#yeah I'm doing a bunch of familiar themed outfits

[blukitty-fr]

Cockatrice Hunter - 2574854

Sometimes you dress like your prey. Loosely based off the Cockatrice familiar.

[itsclydebitches]

So I'm curious what are some character designs you love? Not from RWBY, but just i general. I'm the same anon who got you to check out Berserk and I'd say essentially all of the designs are done damn well. Fit the character. Changes that makes sense for growth. Also make sense given the setting. Even women in armor that doesn't have those massive boob plates. Good designs impact so much subconsciously to have much we enjoy other aspects of a story.

Congratulations! You’ve unlocked my never-ending need to praise Yu Yu Hakusho! :D 

This long, picture-laden post needs two disclaimers going forward: 

I’m not an artist. In the sense that I’m not a visual artist who knows anything about what makes character design good from a technical/community approved standpoint. This is purely based on my own, personal reaction to a beloved series. 

Connected to that, I’m going into this under the assumption that people might really disagree with me (?). Based on the cartoons and anime that I see praised for character design, I don’t think YYH fits whatever list more knowledgeable viewers are pulling from. But I’m gonna lay out my thinking anyway! 

Major spoilers for Yu Yu Hakusho below. 

Alright let’s do this. 

First off, when people start talking character design they often reference how cool a character is. Which makes sense. You want a character to be visually engaging and distinct. Something that makes you go “Wow!” whenever you look at them. However, one of the things I love about the YYH cast is how normal they are. Because they’re supposed to be normal. The trope of the main character having a crazy hair color has become so prominent that we’ve got memes about it now and that works for a lot of stories. You know who is important because, despite the assumption that they’re average people not dying their hair, they stick out like a sore thumb among the rest of the cast. 

However, normalcy is a really important part of YYH. The entire point at the start is that Yusuke is not special. He’s not unique. He’s a delinquent kid who most assume isn’t going anywhere in life. When he dies this doesn’t unlock some Super Special Backstory - you were innately amazing all along! - he just gets caught up in the plot because of a paperwork issue. The afterlife doesn’t know what to do with an asshole kid who unexpectedly saved another kid’s life so they just kind of... shuffle him around until he’s given another chance to live. Then he gets to pay back that second chance by becoming a Spirit Detective. Yeah, Yusuke is talented when it comes to fighting and spirit energy, but at the start that’s rarely emphasized outside of “He’s the best street fighter among no-name street fighters so really, it’s not impressive once you take Yusuke out of his tiny world of school parking lots and the occasional alleyway.” The takeaway is that he’s a dime-a-dozen troubled teen who got involved in the spirit world due to an impulsive act and a bunch of bureaucracy. Indeed, it’s a HUGE moment of emotional growth for Yusuke to realize that people do love him despite his supposedly average, unremarkable, and otherwise negative personality. His normal-ness - and others’ expectation that he could someday make himself great if he learns to work at it - is crucial to where Yusuke starts out. Making him visually distinct in terms of Anime Protagonist Looks would undermine a lot of that. This isn’t supposed to be a Super Special Kid Destined For Greatness. He’s just... a kid. A normal kid. A kid who has to work and learn and grow if he wants to make something of himself. So he gets black hair, brown yes, and a green school uniform. He’s pretty damn average looking. 

Same with Kuwabara. Same with Keiko. Same with Atsuko. They’re just normal people going about their lives and I always appreciated that they looked the part. You can still easily tell them apart thanks to different hair colors, texture, jaw lines, and outfits, but none of them seem out of place in the average world they start out in. Which, as said, is crucial to a lot of YYH’s themes. The ones who look more visually distinct - Hiei and Botan - aren’t human. It makes sense that they wouldn’t obey these same average laws of the rest of the cast and they are our first taste of a world that, in terms of character design, will eventually get pretty wonderfully weird. They function as stepping stones. 

This eventually becomes a story about the demon world and those demons wouldn’t come across as particularly scary/other if you begin the story with equally strange looking humans. Or even just “I don’t see people who look like that walking down the street” humans. Alongside many themes, there’s a contrast at work here. Yusuke stepping out into a stadium full of demons who despise him because of his species hits home when he is so clearly distinct from them. Suddenly, his normal is abnormal. 

Once the ball gets rolling, Yusuke’s looks are constantly in contrast with both his environment and his inner self. He looks like a scary thug but then unexpectedly saves a life. He looks like an average human but is actually the strongest among a group of scary-looking demons. He looks like this badass spirit detective who everyone assumes with have an equally badass spirit beast but, uh... 

Oh my god that’s a precious baby. By the time our cast is family and everyone accepts that Yusuke looks scarier than he actually is or ever was - once the core group is made up of not just humans but demon loving humans who are equally soft - we turn it all on its head again and reveal that Yusuke has demon blood. For the first time he looks as strange and powerful as he is. Yusuke’s normality is done away with the second he’s fully accepted his place in these worlds, throwing everything back into chaos. 

Yusuke’s demon form becomes even more foreign looking  when he’s being controlled by his ancestral father. The above is a Yusuke who is still Yusuke and in many respects the design reflects that: natural hair color, human body, tattoos easily covered up with a shirt. When he’s gone full Mazoku though, something dangerous, the white, wilder hair and change to his expressions ensure we read him as something feral. For the first time in the series Yusuke is truly the dangerous creature he’s pretended to be since his principal was running after him at school. 

As a side-note about character costumes, we see this emphasis on normality in their outfits as well. Obviously a story like RWBY is limited by how much time/money they have for animation, but it nevertheless has an impact to see the group almost constantly in their battle gear. They’re never not the main characters of an action-fantasy show, not even while just out around town with no expectation of entering a fight.  

In contrast, Yusuke and Kuwabara are often animated in everyday clothing that remind us that they’re really just teens trying to live their lives outside of this crazy nonsense. Kuwabara wasn’t even formally hired for all this! The cast wears sweaters and jackets while out and about. More formal clothes for special occasions. Jeans and t-shirts when they’re unexpectedly caught up in a fight because, you know, they’re not ready for battle every second of every day. They’re drawn like normal folks because, outside of the ring, they are. 

(We’ve also got a lot of parallels between Yusuke and Kuwabara’s civilian clothing, visually reminding us that they’re far more alike than they might be willing to admit.)

Despite often changing outfits, the group maintains a basic color pallet that makes them recognizable, yet it’s also not so limited that they appear strange for sticking to one (1) color for the entire time we know them. Yusuke, like most people, is drawn to particular colors, mostly greens, yellows, and blues, so each time we see him he’s familiar while also being distinct from the last time he changed. 

Hiei, as someone who initially wants nothing to do with anyone else and relies on assassin-like speed to take out his enemies, is dressed almost entirely in black. Without that bit of white in his scarf/hair you’d lose him in the shadows... which is the point. 

When he opens up and actually becomes friends with the team, his color pallet starts opening up a great deal too.  

And we’re shown all the little changes he starts incorporating that speak to his growth: his Jagan eye, a bandaged arm hiding his Dragon of the Darkness Flame, the necklace connecting him to Yukina. 

I’ve blathered on about the outfits enough but as a quick final note: EVERYONE WEARS APPROPRIATE FIGHTING CLOTHES. 

No one (even the women to my recollection) wear heels. Everything is loose-fitted and looks easy to move in. They’ve got sensible belts, bandages if they need them, and... that’s it. No unnecessary bells and whistles that distract from what’s supposed to be the story’s real draw: good fights and good characterization. Even the more elaborately styled characters (usually) look like they chose their outfits practically first and for the aesthetic after. At no point do I recall watching this show and going, “WHY would you wear that to a fight??” 

Anyway, back to the designs. 

The exceptions to either side of these extremes - from human normal to demon monstrous - are Genkai and Kurama, both of whom straddle the line. Genkai is someone who has pushed her spirit and body far past the norm. She’s the first human we meet who truly goes beyond that normality, even if you don’t immediately realize it. Her pink hair (such a soft color in her old age it’s not at all distracting) is a slight hint that something isn’t quite right with her. She’s obviously human... but not a normal human. Not anymore. 

Those unnatural looks are emphasized in her youth when she was at the height of her power. 

Genkai as a young woman has vibrantly pink hair (a bright pastel like Botan’s), a softer face, and far more emotive eyes. She looks ethereal, which fits not just her own journey to power but Togoru’s as well. Her story is intimately tied up in what that power does to the human body/soul. So Toguro starts out like this 

a pretty normal looking guy who is on the far end of what the human body is naturally capable of. He’s buff as hell, but not so much that it looks unreasonable. I’ve seen body builders bigger than him. He’s the average (dehydrated...) MCU superhero. However, he ends up like this

In Togoru’s case his abnormality is explicitly presented as grotesque. Rather than giving him a cool looking characteristic that’s clearly supernatural (blue hair, an extra eye, curly horns, etc.), we’ve taken a human characteristic (muscles) and expanded them to an unnatural degree. He’s got some uncanny valley shit going on. 

Paralleling Genkai, we likewise see Kurama subtly standing out among his human allies. 

He’s a demon in a human’s body. By in-world logic his appearance should be just as normal as anyone else’s, but a bit of his true nature shines through. His hair is long in a style not popular in YYH’s Japan. His red is far less of a natural shade than Kuwabara’s. He carries himself with the air of someone who is ancient, because he is. His human design deliberately reflects his true demon form so when that’s finally revealed we still recognize him as Kurama. 

(Same sort of work with Hiei’s demon form.) 

When we look at the cast together we have an immediate, visual impression as to who is normal and who is not - and those assumptions are embedded into the story. Yusuke is someone you’d overlook in the crowd, but he’s the most powerful. Kurama is clearly other in some way, but he’s desperate to live an average, human life. Kuwabara is designed to look and move like the fool and a lot of his development (his and others’ in relation to him, really. Like Hiei) is built around respecting him despite those looks. Hiei is tiny but will kick your ass. Genkai is tinier and will kick your ass worse. 

Her size combined with her age - combined with her status as Yusuke’s teacher - is a continuous reminder not to judge power by looks alone. Don’t underestimate your opponent and get overconfident (a major flaw of Yusuke’s). Know that you still have a LOT to learn about the world. That woman you assume is just a rude grandma? She’s going to break your expectations over and over and over again. 

Speaking of size, that’s a major aspect of Koenma’s design as well. When Yusuke learns he’s meeting the head of the underworld he starts picturing a massive, demonic beast who (sensing a theme here) looks the part of a supernatural ruler. Seeing Koenma for the first time - an adorable toddler-like being - is an absolute shock. 

It’s a gag for the audience, but it’s not just a gag. Due to his looks Yusuke is unable to take Koenma seriously, despite knowing the power he holds. 

Which, even more-so than arrogance, is Yusuke’s greatest flaw throughout the series. He doesn’t take school seriously. His death seriously. Ruler of the underworld seriously. His teacher seriously, etc. Yusuke constantly acts like he doesn’t care, throwing basic respect and effort in the face of whatever authority figure is desperately trying to keep him from self-destructing. He’s on the receiving end of multiple speeches throughout the series (mostly from Genkai) that boil down to, “Care about something, dammit. Take this seriously!” and when he does it’s GREAT. It’s a moment of growth we’ve really built to in a hundred different ways, including how he reacts to others’ looks. Koenma’s design feeds directly into the primary flaw Yusuke is working to overcome. How will he go from a delinquent laughing in the face of the most powerful being to someone multiple worlds can put their trust in? Design assists with that. 

When Yusuke does respect Koenma (even if he still insults/teases him because that’s just an ingrained part of Yusuke’s personality) Koenma’s appearance can change. It’s no longer serving its original function, so he evolves into a very good looking young man (with references to Tuxedo Mask to emphasize those good looks) that just... happens to still carry a pacifier. 

A pacifier that is revealed as an incredibly powerful weapon that will help save the world. Again: don’t judge anyone or anything solely on their looks. They’re never precisely what you’d assume they are based on your first glance - with the exception of minor villains whose looks serve only to convey their villainy: 

For everyone else, looks are complex. Two of the most different looking characters (color-wise anyway) are actually siblings, their contrasts reflecting both differing cultures and the emotional distance between them. 

The scariest looking monsters are just paper-pushers. It’s the handsome humans you should watch out for.  

And this is our hero, a man charged with protecting three worlds. 

I could say SO MUCH MORE but this is already disgustingly long so basically YYH (I think) does a great job of: 

Crafting characters that are distinct but not different for the sake of different. They always feel like they belong to their individual worlds and adhere to whatever “normal” is by those standards. 

Tying character looks really closely to the show’s themes and individual growth. Which, frankly, is something I think all good character design should do. 

It’s not nearly as flashy as other anime... but YYH knows what it wants to accomplish and went about it beautifully. Catch me still weeping over this show fifty years from now. 

Peace ✌️

[fly-pow-bye]

DuckTales 2017 - “The Golden Lagoon of White Agony Plains!”

Story by: Francisco Angones, Madison Bateman, Colleen Evanson, Christian Magalhaes, Bob Snow

Written by: Bob Snow

Directed by: John Aoshima

Storyboard by: Jean-Sebastien Duclos, Mark Garcia, Tanner Johnson, John Ramirez

I wouldn't call this a creek, either.

This episode starts with Scrooge and the boys paying a visit to a Gala dedicated to a newly opened Glomgold Wing at the Natural History Museum. The joke is that all of the exhibits are just whatever he can salvage from Scrooge's past adventures, and some outright falsehoods. Dewey even talks about how he's trying way too hard. Dewey's right...in maybe too many ways.

Scrooge, obviously not a big fan of this duck who tries to murder him any chance he can, is only there to support Duckburg's cultural institutions as an upstanding citizen. Oh, and to steal Glomgold's cocktail weenies and teriyaki skewers. The irony is that it's Louie that calls him out for this. That seems out of character for him, though it might be due to his suit giving him a rash.

As the boys follow Scrooge's lead in taking a bunch of buffet food, one of the guests of honor walks in the room. Scrooge drops his bag and gasps at the sight at this familiar-to-him face. The nephews ask him if his gasp is about a curse, a villain, or a villainous curse, but it's even worse than that.

Scrooge: ...it's my ex! (gulp)

🎵Life is like a hurricane...🎶

Well, that's one way to do a cold open.

Specifically, it's Goldie O'Gilt. He clarifies that she's an ex-rival and ex-partner, but the boys do not buy it. Scrooge gets the boys, and anyone in the audience who hasn't heard of this legacy character, ready by telling them to watch their wallets. They trade insults to each other, Scrooge saying that she has cloven hooves, and Goldie calling him a tightwad. Well, it is a fitting name for someone who takes hors d'oeuvres from a buffet. I learned just now that’s how you spell those words.

While the insults both disturb and intrigue Dewey, Glomgold shows up to tell Scrooge that Goldie happens to be his date. Even before she says anything, her body language clearly indicates he doesn't want anything to do with this man. Once the music starts playing, Scrooge and Goldie start dancing. He tries a second plan: dancing the same kind of dance with Dewey. I don't have a comment for that one.

After that, Glomgold decides to reveal the main attraction: a skeleton of a "Glacial Klondike Monster" his oil crew managed to dig up in the Yukon. Unlike the Glomasaurus Rex, which was clearly made up of random dinosaur bones, this exhibit is legitimate. The lights go out, and the mammoth's head disappears. No, it's not another mystery story, or another ghost story for that matter. Scrooge looks around and finds a certain someone missing, and he hot-tails it out of the gala.

While Launchpad drives Scrooge and the boys to the Mansion, it will make sense to how he would know about where she went later, the boys want to know more about "Scrooge's new old giiirlfriend", while they all make literal duck-lips. Yeah, that's their only real character trait they have for the rest of the episode. While DuckTales 2017 gave the boys far more distinct personalities, this episode is not a good example of that. Wait, Huey, Dewey, and Louie acting identically? No way!

They do get to be the audience of another Scrooge McDuck flashback to a time long before Donald or Della. We’re getting into “The Life and Times of Scrooge McDuck”-like material here. From what I've read, it's a very loose adaptation; no Goose Egg Nugget here.

They go into a cave in the White Agony Plains to find the titular Golden Lagoon. Suddenly, Goldie, in her scheming ways, decides to steal the map to find the lagoon for herself. Scrooge manages to catch her, but the map gets torn in half. Suddenly, the "Glacial Monster" shows itself, being what might be the last of the Wooly Mammoths. Goldie’s part of the map ended up stuck in the mammoth’s teeth, and over a century later, that same mammoth's skeleton ended up in Glomgold's Gala. We get a shot of the skeleton with a map sticking out of its teeth, which wasn't shown before when we got a shot of it before, but never mind.

Yes, I really mean a century later. While they don’t specify the exact year, Scrooge is definitely referring to the Klondike Gold Rush in 1896. Huey, in one of the few times he gets to show off his personality, starts counting on his fingers and outright asks how old Scrooge is. He obviously does not answer that question, but this episode gives a rather decent explanation beyond "it's just a cartoon, so just relax".

While running from the Wooly Mammoth, Scrooge and Goldie jumped into a freezing lake, causing them to be stuck in an ice cube for 5 years. In fact, this episode confirms this isn't the only time they've been in situtations that made them age slower. The dance scene from earlier shows them talking about a fountain of youth and several timeless demon dimensions. In an unrelated note, Goldie also offhandedly mentions a necklace that prevents burns, which the camera zooms into for a few seconds. I did not think much of this on my first viewing.

After the story that was captivating that even the driver got too interested in it, Scrooge finally reaches his Manor to find that Goldie barged into his house, and she immediately asks where his half of the map went. One may wonder how she managed to get past Mrs. Beakley, all but shown to be a super spy with great combat abilities, and her trained-in-similar-arts granddaughter.

Well, she did. As the rest of this episode will prove, she's just that awesome. After Scrooge throws a chair at his own nephews after they do the same "Scrooge loves Goldie" shtick, yeah, don't anger Scrooge, Goldie realizes that it must be in Scrooge's top hat. When Scrooge wrestles her down for it, she offers the adventure. Scrooge asks why.

Goldie: Because it's gold, because it's a treasure you never found, and because you're Scrooge McDuck.

Scrooge, Goldie imitating him: You think you know me sooo well!

They decide to go on the adventure. Speaking of the map, we later see it, and it's one of those "dotted line with the X on it" maps. I'd imagine the one that has the X on it could have at least tried to extrapolate the path. I guess I could assume that half was in that skull, but wouldn't Glomgold take it? Whatever.

Goldie puts on her old outfit, and they go into the cave. The entire episode essentially follows a similar path: throughout the adventure, they both accuse each other of trying to sabotage each other. They are totally doing that. Scrooge finds an arrow trap, which he activates by throwing a pebble at it, and accuses Goldie of doing it. Scrooge then stops Goldie from getting stuck in a giant bear trap that he totally didn't set up. Notice the difference there.

They end up at a pulley-controlled elevator, built for one. Not willing to let one person go and get a jump on the lagoon, they have to share the elevator. Of course, this leads to her complaining about his sweat. It's a funny scene.

Not speaking of particularly funny scenes, Glomgold is slowly following them. I'll be honest: his scenes don't really do much for me. All he really does is get hit by all the traps, cuts the rope of the aforementioned elevator, and talks about how Scrooge is taking his girl. He seems to disappear after this scene, because it's better to focus on the scenes with Scrooge and Goldie trying to mess each other up.

One scene has Goldie lighting a trail of gunpowder behind Scrooge, taking both halves of the map with her while he's chasing. In this universe of ducks and dogs that walk upright and talk, this trail of gunpowder leads to a bear. Not a relative of Baloo, but a bear just like in real life. I wonder how that works.

Unlike in real life, Goldie gets cornered by Scrooge riding that same bear. He even reveals that he speaks bear. This show now has just as much talking to non-language-speaking-animals as that other reboot. How can he do this? Because he's Scrooge McDuck. Yeah, that’s a running gag throughout this episode, and it does have a good payoff at the end.

They eventually reach a dead end, which happens to be right next to the frozen lake where they spent 5 years of their lives. This leads to even more backstory. After 5 years of being forced into staring at each other, their frozen scowls slowly turned into smiles. Aw, they really do love each other. While it's certainly romantic to see this, it is a horrifying thought that they were conscious in there.

Of course, there's a caveat: as soon as Goldie's half of the ice melts, she immediately leaves Scrooge behind. Scrooge realized that she loved gold more than him, and Goldie...agrees. Fitting.

They do get to the waterfall made of molten gold, thanks to the help of erosion over a century. Scrooge gets Nanook, the bear, to break the wall they thought was a dead end open in something that would have looked cool in trailers. However, as soon as they bask in the glory, a twist happens. I debated whether or not I should even have these ellipsis, to be honest.

← JAW$! 🦆 Day of the Only Child →

...

...

...

...

...

...

...

...

...

...

...

Big shock, she was going to betray him in the end, just like Scrooge repeatedly accused her of doing! There is one surprise on top of this: Glomgold decides to show up, after stumbling down a hill because he's Glomgold, and reveals that he teamed up with her to do this ruse! Unlike the last time he tried, this turned out to be true.

Scrooge, telling himself he should have expected this, asks Goldie why she did this after all she did for her. He talks about how he untied her from Nanook...which he happened to tie her to himself. Again, fitting. Her response?

Goldie: Because I'm Goldie O'Gilt!

See, good payoff.

Regardless of what I feel about Glomgold’s involvement in this episode, I do like the flashback scene he describes, which is in this 50's romance comic book-like style. It even ends with him smooching the air. He sure loves that Goldie, he even came up with the shipping name: Glomgoldie.

There's a pickaxe fight that mirrors the dance scene down to certain lines, and a rather shocking scene that does give Glomgold a little more purpose in the plot. I don't want to give away everything, but I definitely questioned whether they would really do what they did.

I only have one thing I will say that will add to this review: the necklace I talked about earlier does become a plot point. What necklace? Well, that was my first impression of that ending, too; it took a second viewing for me to realize it didn't just come out of nowhere.

How does it stack up?

Promising a big adventure that happens to be a huge reference to the original comics, and the return of a classic character, DuckTales 2017 took a huge risk with this episode. As someone who hasn't really read the original stories, I can't judge whether or not it's a good adaptation.

I debated what rating I should give this. It's an entertaining adventure, sure, but it's a little repetitive, and Glomgold just became a third wheel that was more tiring than funny. This one slightly misses the mark for me. In a worse reboot, this would be one of the best episodes, but after Jaw$, it's just merely above average, which is a very high neutral for this show.

Next, the return of another classic character...whether you like him or not.

← JAW$! 🦆 Day of the Only Child →