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benhaardy · 6 years ago

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king of my heart || b.h.

(i apologize i do not know where this gif is from i found it on weheartit but im not sure thats who made it but here is the post. if you are the owner please let me know so i can credit or take it off at your request. thanks!)

Summary: Ben takes you to the Bohemian Rhapsody premiere and you reminisce of his accomplishments and your years-long friendship.

Request: Can you do a fluffy first kiss imagine with Ben? Thanks!

A/N: so uhhh the request was literally the simplest thing EVER but my extra ass had to put some Extra Sass™ upon this lol. idk why i wanted to go big for such a simple prompt but its ben and its his birthday today so HE DESERVES IT!

gotta add in that S H E E R D R E S S S H I R T because i’m still not over it, thank u, next.

the outfit i had in mind: dress (the one in the middle) shoes necklace earrings, though obviously you can imagine your own outfit.

song that the title/some of the fic is based off: king of my heart by taylor swift

obviously, i am a huge fan of the longtime best friends to lovers cliche and idk if anyone else thinks this but i write my characters as super affectionate in the first place so i hope it isn’t weird to anyone to have like the really touchy-feely best friends or friendships in my stories ig? idk, just a thought cause i literally just noticed how affectionate my characters are ANYWAYS here's wonderwall

thank you for sending a request in! hope you enjoy it!

also happy birthday to our king i hope he has a beautiful day

Wordcount: 1.7k

Warnings: a few frick words (2). fem!reader. mention of nudity. fluffy!! not proofread, but beta’d

“Ready, Y/N?” Ben called from downstairs

“Ready as I’ll ever be.”

You put the final touches of your outfit on. Perfume on your wrists, Tiffany necklace on, you went down the stairs carrying your nude Louboutins and adjusting your earrings. It wasn’t really your style to do any of this, really, but your best friend Ben had wanted to take you to the Bohemian Rhapsody premiere. Go big or go home, you figured. At his asking, you didn’t see or know what he was going to wear so you played it safe with a black dress.

You went down the stairs and got to the bottom floor. Ben was standing in the middle of the living room, back turned to you. He was looking down at the cat weaving in between his legs. As far as you could see, he was wearing an all black suit. “Ben?” you said. He whipped around to see you as you were putting on your shoes.

“Oh, wow, Y/N,” he beamed. Ben put his hands over his mouth, his eyes wide with surprise. “You look so good!” You opened your arms to embrace him, to which he stepped into, his arms around your waist.

After a few seconds, you both pulled away but his arms still stayed in their place and your hands lingered on his biceps. “I could say the same about you, Benny! Everything looks great!” He let you go fully. You looked up and down at his outfit. Sheer black dress shirt, black blazer and trousers, everything was tailored perfectly to his body. You grinned. He cleaned up very well, but it wasn’t like he didn’t dress nice in the first place.

“Ready to go?” he asked. “Car’s waiting outside.”

“Ready.”

You watched from the side of the carpet as the main cast were getting photographed together. That was your best friend! Standing next to Roger fucking Taylor and Brian fucking May. Everything still felt surreal, though he had been in the public spotlight for the past few years, this felt different. Your senses just felt heightened. The flashing lights, the hues of purple and pink and gold all around, surrounded by people you either knew well or were complete strangers to you. Your eyesight was crisp, noticing everything you could, taking it all in. You did musical theatre, you hadn’t really dealt with something as big as this, even with Apocalypse.

And here your best friend was, in the middle of all of this. Your mind played back all the memories of you two in drama school with his all-nighters, monologue after monologue, script after script. You couldn’t be more proud of your closest friend, all of his hard work going to this. You could remember Ben’s shifty eyes backstage the very first show of Judas Kiss and the blush on his cheeks after the show when he remembered that you had watched him perform and there was that one scene of full frontal; he figured it was worth the embarrassment, it’s not as if you hadn’t seen worse.

Back to Eastenders and its countless shirtless and kissing scenes. You thought back to the countless nights that you spent up with him when he was weighing leaving the show or becoming Archangel. At your own urging, Ben left Eastenders, ready for the next chapter, ready for the next big thing. One of the best memories of your life was traveling to the United States with him for Comic-Con and driving up and down the west coast a week before he had to attend it. He took you to Disneyland and Universal Studios after everything with the convention was said and done.

Now, Bohemian Rhapsody! You laughed at the memories of Ben scrambling to find a good drum teacher close by and how he turned up in the middle of the night to your flat to tell you he got the part. You couldn’t ever forget his embrace in the dark of your living room, his face buried in your shoulder and his arms, tight and strong around your waist. Your happy tears wiped away by Ben’s hand as you drew apart. Though you both were excited, it was still the middle of the night, so you both just slept in your bed once more with the cats.

Ben would always invite you over to watch him play and give your input. You had to admit, he had gotten pretty good over all the lessons. Though you discouraged his lying about playing the drums and seeing the consequences in his clamber to learn as much as possible, it paid off in the best way possible. They started the process of making the movie. Though you couldn’t really be by his side throughout filming, you were basically there, his perpetual FaceTimes keeping you in the loop with everyone. You even “met” the guys and Lucy, who you hit off with very well. Ben made sure you were always by his side and he was always by yours.

So when you saw him here, at his biggest premiere surrounded by even more amazing actors and actresses, you couldn’t help but shed a tear. This role of Roger had basically brought him into the light.

You watched them take pictures until Ben beckoned you over, the group disbanding and walking over to their families and significant others to pose for their own photos. You came over and he put his arm around your waist, hugging you close. Your hand was on his back and you both posed for pictures, the flash basically blinding you, the sounds of the shutters all around. “Smile,” Ben whispered into your ear.

Everyone was at the rooftop restaurant that you were all going to eat at after the premiere. You were sitting in between Roger and Ben, having been introduced to all of the people around the table. Never in a million years, you thought, never in a million years did you think you’d be here, conversing with the real Roger Taylor or getting along with his daughters, or telling Lucy Boynton and Anita Dobson where you got your necklace and earrings.

“If you’ll excuse us, Y/N and I are going to go out to the balcony,”

You scooped another spoon of food in your mouth before saying, “Oh, okay we are? Okay.” You gave a polite smile to Roger, who you were talking to before Ben got your attention. Standing up, you followed Ben out of the tall, ornate door, out to the terrace where you could see all of London. The view was breathtaking.

“What is this all about?” you inquired as you came over to Ben standing with his hand on the glass, observing the scenery in front of him, the various coloured lights illuminating London.

“How do you feel about all this, Y/N? The whole shazam,” he questioned, wanting to know your true feelings about everything.

You shook your head, “What can I say?” You looked out along with him. “If you had told me in the first year of uni when we met that we would be here right now. Eating dinner with two freaking members of Queen and their families and being around some of the best actors and musicians in the world!” You said, your voice breathy. It was crazy what your best friend had been able to accomplish. “I would’ve slapped you and called you mental. This is all so... wow.”

“I couldn’t have made it here without you, Y/N. I’d be a complete and utter trainwreck. I wouldn’t even, like, survive without you, you know?”

“Ben,” you shook your head vigourously, “Don’t…don’t. This is your thing. This is your work. This is your doing. I was just there along for the ride and you were there with me,” you reasoned. “It’s just...just that simple.”

He shook his head but smiled. “None of this is that simple.” Ben turned to face you, still looking down. You moved to look at him yourself. “You mean everything to me, really. It’s not just the support. It’s the little things. It’s how you never fail to put your jumper sleeves over your hands and bury ‘em in your face. It’s how you look at me when you’re adjusting my suit and doing that little,” he paused and did little sweeping movements in the air, “that little sweepy thing on my lapels and you look back up at me and smile. The way you smile, the way you look at me, love, it just- it drives me crazy in the best way. You’re always there for me, yes, but that is not the only reason that I love you.” Ben took hold of your hand and held it close to his heart, his hand encapsulating yours entirely. “I want you, Y/N.”

You leaned forward and an abundance of holy shit holy shit did I just do that did I really just do that did he reeeallly just say those amazing things about me?’s rang through your head, echoing and echoing. You kissed him. His plump lips were upon yours finally. At first, Ben was stiff, taken by surprise at your sudden action but he softened quickly with the feeling of you on him. Your hand stayed on his chest while his moved down to your hips. As the kiss deepened, you laced your hands around his neck.

He pulled away. “You don’t know how long I’ve wanted that, love,” he said, breathless, his lips swollen and pink.

“Me too, Ben.” You smiled and cupped his cheek in your hand, to which he kissed your palm and held your wrist lightly. He looked down at his shoes, blushing.

“We should—“ he started, his thumb pointing back to the inside. “We shoul—“

You exhaled. “Y-Yeah, yeah we should, we should.” Ben grabbed your hand and led you inside. He pulled your chair out for you and you sat in it. You brushed imaginary dirt off your dress, trying to act casual.

“Looks like you two had fun out there!” exclaimed Roger, a bellowing laugh coming from him.

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i-am-the-entertainer · 6 years ago

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RevieWBY: Volume 6

This has been stated so many times, but Volume 5 was bad. Okay, it wasn’t terrible, like I don’t feel offended by it being bad (unlike certain folks), but looking back on it I don’t have anything to say to really defend it as something Rooster Teeth should have talked up as much as they did at the time. It had some good things going for it, but the amount of problems it had in terms of animation and writing really put a sour taste in everyone’s mouth. So for Volume 6 to deal with all that fallout, it was going to have to do a lot. And to their credit, CRWBY accepted the criticism in stride, and actively worked to make Volume 6 something that people who despised Volume 5 might enjoy.

Still, one had to go into this season with the understanding that some people were never going to be completely satisfied with whatever CRWBY did. Because at the end of the day, the RWBY that Rooster Teeth currently makes is not Monty Oum’s show anymore. No, this isn’t saying CRWBY is in any way disrespecting his legacy, it’s just Monty Oum had a certain method to running the show that only he could really get away with: epic fight scenes, suddenly throwing giant curveballs into the series’ mythology, taking vital time away from storytelling so the fights looked cool. I mean, there are people who criticize the show for doing that now when they didn’t give two shits when Monty did it, because Monty did it in a manner that somehow worked. I don’t know how he did it, but he did, and, well, he’s not here to do it, and there’s no way even a huge animation team can collectively do things like him. And they shouldn’t: if they can use a better industry standard animation engine than Poser, than the fact that Monty Oum didn’t like animating with Maya shouldn’t stop them.

Blah blah blah...this is all about FNDM reception. What did I think of Volume 6?

Well...

Focus

In my mid-volume review I cited this as Volume 6′s strongest aspect, and as far as I can tell this remains the case. By focusing our hero storyline on one group and for the most part the villain storylines on only a few characters who were paired off, Volume 6 effectively told a story that didn’t force the viewers to juggle multiple things and find some semblance of a continuing story. Everything happened linearly and the whole thing made for a more enjoyable watch overall.

Tone

Building off of that renewed focus, this volume felt like it had more of a consistent tone that lasted from beginning to end. RWBY markets itself as an anime show and uses a lot of that anime-style of humor (slapstick and comedically exaggerated emotions), but honestly it’s always played fast and loose with using that humor in a way that doesn’t feel out of place. In this volume it was more consistently used, and that’s largely thanks to the nailed down focus that allowed character interactions to utilize the humor in a natural way. Ruby and Maria Calavera were especially good sources for humor.

Now, things did get a little more screwball when Cordovin came into the mix, but it was interesting seeing CRWBY take that humor to a logical extreme for the first time in a while (not since the Beacon years). It interrupted the tone for a bit, but not in a manner that overall changed the genre this show is going for.

Animation

Beautiful. The improved production pipeline that we’ve heard about really came through. These episodes were the best they’ve ever looked, minus a few errors here and there, showing just how amazing RWBY can look when you give the animators time to add their own touches. There was some really great fight animation to boot: none of the fights this volume felt awkward, and you could tell the animators had a lot of fun.

Worldbuilding/Storytelling

It feels weird saying that Volume 6 did a better job with worldbuilding than Volume 4, which took place on four different continents and traveled across one, and Volume 5, which took place on two different continents and featured the second major skirmish between the villains and the heroes. I think this has to do with just how well it was integrated into the story: insight into the world came at points where the story needed it and when the viewers wanted it. Nothing ever felt like a massive info dump better suited World of Remnant; where there was just too much information delivered that wasn’t relevant to what was happening in the show. Volumes 4 and 5 had this same problem with establishing the world, often telling us too much in a way that just didn’t feel natural to the story. With Volume 6, almost every chapter up until the final Argus arc included some form of that insight:

Chapter 1 showed us how ordinary civilians deal with traveling through Grimm territory––the steps they take to protect themselves

Chapter 2 showed us some aspects of the Mistral criminal underground, not telling us too much about it but suggesting it was much larger than what Cinder encountered.

Chapter 3 showed us...so many things.

Chapter 4 offered a sense of the stakes RWBY faced in relation to all of Remnant.

Chapter 5 and 6 gave us a glimpse at another form of non-city life in Remnant.

Chapter 7 introduced us to Argus, my favorite of all the Remnant cities we’ve seen; plus a glimpse into the life of the silver-eyed warriors; and a more representative depiction of what domestic life is like in Remnant

Chapter 8 told us what Atlas personnel who aren’t Ironwood or Winter are like, plus the long-awaited insight into how the silver eyes work.

Chapter 9 shows something of the effect the Battle of Beacon, and by extension Pyrrha’s death, had outside of our core group.

Things kind of teeter off with the finale arc, but that’s because worldbuilding became a little less important to what was going on. This is kind of a stretch, but the mech fight and the arrival of the Grimm in Argus give us an idea of how large non-capital cities defend themselves without just spelling everything out.

All in all, this volume delivered on some impressive worldbuilding, probably the best the series has had in a while. It wasn’t massive info dumps unless it needed to be (e.g. Chapter 3), and it offered just enough for other important things like the storytelling and the action to still be in the forefront.

Characters

Volume 5, despite the fact it involved the major reunion of Team RWBY after two volumes, felt like it was simply putting the main characters through situations without those situations really doing anything to develop them or define them as anything beyond what we already knew. Some characters fared better on the development front, namely Yang, but others, especially Ruby, just seemed to be along for the ride without us getting any insight into them. This is where the writing issue that came from separating everyone starting with Volume 4 really came to a head: too many different characters with their own story to cover, and sometimes those stories just didn’t do much for the character beyond existing as a situation they were in.

Volume 6 feels like the refutal of that, and that mostly has to do with the fact that we’re not juggling so many storylines anymore. When a major event happens to the heroes, everyone gets affected at the same time. The train crashes? DEVELOPMENT! Jinn’s story? DEVELOPMENT AND INSIGHT! Snowstorm? INSIGHT! The Apathy? DEVELOPMENT! Telling team JNR about Jinn’s story? DEVELOPMENT! Adam ambushes Blake and Yang for the first time since Volume 3? DEVELOPMENT! WITH A HEALTHY DOSAGE OF ANGST!

Surprisingly, the same thing is happening to two of our favorite villains, Mercury and Emerald: even though they only really appeared in three chapters this Volume, we actually got a surprising chance to see how their defeat at the Battle of Haven affected them, and their increasingly strong misgivings about working for Salem. We get more of an idea of them as people rather than Cinder’s blind followers, understanding why they stuck with such an evil person for so long. It’s the most we’ve learned about them since Volume 3, and we didn’t even need lengthy flashbacks.

Even Adam got some more insight. RWBY has been following the path that Adam was an abusive ex-boyfriend for quite a while now, but there was always this underlying thought that he got into the White Fang business for a seemingly noble cause. The problem was the show hadn’t depicted how he got from Point A to Point B. The Adam Character Short offered us some of that much needed insight, putting some of his actions up to this point in a new context, even if it was set-up for clearing up some things so they could get rid of him.

Of course, there are still exceptions to characters getting character development, and honestly they’re kind of glaring ones. Oscar’s development arc, where he came to accept he was his own person, completely happened offscreen (for reasons that I’ve brought up before and will reiterate in the final section), robbing us of really witnessing his growth as a person. I enjoyed some of the stuff Cinder did this volume, especially her escape from the vault and her fight with Neo. But honestly she continues to be a pretty bland villain with little hints at her motivations for being such a terrible person: the Battle of Haven was such an utter defeat for her there needed to be some form of consequence that would’ve affected her character while also telling us more about her. Maybe it would’ve been her strategizing her revenge, which would’ve gotten more insight into how she thinks as a master planner. Instead, we get her leaving the vault, more or less going back to what she used to do but in a more low-key setting, fighting with Neo, plotting with Neo, and leaving with Neo. It felt more like “Hey, she’s alive, and here’s what she’s doing,” which while I appreciate it feels kind of a waste of time if you’re not doing anything with her beyond that. Honestly, a post-credits reveal that she was alive and then a pre-Volume 7 character short detailing how she made it to Atlas that covered her and Neo’s entire storyline this volume would’ve been more helpful.

Before I go on to my most major critique of this volume, I need to address the two Goliaths in the room.

Adam

I’ve said it before and I’ll say it again: they needed to get rid of Adam. The way things have been going, there was only so much more you could do with his character before he became a nuisance that was overstaying his welcome. I understand people wanted some deeper insight into him, but the fact was he was never introduced to be a major villain to anyone beyond Blake and later Yang. They could’ve had him have a thing against Weiss, but they didn’t, they focused the time that would’ve made him a major villain for everyone else on making people like Roman and Cinder and Salem the big villains. They decided on the path of abusive ex-boyfriend a very long time ago, and if you hadn’t figured that out after the Adam Character Short I honestly think you were being willfully ignorant to what’s been building up.

The best I can say is that Adam and his history is a missed opportunity for some pretty interesting storytelling and worldbuilding, but the fact remains: it is not his story that they want to tell, it is not his show. It may make something interesting to think about, but Adam’s story is supplementary, and works better in supplementary material, a la character shorts and maybe mangas.

Jaune

Y’all need to quit it with the “Hrrr drr Jaune took up time again moan moan Miles Luna is self indulgent” talk, he barely did anything this volume beyond Chapter 9 and having a sister that the whole fandom loved.

Pacing

This...this is where Volume 6 ran into trouble.

Overall, from the season premiere to the finale arc, this was probably the best-paced season of RWBY we’ve ever had. Major story events happened right when we needed them, and for the most part they didn’t drag out story arcs for any longer than they needed to be.

Well...until they reached Argus, that is.

At face value, a lot happened in the final couple of chapters. Chapter 8 gave us Maria explaining the silver eyes, Chapter 9 had the scene with Pyrrha’s statue and the mysterious Red-Haired Woman (I’ll headcanon whatever I want about who she is, Jen Brown) Chapter 10 started the Cordovin fight, Chapter 11 reinforced Blake and Yang’s partnership, Chapter 12 killed Adam, and Chapter 13 had Ruby finally use her silver eye powers to defeat a Grimm and they made it to Atlas. Yeah, it was a pretty eventful set of episodes.

So then why did it feel like it dragged? Here are a couple reasons that I’ve identified.

1. The Cordovin Battle sidelined story arcs for too long

I’ve said this before, and I’ll say it again: the finale arc should not have been split up like that over so many episodes. It afforded us some pretty well-animated fights, some of the best the series has ever had, but the volume hadn’t been relying on that action to keep up the forward momentum, but on actually telling the stories of these characters. I get the need for CRWBY to prove that they can do well-animated fights, but as I’ve come to accept action should never take precedence over storytelling (I know, that’s hard to swallow when parts of the fndm spends hours complaining about how Monty’s not animating the fights anymore). And it’s clear to me in this final arc put emphasis on the action over the momentum of the story, bringing the actually pretty good storytelling the volume had had up to that point to a grinding halt.

Now, historically RWBY fights have delayed telling stories, but it’s never been for too long, at most maybe two chapters? But if you spend three chapters on a single fight, thereby devoting three weeks of your viewers’ time to high-octane action, people are gonna notice that the story is basically going nowhere.

What could’ve made this less of a problem? Well, perhaps establishing Cordovin earlier and making her less of a buffoon would’ve eased my hatred of this arc. Volume 6 lacks a clear antagonist for the story, but the way Cordovin was treated as a big deal in this final battle made it seem like she was taking up that role, except we didn’t even see her until the final half of the volume, and in her debut we couldn’t take her seriously as a villain, much less an antagonist, because of the pure comedy they used in her intro. There needed to be something about her at least a few episodes early––take this with a grain of salt because I think following JNR in Argus would’ve killed the balanced pacing of the first half of the volume (and just made the Jaune haters apoplectic), but maybe a few quick scenes of JNR arriving in Argus and getting rejected by her would’ve been helpful. Or honestly easing off on the comedy of her intro. Such a one-note character who we are primed to not take seriously isn’t interesting as a major force, so identifying her as a more threatening roadblock for the heroes would’ve made the stakes of the final fight a little more...present.

2. Important storylines got trimmed for time’s sake and weren’t addressed properly.

@hypeathon (whose excellent production analyses for this Volume are well worth a read) identified a tweet Miles made back in October, prior to the premiere and most likely when they were finishing storyboards, about “killing your darlings.” For those unaware and who may have severely misinterpreted that comment, “killing your darlings” is when writers have to sacrifice something they love or want to do so that the story works better. The timeliness of this tweet (after they would’ve finished the script but before they’d wrapped on storyboards and voice acting for the final episodes) suggests the writers’ room had to cut a lot of material from Volume 6 (what Miles called a massacre of darlings), most likely due to production limits or not having enough time to cover them.

Think about it: the story from Chapters 1-7 was really good: everything was properly spaced out, the scripts felt polished, there was a balance of action and comedy and legit storytelling, the good pacing lasted longer than it ever has within a single volume.

Then we hit Chapter 8 and suddenly it all changes: storylines don’t get the proper time devoted to them, arcs come to a screeching halt due to the big fight. Unlike previous volumes, where the imbalance was pretty much the entire volume, there’s actually a clear point right in the middle of this volume where things suddenly took a turn for the worse. And the fact is, some of the problems with the story in the final arc suddenly make more sense if you accept that time that would’ve been devoted to it got sidelined in this “purge”: Qrow’s alcoholism suddenly getting brushed aside after Chapter 9 hopefully to be addressed next volume, Oscar disappearing and all his development happening offscreen, Adam’s completely unsubtle return after only a vague hint in Chapter 1 that would’ve been stronger if he’d kept popping up in Argus. I’d even go so far to say the odd pacing of the final few chapters could easily have been the result of the writing team not being able to devote a single chapter to such a grand fight, so they needed to stretch it out so CRWBY could actually animate it within reasonable deadlines, which meant sacrificing time for those arcs that so desperately needed development.

So what overall is gonna fix RWBY’s pacing in the future? Well, I think at the moment the show is too ambitious. If it wants to keep to a reasonable production schedule, they need to control the scale of their finales so that it can be completed without needing to sacrifice other storylines. If it wants to hold onto that ambition and make the finales as grand as they want it to be to do their boy Monty proud, then they absolutely need to delay the actual release of the volume so they can put in the proper amount of time to both the story and animation. And I don’t think anyone would mind waiting a little longer for Volume 7 if it meant this show got the care and attention it needs to tell the story it clearly wants to tell.

Conclusions

Evaluating Volume 6 is impossible without evaluating what came before it. RWBY was never a perfect show, but when you lose someone who was responsible for the show’s popularity in the first place and have to change how it’s made to make up for his absence, there’s going to be backlash. Backlash from the fans, and, uh, backlash from inside the company. The fact is, people are never going to be satisfied with the RWBY that Rooster Teeth makes today, and Rooster Teeth is never going to push out a RWBY that will make everyone happy. All they can really do is keep moving forward.

And move forward they did. Despite my problems with the finale, Volume 6 was good. I’ve always been sort of ambivalent about the show (I was drawn to it by my brother shortly before Monty’s death and have been watching it out of respect for him and the company as creative artists), and even if I thought some of RWBY’s critics were being too harsh (or seriously needed to find something better to do), I didn’t find Volumes 4 and 5 enjoyable enough that I felt like defending them. But guys, Volume 6 did something amazing: it made RWBY fun to watch again. Focused, consistent, and compelling storytelling plus gradually eased-in worldbuilding made for a story that I could follow along without having to juggle so many different plots. Improvements in the overall animation made things nice to look at and when fights happened they were always entertaining, never making me cringe or grimace, always making me think “Hell yeah, beat the shit out of them!” Just like I felt back in the old days of the show.

I feel as though what’s holding RWBY back at this point, however, is adhering to the production schedule that its old vision called for in making its current vision. And it honestly cannot keep doing that. RWBY is a show trying to reach grand heights, and its rushed production timelines and lost story arcs are keeping it tethered to the ground. Yet I can’t help but say: Volume 6 is RWBY at its finest so far. It can’t fix the problems that previous volumes have had, but it builds on the void those problems left to build a story that makes this show feel like something worth following once more.

So, I can safely say I’ll be following along when RWBY returns for Volume 7...hopefully later rather than sooner (again, it needs a better production schedule).

#rwby #rwby6 #reviewby #crtq

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