#you all love to indulge in our deaths don't you? why would you press ANYBODY watch it

[robotpussy]

why is some white bitch on here telling people to watch a video of a black woman getting shot at by the police....

[bangtanpromptsfics]

acacia.

dialogue prompt #1: “Is this illegal?”

pairing: jungkook x reader

genre: f2l, fluff

word count: 1,590

warnings: alcohol consumption, swearing

summary: jungkook is in love with his best friend who would date anybody but him

a/n: these are meant to be for writing practice. feedback is greatly appreciated. it's really short but I hope you like this!! prompt is inspired from pinterest.

masterlist

“Is this illegal?”

Jungkook realises you are dumb, especially with all that alcohol from the party, or more so even without it. 

He takes a sip of his beer and tries to construct a safe sentence which won't come out as rude.

“Bitch”. Well he tried. “You want to rob someone? That too his Balenciaga jacket? ”

You are referring to Namjoon who is busy chatting up girls with his dimples and loads of knowledge, for which he is mostly known. Redefining sexy or something on that line. 

He was hosting this party for reasons you don't remember now anyways, it has something to do with his never ending list of achievements. And he basically invites most of the population of college. I mean free drinks so, whatever. 

“I'm cold Kook, and his jacket looks so warm. He didn't give it when I asked him politely, so let's steal it”, you slur, shifting your body weight around enough to not have your face planted on the floor. 

“You asked him? ”, he squeaks. “You can have mine”, he is removing his denim jacket in the next second, with a look of amuse of course and drapes it over your shoulder, “feeling better?”

“Yes!”, you begin to chime, “It smells like you too!”

Jungkook’s cheeks warm up instinctively. Though sometimes you are a pain in the ass, especially drunk, he had never complained about it. He shoots death glares and unpleasant nose scrunches of course, but nothing more. He'd been your friend for so long, so he should've been used to the random appreciation you give him. He should be immune to your flirty laughs, the way you look absolutely endearing with his hoodie on your small frame and definitely not clench his fist in jealousy when you go out for dates. 

Probably a very cliche best friend in one-sided love story, but he feels so much more complications than that. He was going to confess ages ago, but since you are dumb as I said, would jump around random guys, scare them off with your mouth and wonder why you are single. 

At times he wants to blow a punch to his face, like now, for being so crazy about his best friend, and being limited to only give you some sort of bro love until it's alas the final year of college and he completely misses the chance when you go to Paris for career. 

“Talk something Kookie”, you bump shoulders together to catch the boy's attention who is in deep thought. He was indulgent in walking you to your dorm, and it reaches by ten minutes, and he really just want to fucking kiss you before you go, but he can't. 

He faces you when you rest your face on his shoulder. “What are you thinking about hm?”, you ask. 

“Nothing”. Liar. 

“Well then I have something to say”, you remove your face and gaze on the ground, feeling a little sad already. 

For a second he is hopeful and he doesn't know why. “What about?”

“Yesterday’s date”. Ouch. But as always he is trying his best, “Oh totally forgot about it. How did it go? Any luck? ”

“He stood me up. That asshole didn't even show up. I guess he just wanted sex”, you kick a pebble out of frustration while Jungkook wants to kick his face. It breaks him that he doesn't stand a chance to show you how much you can be loved. That you are more than the body all boys crave and go. 

This time he kicks a pebble, and it jumps fairly up to land on some car’s window. 

“Careful”, you chuckle, “I don't have money for concession”.

“Y/n, why don't you understand when I say someone is playing you? I always warn you, but you choose to do your bullshit anyway”. He is aggressive, but he's just sad; broken. And even though you get it, it sets you off. 

“I am trying to find my soul mate”.

Jungkook couldn't help but laugh out loud, he thinks you are so innocent, so naive to let people run you over because of how soft your heart is. He even bends a little to catch his knees to support himself. 

“What?”, you scoff, crossing your hands across the chest. 

“You want to go on a date?”, he asks. And it takes him off guard too, more than you. But he seemed confident for the first time. Probably because the sober you doesn't remember the drunk you even in the slightest, or perhaps he thinks it'll go right. 

“Date?”, you repeat, “With you?”

“Yeah”

“Like… right now?”

“Yes”, he puts out his hand, waiting for you to join hands. 

What's the worst thing that's going to happen anyways? It's Jungkook, that one person who would give his life to protect you. 

He doesn't say anything for the rest of the walk. It's a bit rushed because he can't simply wait. A whole thunderstorm is rushing inside his veins and he wants to make everything about this just perfect. So perfect that you forget about every date you have ever been too. 

This is surely not the best date he had planned if he ever took you out, but it sounds alright on his mind and wishes it does the same on yours too. 

After a stroll, you're waiting for Jungkook behind some rented building. He returns with a ladder; enough to make it to the first floor. 

He makes sure to stand behind you and assure your safety. The rest of the way up was stairs, several tiring floors and heavy breath. 

He observes your face forms an ‘O’ out of surprise. 

At the rooftop of this building sits the most beautiful view of the city and thankfully starry sky to make things better. 

It's Jungkook’s self-reflection space to be exact. There were things he shared with you of course, you were each other's shoulder to cry on, but ever since he caught feelings for you, he is just afraid he'll end up ranting into a sudden confession and ruin the friendship. 

So he found other ways to cope. You however were convinced that it was some sort of “change” over time. Everyone changes and you believed it was just something of that sorts. 

“It's so beautiful! ”, you grin, “How come you never bring me here you meanie! ”, you smack his arm as you sit down on the ground beside him. 

“I was going too! ”, he fights back,  rubbing his arm. 

“This is a perfect date”, you begin after some moment of silence, “how come you don't go for relationships!? Girls will be so happy to be treated this way! ”

The first part of the sentence makes his chest warm out of pride, but it collapses to where it was before as you end. 

He just knows you'll never know how he feels unless he just says it, without beating around the bush. 

He doesn't say anything and instead gets up to take two cans of beer he had hid somewhere. You are way past your alcohol limit and acting knowingly for once, you reject. 

He opens his and chugs down half of it in one go. 

“Woah… hey Kookie you alright? ”, he flinches when your palm presses against his shoulder. 

“I want to kiss you really bad”.

Bad line of start. 

Your cheeks burn and turn vibrant shades of scarlet, expecting anything but that. But the more you continue to look at him, the more ethereal he looks; attractive, and someone definitely not deserving of petty friend zoning. 

He feels a pair of lips on his cheeks, startling him. He turns around to see your face breathtakingly close. 

He is really slow, studying every clue you give, once he is certain he is doing this with consent, he places both of his palms on your cheek and leans in. 

Jungkook wants to pinch himself because he thinks he is sleeping and it's just another one of his blissful day dreams. But when you nibble on his bottom lip, he thinks maybe not. You are really here, hands on his hair and kissing him. He holds your head more firmly as he begins to dominate the kiss, ambitious to let you know what he had been thinking about you for the past several years. 

His lips are flushed and glossy when you break off of him, but hands still on his body, on his shoulder, taking your time to catch your breath. 

“Y/n...I hope it's clear now. I like you. Like… . I really like you. And it had been killing me for years whenever I see you going behind other guys, sleeping with them just because they agree to take you on a date. Please Y/n, will you give me a…chance”.

Since the author had enough of Y/n’s dumbness as well, the story continues with Y/n accepting him, realising how blind she was. 

You feel already intoxicated by his lips so you give it a peck and hug him, “Yes Koo. And I'm sorry, for all this, and thank you so much for this date, I am looking forward to our second one”, you beam. 

He finds it cute how you think soulmates exist. He doesn't know about all that. He just knows you can make him happy and every heartbreak for you was worth it. So he smiles and nods, nothing conveyed after, until he takes you back to your dorm and kisses you one last time for the day. 

Thank you so much for reading!!

Original Content of ©bangtanpromptsfics

[chaotichedonist]

Tharunka (Kensington, NSW : 1953 - 2010)

Wednesday 9 June 1976, page 14

   Some funny moments to tease you into reading:

Press: Roger, you're noted for your amazing screams.

Freddie: It's a controlled scream. I'd rather call it art.

/

Freddie: You're joking dear. I'm just a singer, dear.

/

It’s been a struggle, because in the beginning nobody knew what we were doing. We were the only people who believed in ourselves.

  back at the hotel sleazy

  For all those fans who were misled by the media, Queen did not spend a couple of days-relaxing on sunny Perth beaches - it rained the whole bloody time they were there. (In Melbourne the hotel was 'besiged' by fans, who to quote Pete Brown — Queen's personal manager — seemed to be emerging from the wood work). Not to be put off however, by the Australian conditions Freddie Mercury (lead vocals and keyboards) attended the press conference in white pants and a simply sumptuous summer synthetic top with delicate butterfly sleeves curling gently over his shoulders. He was even more beautiful than Sophia Loren.

  They were all quite chatty only Roger (Meadows-Taylor, the drummer) would keep interjecting, usually over John Deacon (bass) who said not an audible word.

Press: Would you describe your music as mock opera? 

Freddie: They call it cock-opera back home. 

Roger: I suppose because the vocals are in the 'grand style'. 

Press: When is your next album coming out? 

Freddie: We'll have a rest and think about it.. 

Roger: We just don't bung'em together. 

Brian: We don't sort of write sitting in hotel rooms you know. 

Freddie: We gather influences. 

Press: Your music has been described as snob rock. What do you think? 

Freddie: I couldn't describe our music as anything. We certainly don't put across that this it intelligent music that is on a completely differenrt level to the people who come to it. 

Roger: It's written for the people. That's what it's all about. 

Press: The theme of death recurs on your albums. Why this preoccupation?

Roger: Freddie's morbid mind.

Press to Freddie: Do you consider yourself a sex-symbol?

Freddie: You're joking dear. I'm just a singer, dear.

Press to Roger: Do you consider yourself a superstar? 

Roger: As meaningless, (blows kisses).

Roger on the media - absurd for a magazine combine rock and politics. 

Press: Roger, you're noted for your amazing screams. 

Freddie: It's a controlled scream. I'd rather call it art. 

Undauted by the fearless Australians they continued talking about their lyrics and the esoteric implication.

Roger: Freddie just loves the word 'Beelzebub'. 

Freddie: Yes, well, Brian's got a taste for unusual words. 

Roger: You talking about dandling on your knee and things? 

All four of them write songs and each has at least one song on 'A Night At The Opera'. 

Brian: It's very difficult to talk about our songs as a group because we all have different ideas of what the songs are about. 

Roger: No we don't. 

Freddie: Roger's the sensitive one. 'I'm in love with my car' is the most sensitive song on the album (Night At The Opera). 

Roger did tend to sit there pouting at the bows on his pink lame gym-boots. One hardly noticed the dark roots in this gold angelic hair. We did ask, but unfortunately Roger didn't have a pic of himself in the gymboots. Roger was later accosted by David Essex fans in the foyer of the hotel, who wished to know if he was a popstar, girls now have Roger's autograph. Back to the lyrics..

Freddie: Every song is written by one of us and means something special to each one of us. Certain songs have a very literal meaning and can be understood straight away. Then there are some songs that can be taken on a lot of different levels.

He describes a lot of his songs as fantasies. 'We want to consciously lose ourselves. There are certain things we want to escape from in our lives or whatever.' He feels that people should create their own private fantasies from the images in his songs and so doesn't like to talk about what they mean to him. 'I'd hate to shatter someone's illusion. If I listen to somebody's songs I conjure up a fantasy of what its about and I like to keep it that way.'

He elaborated further.. 'Lyrically it is helpful to use certain words. You see it depends.. sometimes I want to use words that are phonetically useful. In the beginning they're surface words but you entwine them into the meaning of a song. That's what I mean about different levels.' 

Brian May has a different approach to his songs, 'There's usually something serious behind them, but I feel a big responsibility not to over-indulge in idealogies. In 'White Queen' I was very interested in the significance of Queens and White Ladies in English folk lore. The song started off as a personal experience, the frustration of not being able to communicate, I was thinking about Robert Graves' ' White Goddess' and that became involved in the song.' 

Roger: Romantic slush.

Brian: Our 'Now I'm Here' song is really about our first American tour. A big experience for anybody. It's a conglomeration of all the experiences we had on that tour. We had a great time with Mott the Hoople. I suppose they taught us to be a touring band.

We're very critical about each other and very cynical. We don't get deeply into meanings because you're living with it all the time. You have to be a bit light-hearted about it.

With four individual writers the albums were not done with a specific concept in mind. The 'White Queen' was written four years before the 'Black Queen'.

Brian: I don’t think that Freddie’s 'Black Queen' was a reaction to the 'White Queen'. We just discovered that we had these songs and the rest of the album seemed to fit around it.

Freddie: It probably subconsciously coheres.

Similarly ‘A night At The Opera’ has no overall concept though the name of the album is related to Freddie’s ‘Bohemian Rhapsody’.

As Brian puts it ‘We are four very different people with four very different directions, but there is a musical development that does make some kind of sense. Queen is very much an independent thing. We are always bouncing ideas off each other. We are very aware that we need each other.’

The rapport between them onstage bears out this statement. They work off each other in a carefully intergrated show thatt creates an atmosphere of spontaneity for the audience.

At the opening of their set there is a flash of fire and smoke as Queen emerge on stage. While music winds up they launch into ‘Orge Battle’. Like a Greek God or a simister Mephistopheles Freddie's powerful vocals cut through the smoke and flames. 

With the stage show the band is doing something different to stimulating their records. Brian: "You don't get up there and behave like you do in the street. You go up there to entertain people and give them some kind of excitement". They have rearranged some of their songs especially for stage performance, including a medley of 'Bohemian Rhapsody', 'Killer Queen', 'Black Queen' and 'Leyroy Brown', which grinds down into 'March of the Black Queen' and then skips out on a lighter note which features Brian on genuine Japanese ukalele. 

The brilliant solo Brian performs in 'Brighton Rock', with sweet high Paginini frills and harmonies, stimulating two or three guitars on stage, is in a style he has evolved himself. He got the idea the first time he was in a recording studio. Says Brian: "It was my first experience of doing multi-tracking. It happened to be in the cannon-things which repeat themselves. You play one, then you play the same over the top of it after a time interval. Later we started to do those things on stage but there was the problem of how to do it. We started having a single delay and then another one over the top of it. Then afterwards you do another repeat on the second. You can then do three part harmonies with yourself. We started to base it all on ten second solos and it grew and grew. There's a lot of other people doing it now and I'm glad because it’s a thing you can play around with.' 

In the stage arrangement of "Prophet's Song' Freddie uses a similar echo feedback system which multiplies his voice into a celestial choir. His voice floats as a vision - "Listen to the madman' - while Brian plays some beautiful guitar.

encore amore

Brian describes their encore performance as the time when the band really unwinds. "It's nice at the encore to just completely unbend and make a fool of yourself. It gets rid of the tension between the band and the audience. I used to get a kick out of going to concerts to see rock groups like the 'Who' and feeling involved, like the group knew you were there. WE go by the kinds of things we think people would like at an encore. It's at a very basic level really, an energy level, a physical level. Rock and Roll is kind of a body music. I get as much satisfaction out of basic rock'n'roll like Status Quo as the most sophisticated music I know.' 

The audience certainly enjoyed it and really let loose their energy. Roger (who claimed the most female screams) in rainbow mop-wig opened the encore with slow heavy rock-beat as Freddie did a dramatic entrance in a silk kimino. As he eased into 'Big Spender', he peeled off to striped hot pants for an outrageous version of 'Jailhouse Rock' - simple hard-driving rock'n'roll that had everybody out of their sets.

gettin' feelin' thru th' transistors

Brian was rather upset that the Australian Press should braiid them as a manufactured band. If 'Bohmeian ,hapsody' can be seen as incorporating the spectrum of s talent - mood changes, heavy stuff, the soft ballad - it is not because they (men of letters from universities) have developed a magic 'X' formula. Rather the song can be seen as a musical progression, a reworking of motifs off their other albums. 

Brian can only say that, 'They obviously didn't see us in the earlier days. I can understand why they'd say that over here. Big impact. Overnight success. It must have been all calculated. If you’d seen the way it happened in England, you wouldn’t think that. I’ve had years playing pubs in England where people were drinking beer and discussing what other people were doing and not listening to the music. I want to build up this thing where people do want to go to a concert. While it begins to look like the commercial side, it;s what it’s all about. I want knock it because I want people to come and hear what we do. 

It’s been a struggle, because in the beginning nobody knew what we were doing. We were the only people who believed in ourselves. We started playing because we had some kind of vision that we thought was worthwhile. For over a year and a half we were playing to ourselves. Gradually you gather people around who believe and that’s the way it happened.

Nobody is going to tell us to play what is commercial. What we play comes from us. We’re very lucky really in that we have a kind of audience who are attentive to whatever direction we choose to follow. One of us will come up with a song and we'll say, 'Yeah, it needs that kind of treatment and maybe that turns out to be something you call heavy and sometimes something which is light.' 

To get back to the charge that they are a manufactured band, while he doesn't like it, he can only take it as a compliment that they think the band is so good. He doesn't consider himself a technician "technically I've stayed the same for the last six or seven years. Progress is what you feel and what you are putting across. That's what playing is about for us.' 

Freddie: There's a lot of music there too.

Roger: A bit of music, yeah.

low key queen

By Anne Finnegan

Wednesday 9 June 1976

If you save, do not forget to leave a link to this, coz i kinda found it by myself and made and transcipt. Thanks :)