#yivien and naielle are never gonna properly reconcile because naielles 'crime' is just. not giving a shit about him

[isaacathom]

actually uyeah im bored im gonna run it down. what specific Thing does naielle have with (pretty much) every member of her family that has her fucking wracke with guilt or smth

At a very basic level, a context - naielle comes from an elf napoleonic france, with some specific details that the usual max lifespan is closer to 500, and that the emperor has no heir and is like. 450. i wrote it down somewhere. doesn't matter. So naielle, being exiled from elf france, very early on made the assumption that she could Wait Out the collapse of it. That the emperor would die in, yknow, 50 years, the power vacuum would be contested by every general and cousin and random former nobleman, and the country would be ripped apart, nullifying her exile by technicality. this established,

Saroel - Naielle's grandmother, 495.

Naielle loves her grandmother. She's this wise and cunning lady, who survived the turmoil of Bonaparte's rise to power by making deals and using the family's noble fortune to buy favour. Her husband died in the post-rise period, and Saroel didn't. She bought the life of her and her children when her husband was accused of treason. She's clever.

Naielle has her engagement ring, a gold band designed to snugly fit under a wedding ring, a piece of jewellery older than the empire itself. Naielle used it as a blueprint to craft a pair to it, and matching wedding rings, with which to propose to her girlfriend Xistina.

If Naielle waits out the empire's demise, she'll never see her grandmother again. Never be able to tell her she was right when she told Naielle to be careful about her historical research, or show her the now complete wedding ring. She'll never get to hug her one last time and be enveloped in a stiff embrace that smells of old pines and old times, like the oils of the paintings and brass of the sculptures that make up the universities museums, of the motar that keeps its bricks together.

Laucian - Naielle's father, 333

Naielle is a daddy's girl. She's her father's son, without question or ambiguity. She's got his square chin, his broad nose, his golden eyes, his curly hair (albeit lighter than his - her mother got lucky with that). She's got his passion for history and all that came before, for the nebulous space of was and may have been.

For Naielle's 100th birthday, Laucian gave her a red ribbon. He's not from a noble background, rising from the peasantry with a father in the military and a mother a nursemaid. He has no heirlooms to grant. But the red ribbon, Naielle thinks, is just as meaningful as the engagement ring, because it's a connection to that paternal grandmother, Shana. She was a hard worker, stern with her charges and utterly doting on her own children, sneaking small things from the noble houses she served to give them. She wore her hair in intricate braids, which she taught Laucian and his brother how to do, and she tied them, always, with red ribbon. It was her favourite colour, she'd say.

Shana died when Laucian was only 24. A child, in elf terms. He's worn a red ribbon ever since, 300 years, for longer than Shana was even alive, in her memory. And he hands this down to his daughter, who takes after him so strongly, and in whose smile he can undoubtedly see his mother's.

Naielle adores her father. She fears, down to the bone, that she has disappointed him. That in her exile she has perverted the passion they share for history, turned it into a reminder of the crushing weight of the empire. That she's ruined something.

She still wears the ribbon in honour of a woman she never met. She never learnt her braids.

Oriphira - Naielle's mother, 321

She didn't inherit any particular gift from her mother - Saroel's engagement ring was a joint gift, a blessing for such an item to skip a generation to find itself on Naielle's finger.

They haven't always been close. Oriphira inherited her own mother's preservative streak, an understanding that the family exists at a knife edge between imperial eradication and flourishing, and a single wrong move could damn them. She grew up in that tumultuous era. She would have watched her father die, or march to die, dragged from their home by imperial troops. She would have seen the pathetic graves for him and his brother, her beloved uncle, and known they should not lie there. That a family mauseleum lay open and expecting, and would recieve naught. That they were disgraced. That it was only Saroel's cunning which saved the life of her and her younger sibling.

Oriphira has seen her family's birthright, such that nobility can claim it, ripped from their grasping hands. She's clawed for every inch back. She's fought for the university Saroel used to buy their freedom. She's fought for the healers and medical practicioners to return to her town in the post-revolutionary period, as she watched her own child die of a preventable childhood infection, watched her sibling die of a stomach left to fester and rot without aid. She's seen the gods abandon that town, and she's filled that void.

She's a tough woman, and she is tough to love. Naielle does all the same. She may not have understood it then, the depths of the sacrifices her mother had made for them all, the agony she must have gone through with every child thereafter. The ingrained fear of heights, inherited in most of her children, after another fell from the roof.

But Naielle gets it now. Now that she fights in a war in a different land for its very existence, she finds that common ground. The two fight a war for their continued existence.

And Naielle imperilled it, didn't she? By raising imperial ire, a century after they last turned their baleful gaze Odelia-ward. By reminding that families like theirs, descendant from noble excess, can still be a threat.

She doesn't know what lengths her mother went to in order to keep them all safe after she left. She supposes the military service of her siblings may have shielded the family. But she knows her mother calculated the loss, and weighs that debt on Naielle's soul.

She wishes she could tell her she gets it, or thinks she does. That she understands the responsibility her mother is unjustly laden with. The blood on both their hands.

Aedelie - Naielle's older sister, 201

Naielle and Aedelie have almost a century in age between them, and its a very different dynamic than to any of their other siblings. Aedelie has to carry that torch, borne by Saroel and Oriphira, of being the responsible one. Being measured, and careful, and keeping everyone safe.

And Naielle always felt very safe. Her older sister was gentle and kind, a bulwark against anything that might hurt her. No monster under the bed would dare lay a finger on her when they knew Aedelie was never far, and even when Aedelie enlisted in the army she left her strength with them.

Aedelie's married, you know. She married a human man around 5 years ago, a fellow soldier in her cavalry unit. They have a little elf daughter, cherubic and giggly, just 2 years old with a wide toothy grin. Or so Naielle's been told.

If she waits out the collapse, she might never even meet her brother-in-law, a kind and soft-spoken man with a reflexes of an acrobat and hair like beach sand. She might never meet the man who makes her stern sister smile softly, with eyes that sparkle. A man whose duty, such that it is, is to protect Aedelie's life with his own.

Naielle is terrified for them both. War wages, and the Empire swings the proverbial club high overhead and demands blood, and her sister and brother-in-law must provide. None of them might see the two of them again. Forget the mortality of a human, anyone is mortal in the line of fire. And Naielle happens to know of a weapon, currently travelling by sea towards that firing line, and she fears what will happen when it goes off.

Quenaris - Naielle's older twin brother, 122

What can you say about a twin that isn't obvious? Peas in a pod, identical up until their mid 30s when he shot up like a stalk and left her a few inches shorter. The two know each other better than anyone else, Naielle is certain. She knew his adult name long before he told anyone, and he hers. She is him, and he is her, and they're two halves of a great whole.

Quenaris knew something was wrong, didn't he? That Naielle was lying when she said she had everything under control. That Naielle was hiding something, sparking like a fire in a cave, desperately being smothered. He saw the glitter in her eyes and knew it wasn't emotion that shone through, even if he couldn't identify the source.

She told him everything was fine. She didn't apologise for lying when it became clear it wasn't. That the situation had spiralled out of her control, that her warlock pact - a grave illegality as it stood - had shown her things she shouldn't see, and sent a beacon to the empire to observe.

He knew she lied. And she couldn't apologise, because to stay and do so would have seen her treason identified and laid bare before the Empire's vast apparatus. It would see her killed. She had to flee.

It ate her alive, it truly did. She didn't know how much he knew, how much he held against her.

She was lucky enough to see him, for only a few minutes. To hold him tight, as though by a hug they might be one and whole, and to cry, and tell him she was sorry. That he accepted her hug, and shed tears of his own, is enough for her.

It would still hurt if she never saw him again. Less, maybe, now that she knows he misses her too. Or more, to have given him a glimmer of hope that things might be normal in the future. She's scared of facing his ghost centuries from now.

Mariela - Naielle's younger sister, 110

Where do you even start?

These sisters have never been close. Each claims the other is irresponsible, too easily distracted, too something. There's always something wrong. Naielle isn't patriotic enough, Mariela is too patriotic. Naielle is too wrapped up in her books and shit that happened centuries ago, and Mariela is too concerned with her magic and the things that will happened soon, months and years in the future.

They're similar, and very different.

Naielle had no particular feeling towards her sister when she was forced to flee. To never see her again would hurt, but not as much as with others, a feeling tempered by the knowledge that Mariela would have some snide remark or another on her return. She lied to Mariela, but Mariela wouldn't care, would she? Naielle can't fathom the idea that Mariela cared either way, beyond that Naielle had embarrassed them.

Then Naielle came back, briefly, briefly, just to marry her fiance, and got roped into capturing Mariela.

What's Mariela been doing? Well, she'd taken what remained of Naielle's notes, on old histories and the magic so thusly entwined, and turned it into a weapon. A different weapon entirely, one worse than most others, and which Mariela saw simply as a tool. Naielle was a fool, she said, to focus on the historical implications of her research, and not to use its practical benefits. Look what lies in our grasp - the power to unravel reality!

Naielle was furious. She took Mariela as a prisoner of war.

And then her patron took her as a warlock.

It was not willing - Mariela made no deal, was offered no bargain she could stomach. Her will was superseded, Naielle's consent to the idea assumed, and her body made to channel magic it rejected.

Naielle did this. She did not know it would happen, had not even considered the possibility, wanted none of it. Mariela will probably never believe her.

It doesn't matter what Naielle thinks of Mariela's original ideas, her plans to turn utter destruction into a military tactic. It doesn't matter the differences of their personalities, that the two don't get along. Naielle did this. She forced this on her sister, intentionally or not, and she intends to make it right.

She expects she'll never right her initial mistake, the pact that brought her into exile in the first place. She fears she'll not right this. But it's in her power to do so, and whether Mariela wants her there or not, Naielle will fix it. Naielle would betray almost anyone to fix what she's done, burn most any bridge, because it almost isn't about Mariela anymore. It's a proxy for every mistake she's ever made, every harm she's brought, a way to try and make up for the life she ruined for herself by ever doing this.

If all goes well, Mariela will go home. Naielle can only hope she understands how much that means.

Yivien - Naielle's younger brother, 104

Probably the person for whom Naielle has the least consideration, a fact that would invariably infuriate the poor boy. The two have somewhat less in common than Naielle to Mariela, but do have one key thing - their academic focus. While Naielle is a historian, Yivien is an architect, and spent much of his youth fighting for their father's attention, to little success. Naielle was his daughter, following in his footsteps - Yivien's achievements weren't as important.

If Naielle was honest, and looked critically at herself, she would concede that Yivien is the smarter sibling. His grades are better, his grasp of abstract fundamentals stronger, he's quicker on the draw. It isn't fair, she reckons, that she was given that attention. The boy earned it, or ought have done.

She would struggle to tell him that. She doesn't think its pride - she never said she was the smartest sibling. What she struggles with is the idea that she needs to correct it, when surely, that burden lies with her parents for not acknowledging him better when she was around. Did she hog their attention? She isn't sure.

But as days grow darker, and doom grows nearer, she wonders if she should have said it anyway. Care or not, guilty or otherwise, he deserved their attention, and it was denied him. And she's responsible, in some capacity. Shouldn't she have tried to fix it? To say she was sorry?

The longer it goes, the more she thinks maybe she means it sincerely this time.

Xistina - Naielle's wife, 135

God, what could she say to her that she hasn't said already? Her most dearly beloved, a part of her soul, the keeper of her heart in turmoil. They've known each other nearly a century, and Naielle can only hope for centuries more.

Xistina wasn't in the country when Naielle went into exile. She was on business, sailing the sea, plying wares and doing trade under the gleaming sun. She would not hear news for months, till she landed in a bustling port and spotted no beaming face amidst the crowd, no-one all but ready to leap aboard before a gangplank was ever lowered. Naielle didn't know what she'd heard. She wished, dearly, that Xistina could have heard it from her.

She doesn't know what Xistina knew. She doesn't know if her fiancee saw the stars in her eyes and saw the meaning behind them. She spent years in dread. At least her siblings, her family, heard of the matter directly, that she'd had a feeble chance to defend herself in the hours before she fled. Xistina knew naught, and could learn less, and Naielle could not reach out for fear of potential consequence. Her fiance could not be party to treason. Her distance would keep her safe.

Her fiancee knew more than she thought, had an ear to the ground and the sea, and loved her still. She wore Saroel's ring proudly as a token of their love, and kept it in care over the decades.

Xistina knows it all, now. Naielle travelled across the planes to see her, to know her truly, all secrets bared on both sides. Pirate and Warlock, Traitor and Traitor. Let the empire declare their treason in love if they wish, for she has it.

And it scares her to think she might let it go. That, having come so close, having even successfully married her after decades apart, that they might lose it all. And that it will be Naielle's fault in totality. Her fault for her treason, her fault for leaving for the distant lands, and her fault for not staying when she had the chance. Who better could have ferried a wanter criminal than a rebel corsair? Where else could Naielle find that kind of safety? And yet she left, for she felt a duty to a war that still wages, and she knows there's a chance she will never return. That she will have given her wife - her wife! - false hope of a future together, of merry centuries in a free Sylvian land, or aboard a ship in the glittering sky, where no mortal government dared tread.

She fears she's given her wife a lie, and did not know it when she spoke.