#xf305

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How To Convert Mxf To Mov For Free On Mac

Today, more and more people get High Definition camcorders like Panasonic HVX200/HPX300/HPX500 P2 HD, Canon XF100/XF305/XF300, Sony EX camera which output MXF HD video files. When they want to preview MXF files on Mac through QuickTime, they all face a headache problem that the QT can't recognize MXF format. When they want to edit MXF files in Final Cut Pro /FCE/iMovie, they all see the problem that FCP/FCE/iMovie can't import MXF format. What should they do?

How To Convert Mxf To Mov For Free On Mac Windows 10

How To Convert Mxf To Mov For Free On Mac Computer

Convert Mxf File To Mp4

Convert mxf files to mov on Mac, yes, it's the right answer. Here we recommend Pavtube MXF Converter for Mac(top 5 MXF Converter Mac Review), the professional MXF Converter for Mac tool can help you convert MXF to MOV with several simple steps. Just do some clicks on your mouse with your finger, you can easily convert MXF files to MOV on Mac and then preview HD MXF video with QuickTime or import MXF video into FCP/iMovie for editing on Mac. The Mac MXF Converter must be your best choice when you need a Panasonic P2 MXF Converter or a Canon MXF Converter, you can do action with MXF files at anytime anywhere now!

Whether you have a Mac or Windows computer, you can use this platform to convert MXF to MOV along with other file conversions. This website supports multiple file formats in addition to MXF and MOV, including FLV, WMV, MP4, AVI, 3G2, MKV, and OGV.

How to make MXF files to MOV on Mac ?

Free Download AVCHD Converter on Windows OS Download AVCHD Converter for Mac. Select output formats and Setting. Click Start button to convert mxf files. Web sharing support mxf to YouTube, Vimeo, Facebook etc. And software make it possible to convert MXF 2D video to 3D.ts,.avi,.mp4,.mkv video.

Step 3: Start the MXF to MOV conversion on Mac. Click “convert” to start converting Panasonic/Canon MXF file MOV format on Mac OS X El Capitan, Yosemite, Mavericks, Mountain Lion and more. After conversion, you can watch your MXF file on Mac or editing in FCP/FCE/iMovie without problem. Additional Tips: 1.

Step 1.Add mxf captured videos

Click 'add video' button to import the P2 mxf or Canon mxf files. Click 'add from folder' button to add MXF folder.

Step 2. Select output format and output path.

Click format to choose 'HD Video'>'H.264 HD Video (*mov)' profile in the drop-down menu. If you want to edit MXF file in FCP, suggest you choose 'Final Cut Pro'>'Apple ProRes 422(*mov)'. And for editing in iMovie/FCE, you can choose iMovie and Final Cut Express, Apple InterMediate Codec(AIC)(*mov).

Except converting MXF to ProRes MOV, converting MXF to AIC, pavtube MXF Converter for mac also support converting MXF file to various video formats like AVI, MP4, WMV, MKV and converting MXF to various devices like iPad, iPhone 4S, Samsung Galaxy Tab, Apple TV 3, etc.

Step 3.Convert MXF files to MOV on Mac

Click 'convert' to start converting Panasonic/Canon MXF file MOV format on mac. After conversion, you can watch your MXF file on Mac or editing in FCP/FCE/iMovie without problem.

Tips:

If you choose to convert mxf file to Apple ProRes format, pavtube will be able to keep the multiple audio streams separate in output file. Then you can get the audio tracks like original.

Related article:

How To Convert Mxf To Mov For Free On Mac Windows 10

Free Trial MXF Converter

Useful Tips

MXF stands for Material Exchange Format and is a fairly new file extension designed by Society of Motion Picture and Television Engineers. More than your usual multimedia file extension, MXF is actually a container format that houses video, audio and bitstream data. It is the modern counterpart of the very obsolete videotape. Majority of MXF files can be seen on video recorders and cameras.

Even though new, still many files online are dubbed as MXF files. Sometimes you can see them on downloaded movies, ripped clips, email attachments and all others. But not all multimedia players can open MXF files. You need to either download a special plug-in or find a program that is capable of reading it. To this end, the most convenient method to open MXF files is to convert MXF to MOV. Compare to the former, MOV file formats are more universal, web-friendly and gadget supported.

Two Free Methods to Convert MXF Files to MOV

Method 1: Apowersoft Free Online Video Converter

One of the best ways to convert MXF files without much of a hassle is through the use of Apowersoft Free Online Video Converter. Unlike desktop converters that you need to install, it is a cloud based application that does everything online. For end users, this only means no more PC installation, membership, signing-up and registrations. Using this web-based tool is also free of charge without restrictions on video length and times of usage.

Designed for users who are always on-the-go, this free program can quickly convert MXF video to MOV online. All you need is a good internet connection, few clicks then you’re done. Using it is likewise simple – just upload the file you want to convert, select your desired output format, tweak video settings as you wish, hit the “Convert” button then you can download the converted files from browser. You can use it to convert as many files as you want, including large movies, clips which are small in size and more.

What makes this free online application great is that users can adjust video settings according to their likings. You can select the resolution up to 1080p, custom bitrate and frame rate options. Furthermore, it supports a wide variety of file formats such as WMV, MP4, 3GP, DV, FLV, VOB, MOV, AVI, SWF and WEBM together with various audio extensions.

Method 2: Aiseesoft Free MXF Converter

Another freeware that you could take advantage of is the Aiseesoft Free MXF Converter. However unlike the first one, it is a desktop application that needs to be installed. This free MXF to MOV converter supports other formats such as MP4, AVI and WMV. You can also use it to extract audio track from an MXF file. It is compatible with all Windows version but you need to have at least 512MB of RAM.

It can be downloaded free of charge on their website while Apple users should check out the other version which is Mac compatible. Although free, it has limitations, one of which is the inability to adjust output video settings. You cannot adjust the video’s resolution, bitrate and frame rate options. To bypass this limitation and to unlock other features, purchasing the paid version will do the trick.

An Outstanding Shareware to Convert MXF to MOV Format

Because most of them can only do limited conversion or cost you much time to go through, you are unsatisfied with applications that free convert MXF to MOV, time to look at some great alternatives such as the Apowersoft Video Converter Studio. This software supports tons of multimedia files from popular video extensions to different audio formats. You can even convert files to directly play them on your gadget because this tool can export to iPhone, Android smartphone, tablets, PSP, iPad and HTML5 compatible extensions.

Beyond the capability to convert MXF files to MOV in a blazing fast speed, this premium software has a built-in editing tool that you can use to crop, merge as well as edit videos. Additionally, you can add and edit subtitles using the same software. Converting videos with 1:1 quality, customizing output setting, supporting for newer gadgets, and reliable conversion speed are just some of the things you can get with this outstanding program.

How To Convert Mxf To Mov For Free On Mac Computer

There are many MXF to MOV converters now available in the market. If you are going to use it just once, an online converter might meet your needs. Though, heavy as well as professional users should invest on a feature-filled desktop app that can do tons of things more than just simply converting.

Convert Mxf File To Mp4

Related posts:

[alixciax-blog]

Unknown photographer

This photo best taken with a Canon XF305

Or at a more affordable Price a Nikon 65600 Digital SLR camera

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Adobe premiere pro apple prores 422

#Adobe premiere pro apple prores 422 for mac

#Adobe premiere pro apple prores 422 mac os

#Adobe premiere pro apple prores 422 install

#Adobe premiere pro apple prores 422 pro

mts footage in Adobe Premiere Pro.Ĭonvert Sony A5100 XAVC S video to AIC. Hope this post will help those who are having issues working with Sony DSC-W530 AVCHD.

#Adobe premiere pro apple prores 422 pro

As soon as the conversion is complete, click “Open Folder” to get the generated files for editing in Premiere Pro on your Windows PC with optimum performance. mts files into it to do conversion at a time.įor Windows based Premiere, we would recommend choosing “Avid Media Composer” > “Avid DNxHD 1080p(*.mov)” as output format.Ĭlick “Convert” to start transcoding Sony DSC-W530 AVCHD. This converter supports batch conversion, so you can import a bundle of Sony DSC-W530 AVCHD. mts files that you need to convert into this program. Start up Video Converter for Windows and click “Add File” to load Sony DSC-W530 AVCHD. mts files for use in Adobe Premiere on Windows? As soon as the conversion is complete, click “Open Folder” to get the generated files for editing in Premiere Pro on your Mac with optimum performance. You can also “Enable 3D Settings” to add 3D effect to your source media.Ĭlick “Convert” to start transcoding Sony DSC-W530 AVCHD. If necessary, you can click “Settings” button to modify video and audio parameters like encoder, resolution, frame rate, bitrate, aspect ratio, sample rate, and audio channels. The ProRes 422 codec will ensure a good balance between file size and file quality. Step 2: Click “Profile” to select output format.įor Mac based Premiere, we would recommend choosing “Final Cut Pro” > “Apple ProRes 422 (*.mov)” as output format. mts files into it to do conversion at a time.

#Adobe premiere pro apple prores 422 for mac

Start up Video Converter for Mac and click “Add File” to load Sony DSC-W530 AVCHD. mts files for use in Adobe Premiere on Mac? Bingo, it’s that easy to convert MXF to ProRes on a Windows PC.Part 1. Press on the big “Convert” button at the bottom right to start convert MXF to Apple ProRes 422 on Windows. Exporting ProRes Media in Adobe Premiere for Screening/DVD/Blu-Ray. Tips: Customize Apple ProRes 422 profile (Optional)Ĭlick on “Settings” button right beside of “Profile” to adjust bitrate, encode, frame rate, resolution, aspect ratio, sample rate, channels, etc. Apple Prores 422 Codec For Adobe Media Encoder Queue. Step 2: Set output format as Apple ProRes 422Ĭlick on the “Profile” drop-down list and choose “Apple ProRes 422 (*.mov)” from “General Video” category. Or you can simply drag & drop MXF files to the program interface Prepare: freeload MXF to ProRes Converter for WindowsĬlick the “Add Video” button to add MXF files to MXF to ProRes Converter for Windows. This article also applies to converted Avid MC, Sony Vegas, Adobe Premiere exported video to ProRes 422. This article introduces how you can convert MXF files recorded from Canon XF305, Canon C300, Panasonic DVCPRO P2, Sony XDCAM to Apple ProRes 422, ProRes 422 HQ or ProRes 422 LT. How about if you are on a Windows PC and you just need your video in ProRes 422 format, especially your video recorded video from Canon XF305, Canon C300, Panasonic DVCPRO P2, Sony XDCAM, or video from editing programs like Avid, Sony Vegas, Adobe Premiere?

#Adobe premiere pro apple prores 422 install

If you’re on a Windows PC and install Quicktime, you can play ProRes with professional editing program like Avid MC, Sony Vegas, Adobe Premiere, but not encode or export working flows in ProRes 422 format.

#Adobe premiere pro apple prores 422 mac os

ProRes, the successor of the Apple Intermediate Codec, is a lossy video compression format developed by Apple Inc to use in Final Cut Pro on Mac OS X. MXF format is adopted by some professional camcorders, like Canon XF305, Canon C300, Panasonic DVCPRO P2, Sony XDCAM, etc. MXF, short form for Material eXchange Format, is a container format for professional digital video and audio media defined by a set of SMPTE standards. Easy guide to Fast and Batch Convert MXF to Apple ProRes 422 on Windows PC

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Specification:Model: XF305-BLSItem Name: 45A BLheli_S 2-6S 4in1 Brushless ESCInput Voltage: 2-6SCon. Current: 45ABurst Current: 50AFirmware: J_H_30 BLS 16.7Dimension: 40x43mm Mounting Hole: ...

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Canon NB-4L 3.7V 760mAh Replacement Battery for Canon IXUS40 55 70 75 80 SD400 SD600 i200M i7

This is a rechargeable Canon 3.7V 760mAh NB-4L Battery . High quality and long lifetime, this NB-4L battery lets you work seamlessly when you are on the move for business trips or vacations. All our Li-ion replacement batteries for Canon NB-4L Camera have been tested and proven to match and/or exceed original battery performance and are 100% compatible with Original Manufacturer Specifications. Every piece of our replacement battery for Canon NB-4L has been tested and validated on Canon systems to ensure the safety for your Canon IXUS40 55 70 75 80 SD400 SD600 i200M i7. Increased capacity extends your workable hours at the office, in meetings or classes, or while traveling.

NB-4L Replacement Canon NB-4L 3.7V 760mAh Battery. Buy cheap Canon NB-4L Replacement Battery from batteriestore.co.uk now. We have a strict testing process to ensure that your ordered products (like this battery for Canon NB-4L) are functionally correct before they are packed and sent to you. And before placing an order please make sure that your old original Canon NB-4L battery's shape is same to our batteries' images as below. Free shipping and one year warranty!

Product Description:

Type :Li-ion Brand : Canon Voltage : 3.7V Capacity :760mAh

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Compatible Part Numbers:

NB-4L

Compatibile con i seguenti apparecchi :

Canon IXUS40 55 70 75 80 SD400 SD600 i200M i7

How to care for your NB-4L battery.

This is the Replacement Canon NB-4L Battery, You can extend the life of your NB-4L battery significantly through the proper care and handling of your battery.

Any new NB-4L battery should first be fully charged by leaving it plugged in overnight. Once a computer battery is fully charged it will no longer accept any more power. It is a common practice to leave Cameras plugged in after they have been turned off so that the battery has a full charge the next time you use your Camera. It is probably fully charged within 5 hours.

A brand new NB-4L Camera battery is in a weakened condition since it has not been conditioned yet. Condition and break in your new battery by performing 5 partial discharge and recharge cycles the first week you receive your new battery.

Run on battery power without the AC adapter cord at least once a week to keep the NB-4L battery cells active and at their peak potential. When your Camera is plugged into the power adapter the battery goes to 'standby mode' while your Camera runs directly on electricity from the wall outlet.

Even though your battery indicates it is fully charged, your battery will return to a weakened state again in a few months if it does not get some exercise through partial discharge and recharge cycles while running on battery power alone.

If your NB-4L battery has not been actively used 2 months or more, condition your battery again with 5 partial discharge & recharge cycles to increase the batteries capacity and run time.

Don't run your battery all the way to empty. Your battery will have a longer service life if it receives shallow discharge and recharge cycles. Research has shown that the useful life of the battery will be much longer if you begin to recharge the battery any time before reaching 20% of the remaining power capacity. Recharging the NB-4L battery even after 10 minutes will not reduce the battery's life span as lithium batteries do not have the memory effect which was found in older NiCad battery technology. NiCad batteries have never been used in Cameras, even the earliest models.

Never run your battery below the 2% critically low warning point. If your battery is run below this point it may not have enough energy to even recharge. This may effectively 'kill' your NB-4L battery.

How can I extend your battery run time?

You can extend your NB-4L battery run time by minimizing the power drain on your battery. A 3 cell battery will run approximately 2 to 2-1/2 hours when the battery is new. Even longer times can be achieved by minimizing the power consumption of your laptop. Here are the top ways to reduce your power consumption.

Avoid using the CD or DVD drive as the motor consumes a fair amount of power.

Turn off your wireless finder if you are not using the internet.

Remove any devices plugged into your USB ports or other ports.

Close out programs you are not using. By minimizing the load on your CPU, sometimes you can avoid having the cooling fan turn to its high speed mode.

Increase your memory to 4 Gigabytes. This creates less work for your hard drive. Data is temporarily written to your hard drive when your memory is not sufficient to hold all the data on the many pages you may be accessing.

Reduce the brightness of your laptop screen. This is the number one drain on your battery by far.

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BP-930 Canon goedkope batterij 3000mAh, 7.40V, batterij voor Canon XM2 XV1 XV2 XF100 XF105 XF300 XF305 C2 DM-MV1 DM-MV10, Merknaam:Canon

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[lukaswittorf]

Introduction to Film-Making:  Session02

Class In our second session, we have learned how to handle tripods and different broadcasting-cameras properly.

Later on, we have gone into detail concerning Aperture-Units, the use-cases of “stops” and discussed the most common framing-sizes.

Tripods Tripods consist of three legs to have a fixed position, an arm for camera movements (which has to be loosen before the legs are spread), a camera-plate, which can be tilted or panned with several knobs and a quick-release-plate which is used to fixed below the camera.

This picture shows the upper end of a tripod with a safety-knob to tighten or loosen the tilt of the tripod (turning it clockwise will tighten the tilt safety). Next to the tilt is a red button, which is used to detach the quick-release plate from the base-plate.

Here you can see the one of the tripod’s spirit-levels. This one ensures that the legs below are placed horizontally correct. Next to the spirit-level, you can find the knob to influence the panning-safety. Turning it clockwise will tighten the safety. The next picture shows the tripod from above. The camera with its quick-release plate is inserted from the left side of the base-plate until the safety makes a “click-sound”. In the lower left corner of the picture, the arm of the tripod is located with it’s safety knob right next to it.

The Cameras:

For this active practice, we split into groups of two and each group was allowed to pick one the following cameras:

Sony EX1

Sony X200

Canon XF305

My team picked the EX1, but every team had to find the following components at each of the cameras:

focus ring

aperture

zoom switch between servo and manual

In general, we had to switch all components to manual to understand all components and their purposes. In the film industry, nobody is using the automatic function because when you know the camera, you should be able to change the settings in a few seconds. Furthermore, some auto-functions are not reliable in comparison to manual adjustments. The picture below shows the Sony EX1 from above with the servo-zoom function which worked really slowly. To turn off the servo-zoom, you have to flip the switch towards manual.

The EX1 works with a build-in lens with variable focal-length between 5.8mm and  81.2mm. The wheel to the left can change the focal-length by turning it clockwise. The same applies for the aperture ring right from the zoom-ring. Between both rings are the switches to choose between manual and auto mode for the aperture-ring/iris and the focus-ring. On the far right side of the picture, you can see a switch to choose between different ND-filters. The EX1 possesses two ND-filters.

The last pictures shows the focus-ring and a small icon which shows how to change into “Full Manual Focus”-Mode. The focus-ring has to be pulled back towards the camera-operator. Otherwise, you only overwrite the auto-mode.

Aperture-Units:  During the second session of week two, we discussed in depth the units of an aperture-ring and its scale-steps, which are called “f-stops” as well. 

The smaller the hole of the blades gets, the more increases the number written on the aperture-ring. The light will be more focussed and the Depth of Field will decrease, when the aperture is rather closed than opened. 

The common maximum of an aperture-ring is f1.4, but there are some lenses used in the industry which can open up to a value of 0.8. That gives the possibility to shoot scenes in low-light situations without increasing the ISO or the Shutter-Angle as much as with a you would have to with a f1.4 lens. 

The common minimum or the value, where the aperture is almost closed changes between f20.0 and f22.0 depending on the lens.  

The scale-steps or f-stops rise as followed: 

1.4, 2.0, 2.8, 4.0, 5.6, 8.0, 11.0, 16.0, 20.0, 22.0

As you can see, the first two values have to be seen as given and from there on each following value is a product of the second last with the factor 2 (except f11.0 and f20.0). When you increase/decrease the value of the aperture, you halve/double the amount of light hitting the camera sensor. Therefore, each lens has two extremes where the aperture exposes the picture with the least or the most amount of light as possible.  These extremes used to contain mistakes or in technical terms: aberration what means, that color-shifting, blooming (brightest parts/overexposure influence rest of the picture -> vertical streaking) and fringing (unfocused purple/magenta due to high contrast on edges and daylight) can appear on the footage.  The space between 2-3 stops apart from each extreme is usually called the “sweet-spot” of a lens, where the picture is at its sharpest point.  

Sources: https://en.wikipedia.org/wiki/Purple_fringing, https://de.wikipedia.org/wiki/Blooming Framing Later on, we analysed all relevant framing-sizes in the current film industry and their technical terms and abbreviations.  Using the human body and later the human eye as a reference, we decrease the distance between the camera and body with each and every framing-type as followed: 

Extreme Wide Shot = EWS - often used to settle or establish a scene

Source: cinevenger.com

Wide Shot = WS - should include our character and visualize size of a  building

Source: gettyimages.co.uk

Long Shot = LS - show the character with some space between feet and head (head-/ and foot-room) 

Source: canacopegdl.com

Medium-Long-Shot = MLS - includes the body down to the waistline with some head-room - also called “The American”, because of its common use in Western movies to show a gun

Source: blenderartists.org

Mid-Shot = MS - shows character as if audience would be in a conversation with actor - only from head to belly 

Source: nyfa.edu

Medium Close-Up = MCU - most common shot for interviews in TV broadcasts 

Source: walkmyownpath.wordpress.com

Close-Up = CU - shows a character to its collarbone - there is no rule whether the head should have some space to the upper end of the frame or not 

Source: rogersasphotography.blogspot.com

Big Close-Up = BCU - focus on face and emotions, chin touches lower frame end 

Source: premiumbeat.com

Extreme Close-Up = ECU - concentrates on a detail of a human’s face and can be a combination between both eyes and eyebrows or only one eye. 

Source: cadevittum.wordpress.com

Research: Shot-Sizes/Frame Sizes 

Apart from different framing sizes, there are other terms to specify certain aspects of framings like aesthetics, appearance and perspective. 

Cut-In: 

A Cut-In is used, when the camera moves closer to a person or an object between shots and th

ere is a cut between these positions.

Source: Lukas Wittorf Cut-Away:  This will be used to relocate the focus from one object to another, which are not in the same image. A cut-away is used for example, when a character is shown pointing to a house in distance and in the next shot, the house is shown without the protagonist in frame.  

POV-Shot: 

The camera imitates the character’s view so that the audience is able through his/her vision. This can be used as a dramatic effect or for realism. 

Source: Lukas Wittorf Double/Two Shot: This term is only used with groups smaller than five people and referring to the number of people inside a frame. 

Over-the-Shoulder:  This mostly means a MCU or a CL with a silhouette of another character in the opposite side of the frame to visualize a conversation and the relationship between characters.

Source: 08keyl.wordpress.com Establishing-Shot:  Like the name says, this type of shot is used to establish the environment of an upcoming scene and can be seen as an introduction.  The content of an establishing shot could be inside a room, a lonely landscape or anything else what shows the surroundings of the scene. 

Source: premiumbeat.com

Master-Shot:  A Master-Shot is used to introduce a new environment like a room and the position of each character, so the audience understands who is inside and how they stand in relation to each other before cutting closer. 

Source: nyfa.edu

Neutral Density Filters

Benefits and Basics Basically, ND-filters or neutral density filters are similar to sunglasses for the camera to have better control over light entering the lens without losing color ton information in the image. This is possible by modifying the intensity of all wavelengths in the light equally by filtering them through an ND-filter, screwed in front of the lens.  The user can use exposure properties which would cause an overexposed image without an ND-filter.  Another benefit of using ND-Filters is the possibility to create images with a shallow depth of field or lots of motion-blur under bright daylight conditions.

A shallow depth of field can be created by using a widely opened aperture, but under bright daylight conditions this leads to overexposure. 

Source: unsplash.com - Yannis Papanastasopoulos To create such an effect as motion-blur, you have to reduce the shutter-speed / -angle to increase the duration how long the light is entering the lens. The result is that moving parts of an image start to be blurry.

Source: unsplash.com - Robert Tudor

Types of Filters You can differ between graduate, variable and extreme ND-filters. Graduate filters have different filter intensities on its surfaces. This can be useful if some parts of a picture are rather bright and the provides a smooth transition to less filtered parts of an image. Variable neutral density filters make it possible to use different filters on the same lens. A common issue are incompatible filters which can only be used for certain lenses with certain diameters, but by combining different filters with at least one turnable filter you can adjust different filters on each other. The result is a wider range of control over light but the image is losing quality as well. Nevertheless, a huge benefit are less ND filters to carry during a shoot. 

Extreme filters work like variable filters with the difference that you can increase the amount of motion blur in a picture without stacking different filters on each and lose image quality. 

Disadvantages Unfortunately, some ND-filters are not able to reduce the wavelengths of light equally what leads to a color shift within an image.  Especially in not visible spectrum of light (UV and IR) can occur loss of color information. 

Source: https://en.wikipedia.org/wiki/Neutral-density_filter

[hrhprince]

ISS Daily Summary Report – 5/01/2017

OsteoOmics Investigation:  In preparation for OsteoOmic investigation activities planned this week, the crew configured OsteoOmics hardware and the Microgravity Science Glovebox (MSG), reviewed procedures, conferred with ground experts and completed an OsteoOmics practice session.  Samples were retrieved from Minus Eighty Laboratory Freezer for ISS (MELFI) and General Laboratory Active Cryogenic ISS Experiment Refrigerator (GLACIER) for the investigation and temporarily stowed them for tomorrow’s operations.  Crewmembers experience bone loss in orbit due to lack of gravity acting on their bones. OsteoOmics investigates the molecular mechanisms that dictate this bone loss by examining osteoblasts, which form bone, and osteoclasts, which dissolve bone.  Improved understanding of these mechanisms could lead to more effective countermeasures to prevent bone loss during space missions and in a wide range of disorders on Earth. This may lead to better preventative care or therapeutic treatments for people suffering bone loss as a result of bone diseases like osteopenia and osteoporosis, or for patients on prolonged bed rest. Japanese Experiment Module (JEM) Airlock (JEMAL) Operations:  In preparation for the deploy of NanoRack Cubesat Deployer (NRCSD) #11 satellites planned for May 15, the crew opened the inner hatch of the JEMAL, extended the airlock Slide Table (ST) into the JEM Pressurized Module (JPM), mounted the Small Fine Arm Attachment Mechanism (SAM) and Multi-Purpose Experiment Platform (MPEP) facilities to the ST and returned the table into the JEMAL.  Human Research Program (HRP) Collections and Operations: A 50S crewmember collected Flight Day (FD) 15 blood and urine samples yesterday and today for Biochem Profile, Repository, and Marrow investigations and air samples for Marrow. The Biochem Profile experiment tests blood and urine samples obtained from astronauts before, during and after spaceflight.  Specific proteins and chemicals in the samples are used as biomarkers, or indicators of health. Post-flight analysis yields a database of samples and test results, which scientists can use to study the effects of spaceflight on the body. Repository is a storage bank that is used to maintain biological specimens over extended periods of time under controlled conditions. This archive of biosamples will be used as a resource for future spaceflight related research. The Marrow investigation identifies the effect of microgravity on bone marrow.  It is believed that microgravity, like long-duration bed rest on Earth, has a negative effect on the bone marrow and the blood cells that are produced in the bone marrow. SkinSuit Investigation:  Over the weekend the crew performed two days of Skinsuit activities. With assistance from a crewmember acting as operator they took measurements after donning the suit in the morning and again before doffing in the afternoon. The Skinsuit is a tailor-made overall with a bi-directional weave specially designed to counteract the lack of gravity by squeezing the body from the shoulders to the feet, with a force similar to that felt on Earth. The subjects perform an evaluation of the efficacy of the Skinsuit in reducing or preventing lower back pain and preventing spine elongation. They measure the gravitational load provided by Skinsuit and evaluate operational considerations, in particular hygiene, microbiology, comfort, thermoregulation, donning and doffing, impingement and range of motion. Results from this investigation will be used to prepare for long duration missions. Extravehicular Activity (EVA) Preparations: The EVA crew completed the following in preparation for the EXPRESS Pallet Controller Assembly (ExPCA) EVA currently planned for May 12. Unstowed hardware from the Airlock not needed for the EVA and prepared the Airlock to support EVA operations. Reviewed a briefing package including hardware overview/tool config, detailed timeline, and expected Caution and Warnings. Compound Specific Analyzer-Combustion (CSA-CP) Checkout: The crew changed the batteries in 2 newly resupplied CSA-CP units and updated internal clock settings. The units will remain deactivated with new batteries for at least 24 hours for sensors to re-establish bias voltages.  Mobile Service System (MSS) Operations: Last Friday night, Robotics Ground Controllers powered up the MSS and used the Space Station Remote Manipulator System (SSRMS) and Special Purpose Dexterous Manipulator (SPDM) Arm 2 to extract the S11A-C Remote Power Control Module (RPCM).  They temporarily stowed this RPCM in the S14B-H empty slot.  Next, controllers extracted the S14B-G RPCM and installed it in the in S11A-C slot.  Finally the RPCM in the S14B-H slot (old S11A-C) was extracted and installed in the S14B-G slot and the MSS was configured for park.  Cygnus Cargo Operations Status: The crew completed Message #2 over the weekend. Teams are working to complete Message #3 but at present, there are no cargo operations planned for this week.  Today’s Planned Activities All activities were completed unless otherwise noted. Marrow Breath And Ambient Air Sample Collection – Subject Reminder HRF Generic Frozen Blood Collection Double Spin Reminder HRF Generic Urine Collection End HRF Generic Frozen Blood Collection Double Spin Collection – Subject HRF Generic Refrigerated Centrifuge Double Spin Configuration 1 HRF Generic Urine Collection Male – Subject HRF Generic Refrigerated Centrifuge Double Spin Configuration 2 HRF Generic Sample MELFI Insertion Combustion Integrated Rack Alignment Guide Removal HRF Generic Refrigerated Centrifuge Spin Conclude HRF Generic Sample MELFI Insertion Preventive Maintenance of FS1 Laptop (Cleaning and rebooting) VIZIR. Start charging СКПИ Infrared Receiver (ИКП) battery HRF Generic Frozen Blood Collection Conclude Stow JEM Internal Port Camera HD Status Check Atmospheric Control System (ACS) NORS Oxygen Transfer to Low Pressure O2 Tank NAPOR-mini RSA. Cleaning Onboard Memory Storage БЗУ-М vents Monthly Smart Switch Router (БРИ) HRF Generic Urine Collection Stow OsteoOmics SABL CO2 Valve Open XF305 Camcorder Setup Comm config to support tagup on S/G2 from MRM2 JEM Airlock Slide Table (ST) Extension to JPM Side RSE-2 laptop install in MRM2 Test activation Active Mechanism Tether Loop Removal from JEM Airlock Slide Table Small Fine Arm (SFA) Airlock Attachment Mechanism (SAM) installation To JEM Airlock (AL) Slide Table Extravehicular Activity (EVA) Airlock Unstow Photo/TV Camcorder Setup Verification OsteoOmics Bag Retrieval MRM2 Comm Reconfig for Nominal Ops OsteoOmics MWA Prep EVA Safing for Thermal Painted Surfaces on ExPCA ORU Extravehicular Activity (EVA) Tool Configuring СКПФ1, СКПФ2 Dust Collector and MRM1 ГЖТ Cleaning with Vacuum Cleaner JEM Airlock […] from NASA http://ift.tt/2p4DFCW via IFTTT

[wespottech]

مراجعة ومقارنة كاميرات Canon XF300 & XF305

مراجعة ومقارنة كاميرات Canon XF300 & XF305

لطالما وُصف�� Canon بأنها واحدة من الشركات الرائدة في مجال منتجات التصوير والبصريات المتقدمة والمبتكرة. لطالما سيطرت نماذجهم المتخصصة والعلامات التجارية للكاميرات وكاميرات الفيديو والعدسات وآلات التصوير على صناعة المصورين المحترفين وصانعي الأفلام. لدرجة أن هؤلاء الأشخاص يتابعون باستمرار إصدار BIG Canon القادم، تمامًا كما نحن. إذا كنت تبحث عن شراء كاميرا Canon جديدة هذا العام ، فيمكنك اختيار واحدة…

[gossipdepartement]

Canon XF305 HD Professional Camcorder with MPEG-2 4:2:2 50Mbps Codec 4454B001

Canon XF305 HD Professional Camcorder with MPEG-2 4:2:2 50Mbps Codec 4454B001

The XF305 supports the highest HD quality, with Full HD 1920 x 1080 resolution, up to 50Mbps bit rate and 4:2:2 color sampling

Unlike other camcorders using proprietary memory systems, the XF305 records to cost effective and readily available Compact Flash (CF) cards.

Newly designed and manufactured exclusively by…

[pcv-gear]

RENTAL ONLY - Canon XF105 HD SD Camcorder

RENTAL ONLY - Canon XF105 HD SD Camcorder

Canon's XF105 HD Professional Camcorder is a compact, fully featured handheld video camera that imports nearly all the features and functionality of the 3-chip XF305 into a smaller, single sensor form factor. Its 1/3" CMOS sensor and DIGIC DV ..

https://ift.tt/3cA7VAq June 11, 2021 at 07:34AM

[findusonweb-blog]

Prestons premier video production company Video production is about so much more than design, shoot and edit. It's about communicating your message, motivating staff, informing your audience, profiling your company, expressing values, promoting your product, training employees, capturing a moment...in an imaginative and creative way. We are Metro Productions; a Preston in Lancashire based video production company. Metro Productions produce cost-effective videos for businesses for distribution across various platforms, the Internet, websites, and social media, including YouTube & Vimeo. At Metro Productions we have all the production, and post-production facilities at your disposal. Our tools of the trade includes editing on Final Cut Pro, After Effects, vfx plug-ins, motion graphics, green screen facilities, Full HD Canon 5d mk2 & Canon XF305 with slider, lights, and much more. We can also create DVDs with menus in DVD Studio Pro, and duplicate short run in-house DVDs, and CDs.

Metro Productions is a full-service production company, offering its clients a comprehensive range of production services from pre-production planning to scriptwriting, location/studio shooting, editing, post-production and DVD/CD duplication & replication. Metro Productions has built a reputation for being a productive & consistent company specialising in the use of new technology. It is this knowledge coupled with fresh, innovative and commercial ideas that have allowed Metro to create work of the highest standard at a faster rate, and, at a lower cost Whether it’s an internal communications video for your business or your company’s corporate overview, the breadth of experience at Metro means we can turn our hands to any production task set before us. Metro Productions will deliver the right combination of creativity, knowledge and experience to make your project a success. That is why Metro only uses professional technicians and crew who are extremely passionate about what they do

THE COMPANY Metro Productions is situated at The Benchmark, right in the heart of the creative community in Preston Lancashire. Metro Productions is an independent film & video production company, with a wealth of experience and fresh ideas. The producer and founder of Metro Productions is Ian Smith. Ian started his career in 1969, and has built up a wealth of experience working in the film, television & video industries. His background has been TV commercials and motion pictures, films such as ‘The Big Sleep’ ‘Firepower’ ‘Mahler’ ‘The Spy Who Loved Me’ (Matte Unit) ‘Zulu Dawn’ ‘A Prayer For The Dying’ ‘Greystoke’ (2nd Unit) ‘High Road To China’ ‘Carry On Dick’ ‘Man In The Iron Mask’ ‘Star Wars’ ‘Permission To Kill’ ‘Great Expectations’ ‘Baby – The Lost Legend’ (2nd Unit Walt Disney pictures). Plus television programmes and numerous television commercials. He’s worked with directors such as Michael Winner, Hugh Hudson, Dick Lester, Roman Polanski and George Lucas just to name a few.

PROFILE Metro Productions is a full-service production company, offering its clients a comprehensive range of production services from pre-production planning to scriptwriting, location/studio shooting, editing, post-production and DVD/CD duplication & replication. Metro Productions has built a reputation for being a productive & consistent company specialising in the use of new technology. It is this knowledge coupled with fresh, innovative and commercial ideas that have allowed Metro to create work of the highest standard at a faster rate, and, at a lower cost. Whether it’s an internal communications video for your business or your company’s corporate overview, the breadth of experience at Metro means we can turn our hands to any production task set before us. Metro Productions will deliver the right combination of creativity, knowledge and experience to make your project a success. That is why Metro only uses professional technicians and crew who are extremely passionate about what they do.

SERVICES With Metro Productions services, and competitive rates, we aim to reduce your costs, so you, get more out of your budgets. Pre-production Scriptwriting Film & Video production Shooting studio/location Commercial or broadcast Post-production Facilities Green Screen keying facilities Video editing. Encoding DVD/CD for websites CD/DVD production DVD authoring CD/DVD design, print & packaging fulfilment service CD/DVD duplication & replication 1 to 500,000 + units Live IPTV/WEB tv station/channel