#you have GOT to be closet izzy haters who thought that saying 'oh i was so moved it was so beautiful' would like. legitimize your

[leatherbookmark]

idk maybe it makes me a child or Someone With Shit Media Literacy, but i feel like when people discuss fictional events that were good or bad writing, they often look to general fiction tropes rather than what makes sense for the individual story? like, oh, well, this is a [genre] story, and in these, it's either X or Y, so it's going to be either X or Y. or: this character technically could count as a [character archetype], so obviously they only have one very predictable ending. what wonderful, emotionally moving writing!

and like. are we writing stories, or producing products that check off all the most common boxes on the Successful [Genre] Story list? this is not to say that you can never kill off your mentors/father figures, or that your protagonist should never fail miserably in this or that point of the story -- sometimes it really is the most fitting and sensible solution! sometimes leaving a character alive would undermine or muddle up the message, if there is one, or it would simply make it more difficult for the writer. and it's fine. but when your reason for this or that writing choice is not "because it makes the most sense" but rather "because that's what happens in other stories", it's, uh, not good writing at all. it's barely any writing, really!