#with writing and releasing music without expectations of it being on an album (though eventually it did)

[sunburnacoustic]

New mates on the dash, should I attempt to resurrect some sort of a guide to the tags I use again? Because I am extremely disorganised but tumblr is Somehow Worse than me and so quite unintentionally, this tumblr has ended up being the most organised corner of my life. The repeated ones are mostly all searchable and have very specific purposes

[songbirdstyles]

sparks

summary: you’re a music journalist assigned to covering one of harry styles’ gigs, and he’s absolutely smitten with you. (part one.)

warnings: slight fluff, excessive liberties taken about music journalism; smut in later chapters, angst in later chapters

word count: 8.2k

inspo.: almost famous - cameron crowe; sparks - the who; hello, i love you - the doors

You’d never truly gotten a big assignment before - sure, you’d gotten a few pieces here and there detailing local LA bands that you knew would never live to see more than 100,000 monthly listeners on Spotify, and they mostly ended up buried by your higher-ranking coworker’s higher end stories on the front covers - and, for the most part, you’d honestly been fine with it. You’re fresh out of college, the newest recruit to your company and your colleagues who are sent out to tour with big bands and artists have been here for years, some even decades, and you suppose they deserve the opportunities more than you, don’t they?

You work your way up, your boss had told you the first day you’d started working, following him around like an eager puppy as he showed you the office. Eventually - if I’m impressed with you - you’ll get something big.

It’s enough for you. Small bands playing in hole-in-the-wall clubs and restaurants may not be the exact thing you’d envisioned when you’d set your sights on being a music journalist but it’s worked out well for you so far, hasn’t it? You’ve made friends - even dated the lead singer of an underground rock band who cheated on you hardly two weeks into the relationship - and your portfolio is slowly building, stacked with exposés and detailed recounts of small gigs that you’d watched from backstage. Eventually, you’ll leave this company and move on to something bigger, like Rolling Stone, and your career will take off until you’re practically the face of music journalism.

And, really, those dreams have carried you through college and the first year of your career, putting your all into every article and every piece just so your boss can tug you into his office one day with a rarely-seen grin to finally tell you -

“I want you to write an article on Harry Styles.”

You furrow your eyebrows, shifting in the cushy office seat that your boss has for guests in his office. It’s a facade that you’ve learned to acknowledge, because, no matter how much he makes it look like he appreciates guests in his office, you know he regards you as nothing more than an interloper, even if he’d invited you there to begin with. “Harry Styles?”

“You’ve heard of him, haven’t you?” Mike asks, light shining off his bald head, and your mouth opens and closes a few times uselessly. 

“Of course I have!” You push yourself to sit up straighter in your seat, staring up at your boss with shock written in every feature of your face. You, writing about Harry Styles? God, you nearly want to pinch yourself to see if you’re dreaming. “Write an article about - about what?”

Mike scoffs in that pretentious way that makes you hate ever having to talk to him, and you resist the urge to roll your eyes at him. “He’s coming to do a few shows along the West Coast. You can go to one or two - talk to him a bit, talk to his band - you’ve done this before, haven’t you?”

“With small bands, sure - Tacocat and - and the Mystery Lights -” You swallow thickly, and Mike stares down at you in your seat like he’s unimpressed with your enthusiasm, or lack thereof. And it’s not that you aren’t executed - but, Christ. Going from bands performing in underground clubs to Harry Styles is like going straight from crawling to flying a fucking plane and you’re not sure if any of your experience with the musical locality in LA could prepare you for that. “I mean, that’s huge, Mike.”

“It is huge,” Mike confirms, crossing his thick arms over his chest, leaning against the desk before you as though he’s immune to sitting in his seat behind his desk like a normal boss. “Do you not want to do it? Because Melissa, you know - she’d love to, was going on and on about it last week -”

“No!” Your cheeks flush at the volume your voice raises to, and if you didn’t know better you could swear you see the ghost of a grin on Mike’s face. “I want to, Mike, I really want to - it’s just crazy.” There’s a pregnant pause between the two of you, your boss nodding smugly down at you as you struggle for words, before you ask the question burning the tip of your tongue with its desire to be heard. “But - why me? I’m sure you have people more qualified for it -”

“Easy,” Mike says, cutting you off and you’d be annoyed in any other instance but you’re too desperate to hear his answer. “Look, Harry’s a young guy. Younger than anyone else our people have interviewed - I think he’ll respond more to a young, pretty girl like yourself than someone older than him.”

Well, that makes sense, you suppose. The only coworker even close to you in age is Melissa, and she’s pushing 30 as it is. You’re 23 - graduated college just over a year ago, and by far the newest recruit this company has taken in years - but you had always imagined that was the main reason you wouldn’t get many big articles, and here it’s the main factor in you getting what will surely be the highlight of your portfolio once you apply to Rolling Stone. An interview with Harry Styles - God, they’ll probably foam at the mouth when they see it, and a grin spreads across your face as you think of it.

“Is that a yes?” Mike questions, blonde eyebrows raised high and nearly disappearing into his scalp. 

“Of course,” you respond without another moment of hesitation, and you push yourself to stand, office chair rolling behind you with the force, and it hits the wall behind you with a soft thump. “Yes - of course - of course.”

“Great.” And he crosses to the other side of his desk, pushing aside a few loose papers and folders on his desk, and you clutch your hands in front of your stomach as you watch him, practically bouncing up and down with uncontained joy and fear bubbling inside of you. The last time you’d felt like this was the first time you got a real assignment - more than just ranking songs and discussing new album releases - and you’d been sent to a strip club to cover a gig from an up-and-coming band. Back then, you’d never expected to ever feel more excited over anything in your life, and yet, here you are, eight months later, fighting back the urge to burst into joyful tears. “They come in a week - I’ll send you the address - if you need help with your questions -”

“I’ll ask Francine,” you finish the same advice he gives you every time you’re assigned an article, referring to your oldest coworker - a little old woman who’s been with the company since the 70s. She’s always been more than willing to help you with your assignments but this - you need to do this by yourself. “Thank you so much, Mike, this is - this is great.”

“Don’t let me down,” he says, pointing his finger at you, and you nod furiously. “I’m trusting you on this - it’s a big opportunity.”

“I won’t disappoint you,” you promise, holding up your crossed fingers just to show him how much you mean it, and you know it’s the truth - you’ll make this piece the best damn one this company has ever seen if it’s the last thing you ever do. 

 ~~

 The night begins a bit - rocky, to say the least.

For one, you couldn’t decide what to wear, even after spending nearly a half hour trying on every variation of clothes in your closet and tossing them onto the floor of your studio apartment when they didn’t satisfy your needs. In the past you’d worn to gigs what you’d wear if you were a simple concertgoer, albeit a bit more modestly, but you can’t decide what you would wear to a Harry Styles concert if you got the regular chance to - and you’d never even dreamt that it would happen in the first place -

Well, you peruse your closet intently and land on a pair of patterned flare pants and a long sleeve sweater. It only seems fitting for the chilly weather outside, and you fold a shirt into your bag in case you need to change if it gets hot backstage. You’re not dressed to impress, necessarily - you’re dressed to get a job done, as Mike would always say, but how could you be expected to not attempt to impress Harry Styles? It’s a preposterous idea. You’re sure anyone would understand.

Journalism pass - phone - keys - deodorant - when you’ve checked your bag over three times to ensure you have everything necessary you finally leave, locking your door shut behind you and ordering an Uber to take you to the concert.

You hadn’t anticipated Uber and Lyft being absolutely overloaded with patrons due to the concert just a half hour away and you need to be there by 6:30 at the very latest to ensure you get in and can at least talk to Harry before he goes on - a quarter of your questions are geared towards how he feels pre show and you can’t get pre show questions after the show - that’s barbaric. But the minutes inch closer to 5:30 and your Uber driver is still ten minutes away and your heart beats so fast against your chest you think you might vomit right into the street in front of your building -

You’re in the car by 5:45. It’s not ideal, and you know you’re cutting it close, but hopefully you’ll be there before the soundcheck ends. It’s always an ideal time to take photos, watching the band warm up and check mics, and with a piece like this, you need all the opportunities for pictures you can get.

And traffic is horrible - you suppose that’s also to be expected, and your Uber driver curses in a language you can’t recognize as cars cut him off on the highway and if you were a different person, you’d recommend a shortcut he takes, but he doesn’t look like he wants to hear a single word come from your mouth. He had given you a dirty look when you entered the car, and that’s enough to make you shut up and pray for the entire car ride that you make it on time.

6:27. Mike would piss himself if he knew how close you cut it, and you hop out of the car with a speed you didn’t even know you could muster, pushing past the buzzing crowd standing in front of the main entrance. The hoard of people seems to have a steady heartbeat, pulsing with excitement much like your own, and you can’t help but smile as you make your way around the group, goosebumps cropping up over your skin as your teeth chatter in the coldness. For a moment you fear that the directions to the backstage entrance that Mike had given you were total bullshit - but then you see the door, blocked by a burly security guard that glowers at you as you walk up to him like you’re something sticky beneath his shoe.

“Hi!” you call, breath exploding in a white cloud in front of you in the cool night air. The security guard smells so strongly of booze that you need to try harder than you’d care to admit not to scrunch your nose - you cough softly. “Let me - um - find my pass - I’m with Autoamerican, the magazine?”

Fingers grab onto your journalism pass, deep within your bag, and you tug it out, flashing it to the security guard with a slightly nervous grin. All of the gigs you’d been to before hadn’t even had backstage doors - to get backstage, you just had to climb onto the stage and walk behind the wings - but this is a fucking stadium, not just a measly club, and a big one, at that. In your youth you’re sure you could recall your dad watching a football game that occurred in this very stadium - funny how life turns out, sometimes.

“Autoamerican?” the security guard questions, bringing his face closer to your badge as the wafting smell of alcohol increases, and he raises his eyebrows with a scoff. “Never heard of it.”

“Oh.” you pause, feeling your teeth beginning to chatter in the cool February air. You’re not quite sure what to say - you’d assumed Mike had called to arrange the entire thing, hadn’t he? And this is the time you’re supposed to be here - “well, we’re not as big as Rolling Stone magazine, but - we’ve done interviews with The Cure, The Smiths - even Zeppelin, at one point -”

Your voice trails off into silence. He doesn’t care. He’s looking at you like you’re some innocent teenage girl, trying to bribe your way backstage so you can bombard the artist and not a fully grown woman here on business, goddammit. And you’re not sure what to say - he doesn’t believe you, clearly, and you hadn’t anticipated that even as you listed all the ways tonight could go wrong.

“Look, kid,” he begins, and that really has your blood boiling, eyes narrowing to glare at him. “We get this all the time. I’m a journalist - I’m with the crew - it’s a bunch of bullshit. Now go to the front with your general admission tickets like the rest of them -”

“I have a pass - I’m a journalist!”

“Sure -”

“I can call my boss if you want proof!”

And before you can reach into your bag to search relentlessly for your phone to follow through on the promise like you intend to, the door the man is guarding suddenly swings open, nearly hitting the guard in the ass as it opens out. You take a step back as dim light from inside floods the darkness, and a man steps out of the doorway, his eyes darting between you and the security guard.

“Are you with Autoamerican?” the man questions, raising his finger to point at you as though he could be speaking to anyone else. You nod furiously, and you hold up your journalism pass again just to prove it. “You can come inside, then - c’mon, Steve, she’s got a pass, for God’s sake -”

And you can’t resist flashing the guard a smug smile as he steps to the side to let you inside, rolling his eyes so far back into his head that all you can see is a strip of white.

The man lets you inside and the door shuts behind you, and you nearly knock straight into a second security guard standing by the door inside, as though trying to stop people from going out. And, well - you’ve been backstage at more concerts than you could count but this is certainly bigger, better, bustling with people carrying equipment and makeup artists and more people you couldn’t possibly identify. You’re half inclined to reach into your bag and grab your notebook to jot down exactly what you’re seeing so you can make sure to include it in the article, but you have a distinct feeling you’ll never forget it.

“I’m Jeff,” the man tells you, already setting off through the people, and you’re quick to follow, trying to maintain your pace beside him. After a second of walking in silence you realize he’s waiting for you to say yours - you clear your throat and introduce yourself, and he sends you a smile. “The band just finished their soundcheck, if you’d like to have a word with them before they go on - what’s the article about, anyway?”

Jeff shoulders the two of you through lingering groups of people until you emerge into a small hallway lined with doors, and you can hear bustling noise coming from the one closest to you - holy shit, is that Harry? 

“Um - just about the shows, the tour, how everything’s going. My boss basically told me to do what I want with it, so I’ll have a better idea once I speak to the band.” It’s the loosest instruction you’ve ever been given for a piece - you’d expected a clear cut outline - but perhaps with an artist this big, Mike trusts you to know what to write. “It likely won’t be anything too personal, but I’d love to get a chance to speak with Harry before and after.”

“Sounds great,” and you can tell he’s stressed - you wonder if he’s always anxious before his client’s shows, or if there’s something special about tonight that has him worried - and then he reaches past you, twisting the doorknob closest to you and holding the door open for you to enter before him, and you give him a gracious smile before walking in.

The room isn’t as crowded with people as you’d expected but they’re bustling with energy - a woman and a man, holding a guitar, lean against the wall with each other - two other women sip water bottles, laughing loudly amongst each other - another woman leans above someone, their body hidden from view except for their legs, covered in silk, floral printed pants -

Your breath catches in your throat as Jeff shuts the door behind you both, and the sound of the door clicking shut draws far more attention to yourself than you’d expected - it seems like every pair of eyes lands on you and Jeff, and you’d decided on being a music journalist to keep away from being the center of attention. You’ve always preferred being behind the scenes, a bit, at least until your career progresses until you’re a household name for music journalism, and now -

You feel very much in the scenes, eyes on you as Rhiannon plays in the background.

And then Jeff is tapping you on your shoulder, leading you around the room to the small groups of people lingering - you shake hands with Mitch and Sarah, the couple against the wall, and the rest of his band, and they’re so nice your smile feels like it’s going to break your face in half. You’ll need to interview them at some point - nothing too intense, and you may not even need to, if Harry’s answers are satisfactory enough - and you can already feel yourself building a strange sort of rapport with the band, their kindness rubbing off on you until you practically glide beside Jeff to the woman bent over Mr. Floral Pants, whose identity you’re fairly certain you’ve already deduced.

It doesn’t make it any more surprising when the woman steps aside where she’s carefully applying powder to the man’s face, and then Harry fucking Styles is staring up at her with a smile and an outstretched hand, suit jacket matching the floral pattern of his pants. His curls are carefully slicked back from his face, skin matte with the powder the woman resumes applying to the side of his face that isn’t turned to you, and you swallow your shock before reaching to shake his hand, Rhiannon turning into Hello, I Love You, playing from a source you can’t identify.

“Nice t’meet you,” Harry says when you’ve told him your name and the magazine you work for - Jeff had already mentioned it, but it is customary to repeat it to whomever you may have to interview. “Y’know, I love Autoamerican - told Jeff, s’the only magazine I’d let interview me backstage. Don’t usually allow it.”

“Really?” your stomach flips as Harry stops bouncing his arm, but it takes just another half second for him to untwine his hand from yours - you’re sure it’s because the makeup artist fretting above him is using her thumb to wipe off powder from his nose, but it still makes your heart thump faster against your chest. “I assumed most people haven’t heard of it - it’s nowhere near Rolling Stone.”

“I love it,” he insists, dropping your hand, and he looks so casual, as if this interaction isn’t blowing up your entire life, and you’re brought back to the many moments you’d spent as a teenager fawning over him in his One Direction days - God, this feels like a dream, and you’re half inclined to pinch yourself in case it is. Maybe you’ll wake up in Mike’s office to him giving you another shitty underground LA band to interview. “The interview with Sublime s’great - read it all the time.”

You swallow thickly, grin spreading wider across your face, and before you can open your mouth to tell him about Francine’s go-to story about how Eric Wilson had flirted with her while she interviewed them for the story, Jeff interjects - “Steve hadn’t even heard of it.”

“Steve’s an idiot,” Harry starts, and you giggle - his lips lilt upwards just a bit. “Hope he wasn’t hasslin’ you ‘bout it.”

“Just a little,” you say, hoisting your bag further up your shoulder just as the makeup artist drops the powder back into the apron slung around her waist, and her manicured nails tilt Harry’s head around for a moment before she seemingly deems his makeup satisfactory before leaving, sending you a tight lipped smile as she goes. “I’d love to ask you a few questions before the show - nothing too heavy - and then I’ll observe the concert and how everything goes, ask a few questions after.”

“Sounds great,” Harry responds, lifting his fist with his thumb up and you didn’t think your heartbeat could grow any faster or louder but you suppose today is just proving you wrong time and time again. “D’you need t’record m’answers? S’a bit loud in here.”

The truth is, you’re sure you’ll have this entire experience engraved in your brain for years to come - you’ll remember every word he utters for you until your dying days - but it is more practical to have a recording. You swing your bag off your arm and open it, digging through the jumbled mess of items inside until you find your phone, and you hold it up with a nod. “Yeah - there isn’t anywhere a bit quieter, is there?”

It takes a minute of bustling - Jeff tells you two instructions to go down the hall into another room where you may find more silence - and Harry promises, accent thick and eyes rolling, to be back in twenty minutes or less, if tha’s enough time for you, ma’am, and you try to trick yourself into thinking the burn flushing up your cheeks is due to the heat of the room.

Down the hall is another door that Harry opens for you, letting you walk in first. It’s a small room, clearly meant for storage, and he shuts the door behind the pair of you. There’s - luckily, or perhaps unluckily - just enough room for you two have at least a few feet between you, and he leans against the wall with an air of casual elegance you couldn’t hope to achieve as you scroll through your phone to search for the voice recorder app.

“Hope this s’good enough - is it?” Harry inquires, leaning his head closer to yours, and you nod. “Good - wish there was a nicer spot for you, but -”

“Don’t worry about it,” you interject, smiling up at him, and he grins back, and your stomach churns violently. You almost feel like you could vomit - when he goes on, you’ll go and have a bit to eat at the table set up with foods that Jeff had wheeled you past when you arrived. Eating seems to solve more of your nerves than you’d care to admit, and you feel like you’re nearly 95% nerves right now. Your fingers fiddle with the voice recorder app, adding a title to the recording while entirely too focused on the sounds of Harry’s breathing above you, and you can practically fear his eyes boring into your face before you press record. 

And, for the most part, it does go smoothly. Harry introduces himself with an ease that only comes with years of practice, so much time spent being interviewed that it must feel like as much of a second nature to him as interviewing is to you. He’s charming and charismatic - flirtatious, even - making jokes and adding lines that you make a mental note to be sure to include in your final piece - whatever direction you go - and you can’t say you’re bothered by the way he leans closer to the phone, and thus closer to you, in order for his voice to be heard more on the recording when occasional noise bustles in from outside.

You don’t need to look at the questions you’d spent weeks laboring over - every question you inquire derives directly from his answers like he’s practically feeding them to you, and then you’re interviewing him so naturally, you could nearly fool yourself into thinking it’s an organic conversation between friends. 

What’s his process to prepare for shows? Well, listening to Fleetwood Mac and eating finger foods, of course - he loves mozzarella sticks. Does Fleetwood Mac make you less nervous for shows? No, he doesn’t get too anxious before shows, now that he’s out of the band. He just loves Fleetwood Mac - he could listen to them at any time of the day. What do you think makes your solo career less anxiety-inducing than being in the band? Different fans let him be himself more. There’s less pressure to be someone he isn’t - do you think he could’ve worn a floral printed suit at a One Direction concert?

And, in the end, twenty minutes hardly feels like it, and by the time Harry tilts his head over the screen of your phone to check the time, you could nearly convince yourself that you’d merely spent a minute with the heartthrob, and it pains you to stop the recording.

“How’d I do?” he questions, cheeky smile indenting the dimple in his cheek, and you feel like you need to dip your face in ice once he goes on stage - your face hasn’t felt anything less than piping hot since the first moment he rested eyes on you, and his kind-bordering-on-flirtatious nature only makes your skin heat more under his gaze.

It isn’t as though you’d have it any other way, though.

“Perfect,” and you send him a smile. “I’ll watch the show - probably eat a bit, too, if I’m being honest - and maybe ask you a few questions. How many shows are you doing in LA?”

Harry reaches past you, grabbing the doorknob and opening the door for you once more, and you slip out with a small smile as he follows, face twisted in what’s clearly a show of being in deep thought. “Four. An’ a few more on the West Coast ‘fore we move out - reckon you’ll need t’come t’a few more?”

“Depends.” He looks at you curiously as the two of you make your way back to the room you’d been in before, and when you enter, it’s clearly in a more prominent state of preparation for the show - there’s more bustle and movement between every band member and Jeff, who looks entirely relieved to see you two come in as She’s a Rainbow thumps softly, volume clearly turned down on whatever produces the music. “If I feel like I’ve got enough material from this show, then that’ll be it - I usually just do reviews of specific gigs, and this is a lot broader - so I really don’t know.”

Harry nods, and you feel a flutter in your heart at how intently he seems to be listening to you, like he really cares, and you’re sure it’s a facade - he probably has a million other things on his mind as Jeff descends upon the both of you, whisking him away as he calls goodbye! to you - but still. When was the last time you’d felt listened to? By Mike, or by the security guard outside, or even from your own parents when you try to convince them over and over that you have a plan, that your degree wasn’t a waste of time when you could’ve been a doctor -

Well, Harry’s a gentleman, you decide, sliding your phone into the back pocket of your flares as you reach in your bag for your notepad. You can tell they’re preparing to go on soon and so you descend against the wall, grabbing your pen from deep inside the confines of your bag to scribble the essential notes of what you’ll need - it’ll make it easier when it’s time to write, rather than listening to the entire 20 minute interview again to try and find the important sections to include.

His responses to your question still burn fresh in your mind, and you began scribbling your bullet points on the small notepad in your hands. It’s decently easy to block out the chatter of the room you’re in along with its music, volume turned down further until it’s hardly audible, and it really is a skill you’ve mastered, though you suppose you’ve had to - trying to take notes for articles about gigs occurring in buildings so small that their noise reverberates off of every surface has made you a master in tuning out noise surrounding you.

You are aware, and acutely, at that, when the band starts exiting through the door beside you. They don’t look nervous, returning your encouraging smiles with ones of their own, and you watch them pour out the door with confidence practically radiating off of them. Well, that’s something to mention, isn’t it? Most of the bands you’d interviewed were practically vomiting with nerves -

Harry takes up the rear, fingers running through his slicked back hair, and you can’t tell if it’s a nervous habit or if he’s simply trying to let his curls fall in front of his eyes more. Jeff walks in front of him, giving you a smile as he leaves, and the singer stops beside you.

Your breath just about catches in your throat as you look up at him, and he’s staring down at you with a decidedly ambiguous look in his eyes, and you smile at him. “Good luck out there.”

“You’re gonna come and watch?”

You nod. “Eventually - I’m gonna eat something first, finish my notes. Maybe give myself a tour of the backstage in case I decide to include it.”

“Sounds good t’me,” Harry says, but he doesn’t make a motion to leave, and then his eyes roll down your body and is he fucking checking you out? Because - no - that’s crazy. That would cement into your brain the knowledge that this is a dream, and not reality, because there’s no fucking way Harry Styles is checking you out, eyes roaming from your eyes to your stomach to your - “I like your pants. Where’d you get ‘em?”

Ah. Of course. Fashion icon, he is, inquiring about the pants you’d chosen specifically because they looked like something he may like. “These?” You glance down as though you’d forgotten what pants you’d donned, as though you hadn’t spent hours in front of your closet envisioning what outfit you could wear to impress him. “I think they’re from Zara. Got them a couple years back.”

“They’re pretty.”

“Why, thank you -”

“Harry!”

Jeff’s voice calling from outside the room snaps you both out of your conversation, a slightly embarrassed grin spreading across Harry’s face that you’re sure is mirroring your own. His cheeks are tinged pink and he clears his throat.

“Sorry - gotta go - make sure y’try the mozzarella sticks, ‘kay? They’re good,” Harry tells you, and you grin, drumming the pen clutched between your fingers against the notepad in your hands.

“Will do,” you reply, and then you lift your hand and point to the door, raising your eyebrows with a smile. “Go break a leg - and then be ready to talk about it when you’re done!”

He doesn’t say anything else - just gives you a thumbs up and slips out the door, and you can hear his frenzied apologies to Jeff as their voices fade away, surely preparing to get on stage and sing his heart out and blow the fucking stadium away, but you can hardly focus on it. Because - God, you really don’t want to sound like a narcissist - but he was joking around with you, complimented your pants, and he did technically check you out, even if it was just to see your pants. 

Was he flirting with you?

Surely not. No, that would be absurd. He’s probably just bored - maybe entertaining random people backstage is his way of dealing with his nerves.

That makes a bit more sense.

When you glance back down at your notepad, the page half filled with scribbled bullet points of things you’d sworn to remember, and when you click your pen open to continue your list, you find that you can’t quite think of anything else to write. All you can think about is the mozzarella sticks waiting for you, and then standing in the wings to watch him sing his heart out to a crowd of adoring fans that you, at one point, would have killed to be apart of -

You shove your pen and pad back into your bag with a determined spin of your heels. Food first - contemplation second.

 ~~~

 The show is - needless to say - amazing.

You’d feasted on slightly-cold mozzarella sticks that were, even in their lowered temperatures, immensely good, and clearly garnered all the affection Harry had for them. The food table was nearly completely empty, crew members repeatedly coming up to fill plates with vegetables and snacks, and so you simply gathered the last three sticks of celery once you were done with your sticks before taking a leisurely stroll along the backstage area. Celery firm between your teeth, you pulled out your notepad and your pen once more and jotted notes of what you could possibly include in the article to jog your memory later -

It takes a while, admittedly. You don’t want to leave anything out, and eventually you have two pages filled with notes in your handwriting that would surely be illegible to anyone else who happened upon them - and, sure, your pages are small, but still. Two pages is a lot, and you’re sure most of it won’t even make it into the article but you don’t want to risk forgetting any important information.

A trip to the bathroom - perusing the food table again to pick up the last few carrot sticks - and the show is nearly halfway over, so you decide it may be time to slip into the wings and watch. Take notes, possibly, but mainly just listen and absorb the music and the atmosphere and exactly how the fans react to his every move. That’s what the people want to know, isn’t it? It’s what you would want to know - so you slip past the lingering groups of people into the wings of the stage, where you get a clear view of Harry and his band, singing his heart out to a tune you know to be Kiwi.

It’s ear splitting, truly, in a way that none of the other gigs you’d witnessed had been. But it sounds good - better than good - and he’s as charismatic on stage as he is off,  waggling his eyebrows during the more suggestive lines and undoing the button of his suit jacket, and the latter garners a deafening scream from the adoring fans in the crowd. 

No, you won’t need to take notes, at least not yet. You’ll remember this forever, won’t you? Watching him work the crowd like he was born to do it, like it’s a second nature and you’re sure it is, at this point. It’s all you can do to stand there, watching him, and you’re sure you look no different from the other fans in the crowd, your eyes wide and lips parted in absolute awe of him -

His head turns to the side, briefly, as if he can sense your eyes on him above anyone else’s. In reality you’re sure he’d simply turned his head to flick a sweaty curl out of his face but it’s never a bad thing to dream right? And your gaze locks for just a moment, his eyebrows raising when he sees your face, and heat burns at your cheeks before his tongue darts out to wet his lips, and his right eye shuts in a quick wink before he’s turning back to the crowd as if his attention had never left them.

Shit. You nearly drop your damn carrot. God, he’s a fucking tease, and you’re not even sure he knows it - that this experience will never leave your brain for as long as you walk this Earth, watching him wink as he stared into the depths of your fucking soul, clad in a gorgeous suit with his gorgeous hair and -

Harry truly is a sight to behold, and you’re more than content to watch him forever.

Forever ends up being another half hour or so before you’re made entirely too aware of the fact that you have to pee - not insanely bad, but enough to make you shift uncomfortably from side to side before sighing, turning and making your way further backstage in your search for the bathroom. In your determined tour of the backstage you’d forgotten to search for the restroom, and you wander about for nearly five whole minutes before getting to it -

You do your business. There’s not much more explanation needed.

It’s when your washing your hands, though, water freezing cold against your palms, that you become slightly aware of a myriad of noises occurring outside the restroom. At first you choose not to focus on it, shoving your hands beneath the air dryer to ease your soaking, cold hands, and the noise of violent air assaulting your palms drowns out the scuffling sounds from outside.

When the dryer turns off, and you reach down to wipe your damp hands on your pants, the noises haven’t stopped. And, sure, no one could expect it to be completely silent backstage, but whatever you’re hearing isn’t the normal laughter and chatter and muffled music that you’re used to hearing -

It sounds like someone is fighting, and your hand freezes in its place on the cool metal doorknob. You lean forward, scrunching your nose as you plainly try harder to hear what’s happening -

But, Hell. You have a job to do - you need to get back to the wings to watch the remaining few minutes of the set before Harry leaves and, subsequently, returns for the encore, and you’d intended to write with detail about his closing repetition of Kiwi. So you grab the doorknob, swing the door open and step out, and freeze nearly immediately once you’ve exited.

There is a fight - not as violent as you’d expected - as the security guard from inside scuffles with Steve, who looks positively wasted in a way you’ve come to know all too well, doing gigs in LA. His face shines with a sheen layer of sweat, skin glowing in the artificial light, and his fists move slowly to pummel into the other security guard’s back. It’s, truthfully, a bit pathetic to watch - he isn’t putting up much of a fight against the guard trying to hold him, and your mouth parts with poorly-concealed confusion at the display in front of you.

You’re not sure what to say - or do - or think - standing in the doorway of the bathroom as you watch the poor excuse of a fight, Steve nearly toppling to the ground as the other guard tries to contain him.

“Come on, Steve - don’t be like this -”

Then the other security guard looks up and sees you, and the expression on his face nearly makes you burst into laughter, but you contain it with a bit more difficulty than you’d like to admit. He looks annoyed, like he’s absolutely done with his coworker, and also slightly embarrassed. Clearly, he’d dragged Steve into the hallway containing the bathrooms with the hopes of nobody seeing either of them, and you’ve interrupted his bid for privacy desperately. “Sorry, ma’am,” the guard says, grabbing one of Steve’s flailing fists in his hands. “Don’t mind us - he’s drunk - just trying to contain him.”

You’re doing a damn good job, you want to say, but you bite back the retort with a small nod and a whisper of a smile on your face, walking with your back to the wall past their display in the hopes of Steve not seeing you. He hadn’t been particularly nice to you when you’d first seen him and you can tell he’s in a much more heightened state, now - he’d been drunk when you’d seen him before and you can tell it’s only gotten worse.

Maybe you should’ve told Jeff the guard was drunk?

Well, it’s counterproductive to dwell on the past.

You’re not so lucky, though - you’ve barely made it down five steps down the hallway before Steve lifts his head, pupils blown and skin even stickier looking than before, and he gives you the same disgusted look as though you’re something his dog had left on the grass. “Hey - hey - Jim - do you know who that is?”

And the other security guard - Jim - just rolls his eyes. “No, Steve, I don’t - stop making a fool out of yourself.”

“She works at - at - Eat to the Beat - Parallel Lines - what is it?”

Do you answer him? You don’t quite know. You just swallow thickly, forcing yourself not to don the smile that’s urging its way onto your lips as you hear roaring screams from the crowd that alerts you to the fact that, if Harry isn’t done with his set yet, he’s close, and you need to watch the end. “Autoamerican. Those are all good albums, though.”

“She’s snarky - get off of me, Jim -”

In Steve’s final bid for freedom his legs kick out, and his sneakered foot knocks into your ankle, and it’s certainly not hard by any stretch of the definition but it’s enough to catch you off balance, his toe hooking into the loose fabric around your ankles as he brings his foot back to kick again. One kick did it, though - you tumble to the ground, legs flying out from under you until you land on your ass on the hard floor, your bag slipping off your shoulder, and its contents scatter across the ground.

Fuck. That hurt, more than you’d care to admit, as you brace your elbows behind you to stop your head from knocking into the ground. Your ass hurts and you can see Steve’s leg bracing backwards for another kick, and you push yourself backwards so his foot merely pushes against the air.

You can already see Jim opening his mouth to desperately say sorry when a set of footsteps interrupts his apology - you don’t have to look to your side to see who it is, the smell of expensive cologne wafting before him like an introduction. You practically feel him before you see him.

Your name falls off Harry’s lips entirely too easily, like he’d been looking for you in the overtly small window of space he has before he has to go back on stage - his hair is messy and his skin is sweaty and he bends down next to you with such sentimentality in his eyes - you almost feel like a child again.

“Are y’okay?” Harry questions, and his hand rests on the small of your back and warmth seems to seep through your body from its spawning point, palm moving in circles against your sweater so gently you can tell he’s scared to go much harder. “Wha’ -?”

For his eyes had just landed on the sight in front of you - Jim managed to pull Steve up, the latter clearly coming to his senses at least a little bit, and his eyes narrow at the sight of you on the floor and subsequently widen as he sees Harry next to you.

“Wha’ happened?” And you can hear anger quivering under his voice like boiling water, ready to overflow, and you instinctively reach up to press your hand against his forearm - you do it to your niece all the time when you can tell she’s on the verge of a tantrum and it always works on her - but she is five, and Harry’s twenty years her senior, so, needless to say, the motion doesn’t do much to soothe him. “Fightin’ back here, kickin’ her - you’re s’posed t’be security guards!”

“It’s okay, Harry -”

“S’not okay -”

And then there’s another set of footsteps jogging over to you, and you look up to see Jeff -

“Har, you need to get back out -” but you can see the confusion set into his features as he stands over the scene, eyes flickering to you and Harry on the floor to Jim and Steve, the former having settled the latter into a fairly calm position. The scent of alcohol is strong and you can practically watch as Jeff smells it, his nose crinkling. “Is he drunk?”

“He is drunk, an’ got into a fight wit’ -”

“Okay, okay,” you interrupt, squeezing Harry’s arm again as you push yourself to stand, attempting not to wince at the pain in your ass as your muscles tense. He’s looking at you like you’ve just been hit by a car instead of having a mild scuffle with a security guard, eyes wide and concerned, and you shake your head at him. “Didn’t get into a fight, Harry - he accidentally kicked me. It’s really fine - you need to go back out, anyway.”

“She’s right,” Jeff insists, reaching down to tug Harry up as his eyes bore into the sight in front of you, Steve slowly calming himself down until he’s simply red in the face and reeking of booze. “Come on, Har - you need to get on.”

But Harry’s already bending down again, grabbing your pen and your notebook and your phone (you can see a crack in the screen that most certainly hadn’t been there just a mere ten minutes ago) and you could nearly laugh at the display he’s putting on, shoving your items back into your back, if Jeff’s demeanor wasn’t bordering on murderous as he drags Harry up again. You reach down and grab your bag, now fully stocked again with all of the items that had clattered out, and you give the tussling security guards one final fleeting look before following Jeff and Harry as they make their way down the hall.

“Y’sure you’re okay?” Harry questions, slowing his pace so you can jog beside him, much to Jeff’s lingering annoyance as he brings his fingers up to rub at the space between his eyes. “Y’should know - tha’ doesn’t usually happen -”

“I get it,” you tell him.

“No, really.” You’ve reached the wings of the stage, and Jeff leaves the pair of you alone to descend on to where the band stands, clearly waiting for the cue to go on. Harry runs a hand through his hair, and he looks oddly exasperated and you wish you could get it through his head that it really isn’t a big deal - “Someone will take care of the guards, okay?”

“Don’t fire them,” you insist, even though you’re sure he has no say in it. “Not Jim, at least.”

“Jim -?”

“The sober one.”

“Oh.” He pauses, dropping his hands to his sides. “I can’t make any promises.”

“Just try.”

“Will do.”

There’s another brief second of silence before you nod towards the stage where he’s needed - the few lowly minutes between the end of the show and the encore has come to an end, and you’re sure people are beginning to wonder if he’s not coming back. “Go on, Har. There’s people waiting for you.”

“M’going!” And he isn’t going, just staring at you with his brows furrowed, and you raise your own with a confused stare. “Are y’gonna come t’any more shows?”

You pause, nibbling on your bottom lip as you contemplate your answer. “Well - maybe. If I need more information.” “You should,” he tells you, and you tilt your head to the side. “Look, I don’t want your only impression of m’shows t’be that they’re violent an’ crazy.”

“I don’t think -”

“Jus’ one more? In two days. I’ll send you th’address. I really want you t’come -”

Before you can process the request Jeff has stepped forward, hooking his arm in Harry’s and practically dragging him towards the stage, and you watch him prance back in front of the audience like it’s his God given purpose and perhaps it is. You’ve never quite met anyone like him, you don’t think, and you’d certainly had a perception of what you’d imagined him to be like based on the insane amount of time you’d spent obsessing over his band when you were younger -

Your mouth feels suddenly dry as you watch him begin, and the music seems to reverberate beneath your skin, and suddenly - without having to think about it much at all, really - you know it won’t take much convincing on his part to get you back for a second night.

[bxtchforstyles]

Baby

Y/N is a famous singer and when she releases her new song, her boyfriend is nothing but supportive.

(based of the song Baby by Madison Beer)

Warning: none

Word count: 1.5k

gif not mine.

“I just don’t know what to do for the part after the main chorus,” Y/N sighed from where she stood in the soundbooth. 

She had been working on this particular song for quite some time now, for many hours on many different occasions and just felt like she was never going to get in perfect.  

“I think what you have now sounds good, why are you trying to change it?” Her producer, Luke asked. 

Her slim fingers ran through her hair quickly as she sighed, looking at the ceiling that was covered in soundproof padding.

“Doesn’t it just seem a little too…” She pauses, looking for the right word. “Feministic?” 

Luke immediately shook his head at the idea she was presenting. “Y/N, the entire point of the song is to make every girl on the planet feel good about themselves. It’s not meant to just be some sexy song, it also serves a purpose.” 

Before Y/N could reply though, the door to the studio flung open, revealing Harry, holding two coffees in one of his hands. 

“Nooo,” Y/N dragged out dramatically at the sight of her boyfriend, making Harry give her a confusing look. “The song is not done! And no, I’m not showing it to you when it’s not done!” 

Harry chuckled lightly, setting the two cups on the small coffee table that sat in front of the couch that was behind all of the keypads and buttons that controlled the audio recordings. 

 Y/N flung the headphones that had been put over her head off and onto the stand where they usually sat before she opened the door to the soundbooth and walked into the regular studio area. 

“Why can’t I just hear a little snippet of it?” Harry whined, leaning his head back against the couch. 

Y/N sat next to him on the light purple couch, leaning her back against the armrest as she threw her feet into her boyfriend’s lap.

“Yeah, Y/N, I think you should show him a little part of it, maybe he could help you write the rest of it.” 

“No.” She immediately rejected as Harry ran his hands up and down her chins, seeing how obviously stressed she was. “It’s not good enough for your award winning ears yet.” 

“You know I’ve always enjoyed your music more than my own love.” 

He was bluffing. “Ha ha. You are so funny.” 

“Y/N, I’m being serious. I want to hear what you have, let me see if I can help at the part you’re stuck on.” He proceeded to beg to hear it, but Y/N didn’t budge. 

In all honesty, Y/N was just scared that Harry wouldn’t like the song to begin with since it had very clear, and sexual interpretations. She didn’t want him to think that this song was all about sex, so she didn’t want him to hear it until it was completely polished and finished. 

“Can we at least show him to instrumentals at the very beginning?” Luke suggested the compromise, making Harry’s eyes gleam with joy. 

“Yes, Yes!” He seemed very excited. “Please, baby? Just let me hear the beginning.” 

“Fine.” She finally gave in. 

Luke hit play, letting the pretty chords begin to play from the computer. 

“Ooo, I like this.” Harry sighed as the music paused before the vocals came into play. “Was the violin?” 

“Yeah, I thought it sounded really cool. Doesn’t it?”

The only thing Harry could think to do was kiss her on the cheek, “Yes darling, it sounds amazing. I can’t wait to hear the full thing.” 

“Great!” She exclaimed as she got up from the couch, “Because that’s all you get to hear.” 

*******

It wasn’t until a few weeks later when Y/N finally finished that song, and she was still hesitant for Harry to listen to it. 

“Now remember,” She pointed her finger sternly at him as the two of them sat in the studio, “This song is not strictly about sex, I mean it kind  of is, but still, don’t get any ideas.” 

“Love, have you not heard some of the songs I myself have written?” He laughs at her seriousness, only making her glare at him before hitting play. 

The same instrumentals that Y/N had let him listen to a few weeks ago began to play through the overhead speakers as Harry laid his head against Y/N’s shoulder. “I really like this part.” He then sighs. 

She laughed, “Oh just you wait.” 

The lyrics began a few moments later, “Baby, baby, tell me what’s the antidote.” 

His eyes widened at the sound of her voice cutting through the soft instrumentals, beautifully, but also seductively. 

“Wouldn’t text you this late less there's something wrong.” 

Y/N was watching him carefully, not being quite one hundred percent sure if he liked it or not yet. 

She also started singing along quietly, “I look too good to be in the bedroom without someone to touch me like you do.” 

“Holy shit.” He gasped at how amazing the song that his girlfriend had hid from him for so long was. 

Before he knew it, a few lines later the chorus hit. 

“If you wanna be my baby, know I’m gonna drive you mad!” Harry completely lost it at the insane beat drop. 

The rest of the song was still playing in the background, and Harry was still listening intently to the lyrics as he looked at his girlfriend, “Holy fuck, babe! This is so good!” 

“Really? You think so?” 

He was ecstatic for her, “Yes, I think so!” 

They continued listening to the song, and Harry continued to praise her for how amazing she sounded in it. 

“So, now I have a question…” She trailed off once the song was finished. 

Harry looked up at her, “Of course,”

She grabbed his hands as she stood in front of him from where he was sitting “Will you pretty please be in the music video..?”

His eyes widened immediately, not knowing what to say. “What? Is that seriously how you want to announce our relationship?” 

“I mean, we’re going to have to announce it eventually, so why not do it now?”

“I mean…” His voice dwindled, “I’m going to have to talk to Jeff about it, but I don’t think it will be a problem.”

“Yay!” She leaped, wrapping her arms around his neck, his wrapping around her waist immediately after. 

“I’m so excited!” 

“Me too, baby.” He smiled in return. 

******

It was safe to say that the media was not prepared for the relationship of which was Y/N and Harry. Everyone was overly shocked when the song came out, and even more so when the music video came out, featuring Harry. 

Of course there was always going to be a tiny bit of negative comments about anything that celebrities did in the spotlight, the couple expected that. But the amount of immediate support that they gained was completely mind boggling to them, and they couldn’t have felt more grateful. 

All of the fans especially went crazy when they had realized Y/N and Harry went live on instagram as the video first premiered.

“Just so you guys know, Harry hasn’t even seen the completed music video yet!” She yelled over the beginning of the song as the just released video began playing over the big screen of the Tv in the studio. 

Harry only smiled contently as he leaned back in the chair, pulling Y/N’s chair closer to his as he wrapped his arm around both her shoulders. 

By the time the music video had ended, there were over one hundred thousand viewers on the live stream, making Y/N a complete nervous wreck. 

“Okay, guys! We are going to end this live before I completely process how many people are watching this, because once I do, I will have a panic attack.” She tried to play it off as a joke by laughing lightly, but she was completely serious.

“Anyways, thank you guys so much for all of the support and love on Baby, and the music video. We hope that you enjoy it as much as we do. We love you, make sure to look out for the new album coming soon!” 

When Y/N finally ended the live, she let out a sigh of relief as she put her phone back down on the coffee table, basically falling into Harry’s embrace. He kissed her forehead from where he sat, her basically in her lap. 

“I love you, and I’m so proud of you.” He whispered lightly, already feeling Y/N becoming heavier as she began to fall asleep in the chair they were sat in. 

“I love you too, thank you for everything.” She mumbled as he wrapped his arms around her waist. 

“Of course love.” 

[qianinterprises]

WayV Reaction: finding out their S/O has Borderline Personality Disorder

Pairing(s): WayV x Reader Genre: angst, fluff Warnings: mention of mental health, depression, anxiety, symptom's included in BPD. Trigger Warnings: depression, anxiety, hostility, mention's of self-harm, self-doubt, low self-image Word Count: 3.9k

Author's Notes: I'll be honest and say that I had to research Borderline Personality Disorder. I knew what it was/had heard of it before, but in order to write something accurate, I tried to educate myself. If you believe that you have BPD, please don't be afraid to go to a doctor or a trusted friend/family member. Your mental health is important.

Author's Note 2.0: I also want to mention that (as per earlier request), I am also working on a YangYang fic that features a reader with Borderline Personality Disorder. I'm not entirely sure when it will be posted (soon hopefully), but it is in my WIP's.

Author's Note 2.0: Kun's is a little different, I apologize for the difference and the shortness. Tagging:@treasuretaeil

Kun:

Kun was in the middle of dance practice when his phone began to ring. At first, he let it go to voicemail, but by the third ring, Ten paused the music and Kun grabbed his phone out of his coat pocket, expecting to see your name popping up on the screen. You were at home today after a particularly rough week at work that had left you feeling spent. Kun longed to be home with you, holding you tight in his embrace. As his eyes met your next door neighbor's name on his phone screen, his stomach dropped. Mrs. Huang only called when it was really serious. "Hello?" he asked into the receiver. "Oh thank goodness!" she cried, voice laced with anxiety enducing agitation. "What's wrong?" "It's (y/n)! They've brought me five big tins of muffins! I can't possibly eat all of these! And they've gone to the store twice with ingredients! I think something's wrong! Kun sighed. This morning, you had been so happy. You were practically singing to the birds. He knew it wouldn't last though, especially with the week you'd had. "I'll be there soon!" Kun left practice without another word and when he got home, he found you in the kitchen, covered in flour, vigorously mixing a creamy liquid in one of your metal mixing bowls. The kitchen was covered in ingredients; flour puffed on the counters and floor, broken egg shells on the table, a half empty measuring cup of milk teetering on top of the fridge. It was bad this time. Kun knew you had borderline personality disorder. It had been something you'd told him in the beginnings of your relationship. He had seen you at your worst, and at your best, but it still broke his heart every time he witnessed you at a breaking point. "(y/n)?" You paused in your vigorous mixing, eyes glancing up to meet his. He didn't say anything, eyes locked on yours, but his eyes held no pity. Instead, they held pure, unfiltered love that had you putting the whisk aside. "Do you love me?" you whispered. A small wisp of a smile reflected across his face as he crossed the room, arms wrapping around your body. "More than anything," he whispered.

Ten:

You and Ten had only been together for a short amount of time; three months to be exact. It was an exhilarating three months. Time you wouldn't give for anything in the world, even though you didn't get to see each other often with Ten's very busy schedule. However, after the "Kick Back" album released, WayV was allowed to take a break as SM turned their attention to the scheduled release of NCT Dream's first album. Normally, Ten would then be whisked away for some SuperM promotion, but with Baekhyun's enlistment, SuperM was also allowed to take a break as the company decided what to do. Which ultimately meant you got to spend more time with your boyfriend, which, most would deem as a good thing and, you were happy he was there, however, it became a lot harder to hide your little secret from him. Your best friend, Kun, had introduced you to Ten (and the rest of the members), when Kun officially became a member of NCT. Kun and Ten had immediately hit it off as friends, which meant you also spent a lot of time with Ten, thus leading to a blossoming friendship and later attraction. So Ten lying in your bed snoring softly wasn't that far of a stretch from a common day encounter. The difference was, today, you didn't feel like yourself. Being in a friendship with Ten meant that, yes, you saw him often, but not often enough that you couldn't keep parts of yourself private. Which is exactly what you did, especially as your tiny crush on Ten grew into something mutual, eventually leading to a relationship. The truth you were so afraid of revealing was your disorder. Borderline Personality Disorder. A disorder you'd been diagnosed with since you were a your teenager. You'd been teased and bullied for it when a classmate you'd once called a friend announced your disorder to the entire school. This, in turn, had terrified you of ever telling anyone, which you had gotten away with. Ten didn't know and, if you had it your way, he'd never know. He was an idol. What did he need with a girlfriend with this disorder. However, with him hanging around a lot... "Hey? What's wrong?" Ten's voice snapped you from your thoughts. You'd been so distracted you hadn't realized his soft snoring had ceased. "Nothing," you said softly. His lips pursed, perplexed as he softly reached a hand up to brush across your cheek, something he'd done several times. But today, you didn't want it. You shied away from his hand, curling yourself up on the opposite side of the bed, cursing yourself for acting different than usual, but you couldn't help it. Ten didn't bat an eye. He simply gave you a soft smile and sat up in the large bed, but he didn't try to touch you again. "Feeling sad today?" he asked. You nodded meekly. "Would you like to talk about it?" he asked. You paused for a moment to think it over. You truly didn't. You wished you could keep it a secret forever, because Ten might leave you. But you also knew that the stress was taking it's toll on you. "I have Borderline Personality Disorder..." you whispered. He didn't say anything at first and you were preparing yourself for him to call you a freak and leave. Instead, he stretched his arm out and softly wrapped his pinky around yours. "I don't know much about it. But I promise I will learn," he whispered. Tears brimmed your eyes because finally, someone wasn't going to leave you.

WinWin:

You had never been much of a touchy person. Holding hands was one thing, and even then, something you weren't wholly comfortable with, but hugging was completely different. You didn't care much for hugs, especially from complete strangers that often found you rude for rejecting their hug. You barely even hugged your own family, let alone a total stranger. This was possibly what spurred on your relationship with Sicheng who, also didn't care much for physical affection, despite the fact the other members of NCT practically drowned him in it. Your relationship was just... different. At least in the minds of society because you didn't cuddle against Sicheng's chest constantly or plop down on his lap just because he was sitting down. Instead, you preferred wrapping your pinky around his or draping one of his sweaters over your shoulders. This worked for the two of you though others found it strange. However, there was an anomaly that Sicheng, though you had been together for a little over two years, had no idea about. This anomaly included the fact that sometimes, you liked hugs. Sometimes, all you wanted to do was drape yourself over your boyfriends lap and let him hold you until your mind screamed at you for the overload of affection. Sometimes you wanted him to wrap his arms around you in bed and fall asleep with you on his chest. That's what happens when you have Borderline Personality Disorder, and it wouldn't have been that big of a deal if Sicheng had known, but he didn't. It started out you longing to keep it a secret in the early days of your relationship. It wasn't something you advertised very often. However, as your relationship progressed, you knew you should have told him, but as five months turned into six, it became a crushing weight of guilt for not telling him in the beginning. Sicheng had already invested a lot of time and love in the relationship when you had not been wholly honest with him. And the more time that passed, the harder it was for you to get the words out. At this point, it wasn't even your fear of rejection because of the disorder, it was a nagging fear that your dishonesty about the disorder would drive him away from you. That would truly be a crushing point. However, as Sicheng began spending more nights at your apartment, it was getting increasingly harder to hide, especially as your mood dropped or when you suddenly began to crave affection. Times like today. The moment you'd rolled out of bed, you knew you needed some type of affection, but as Sicheng made no advance to give it to you throughout the day, your mood dropped. It really wasn't his fault. He had no idea how you were feeling, but as you finally had had enough and wrapped your arms around him from behind while he was washing the dishes after dinner, you felt him stiffen before grabbing a towel to dry his hands. "What's up with you today?" The question was an honest one, but it still felt as though you were making him uncomfortable by touching him. As your arms slacked from around him, a tear sprang to your eye but you were quick to wipe it away as he turned to face you. "I need to tell you something..." Your voice was wavering. You had no idea how he would respond. He nodded for you to continue, one of his hands gently taking hold of yours, playing with your fingers as a soft sense of relief washed through you. "I have Borderline Personality Disorder." His once blank face morphed into one of confusion. "What's that?" he asked tentatively. You sighed. You had been expecting the question but that didn't make it any easier to define. "Its like having mood swings. One day I feel happy the other sad... Sometimes anti-hugs, sometimes super affectionate." You could tell he was still confused, but as he nodded and wrapped his arms around your body, drawing you against his tall frame, you let out a shuddered breath, body relaxing against him.

Lucas:

Books were never Yukhei's strong suit. He preferred numbers and basic information plotted out clearly in front of him. Books were too all over the place with too much information. He wished they could be like websites that gave him the briefest of explanations with a "read more" feature. Yet here he was, flipping through slightly crinkled pages because he wanted to truly understand, and books were always credited with having the most information. "I have Borderline Personality Disorder," you had explained earlier that day when you had ducked out of the way of one of his mega bear hugs and proceeded to slump your shoulders and beg him to give you time alone. You'd locked yourself in your shared bedroom after that and, although you had texted him to apologize for your behavior, you added that today was just an off day, your disorder really affecting your mood. "Well how can I help?" he had asked. It was your response that prompted him here, pouring over books in the local library hoping to find anything that would help him understand Borderline Personality Disorder in the best way possible. As he flipped through pages and learned, he had begun to feel several different emotions. On one end, he felt sorry that you'd had to go through the disorder alone, but on the other, he questioned why you'd never told him, even after a year of being together. However, a big part of him wondered if maybe you had been telling him, just without words, especially because you'd never tried to hide any of your mood swings. He'd just always assumed you were on your period. As the hours ticked away, Yukhei's eyes remained glued to the startlingly dry books stacked up around him, but as he learned more about the disorder and, by default, more about you, he couldn't seem to stop. At least not until his phone vibrated in his pocket and, as he fished it out, your smiling face met his eyes. He answered the facetime request and gave you a tired smile that quickly morphed into concern when he noticed your bloodshot eyes. "Baby? What's wrong? Did something happen?" "My boyfriend left me! That's what happened!" Were you... pouting? "I didn't leave baby, I'm at the library." Confusion flashed across your face. "Why?" "To learn more about Borderline Personality Disorder." A giggle erupted from your lips and Yukhei sure was glad to hear it, especially after reading texts about BPD leading to depression. "Why didn't you just google it?" His mouth gaped open as he dramatically clutched his chest. "Googling something so important in my significant other's life?! That's scandalous! I should do enough research to write my own 20-page essay!" This time, it was a full blown laugh. "You're a dork!" "I'm your dork!" "Well come home, dork! There's a lot we have to discuss!" Your smiling face alleviated any fears that may have been swirling around Yukhei's chest. With a nod, he slammed a book shut so hard it send a loud, slamming bang throughout the library, prompting nasty looks sent his way. Sheepishly, he waved them off and stood up. "I'll be home soon," he promised, blowing you a kiss before hanging up. Yukhei had taken the hastily thrown news a lot better than you'd expected. You knew he couldn't have learned everything, specifically because it varied person to person, but you knew that he would be there for you, even on your bad days. And that was all you could ask for.

Xiaojun:

Dejun was incredibly perceptive, even if he was incredibly dumb sometimes. He could tell when you weren't quite feeling yourself, even though he often didn't know what was causing it. It was at those times that he did everything he could to put a smile back on your face and make you feel "normal" again. He didn't understand how counter productive that actually was. It was really your fault. You were the one keeping secrets, but as the smile fell from your face the second Dejun traded the couch for the shower, you couldn't help but think that maybe he simply preferred you to be happy rather than deal with you when you weren't. Somewhere in the back of your head, you knew he was just doing what he thought would help, but now, especially in your state of mind, you couldn't shake the aching feeling in your head. "Hey, are there towels- are you crying?" Dejun's voice yanked you out of your thoughts and you brought your hands to your cheeks, rapidly trying to wipe away the clear droplets painting your face, but it was too late. Dejun had already seen. He was shirtless when he perched on the couch beside you, face etched in concern. He opened his mouth, likely to retort off some lame dad joke or tell you some funny story you'd heard a thousand times. "Can you not?" You hadn't meant to snap. The words had simply flown out before you'd had the chance to them. His face fell into a pout that you knew you often fell for, but today, it only upset you more. "Stop Dejun!" The pout fell away. "Stop what? I'm not doing anything!" "You're trying to make me smile!" He blinked, staring at you for a moment. "That's a bad thing?!" You sighed, slumping against the couch cushions, resigning yourself to the fact that he didn't understand. Then again, you didn't let him understand. "Just tell me why I'm upsetting you," he begged, all traces of bad humor gone, replaced with sincerity. "I have Borderline Personality Disorder! My mood fluctuates! And when you try to make me smile when I'm sad or mad makes me feel like you don't like me when I'm not always happy. But I can't always be happy." He stared at you in shock for a moment, mouth opening and closing as if he didn't know how to respond. An appropriate response, you supposed. You'd been friends for a while now and dating for several months, yet this was the first time you'd told him. You were about to get up from the couch, sighing as he didn't respond after several minutes, when he placed a hand on your thigh to stop you. "Why didn't you tell me?" You shrugged. It wasn't that simple. "Can you tell me the best ways to comfort you?" Again, you shrugged. A sigh released from his mouth and your head hung low. "I'm going to do some research. As your boyfriend, I want to make sure I'm making you feel better, not worse. So, while I'm doing that, I also need you to tell me if something I'm doing is making you feel worse. Can you do that for me?" His words were sincere, his intentions true. Another tear fell from your eye, dropping against your cheek, but a smile broke out across your face. "Thank you for caring," you whispered. He pulled you onto his lap and pressed a soft kiss to the nape of your neck. "Always."

Hendery:

Waking up this morning had been such a struggle, even as the delightful scent of your boyfriends cooking wafted under the cracks of the door, greeting you. Usually, this would rouse you from your slumber, prompting you to creep into the kitchen and sneak a taste of the delightful breakfast. Today, however, you rolled over in the blankets and pulled the duvet over your head. Today was a lay in bed day, you just hoped your boyfriend would accept that. "Come on sleepy head! It's time to wake up!" Kunhang's annoyingly chipper voice spouted, pulling you from the confines of sleep in a less pleasant way. "No," you groaned, rolling over, burying your face deeper into the pillow. "Come on! Breakfast is ready!" He pulled the blankets off your body and you let out a loud hiss, eyes turning to bore into him. "I said no!" He dropped the blanket and backed off, lifting his hands in surrender, but you could tell he had questions. You never acted like this. "What's wrong?" You grunted, not responding, turning away from him, but he wasn't having it. "Yah! I asked you a question!" he pouted at being ignored. A growl whipped it's way from your throat. "Go look up BPD," you snapped. You could tell that he had more questions, but, after a long moment, he seemed to think better of asking them and, instead, made his way out of the room, leaving you to fall back asleep. It had to have been a few hours later when you were waking up on your own this time, the anger you had felt earlier completely gone now, replaced with your normal, chipper self. You turned over to look at Kunhang's side, releasing he wasn't there and the memories came flooding back to you along with a strong wave of guilt. You shouldn't have treated Kunhang the way you did. There was nothing out of the ordinary with the way he'd reacted to your sleeping for. With a sigh, you threw your legs over the side of the bed and stood up, padding over the floors to the door. You made your way out of the bedroom and down the hall, finding Kunhang sitting on the couch, television with the volume turned down, playing some movie he didn't look too interested in. As the floor creaked slightly under your feet, his attention shifted from the television to you and he was quick to shut off the device. "How are you feeling?" he asked. Your heart dropped into your stomach. Had you really affected him? "I'm sorry for how I reacted..." you mumbled. A sigh rolled past his lips as he patted the couch next to him. You made your way to him, flopping beside him, but keeping your distance, at least until he pulled you against his side. "I understand why you did after looking up Borderinel Personality Disorder," he said. "But you couldn't have expected me to know without knowing." With a nod, you hung your head. "Why didn't you tell me?" "I thought you wouldn't like me if you knew I had a disorder..." you mumbled. Saying it out loud, it felt ridiculous. You knew he loved you. The fact that he waited for you to wake up even after how you'd treated him proved that. But it had been a fear nevertheless. "Now that I know, I can help you rather than making things worse. But in the future, please let me know. I hated watching you so upset without knowing how to help." You leaned against him, burying your face in his chest as you nodded.

YangYang:

(full fic coming soon) YangYang's youth was what truly scared you the most. He still had so much to learn. He was so naive, about some things at least. He could make you feel so good, so loved, when he'd hold you in his arms and kiss your head or when he threw himself across your lap and begged to be pet. You were scared that the second he knew the truth about you, he'd leave, or worse, treat you differently. Your older brother, Kun, had advised you to just be honest with him. To let him know when you had bad days. Yet, here you were, hiding out in your brothers bed, hoping practice would run late so YangYang wouldn't see your crestfallen face. It seemed luck wasn't on your side that day, not entirely anyway, because the door to the room opened and Kun walked in half shirtless, belt unbuckled. "Please don't strip anymore," you'd begged. The boy nearly jumped out of his skin at your words. "(y/n)?! What are you doing here?!" "I missed Yang..." "So why didn't you come to practice? You know you're welcome." Your silence was his answer and he sighed, sliding on another, not sweat-soaked shirt, and sat on the bed beside you, reaching out to gently stroke your arm. "You really should tell him," he whispered. "But what if he rejects me?" "He won't. Sis, I know him. He's not like some dirtbags you've dated in the past. And he might just be able to help you better than I can," he whispered. You knew he was right. He was always right (as annoying as it was). "Will you send him here? I don't want to get out of bed..." "Of course," he said, patting your arm one more time before getting out of bed and making his way out of the room. It was a few minutes later when a sweaty YangYang walked in, searching for your figure before sitting down beside you on Kun's bed. "You wanted to see me?" he asked. "I have Borderline Personality Disorder..." The words just rushed out before you could stop them, but you were thankful. This saved you from yourself. For a long moment, YangYang didn't say anything and you were beginning to think Kun had been wrong for once. "So that's why Kun had me do all that research..." Ok, that definitely wasn't what you were expecting. "Not long after we started dating, Kun made me do all this research on BPD. He even quizzed me once a week! I just assumed it was punishment for dating his sister!" A loud laugh fell past your lips. That was absolutely something Kun would do!

"Are you mad I didn't tell you?" you asked.

"Well, why didn't you?"

"I was afraid you'd leave me like my exes..."

"Then yes, I'm mad!" he said.

Your face dropped.

"I'm sorry..."

"I'll just have to teach you a lesson!"

With that, he threw himself on top of you, pressing his sweaty clothes against you as you shrieked, attempting to get away.

"Guys... not on my bed..."

[alltheselights]

Hey so I am a solo louie, I follow you despite you being a larrie because I think you are super level headed and quite frankly I love that you separate how you feel about their relationship and their career your damn good writer too. I became a fan last year and I am well aware that for the most part larries don’t believe that child is his. Apart of me thinks that is just crazy but another knows that the entertainment industry is also batshit crazy so anything can happen. What I don’t understand is the point of it , nobody really cares and there is no way he would come out of this without without ruining his life and like I just don’t see how the whole thing makes any sense. None of it makes any logical sense like how do they plan all of this to end and why ?

VERY long response under the read more!

I think the key thing you’re forgetting is that when this started, people DID care. This didn’t start in 2017 or 2020 - Louis’ heavy closeting with Eleanor started all the way back in 2011 (a much different time then now) and babygate started in 2015. Louis was in the biggest band in the world and there were continual widespread rumors about him and his bandmate being together - his bandmate who was set up as the heartthrob frontman from the beginning of the band and I think starting in 2014 (or whenever Jeff first entered the picture) was looking toward an eventual future solo career, which is exactly what Sony wanted.

I think part of it was just to shut down the rumors with Harry, who again, I think Sony has always viewed as their money machine, and also just because just as many boybands before them, One Direction was marketed to girls as objects of their lust - boys the fans could fantasize about dating. I don’t believe any of the boys who may have identified as LGBTQ+ would have been permitted to come out while in the band because of this marketing strategy, but especially not Louis, who many stereotyped as gay from day one of the band and who many shipped specifically with the most popular of the heartthrob members.

I think the other big part of it is just punishment for Louis and always has been. Not only did he threaten their bottom line by not fitting into the cookie cutter One Direction straight boy mold that Sony clearly wanted and expected from all the boys, but he also fought for One Direction to become more than Sony/Syco wanted them to be. They expected the band to make them a lot of money with bubble gum pop songs for a few years and then burn out quickly when they’d overworked them too much and when all the girls turned toward a new shiny boyband or artist on the horizon, but what they didn’t account for was the fact that rather than falling in line, Louis and the others would fight to write more on the albums and Louis specifically would fight for them to mature their sound. And Louis was very successful in that because even though One Direction was not at their peak popularity with some of their later, more mature, and more well-written albums, they developed a fanbase with that music that would’ve stuck around long-term, not just for their personalities and pretty faces but for the actual music, which I suspect would never have happened if they’d just continued on their generic path that Sony set them on.

Most solo Louies recognize the sabotage of his career with his lack of promo, the fact that he is never protected or defended in the media by his team, and how they push his personal life as a focal point for most promo rather than his talent and music. If you can recognize that, it’s probably not that hard to imagine that they could saddle him with a beard and a fake child to double down on his heterosexuality and then continue it out of spite, fully recognizing that they have tied his hands in terms of his public image because it’s been so long of this, media trained him out of showing his true personality and mannerisms for years, and alienated him from large portions of his fanbase - because Larries are NOT the only group of his fans that suspect he is not straight - I know tons of solo Louies do as well.

The question of why it’s continuing today is a great one and I wish I had the answer and could see what’s happening behind the scenes. If Louis had finally gotten rid of Sony and Syco last year and immediately his solo career started improving, suggesting that his team was finally working for him and doing their jobs properly, and still the stunts continued, I think it would make sense to start to wonder whether Louis wanted that for himself. However, that’s not what happened at all. Louis still has the same management and PR, PR that has always been associated with Sony and Syco, by the way, and there have been no improvements to anything related to his career. I understand that there are limitations because he hasn’t toured or put out a new album yet, but I think you just have to see the lack of press, promo, and even basic respect and recognition around his massive record-breaking livestream in December and his upcoming festival to see that things haven’t changed. LTHQ on Twitter continues to be as useless as ever, Louis’ social media is rarely used to promote his career, and there has been no attempt to build hype for the future music that Louis is working on aside from a single set of pap pictures outside of the studio. These are some of the most basic things that a normal team would be working on, particularly considering how massive Louis’ platform is and how excited his fans have been even throughout the pandemic.

Louis watches what his fans say about everything on Twitter, and when he’s able to, he changes things with a snap of his fingers to ensure that his fans are happy. There’s no doubt in my mind that Louis has watched fans continue to complain about his team over the last year, yet nothing ever changes or improves, and he occasionally makes subtle nods to the fact that his support and successes are thanks to the fans only - never his team. It’ll be interesting to see what happens when he releases new music, but at least as of now, I think it’s evident that Louis is still not being positioned for success in his career with the team that he’s with, even after leaving Syco/Sony.

Without knowing what contracts Louis has signed over the years and how long they are binding, it’s impossible for fans to know how free he is officially, so all we can do is go off of what we see. And what I see right now is that nothing has changed with his career, and so while it seems absurd, it doesn’t actually shock me that much that other elements haven’t changed either. I also think it’s going to be very difficult for them to end babygate in particular at this point, which is probably something at the forefront of their minds.

So I can’t answer for why it hasn’t ended or when and how it will, but I can tell you that as long as his career is not prioritized by anyone around him, I find it very hard to believe that he is 100% free to make his own choices. Even if commercial success is not Louis’ number one priority, we’ve seen so many times how much it means to Louis when he does well on the charts. I do sometimes worry that Louis has given up and resigned himself to this fate because of how long he’s been sabotaged - I’ve worried about this particularly in the last year or so - but I still don’t believe this is all his choice. You can’t convince me that this person who was so clever with how to mature the band in One Direction, this person who has so much interest in the back end of the music industry, this person who has fought tooth and nail for a solo career that nobody thought he could pull off, this person who cares so deeply about what his fans think, is content with the team around him not bothering to do the basics of their job - to the constant widespread and loudly expressed frustration of his fanbase. And as a result, I suspect that babygate and Elounor are likely still around for the same reasons the rest hasn’t improved.

[taylorswifthongkong]

Taylor Swift broke all her rules with Folklore — and gave herself a much-needed escape The pop star, one of EW's 2020 Entertainers of the Year, delves deep into her surprise eighth album, Rebekah Harkness, and a Joe Biden presidency. By Alex Suskind

“He is my co-writer on ‛Betty’ and ‛Exile,’” replies Taylor Swift with deadpan precision. The question Who is William Bowery? was, at the time we spoke, one of 2020’s great mysteries, right up there with the existence of Joe Exotic and the sudden arrival of murder hornets. An unknown writer credited on the year’s biggest album? It must be an alias.

Is he your brother?

“He’s William Bowery,” says Swift with a smile.

It's early November, after Election Day but before Swift eventually revealed Bowery's true identity to the world (the leading theory, that he was boyfriend Joe Alwyn, proved prescient). But, like all Swiftian riddles, it was fun to puzzle over for months, particularly in this hot mess of a year, when brief distractions are as comforting as a well-worn cardigan. Thankfully, the Bowery... erhm, Alwyn-assisted Folklore — a Swift project filled with muted pianos and whisper-quiet snares, recorded in secret with Jack Antonoff and the National’s Aaron Dessner — delivered.

“The only people who knew were the people I was making it with, my boyfriend, my family, and a small management team,” Swift, 30, tells EW of the album's hush-hush recording sessions. That gave the intimate Folklore a mystique all its own: the first surprise Taylor Swift album, one that prioritized fantastical tales over personal confessions.

“Early in quarantine, I started watching lots of films,” she explains. “Consuming other people’s storytelling opened this portal in my imagination and made me feel like, Why have I never created characters and intersecting storylines?” That’s how she ended up with three songs about an imagined love triangle (“Cardigan,” “Betty,” “August”), one about a clandestine romance (“Illicit Affairs”), and another chronicling a doomed relationship (“Exile”). Others tell of sumptuous real-life figures like Rebekah Harkness, a divorcee who married the heir to Standard Oil — and whose home Swift purchased 31 years after her death. The result, “The Last Great American Dynasty,” hones in on Harkness’ story, until Swift cleverly injects herself.

And yet, it wouldn’t be a Swift album without a few barbed postmortems over her own history. Notably, “My Tears Ricochet” and “Mad Woman," which touch on her former label head Scott Borchetta selling the masters to Swift’s catalog to her known nemesis Scooter Braun. Mere hours after our interview, the lyrics’ real-life origins took a surprising twist, when news broke that Swift’s music had once again been sold, to another private equity firm, for a reported $300 million. Though Swift ignored repeated requests for comment on the transaction, she did tweet a statement, hitting back at Braun while noting that she had begun re-recording her old albums — something she first promised in 2019 as a way of retaining agency over her creative legacy. (Later, she would tease a snippet of that reimagined work, with a new version of her hit 2008 single "Love Story.")

Like surprise-dropping Folklore, like pissing off the president by endorsing his opponents, like shooing away haters, Swift does what suits her. “I don’t think we often hear about women who did whatever the hell they wanted,” she says of Harkness — something Swift is clearly intent on changing. For her, that means basking in the world of, and favorable response to, Folklore. As she says in our interview, “I have this weird thing where, in order to create the next thing, I attack the previous thing. I don’t love that I do that, but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I still love it.”

ENTERTAINMENT WEEKLY: We’ve spent the year quarantined in our houses, trying to stay healthy and avoiding friends and family. Were you surprised by your ability to create and release a full album in the middle of a pandemic?

TAYLOR SWIFT: I was. I wasn't expecting to make an album. Early on in quarantine, I started watching lots of films. We would watch a different movie every night. I'm ashamed to say I hadn't seen Pan's Labyrinth before. One night I'd watch that, then I'd watch L.A. Confidential, then we'd watch Rear Window, then we'd watch Jane Eyre. I feel like consuming other people's art and storytelling sort of opened this portal in my imagination and made me feel like, "Well, why have I never done this before? Why have I never created characters and intersecting storylines? And why haven't I ever sort of freed myself up to do that from a narrative standpoint?" There is something a little heavy about knowing when you put out an album, people are going to take it so literally that everything you say could be clickbait. It was really, really freeing to be able to just be inspired by worlds created by the films you watch or books you've read or places you've dreamed of or people that you've wondered about, not just being inspired by your own experience.

In that vain, what's it like to sit down and write something like “Betty,” which is told from the perspective of a 17-year-old boy?

That was huge for me. And I think it came from the fact that my co-writer, William Bowery [Joe Alwyn], is male — and he was the one who originally thought of the chorus melody. And hearing him sing it, I thought, "That sounds really cool." Obviously, I don't have a male voice, but I thought, "I could have a male perspective." Patty Griffin wrote this song, “Top of the World.” It's one of my favorite songs of all time, and it's from the perspective of this older man who has lived a life full of regret, and he's kind of taking stock of that regret. So, I thought, "This is something that people I am a huge fan of have done. This would be fun to kind of take this for a spin."

What are your favorite William Bowery conspiracies?

I love them all individually and equally. I love all the conspiracy theories around this album. [With] "Betty," Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that's exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people's. It's been really fun to watch.

One of the other unique things about Folklore — the parameters around it were completely different from anything you'd done. There was no long roll out, no stadium-sized pop anthems, no aiming for the radio-friendly single. How fearful were you in avoiding what had worked in the past?

I didn't think about any of that for the very first time. And a lot of this album was kind of distilled down to the purest version of what the story is. Songwriting on this album is exactly the way that I would write if I considered nothing else other than, "What words do I want to write? What stories do I want to tell? What melodies do I want to sing? What production is essential to tell those stories?" It was a very do-it-yourself experience. My management team, we created absolutely everything in advance — every lyric video, every individual album package. And then we called our label a week in advance and said, "Here's what we have.” The photo shoot was me and the photographer walking out into a field. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.

Did you find it freeing?

I did. Every project involves different levels of collaboration, because on other albums there are things that my stylist will think of that I never would've thought of. But if I had all those people on the photo shoot, I would've had to have them quarantine away from their families for weeks on end, and I would've had to ask things of them that I didn't think were fair if I could figure out a way to do it [myself]. I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a moodboard and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast.

Folklore includes plenty of intimate acoustic echoes to what you've done in the past. But there are also a lot of new sonics here, too — these quiet, powerful, intricately layered harmonics. What was it like to receive the music from Aaron and try to write lyrics on top of it? 

Well, Aaron is one of the most effortlessly prolific creators I've ever worked with. It's really mind-blowing. And every time I've spoken to an artist since this whole process [began], I said, "You need to work with him. It'll change the way you create." He would send me these — he calls them sketches, but it's basically an instrumental track. the second day — the day after I texted him and said, "Hey, would you ever want to work together?" — he sent me this file of probably 30 of these instrumentals and every single one of them was one of the most interesting, exciting things I had ever heard. Music can be beautiful, but it can be lacking that evocative nature. There was something about everything he created that is an immediate image in my head or melody that I came up with. So much so that I'd start writing as soon as I heard a new one. And oftentimes what I would send back would inspire him to make more instrumentals and then send me that one. And then I wrote the song and it started to shape the project, form-fitted and customized to what we wanted to do.

It was weird because I had never made an album and not played it for my girlfriends or told my friends. The only people who knew were the people that I was making it with, my boyfriend, my family, and then my management team. So that's the smallest number of people I've ever had know about something. I'm usually playing it for everyone that I'm friends with. So I had a lot of friends texting me things like, "Why didn't you say on our everyday FaceTimes you were making a record?"

Was it nice to be able to keep it a secret?

Well, it felt like it was only my thing. It felt like such an inner world I was escaping to every day that it almost didn't feel like an album. Because I wasn't making a song and finishing it and going, "Oh my God, that is catchy.” I wasn't making these things with any purpose in mind. And so it was almost like having it just be mine was this really sweet, nice, pure part of the world as everything else in the world was burning and crashing and feeling this sickness and sadness. I almost didn't process it as an album. This was just my daydream space.

Does it still feel like that?

Yeah, because I love it so much. I have this weird thing that I do when I create something where in order to create the next thing I kind of, in my head, attack the previous thing. I don't love that I do that but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I just still love it. I'm so proud of it. And so that feels very foreign to me. That doesn't feel like a normal experience that I've had with releasing albums.

When did you first learn about Rebekah Harkness?

Oh, I learned about her as soon as I was being walked through [her former Rhode Island] home. I got the house when I was in my early twenties as a place for my family to congregate and be together. I was told about her, I think, by the real estate agent who was walking us through the property. And as soon as I found out about her, I wanted to know everything I could. So I started reading. I found her so interesting. And then as more parallels began to develop between our two lives — being the lady that lives in that house on the hill that everybody gets to gossip about — I was always looking for an opportunity to write about her. And I finally found it.

I love that you break the fourth wall in the song. Did you go in thinking you’d include yourself in the story?

I think that in my head, I always wanted to do a country music, standard narrative device, which is: the first verse you sing about someone else, the second verse you sing about someone else who's even closer to you, and then in the third verse, you go, "Surprise! It was me.” You bring it personal for the last verse. And I'd always thought that if I were to tell that story, I would want to include the similarities — our lives or our reputations or our scandals.

How often did you regale friends about the history of Rebekah and Holiday House while hanging out at Holiday House? 

Anyone who's been there before knows that I do “The Tour,” in quotes, where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.

There are a handful of songs on Folklore that feel like pretty clear nods to your personal life over the last year, including your relationships with Scott Borchetta and Scooter Braun. How long did it take to crystallize the feelings you had around both of them into “My Tears Ricochet” or “Mad Woman”?

I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There’s no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote “My Tears Ricochet” and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both.

How did it feel to drop an F-bomb on "Mad Woman"?

F---ing fantastic.

And that’s the first time you ever recorded one on a record, right?

Yeah. Every rule book was thrown out. I always had these rules in my head and one of them was, You haven't done this before, so you can't ever do this. “Well, you've never had an explicit sticker, so you can't ever have an explicit sticker.” But that was one of the times where I felt like you need to follow the language and you need to follow the storyline. And if the storyline and the language match up and you end up saying the F-word, just go for it. I wasn't adhering to any of the guidelines that I had placed on myself. I decided to just make what I wanted to make. And I'm really happy that the fans were stoked about that because I think they could feel that. I'm not blaming anyone else for me restricting myself in the past. That was all, I guess, making what I want to make. I think my fans could feel that I opened the gate and ran out of the pasture for the first time, which I'm glad they picked up on because they're very intuitive.

Let’s talk about “Epiphany.” The first verse is a nod to your grandfather, Dean, who fought in World War II. What does his story mean to you personally? 

I wanted to write about him for awhile. He died when I was very young, but my dad would always tell this story that the only thing that his dad would ever say about the war was when somebody would ask him, "Why do you have such a positive outlook on life?" My grandfather would reply, "Well, I'm not supposed to be here. I shouldn't be here." My dad and his brothers always kind of imagined that what he had experienced was really awful and traumatic and that he'd seen a lot of terrible things. So when they did research, they learned that he had fought at the Battles of Guadalcanal, at Cape Gloucester, at Talasea, at Okinawa. He had seen a lot of heavy fire and casualties — all of the things that nightmares are made of. He was one of the first people to sign up for the war. But you know, these are things that you can only imagine that a lot of people in that generation didn't speak about because, a) they didn't want people that they came home to to worry about them, and b) it just was so bad that it was the actual definition of unspeakable.

That theme continues in the next verse, which is a pretty overt nod to what’s been happening during COVID. As someone who lives in Nashville, how difficult has it been to see folks on Lower Broadway crowding the bars without masks?

I mean, you just immediately think of the health workers who are putting their lives on the line — and oftentimes losing their lives. If they make it out of this, if they see the other side of it, there's going to be a lot of trauma that comes with that; there's going to be things that they witnessed that they will never be able to un-see. And that was the connection that I drew. I did a lot of research on my grandfather in the beginning of quarantine, and it hit me very quickly that we've got a version of that trauma happening right now in our hospitals. God, you hope people would respect it and would understand that going out for a night isn't worth the ripple effect that it causes. But obviously we're seeing that a lot of people don't seem to have their eyes open to that — or if they do, a lot of people don't care, which is upsetting.

You had the Lover Fest East and West scheduled this year. How hard has it been to both not perform for your fans this year, and see the music industry at large go through such a brutal change?

It's confusing. It's hard to watch. I think that maybe me wanting to make as much music as possible during this time was a way for me to feel like I could reach out my hand and touch my fans, even if I couldn't physically reach out or take a picture with them. We've had a lot of different, amazing, fun, sort of underground traditions we've built over the years that involve a lot of human interaction, and so I have no idea what's going to happen with touring; none of us do. And that's a scary thing. You can't look to somebody in the music industry who's been around a long time, or an expert touring manager or promoter and [ask] what's going to happen and have them give you an answer. I think we're all just trying to keep our eyes on the horizon and see what it looks like. So we're just kind of sitting tight and trying to take care of whatever creative spark might exist and trying to figure out how to reach our fans in other ways, because we just can't do that right now.

When you are able to perform again, do you have plans on resurfacing a Lover Fest-type event?

I don't know what incarnation it'll take and I really would need to sit down and think about it for a good solid couple of months before I figured out the answer. Because whatever we do, I want it to be something that is thoughtful and will make the fans happy and I hope I can achieve that. I'm going to try really hard to.

In addition to recording an album, you spent this year supporting Joe Biden and Kamala Harris in the election. Where were you when it was called in their favor? 

Well, when the results were coming in, I was actually at the property where we shot the Entertainment Weekly cover. I was hanging out with my photographer friend, Beth, and the wonderful couple that owned the farm where we [were]. And we realized really early into the night that we weren't going to get an accurate picture of the results. Then, a couple of days later, I was on a video shoot, but I was directing, and I was standing there with my face shield and mask on next to my director of photography, Rodrigo Prieto. And I just remember a news alert coming up on my phone that said, "Biden is our next president. He's won the election." And I showed it to Rodrigo and he said, "I'm always going to remember the moment that we learned this." And I looked around, and people's face shields were starting to fog up because a lot of people were really misty-eyed and emotional, and it was not loud. It wasn't popping bottles of champagne. It was this moment of quiet, cautious elation and relief.

Do you ever think about what Folklore would have sounded like if you, Aaron, and Jack had been in the same room?

I think about it all the time. I think that a lot of what has happened with the album has to do with us all being in a collective emotional place. Obviously everybody's lives have different complexities and whatnot, but I think most of us were feeling really shaken up and really out of place and confused and in need of something comforting all at the same time. And for me, that thing that was comforting was making music that felt sort of like I was trying to hug my fans through the speakers. That was truly my intent. Just trying to hug them when I can't hug them.

I wanted to talk about some of the lyrics on Folklore. One of my favorite pieces of wordplay is in “August”: that flip of "sipped away like a bottle of wine/slipped away like a moment in time.” Was there an "aha moment" for you while writing that?

I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective.

Yeah, I assumed you wrote "Cardigan" first.

It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is — Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?

"I almost didn't process it as an album," says Taylor Swift of making Folklore. "And it's still hard for me to process as an entity or a commodity, because [it] was just my daydream space."

On the flip side, "Peace" is bit more defined in terms of how one approaches a relationship. There's this really striking line, "The devil's in the details, but you got a friend in me/Would it be enough if I can never give you peace?" How did that line come to you?

I'm really proud of that one too. I heard the track immediately. Aaron sent it to me, and it had this immediate sense of serenity running through it. The first word that popped into my head was peace, but I thought that it would be too on-the-nose to sing about being calm, or to sing about serenity, or to sing about finding peace with someone. Because you have this very conflicted, very dramatic conflict-written lyric paired with this very, very calming sound of the instrumental. But, "The devil's in the details," is one of those phrases that I've written down over the years. That's a common phrase that is used in the English language every day. And I just thought it sounded really cool because of the D, D sound. And I thought, "I'll hang onto those in a list, and then, I'll finally find the right place for them in a story." I think that's how a lot of people feel where it's like, "Yeah, the devil's in the details. Everybody's complex when you look under the hood of the car." But basically saying, "I'm there for you if you want that, if this complexity is what you want."

There's another clever turn-of-phrase on "This is Me Trying." "I didn't know if you'd care if I came back/I have a lot of regrets about that." That feels like a nod toward your fans, and some of the feelings you had about retreating from the public sphere.

Absolutely. I think I was writing from three different characters' perspectives, one who's going through that; I was channeling the emotions I was feeling in 2016, 2017, where I just felt like I was worth absolutely nothing. And then, the second verse is about dealing with addiction and issues with struggling every day. And every second of the day, you're trying not to fall into old patterns, and nobody around you can see that, and no one gives you credit for it. And then, the third verse, I was thinking, what would the National do? What lyric would Matt Berninger write? What chords would the National play? And it's funny because I've since played this song for Aaron, and he's like, "That's not what we would've done at all." He's like, "I love that song, but that's totally different than what we would've done with it."

When we last spoke, in April 2019, we were talking about albums we were listening to at the time and you professed your love for the National and I Am Easy to Find. Two months later, you met up with Aaron at their concert, and now, we're here talking about the National again.

Yeah, I was at the show where they were playing through I Am Easy to Find. What I loved about [that album] was they had female vocalists singing from female perspectives, and that triggered and fired something in me where I thought, "I've got to play with different perspectives because that is so intriguing when you hear a female perspective come in from a band where you're used to only hearing a male perspective." It just sparked something in me. And obviously, you mentioning the National is the reason why Folklore came to be. So, thank you for that, Alex.

I'm here for all of your songwriting muse needs in the future.

I can't wait to see what comes out of this interview.

This interview has been edited and condensed.

For more on our Entertainers of the Year and Best & Worst of 2020, order the January issue of Entertainment Weekly or find it on newsstands beginning Dec. 18. (You can also pick up the full set of six covers here.) Don’t forget to subscribe for more exclusive interviews and photos, only in EW.

[let-me-write-shit]

So, I had this idea for a harry imagine where they met during the 1D days and they took a trip for the summer alone and Harry wrote 'Summer love' for the reader. Then the reader got famous with a solo album and they never saw each other after that summer besides award shows and stuff. But then the reader puts out a song 'Summer by Kesha' which is a response to Summer love and Harry approaches the reader after the Brits (where she preformed) and wants to reconnect. You can end it yourself ❤️.

A/N: First Imagine after having covid. I’ve been trying to write this for weeks and my head was stuffy half the time, so I hope this turned out okay. Sorry it took so long. <3

Word Count: 4,378

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Summer Love

It was always there; that weird underlying tension that fizzled in the air after releasing a particularly personal song. It was easy to write about, and even to perform in front of thousands of strangers, but when it came to interviews it seemed more difficult. Doubts started to settle in and you’d start to kick yourself about releasing something so obvious.

Y/N should be used to the feeling by now. She’s been doing this, professionally, for nearly six years now, and although she quickly and easily built thick skin, always pulling herself out of potentially awkward questions without getting too in-depth about personal meanings of songs and whom they might be about, always handling it with the right amount of grit and edge, to be performing at an award show in front of hundreds of fellow musicians whom she’s looked up to for years was a terrifying prospect. Especially considering he would be watching from the audience as she performed a song written about him.

She didn’t intend for this to happen. She didn’t even want to perform that song. But when she tried to fight against it, they almost pulled her out of performing and it wasn’t worth being cut. It was her first year performing at the Brits and her third year attending. She was still fairly new on the scene despite the amount of time she had been recording, and this was her biggest year in her career so far since the release of her new single. It was mostly due to the rumors behind the song, though the rumors did hold some truth.

She wrote it in response to a song He released about her years ago, but she’d been thinking of the right words to say and the perfect song to write for so long that she was sure people had forgotten by now. Back then, Y/N was too afraid to sing in front of people. But her stage fright didn’t affect her ability to make new friends. She was a wild child at heart and could make friends anywhere she went. She just happened to meet all the right friends in all the right places and it worked out in her favor. It’s how she met him in the first place. Y/N was lucky, and she knew it.

It was about ten years ago, now, when One Direction was dominating the scene. They had just finished their first tour and were on a short break for the summer when some of the boys attended a little party of a mutual friend of Y/N’s. She remembered the first time she saw him. His curly hair unruly and his dimples dreamy. It was at that party that she and Harry exchanged numbers. That was the start of it all.

They had spent nearly every day that summer together. Their differences in behavior would have a huge impact on each other and would set a tone in their own personalities for years to come. Y/N’s wild spirit and carefree energy was something Harry tried to implement in his life as often as he could. It was because of Y/N that he took more risks and started living increasingly by his own rules where he could. And Harry showed her peace. His calm and acceptance taught her how to take a step back and relax. They were yin and yang.

That summer was one they’d never forget and would find themselves randomly thinking about for years after, Getting high, drunk, hanging with friends, kissing until their lips hurt, sex whenever they could get an ounce of privacy, laughing until they cried. Two stupid teenagers having the time of their lives.

The thing about spending so much intimate time with someone for nearly two months was that you’d start to actually fall for them. Harry was the first to say the words ‘I love you’. Their friends would joke and make fun of them for thinking it would be anything more than a summer fling. How could it? They were having too much fun together. All of Harry’s friends loved Y/N, and Harry was the first person outside of her immediate family to hear her sing and encourage her to pursue music. Neither of them wanted it to end. But as August turned to September they both knew. They were young and naive to think it could last.

Y/N remembered the last time they saw each other. She found herself often thinking about it when she was sad and alone. They were at a private beach and the water was too rough to swim in so they stayed on the sand and talked. Harry was about to leave for London the next day and Y/N would be starting back at school soon. They whined about how they didn’t want summer to end. Y/N started getting emotional and Harry began to cry, too. They kissed and cuddled, crying to each other. They told each other that they’d try to keep in touch, but they both knew this was goodbye.

Pictures of them together leaked of that day and rumors began to spread like wildfire. It got even crazier when their next album came out and they released a song called ‘Summer Love’. Fans immediately linked it to the leaked pictures of her and Harry at the beach and her social media blew up with people in her DMs asking for details and stories that she never entertained.

She got angry. How could he write a song about her but not keep in contact? She started pouring herself into her music. It was barely two years later that one of her friends introduced her to a producer and she began to make music. No one expected her career to gain momentum so quickly. Her, least of all. She had no clue what it took to be famous and the first year was the hardest. Especially the interviews.

It was difficult, at first, figuring out how to navigate her ‘girl next door’ image when she couldn’t seem to break free from the narrative of being one of Harry Styles's ex-girlfriends. It would be brought up in nearly every interview and it got tiring. That’s when Y/N made the decision to stop caring about her ‘image’ and to be true to herself. She started shutting down questions related to her personal relationships and showed more of her goofy and real side. Eventually, it became less about Harry and more about how people connected with her as a person. Y/N was refreshing to see amongst all the same talent that’s been on the scene for a while.

There were times where Y/N and Harry would attend the same events and cross paths. He definitely remembered her and they’d share a quick nod or wave in passing, but they’d always be whistles in different directions, unable to speak. Until one event, in particular, last year.

Nothing crazy happened. It was just a fundraiser dinner and a lot of celebrities were in attendance. There were theatrical performances and a few bands playing while they ate, along with intermittent speeches and auctions. Photographers and videographers circled the hundreds in attendance, getting some behind the scene shots, but for the most part, everyone just mingled.

Y/N brought her manager and boyfriend at the time, and she sat at a table with James Corden, his wife, and manager, as well as a few other lesser-known celebs that were more into the business aspect of things. Everyone was talking. She found out that James’s wife was a big fan of hers and they were all laughing at something Y/N said, making promises to be on his show again soon, when a figure loomed behind them, tapping James on the shoulder but getting everyone’s attention, turning to see Harry.

“Oh, Harry! Hello mate! How are you doing?” James asked, attempting to hug him from his seat.

“Alright, man, how are you?” Harry asked, grinning coyly and awkwardly, waving at the rest of the table, “Hello!” and then he looked at Y/N, eyes glistening and nodding, “Hi.”

“Hey,” she grinned back nicely, tight-lipped, as her boyfriend’s arms snaked around her waist, pulling her just a little closer to him.

Her boyfriend, well-known for having a famous dad, had no clue of the history between Y/N and Harry but was a fairly jealous guy. He didn’t trust anyone around Y/N and it was something she resented in their relationship.

Harry turned his attention back to James after eyeing the couple, “I was just checking to see if you’d be performing tonight, too?” Harry joked, “Maybe a little number from Into The Woods?” he smirked, earning a laugh from the table and roars from James.

“No, no. They can’t afford me,” James played along.

“It’s a charity, James,” Harry shot back, “Or maybe they were worried people would walk out.”

“Excuse you! That musical had eleven nominations and three awards, thank you very much!” James laughed, pointing out the empty seat across from him and Y/N, “Would you like to join us?”

Harry agreed, taking the seat, and he stayed there for the rest of the night. He talked with everyone at the table, watched the speeches, and listened to bands play. Eventually, he got enough courage to start conversing more with Y/N, shocked to find that, although she’s grown in the last several years and had a pretty shitty boyfriend, she was still relatively the same carefree, wild spirit he met at that party.

They talked about the release of his first solo album and his time on his first solo tour. They talked about how she was working on a new album herself and the recent interview she had with James that seemed to be a contender for most-viewed. Harry had seen it, as well. He was enjoying being in her company again but could do without her boyfriend that seemed to butt-in at every chance he could. And from the looks of it, Y/N was annoyed about it, as well.

By the end of the night, Harry was kicking himself for not getting her number. As he lay alone in bed, those memories of that summer began flooding back as it did every few months since, and speaking with her today struck him. He felt nostalgic, missing their sandy kisses and midnight strolls. How they used to stay up all night talking on the phone just to see each other again when the sun rose. He contemplated reaching out via Instagram or Twitter but ultimately decided that she had long since gotten over him and that there was no point considering she had a boyfriend.

Except that wasn’t true. The whole car journey back to her hotel, Y/N sat in silence recalling every moment of the night and longing for that old connection for Harry back. The second she and her boyfriend got back to her room, she grabbed her notebook, ignoring her boyfriend’s beckons to join him in bed, and went to work. It was the fastest song she had ever written, taking a total of two hours. And she broke things off with her boyfriend not two weeks later. The news broke in less than twenty-four hours and it was the top story for weeks.

She almost didn’t include the song in her album, but at the last minute, she decided to add it. She figured enough time had passed where people wouldn’t know who it was about. She was wrong. Big time.

Her impending performance at the Brits was all anyone could talk about, and now that the day was here, Y/N’s nerves were reeling. The thought of singing this song and knowing Harry was here watching was enough to make her want to throw up. Every time the camera panned to Harry during the awards with his face plastered on a large screen off to the side, Y/N was certain she’d pass out. Luckily they were on separate ends of the stage and she couldn’t really see him from where she sat, so she just avoided the screen. Her normal ‘don’t care’ attitude was gone.

Soon, she was taken backstage to get wired and ready for her performance. She bounced up and down in her heels trying to summon some energy and shake the nerves, messing with the dangling strands of hair that framed her face and wiping her sweaty palms on her sleek, satin red dress with one off-the-shoulder draping sleeve and a long side-slit.

She was led out to a pitch dark stage and was positioned in the center, hands gripping tightly on her mic as a presenter on another stage finished a short speech and introduced the next act. Y/N looked down at her feet, listening, waiting for her queue, afraid to look up amongst the crowd of very talented, very famous peers.

“The incredible Y/F/N Y/L/N, with her new single, SUMMER!”

The lights shone brightly on Y/N and she began to sing, followed by the sounds of piano.

“I haven’t seen you since the summer

But you feel just like I remember…..”

Her heart pounded as she walked towards the edge of the stage, finally getting the courage to look up and into their faces, everyone smiling, bobbing their heads, and most even singing along. She scanned the audience, her mind racing, terrified and shocked that she had even found the courage to go through with singing this song here. And then she saw him. He sat towards the left of the stage at a circular table, close to the front, looking up at her, listening intently, with a lopsided smile, and their eyes locked.

That’s when something weird happened. The anxiety she felt just seconds before had washed away. For weeks, this had been her worst nightmare; having to sing this song to his face. She had given herself countless pep talks and dozens of plans to avoid eye contact with anyone in the audience while she sang just in case she ended up looking at Harry. But now that it’s happened, a sense of relief has washed over her. There were so many things she wanted to say to him over the past few years, but for some reason, singing this song at him seemed like enough for the time being. It summed it all up.

He could feel eyes on him, not just from Y/N, but from his table and those around him, as well. Everyone knew of the rumors about this song. Everyone assumed it was about him. Honestly, he figured it was about him, too. Some of the lyrics seemed to point to that summer. But assuming he meant enough to her, especially enough to write a song after all this time, seemed extremely arrogant of him, so he avoided vocalizing his thoughts on the topic and always pushed it aside when it was brought to his attention.

When he heard that she would be performing the song at the Brits, a part of him was scared. He didn’t know how he should react. Should he play it cool? Should he sing along? Should he ignore her performance? But when he saw her on the stage in front of him, he couldn’t take his eyes away. A smile formed on his face and all he could feel was pride. He was proud that he got to know her before all of the fame and got to see the talent before she blew up. He was proud that she worked so hard to get to where she was.

And then they locked eyes.

He was speechless. It wasn’t a particularly heart-wrenching song in its own right, but he could feel the meaning behind the lyrics deep in his chest. Harry could see the tension fading from Y/N’s eyes, something that would barely be noticed unless you were looking for it. And he laughed as she bounced and skipped around the stage. She kicked her heels off which earned an outrageous amount of screams and claps and he laughed as she spun around the stage, barefoot. There she was; that beautiful, carefree girl he’d known when they were just teenagers. And as the song ended and she began to slow down, they caught eyes once more and they smiled before the lights began to dim and everyone in the audience stood, clapping. Harry among them.

“Wow. That was incredible,” his sister, Gemma, awed beside him.

They shared a look; one of both knowing and apprehension. He never told Gemma about Y/N. Sure, she knew of the rumors and saw the pictures, but they never went into detail about their love lives with each other. She didn’t want to push anything out of her brother, but she was a fan of Y/N’s and didn’t want to make her brother feel uncomfortable if she was supporting an artist whom he had any sort of resentment about. But by the look of his smile and nod of agreeance, she knew that it was no trouble.

He found himself often peaking over the heads of the crowd in an attempt to steal a glance at her. And whenever he stood to clap, or collect an award, no matter how hard he tried to conceal his curiosity, he would always end up locking eyes. When she won the first award of her career, he clapped louder and longer than anyone else, and he knew that he was giving himself away. Everyone who had come with him had realized that he was increasingly becoming more interested in her as the night progressed.

When the award show was finally over, he attempted to shuffle amongst the crowd, hoping to catch her before she left, but that proved difficult as he kept getting stopped by other friends and celebrities wanting to congratulate him on his winnings and aiming to have a conversation with him. By the time he had reached her table, she had already gone.

The afterparty was brimming with people, with both celebrities who had gone to the awards, and some who hadn’t. The music was so loud in areas that you could hardly hear others speak. Servers were weaving in and out of people with trays of food and drinks while people talked, danced, and consorted. He was always surprised by the mix of people he saw at afterparties and the friendships he had never expected.

He was in the middle of a conversation with his sister, Alexa Chung, and a few others, when a reflection of glistening light just beyond their group caught his eye, and he looked past his friends to see Y/N standing towards the other end of the room laughing with James Corden, just like she had been the last time he saw her. He had made up his mind in an instant and politely excused himself, making his way over.

“Hello,” he dragged, cautiously edging up towards the two.

They both looked up and he noticed the surprise in Y/N’s eyes before James exclaimed, “Harry! How’s it going, mate?”

“I’m alright, James. And you?” He asked, and before James could respond he turned towards Y/N and muttered, “Hey.”

“Jesus Christ, Harold, you’re not very subtle, are you?” he joked.

It was only a joke, but both Y/N and Harry began to blush. James, too, knew of the rumors and even pressed his friend, off the record, about his brief encounter with Y/N. He knew that there were some reserved emotions between the two old lovers, but by the look of their reaction, it seemed to be a bit greater than he had anticipated and he knew he might have just inadvertently created a bit of tension between the two.

“Well, it was nice to see you both, but I’ve got to go look for my wife before she leaves me for Shawn Mendes,” James lied, giving both of them a friendly hug and kiss on the cheek, “Have a good night.”

They watched as James snuck off and stood there in a moment of silence as the room around them only got louder. Y/N smirked, waiting for Harry to say something. Years, she had pictured this moment. Years she had imagined having a conversation as more than just a passing node or group discussion. Still, if he didn’t get a move on, someone could interrupt them and it’d be just another fleeting moment in their years worth of run-ins.

“You look lovely,” he finally noted, motioning towards her dress.

Y/N snorted, raising an eyebrow, “Come on, Harry, what’d you really want to say?”

Harry grinned nervously, shaking his head, she could see right through him, “Could never get anything past you, could I?”

“Never,” she smiled, crossing her arms.

He looked at her a moment, scanning her eyes before his face turned more serious, “...I missed you.”

“Oh? Did you?”

“Yeah,” he chuckled, teasingly jutting his head forward matter-of-factly, “I did.”

“I guess I missed you, too. If you couldn’t tell by the song,” she added, giggling.

“Oh, was that about me?” he asked sarcastically.

Y/N rolled her eyes, “Nah, couldn’t be. Some other bloke, some other summer.”

Harry laughed, astounded. So much time had passed and Y/N was seldom not on his mind. Sure, he had seen her in passing at the many award shows and alongside him on the internet, but he always wondered what time had done to her. He, himself, had learned and evolved with time and with knowledge. He hadn’t considered himself a ‘changed’ man, like so many that had gained money and an ounce of power, but rather he considered himself just grown. He wondered if she would be the same and often worried that the lifestyle would have sucked her dry. He sees it time and time again, lively people turning into shells of their past while trying to keep up with the scene.

But seeing her here, now, he knew that not to be true. She seemed every bit herself, just….grown. More confident, smarter, but just as playful and beautiful as ever. The nerves he was feeling before had gone, replaced with the silliness that he remembered always feeling when he was around her.

“So, we’ve established that I missed you and you missed me. What should we do about that?” he asked, rather flirtatiously.

She raised an eyebrow, tilting her head to the side and as if it was the simplest answer said, “Well, I suppose that means you should ask me out to dinner.”

Harry smiled wider, “So no boyfriend, then?”

She shook her head, a playful smirk forming on her face, “Not unless you’re asking.”

His mouth fell open slightly. Her forwardness was always something he fawned over, and before he could speak, a dark-haired girl slunk up to the two of them and they turned to see Gemma. Y/N had never met Gemma before and only knew of her from the stories Harry told her when they were younger. Of course, she’s seen pictures of his older sister, but seeing them side-by-side she could see the similarities between the two siblings.

“Hi, sorry to interrupt…” Gemma started.

Y/N shook her head, “No, you’re not. It’s Gemma, right? I’m Y/N. Nice to meet you.”

Harry watched as his sister attempted to stop ogling and accepted Y/N’s offer for a hug and polite kiss on either cheek. He knew Gemma must be internally freaking out as she admitted, “It’s so nice to meet you. I’m a big fan.”

“Thank you. You look gorgeous, by the way. I can tell who got the good genes,” Y/N smiled, poking fun at Harry.

He feigned hurt and elongated, “Heeeeyyyyy.”

“Hush, now. The girls are talking,” Y/N winked.

The three spent most of the night together, conversing with dozens of other celebrities who approached them, but they hadn’t strayed from each other all night. Their conversation seemed endless and never ran out of things to say. They even started getting a little childish and would sneak off and explore the hotel in which the party was held. Harry was happy to see that his sister and Y/N had quickly become friends, even if it was at the expense of his ego. But as the night continued and the three fought to hide their exhaustion, it had gotten too late and Y/N’s manager had finally found them.

“Come on, Y/N, we should get going,” the blonde tugged at Y/N’s arm.

Y/N nodded, “Yeah, alright.”

They all stood up and gave each other hugs goodbye, “It was nice to see you again,” Y/N whispered into Harry’s ear, lingering in his embrace just a second longer before pulling away, smiling, and following her manager towards the exit.

Harry watched after her, sad to see her walking away again. Why was sleep even a thing? He could spend hours more talking to her about utter nonsense, filling in the gaps of all of their missed time together. He felt a nudge to the left of him from Gemma and he turned to see her urging eyes. He knew what she meant. And he didn’t need another nudge. In seconds, he bolted up and jogged ahead, catching up with them. Y/N must have heard his footsteps, because she turned, amused to see Harry yielding, out of breath.

“Forget something?” she joked, crossing her arms with a smile.

He grinned, nodding, “Your number.”

She smiled wider, holding her hand out for his phone and when he passed it to her, she quickly inputted her number and saved it, handing it back. “Please pass my number along to your sister, too.”

“Are you just using me to get to Gemma?” Harry joked.

“Of course I am,” Y/N laughed. There was a moment of silence before Y/N leaned in, kissing him softly on the cheek before stepping back towards her manager, “Don’t lose my number this time, yeah?”

Harry shook his head, lips twitching, “Never. I won’t make that mistake again.”

------------------------------------

Taglist:

@odetostep @mylittleangel9403 @thurhomish @fallingfordolans

[onestowatch]

Haru Nemuri Lets Her Soul Run Ablaze in ‘Shunka Ryougen’ [Q&A]

Treasure. We are constantly looking for it and by its very nature it remains elusive. Considering the enormity of music being released everyday, to strike any vein of originality is near miraculous, but to encounter a trove of fearless, idiosyncratic album brimming with creativity is atypical, and everything about Haru Nemuri is comfortably atypical. 

After hearing Nemuri’s sophomore album Shunka Ryougen, which is very comfortably in album of the year territory already, we decided to reach out to this Japanese maverick to try and gaze into the sun without going blind.

Who is Haru Nemuri?

Haru Nemuri: A singer-songwriter.

What is Shunka Ryougen all about?

I constantly think about living and dying throughout this life, but it can be said that those days have come to fruition. It probably could be said that it is an imagined scenery at the time when the soul burns.

You mix, match and reinvent so many influences. How do you settle on sound design and song composition?

If I find one loop that sounds cool, I prepare something that has the impression of destroying it (It can be something like the opposite, or something that you wouldn't normally combine) and then I put my thoughts into how I can match those. Regarding the development of songs, I will prepare something like, if normally done it would go towards pop and something that is not kitsch, and combine them while looking at the balance.

On such a huge work, there must be collaborators and producers; care to mention any standouts?

Generally all the songs are almost arranged by the time I finish writing the songs by myself. And then sometimes I would have a co-producer join me to amplify the world of the song. There are several co-producers who joined me this time including: MyRiot, YAMACHI, samayuzame, Minori Nagashima -serval DOG-, Sisters, Amane Uyama, Tatsuya Okuwaki, URU, GINPEI ITO, Takayuki Kato.

I completed the song through an online session with MyRiot for “Déconstruction.” I love AURORA's music, and I wanted to work with someone who made music with her, so I took my chance and asked and they were happy to join (laugh). The process was really creative and I enjoyed it alot! I completed the song “Pandora” with samayuzame. I was thrilled the whole time because she showed her amazing creativity and did a job that exceeded expectations with the vector I expected.

I also finished the song “Souzou Suru” with Amane Uyama. Of all the people who make music called ‘hyperpop’ in Japan, she is my favorite musician in that genre. I always laugh so hard because I get something I really don’t expect.

What makes the cut for an album track? You clearly had tons to filter through. How do you curate yourself?

From the time I decided to make this album, I have written the songs necessary for this album, so it can be said that the curation process was finished at the stage of composition.

Can we expect more of this style in the future or do you tire easily of what you’ve experimented with already?

Hmm, I’d say don't expect the exact same thing (laughter). I was so devoted to making this album that I can't really think of what's next right now, but eventually I will need to create something that is more of an advanced version of the current style. Before that though, I do feel that I want to create something that prioritizes what I feel comfortable in.

Besides this excellent album, what else should we be on the lookout for?

I’m trying to plan an album tour, so please listen to the album over and over again and be prepared to sing with me (laughter).

What’s inspiring you right now outside of music?

Martial arts, anarchism, feminism, fashion, and the stray cats in my neighborhood.

Your album drops alongside Earth Day. How does the natural environment affect you personally?

It reminds us of the fact that the world was just there and was created beautifully in the first place. It helps me to live, as I often despair in the human world.

Who are your Ones To Watch?

AURORA, Pussy Riot, Dorian Electra, Grimes, Jaguar Jonze, Lim Kim, Shamir, Ziyoou-vachi

[path-of-my-childhood]

Taylor Swift Broke All Her Rules With Folklore - And Gave Herself A Much-Needed Escape

By: Alex Suskind for Entertainment Weekly Date: December 8th 2020 (EW's 2020 Entertainers of the Year cover)

The pop star, one of EW's 2020 Entertainers of the Year, delves deep into her surprise eighth album, Rebekah Harkness, and a Joe Biden presidency.

“He is my co-writer on ‛Betty’ and ‛Exile,’” replies Taylor Swift with deadpan precision. The question Who is William Bowery? was, at the time we spoke, one of 2020’s great mysteries, right up there with the existence of Joe Exotic and the sudden arrival of murder hornets. An unknown writer credited on the year’s biggest album? It must be an alias.

Is he your brother?

“He’s William Bowery,” says Swift with a smile.

It's early November, after Election Day but before Swift eventually revealed Bowery's true identity to the world (the leading theory, that he was boyfriend Joe Alwyn, proved prescient). But, like all Swiftian riddles, it was fun to puzzle over for months, particularly in this hot mess of a year, when brief distractions are as comforting as a well-worn cardigan. Thankfully, the Bowery... erhm, Alwyn-assisted Folklore - a Swift project filled with muted pianos and whisper-quiet snares, recorded in secret with Jack Antonoff and the National’s Aaron Dessner - delivered.

“The only people who knew were the people I was making it with, my boyfriend, my family, and a small management team,” Swift, 30, tells EW of the album's hush-hush recording sessions. That gave the intimate Folklore a mystique all its own: the first surprise Taylor Swift album, one that prioritized fantastical tales over personal confessions.

“Early in quarantine, I started watching lots of films,” she explains. “Consuming other people’s storytelling opened this portal in my imagination and made me feel like, Why have I never created characters and intersecting storylines?” That’s how she ended up with three songs about an imagined love triangle (“Cardigan,” “Betty,” “August”), one about a clandestine romance (“Illicit Affairs”), and another chronicling a doomed relationship (“Exile”). Others tell of sumptuous real-life figures like Rebekah Harkness, a divorcee who married the heir to Standard Oil - and whose home Swift purchased 31 years after her death. The result, “The Last Great American Dynasty,” hones in on Harkness’ story, until Swift cleverly injects herself.

And yet, it wouldn’t be a Swift album without a few barbed postmortems over her own history. Notably, “My Tears Ricochet” and “Mad Woman," which touch on her former label head Scott Borchetta selling the masters to Swift’s catalog to her known nemesis Scooter Braun. Mere hours after our interview, the lyrics’ real-life origins took a surprising twist, when news broke that Swift’s music had once again been sold, to another private equity firm, for a reported $300 million. Though Swift ignored repeated requests for comment on the transaction, she did tweet a statement, hitting back at Braun while noting that she had begun re-recording her old albums - something she first promised in 2019 as a way of retaining agency over her creative legacy. (Later, she would tease a snippet of that reimagined work, with a new version of her hit 2008 single "Love Story.")

Like surprise-dropping Folklore, like pissing off the president by endorsing his opponents, like shooing away haters, Swift does what suits her. “I don’t think we often hear about women who did whatever the hell they wanted,” she says of Harkness - something Swift is clearly intent on changing. For her, that means basking in the world of, and favorable response to, Folklore. As she says in our interview, “I have this weird thing where, in order to create the next thing, I attack the previous thing. I don’t love that I do that, but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I still love it.”

ENTERTAINMENT WEEKLY: We’ve spent the year quarantined in our houses, trying to stay healthy and avoiding friends and family. Were you surprised by your ability to create and release a full album in the middle of a pandemic? TAYLOR SWIFT: I was. I wasn't expecting to make an album. Early on in quarantine, I started watching lots of films. We would watch a different movie every night. I'm ashamed to say I hadn't seen Pan's Labyrinth before. One night I'd watch that, then I'd watch L.A. Confidential, then we'd watch Rear Window, then we'd watch Jane Eyre. I feel like consuming other people's art and storytelling sort of opened this portal in my imagination and made me feel like, "Well, why have I never done this before? Why have I never created characters and intersecting storylines? And why haven't I ever sort of freed myself up to do that from a narrative standpoint?" There is something a little heavy about knowing when you put out an album, people are going to take it so literally that everything you say could be clickbait. It was really, really freeing to be able to just be inspired by worlds created by the films you watch or books you've read or places you've dreamed of or people that you've wondered about, not just being inspired by your own experience.

In that vein, what's it like to sit down and write something like “Betty,” which is told from the perspective of a 17-year-old boy? That was huge for me. And I think it came from the fact that my co-writer, William Bowery [Joe Alwyn], is male — and he was the one who originally thought of the chorus melody. And hearing him sing it, I thought, "That sounds really cool." Obviously, I don't have a male voice, but I thought, "I could have a male perspective." Patty Griffin wrote this song, “Top of the World.” It's one of my favorite songs of all time, and it's from the perspective of this older man who has lived a life full of regret, and he's kind of taking stock of that regret. So, I thought, "This is something that people I am a huge fan of have done. This would be fun to kind of take this for a spin."

What are your favorite William Bowery conspiracies? I love them all individually and equally. I love all the conspiracy theories around this album. [With] "Betty," Jack Antonoff would text me these articles and think pieces and in-depth Tumblr posts on what this love triangle meant to the person who had listened to it. And that's exactly what I was hoping would happen with this album. I wrote these stories for a specific reason and from a specific place about specific people that I imagined, but I wanted that to all change given who was listening to it. And I wanted it to start out as mine and become other people's. It's been really fun to watch.

One of the other unique things about Folklore — the parameters around it were completely different from anything you'd done. There was no long roll out, no stadium-sized pop anthems, no aiming for the radio-friendly single. How fearful were you in avoiding what had worked in the past? I didn't think about any of that for the very first time. And a lot of this album was kind of distilled down to the purest version of what the story is. Songwriting on this album is exactly the way that I would write if I considered nothing else other than, "What words do I want to write? What stories do I want to tell? What melodies do I want to sing? What production is essential to tell those stories?" It was a very do-it-yourself experience. My management team, we created absolutely everything in advance — every lyric video, every individual album package. And then we called our label a week in advance and said, "Here's what we have.” The photo shoot was me and the photographer walking out into a field. I'd done my hair and makeup and brought some nightgowns. These experiences I was used to having with 100 people on set, commanding alongside other people in a very committee fashion — all of a sudden it was me and a photographer, or me and my DP. It was a new challenge, because I love collaboration. But there's something really fun about knowing what you can do if it's just you doing it.

Did you find it freeing? I did. Every project involves different levels of collaboration, because on other albums there are things that my stylist will think of that I never would've thought of. But if I had all those people on the photo shoot, I would've had to have them quarantine away from their families for weeks on end, and I would've had to ask things of them that I didn't think were fair if I could figure out a way to do it [myself]. I had this idea for the [Folklore album cover] that it would be this girl sleepwalking through the forest in a nightgown in 1830 [laughs]. Very specific. A pioneer woman sleepwalking at night. I made a moodboard and sent it to Beth [Garrabrant], who I had never worked with before, who shoots only on film. We were just carrying bags across a field and putting the bags of film down, and then taking pictures. It was a blast.

Folklore includes plenty of intimate acoustic echoes to what you've done in the past. But there are also a lot of new sonics here, too — these quiet, powerful, intricately layered harmonics. What was it like to receive the music from Aaron and try to write lyrics on top of it? Well, Aaron is one of the most effortlessly prolific creators I've ever worked with. It's really mind-blowing. And every time I've spoken to an artist since this whole process [began], I said, "You need to work with him. It'll change the way you create." He would send me these — he calls them sketches, but it's basically an instrumental track. the second day — the day after I texted him and said, "Hey, would you ever want to work together?" — he sent me this file of probably 30 of these instrumentals and every single one of them was one of the most interesting, exciting things I had ever heard. Music can be beautiful, but it can be lacking that evocative nature. There was something about everything he created that is an immediate image in my head or melody that I came up with. So much so that I'd start writing as soon as I heard a new one. And oftentimes what I would send back would inspire him to make more instrumentals and then send me that one. And then I wrote the song and it started to shape the project, form-fitted and customized to what we wanted to do.

It was weird because I had never made an album and not played it for my girlfriends or told my friends. The only people who knew were the people that I was making it with, my boyfriend, my family, and then my management team. So that's the smallest number of people I've ever had know about something. I'm usually playing it for everyone that I'm friends with. So I had a lot of friends texting me things like, "Why didn't you say on our everyday FaceTimes you were making a record?"

Was it nice to be able to keep it a secret? Well, it felt like it was only my thing. It felt like such an inner world I was escaping to every day that it almost didn't feel like an album. Because I wasn't making a song and finishing it and going, "Oh my God, that is catchy.” I wasn't making these things with any purpose in mind. And so it was almost like having it just be mine was this really sweet, nice, pure part of the world as everything else in the world was burning and crashing and feeling this sickness and sadness. I almost didn't process it as an album. This was just my daydream space.

Does it still feel like that? Yeah, because I love it so much. I have this weird thing that I do when I create something where in order to create the next thing I kind of, in my head, attack the previous thing. I don't love that I do that but it is the thing that has kept me pivoting to another world every time I make an album. But with this one, I just still love it. I'm so proud of it. And so that feels very foreign to me. That doesn't feel like a normal experience that I've had with releasing albums.

When did you first learn about Rebekah Harkness? Oh, I learned about her as soon as I was being walked through [her former Rhode Island] home. I got the house when I was in my early twenties as a place for my family to congregate and be together. I was told about her, I think, by the real estate agent who was walking us through the property. And as soon as I found out about her, I wanted to know everything I could. So I started reading. I found her so interesting. And then as more parallels began to develop between our two lives — being the lady that lives in that house on the hill that everybody gets to gossip about — I was always looking for an opportunity to write about her. And I finally found it.

I love that you break the fourth wall in the song. Did you go in thinking you’d include yourself in the story? I think that in my head, I always wanted to do a country music, standard narrative device, which is: the first verse you sing about someone else, the second verse you sing about someone else who's even closer to you, and then in the third verse, you go, "Surprise! It was me.” You bring it personal for the last verse. And I'd always thought that if I were to tell that story, I would want to include the similarities — our lives or our reputations or our scandals.

How often did you regale friends about the history of Rebekah and Holiday House while hanging out at Holiday House? Anyone who's been there before knows that I do “The Tour,” in quotes, where I show everyone through the house. And I tell them different anecdotes about each room, because I've done that much research on this house and this woman. So in every single room, there's a different anecdote about Rebekah Harkness. If you have a mixed group of people who've been there before and people who haven't, [the people who’ve been there] are like, "Oh, she's going to do the tour. She's got to tell you the story about how the ballerinas used to practice on the lawn.” And they'll go get a drink and skip it because it's the same every time. But for me, I'm telling the story with the same electric enthusiasm, because it's just endlessly entertaining to me that this fabulous woman lived there. She just did whatever she wanted.

There are a handful of songs on Folklore that feel like pretty clear nods to your personal life over the last year, including your relationships with Scott Borchetta and Scooter Braun. How long did it take to crystallize the feelings you had around both of them into “My Tears Ricochet” or “Mad Woman”? I found myself being very triggered by any stories, movies, or narratives revolving around divorce, which felt weird because I haven't experienced it directly. There’s no reason it should cause me so much pain, but all of a sudden it felt like something I had been through. I think that happens any time you've been in a 15-year relationship and it ends in a messy, upsetting way. So I wrote “My Tears Ricochet” and I was using a lot of imagery that I had conjured up while comparing a relationship ending to when people end an actual marriage. All of a sudden this person that you trusted more than anyone in the world is the person that can hurt you the worst. Then all of a sudden the things that you have been through together, hurt. All of a sudden, the person who was your best friend is now your biggest nemesis, etc. etc. etc. I think I wrote some of the first lyrics to that song after watching Marriage Story and hearing about when marriages go wrong and end in such a catastrophic way. So these songs are in some ways imaginary, in some ways not, and in some ways both.

How did it feel to drop an F-bomb on "Mad Woman"? F---ing fantastic.

And that’s the first time you ever recorded one on a record, right? Yeah. Every rule book was thrown out. I always had these rules in my head and one of them was, You haven't done this before, so you can't ever do this. “Well, you've never had an explicit sticker, so you can't ever have an explicit sticker.” But that was one of the times where I felt like you need to follow the language and you need to follow the storyline. And if the storyline and the language match up and you end up saying the F-word, just go for it. I wasn't adhering to any of the guidelines that I had placed on myself. I decided to just make what I wanted to make. And I'm really happy that the fans were stoked about that because I think they could feel that. I'm not blaming anyone else for me restricting myself in the past. That was all, I guess, making what I want to make. I think my fans could feel that I opened the gate and ran out of the pasture for the first time, which I'm glad they picked up on because they're very intuitive.

Let’s talk about “Epiphany.” The first verse is a nod to your grandfather, Dean, who fought in World War II. What does his story mean to you personally? I wanted to write about him for awhile. He died when I was very young, but my dad would always tell this story that the only thing that his dad would ever say about the war was when somebody would ask him, "Why do you have such a positive outlook on life?" My grandfather would reply, "Well, I'm not supposed to be here. I shouldn't be here." My dad and his brothers always kind of imagined that what he had experienced was really awful and traumatic and that he'd seen a lot of terrible things. So when they did research, they learned that he had fought at the Battles of Guadalcanal, at Cape Gloucester, at Talasea, at Okinawa. He had seen a lot of heavy fire and casualties — all of the things that nightmares are made of. He was one of the first people to sign up for the war. But you know, these are things that you can only imagine that a lot of people in that generation didn't speak about because, a) they didn't want people that they came home to to worry about them, and b) it just was so bad that it was the actual definition of unspeakable.

That theme continues in the next verse, which is a pretty overt nod to what’s been happening during COVID. As someone who lives in Nashville, how difficult has it been to see folks on Lower Broadway crowding the bars without masks? I mean, you just immediately think of the health workers who are putting their lives on the line — and oftentimes losing their lives. If they make it out of this, if they see the other side of it, there's going to be a lot of trauma that comes with that; there's going to be things that they witnessed that they will never be able to un-see. And that was the connection that I drew. I did a lot of research on my grandfather in the beginning of quarantine, and it hit me very quickly that we've got a version of that trauma happening right now in our hospitals. God, you hope people would respect it and would understand that going out for a night isn't worth the ripple effect that it causes. But obviously we're seeing that a lot of people don't seem to have their eyes open to that — or if they do, a lot of people don't care, which is upsetting.

You had the Lover Fest East and West scheduled this year. How hard has it been to both not perform for your fans this year, and see the music industry at large go through such a brutal change? It's confusing. It's hard to watch. I think that maybe me wanting to make as much music as possible during this time was a way for me to feel like I could reach out my hand and touch my fans, even if I couldn't physically reach out or take a picture with them. We've had a lot of different, amazing, fun, sort of underground traditions we've built over the years that involve a lot of human interaction, and so I have no idea what's going to happen with touring; none of us do. And that's a scary thing. You can't look to somebody in the music industry who's been around a long time, or an expert touring manager or promoter and [ask] what's going to happen and have them give you an answer. I think we're all just trying to keep our eyes on the horizon and see what it looks like. So we're just kind of sitting tight and trying to take care of whatever creative spark might exist and trying to figure out how to reach our fans in other ways, because we just can't do that right now.

When you are able to perform again, do you have plans on resurfacing a Lover Fest-type event? I don't know what incarnation it'll take and I really would need to sit down and think about it for a good solid couple of months before I figured out the answer. Because whatever we do, I want it to be something that is thoughtful and will make the fans happy and I hope I can achieve that. I'm going to try really hard to.

In addition to recording an album, you spent this year supporting Joe Biden and Kamala Harris in the election. Where were you when it was called in their favor? Well, when the results were coming in, I was actually at the property where we shot the Entertainment Weekly cover. I was hanging out with my photographer friend, Beth, and the wonderful couple that owned the farm where we [were]. And we realized really early into the night that we weren't going to get an accurate picture of the results. Then, a couple of days later, I was on a video shoot, but I was directing, and I was standing there with my face shield and mask on next to my director of photography, Rodrigo Prieto. And I just remember a news alert coming up on my phone that said, "Biden is our next president. He's won the election." And I showed it to Rodrigo and he said, "I'm always going to remember the moment that we learned this." And I looked around, and people's face shields were starting to fog up because a lot of people were really misty-eyed and emotional, and it was not loud. It wasn't popping bottles of champagne. It was this moment of quiet, cautious elation and relief.

Do you ever think about what Folklore would have sounded like if you, Aaron, and Jack had been in the same room? I think about it all the time. I think that a lot of what has happened with the album has to do with us all being in a collective emotional place. Obviously everybody's lives have different complexities and whatnot, but I think most of us were feeling really shaken up and really out of place and confused and in need of something comforting all at the same time. And for me, that thing that was comforting was making music that felt sort of like I was trying to hug my fans through the speakers. That was truly my intent. Just trying to hug them when I can't hug them.

I wanted to talk about some of the lyrics on Folklore. One of my favorite pieces of wordplay is in “August”: that flip of "sipped away like a bottle of wine/slipped away like a moment in time.” Was there an "aha moment" for you while writing that? I was really excited about "August slipped away into a moment of time/August sipped away like a bottle of wine." That was a song where Jack sent me the instrumental and I wrote the song pretty much on the spot; it just was an intuitive thing. And that was actually the first song that I wrote of the "Betty" triangle. So the Betty songs are "August," "Cardigan," and "Betty." "August" was actually the first one, which is strange because it's the song from the other girl's perspective.

Yeah, I assumed you wrote "Cardigan" first. It would be safe to assume that "Cardigan" would be first, but it wasn't. It was very strange how it happened, but it kind of pieced together one song at a time, starting with "August," where I kind of wanted to explore the element of This is from the perspective of a girl who was having her first brush with love. And then all of a sudden she's treated like she's the other girl, because there was another situation that had already been in place, but "August" girl thought she was really falling in love. It kind of explores the idea of the undefined relationship. As humans, we're all encouraged to just be cool and just let it happen, and don't ask what the relationship is — Are we exclusive? But if you are chill about it, especially when you're young, you learn the very hard lesson that if you don't define something, oftentimes they can gaslight you into thinking it was nothing at all, and that it never happened. And how do you mourn the loss of something once it ends, if you're being made to believe that it never happened at all?

On the flip side, "Peace" is bit more defined in terms of how one approaches a relationship. There's this really striking line, "The devil's in the details, but you got a friend in me/Would it be enough if I can never give you peace?" How did that line come to you? I'm really proud of that one too. I heard the track immediately. Aaron sent it to me, and it had this immediate sense of serenity running through it. The first word that popped into my head was peace, but I thought that it would be too on-the-nose to sing about being calm, or to sing about serenity, or to sing about finding peace with someone. Because you have this very conflicted, very dramatic conflict-written lyric paired with this very, very calming sound of the instrumental. But, "The devil's in the details," is one of those phrases that I've written down over the years. That's a common phrase that is used in the English language every day. And I just thought it sounded really cool because of the D, D sound. And I thought, "I'll hang onto those in a list, and then, I'll finally find the right place for them in a story." I think that's how a lot of people feel where it's like, "Yeah, the devil's in the details. Everybody's complex when you look under the hood of the car." But basically saying, "I'm there for you if you want that, if this complexity is what you want."

There's another clever turn of phrase on "This is Me Trying." "I didn't know if you'd care if I came back/I have a lot of regrets about that." That feels like a nod toward your fans, and some of the feelings you had about retreating from the public sphere. Absolutely. I think I was writing from three different characters' perspectives, one who's going through that; I was channeling the emotions I was feeling in 2016, 2017, where I just felt like I was worth absolutely nothing. And then, the second verse is about dealing with addiction and issues with struggling every day. And every second of the day, you're trying not to fall into old patterns, and nobody around you can see that, and no one gives you credit for it. And then, the third verse, I was thinking, what would the National do? What lyric would Matt Berninger write? What chords would the National play? And it's funny because I've since played this song for Aaron, and he's like, "That's not what we would've done at all." He's like, "I love that song, but that's totally different than what we would've done with it."

When we last spoke, in April 2019, we were talking about albums we were listening to at the time and you professed your love for the National and I Am Easy to Find. Two months later, you met up with Aaron at their concert, and now, we're here talking about the National again. Yeah, I was at the show where they were playing through I Am Easy to Find. What I loved about [that album] was they had female vocalists singing from female perspectives, and that triggered and fired something in me where I thought, "I've got to play with different perspectives because that is so intriguing when you hear a female perspective come in from a band where you're used to only hearing a male perspective." It just sparked something in me. And obviously, you mentioning the National is the reason why Folklore came to be. So, thank you for that, Alex.

I'm here for all of your songwriting muse needs in the future. I can't wait to see what comes out of this interview.

*** For more on our Entertainers of the Year and Best & Worst of 2020, order the January issue of Entertainment Weekly or find it on newsstands beginning Dec. 18. (You can also pick up the full set of six covers here.) Don’t forget to subscribe for more exclusive interviews and photos, only in EW.

[utterlyinevitable]

Ode and Ethan are so cute together, my heart could burst 💓

More questions coming your way

Who says I love you first? How long into the relationship? How does it happen?

How far into the relationship do they move in together?

How do they celebrate Ethans 40th?

Whats the most special gift they have given each other?

What do they love most about each other? Do they have any pet peeves?

Do they always work together? Does Ode surpass Ethan in the medical world?

Did E make up with Louise in this universe? Of so what does she think of Ode?

♥️

> ask me anything <

Yay! Okay here we go!!!!!

So my initial reaction is... neither of them actually ever says it. They feel it and they’re secure enough to just know. They have this little head jerk and eyebrow raise that basically is their way of saying “i love you” which they do all the time. Just a silent recognition without giving too much away to those around them. But eventually like 10ish months into it it’s said out loud as an off shoot. Wasn’t meant to come out but it did ever so naturally. 

How it comes out? ...................... this literally took me three days to figure out:

Ode says it first. On a phone call. She didn’t mean to say it, it just slipped out with her goodbye of “alright. love you. bye”. She didn’t even realize she said it until hours later when she was replaying the conversation, mentally checking off that she has all the things they agreed upon before she heads home.

After residency Ode and all her friends go separate ways so she needs to move into a smaller apartment. Ethan extended an offer to stay with him for a while until she finds a place (with the subtext of forever), even saying she could have the second bedroom since it’s been practically hers anyway. But Ode diplomatically declined; they’ve only been together for five months and she’s still so fearful that they’re going to fuck this up somehow. They’ve only just started having sex. So she gets herself her first solo place with one bedroom in the same neighborhood near the hospital. 

They move in together when her 16 month lease is up. By then there wasn’t a doubt in her mind anymore. She loved her little third floor walk up and the independence that came with it, but nothing could beat the views at Ethan’s place, and it’s always felt a little bit like home.

So Ethan’s 40th happens before they get together. And true to form he doesn’t want to do a damn thing. But “40 is practically mid life crisis territory and he’s due for a breakdown” (as Jackie put it). So Ode, Sienna and Kyra work together to plan the most elaborate single person party. Because Ethan is such a devout patron of the arts, BOH (after much southern belle pitching from o and k) agree to perform an abridged version of Ethan’s favorite opera at their small rehearsal theatre. Sienna makes a majority of the dinner, all Ethan’s proclaimed favorites for meal, cocktail and dessert. Ode is on getting him to actually turn up. He knows she’s planning something and wants no part of it but goes along because this is “payback for my birthday”. He’s absolutely confused as to why they’re driving out of Boston.

In the atrium is set up as a cocktail hour with a handful of Ethan’s close friends and his dad - the people who want to celebrate him. 40 minutes later the people clear out and it’s just Ode and Ethan (siennas waiting on standby to drive ode home) making their way into the performance area where there’s dinner and dessert under a klosh at a single solitary table. Ethan’s speechless As ode explains the scene they’ve walked into. He sits, she pours him a drink, says happy birthday as the music of the show starts to play and goes to leave.

“You’re not staying?”

“You said you wanted to be alone.”

“Alone and at home. Not alone watching ten people perform.”

She shoots him a look and Ethan stands to look for a second chair.

“Siennas waiting to drive me home.”

“Tell her to join. It’s the least I can do since she made much too much food for one human.”

The three of them have a lovely evening. And if Ethan wasn’t fully cognizant of the fact he loves her, he sure as hell is now. Who else would do this? For him???

The most special gift Ode’s gotten from Ethan is the keyboard. Figuring out her feelings and falling for Ethan was a great inspiration to get her to start writing again. Much to some of her roommates dissatisfaction when the girl forgot to plug headphones in at stupid o’clock.

His most prized gift actually wasn’t something she’s gotten him - over the years she’s given him make shift things, ties and cufflinks, books but nothing as special as what her dad gave him when they visited him for the first time as a couple. It was a small photo album of ode from her teen years and through college. He didn’t even recognize her in a few - sitting on a table in ripped skinny jeans with wild hair and a guitar on her lap. She’s looking at the camera out of the corner of her eyes - singing something with mouth wide open and corners turned in a smile. There’s a spark in her eyes he recognizes but the one he knows it miles duller. He likes this side of her. Wonders what happened. And wants to make her feel like that happy go lucky girl every day for the rest of forever.

Ethan loves her compassion and level-headedness when it matters, and ofc that she has so many skills and talents he keeps uncovering. Wants to spend the rest of his life finding out about. He also really loves the creases at the corner of her eyes. She won’t agree they’re crows feet - she’s much too young for that atm. But he loves them because they make her eyes all the more expressive.

Ode loves his intelligence but also his gentleness. Once you get past that coarse, jaded Ramsey front he’s such a soft bean. She likes how they can talk for hours or just sit in companionable silence. There’s no expectations that need to be fulfilled with him outside of work and it’s the healthiest relationship she’s been in.

They both hate how stubborn the other can be. He hates how she leaves teabags all over the kitchen when the garbage is right there. She hates how anal he is about cleanliness and clutter. But how he can’t seem to get all his socks in the hamper - there’s always some hiding around back.

No, they don’t always work together. Ode is on the DT for another year before getting a research opportunity to write about the most interesting cases they’ve come across, alongside Ethan. He declined the title credit, but helped with the research. She dedicated her first book to him.

The more recognition she started to get in the medical world press, the more people uncovered her musical past. It was a bit jarring to have to talk about that small part of her life when she gave a keynote on new technologies in diagnostics medicine for the digital age. So much so that she got a call from her publishing house and SESAC. Basically to push her to do a one-off gig and see if she’s interested in remastering and a couple synch and derivative deals. Her first response was ‘i’m really busy and it’s been over a decade’. But after aimlessly wandering around their apartment and eventually sitting down to play, fighting a war within her, Ethan pushes her to do it. 

She certainly surpasses Ethan in the medical world, but not for the reasons he’s known for. She ends up marrying her love of music with medicine and becomes a viral sensation. A new-age doctor for the on-demand generations. 

No, I don’t think he does make up with Louise. not really. Ethan’s cordial but doesn’t want anything else to do with her. He doesn’t became a brat when Alan brings her up, though. He respects his dad enough - with the help of Ode - to pretend to be a three-piece family. Ode actually told Ethan that it probably isn’t a good idea that he brings her to rehab - she suggested scheduling a therapy session at the rehab to try and work things through when everyone’s minds have had time to settle. Ethan told her he’d rather rip the band-aid off so they drive her together.

Louise is skeptical - she doesn’t like the idea of someone influencing her son. Yeah, the girl is pretty but who tf is she? Alan says Ethan’s been single and no chance of dating as he’s much too restless for that. Months after being released from rehab and sticking around the Providence-area, Louise tries to get back in contact. She has a job and she’s been clean ever sense. She and Alan talk every now and then but no chance of repairing the family. Louise is there for lunch when Ode and E drive up for the weekend. It’s a whole rush of emotions for E again, and Ode is oddly hopeful, wanting to make the best of the situation. Louise sees the way the ramsey men look at her and she has no choice but to get on board.

as always, thank you for these. I love them and you so so much ♥️

[blackberry-gingham]

I really appreciate your writing and you’ve quickly become one of my favourite tumblr pages (seriously)🧡 This feels like such a self projecting request but could I request headcannons or imagines (whichever’s works best for you) of how the lads would celebrate the reader’s birthday (it’s my birthday in a few days hehe)

*gasp* oh my gosh, thank you! And happy birthday dear, I'm so glad you're here! 🥳🥳 Since it's coming up I'm going to do this one now, I'm sure everyone waiting for requests will understand! (Thanks peeps ❤️) I hope you get this before you're birthday's passed dkdksksk but enjoy your special day!!

And now, let the festivities with the boys begin!!

---

George

Ok so we all know George is like a low key kinda guy right?

But also, really personal and sentimental!!!

So I could tooootally see him throwing you a surprise party!

It's been a long, tough day at work and you're feeling absolutely drained

One of your work friends remembered your special day today, but so far that's been the only highlight

At least you get to spend the evening with your Georgie

You unlock the front door and walk in to find the flat surprisingly dark

Strange, you thought he'd be home by now?

You sigh dejectedly

Can today get any worse?

You flip the lights on, put down your things, and kick off your shoes

Maybe what you really need is a good drink

The thought doesn't do much to lift your spirits, but you figure you'll forget about that soon enough

You round the corner to the kitchen and turn that light on as well

And as you do...

"SURPRISE!!"

All you can see is bright colors

The walls are absolutely covered in streamers and balloons, surrounding a haphazardly hung Happy Birthday sign

A few brightly wrapped packages are sitting on the table a little bit aways from a brightly frosted cake

It looks a little worse for wear, but charming none the less

And then, as though you could possibly forget, George has popped up from behind the table

He's wearing a striped party hat and a colorful tie as he gestures to his handy work

"Happy birthday love! You didn't think I forgot did you?"

You can barely speak, you're so, well, surprised!

So you forget the words. Instead you rush over to George and nearly tackle him with a hug

"Oof! Haha, so you like it then?"

You're bouncing on the balls of your feet by now as tears of happiness prick your eyes

"Oh George, I love it! Did you do all this?"

He beams proudly, "Yep! Sorry, but I lied this morning. I didn't go to the studio today, instead I was decorating and baking"

George gestures to the cake

Now that you're on the other side of it, you notice the back is missing some frosting

Before you can even ask, George scratches his scalp sheepishly, "Sorry, I got hungry... It smells pretty good at least! Good sign I'd say"

You laugh, and kiss his cheek in thanks, your awful work day long forgotten

George gives you one more big squeeze and kisses you back

"Happy Birthday love..."

He lets you go and pulls out a chair for you to sit

"Now, let's see about this cake, eh?"

You laugh again and wipe away some happy tears as George lights your candles

John

Honestly, I can't decide if John would want to do something cute and low key for you like George, or if he'd want to take you out and totally have a ball!

So on that note... Why not both?!?

I feel like John is extra enough to do something like that lmao

You wake up on the day day of your birthday in the way you least expected

Is something... Burning?

You jump out of bed and rush towards the smell. You don't even notice that John isn't in bed with you

As you hastily approach, you find that somewhere in there, something actually smells quite good...

It would seem your nose has led you to the kitchen, where the sounds of gentle sizzling and John swearing awaits you

John yelps, having burned his finger on the pan, and he sucks it, growling in frustration

"... John? What's all this?", You ask groggily

The man in question whips around, looking surprised that you're awake, as though his work in the kitchen wasn't loud as bombs

"Uh... Happy Birthday! I thought I'd make you breakfast in bed", he turns his attention to the pan and flips it's contents aggressively, "Or, try to, that is"

You smile, just glad that the house hasn't burned down (yet)

With a quiet yawn you walk up behind him and lean on his back, holding him for a hug

"I can help you know..."

"On your birthday? Absolutely not. Besides I'm nearly done"

You rub your eyes and release him

John directs you to the table to sit before he fetches two plates

When he returns, he's set out a full english in front of you. It's only a little burnt

He goes off once more to bring back the kettle and all the fixings for tea before pouring two cups

At last, he gives you a kiss and sits to eat with you

He asks how you slept and how you feel, all the niceties to help you wake up

Once you've finished your small talk session, he takes hold of the conversation for a moment

"Well, when you're done here, make sure to go get all done up and ready, I've got a whole day planned for you! First, I thought we'd go to that big mall you like and you can have whatever you want and this time I promise not to rush you. Then, I've booked a place we can go dancing and then have an early dinner. And then...!"

John jabbers on in his excitement, and you let him go, growing excited yourself

Besides, it's not everyday he's in a mood like this!

Once you've finished eating, you promise John that it was delicious, and no, it wasn't too burnt

He cleans up for you while you go off to freshen up for the day and eventually, John does the same

"Alright, ready!"

You descend the staircase while John watches, his mouth hanging agape

You're like an absolute angel, and John wonders how a guy like him got so damn lucky

John takes you into his arms and you give him a kiss

"Everything alright?"

He swallows and manages a smile

"Fine! Just fine..."

You smile knowingly and allow John to lead you out to the car

He opens your door and then takes you on your little adventure

Astonishingly, John keeps his word, and is on best behavior while you enjoy your time in and out of your favorite stores

He even carries your bags for you

When you get to the dancing next, it's absolutely magical

The ballroom is beautiful and you feel like royalty as John spins you around and around, waltzing through the evening

And finally, the long awaited dinner is excellent

Nearly as good as the special birthday dessert John gets for you both to share

Paul

Now I know here on this blog we've had some discussion on Paul's love language

And I think we've settled on some mix of gift giving and words of affirmation

So he'd DEFINITELY have to incorporate that in his celebration of your birthday!

And what better way to express that then with music!!!

It seems for months at least Paul has been absolutely consumed with work

Whenever you see him, he's pening sheet music or writing lyric ideas in his notebook

You figure he's working hard on an upcoming album, so you think nothing of it, only reminding him to rest now and again

But... As the day of your birthday comes closer, you're feeling a bit worried

Of course, you don't want to pull him away from his work, especially if it's so urgent it's got him this busy!

And yet, this is a rather special day and you'd hate to spend it without your beloved boyfriend

He hasn't had much time for you lately, after all...

However, you say nothing on the matter, not wanting to make him feel pressured either way

And when the moment of truth comes, Paul comes through!

You wake up to kisses and a simple but tasty breakfast

Paul seems as though he can hardly sit still while you enjoy your food

"Are you alright?", you suppress a laugh

"Me? Fine! I just, I have something for you when you're done there... It's downstairs!"

"Oh?", you laugh and finish up quickly, curious to find your surprise

When you're all done, Paul takes your hand and leads you after him down and around to living room

He takes you up to the record player and hands you a small, wrapped square

"Go on!"

You unwrap it carefully

Our falls a little birthday love note written in Paul's writing and a 45 record

The note explains that this is a special song his written just for you, and only you

This 45 was pressed just for you, he even had it colored your favorite color, rather then the standard plain old black

You turn to him with a tear in your eye after reading the touching note

"Is this what you've been working on all this time?"

Paul laughs and holds you close

"It is! I wanted to make sure it was my finest work for you! Just in time too, you've no idea how sick and tired the lads are of me asking for their feedback"

He laughs again, then gives you a kiss

"Well go on then, put it on!"

You do, and he's absolutely right

This is his finest work

Better then please, please me

Better then a hard days night

Even better then she loves you

The song is longer then your average little Beatles' song. It has all of Paul's romantic, boyish charm to it, sharpened and honed by the feedback and refinements of all the other three

It's sweet and slow and sentimental and it has no right being as wonderfully amazing as it is

Paul rushes off to bring you some tissues, as tears trickle down your cheeks

He dries them for you and consoles you with that old charming smile while the song comes to a close

"Now hold on, there's something on the back!"

Paul flips the record over and some birthday wishes from all four of them play before a silly rendition of happy birthday closes the b side out

You're absolutely speechless and Paul is so happy just to know that you love it

He takes you out for dinner that night and when you're done, you come back home for cake and champagne

And after that is all said and done, Paul puts on your record and the two of you slow dance the night away

Ringo

Honestly, Ringo's birthday plans were the first to come to mind, they're that strong lol

He'd want you to have as much fun as possible!!

Of course sweet stuff like dinner and dancing and all that is nice, but...

Well, Ringo thinks your birthday should be a celebration of living and having lived, and what better way to do that then some good old fun!

He is the king of light hearted and high energy after all lol

On the morning of your birthday, Ringo is excited practically from the second his eyelids open

You weren't expecting to be awoken to the sound of your boyfriend chanting your name as he jumps on you to get you up, but here you are

"Wake up, wake up! Happy Birthday!"

He flops down to give you a kiss and hug

Although you're quite groggy, you can't find it in yourself to be mad

You chuckle and wrap your arms around him, "Good morning, Ritchie"

"Oh, uh that too"

He kisses you again, and cuddles with you until you're properly awake

Once you're ready to get up, the two of you journey to the kitchen and make breakfast together

You make pancakes, and it's a wonder there's enough left for cooking and consuming, considering how much batter you wasted tasting it and smearing it on each other

Honestly, you don't even want to get started on the flower absolutely coating your PJs, hair, and the floor

Even as you sit to eat, Ringo's mop top is dusted white and stuck with small clumps of batter

You don't mean to, but you can't help but burst into laughter at the sight of him

Ringo tosses some blueberries at you with a sour look, and you return fire with a dash of whipped cream on his nose

At that, he joins you, adding his deep, goofy laughter in contrast to your soft voice

At last you manage to eat in peace and when you're both satisfied, you decide to leave the dishes and the mess for another time

For now, you have a birthday to celebrate!

You both shower and change into some casual attire

"Ready?"

"Ready!"

Ringo sprints outside with you in tow

He takes you to the bus stop explaining his plans for the day

And that would be... Whatever you want!

You ride into town and look high and low through the little shops for some excitement

Nothing too interesting catches your eye, and so you head over to the park instead

It's a beautiful day out, and Ringo holds your hand while you walk the trail

But suddenly, he stops and turns to you

"You're it!", he taps your shoulder and tears off before you can react

"Oh no you don't!"

You follow right on his heels though the lush grass, the sun warm on your hair shoulders

At last, you make one more lunge to grab him and end up tackling him in the process

With a shriek of surprise, you fall to the ground with him, rolling through the fragrant grass

You roll your last and find yourself splayed out on his chest

For a moment, you're worried he's hurt, but Ringo bursts into a fit of laughter beneath you

"Ya got me!"

He pulls you closer and you rest in the patch of sunlight together, breathless from the chase

Once you've caught your breath, you both return to town

Ringo has a bit more fun in mind before the day's over however

He takes you to the roller rink, and despite his lack of cordination, you both have a blast

Afterwards, he takes you to an ice cream parlor and you both get floats and a sundae to share

He takes you out to dinner after a bit more walking and when you return home he sings you happy birthday and you have some cake too

You cap off the night with an absolute sugar rush and dance the night away to all kinds of swing records and jazz music

When you've finally exhausted yourselves, you pass out on the couch and cuddle each other to sleep

[summonerscenarios]

Ok, just saw the post but can you pleaseee do Shiro! I honestly love that man! 💕💕💕

Oh boy this one has been a long time coming lmao. This is pure fluff so I just hope that I did a good job with this scenario~! I left the MC gender neutral but I did name the kids for convenience’s sake! With that being said I hope ya’ll enjoy this one~! Thank you sm for the well wishes ^^

-----

The afternoon sun floods in through the windows, lighting up the house in preparation for the day to come. You’d spent the morning making sure that everything was clean, checking and rechecking everything to pass the time. After doing a final quick once over of the living room, you decide you’ve done a good enough cleaning job and move over to the kitchen. 

Before you even step inside you can hear the radio playing, a soft tune that you recognize from Gabriel’s latest album filtering out of the room and into the hallways as you approach. And alongside the music you can hear a voice, softly humming in time with the melody, and the sound makes the room around you feel just a little brighter as soon as you hear it.

Peeking your head into the kitchen you spot your husband facing the table, rocking one of the twins in his arms with his back to you as he continues to hum. Miu’s face is buried in her papa’s neck, fists balled up in his shirt listening to the music - neither of them have noticed you just yet. The only one who is facing you is Sora, the youngest of the twins. He’s perched securely in his high chair, thoroughly invested in turning his chair into a spaghetti hoop mural until he looks up and spots you. 

At the sight of his other parent Sora’s expression lights up, raising his tiny, messy hands to make grabby hands in your direction - you have to bite back a laugh at the sight but bring a finger up to your lip with a silent shush, grinning when the toddler tilts his head, watching you with a childish curiosity as you slip further into the room. Crossing the kitchen quietly is an easy enough task, but when you’ve got two tiny rambunctious toddlers who are willing to rat you out at a moment's notice it becomes way more daunting than you’d think. Sora however remains relatively quiet as you shuffle over to your husband, now completely ignoring his food to stare.

You’re right behind him when Miu’s eyes suddenly flicker open, lifting her face from out of her papa’s collar to look up at you. Her mouth opens and you know the jig is up as soon as the excited screech leaves her mouth, hands quickly drumming on Shiro’s shoulder as he realizes someone’s behind him. Thinking quickly you clap your hand onto his free shoulder and dart around to press a quick kiss to Shiro’s cheek before he can spin around, watching with a bit of smug pride as he gasps and turns his head to face you, clearly caught off guard. He relaxes upon realizing it’s you, playfully nudging you when you flash him a grin.

“Sorry, I couldn't help myself”

“Mhm, of course you couldn’t” he shoots back, though he smiles as you lean over to give Miu some attention, pressing a kiss to her forehead as she giggles in response.

“You ready?” he asks, and you raise your eyebrow at the question, chuckling to yourself as your daughter begins prodding at your jaw with tiny hands. 

“You say that as though we should be worried”

“Well, depending on what souvenirs those guys have brought back from their trip? We should be” It’s your turn to nudge Shiro, your husband shaking his head with a laugh at the action.

From behind you, Sora starts to fuss, feeling left out as he starts making grabby hands again trying to get you to come over. Shiro spots the mess the little one’s made and he sighs - before he can move you take initiative, pressing another kiss to his cheek and swooping in to take care of the toddler.

“So, what time did Ryota say they’d be over again?” you ask over your shoulder, shuffling over to your son as he continues to play with what little’s left of his food.

“Well, if we’re going by the last message he sent…” Shiro trails off, turning back to his phone to find the text in question.

 While he’s looking you pluck the pack of wipes off the side counter and round back onto Sora.

At the sight of them his face scrunches up in disgust and he whines as you lean down to his height, leaning away but eventually relenting when you take his tiny hands into your own and start to clean him up. It takes a bit of play wrestling before you’re able to clean up the majority of the mess, by which point your toddler looks incredibly offended that you’ve mopped up his work, 

“Ah, found it!” Shiro pipes up, finally pulling up what he was looking for.

“Okay, the last thing he said was that they’d just gotten off at the station and were making their way here” he says, reading back the message as Miu prods lazily at the screen. 

“-if the roads are clear they should arrive right around-”

Suddenly there’s a knock on the front door, and both you and Sora turn to look over at it .

“-now”

“Come in!” you call out and immediately the door swings open, noise flooding into the house as a figure charges inside without hesitation. 

Within moments Kengo’s crossed through the front door and into the kitchen, and at the sight of his uncle, Sora immediately throws his head back and releases one of his loudest excited screams, reserved especially for his favorite family member.

“Hey! There’s the little guy~!” Kengo barks out a laugh, swooping the toddler out of his seat and up into the air and Sora squeals in delight.

Kengo’s looking as warm and hot headed as ever - though, his stubble has grown out more since you last saw him, and his hands and neck are sporting a couple new marks - a fond reminder of some of his more adventurous stories from his travels. Following right behind Kengo is Ryota, who enters the kitchen with an excitable greeting clearly happy to see everyone again; he’s sporting a cute shirt and a jacket, the back of which is covered head to toe in cute patches you’re sure are full of new memories.

“Hey, everyone~! Guess who brought souvenirs~!” he chirps, holding up the bags in his arms with a smile bright enough the lighten up the room.

“Ah, Ryota, Kengo! Slow down a moment!” Ever the voice of reason, Moritaka is the next one to step into the kitchen, sighing in exasperation at the sight of Kengo already tossing Sora up and down in the air as the toddler tries to grab at his cheeks and hair the whole time.

“I don’t think slowing down is anywhere on their lists today, Moritaka” Toji’s the last one to enter, coming right behind Moritaka with a shake of his head, folding his coat over one arm as he shuffles into the now bustling kitchen.

As expected, upon spotting Toji, Miu gets fussy in Shiro’s arms, chubby hands reaching out in his direction with enough happy gurgles for the swordsman to guess what she wants. Shiro chuckles and shifts the twin around in his arms, holding her out for Toji to take and for a moment Toji hesitates, watching her reach for him before finally picking up the little one. Almost immediately, she starts waving her hands through his horns, trying to catch them like fireflies in what is probably one of the cutest gestures you’ve ever seen. Though Toji looks unamused you know it’s just a front, as you and Shiro both catch the warm smile that spreads across his face as Miu continues to play.

For a moment you soak up the atmosphere of the room - in what feels like mere seconds the peace has been filled with chatter and noise, the familiar faces surrounding you for what feels like the first time in a long time. In a way it has - they’ve been off at an event outside of the city for a while, and it’s clear that they’d had fun, but at the same time you’re glad to have them back home to visit. And you’re not the only one - when you catch Shiro’s eye your husband couldn’t look happier, having moved over to talk with Kengo while the burly man continues swinging Sora around, the two of them grinning as they converse. 

After a little while though you decide to pipe up.

“Okay okay” you chuckle, gaining the attention of everyone crammed into the room. “I’m sure we’ve got plenty to catch up on - but let’s save the stories for a room that isn’t the kitchen. Head into the living room and I’ll make us all something to drink”

“Ooh, I can help!” Ryota pipes up, sliding over to join you as he talks about the new kinds of tea he’d picked up from the cutest shop the next town over, that will go just great with the biscuits Choji had given him on the way back.

Shiro takes this as a sign to start ushering the others out into the other room, shooting you a smile which you can’t help but return as you watch him disappear round the corner to lead the party into the living room, leaving just you and Ryota.

“Alright then” you say, spinning on your heel to face him as you roll up your sleeves and jab a thumb over to the kitchen counter.

“Now, about that tea you wanted to make…” 

----

The following hours pass by in a blur of exchanged stories and laughter. Everyone’s eager to catch up on what’s happened in their absence. Kengo’s got enough stories about getting into scraps at tournaments to have you on the edge of your seat, though he thankfully leaves out any nasty details when he notices Sora’s paying rapt attention. Ryota can't stop smiling as he rambles about all the new connections he’s made travelling around, making new friends and bringing people together in ways he probably doesn’t even realize until one of you points it out. Moritaka’s training has taken him around various cities and countries, learning under numerous mentors experiencing what the outside world has to offer - but he admits with a fond expression that there’s nothing quite like returning home to where it all began after such a long time away. Toji’s independent work means there’s never a quiet day, there’s always one thing or another that requires his attention, and he’s got more than enough experiences under his belt that he could probably write a book - it’s hard work but well worth the effort, in his words, though the break he’s currently on to travel around with the others sounds like it’s well deserved.

The twins are so excited to see their uncles that they’re hardly sitting still for more than a couple minutes at a time. They’re passed between the Summoners every time they give the indication that they want to move around, where they’re each doted on with snacks, cuddles and little gifts for the duration of the visit.

By the time the night’s winding down it’s well into the evening. Even so everyone’s reluctant to call it a night - the conversation continues as the Summoners filter out of the living room and move back to the front door. At this point the twins are cradled in Ryota’s arms, both of them clinging to their uncle looking just about ready for a well deserved nap. Even drowsy the twins grumble when you and Shiro take them out of the man’s hands, reluctant to let go of him until Ryota coaxes them to unfurl their little fists from his jacket. There’s promises to visit often exchanged, already talking of plans to meet up the whole way out the door and you can’t help but relish how long their hugs last before you all have to finally part ways.

The moment the door closes the house grows quiet - it’s to be expected, but after the past few hours being filled with voices and merriment it’s jarring at the sudden change. You balance Sora on your hip, watching as your son rubs his eyes and lets out a slow yawn, the hours awake finally catching up to him. 

“Well” Shiro starts, patting Miu on the back as she all but face plants into his shoulder with a tired gurgle. “I think it’s time to call it a night”

“Agreed” you hum, pressing a kiss to the top of Sora’s head.

Thankfully, the twins are already well on their way to sleep by the time you and Shiro carry them up to the nursery, so it doesn’t take long after they’ve been tucked in before they’re out for the count, snoring softly and cuddling up in their beds. Sora’s hand is curled tightly around his papas so it takes a bit off maneuvering before Shiro’s free of the toddler’s grip, by which point you’re trying to hold back a grin at the adorable scene before you. Shiro catches your smile and presses a finger to his lips, motioning towards the door and you take the hint.

After settling the little ones down to bed you make your way back to the bedroom. Shiro takes his time getting changed into nightwear and leaving his glasses on the night stand while you flop back onto the bed, burying your face into your pillow and sighing as the tension seeps from your muscles.

Normally he takes the time to read before bed, letting you cuddle up against him, but tonight sleep is definitely on both of your plans. When he slides into the bed next to you, you reach out for him, face still buried in the pillow not bothering to look up until your arm hooks around his waist and you pull him close next to you.

“I love you so much”

Smiling you lean up to press a kiss to the corner of his mouth. 

“Love you too” Shiro chuckles, and in the lamplight you can see his cheeks turning pink.

“You know, you say it so many times, but every time you say you love me it feels like the first time”

Humming in thought you scoot closer to his side and rest your head in your hand.

“Mhm, well I guess I’ll just have to say it more often then till you know I mean it.” leaning down you kiss the bridge of his nose.

“I love you, I love you - I. Love. You. I loooove youuuuu~.” Each word is punctuated by the kisses you pepper across his face, moving along his cheeks, nose and forehead in quick succession until you’re both laughing and Shiro playfully shoos you away.

Lying back down against the bed you feel sleep edging in at the corners of your mind as you reach out for Shiro’s hand, your husband meeting you halfway and interlocking your fingers together. 

“I mean it you know” you whisper, loud enough for him to hear. “Every word - you and the twins are my world”

“I know” shiro responds, expression softening as he lifts your hand to his lips and presses a kiss to the back of it.

Your chuckle filters off into a whisper, growing quiet as the edges of sleep really starts to sink in. Here you feel comfortable and safe, the sound of your husband’s breathing and his warmth radiating against you lulling you into a peaceful sense of security.

Then the monitor goes off.

It’s only Sora at first, his whine coming through the monitor, but Miu joins in having been woken up by her brother’s voice. 

“Aaaand they’re up” 

Groaning you drop your face back into your pillow, the sleepy haze long gone. 

“No rest for the wicked then” you grumble and Shiro laughs, pressing a kiss to the back of your head as he sits up.

“Get some sleep, I’ll take care of them” he assures you and you lean up to give him a quick peck with an appreciative hum.

“You’re the best”

“Oh, I know” 

You playfully swat at him as he slips out of bed, leaving you to bundle up in the covers as you watch his shadow slip out of the room and down the hall. It isn’t long before the cries from the monitor stop, replaced by a pleased gurgling and Shiro’s voice comes from the speaker as he enters the room.

His words of comfort humming softly from the monitor is what lull you off to sleep.

[oneweekoneband]

her Nebraska (1982)

In July I flew to Massachusetts with a plague on, and I felt that it was wrong, but my mother had begged and I’d been out of work for months. Mornings there I ran in long, uneven ovals on the same roads I’d memorized in high school. There’s no sidewalks, but the few feet of dirt between the craggy pavement and the open mouths of the fields serve all right for a single body in motion. When a truck comes up close from behind, the ground shakes, and I step away bouncingly from the street toward thigh-high yellow weeds and grass, and keep going. I was slowly picking my way back in that dirt, sweat-slick from only a plodding couple of miles in peak summer heat, and sucking the wet cotton of my mask in between my teeth on every inhale, when Taylor Swift announced she was releasing a surprise album produced by the guy from The National. Not the guy from The National, like, the voice, but the guy from The National whose photo was circulated on Twitter earlier this year as some kind of antifa super soldier, which isn’t the case, but would’ve been rad. First, I stopped dead to send some outraged, misspelled text messages, and then I ran home faster than I’d moved in years.

Tall, blonde, patrician pop star Taylor Swift is to me something like a cross-between a wife and a boogeyman. Bound we’ve been since we were really children. Time and its changes haven’t rid me of her, and what’s worse is I have never quite been able to wish they would, though I claim as much all the time. Countless hours of my one wild and precious life have been spent on endlessly analyzing the minutiae of Taylor Swift’s music, the mind that made it, the real world events which influenced it. And though all the while I have known she is only a person, and that people, while each strange and lovely in their own ways, are, in the end, mostly dull, needful in just the regular manner, the fantasy is better, the sick dream of a megalomaniac songstress, curious, thrilling, probably evil, and I choose that. I don’t know Taylor Alison Swift, born to this world in, I presume, the usual way. But my Taylor Swift? I’m a renowned expert. I’ve always eaten up stories—movies, music, celebrity news, the one my grandfather tells about falling off his bike once in Ireland as a boy and his face “cracking open like an egg”—like a starved dog. I’m obsessive about my interests, but not inclined to intense fandom, and certainly not fandom in the mode of the stan. For one, I’m too self-absorbed. But caring intensely for a famous person is falling in love with a ghost, and that’s all right—I mean, what the hell? We’re here together just dying... Let’s enjoy—but is an affair best undertaken with the knowledge that everyone alive has their own complex interiority, as unruly as your own, and that you, a stranger, are not in any real way connected to the lawless, blurry middle of that celebrity, and will never be. It’s freeing and fun to know this. I mean, these people are basically in your employ. Glamorous dollhouse dwellers. Acknowledging that uncrossable distance allows for a different, healthier closeness of pure imagination. My feelings, then, can comfortably be at once both fiercely intense and entirely silly. I am a foremost scholar in the art of the Taylor Swift who exists in my head. The real person raised in Pennsylvania I don’t know at all. I have some conjectures on the matter, and, as with all my conjectures, every hackneyed theory, each picky little opinion, I’m sure they’re perfect, brilliant, just absolutely right, but that’s still all they are. Taylor Swift, figure of the cultural imagination, is the Jodie Comer to my Sandra Oh in Killing Eve, annoying and pretty in frills, taunting me endlessly and holding us trapped together in a dance of most enchanting death. But the real Taylor Swift has favorite bed sheets and a social security number and a British boyfriend, none of which I have any desire to know about, and if I saw her at a restaurant I’d politely avert my eyes before, yes, dive-bombing the group text. There’s nobody on Earth I’d stand in line to speak to, but then I’ve been speaking to a certain figment of Taylor Swift for nearly half my life.

I went to a Taylor Swift concert the night before I moved into college in 2009. My father’s work friend, firefighter by day, near professional gambler by night, got comped tickets to the Fearless Tour stop taking place at the nearby casino, and he let me have them as a reward, mainly, for happening to be seventeen. Live in-person and performed acoustically, “Fifteen” made me cry. A few years after that, in the thick, sticky part of my first post-college summer, I wrote approximately twenty-three million words about her in these very pages.  (”Pages”) At that point, Taylor’s most recent release was 2012’s Red, and the work I produced that long ago July about Taylor and her career, writing I was fairly pleased with at the time, feels now, besides just being extremely clearly written by a twenty-one year old, strange to me for the way it favors the sweet over the sour almost uniformly. There is a wholesome kind of ardor in that writing which maybe I’ve outgrown the ability to hold. Or maybe Taylor just proceeded to spend the next half a decade plus releasing one bad single after another, and it was taste—and trespasses against taste—and not some shift in my nature which altered the tenor of our bond. I have real love for my particular image, gleaned from public statements and published art, of smart, bizarre famous woman Taylor Swift, and I admire the bulk of her output very much. I’m just no longer so inclined to fawn. This is not to say I am here to offer a Taylor Swift hate screed. I couldn’t swing it, and, anyway, I’m not a pop feminist-for-hire circa 2010. But we’re older now. Things are different. At twenty-eight, twenty-nine this month—Taylor will, also this December, turn thirty-one—I regard Taylor Swift warily, like an ex with whom you have a tentative friendship, perpetually on the brink of falling one way or the other into hatred or delight, only to wobble back the opposite direction again at the slightest provocation, but still, despite best efforts, even, I regard her all the time. 

folklore was released at midnight on July 24th 2020, but I was at a cabin in rural Vermont without Internet or cell service. I drank Bud Light seltzers with my mother while watching the eerie pandemic return of Major League Baseball, and when I got into a strange bed there I stewed, knowing there were people out in the world all over who were hearing Taylor Swift songs I never had, and that this was a fundamental wrong, a disruption in the balance of the universe. I listened to it the next morning in a Dunkin’ Donuts parking lot. 

And folklore is great. That’s the terrible thing. Slightly less great, maybe, than some people have insisted, tricked, I think, by just the pronounced shift in sound. But it’s great. A little gift I asked for a thousand times and was still surprised to get, like a wife who didn’t expect her henpecked husband to ever follow through and buy the paraffin wax hand bath as-see-on-TV. For years, I’ve been halfheartedly insisting that Taylor had a great album in her. I’d say it even, perhaps especially, while she stubbornly fed me gruel. Or worse, gruel with the occasional whiff of something better. With a ripe, little raspberry dropped into the slop. The bright, villainous thrill of “Getaway Car” made me believe Taylor, my Taylor, was in there somewhere under the lacquer of sequins and synth, which, while not objectionable by default, seemed a costume, and an ill-fitting one. The lived-in world of “Cornelia Street” made those old scars sting. That gay “Delicate” video. When she did “Call It What You Want” on SNL and played guitar while wearing an ugly sweater. If the abominable “ME!”, lead single off Lover, was the stick, 1989’s “Clean” was the carrot. I was Charlie Brown, and Taylor my Lucy, yanking the football back again and again. Over drinks I still yelled that Taylor Swift’s next album would be, “her Nebraska”, referring to my favorite Bruce Springsteen record, and learned to live with that egg on my face for good. I suppose I even came to like it. There was something inherently funny in taking up, like, “blind faith in the as of yet untapped greater artistic potential of massively wealthy and popular singer Taylor Swift” as my totally inane personal cause du jour, and eventually it was a bit, a gag I performed to be obstinate and didactic, but way down somewhere awful near my kidneys I meant it the whole while. And then she did it. A pandemic befell the world and amid a sea of human suffering Taylor Swift remembered she can write. She wrote, and with a massive, crucial assist from Aaron Dessner, whose music on this record is sometimes so beautiful it actually angers me, as the last thing I needed in already perilous times was to be made to try and marry my uniquely perverse emotional responses to beloved divorced dad band The National and fucking Taylor Swift,  she made an album which, if not her Nebraska, per se (I’ve come to realize that a major part of believing Taylor Swift will one day make an album I find as quietly devastating and gorgeous as Nebraska is knowing that no album will ever actually be Her Nebraska... That each will, rather, to me, be more and more evidence that it’s coming still, more proof that the limit is untouched, on and on ad infinitum, or at least until the seas take us into a place of salty peace.) is a shocking credit to all my hard-fought and deluded confidence. folklore is great. This fact has made me feel almost equally as disoriented from my understanding of the world as the time-melting COVID-19 lockdowns have, and it turned my Spotify year in review annual collective AI humiliation kink thing into a glaring indictment of my mental state, but still, I mean... It’s great.

In talking about folklore a bit this week, there are a number of specific topics I intend to cover—what a thrill it is to hear Taylor say “fuck”; Taylor’s terrifying birth chart; the astoundingly perfect bridge of “the last great american dynasty”; “because my ass is located at the back of my body”; the bit in last year’s “Lover” where deranged WASP Taylor Swift implies that to “leave the Christmas lights up til January” is some signifier of being a love-struck bohemian, when actually everyone who doesn’t employ domestic staff to take their lights down does this; how reputation is the best of the Taylor Swift records released in the latter half of the 2010s, actually, and the people who can’t see that are cowards—but intend mostly to let the muse move me where she will. Against the advice of my better angels, she—that tie-in marketing eldritch terror—always does.

[storiesforallfandoms]

a great team ~ yungblud

word count: 1730

request?: yes!

“could u maybe write a dom/yungblud fic?? maybe he meets a writer working for his record label (she could be writing someones biography or smth) and they hit it off and then maaaybe flashfoward to them being together??”

(i made her a songwriter i hope that’s okay!)

description: in which a famous songwriter is paired up with a famous alt. rock musician and they find out that they’re a great team, in more ways than one

pairing: yungblud x female!reader

warnings: swearing mainly

masterlist

You checked the time again as you tapped your fingers against the steering wheel. You were late for the meeting you had with the new artist you were supposed to be working with because you left your house later than you meant and got stuck in traffic. You didn’t even know who you were supposed to be working with because your agency hadn’t told you who it was yet, so you couldn’t even contact the person to tell them you’d be late!

You sighed heavily as your car moved about another inch. You looked at the time once again, willing the traffic to let up so you could make it before the artist just left.

The one upside to being stuck in traffic was that you were having some good ideas for songs. The downside was that because you didn’t know who the person you were supposed to be working with was, you had no idea if the song would be the right genre for the artist. Regardless, every time your car came to a stop you wrote some more lyrics down. By the time you finally got through the traffic you had a whole song written.

You were humming a possible beat to yourself as you raced through the hall till you got to the studio you were book in for the day.

“I am so sorry, traffic was absolutely awful and I got stuck,” you explained the moment you pushed the door open.

The person waiting for you was a younger looking guy with a messy mop of black hair, wearing an oversized hoodie and a pair of skinny jeans. He looked up at you and smiled.

“It’s cool! I figured that’s what it was. I’m not long here myself,” he responded. He stood and held his hand out to you. “I’m Dom, professionally known as Yungblud.”

“Oh! Yeah, I know you. I love your latest EP, it’s like the most played thing on my phone right now.” You realized his hand was still extended to you. “Oh! Right! I’m (Y/N).”

“Nice to meet you, (Y/N),” Dom said.

“So,” you said as you both sat down together, “why do you need a songwriter? I thought you wrote your own stuff.”

“I do,” Dom responded. “But my label is pushing for my next album like now, so they called in some help. Don’t get me wrong, I’m grateful for the help, but I hate being rushed. Making music is a process that can’t be rushed.”

“Trust me, I understand. I’ve had my fair share of singers essentially being forced to work with me because they’re under some sort of time limit to get an album done. Record labels just don’t get it because all they do is slap their name on the thing and release it to the world.” You shrugged. “On the positive side of all of this, while I was stuck in traffic I managed to write a song if you wanna check it out.”

“Like a completed song?” You nodded your head and laughed at Dom’s bewildered expression. “Yes! Let me see it!”

You passed Dom your phone. You watched him read through the lyrics in silence, waiting anxiously for his reaction.

He started nodding his head and humming to himself before singing a couple of the lyrics. The melody he came up with was definitely much better than what you were humming.

“It’s amazing!” he finally said. “That’s perfect! I have to make a note of this melody in my head before we continue. We’ll work on the instrumentals later. I only need like four more songs and then the album is ready to go.”

“Let’s get to work then!”

You two were sat there for hours on end. It was easy bouncing ideas off of one another and banging out three more songs together. It was as if you both had the same mind when it came to songs and lyrics, and even melodies as you were eventually coming up with the instrumental ideas for the songs and both your ideas were the exact same.

Before you knew it, you had the album written. All that was left to do was figure out the instrumentals and the vocals.

“Well, that was a breeze,” Dom commented. “We make a pretty great team, huh?”

“Honestly, you’re the best musician I’ve worked with,” you told him. “Most people I work with, especially on such a strict deadline, are so hard to write with. They want the album to be perfect since it’s so close to being released that they refuse some of the stuff I write because it’s ‘not their style’ and ‘too simple’. I wonder why they kept me around for so long. Realistically, you could’ve told me to leave at any time if you weren’t enjoying my company.”

“That’s awful,” Dom said. “I don’t understand how people can turn down help when they obviously need it. It’s hard enough to write one song by yourself, let alone having to do multiple in one session. Even if the lyric didn’t sound like something they’d sing, that’s why they’re there, to make it sound like their style.”

You shrugged. “Some people are afraid of being called out for having a ghostwriter, too. I’ve worked with a couple artists who said they’d consider my ideas and then didn’t use them at all so they didn’t have to put my name in the writing credits. It’s all about appearance, you know. If you’re found out to have a song writer help you they accuse you of ghostwriting. It’s hard in the industry to be a songwriter alone and not a singer-songwriter.”

Dom shook his head. “That’s not right. Most people need a professional songwriter to help them out.”

You chuckled. “Yeah, tell me about it.”

There was a prolonged silence between the two of you. You weren’t sure what else to say or do. You both technically had the studio booked for another hour, but there wasn’t much that could be done right now without a producer or any musicians present. A couple of the songs written were meant to be collabs with other singers, so those couldn’t be done until Dom reached out to those artists.

“So,” Dom started after a moment, “you said I can tell you to leave at anytime. I know we technically have another hour before our session is up, but would you be opposed to being kept a bit over our time?”

You raised an eyebrow, confused by his question. “What do you mean?”

“Like...I dunno, would you wanna grab something to eat or something?”

You couldn’t help but smile at the question. “Yeah, I would love that.”

~~~~~~

A few months later, you were sat at home watching a late night talk show in which Dom was performing and being interviewed. His performance, which was of the song you had written that day in traffic, had just ended and you were waiting for the show to start back up after the commercials.

When it finally did, there was Dom, sat next to the interviewer and smiling widely.

“Welcome back, ladies and gentlemen we are sat down now with Yungblud!” the host announced. The crowd cheered in excitement and Dom was beaming at them all. “So, this new album, it comes out in about a week. What can fans expect from the album?”

“It’s a sort of different album as far as what fans usually get from me. It’s still my usual style but it’s sort of different subject matters on each song than what I usually sing about.”

“And I heard that you actually had a songwriter brought in to help you write some of the songs.”

Dom nodded proudly, unashamed to admit it. “I did, yeah! Her name is (Y/N). She’s honestly the best songwriter in the game if you ask me. We got together and I’d say in 2 hours flat we had songs written, melodies figured out and we had sent out samples to artists we wanted featured on the album. That’s the fastest I’ve ever gotten anything done.”

The audience applauded and you couldn’t help but smile at, even though no one could see you.

“On the topic of this songwriter,” the interviewer continued, “there have been some reports that the two of you may or may not be dating. There’s been pictures of the two of you together getting very cozy.”

The smile on Dom’s face only got wider. He looked up at the interviewer and shrugged before responding, “I guess the cat’s out of the bag. Yeah, we are dating. We have been since that day in the studio, actually. We thought we made a great team songwriting wise, let’s see if we make a great team dating wise. And so here we are.”

The crowed cheered excitedly. You felt as if a massive weight had been lifted off your shoulders. Keeping this relationship a secret, even if for a couple of months, had been the toughest thing for you. You just wanted to tell everyone that you two were together. To post all the cute pictures you had saved on your phone, to not be afraid of being caught by fans or paparazzi. To just be a happy couple in public no matter what.

Now, it was out there for the world to know, and you couldn’t feel happier about it.

The interview continued until the host thanked Dom for coming onto the show and plugging his album one last time before going to commercial. Nearly seconds later, you phone was ringing. You looked down to see that it was Dom trying to facetime you. His face was still beaming with pride when you answered his call.

“Did you see it, babe?” he asked. He sounded so excited, like a kid in a candy store.

“I saw it,” you confirmed. “How do you feel, baby?”

“I feel so free!” he declared. “I’m so glad to publicly call you mine.”

You couldn’t help but giggle. “I’m glad to publicly call you mine, too. Finish up your press tour for your album soon and come back to me, I miss you.”

“I miss you, too, love,” he told you. “I’ll be back soon, I promise.”

He kissed his camera and you giggled again, kissing yours back. Yeah, you both definitely made a great team.

I’m sorry if this sucked :/

[thejosh1980]

Live Alive...

So much to write, so little time...I'll try to keep it short and focused.

Life has changed a lot here in northern New South Wales recently, but first, lets talk about the music...

It's just over 5 weeks since I performed my first live show after a 13 month break. I was a little concerned I couldn't pull off a show in my usual fashion, however I think in the end, every one, including me, was satisfied.

It is true, it's just like riding a bike...

Once I stepped up on stage to do my job, which is to put on the best show I could, I felt comfortable. I really enjoyed the moment, and didn't feel nervous or anxiety.

I met the drummer only minutes before we jumped on stage, it reminded me of the first show with Eddy and the Backfires in mid 2008 in Bottrop. I met Eddy and then bam, on stage to play a show together... We continued to play together for another 5 years. Sometimes I watch the video (on youtube) and smile when I see Eddy's face light up from the get go, much like the singer 5 weeks ago. I was the right guy for the job, I knew what I was doing.

I've gotten used to that though, learning songs off a CD then playing without a band rehearsal, and usually it works well... One doesn't really learn the songs until they're played live anyhow, right? The groove and feeling is always little different once the energy of a live show kicks in.

I try to slip into the band's sound and style... Learning on the spot who to follow and figure out what's going to happen next. Sometimes that means I'm not fully concentrating on the crowd, and maybe even looking a little confused at the band, but it's the lead singer's job to work the crowd, my job is to support them in their work, and I can't do that if I'm trying to impress the girls in the front row instead of listening and watching the band.

There were quite a few restrictions in place in Australia in July, so festival attendee numbers were down. Only Queensland folks and a few New South Wales folks could join. Usually the much larger crowd is a mix from all over Australia. I did meet up with some old friends, and made a few new ones. Reminding me that not only do I love playing music, but I do enjoy the social aspect of being a musician, that is whenever my anxiety levels are manageable. It's also sweet that no matter how long I've been away, folks come and say hi, and we talk like no time has passed.

This show was meant to be the beginning of returning to regular live shows, the band are very interested in having me play with them in the future and gigs were (very) slowly coming in...

However, everything changed the next morning...

With the high of a fun show, I woke to my cousin offering me eggs and bacon for breaky, I said “hells yeah!”... I had decided I wanted to attend the festival that afternoon before driving home that evening, to catch up with more friends and see some of the bands I had only been hearing about while living in Europe.

The 10am news came on “South East Queensland Lockdown Begins at 4pm” ! Well there goes my plans for visiting the festival!! I had to freshen up, eat, pack up and head south and cross the border post haste. I didn't want to be stuck in QLD, or in traffic!

Some folks had tested positive near Brisbane, and the festival was in one of the areas of concern. The festival promoter had to cancel 1.5 days into a 3 day rockabilly weekender.

Once I crossed the border back into NSW I found out I had to isolate at home... Apparently they back dated the restrictions for returning residents.

Lucky us!

So, I had a week at home to isolate. I decided to get tested, it was a negative result. What else do you expect?

The situation at the time, wasn't too bad, but a pain in the butt. I had to isolate for a week or two, and then I'd be free in NSW to hang out.

Luckily our classes went online too... Another challenge to contend with... Online classes are a necessity these days, but it took a few weeks for me to get used to 'em... To settle into the new routine.

Anyhow, so there I am isolating at home... A week later, on Sunday evening, I am released from isolation as the QLD situation is under control and NSW ease their rules. Earlier than expected, winner winner chicken dinner!

But then... The very next day, Monday evening, the whole of NSW is thrown into lockdown because of Sydney's high case numbers and some regional cases coming to light.

It's 5 weeks after the show, and I have been in either home isolation or restrictions or code red type lockdowns (or whatever you want to call it) for 99.9% of the time...

Good times...

I'm not bagging the rules, I know they're there to help. It's OK, it is what it is... I can call friends and family, I can exercise and, I can play the guitar. What more could I ask for? - Probably a lot more, but I digress.

I have learnt to become adaptable... It's not uncommon for me to feel frustrated at change, but eventually I come around to it.

Now back to music...

The NSW lockdown does affect the band too, 2 band members live south of the border in NSW and 2 live north in QLD, which has few restrictions...

Can we even get together to play? Are shows being booked? If we play a show on either side of the border, do we have to self isolate afterwards? It's a bit like living in 2 seperate countries at the moment, each with its own rules.

Leading up to the show, I hadn't done any live streams, I hadn't worked on music production or songwriting, however I was looking forward to the show. I wasn't really thinking too much about about the future... I've been concentrating a lot on my studies (which is another blog for another day)...

A week after the show I was a little put off by the isolation and restrictions, however now I am starting to take small steps to get back into playing for myself. What I mean is, I have worked on some song production, song marketing, song writing and even looking into working with musicians to put my own band together!!

How cool is that? To me, that is very cool...

Now the small steps mean I have also been co-writing with a friend, starting to put more of my music online (like Bandcamp... coming soon!) and thinking how I can start over again... Cause that's what this is really about...

While I do have a band who hires me to play their music (which I enjoy and am grateful for, whenever we'll actually be able to play together) I really need to start on my own music career. That is a big step! So time to break it down into smaller steps...

When I first moved back home, I had a few offers to jam with old friends, and didn't take them up on it. I didn't feel like playing. Maybe it was a bit of depression, or something, but I just wasn't excited about it...There had been a lot happening in 2020, on top of leaving Europe and integrating back into Australian life, well, I guess it was a bit too much for me at the time.

In the past few weeks I've started contacting folks to get together, once the restrictions have eased, and I am really looking forward to swappin' riffs, ideas and jammin' with friends old and new!

It was a small thing, to say yes to that show in July... Really, it was just a word “yes”... but that decision has lit a fire... the spark is burning... and I don't quite know where it's going to take me, but even the pandemic blues hasn't gotten me down this month like it has done in the past...

Cause now I got something to work towards...

I wanna work with musicians, in person or online... I wanna write songs again... I wanna play a live show with others, their music or mine... I wanna release my solo album (eventually) and I wanna express myself as I once did with the 6 string in the past...

Are you comin' along for the ride??

Thanks for reading,

The Josh