbed on your shoulder made you hiss.

“Are you fine?” He asked.

“Yes, just rubbing.” The wolfsbane whip. They must have left scars on him.

“Did you heal?” You asked.

“What?”

“The wolfsbane scars. They whipped you with wolfsbane-coated whips. Did they heal?”

He hesitated for a moment, but shook his head to answer, “No, they didn’t.”

“Show me.” You said but he started to walk away. You immediately grabbed his arm, “Please.” You requested again, trying to give him those puppy dog eyes, hoping that would make him melt.

You ran your fingers gently over his back filled with purple scars from wolfsbane. His breath hitched when a finger poked a little. Your eyes moistened. Why did he have to tolerate all this?

“Thank you,” you spoke up.

“For what?”

“For living for me.” You replied. “For tolerating all this torture just to survive. For me.”

“And thank you,” he turned around, “for waiting for me.”

“Carlos…” you moaned as you cupped his cheeks. He grabbed you by your waist to pull you closer. You grabbed him by his neck and closed the gap between him and your lips.

He pulled you onto his lap and his lips moved to your neck. You moaned loudly and wrapped your legs around his waist, with a tight grip of your hands on his shoulders to support yourself.

Your soft moans mixed with his loud groan as you both reached your climax. He collapsed next to you. You pulled over the duvet and turned over to close your eyes. Your eyes were too tired to keep open and your body was exhausted after the intercourse you just had with him. You heard him shuffling in the sheets. His one arm spooned you to his chest. He slowly kisses your eyes which lulls you into sleep.

Maybe he has forgiven you. All you need as confirmation is to hear those exact words from him.

A/n: Tell me in the comments if I should write a 2nd part. Thanks to @faithm120601 for continuing to write the supernatural fics or I wouldn't had the motivation to write this one, I've been trying to write these for the last 5 months. Also thanks to @samspenandsword and @saradika for the dividers.

[sabbathbloodysabbeth]

Never Say Die [2]

| Part one | you are here | part 3 | part 4

Everyone seemed to want a part two… so here’s another part! (Also name title comes from a Black Sabbath song lol)

Steve took a few steps in the house. His hands shook as he barely could see through the shirt that was over his face. Concealing his identity from the neighbors. He knows that Hopper and Joyce’s intentions were positive, but his mind was playing tricks on him. For a split second he was back in Russia, blind fold over his eyes as he’s being dragged from a van. Still in his sailer suit. Blood all over his face, the ashes of star-court still lingering on him. Not even given the chance to wash them off on the flight here.

Though When the blindfold is pulled off he’s in the doorway of a very nice home, not in the middle of a Russian cell. He can feel his body shaking a bit from the memory. Before he takes a shaky breath, closing his eyes. All of this seemed a little to easy. What if he was making it all up in his head? What if he was currently in a cell right now losing his mind. He wouldn’t put it past himself. He has had dreams so real about returning home before, to only wake up and get the shit beat out of him.

Hoppers quick to stand in front of him. Protecting him. Steve’s eyes snap open quickly, tears slowly forming in his eyes when he realizes what the older man is doing. It’s been a while since someone’s protected him, and not the other way around. Sure, once upon a time in the prison someone did protect him. But that barely lasted a couple of days before the guy disappeared in the middle of the night. Now Steve knew he fought a demogorgan and lost.

“Mom, what’s going on?” It’s Will’s turn to voice his concern. Steve can’t see him through Hoppers back but he knows how his face is pinched up. Joyce, who was currently standing next to Steve smiles shakily. Tears in her eyes, light footsteps moving fast across the wooden floor start to come in their direction.

“Will, everything’s fine. It’s just.. a surprise guest dropped in. A good surprise. “ Joyce explains putting her hand up. Gesturing for the other to stop. Which is what immediately happens. “Why don’t you go back and tell everyone to go gather in the living room. Let them know we’ll be out in a second.” Joyce instructs. Moving forward out of Steve’s sight. Who can already picture her smoothing the boys hair, wrapping her arms around Will in a comforting manner. Something he’s seen thousands of times and has always envied.

“And tell them, if any of them even think about stepping out of that living room I’ll make sure no one’s allowed to play that Dogs and Donuts game.” Hoppers voice is stern. Steve was standing behind him and it was bringing the fear of god into him. Though he has to hold back laughter because he knows the guy was purposely getting the name wrong.

A few footsteps and seconds past and he can hear Will in the living room. Voices starting to echo through the walls as both of the adults. Who were very concerned, pull Steve into the kitchen. Joyce is already pulling food out for him. Setting a plate on the table within seconds. He hesitates, before he’s moving and awkwardly sitting down. Eyes skimming the room. A habit of his that he’s picked up. Within seconds he already knows where he can exit quickly if it was needed.

“How are you alive?” Hopper asks first, getting straight to the point. Moving and leaning on the table as he looks at Steve with that serious expression again. The same one he held in interrogation rooms.

Steve chuckles shakily, “Russian Prison.” He answers simply before he’s wolfing down his food. He’s sure he was going to throw it up in a little bit anyway. It’s been a long time since he’s had home cooked food. His stomach was already shifting uncomfortably from how much he was eating. “I didn’t die during the explosion thingy, I hopped down and well. Here I am. Woke up in a van in the middle of Russia later on and found my way back home. In quick summary.” Steve explains quickly. Body tense at even the mention of the prison. Thankful for the fact Hopper knew when to back down from something like this. Eyes filled with concern.

“How do you want to do this?” He asks changing the subject.

“We can pull them one at a time in here and have them see you?” Joyce tosses the idea out there.

“No. Just want to rip it off like a bandaid. Get it all done and over with. I cant-” Steve says shakily. Dropping the fork on the plate as he stares down at the table. “I can’t choose who I want to see first. I want to see them all at once or none at all.” He admits. Moving his eyes up to challenge Hopper. Unsure whether or not they were going to allow him to see them. There shouldn’t be doubt in his mind, but there was just a smidge. Hard to trust anyone anymore. He barely knew the two adults in front of him. Only a few awkward conversations in the past.

“Alright… you ready?” Hopper asks. Moving to stand properly. Not even bothering to battle whatever imaginary war that was in Steve’s head. Steve was not ready, he never would be. He moves standing up. Left arm holding his side as he nods his head. Moving to follow the other. Hearing the hushed panicked voices in the living room. A couple curse words following along with them.

Before Steve can get a step in Joyce is stopping him. “Hold on, let me give them a warning.” She smiles softly before turning and moving into the living room. That was still mostly bare from the move in. Steve shakily crosses his arms over his chest as he tries to focus on breathing. He didn’t want to freak out to much while everyone was. He had to be the emotional rock. He looks down at the floor, not wanting to look up at Hopper. Faintly listening to Joyce begin to ramble right behind him.

“So… this wasn’t planned at all. It’s news to me.” She sounded like she was crying already. “But- this person. You aren’t expecting him and I know some of you are going to be excited to see him but he has some injuries. So maybe try not to jump him or overwhelm him.” Joyce warns. Everyone’s already starting to ask questions all at once. “I’m serious guys. He came from god knows where, doing god knows what.” She says finally hushing the crowd down.

Steve finally gets his signal from Hopper. His hands were shaking as he moves. Carefully limping a bit to the doorway. One hand on his side as he leans on it. Eyes landing on everyone in the room. Searching for Dustin and Robin. “Where’s Henderson?” Is his first question. Eyes squinting trying to see, his vision wasn’t nearly as good as what it used to be. Along with the fact he could barely hear out of his right ear. But thanks to the amazing government he was able to get a hearing aid fitted.

He knew that everyone was going to be shocked, but the way everyone’s faces go white makes a shiver go up his spine. All color leaving the room with the acceptation of Eddie and the boy with long silky hair. Both who didn’t know him. Steve’s looking around the group, to many faces and reactions overwhelming him before he sees Dustin throwing himself at him. Moving away from Eddie, who was stunned by how fast the kid could move.

Before he could tackle Steve, Hoppers catching him as says something. Dustin’s already in tears as he moves more carefully as he still hugs him. Steve’s hands shakily wrapping themselves around him, only taking a second before he’s tightly hugging the boy. Squeezing his eyes shut as he feels like one of the numerous missing pieces was just placed in his heart. He didn’t realize how much he missed the little shit until now.

“I watched you die.” Dustin sobs, body shaking in Steve’s arms. Steve feels like a leaf, he’s close to falling from the effort to keep them both up. He’s in tears himself, when he catches the green of his letterman jacket walking in from the other side of the room. Coming from the bathroom most likely.

“What’s happening?” Robins voice is loud and clear as she looks at everyone. Not given a chance to process Steve standing in the walkway.

“Didn’t figure you to be a basketball jock there buck.” Steve laughs softly. Watching as it all hits her as well. And she’s already sprinting, squirming out of Hoppers reach as she nearly tackles Steve and Dustin.

“Ow ow ow, I think you guys just turned my lungs to dust.” He gasps in pain. Both of them stepping back from him as he nearly falls. Holding his side, as he try’s to steady his breathing.

“Here let’s get you sitting.”

Steve nods his head as he moves to Joyce, who’s concern was only peaking. Leaning on her a bit as she helps him to the empty spot on the couch. Which was right next to Eddie. He’s coughing a little, lungs burning from the pain in his side. A shaky inhale of air as he looks at the other curiously. Before his eyes move to land over on the boy with silky hair who was watching him confused.

“Hey.” He chuckles awkwardly lifting his hand up as the boy smiles waving back at him.

“This- this is Argyle.” Jonathan pops in. Looking anxious at the sight of him. Nancy looked like she was a goldfish.

“Hey wheeler.” Steve chuckles, not caring about her what’s so ever. Who he cared about the most were both standing in front of him now. Nearly hyperventilating. He opens his arms out a bit, “come on you dorks. Be careful of the stitches though. I am not redoing them again.” He laughs as they both move carefully. Robin in his lap curling in on his chest. He moves getting comfortable, the exhaustion getting the best of him as he offers a arm for Dustin who was also seeking some comfort. His eyes and nose were burning from the effort of holding back tears.

“No offense but you look like shit, and I can barely see.” Max tosses in. Standing up now to get a better look at him.

Steve snorts, “I can barely see or hear and you sound and look like shit kid.” He says amused. Earning a snort. “What happened to you?” He asks curiously.

“Vecna.”

He freezes. Everybody was looking at him as he glances around, “wait the big cone head looking dude with the ET fingers?” Steve asks. He hadn’t realized that he had made it to Hawkins within the time he was away. He’s gotten hints, even seen him once. Drawings of what he looked like up on the Russian walls. From his understanding he created a portal, to trade demogorgans for the life of the prisoners. Which was apparently how he got so strong to be able to finally reach his way to Hawkins and use his powers without needing the person physically in the upside down.

“You know who Vecna is?” Eddie asks, speaking for the first time. His voice is wavering a bit as he does.

“Well that’s not what me and the prisoners called him. But yeah. We were wondering why he stopped… well snapping our bones like twigs for.” He admits.

“Prisoners?” Is the question everybody all say at once. He winces as he tries to stay relaxed. He was starting to get overwhelmed. As much as it was a relief to see all of them it was getting a little to much.

“Yeah, Russians don’t take to kindly to someone ruining one of their bases.” He chuckles dryly. “Can we- um change the subject.” He winces as he moves a hand up to his head. Feeling a migraine forming. His head hasn’t been the same since he was near that radiation shit in the mall. He blinks as he feels a random nose bleed starting to hit him. Feeling dizzy Robin and Dustin hop off from him when he starts to shake more while underneath them. El moving and offering him a tissue with a knowing look. His hands shakily take the paper, confused as to why she would be looking at him like that. It was just a random nose bleed, he wouldn’t be shocked if he got radiation poison or something.

He moves back into the couch after a second of wiping his nose, completely worn out. Blinking at the effort it was taking him just to stay here mentally. His eyes meet Joyce’s who was already getting Hopper on it. “You look exhausted hon, why don’t you go get some rest in our room.” She smiles as he nods. Moving, his legs begin to shake as he holds the bloody tissue to his nose. Walking the way Hopper wanted him to.

Unaware but fully aware at the same time of the amount of eyes that were on him.

So… I only had a few scenes that I really wanted to write for this. This was one of them. The next part I also really wanted, and I don’t know how I’m separating each part. I’m used to writing 10k word chapters so this is kind of like fresh air lmao. So I’m just writing to relief some stress as I graduate in less then a week 🥳 I just didn’t expect so many people to also want to read this.

Though, I would like to say if you like the idea of Steve disappearing and coming back out of nowhere I do have another fic called Bark at the moon! (Sorry self plug) it’s on a pined post on my account and the link leads you to ao3! (It’s werewolf steve fic and he does disapear😉) ok self plug over. Thank you guys for showing so much interest! It means the world to me!

Tag list; I tagged everyone who seemed interested! Let me know If you want to be added :)

@totallynotagoraphobic @flustratedcas @shunna @spookednsaucy @steddie-as-they-go @estrellami-1 @xxbottlecapx @gregre369 @ellietheasexylibrarian @thing-a-ling @radioactiveartz @bestwifehaver @idkwwhatimmdoiing @goodolefashionedloverboi @bringmethelow @thescribblerdragon @starman-jpg @lilaclilyroses @resident-gay-bitch @wolfscreations @adhdsummer @victor-thee-corvid @happymediummm @decadentworld @sidebarre @foundintheshallows @jamieweasley13 @yellowdevilkitten @catlovesfandoms @gryffindorsareidiots @thephantomhood

[talenlee]

Hanamusa, Explained

There is a nonzero chance if you follow me on tumblr, you’ve seen the term ‘Hanamusa’ attached to something I shared. It’s probably also some super cute art of Delia Ketchum and Jessie Teamrocket, and you may wonder what is going on and also, why is there so much good art of this.

Hanamusa as a term derives from the Japanese names of the characters – Hanako and Musashi. If you’re into shipping name structures, Hana-Musa implies that Hanako is the seme and Musashi the uke, but I don’t think that holds for all use cases of the type of terminology. It’s a ship. It’s an AU ship, as in an ‘alternate universe’ ship, where the two characters are presented in a context outside of the normal context of the anime presentation of them.

The Hanamusa ship as I understand it is set at some point after Jessie and James stop chasing Ash around, and Jessie settles down into a relationship with Delia. There’s tension about her history with Ash and the confusion about finding Your Personal Villain dating your mom, but mostly it’s about showing a sweet domestic life between two characters you know very well in a format I kind of see as like, Comedy-Sabot Romantic 4koma. Like, Hanamusa content is funny (and it is VERY funny) but it doesn’t need to be funny, because the main thing it’s about is showing these two characters and their relationship as they do cute things together.

It’s why people watch shows like K-On basically.

As for where this idea comes from, (EDIT: Slightly wonky wording here, I should have phrased 'this current fandom push' - I don't have any reason to believe Mai INVENTED the ship, just that when you go looking you'll wind up at her work) it seems to have its genesis with the work of one Kiana Mai, who developed this ship some time ago. Kiana Mai is also an extremely skilled artist, and one of those skills seems to be focus, creating these extremely clean-line excellently structured scene vignettes with no unnecessary content in them but also no need to rocket along. It’s amazing, engaging work that uses every part of the small format amazingly well. Which makes sense because one of the things Kiana Mai does is storyboarding work for Disney animated TV shows, a task at which I am sure she no doubt excels.

What I think is the most interesting aspect of Hanamusa, to me specifically, is that it manages to combine three things I don’t actually care about, in a way that doesn’t interfere with something I have unexpectedly strong opinions on. I do not watch Pokemon, and I have not shed a tear for Team Rocket and Ash Ketchum wandering into the sunset. That is a show that is not for or about my interests and that is okay. Indeed, imagining that it should be about what interests me is baffling. I think if I stopped watching a show twenty years ago, I have lost all right to act like I’m entitled to expect it remain the way it was all the way back then.

But I do have opinions on Jessie and James’ character voice. Not their voice acting – I mean, I know for a fact they’ve had to change over time and no voice actor should be obligated to kick it in the same role for what could be their entire career. I mean the way they talk about things and the words they use and kind of emphasis they put on words when they talk. About the way they voice their ideas, or the way they express who they are in the way they talk to one another, that stuff. It’s about affordances and persona, about the kind of people you project being by what words you choose to use and the affect when using them.

It’s why when, if a picture of a character is underneath it, you can read some dril posts as being ‘appropriately’ voiced by a character, even if it’s describing a candle situation that Francis Crozier did not have opinions on.

Jessie has a voice.

Jessie, in my head, is someone capable of moments of tenderness and friendship that is normally overwhelmed by an incredible confidence in ability she does not have and mere reality will never be given permission to infringe on it. Jessie is unassailably unstoppably sure of herself, thoughtlessly stupid in a way that doesn’t mean she is stupid, but which exists in a context of someone who has relentlessly pursued excellence in her job which is also the equivalent of being a late night 7/11 manager. She is the Girlboss that is Gaslighting herself into thinking she has something to Gatekeep.

Delia Ketchum by comparison is a very nice piece of wallpaper. Every appearance of her in my mind is someone Very Nice who is Very Patient and Very Supportive and has managed to keep literally all emotionally challenging conversations from happening around Ash, which can be perhaps easier when you remember that he, too, is an idiot. I don’t know how Delia Ketchum talks, but I do know that there are ways that Delia Ketchum does not talk.

This is interesting! It’s interesting because it presents a character where I am very sure I know what she does do when she does it, and a character about whom I can only be sure wouldn’t do some things. It creates a character space, and it creates expectations of affect and performance within that space. Ash and other characters show up as well, but because they get to interact with this already-defined space, you get treated to this really lovely kind of resonance. Would Ash call Jessie ‘dad’? Maybe, to bug her. He was good at being a twerp. Wasn’t he? I mean I remember it that way, he seems to work out that way, but… how would I know?

I know more of this AU where Jessie is studying to be a Pokemon Doctor and Ash wears glasses than I do of the source material any more. And if you’re wondering ‘hey, do Jessie and Delia ever meet in the source material?’ Like, yeah, for a few seconds. What, the point is creating something new.

If you want to check out Hanamusa stuff and read the comics, I recommend going and clicking on the hashtag on tumblr.

Check it out on PRESS.exe to see it with images and links!

#Anime #Media

[adhdzagreus]

curtain call

The Mechanisms are uncharacteristically quiet as they walk off the stage. Even Jonny doesn’t know what to say as the remaining eight space pirates file into the dressing room of the venue they booked for their last ever show on Earth. 

The first one to break the silence is the Toy Soldier who sniffles, gasps tremulously, and then wails, “Is all that really going to happen? With the—the black holes and the bar fights and the octokittens and everything?” 

Jonny stifles a groan. This is exactly why he’d locked it out in the first place. What’s going to happen is what’s going to happen, and they all might as well accept it. 

To make matters worse, the Toy Soldier’s sniffling has set off some of the more sensitive Mechanisms. Ivy pats it on the shoulder with a forlorn look, eyes glassy with unshed tears, and Marius’ fragile expression suggests that if Ivy starts crying, he’ll follow suit. 

Tim has his arm around Ashes’ waist, as if worried they might disappear, and though his metal eyes betray no sadness, the firm set of his mouth worries Jonny more than anything else. 

“The odds of us changing the future now that it’s been written are over three hundred million to one,” Ivy says sadly. “It’s statistically impossible that we will live forever.” 

“B-b-but we have so many more songs left to sing!” the Toy Soldier weeps. “Tales to tell! Wars to wage!” 

“And we will,” Jonny says shortly. “None of us are instantly about to keel over, are we?” 

“N-no?” the Toy Soldier says. 

“Everyone seems in decent health to me,” Marius says quietly. He holds Ivy’s hand in both of his. 

“So don’t worry about it,” Jonny says. 

“That’s easy for you to say,” Marius says. “You’re not dying for another millennia. I could get eaten by octokittens tomorrow.” 

Jonny’s stomach twists, and he wrenches his mouth open to retort, but someone interrupts him. 

“No,” Raphaella says sharply. “You will not. We know for a fact that we each die alone. I’m not letting you out of my sight, and you’re certainly not going to check on the octokittens any time soon. I’m planning to have Ivy feed them when we arrive back at the ship.” 

“It’s not the same now that I know they eat Marius,” Ivy sniffles. 

Marius’s expression shatters. “Don’t hold it against them, Ivy! They’re just hungry! They can’t help it! Don’t be sad!” he pleads. 

Jonny feels sick as Ivy starts to cry harder, expounding on the hunting habits of felines, which only makes Marius more upset. He throws himself into a chair and starts taking his makeup off with a wet wipe, trying and failing to ignore them as Raphaella attempts to comfort them both. 

“You’re being awfully callous about all this,” Tim says, still with one arm around a stony-faced Ashes. Brian and the Toy Soldier have joined the fray, and Brian’s platitudes about everything coming to an end in time are almost as unhelpful as the Toy Soldier’s weeping and wailing. 

“What’s that supposed to mean?” Jonny snaps.

“Well, you could at least pretend to be sad like the rest of us,” Tim says. “I know you’re all excited to die, but that doesn’t mean the rest of us are.” 

“God damn it, Tim,” Jonny snaps, throwing the wet wipe on the floor. “You think I’m not sad?” 

“You’re not acting like it,” Tim replies. “Marius had a point. You’ve got a run-up and a death you’re looking forward to. Ashes here could go at any time.”

“Hey, babe, don’t bring me into this,” Ashes mumbles. 

“Am I wrong?” Tim says. 

“Yeah, you fucking are wrong!” Jonny shouts. “You think I want to die alone in some backwater asteroid bar centuries after the rest of you are gone? Yeah, I’m excited to die, but that doesn’t mean I want to watch the rest of you disappear first!” 

The rest of the dressing room falls quiet, and Jonny realizes belatedly that he was shouting. Worse, he feels tears in his eyes, and he scrubs at them angrily, smearing the remains of his face paint. 

“Oh,” Gunpowder Tim says. “I guess I didn’t think about that.” 

“You choose how you go out,” Jonny says. “I have to wait until it finally decides to fucking stick. You know how many times I’ve been stabbed in the heart? I could go start a barfight on an asteroid tomorrow, but I guarantee it won’t stick.”

“All the same,” Tim says quietly. “I’d prefer you didn’t risk it.” 

“And I’d prefer you wore your fucking seatbelt, but we don’t get to choose, now do we?” Jonny says. 

Tim flinches, and Ashes frowns at Jonny who takes a deep, shuddering breath. 

“I—I mean. I don’t want you to die either,” he says. “But we have to die s-sooner or later. And I don’t want to waste whatever time we have left crying about it.” 

Despite this, tears are dripping from his eyes as he speaks, flowing faster than he can scrub them away. No one says another for a long moment, but he feels the eyes of several of his crewmates on him. 

“C’mere, you mean ol’ bastard,” Ashes says. They spread the arm not curled around Tim’s waist and gesture for him to approach. 

“What?” Jonny says, standing up and shuffling closer. 

Ashes crushes him to their chest in a one-armed hug, and Jonny breaks and grabs both Ashes and Tim as best he can. Before he can recover, he feels someone else wrap their arms around him from behind, and before he can protest, he’s at the center of a tangled mass of weeping space pirates—colloquially known as a group hug. 

It’s awkward with so much metal and wood and weapons, but Jonny can’t even pretend to be annoyed by it. He’s too focused on not breaking down into sobs. He’ll be damned if he lets his crew see him cry anymore than they already have. 

“I love you all very much,” the Toy Soldier says happily. “Best space pirate crew ever.” 

Jonny rolls his eyes and sobs silently. Hopefully, buried as he is in a mass of bodies, no one will notice. 

“Well, now that that’s been dealt with,” DrumBot Brian says, “I would like to return to the Aurora. I am concerned our parking pass has expired.” 

Jonny sighs. “Fine, but you stay away from the damn airlock.”

“Your concern is touching and noted,” says the DrumBot. 

The Mechanisms disperse and hurriedly gather up their things. Jonny lovingly coils up his microphone and tucks it safely away, and the band of space pirates begin to make their way back to the Aurora and off to destinations unknown.