#you'd think they learned the last 4 years but Americans like to double down on being dumb as shit

[guavagyal]

can't wait for Latinos, Asians, & black people who voted for Trump to get their nigga wake up call.

[laxmis]

                                                                     𝚃𝙷𝙴 𝙱𝙰𝚂𝙸𝙲𝚂

full name: laxmi singh.

date of birth and age: november 29th, 1990. 30 years old.

nationality: american.

gender and sexual orientation: cis woman, lesbian.

languages spoken: english, hindi, spanish, french, chinese.

occupation: flight attendant.

defining personality traits: compassionate, naïve, secretive, daring, empathic, unattached.

zodiac sign: sagittarius.

mbti type: infp.

                                                                   𝙱𝙸𝙾𝙶𝚁𝙰𝙿𝙷𝚈

should anyone be asked to describe you in a few words, they'd probably say you were like the sun: warm, bright, everpresent. if someone asked you to describe yourself though, the answer would be quite the opposite. for the first years of your life, you were like the moon: everyone saw your bright side, beautiful, composed, but no one cared to look for the dark side. it’s not like you didn’t trust yourself, but you knew the mean things the kids said about those who looked like you. so what made you any different than the other brown or fat kids? how could you be so sure that everyone didn't start talking shit about you the moment you left?

of course, you would never say this out loud because if you voiced all the insecurities, they would become real. you buried them in warm smiles and appropriate comments so no one would notice. it was exhausting, honestly, to live a double life, to be always on the edge, worried about saying the wrong thing —but it certainly did pay off: you were, like the sun, always at the center. you were popular, but not mean; beautiful, but not in that impossible way that makes other pretty girls hateable. you were always at the top of the class, but you never refused help to anyone who needed it. you built a fortress of kindness that could never, ever, be torn down by anyone who could notice how you felt on the inside. luckily for you, that “fake it ‘til you make it” mentality worked out just fine. somehow you understood you didn’t have to pretend anything because you did indeed love the person you’d become. and once that weight was lifted off your shoulders, you realized just how hungry you were. being a popular girl at a small-town high school was no longer interesting to you; you wanted to test yourself, see the world, meet new people, experience life without boundaries.

learning languages had always been easy for you, and by the age of twenty, you could speak perfect french, spanish, and a little bit of chinese, besides your native english and hindi. after you took a couple of gap years to study these languages, your parents expected you to finally go to college and do something useful with that knowledge, such as becoming a translator, but you had other plans. in a spur of rebellion, you moved to a bigger city and enrolled in a flight attendant academy, a career you balanced with working as a waitress every night. it wasn’t great for the first few months, but you were very excited about the prospective job offers you could have. your parents weren’t happy at first, but they finally understood that this was your true calling. also, they were hopeful that you would meet a handsome young man on one of your flights and get married soon, as it was the tradition in your mother’s side of the family. you didn’t dare to disappoint them with the truth.

it didn't take long before you got a job after graduating. you had excelled in the academy the way you had done in school and everything else you'd ever set out to do. thus, a hectic lifestyle became your routine. you were in 3-4 flights every day, which meant that when you had a day off, all you wanted to do was take a hot bath, drink some wine and massage your feet. jet lag destroyed your sleep schedule, so you never really got to see any of the beautiful foreign cities you stayed in before flying again. your co-workers were usually fantastic, but you could never coordinate your schedules and hang out on free days. the passengers were great as well, mostly, but none of them were remarkable or made a real connection with you. on the rare occasions that you dated anyone, you both knew it was a one-time thing.

you were content with this new, flighty life, but the hype didn't last more than a few years. you soon realized you needed something else in your life, some stability —a family. you had your parents, of course, and you loved returning home for any ongoing holiday, but you wanted a home of your own. the prospect is not very optimistic: the only person you've hooked up with more than once is one of your co-workers, whom you manage to fly with as much as you can. while it's nice to have a few nights enjoying the company, that's not a serious relationship. you're thirty now, and you're tired of everything being so shallow and temporary. you're thinking of quitting your job and maybe apply as a teacher in some language academy, but you're not confident in taking the plunge yet.

now, you may never do.

                                      𝙳𝙴𝚂𝙸𝚁𝙴𝙳 𝙿𝙻𝙾𝚃𝚂/𝙲𝙾𝙽𝙽𝙴𝙲𝚃𝙸𝙾𝙽𝚂

literally anything you can think of!

(sprites) who want to win her over, toy with her, lure her, get along with her, scare her, give her some answers...

(human or sprites) who become friends, rivals, romantic connections, i'm up for anything; laxmi is literally a blank slate right now because she's not acquainted with anyone!

[cookinguptales]

I've a small query (if it doesn't float your boat, no worries!) I was interested in how you got into learning languages, what led you to it? I've become curious since learning a new language as an adult has only increased my awe of multilingual folk (additionally, I vaguely remember a post about a request in exchange for a donation to charity, and wondered if there were any you'd like a donation to)

First of all, good luck with the language learning! It’s not easy as an adult, but I do think it’s worth it, both in terms of cultural fluency and brain elasticity.

My answer to the language thing is actually extremely complicated, so I’ll be putting it under the cut. I’ll put the charity stuff above the cut so more people can see it.

— I’d just like to warn you, though, before I start, that I have been locked in this house for over a month with no respite and I HAVE A LOT OF WORDS AND FEELINGS IN ME SO THIS POST HAS SO MANY OF BOTH OF THOSE THINGS!!

anyway

There are so many charities that I want to donate to now that it honestly makes my head spin. Every time I look at a site like GoFundMe it kind of makes me want to cry. So a lot of donations I’ve made have been to like local businesses, restaurants, etc. who will close down without help. (Also a lot of local native groups, who are disproportionately suffering right now.) I’ve also been donating to various food banks — Philabundance, a Philly-centric charity that deals with food insecurity in general, is a good one. That was a regular of mine even before the outbreak. I’ve also donated to a lot of the local services in the small town where I’m in now, though you’ll need to PM me if you want the name of that. (It’s… very small.) 

Off Their Plate is another great charity that’s been working with small restaurants (who can’t open for business) to get food to first responders. They’re partnered with World Central Kitchen, which is another fantastic charity that helps out during disasters. Plus well-known ones like Feeding America, No Kid Hungry (important while school is out and kids aren’t getting breakfast/lunch there), Direct Relief, etc.

(I uhhh may have overstrained my charity budget the past couple months. It’s odd how that adds to stress and relieves it at the same time.)

I tend to avoid religious charities, especially Salvation Army, because they’re occasionally discriminatory in how they distribute resources and we no longer have laws & oversight to make sure they don’t do shady shit. So I just avoid them in general now. I also avoid the American Red Cross because they’ve been known to misuse funds. Research is key!

I also worry about some of my regular charities, like Immigration Equality & Rainbow Railroad (helps LGBTQ people in dangerous countries immigrate to less dangerous ones), the Native American Rights Fund, various local abortion funds, RAICES (provides legal services to immigrants & refugees), the ACLU, Dysautonomia International, the Rainforest Action Network, etc… A lot of them are getting fewer donations than they’re used to because we’re in the middle of such life-shattering events.

If you are really interested in making a donation (please, please, please do) those are all good options. I also fully recommend looking up needy organizations, services, people, etc. in your own area. I try to donate to a healthy mixture of national/international organizations, local needs, and temporary issues du jour. (Disaster relief, bail funds for protesters, fighting new discriminatory laws, etc.) I would genuinely appreciate any donations, especially if you find a cause near and dear to your heart that I would never even hear about. Anything along these same lines, y’know? If you have anything you’d like me to do in return, just hmu.

I constantly stress about who to donate to — there are so many good organizations and so few dollars to give them — but at a certain point, every dollar to a cause you believe in counts. Every dollar you donate helps to make the world a little bit better for at least one person. That’s what I have to tell myself to calm myself down, haha. So even the smallest donation you make to any of these groups would mean a lot to me.

Anyway, onto the language stuff:

For me personally, I grew up bilingual. Deafness runs in my family, so I learned sign language from a very young age. Note: I say “sign language” rather than ASL. I learned sign language kind of organically, which ended up making a mess later in life. My parents mostly taught me, but so did my daycare (at a deaf school) and so did my babysitters and so did other family members, etc. The point is, not all of them used the same sign language. There was a wide mixture of ASL, SEE, and home signs and my current signing style is… problematic. lmao. My family all understands it (hey, they taught it to me) and I can have conversations with American sign language users, but I know they can’t love my signing lmao. I’ve considered sitting down and taking a legit ASL class for years, but there are so many classes I want to take… I don’t know.

After that, it largely became a case of taking languages whenever they were made available to me. I’ve always liked them. We moved around a lot when I was a preteen so I went to a lot of different schools. (4th, 5th, 6th, 7th, and 8th grade were all different schools.) It was rough at home and hard to make friends so I guess I threw myself into academics a lot. My sixth grade school was an odd one; it was a 6-8 grade school and you were supposed to take a crash course in three different languages in sixth grade so you could choose one and take it in 7th and 8th grade. I ended up taking Spanish, French, and German that year. I liked French best! But then we moved so it was kind of moot. (And I hated German, sorry Germans. My mouth doesn’t like the noises. It didn’t help that my teacher was weirdly sympathetic to Nazi-era Germany…? But I guess that’s another post.)

When we moved to Florida, you had to have special permission to take language classes in 7th grade. (FL doesn’t have great academics.) But since I’d already had some Spanish in NC, they let me take it! And then I moved schools again. This new school, my 8th grade school, I’d be in until I graduated 12th grade years later — but the employee turnover at that school was almost comedically bad?  I took Spanish for like a year and a half there and had three different teachers. So at this point I’d had 5 different Spanish teachers, all from different countries (where they spoke slightly different Spanish!), all reteaching the same ideas over and over again because they didn’t know where the last teacher had left off. In the end, my last Spanish teacher sent me to the school library with some textbooks because he felt like I was very good at languages and he couldn’t adequately teach me in the environment he’d been thrown into. (My high school was very terrible. So he was right.)

SO I SWITCHED TO FRENCH. I took French for 3-4 years in high school (can’t remember when I started) but the same shit started happening. By the last year, my French teacher had the French I, II, III, and IV students IN THE SAME CLASS and she just put the advanced students in small groups and had us do independent study. Sigh… Around this same time, I started three other languages. At this point, I was getting kind of accustomed to self-study so I applied for a Latin class in the Florida Virtual School and took a year of that. I also spent a summer studying at the University of Chicago when I was 16-17 and learned Middle Egyptian then. (Yes, I was an ancient cultures nerd even back then.)

The Japanese has always been an odd case. Like I said, my 8-12 education was fairly terrible. They had this thing where they used a computer program to teach kids math and the teacher kind of taught along? When I transferred to the school in the middle of 8th grade, the teacher didn’t know what to do with me so he just plopped me in front of a computer and told me to do as much as I could. They started me in… Pre-Algebra, I think? Which I’d already taken in sixth grade. So I ended up getting through Pre-Algebra, Geometry, Algebra, and Algebra II, which… wasn’t in the teacher’s plans. I’d kind of finished several years of math in like a quarter. And then they didn’t have any more classes. So he just told me to like. Sit quietly and amuse myself for the last few months of school?? (Terrible, terrible school.) So I went to the library and found a book about Japanese and started teaching myself that. I really, really liked Japanese! Like it’s a language that just clicks really well with the way my brain works, I think. It’s very logical, I like the syllabary, etc. And I think growing up signing helped me with pictographic languages like Middle Egyptian and Japanese. My brain easily connects visual symbols with concepts.

When I went to college, the plan was honestly to learn more Egyptian and start translating, and I kept taking French to help me read old research in various ancient study fields. I ended up transferring out of the NELC major, though, due to some ethical problems… I guess that’s another post. Several years into my RELS/FOLK degree I went to my parents like. Look. I love learning this stuff but none of it’s useful. Remember how much I loved Japanese? Can I go back to learning that? I could translate that and that’s a legit skill. So I applied to a program through my school and studied in Japan for a while and ended up really doubling down on that language. Weird how I came back to it years later, but I guess it was always the one I loved best.

I have a mind that’s very pattern-based, so I guess I’ve always loved learning languages and the patterns behind them. (This may be why languages with a lot of rule exceptions, like French, irritate me.) They’re like puzzles that I’ve always enjoyed teasing out. Unfortunately, the way my education bounced around meant that I never got a good grounding in most of those languages, so I’ve largely lost them. I can still read French fairly well and my Japanese is good… My Spanish is like. Enough to get me around in the southern US. My German is abysmal. I remember very little Latin & Middle Egyptian. (It’s been over 10 years, I guess.)

So I guess what I feel the need to say to you is that if you don’t use it, you will lose it. I did well in all my language classes. They’ve always been fairly easy for me. Like. Straight As, no problem. I don’t say this to brag. I say it so you know that even for someone like me, whose brain is fairly well-wired for languages, it’s very, very difficult to retain languages when you’re not using them. If you’re not used to taking languages or you started late in life, it’s even harder. So even on the days you don’t want to practice! You gotta practice! Ganbare! Bon chance!

[auskultu]

Yardbird Jimmy Page says, 'Open Your Mind'

Hit Parader magazine: WHEN YOU were a session man, were you playing bass or lead guitar?

Jim: Lead guitar.

HP: Was it difficult to switch to bass when you joined the Yardbirds?

Jim: It was at first because I tended to play it like a guitar. With the bass you just play a sort of root thing. I was just leaping around all over the place with great speed and I had to stop doing that. I managed to simplify it. But at first I was playing far too quickly.

HP: I read somewhere that you were going to play lead soon?

Jim: I already have because Jeff was taken ill. Chris took over bass.

HP: Who were some of the other people you have accompanied?

Jim: Them, the Kinks, Georgie Fame, I did some stuff for the Rolling Stones. Actually, we just did a lot of things for fun for Andrew Oldham. In fact, it really was good fun. But I've never been on any of their records. I was on the Who stuff. Petula Clark, P.J. Proby. Nearly everybody who didn't have their own backup group.

HP: How would you describe your style of guitar playing?

Jim: My style has always been very similar to Jeff Beck's. We knew each other for about 9 years. We've always liked the same music and we had the same tastes. As a result, it's been quite easy to fill in for him. When we get the two lead guitars going, it should be pretty good. Because it'll be like two identical people playing together.

HP: What's your opinion of the Paul Butterfield Blues Band?

Jim: I haven't seen them live. But their album is pretty good. As a harp player, Butterfield is really great. He's better than anybody in England. Lots of people speak of Mike Bloomfield, but there are a lot of guys in England who play that stuff.

HP: Beck is an excellent guitarist, but why isn't more of his solo work heard on records?

Jim: How far can you go? We've been told our latest album is too far advanced. There's too much electronic stuff on it. But I think it's all basic. We cut a single with Jeff. It's a Bolero thing. It's very exciting and strange. It's either going to be a monster or a bomb. It's an instrumental based on the classical Bolero piece. Beck's guitar-playing is exploited quite a bit there. But how much can you do that the public will accept? You either make a commercial record or a musicians' record. You've got to draw the line somewhere.

HP: Are there some good blues bands in England?

Jim: There's one called John Mayall's Blues Breakers. Mayall himself is terrible. And then Eric Clapton is good, but he's in the Mike Bloomfield bag, and that's that. And there are lots of good guitarists in minor bands.

HP: Would you say blues is still a big rage in England?

Jim: No, not really. It's still got a market; it's the same thing as in America.

HP: Are you basically a blues guitarist?

Jim: Before the Indian thing was exploited, everyone said I played like an Indian. Mainly because I was interested in the music so many years back. I had the albums and I sent to India for a sitar. I had one long before George Harrison. I tried to learn the actual classical music. It's very difficult. There are so many sides to it. I tried to adapt that to my guitar playing.

HP: Why have musicians latched on to these Indian sounds?

Jim: Because it's so esoteric. Everybody thinks they understand. They get a new sound and they say this is it. But really, they don't know what's going on, I'm sure. I've heard people in groups playing sitars and they don't know what's going on. They don't even tune them up right. Apparently, George Harrison has become deeply interested in it. He plays a sitar on their new album and he was getting along very well. People like Brian Jones just got it for the one record and I doubt if they'll ever use it again.

HP: There are a lot of Indians living in London, aren't there?

Jim: Yes, there are quite a few. Strangely enough, when you speak to them of Indian music, they don't seem to know anything about it. The only thing they know is the western music or the Indian film music, which is completely different from the classical. When you ask them about it, they recommend you to the Asian society or something. I met Ravi Shankar and that's how I got my information on how to tune up the sitar.

HP: Will you be writing material for the Yardbirds now?

Jim: With them, not for them. When one of us has an idea, we all chip in on it until it's finished. I wasn't on the last two, but 'Shapes of Things' and 'Over, Under, Sideways, Down' were all made up in the studio.

HP: What kind of equipment do you use?

Jim: When Chris is on rhythm guitar, we use any old amplifier because it isn't that important, but on bass we have a big set-up with 2 or 3 speakers.

On this tour, we've been given Jordan equipment. It's all transistorized equipment. We're sort of experimenting with it. It hasn't worked out properly on the lead guitars. But it's been sufficient on the bass. On bass, we've got 6 speakers to 8 speakers. In England I've been using a Showman Fender amplifier. And a Fender concert amp which is a smaller one with 4 ten-inch speakers. I link them up together so I get double the power. Through one you get the bass frequencies and through the other I use feedback and the treble frequencies. This is about the best set-up I've had so far. But Jordan is working on some new equipment which should prove to be great. I play a Gibson Les Paul guitar, Chris has an Epiphone bass and there's another Gibson floating around. Eventually, it will be all Gibson because we bought them and never bothered to change them. They're quite adequate.

HP: How did you finally end up with the equipment you've got now?

Jim: We just worked on it. I've been playing guitar for a few years now and I just work on this certain line. You do as best you can. The only problem being we blow up quite a few amps. We did one show and I had 4 amplifiers all linked up. It must have been about 400 watts all together. Those were Vox amps. They just can't take the volume. The speakers blow and then you don't get any sound at all. The Jordan ones didn't blow up, but they don't have enough volume. I've never broken a guitar, but I've been through nearly every make. I've never found a guitar which is exactly what I want. At the moment, I'm happy with this Gibson. I've also got a Fender Telecaster. I find every guitar's got a sound of its own and you can use them all and get something out of them. I haven't used the Telecaster on stage yet. Actually, all my guitars are in England because I came over playing bass. I switched to Jeff's guitar. His is very close to mine because they're both Les Paul models. Normally, we all travel by plane and the equipment goes by van. We have two road managers, one for the equipment and one for us.

HP: Have you found a big difference in British youth and American youth?

Jim: The Americans are a little more narrow-minded. The English, at the moment, are completely broad-minded. This wasn't the original concept of the English, was it? You can shock people in America very easily. If people are shocked, that's their bad luck. They should open their minds. In England, you could walk around in the nude and you wouldn't shock anyone. They'd think you should be put away, but they wouldn't beat the guts out of you. Also, the age of consent is 16. You can marry at 16. The attitude over there is completely free, just like the attitude toward clothes.

HP: Are you really that concerned about how you look?

Jim: I'm not really concerned with clothes. People put that on my shoulders. In actual fact, I'm pleased to see people walking around in outrageous things. They're throwing off the chains of a society that was. It's probably making England completely decadent, but so what. Billy Graham was just over there in England and if you walked around with him, you'd have seen it look all pretty decadent. I'd have to agree. He didn't make any impact at all. Actually, it's a forecast of the end of society. But I don't care because I'll be dead before it ends. If we've come this far in five years, it should really be something in another five. I'd like the new society to be a peaceful one but it won't be, because violence seems to be the answer to every problem. Every fringe society must be experiencing this. We walk around with long hair and someone shouts something, so you give them an answer back which is a little sharp and which they don't quite expect. Then they can't give you an answer, so they come to fists. What sort of mentality is that? I can't argue with a person like that.

It must be terrible for someone to have to fight in a war. I haven't had to think about wars. It's just something I haven't had to contend with, really, I hadn't realized what a big problem it is. I've just seen the horrors of it.

HP: Well, England doesn't have any big thing going now.

Jim: No, this is it. We have no conscription whatsoever. I'll never be drafted or anything.

HP: They won't send you over to Africa to beat up some people or anything?

Jim: Well, they don't do this. People wouldn't do this. If they had a mass conscription now, I dread thinking how many people would go. Because it would only be 40% of those who would have gone before they dropped conscription. People don't want to know about it anymore. They think, well, why should I waste two years of my life and probably lose my life in the process. They just don't want to know anymore.

They've got a regular army where you join and you jet paid every week for doing it. And you just do maneuvers and things.

HP: They have that here, too!

Jim: Yeah, sure, but yours is more of a reality because they get drafted over to Viet Nam. Basically, I must be a coward, but I just couldn't shoot someone. I guess it's different if they're looking at you with a gun and you're looking at them with a gun. You'd have to do it, though. I'd just be violently sick afterwards. I'd never forgive myself, anyway. I'm not the sort of person who's the violent type. I've never never had a fight in my life. I've never put my fists up to anybody. I've never needed to. Only, as I say, through the long hair problem people have said things. But it's never developed. Even if you say come on then, they still won't do anything. Basically, they've still got no guts. But even if they did, I'd run a mile. It's funny because you think, well, what are they going to do, and they don't do anything. So they just wasted the whole time laughing at you. Perhaps they just laugh to reassure their own masculinity.

HP: Why do you think there's such a big concern with clothes?

Jim: I don't know. It's a projection of one's character, I suppose.

HP: Is Carnaby Street a real madhouse?

Jim: It's so easy to send that Carnaby Street thing up. It really is. It's really a street with lots and lots of clothing shops. It's quite a revelation if you've never seen anything like it before, and I'm sure nobody over here has. There's nothing like that. It's just teen-age fashions, bizarre styles. You go there on a Saturday and the kids are there spending money. This is all part of the game, I suppose. Yeah, they spend a fortune on clothes. I don't know where some of the young ones get it from. You see them walking around and they must have spent twice what they've earned.

HP: Do they have things like charge accounts over there?

Jim: No. Not on Carnaby Street, anyway. They won't take checks or anything, not from the kids. Not unless they know you. But there is a big leaning towards clothes and fashions. It's an extension of their character. People have become more aware of the fact that, if they dress up and they look really elegant, I'm not saying Carnaby Street, but if they've got a very clean-cut suit on and still look pretty hip with it and not just sort of middle class, it has the affect on a girl.

HP: What's the biggest thing you dislike about America?

Jim: You see, the only thing that I've seen is violence, but I've only been doing concerts. I don't get out to walk around and meet people very often. If I was walking around the street, I probably wouldn't see any violence whatsoever. So, it's difficult. You see, I haven't seen much of America on this tour. But, when I had my holidays before in Hollywood, I enjoyed it. I thought it was great.

HP: You spent your holiday in Los Angeles?

Jim: Before I joined the group, I spent my holidays for the last couple of years in Hollywood.

HP: What are some of the things you enjoyed in Hollywood?

Jim: The weather. The weather's pretty bad in England. I met quite a few people and made some good friends. I liked the Sunset Strip; there's quite a bit happening there. I got to see groups I could never see in England.

HP: If you had a choice, where would you like to live?

Jim: Miles away from anybody. That's what I'm going to do when I get back. I'm buying a house. It's about a half a mile from anybody else. It's got a river, five bedrooms. That's for when the group slows down a bit. But we'll be working hard for the next year. There's so many things I'd like to do that I don't have the time for now. Things which are very important to me, like painting. But it's best to work now and make all the money I can.

HP: What kind of books do you like to read?

Jim: I used to study religion when I was in art school. But I stopped.

HP: Was that how you got interested in Indian music?

Jim: It may have been subconsciously. But I didn't just read about it and then go onto it. At the moment, I read sort of very strange things like I, Jan Cramer. Things which are a social comment. This Cramer is a beat painter in Holland. I like Henry Miller, too.