#you don't NEED it to understand the main villain or get very important lore drops that may never be brought up in the games

[chipistrate]

Novel trilogy centering around 3 star family and their journey to trapping the Mimic and creating MXES

Completely canon, but not necessary for understanding any future plot points- just more context to how it all went down that may be vaguely hinted at later, as well as giving us a glimpse at the three's dynamic before we see them in action in the games

[the-tubort]

I got bored so I started thinking about the importance of the various Summer Movies for Super Sentai since sometimes they can be completely irrelevant and a wast eof time or will be important to the plot somehow and comeback in a way that makes you wish you saw the movie. (Note I have not seen every Sentai with a Summer Movie and some of these are based purely off of my memory since I haven't rewatched some seasons in forever)

Gaoranger: The Summer Movie is fun to see Gao Knight but literally nothing from it comes back in any meaningful or noticeable to my memory

Hurricaneger: If you wanted to see Tenrai Senpuujin several episodes early, then here you go! This one is just kinda there from what I remember like it's fine but it's placement is awkward and they don't even bother to mention Tri Condor appearing in the movie first at all.

Abaranger: This is a must watch for a multitude of reasons, but the events of this movie do come back during the show in a very big way so it's worth watching.

Dekaranger: It's more Dekaranger go watch it for fun. Dekaranger doesn't even have that big of a plot in the first place so this is just a lot of fun so watch it

Magiranger: This expands more on the lore of the world and does some foreshadowing for other stuff in the show but isn't extremely necessary. Watch it if you want to see Hikaru get bullied for no reason

Boukenger: From what I remember of Boukenger, this movie just advertised that the machines 6-10 could in fact combine and then added another Precious that did not really get talked about again

Gekiranger: I haven't seen all of Gekiranger but I have seen the movie and it debuts an amazing mech form that does come back quite often but it's not like this movie invented completely if that makes sense

Go-Onger: The series takes like two episodes of its runtime to literally bring back the movie characters and general plot so yes you do need to watch it

Shinkenger: The Summer Movie toy appears quite often in the show and post series content so yes do watch this. It's good regardless of its status as necessary anyways one of the best summer movies

Goseiger: The Summer Movie toy shows up I think a totalc of one extra time in the series and they don't even bother to reference that it came from the movie like at all its honestly not worth the time

Gokaiger: it's a fun time but nothing that happens in the movie changes or develops anything we didn't already know about the cast and their end goals. (Watch the vs Gavan movie though that shit is fire)

Kyoryuger: The Summer Movie cast, toy, and villain all come back in the main series and while they do provide minor context it's good to know the full movie regardless. It's also just super fun anyways

ToQger: not super necessary since it never gets directly mentioned until a Vs. Movie but this is genuinely one of the best movies they've made and when you watch ToQger along with this movie you'll understand

Ninninger: The most I can say about this movie is that the mech shows up the Vs ToQger movie for like 2 minutes which was neat

Zyuohger: This movie was cool but the mech and general plot I wanna say only get brought up like once for a quick reminder that it existed I think? Also Yamato gets beaten up a lot in this movie as is Zyuohger tradition

Kyuranger: Genuinely I was so excited to see the summer toy in this movie and I could not tell you a si gle thing that happens and neither can the cast of characters cause they never once bring it back

LuPat: Surprisingly yes this is necessary for something that happens at the end of the show. If you know, you know.

Ryusoulger: This is one of the more recent seasons + movie I watched and quite honestly I could not tell you much of what happens in the movie because for as much build up in the series led up to it, it impacted the story so minimally the show does a perfect job of summing it up without wasting the time it took to watch the movie. Whatever lore they dropped in the movie, you get in the show but at least seeing the lore in action is cool instead of not seeing it

Kiramager: Okay technically not a Summer Movie due to COVID but it counts in my heart forever. This is somewhat necessary they built it up a bit with the main villain being name dropped before her appearance and then they reference it in the literal last episode but its not like you're missing much if you choose to not watch it. I do recommend seeing it though for a certain scene. If you know, you know.

Donbrothers: The most recent movie and honestly I could not tell you if it was necessary at all considering the show isn't over but Inoue did bother to spend a whole two minutes to reference the movie happening and a single scene referencing it did happen so yknow. Go for it. I will say it is fucking hilarious and I couldn't breath at some points

[oswald-privileges]

ALL RIGHT BUT YOU ASKED FOR IT

Power of Three as a series is just. full of weaknesses, most of which come down to poor continuity and structure. I'm not gonna try and fix ALL of those, bc that'd be laborious as hell, but I will pick out things that I feel are the most egregious as case studies.

What Po3 does have, tho, is an absolutely shining strength in the concept of its three main characters. After twelve books of Blandly Heroic Protagonist Syndrome, Jayfeather is an absolute godsend. He's angry! He's rude! He's unhappy! He's not nice. I Love Him And He's My Son. Lionblaze has his invincible pride (hah) and emergent bloodlust, and Hollyleaf has her moral absolutism and certainty. These are good starting points for characters. Sadly, the lack of continuity undermines what could have been three really good character arcs.

So! I present to you:

HOW TO MAKE "WARRIORS: THE POWER OF THREE" NOT COMPLETELY SUCK ACCORDING TO MY PERSONAL TASTE; A NON-EXHAUSTIVE, NON-CONSECUTIVE LIST BY ME

ONE

- Have there be a persistant, overarching series threat. Sol is a character with amazing villain potential who does literally nothing except hang around, and do exactly 2 Bad Things completely off-screen. This Is Not Good.

- Instead, have him be present from the second book onwards- initially introduced as a friendly but enigmatic outsider who is slowly revealed across the series to be a complete black hole of a personality, a social parasite quietly rearranging whatever community he's a part of to just-so-happen to benefit him as much as humanly possible. His "preach individualism not starclan" methods are not so much values as one strategy out of many. (to those who know me- yes i have a type. no i will not apologise.)

- Maybe his ultimate goal is to dissolve and centralise the clans or something so that he can live out his life as a political puppetmaster in all the cat-luxury he likes. idk it's hard to imagine overall stakes for this rewrite BECAUSE THE ORIGINAL DOESN'T HAVE ANY

TWO

- For gods sake you don't have a series based on the premise of "the main characters develop super powers" and then only have the second power confirmed by the end of the fourth book. I understand the first book mostly focusing on Jayfeather- his powers are obvious from the start, he's got the strongest personality of the three, he gets access to most of the prophecy plot stuff because of them. But you NEED to have the other two show an interest in something concrete happening to them beyond that, and you need to at least hint towards the other two having something unique to them even if nobody clocks it yet.

- Have Jayfeather tell his siblings about the prophecy by the end of book two at the latest. The amount of time he spends noodling around not sharing it with them is inexcusable. It's not that it's out of character for him to hang onto a secret for a bit, it's just that there's no point and it slows everything down. It would be equally in character for him to go to his siblings and be like "look, i'm SPECIAL. well you as well but ALSO ME". Boy starts off as desperate for recognition, what can I say

THREE

- Have Jayfeather discover that StarClan don't withhold signs or information on purpose for the sake of "building courage and faith" or whatever nonsense. Seeing and communicating the future is metaphysically very difficult, so interpreting signs and messages is a genuine skill, or even an art. The cats of StarClan, however, really are just ghosts, much more similar to living cats than the currently living believe. This is the impotus for Jayfeather's discarding of his reverence for StarClan, which remains consistent throughout the series.

- Have Hollyleaf and Jayfeather both still change their cat careers in the first book, but put place more attention on the fact that they basically switched jobs. Have a scene where they end up yelling at each other, because can't the other see how lucky they have it? The tension breaks when they realise they've both lost something important to them- Jayfeather his chance to prove he's as capable as a sighted cat, and Hollyleaf her path to helping her clan in the way she thinks is best. They commiserate together, and reluctantly promise to do the best they can with their lots, so they don't waste the path the other wishes they'd taken. This closeness is eroded over the series as they disagree more and more on the subject of StarClan and its role in their moral choices and obligations.

FOUR

- Speaking of Hollyleaf! I nearly threw my phone across the room when the first Omen of the Stars book claimed that Hollyleaf "worked so hard to discover her power to help her clan". Where, Ms Erins??? I would have LOVED to have seen that!! Hollyleaf expresses absolutely no concern over the details of what power she has/will develop, and only has a couple of scenes even touching on her ambitions to help her clan. She has some vague ideas about becoming leader and like one scene where she gets to do some leadery things, but that never gets followed up on. What does happen is that the whole "warrior code" thing becomes more and more a part of her personality (for no clear reason) until she snaps.

- Hollyleaf going off the deep end is something I wanted so badly to get into and be moved by, because I could see where it comes from! Her moral certainty is fascinating, especially since it's based in something as abstract as the warrior code- which, when you think about it, isn't really... anything. There's no concrete set of rules that make it up, no traditional wording or cat philosophers, not even any fables. It's a handful of agreed-upon, common sense rules- don't cross boundaries, don't take prey that isn't yours, respect your ancestors, and don't murder. That's it!

- So, combining the above points, I think Hollyleaf not being one of the Three should stay, but both the audience and the characters are given good reason to believe she is. By around the third volume, make it so that Hollyleaf has found that her power is to get cats to "Do The Right Thing"- i.e. what she wants them to do. She sneaks off often to see Sol, who teachs her how to use this power. Her siblings are concerned about this new power, having already gotten a glimpse at what Sol can do, but she's confident that she can only use this power for good. Volume-specific plot happens, Sol manipulates her into causing him to win, she is shocked and horrified, and vows to stick ridgedly to what she knows is right i.e. The Warrior Code

- However, the more fervently she tries to stick to this abstract idea, the less it gives her results, the more her power seems to be failing. Believing that StarClan is taking her power away from her, she becomes caught up in a faith-guilt spiral that puts her in the position to snap at the end of the series. By that point it's clear to her siblings that Hollyleaf has no power- she was just very, very good at persuading people to do what she wanted.

FIVE

- Lionblaze is a girl now because I Said So. This Cat Is Trans And There's Nothing You Can Do About It.

- Her relationship with Heathertail stays the same- childhood sweethearts who are torn apart as they begin to understand the nature of the societal divides that exist between them.

- This can be used to contextualise the whole "half clan/outsider blood" thing as a cultural contradiction. In reality, inter- and outer- clan relationships aren't at all rare. They can't be, otherwise the whole society would be inbred out of existence in like five generations. But if at least one society of humans can spend a good 200 years pretending Sex Is Bad And Sinful Actually then cats can have persistant cat-racism in the face of all logic. Heathertail clocks this contradiction, Lionblaze doesn't.

- Her relationship-to-power arc doesn't need changing all that much either, other than starting much sooner and being more consistent. At first, she's completely overjoyed by her power, since unlike her siblings, it lines up so well with her ambition- become the finest warrior any of the clans have to offer. As the berserker rage aspect becomes more prevelent, she becomes more and more disturbed by the fact that she isn't disturbed by what she can do, and that she doesn't want the escalation of her power to stop.

- Tigerstar still does his thing, but Brambleclaw knows about it. He recognises the signs from when his father used to visit him, and tries to train Lionblaze in his own way. She ends up caught between wanting to be a good warrior, and testing the limits of her power.

SIX

- Jayfeather can stay basically the same because he's my perfect little angy boy and nothing needs to change. His arcs can be strengthened by having a more robust relationship with Yellowfang where they try to out-bitch each other, and coming to terms with his internalised ablism. Maybe he has a chat with Mothwing about faith a couple of times. Him furiously lashing out at being offered help transitions into an acceptence and understanding of his abilities more naturally. He never stops being A Grumpy Old Man.

- All fucking past-lives unexplained time travel goes in the BIN. Doesn't fucking happen. You can have that lore dump sprinkled across the books, or come from going deep into the tunnels and having a surreal meeting. Make it properly eldritch-level scary, shake Jayfeather's confidence in the idea of them being just a bunch of ghosts.

SEVEN

- Have the way Brambleclaw and Squirrelflight present very clearly as parents to the Three be explicitly, textually unusual. One of the things I liked so much about the first series was an almost total lack of emphasis on who was mated with who, and who was related or not. It felt very real to how feral cat colonies form, where raising kittens is a communal job. This gets completely dropped the moment series 2 starts and now the cats have monogamy.

- This emphasis on the family unit and fostering close relationships between parents and kittens is deliberate on the part of both Leafpool and Squirrelflight. Their aim is to cover for Leafpool so she doesn't lose her role as medicine cat- something she already gave up Crowfeather for before she was pregnant.

- In that little bit of backstory, have a robust reason for both Leafpool and Squirrelflight to leave the camp while Leafpool is pregnant and giving birth, possibly one that ties into the present day story in some minor way. I don't know how, it would just make that element of the story a lot more ground than "we left, the kits were born, then we came back and everyone was cool with it"

- When it comes to the "I am Not your mother" reveal, Jayfeather and Lionblaze are confused and hurt that they were lied to, but come to the reasonable conclusion that well, since they were raised mostly by Squirrelflight, saw Leafpool often, and are loved by both, they don't hate her. Lionblaze has something of a crisis over being half-clan, possibly initiating an attempted reunion with Heathertail. Jayfeather is more concerned with how other cats will think it makes him lesser, something he's still sensitive too.

- Hollyleaf, meanwhile, completely fucking snaps at the way her mother Violated Part Of The Code. It's a completely irrational reaction, but expected because she's been growing more and more reliant on The Code for the whole series, and less and less stable in her attempts to aid her clan and train to be its new leader.

- Squirrelflight is the one to murder Ashfur. This is easy to work out while reading- she's literally the only one of the four with a motive who isn't a perspective character. The mystery is less around finding out who did it, and more about why she did it (it's very ambiguous as to whether it was an accident or not). The main tension comes from who finds out when.

- Lionblaze is shocked, awed by how far she'd go to protect the three of them, and reassures her she did the right thing (as a way to salve her own uncertainty over her own longing for violence). Jayfeather makes it all about himself because he's Jayfeather- upset that he didn't know immediately, instead of, you know, figuring it out in a few hours because he can basically read minds. They try their best to hide it from Hollyleaf, who is already rattling around the final volume as a full-on antagonist, but are unsuccessful. This almost costs them something incredibly important- possibly Squirrelflight's life.

EIGHT

- the whole plot with the Tribe Of Rushing Water is a MASSIVE can of worms that could be removed from the series without issue. As it is:

- Characterize the Tribe as uncertain of how to fight other cats, because yes, they haven't had to do this before. DON'T characterise them as pathetic, doing whatever their leader says without thinking, and with ancestors who have Given Up

- Have some of the Tribe be really good at the violence. Worryingly good. Have others be sickened by what they're being asked to do.

- Have some of the clan cats reflect on what they've done. Hollyleaf would be all for introducing this society to jesus The Code, but even she might be horrified at being thanked by a tribe cat who can't wait to get out there and win themselves glory, only to be killed a few hours later

- The Tribe begin a new tradition of marking the walls in the mud they use as camoflage in order to commemorate their battles, and memorialise the fallen. One of the characters reflects on the fact that in a generation or two, the Tribe will feel like it's always been this way. How many of their own traditions- those that feel almost like natural law- started out the same way?

- Have Sol as the leader of the invaders, or maybe having insinuated himself into the tribe as a "mediator" and doing his charismatic cult leader thing.

NINE

- Cinderheart isn't a reincarnation of Cinderpelt. She's just named after her bc Cinderpelt saved her mother from a badger. this is because I think the reincanation thing is stupid and I can't think of a way to make it good.

TEN

- No more using tails as hand gestures like covering people's mouths. Never. None of it. It's expunged from existence.

Disclaimer: I haven't read Omen of the Stars yet, so I can't account for anything that might happen in that series that's grounded in Po3. I'm like... two thirds of the way through the first volume. I'm Not Impressed.

[bon-nii]

There's literally no stakes in the anime at all. Its so bland and emotionless. I don't feel anything for these characters. Everything is being handed to them. Give me back my son, Adam. He is far more intelligent than any of these anime characters. They all drank stupid juice.

Yeah, I definitely agree. I'm just watching to see where this ends up at this point (and also to shitpost lmfao)

Every Thursday me and two of my friends (one has read most of the manga, the other is anime-only) watch it on discord, or talk about it on discord and man... my friend who is anime-only is like "yeah, this sucks ass, I need to just read the manga" and is confused with stuff. We just kinda clown on it at this point. It's basically just someone's shitty canon-divergence AU playing out on screen.

Random assortment of thoughts:

I can sympathize with Manga Norman. I can understand WHY he is doing what he is doing and what his motivations are. It is, quite frankly, completely disgusting what he wants to do, but I can get why he wants to do it and I don't hate him. He is a very complex character, trying to make sense/live in a very complex world. Anime Norman on the other hand? I feel nothing for him like, I just Do Not Care. Norman is, imo, the best written out of the three mains and my personal favorite, but they've completely squandered his writing... ugh

I've held strong by this belief: If you are going to adapt TPN, there are 3 major characters who you *cannot afford* to mess up. Isabella, Yuugo, and Norman. (I'd even throw Peter and Leuvis in there as well) Well, Yuugo's gone and if they *do* decide to have him show up his character is completely different (i.e. the out of character note he leaves at the bunker). Norman has next to none of the depth he had in the OG story (I can't remember, but didn't Cislo or Barbara say that he saved the kids at the mass production plants? Uhhh, what?!?!). And Isabella is being built up as the big villain YET AGAIN which does not align with her development at all (though I do think they will still pull a bait-n-switch on us like in the manga) so there goes that.

Peter and Leuvis oh where do I start? Leuvis is my personal favorite villain of the story for multiple reasons (I think I will write an entire post on him sometime) and Peter is the epitome of everything Emma stands against and is essentially the Big Bad. Leuvis is gone, Peter is in the op but has had ZERO screentime thus far, not even any fucking hints to his existence at all. There's 5 eps left so he has to show up at some point, right? He's in the opening soooo... where the hell is he? How are viewers supposed to give a shit about him? He's pretty fucking dangerous and has been influencing the plot since day ONE, but whatever I guess??

Anime Ray is the only one I vibe with rn, and even then he's meh. Anime Emma is on thin fucking ice, and Anime Norman can be fed to the Dropkick Murpheys for all I care.

Infodumps. My god. These bitches be talking like they're reading a wikipedia article.

The literal butchering of Emma's character. Goldy Pond would have been the ep 19 of Demon Slayer of this anime season if they had adapted it, and I stand by that. The amount of HYPE on social media that would have happened after Emma pulls herself from the brink of death to challenge Leuvis would have been insane. There are so few strong, well-written female shonen protagonists... damn shame that the brilliance of Emma is relegated solely to s1 and the pages of the manga, she is a husk of herself in this season.

No character growth. Trio is separate for 90 chapters. That's literally half of the entire manga. There's no feeling of separation, no feeling that they are wildly different people now. These three have spent their entire lives together. Ray and Emma have to struggle without Norman, and Norman has to struggle without Ray and Emma. It's so important. This dynamic *literally* dictates how they grow as characters. When they are finally reunited it is so emotional and amazing, but also a bit unsettling because Norman is *clearly* not the Norman we remember... but in the anime we don't feel any of the impact of those 2 years.

Yuugo and Lucas. Contrasting the love Isabella gave to the kids with the love these two dads give to them. Adds a lot to the story. RIP.

Also RIP Adam and the Gold Pond kids... jeeeeeze there was so much potential.

Anime sacrifices extremely hard-hitting and emotional moments for cheap shock factor (namely, bunker raid and the trio reunion)

Speaking of the trio reunion, why the FUCK does Anime Norman not give a shit about Anime Ray? Hes completely ignored, and it's not like in the manga where he came in later no, like... he's there, seeing Norman at the same time Emma is. There's like, a solid minute and a half of Norman and Emma crying over each other while Ray just stands in the back like 🧍‍♂️and then is added as an afterthought. Emma's like "oh yeah, I brought Ray" GIRL??? And Norman is like "oh hey Ray.." BITCH?!?! YOU KNEW HE WAS GONNA FUCKING KILL HIMSELF AND HAD NO WAY OF KNOWING WHETHER OR NOT EMMA WAS ABLE TO STOP HIS SUICIDE, FOR 2 YEARS??? AND YOU JUST IGNORE HIM?? AND THEN ACKOWLEDGE HIM AS AN AFTERTHOUGHT?? I--okay!

Manga Norman: Emma and Ray are my best friends and I love them more than anything in the world, but Ray understands me in a way that Emma doesn't. They are both important to me.

Anime Norman: who the fuck is ray

Zero suspense. Minimal world building. Very minimal lore building. No mystery.

What the fuck is up with the William Minerva part of the plot like... uh, that's pretty important??? He's been completely dropped and there's zero reason for us to connect him with Norman. Like, he had his phone call in ep 3 and then any mention of him dipped. Disappointing as hell. Don't get to see the parallels drawn between him and Norman. Man...

Yeah idk what else... am I being too critical? Honestly, not sure. I think my criticisms and frustrations are well-founded, but I am definitely basing most of this off of the anime's failure to adapt the manga. Though I suppose, looking from an anime-only standpoint who has no idea just how much of the story has been axed, it might be okay or it might not be? Or it might depend on the person... in any case, I cant fathom how anyone could look at this season and go "Yeah, this feels like the same show as season 1!"