#why did we have to go and fuck it up by saying “we can use this technology to avoid paying hardworking people!”

[archangeldyke-all]

giggling so bad imagining R shaving her bush and sevika being like oh my god do u hate me?!?! what did I do?!?! how can I make it up to u I'm sorry pleeeeeease never do this again we can talk it out next time please 😭😭

LMAOOO

men and minors dni

last month, your period crept up on you, and you woke up half convinced you'd been stabbed in your sleep.

you and sevika didn't even try to salvage the sheets, just throwing them in the trash before re-making the bed. your pajamas were ruined, and, grossest of all, your crotch was a sticky, bloody mess.

so, this month to avoid any more incidents, you've been sleeping on a towel in anticipation, wearing a pad to bed just in case, and... you've shaved.

you haven't shaved in years. you and sevika are both bush enjoyers, and neither of you have ever felt the need to take a razor to your pits or legs since you started dating. finding a razor to use is almost impossible, but you manage to find one buried in the far back of your bathroom closet.

you feel so... cold. and smooth. you're hyper-aware of the feeling of your underwear rubbing on your skin. it's strange. not unpleasant, but strange. with one last look down your pants at your hair-less pussy, you shrug and crawl into bed.

you think that's the end of it.

you go to sleep easily, waking up about an hour later when sevika crawls in bed behind you. she kisses you gently and you hum, wrapping your arms around her before you both fall asleep.

in the morning, though, you wake up to a horrified gasp.

"what!? what is it, is someone breaking in?" you ask, sitting up in bed and rubbing your eyes. as you pull your hands away, though, you don't find sevika sitting beside you where she should be. she's hovering on top of you on all fours, a horrified look on her face. "sevika, what?!" you ask, your heart pounding in your chest.

"you shaved?!" sevika cries. you blink, your mind still half asleep, before finally looking down at your crotch.

you burst into laughter as you do. sevika's pulled your pants down your thighs in your sleep, clearly trying to give you a nice wake up call, and she's just now seeing your bare cunt. "sevika, for fuck's sake, i thought something horrible happened!" you laugh.

"something horrible has happened! why the fuck did you shave!?" sevika asks, her eyes wide and heartbroken. "d-did i piss you off, or something? whatever it is, baby, i promise i'll make it up to yo--"

"sevika!" you cackle. sevika pouts as she looks up from your pussy to your face. "baby, i shaved because my period's on the way and i didn't wanna deal with the mess again."

sevika's looking at you like you've lost your mind. "wha-- fuck that!" she whines. you chuckle. "what the fuck am i supposed to do when i'm goin' down on you now? my nose is gonna get all cold, i won't have anything to run my fingers through..." sevika looks seriously upset. you giggle just a little at the absurdity of the situation, then reach up to cup her face.

"it'll grow back, baby." you promise. sevika frowns.

"but then you'll just shave it off again!"

"no, i won't babe." you say. "not if you feel this strongly about it. plus, it's a lotta work-- i was scared to death i was gonna cut one of my lips off or something."

sevika chuckles. "thank you." she sighs, kissing your lips. you grin.

"thank you. y'know, most people have to deal with the opposite-- their partners forcin' them to shave before any intimacy at all... i'm glad you prefer the option that requires the least amount of work possible for me."

sevika giggles and kisses you. "i am pretty amazing, aren't i?" she asks. you nod.

"the fuckin' best." you agree.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@lavandasz @strawberrykidneystone @sevikasfan @fict1onallyobsessed

[itachiiwrites]

𐙚 𝐂𝐇𝐄𝐂𝐊𝐌𝐀𝐓𝐄¡!

cw. 18+ flithy smut, Sub!Gojo, Dom!Reader, Enemies to lovers, gojo is a virgin and the word loser is used a lot.

AcademicRival!Satoru believed he'll have a merry time getting paired with you for your upcoming assignment, afterall, you were fun to pick on and he adored the way the vein would pop on your forehead after he says something to completely throw you off the tracks. His plan was to make you do all the work while he gets on your nerves to pass his time.

Satoru prides himself in being jack of all trades, he's the captain of the collegiate basketball team, student body president, has 4.0 GPA in his astrophysics major and is on the dean's list, his stunning good looks were to kill for and to add to those never ending positive attributes he's filthy rich, if it wasn't so obvious by his sports car's raging engine whenever he drifts it around in the campus. Gojo Satoru was a star. Gojo Satoru was game.

Admirers and people lining up for him was no big of a deal, it is the routine when you're him. You're one of the many people who find him fascinating, find him attractive (which was something you would never admit to, even if a ceiling fell over you) but still, why was he shaking his legs underneath the table while he watches the furrow of your brow focused on the screen in his dorm room? He's way too distracted to read this paper about Aesthetics and Marxism—he only took up sociology because it was a humanities requirement within his course and also because he was utterly, out of his mind bored.

Feeling the burning gaze of his abnormally blue eyes, you slam your fist onto the table and anyone who was in their right mind would be able to decipher that your expression was twisted in unfiltered annoyance, the mask of a small, pleasant smile as your veins popped on your forehead was failing miserably. "We could get a lot done if you didn't think this was a staring contest"

"Wow, really? I did think it was a staring contest with how boring all this is" He mocked knowing it would only agitate you further, his eyes shamelessly trailed over the plushness of your thighs and how the skirt fabric sat on top of it, his thoughts were digressing, wondering about the colour of your pant—

"What are you looking at, pervert..?" You point it out to break the unholy chain of his thoughts immediately, his eyes widened by being caught off-guard, evading away to focus on the papers in front of him, lasering his eyes to aim at understand at whatever 'Russian constructivism' meant, his fist gripped the pencil tighter and tighter as he felt unbelievably panicked at being caught, the trance of embarrassment breaking away along with a sharp 'snap' of the pencil.

With a faltering attempt to maintain his cockiness, Satoru looked at you. "Just looking at how much of a loser you look, even broke a pencil because it's annoying how nerdy you dress" a painful roll of his eyes followed by, but his ventures to cover the way he felt were too poor and what was the parameter? The goddamned seductive smile on your pretty lips.

Gojo Satoru was game, but he was a fucking virgin.

"Lying is not going to save your ass, I can literally see the tent in your pants, what are you..a teenager..?" The mockery in your eyes and the superiority you had over him in that very moment was enough to make him let go of his guards and feel his knees buck. You were beautiful and he was so pathetically down bad for that.

"Unlike you, I have many things to excel at..who has time for something as stupid as this anyway" You had to give some kudos for the fact that his voice remained balanced despite the throbbing erection in his pants, and you made a face with slanting pursed lips that was to show him you believed him, although anyone could tell you didn't.

"what is with that face? You think you're better than me? What do you know about sex, having your cute nose burried in those stupid books all day.." And that statement makes you raise your brow, Satoru Gojo, called you cute? This was something, this was when he knew he messed up and you had all the power.

"Why don't I show it to you then? You wanna be a loser in this one area? Come on.. you're better than that, right?" Satoru gulped, the offer was beyond tempting, all those fantasies he ran his mind for while wrapping his hand around his cock in his dark dorm room, relieving himself while yearning for the warmth for your mouth and cunt—finally had the chance to be fleshed out to life. It was tempting indeed but what about his ego?

"Sure, I bet you suck at this too" He huffed a laugh with his faux confidence, only to be miserably proved wrong within a few minutes.

"Please— fuck! Your mouth feels so good.." He breathed heavily with an almost violent rise and fall of his chest, his legs sprawled wide as he was on the couch of his room and you, his beautiful arch-nemesis was skillfully using his cock like it was your personal toy. Satoru didn't feel he was being sucked off for his pleasure, he was being sucked off to be proven of the fact that you were in control here.

He reached his trembling hands to tangle within your locks as you let a thick glob of your spit fall onto his tip with a grin, tantalisingly rubbing it on your glossed lips. "Better than your stupid fist right?" And he moans at that degradation, his eyes marbeling with glassy tears, your pride swelled more than anything.

"Ever seen tits in real life? Or are you that much of a loser to have Inoue Waka as your wallpaper.." You teased further, unbuttoning your blouse and unfastening your bra from the front to spill out your breasts and Satoru's brain simply short circuits the moment the cushiness of your tits gather around his cock and he feels the tightening sting on his abdomen, dripping out loads of his cum onto your tits, painting you like the masterpiece you were with thick ribbons of his ejaculate.

You hum, licking a long strip from his base, swirling your hot tongue around his softening, sensitive frenum as he is limp by the pleasure.

"There's no way you're this good.." He spoke, almost sounding as if something unbelievable happened, almost angry.

"Such a good boy 'Toru.." You giggle in response, kissing his abdomen and he feels pathetically, helplessly in love with you.

Gojo Satoru was game, but you were a roulette.

[galactic-magick]

Maybe in Another Universe, You're Still the Man I Love: Viktor x Reader

Summary: You get sent to the same alternate timeline with Ekko and Heimerdinger, and you find out just how wonderful your life could've been.

Words: 2.1k

Author's Notes: Yeah so that finale sent me into deep grief and writing is the only way I can heal I fear. I hope you enjoy this interpretation of what Viktor could be doing in the alternate timeline.

“Are you alright, darling?”

Your vision comes into focus, though your head is still pounding. You’re extremely nauseous, feeling like your body is not your own as you become aware of the all-too-familiar voice that just spoke to you.

You’re sitting on a desk in an Academy classroom, journals and various papers surrounding you. The sun is shining through the windows, cascading gold onto the other desks and tables. It’s a peaceful, simple sight. Something that feels so wrong for precisely that reason.

“I don’t have another class for a while, you can talk to me,” Viktor says, brushing his fingers against your face. “Care to tell me why you’re looking at me like that?”

You suppose you look like you’ve seen a ghost, which isn’t so far from the truth. You must be dreaming—maybe hallucinating—anything to explain how this isn’t real.

“I…” you start, failing to find the words to say.

-

You storm into the lab, locking your eyes on the empty hexcore cocoon, then at Jayce.

“Where the fuck is he?”

“I don’t know!” Jayce fires back at you, clearly just as distraught as you are. “He woke up and told me he needed to leave me and this place. I have no idea where he went!”

“Why didn’t you follow him?” you scream, your mind spinning. Who knows how the hexcore changed him, he could literally be anywhere.

“He didn’t want me to! What don’t you understand?” Jayce slumps back into his chair, his face in his hands. As soon as he notices a tear fall down your cheek, his tone softens. “Look, I...we both know he’s been different since he started messing with the hexcore. He had told me to destroy it...but I couldn’t. And now he’s even more different. I’m so sorry,”

“Jayce…” you walk towards him. “I’m not blaming you for anything that’s happened. He’s been pushing both of us away for a long time. I guess...I just thought maybe when he woke up he’d love me again like he used to. Did he even ask about me?”

Jayce shakes his head, and your heart sinks even further.

-

“I think I’m dreaming,” you finally say, and Viktor tilts his head. “This...this isn’t real. We’re not like this, we haven’t been like this in a long time. You’re not...what are you here, a professor?”

He cups your face and kisses your forehead, “Darling, I don’t think you’ve been getting enough sleep, you’re talking nonsense,”

“No, no, no,” you jump off the desk and pace around the room. “If this isn’t a dream, then where am I? Some sort of other reality?”

“You mean to say you believe...this is not your world?” Viktor takes in your words intently.

“Well in my world, you fell out of love with me in favor of your work, and then you nearly died and got severely mutated by the hexcore. So yeah, I’d say things are pretty different,”

He raises an eyebrow, “Hex...core?”

“You don’t have that here?”

“Seemingly not,”

You sigh, perching yourself back on the desk, “You don’t believe me, do you?”

“No, I...I have theorized the possibility of alternate universes before, but I never thought I would come face to face with it in my lifetime,” he starts writing on the wall chalkboard. “I see no reason not to believe you. After all, my wife of this universe would probably not be saying these things,”

“We’re married?”

“Of course. Now tell me, what else is different in your universe?”

-

You’ve tried to find him everywhere—going all the secret places the two of you would go in the past, and asking people if they’ve seen him both topside and bottom. There’s no signs, not even a clue. He doesn’t want to be found.

You make your way back to Jayce’s lab, surprised to see Heimerdinger and a young man you don’t recognize with him. They fill you in on their concern about wild runes showing up around the city, and their plan to check on the hexgates. You’re desperate for anything to get your mind off Viktor, so you go along with them.

You’ve never been to the source of the hexgates before, and it’s even more grand than you imagined. One thing could go wrong and the entire thing would explode, but it’s precisely the potential of destruction that makes it all the more fascinating.

That is, until it becomes entirely unpredictable.

Your surroundings change at the blink of an eye—warped visuals and sounds you can’t make out. You scream for the others, but no one can hear.

-

You do your best to describe all the important events and details of your timeline, while Viktor takes notes on the chalkboard and compares what you say to his timeline. He seems particularly interested in his inventions in your timeline, and his partnership with Jayce—who’s no longer alive in his timeline.

“He died in an explosion here at the academy several years ago, it was a tragic accident that also killed a young girl from the undercity. He was a friend and a brilliant mind,” he pauses. “We...actually named our son after him.”

Your eyes widen, overwhelmed by this possibility of what could’ve been, “We have a son?”

“We do. And he’s perfect,” Viktor smiles softly. “You really are from a different time, aren’t you?”

You nod, trying to hold back tears. Why does this reality’s version of you get to be happy? Why does this Viktor get to dodge corruption and the hands of hubris?

Viktor gazes once again on the chalkboard notes, looking for patterns and causes for the differences in your timelines. Would he have reached the same fate if Jayce was still alive? What caused the Undercity to heal and thrive in his timeline but not in yours? Was this hextech you speak of really so destructive?

You are the same person he fell in love with, there’s no doubt in his mind about that, but you’ve been significantly more hurt than the Y/N he knows.

He steps close to you again, wiping the tears from your face and pulling you into him, “I’m so sorry your version of me has taken a different path.”

You sob into his chest, gripping his clothes. He runs his fingers through your hair and rubs your back, soothing you as if you’re his own.

But you’re not his. This isn’t your life.

You pull away, taking a deep breath, “As much as I want to stay here, I can’t keep taking over the consciousness of the me in this world. I need to find the others,”

“I don’t know if it’s possible for you to get back,” he says. “You say you got here through hextech, and that was never invented here.”

“We’ll find a way,” you run to the window, looking out to get a gauge of where you are. Heimerdinger might have landed somewhere here in the Academy too, and Ekko probably went back to the Undercity. But Jayce—if he’s dead in this universe—where would he be?

“Before you go,” Viktor places a hand on your shoulder. “Would you like to meet our son?”

Anxiety washes over you, your body going numb from the prospect. Would it only hurt you more to see a life that you could’ve created?

“Don’t you have more classes to teach, professor?” you smile, trying to turn your nervousness into something lighthearted.

“I’ll cancel for today. It’s about the time you usually pick him up from school anyway,”

He grabs his cane with one hand and takes your hand with the other, posting a quick note on his door as you leave.

-

You sit on a bench outside the elementary school, your heart pounding. This child is going to run out that building any minute, eager to see the mother he’s always known.

But you’re not her. You didn’t carry him, birth him, or raise him. You don’t have the same memories and experiences.

But you must pretend that you do.

You know which one he is immediately. He’s a perfect combination of yours and Viktor’s features, just like you’d imagined. His smile is contagious, and he wastes no time jumping into your arms.

“Look what I made at school today, Mommy!” he puts a crafty contraption in front of your face, a colorful collection of sticks and paper glued together.

“That’s so creative, honey, I love it,” but your attention is solely focused on him, his sweet face glowing with pride and joy.

“Quite the little inventor, aren’t you?” Viktor applauds him. “What else did you learn today?”

“We did reading and spelling. I can spell family now. F-A-M-I-L-E!”

“Close, sweetheart. There’s a ‘Y’ at the end,” you laugh,

“Are you sure about that?” he says, wincing his adorable face in thought. “Whatever. I learned how to spell brother and sister too, but I don’t have any of those. How do I get one of those?”

Viktor chuckles, “I’ll talk about it with your Mommy, how about that?”

“Okay!” he jumps up and starts walking home with the two of you.

-

What if I stayed? You wonder.

You’re playing with your son on the living room floor, with toys mostly made by Viktor himself. The house is small but cozy, a home you wish was really yours. What if you just stay in this dream reality forever?

What if you never find the others? What if there really is no way to get back?

But no, that wouldn’t be fair to the you of this reality. She’s the one who has this life, not you. Besides, Viktor and his son deserve their wife and mother back.

You hear a knock on the door, and Viktor goes to open it.

“Oh, Viktor, it is so good to see you.”

Your head swivels instantly towards the yordle in the entryway, “Heimerdinger! You found me!” you join Viktor at the door, “Where’s Ekko and Jayce?”

“I have not found Jayce as of yet, but I did find Ekko and sent him back to his timeline about a week ago. We found some hextech fragments and were able to use them to jump through time and space.”

“So...I can get home too?”

“As soon as you’re ready. We built the machine in a young girl’s lab in the Undercity,” he looks between you, then Viktor, and finally your son. His attitude of urgency dissipates as he begins to understand. “But...I could not blame you if you want to stay longer.”

Your son Jayce comes running to join you, grabbing onto your leg, “Who’s this guy, Mommy?”

“This is Professor Heimerdinger, he used to work at the Academy,” you pat his head, “Your dad used to be his assistant.”

“I’m sure you already have a brilliant mind, my boy,” Heimerdinger says. “Your parents must be proud.”

Little Jayce giggles.

“Actually, I would very much like to see this new invention you’ve built, Professor,” Viktor speaks up. “I’m now quite intrigued by the prospect of other universes.”

“I have no rule against you observing, Viktor, but I’m sure you understand I must destroy it after we all get back. It is too dangerous to be left here unsupervised,” Heimerdinger’s tone becomes more serious. “I’m sure Y/N has told you of the destruction hextech caused in our universe, especially to you.”

“Of course, Professor. I understand.”

-

You’ve never seen the Undercity look this beautiful.

It seems that the other version of you comes here often, so many people wave to you and little Jayce automatically runs off with some kids his age to play.

You meet a blue-haired young lady named Powder, who helped Heimerdinger and Ekko in their experiments. She looks so familiar to you, but you can’t place where you’ve seen her in your reality.

Heimerdinger explains how it works, and both you and Viktor listen intently. With everything up and running, you could go back this instant.

The pull to go back is strong, like an obligation to return to your rightful place in the universe. But the pull to stay is equally strong, as you gaze into your husband’s beautiful amber eyes that you want to find solace in forever.

“It’s your choice, my love,” Viktor says, as if reading your mind.

“I know I need to go back…” you exhale, tears welling in your eyes once again. “But I don’t know what I’m going back to,”

“I don’t know either,” he caresses your face, “But I do know you are strong in every universe,”

“I’m not,” you shake your head, “Not without you.”

“Don’t say that,” his thumbs smooth across your cheeks.

You nod, turning towards the device.

“Could you…could you kiss me one last time?” you ask.

Viktor wastes no time honoring your request, crashing his lips to yours with lasting passion. He pulls away only as you back into the circle, leaving you with one last affectionate whisper:

“I’m so fortunate to have met another version of you, my love.”

[zorbik-guligan]

Not really sure what incongruous means so I'll look it up after but it does feel like as i get older life gets more complex theres more things i understand now that sure i knew about them before but not in great detail but it feels like I've become so fucking complex as a person that if i tried to explain what i actually think and feel it would just overwhelm a person so i try and section myself off into pieces and just use different parts of me with different situations or people and it may just be because ive spent most of my time these past 2 almost 3 years now alone with nothing to do but think and figure myself out that when im asked what i think about something slightly personal its kinda hard to say it just got lost in my head somewhere and that whatever i think will change at a moments notice like i can bring up memories of lots of things and remember nostalgic times but i spent so long thinking about why i feel a certain way or what makes me feel a certain way in order to try and get a better hold of myself that ive kinda forgotten alot of my past like so many memories that i made are just gone because remembering them made me feel a way i dont want to feel like i remember realizing the beginning of 6th grade that i had completely forgotten 5th grade and the reason why was because that time i had was so nice yet not at the same time my brain just frogot because it didn't want a reminder of how good yet not something can be like great teachers who for the first time ever actually seemed to care as far as i could tell class mates who were generally friendly and occasionally checked on me if i seemed off yet i felt so alone cause nobody there really seemed like a real friend like the friends i had before who even when we were in deep trouble wouldn't rat me out and would stick with me who genuinely cared and missed me if i was sick getting older and not having anyone to socialize with for really formative years off my life has made understand those really old dudes who are nice and always up to make friends but just seem extra lonely for some reason despite knowing so many people i guess technically being that alone did hurt me but i kinda learned that im just not alone ever when im outside theres always some squirrels birds or plants nearby that make it more lively its why ive grown so fond of certain forested spots they are always lively and it feels like hanging out with all my friends its also why i enjoy making things like with metal or wood stone or even writing and painting those things feel alive in a way same with music and having time to think so much has made me reflect and realize that no day is the same and even when something changes something else stays the same or gos back to how it was in a weird cycle like growing but remembering where you were growing older for me anyways is like gaining more skills and more knowledge not just on the stuff around me but on myself too obviously people change sometimes pretty quickly too but getting older makes you learn more about yourself which duh that how life works but still it feels weird to be aware of it at 17 when it feels like i should still be trying to figure out my favorite youtuber or something not contemplate who i am as a person and what makes me feel the way i do but its a good kind of weird and theres always more to learn and find so i still have plenty of room to learn more about myself still not being able to really fully let a person know you kinda sucks but to be fair that is a rather special thing its also nice being able to put into words why i feel a certain way so that i can actually explain myself instead of just going quiet cause i dont know myself that well still kinda funny to know your own problems but not be able to jusy fix them when you know its a very deep problem even when it seems surface level and damn i got kinda personal there woops also just noticed that im shaking so might be overwhelmed remembering 5th grade which is probably why i frogot it or at least thought i did

anybody else feel that being human is like being a long-time syndicated cartoon character watching the world get more complex while your own design stays the same until youre incongruous with the reality around you??

[faylvrs]

but im not hurt, im tense ✿ bllk multi ’cause i’ll be fine without you babe.

﹒postscript : it’ll never work out. feat. ɞ‎ shidou, rin, sae, kaiser ʚ cw : fem reader, angst ( no comfort )

shidou looks at you with a pout on his face. it’s been millenials since he last saw you—( 2 weeks ). so when he finally found you wandering the local store in your area, he immediately grabbed your wrist.

“you blocked me.” his mouth curls downwards. “am i nothing to you?”

the mocking look on his face only makes your frustrations grow deeper. “yes, i did block you. and that too for a reason so let g—“

“no.” his grip on your hand tightens, as if he was scared to let go. “tell me baby, where did i go wrong?” his tone sounds almost pleading.

“where did you go wrong?” you stare at him in disbelief. “you almost punched my dad at family dinner, seriously, what the fuck is wrong with you?” you snap at him.

“is that what you’re mad about?” shidou scoffs. “he deserved it anyway, was sayin’ some stupid shit.” he dismisses your confrontation.

“ryusei.” your hand finally breaks free from his grip, pushing him away. “this is why we broke up.” you glare at him before hurriedly exiting the store.

shidou clenches his fists, knuckles turning white as he looks down at the floor. he felt his blood boiling, like he was going to burst in an explosion.

it’s only that, he doesn’t like this explosion.

rin’s resolve is crumbling down second by second as he watches your smile break down into a look of confusion and hurt. you’re interfering with his goals? what is he talking about?

“what are you talking about?” you hold onto his hand, as if clutching a thread thats about to break. “i’ve been there for you since we were kids and supported your dream—what’s so annoying about that?” the tention in your words are clear.

“im going to become the world’s best striker.” rin grits his teeth. “and you keep getting in the fucking way.” his words are cold, hitting you like an iceberg.

you do get in his way- in every way possible. he wants to defeat itoshi sae, and yet, every goal he scores seems to be dedicated to you. you’re slowly deprieving his heart of all the hatred and god, he hates it.

he’s made up his mind, he wants to defeat itoshi sae. but with you, the only mental image in his mind is nii-chan, not itoshi sae.

he doesn’t want to destroy his older brother, he wants to destroy itoshi sae.

his heart clenches at the sorrowful look on your face. “are you serious? im getting in the way?” you look like your world has just been broken into a million pieces—it’s so sudden, you almost don’t know how to react.

“you’re lukewarm.” rin stares daggers into you. “just forget about us, you knew we were never meant to be.”

maybe rin imagined a future with you,

but all you are now is a bittersweet childhood sweetheart.

sae doesn’t have time for you.

or thats what he likes telling himself, since he always finds himself cancelling interviews or cutting practice short to come see you.

you mess with his brain—in a good and bad way.

but he know’s you deserve better, better than someone like him. you deserve someone who can be there for you, communicate with you properly, give you the affection you deserve.

but he can’t.

it’s been clear he’s never made you a priority in his life, he know’s you’re getting tired of him canceling dates and replying to your messages every few hours.

he’s just finished practice, taking a long sip from his water bottle as he opens his phone. a message from you pops up.

im breaking up with you. it’s not working out, im sorry.

sae’s expression is neutral, but the way he’s squeezing the life out of the plastic bottle says otherwise, squeezing out the last bit of water as it falls to the ground.

you have all the good reason to break up with him, but something in him wants to plead, to beg, that he’ll be better, to give him one last chance.

sorry for not making time for you. good luck.

”you’re not enough.” kaiser snaps at you, a look of fury in his eyes.

you had arguments with him often. you were tired of him constantly pushing you away whenever you’d try to show him an ounce of affection—simple things would turn into harsh words exchanged between eachother.

“do you not see how much i do for you?” you snap back. “and you’re saying im not enough? when i have to go days without contact because you don’t even bother to call?” you raise your voice at him, making him flinch.

the truth is, you’ve always been enough.

but he’s not enough for you. that’s why he’s building these barriers around himself to hide away—he doesn’t deserve you, nor your touch. you’re like an angel who descended from the gates of heaven, and he’s a lowly devil.

he’s afraid his scars will brush on you, which is why he never gives you the chance to heal them. instead pushing you further and further away.

”schatz.” his eyes waver at the hurt visible in your eyes, and the nickname doesn’t make it any better.

he can’t ask for your forgiveness, he’s not worthy of it.

he can only watch you walk out of his life, an angel deprieved of her feathers.

[idkjustlemmedrownlikerab]

Why Regulus dying was crucial to the plot of Art Heist Baby!

It really pisses me off and people say "Omg it's so sad that Regulus never finished the heist, why did the author have to kill him?! He never finished his life's purpose" No it's not,  because that wasn't what he wanted in life, he achieved everything that he wanted.

The story doesn't work if Regulus lives. Art Heist Baby isn't about the heist. I mean it kind of is, that was what drew me into the fanfic, why I read it. But, as I read it, I realized that it's not about the heist, it's about love, it's a love letter from @otrtbs, the author, to art history and to the fandom, and about the love of found family, brothers reuniting, and falling in love and all the sappy stuff.

But Regulus and the readers by extension, have always thought that it's about the heist, that it's about the infamy and being remembered, and that's how he lives forever, the heist gets him his brother back, the heist lets him live forever.

But then in Copenhagen, when he's literally dying, he's having this internal monologue, like, maybe I failed this heist and it's not successful and I didn't do what I wanted and I wasn't the best person, but I was loved,  I am loved and I have loved back, he says that he knows he can take that love with him wherever he goes, even if he's a damn star in the sky, it doesn't matter. He's taking that love with him, it lives on, and that is its own form of immortality. That's what Regulus had been searching for this entire time and even after Regulus dies, James is still there, and Sirius and Barty and Evan hell all the others in the team, and it's like even death can't defeat that kind of love. We see James talking to Regulus every night and recounting memories and keeping Regulus alive in a way, which is what Regulus always wanted!!!! Just not in the way he thought he was going to get it.

I mean, otherwise what's the alternative? Regulus lives and he's happy with James, and maybe that's better than living on an infamy and better than the heist because, well, he's actually alive, but it's not just about love. Regulus and by extension, the reader wouldn't have this moment of realisation like, oh, it's love, love is the answer. Love is what makes all of us a little bit immortal for a little while. That's what it's all about in the end. Not the money or fame or notoriety. Just love. And Regulus dying feels like it was the best way Nat could have driven that point home. Like plz look past the heist, what else is there?

Because Regulus spent his whole life thinking that this was his goal. Just one more heist, that's what he'd always said right? One more heist, this is the last one. This is it. He'll have achieved everything he's ever wanted. Except, it's not what he wanted. Because throughout the story, he gets his brother back, he gets Sirius back in his life after spending years in silent mourning dangling just as precariously as the daunting Degas in the bathroom, he gets his brother back. He sees Barty and Evan who have spent their whole life going back and forth, finally getting together. He watches them grow up and grow together, and he spends his entire life with them. He brings together this group of strangers, this ragtag team of random people that applied via a fucking poster about a lucrative job and watches them bond. He watches relationships form, he connects with the Remus through annotations and books and a shared love for Sirius, he organizes dorlene's proposal and wedding!!!!

He bonds with all these people that he never would have met if he led a normal life, and then he meets James. He meets James Potter, who teaches him everything, who lets him borrow his bravery and shows him that life could be so much more if he wanted it to be, which he does.

"I love you, that's all." His last words, love, that's all. Not the heist, not the drop offs, not the money or the fame or the glory. Love, that's all. He started getting involved with the heists to feel loved, to get the attention that Sirius got from their parents growing up. Some superficial kind of love, and his life ends after he gets real love, platonic and romantic. Love, that's all, not the heist. He died with everything he knew he always wanted but never had the bravery to attain until then. That's why he said maybe he hadn't lived a long life but he lived the best life he could have.

Nat literally told us the reason with Regulus' last words and all of us decided to turn a blind eye to it, yes, yes ik it was heartbreaking to see him die and not live in the house in Brazil with James but we do see them meet again in the epilogue don't we? And let's trust Regulus and the author both when they said

"in every lifetime?"

"in every one."

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[archiebaldo1414]

Picture it with me people

Season 16. Opens with Dean realizing Heaven isn’t good. He’s having these memories of him and Cas through the years and is just like ‘if this was heaven he’d be here’ type shit you know

Supportive Sam and him break out and try to go rescue Sam from the empty. Dean is depressed as hell as always, but he has a purpose now so he’s compartmentalizing, but we continue to see memories. At first, they were all bro-like shit (as much as Destiel ever can be so still romantic lmao) but it starts transferring into stuff we’ve never seen before.

A night in the Dean Cave just them and they keep just looking at each other. [the audience can’t tell if it’s sweet or if they are getting second hand embarrassment since Dean’s fucking 40 and Cas is billions of years old]

A time where Cas heard about the kiss it better thing and fucking DID IT when he cut his hand or some shit. We begin to realize they might have been slightly more aware of things that we were led to believe.

There’s more chill domestic stuff but the kiss it better thing comes up once or twice more. Enough to show us that’s one of their weird little rituals that no one knows about; but ITS A THING!!!

Cas is saved. There’s hugging and intense eye contact. Sam is there. He gets a hug too and suddenly they are having trouble looking at each other. Dean is distraught. He’s fucked up about feelings, he can’t voice this shit! He tried in purgatory but Cas didn’t let him, but now, now he can’t. He keeps trying to talk to him; Cas is sure to remind him he is okay and knows Dean doesn’t feel a certain way.

He’s frustrated. Why is Cas making this so difficult?? How does he have no clue? Surely he’s aware how he acts with Cas is VERY different to how he acts with everyone else/how everyone else acts with him?

It comes to him suddenly when he bangs his hip on the counter. As he swears (loudly) a little voice in his head is saying ‘Cas needs to kiss it better’. And then he knows. Since he was rescued, they’re little rituals have gotten infrequent and awkward. Cas doesn’t want to make Dean uncomfortable after all! He knows now!

Dean runs. Bangs on Sam’s door. Sam opens it, it’s late, he’s annoyed. “What, Dean, why do you look so excited?” He’s doing his bitch face

“Sammy, punch me in the mouth” he prepares himself for the punch, he can hardly stop grinning. He’s practically vibrating with excitement, the freak.

“Dean? What? Why would I punch you?” Sam is perplexed. He’s concerned. He would love to punch Dean (lol)

“I need you to. It’s important, please, Sam”

Eileen hears them and comes to the door as well. Sam explains what’s going on while Dean looks at her and pleads to punch him. She clearly realizes something Sam doesn’t becuase she starts cackling before winding back and punching him. Hard. His lip splits, and he grins around slightly bloody teeth before waving goofily and turning to go while Sam throws up his hands in frustration because What! The! Fuck!

Anyways. Dean marches down the hall. He’s nervous. He knocks. Cas answers. He looks down at Dean’s fucked up bloody mouth and is like Dean! What happened! Who must I kill! And Dean’s like it’s all good man but 😔👉👈it hurts

Cas is all; let me heal you…and Dean’s like OKAY THAT’S FINE WITH ME HA HA

There’s a bit of staring while Cas tries to figure out what’s going on and he slowly raises two fingers before Dean slowly pushes his hand down. He doesn’t let go of the loose grip on his wrist. His hands are shaking a bit. Cas is feeling a little rejected, he can’t even heal Dean now? But Dean is so close, and he’s still holding his wrist? Why is he shaking a bit? What’s go- oh. Oh oh oh oh

Cas very tentatively leans forward and presses tiny little delicate to Deans mouth as he heals him and cdjrjgfjejficsjtjvisjtv

Anyways they kiss a lot yay the end

dean: ow, fuck. i cut my finger.

cas: here, let me kiss it better.

dean, blushing furiously: oh- uh- okay.

[later]

dean: sammy, i need you to punch me in the mouth.

sam, already winding up: done.

[ckret2]

I'd been meaning to do this since I found your account but today I read through the entirety of your Goldielocks fic (or at least, what's available) and all I can say is WOW !!!!!

You're really fucking good at writing these characters, capturing the lighthearted-yet-somehow-serious tone of the show, and the stuff you make up for worldbuilding fits right in with canon stuff. As a lover of making things canon-compliant and in-spirit-of-canon, this fic is like a dream come true. You're an amazing author !

I really look forward to your post-TBOB edits of the eclipse arc and the flatworld arc, I can already kind of guess where you're gonna go with it, but it's still exciting to think about what direction you might take things.

I'm also wondering, are you planning on changing anything about the Death Valley girls, what with the info we got about ciphertology and the like ? Or keeping them relatively the same ?

(I stayed up till almost midnight reading this - I'm so glad I don't have to be anywhere early tomorrow)

Thank you!! I've discussed my TBOB edits of the eclipse arc already, you can see some of them here if you want.

For the flatworld arc, I actually think basically nothing's going to change. Spoilers, but: Bill's world was never gonna be like Flatworld. It was gonna be a big reveal late in the fic ("big" for the characters, not the readers lmao) that Bill's world was actually pretty okay—like yeah, a few flaws, but not "barely-exaggerated satire of Victorian-era ableism/sexism/classism" flaws—and everything the kids read in Flatworld that made them pity Bill was 100% bullshit. It was going to turn out that Bill's world is actually...

... pretty much fucking exactly like Euclydia ended up being in canon—up to and including baby Bill getting medical trauma over having a super-rare cool-ass eye mutation that lets him see the stars of the third dimension.

I was gonna have Bill go "oh yeah, that's why I drove the author insane, I was that pissed at him for making my home world look that bad. I didn't correct you guys because I thought it'd be useful if you pitied me."

I did this because, before TBOB came out, I knew that no matter what I wrote about Bill's home dimension, probably a good 20% of readers would just push it to the side and automatically assume that his dimension was exactly the same as Flatland—like, occasionally readers were making comments about my fic talking about how triangles ***ARE*** oppressed in his home dimension like it was a canonical fact and taking it as a given that I was writing that. For that 20%, it seemed to me like the best way to ensure it got through to them that whoa, this isn't Flatland would be to have the characters assume his dimension is exactly the same as Flatland so that I could say, in story, "no that's totally wrong."

Post-TBOB, a lot fewer readers are gonna make that assumption. But having the characters assume his dimension is a lot worse than it really is is still a part of the story—it ties into the narrative of them slowly growing to expect him to be something more sympathetic/heroic than he actually is, a la Dipper's assumption that the Axolotl poem is a prophecy about how Bill will help save them—so there's no reason for me to take it out.

So yeah, tl;dr: Flatworld doesn't need to change because it was always going to be wrong.

I'm only gonna change the Death Valley girls a little bit. Everything I've currently written about them stays the same; except I'm also gonna mention that, yes, they are a Ciphertology sect, and yes, all the girls in the cult are Cipherwives.

So now I also get to crack jokes about Bill being both flattered and a little creeped out that even after he mostly ditched the cult they just kept inducting new recruits as "cipherwives" whether he showed up or not, like wow, you're just gonna marry him off in absentia to some lady he's never met??? What if he doesn't wanna marry her? What if he doesn't like her haircut?? Every time he shows up he finds out he's got a new wife! He loves the attention, but jeez, girls! At least send him a letter with his new bride's picture and wait for him to mail back an "OK" or something!

[yanderefarm]

What happens if we don’t have sex with the yanderes for a long amount of time till there angry about it

🐀

i do feel like i should say that if you just didn't wanna have sex with them they would all be chill with that xhsjdn this is just yknow pushing them? but they're all basically ok with whatever you want and are comfortable with. i feel like that usually goes without saying but idk i wanted to clarify.

cw;; noncon, nsft, self harm mentions, violence towards reader

honestly i can imagine ares and emil being the same. they dont need to worry too much about why you're not having sex with them! they can fix it. they're the type to tie you up. they'd wait for you to go to sleep or maybe drug you so you sleep really deeply and then they'll tie you to the bed. they would both be impatient about it too they want you awake to watch them riding you. ares would be sucking on your cock, being a good cock warmer until you wake up. emil would just have his maids inform him of when you get up so he can save his energy. either way they're going to make sure you fuck them properly. relationship repaired!

i think noemie, nephite, and silvan would be cry babies about it. they're annoyed but it gets to their heads like maybe you don't want them anymore. maybe they're not good enough. nephite would be the most shy about bringing it up but when his heat hits you'll come home to him crying and begging for you to not ignore him anymore. noemie is most likely to try and seduce you, he'll sit in bed with his ass in the air or he'll wear slutty lingerie to try and get your attention until it becomes too much, he'll break down crying asking why he isn't good enough for you anymore. silvan is just going to keep going about his day as usual but it stings everytime he starts to get close to you and you ignore him but he doesn't throw a fit he's more likely to accept that he's not wanted anymore and turn to tearing himself apart inside either for attention or because clearly you're going to replace him.

ajax is weird because i don't think he's ever been deprived sex in his adult life. i don't think he'd know how to handle rejection. i think he'd get pissed off and start accusing you of cheating on him because his brain just can't make sense of you not wanting him for so long. you must be cheating on him and that's why you're not as desperate as he is. either he gets bratty and says then he'll cheat too to make you as angry as he is. or he'll shove you down and make you touch him. he'll start smothering you with his tits and insulting you while he jerks you off.

i think achilles first of all would have to stop both, he can handle no sex as long as you're still using him as an ashtray, so for him to really snap you'd have to completely neglect him. and he'd be getting his head with paranoia. he'd come home early and completely undress waiting for you to return only to get shunned. he'd bring you one of your whips only to be ignored. he'd even wear short skirts trying to get your attention only for you to pretend he's not there. and it's wearing on his mind. he also would assume you're cheating but he doesn't know what to do about it because he's never properly experienced jealousy before. he'd eventually really snap and tie you up but he doesn't know what to do after that. his best is interrogating you about why you don't want him. what did he do wrong?

[gayferrari]

okay i am coming to you as carlos fan who loves charles to my core (he is my soul sister!!!) but only ever roots for him for ferrari reasons, trying to see this from charles fans pov how is anything that happened tonight carlos’s fault and not just ferrari’s fault… like i try to be critical and i love to shit on carlos when he is stupid (bc he is stupid a lot) (for example spain24 i fear i am not on his side there) but ferrari fucked carlos over so bad today with his pit stop like i truly believe the thing that happened with charles was more of a fuck you to ferrari and not anything to do with charles at all so like i get why charles fans are upset but… i don’t know again would like to hear your thoughts on tonight

DISCLAIMER VIEWS MY OWN (as in. I don't speak for all Charles fans and probably not even a majority of them about this. and I enjoy it when athletes are petty and angry and grudgy and let out their ugly sides)

my first takeaway is that it's truly not that deep. Like, yeah, it's race day emotions are running high but so are the emotions of the guys in those cars. they're gonna get out of the car, calm down, shower, go on with their lives, and not think half as hard about this stuff as fans do, and some fans will remain upset for far longer than their blorbos will ever remember this. I think it is good to keep in mind before getting worked up

what happened: [regardless of garage 55 brainfart moment] Charles was ahead before the pit stops. At the pit exit, Bryan told Charles that Carlos had been told not to fight him and he should just focus on tyre temp instead of defending; Carlos went ahead and overtook him anyway. (That's when Charles said "Next time tell him in Spanish") Later, when Max was right behind Carlos and Charles was trying to overtake Max, Carlos was really slow. Like, there's speculation on reddit that he was feeding Max DRS <- not saying it happened (WE will never know) BUT he was slow enough that other people went "Wait this is weird," and his frustrated teammate would have noticed. If EYE was fighting for the wcc and I even suspected my teammate put someone else between the two of us (costing the team points) to protect his individual race, I would also go off about it. Regardless of whether it's true. Again! Not saying this is what happened and we will never know, but earlier in the race Carlos was definitely told not to overtake, and did it, and between the two of them he's the one with a history of ignoring team orders.

EYE (tumblr user gayferrari) have my own opinions. nuance button. I don't think you should get a gold star for being a "good teammate" or that following team orders is always the right thing. But CHARLES clearly values it, and in the past he's actually put his money where his mouth is and pulled his weight even when it cost him individual points, and I can understand he'd go on a heated tirade for 4 seconds when he's high on adrenaline. I don't think any of this should be a big tell about Charles's personality, team dynamics, his relationship with Carlos or whatever. I think he just spoke without a filter for a couple seconds, and I believe in taking these kinds of radio moments with a big pinch of salt. I'm gonna RPFy the shit out of this because I am on f1blr to have fun not to get angry. But I don't agree Charles was mad at the team, it was a very much "other side of the garage" kinda moment.

(*) note also that Carlos was told to swap with Charles earlier and DID do that, but after a few laps / because he was struggling with pace + very early on, when Charles dropped P2 -> P4, he was the one who spontaneously brought up letting Carlos pass because he knew he was struggling. So they both had moments where they were collaborating this race. I'm bringing this up for completion's sake, like, yeah Carlos swapped when asked even if late! But he also overtook when told not to

I hope this clears it up! Again, it's MY view that it's not that serious because we all choose how to enjoy sports and I'd much rather get angry about other things I feel matter more, and leave the petty drama as RPF fodder. But everyone enjoys sports differently so I can't speak for others

[penny-anna]

#Okay but. This also implies Ratchet going back and just. ‘alright everyone. line up. it’s STI testing time’ and #possibly finding out that one of his friends has been fucking cars. someone asks why they have to do crotch rust tests and he’s just.#‘…there was a car with crotch rust’ ‘a car with crotch rust?’ ‘a car with crotch rust.’ ‘…someone’s fucking cars????’#‘sighs. nods. someone’s fucking cars’ ‘and you think it’s one of us???’ ‘well it’s either one of you or there’s a car fucking decepticon #on the loose!’ and that’s how they find out they need to start looking for a car fucking decepticon

obviously they are professional about it

Optimus: alright before you all go we have a couple of health-related announcements

Optimus: firstly, I'm not going to ask anyone who's guilty of this to identify themselves, but: if anyone has been using earth vehicles of any kind for the purposes of sexual gratification, please stop immediately. it's unsanitary and frankly it's unbecoming of an Autobot.

*a number of hands go up*

Optimus: you can ask questions when we're finished

Optimus: moving onto the next announcement, Ratchet is going to be carrying out crotch rust testing today and you are all requested to attend

*many more hands go up*

Optimus: Sideswipe?

Sideswipe: did someone frag a car and give it crotch rust

Optimus: those were two unrelated announcements

Sunstreaker: okay but someone fragged a car and gave it crotch rust right??

Optimus: I didn't say that

Jazz: I didn't know human cars could get crotch rust

Ratchet: no-one said there was a human car with crotch rust

Wheeljack: Ratchet when you find out who fragged the car please please tell me

Ratchet: this is just a routine crotch rust check-up and I'm not sharing anyone's private medical information with you

Wheeljack: whisper it in my ear I won't tell :)

Cliffjumper: can I be excused on the grounds that I inspected my crotch very thoroughly this morning and there was no rust?

Ratchet: asymptomatic infections are still contagious Cliffjumper

Cliffjumper: aw darn :(

Optimus: does anyone have any questions that don't relate to the last two announcements. yes? Mirage?

Mirage: I don't see why I should have to let Ratchet look at my crotch just because one of these idiots fragged a car

Ratchet: annnd Mirage just volunteered to go first. c'mon.

Mirage, as the other Autobots jeer at him: aw, what?

imagine you're a mechanic in the Transformers universe and you have a car come in with engine trouble so you open it up and the engine is just full of some kind of weird fast-spreading rust. never seen anything like it before

so you're like. hmmm. and you call the Autobots like 'hi I know this number is supposed to be for reporting possible Decepticon activity but I've got some kind of alien bullshit going on and I don't know who to ask'. they hand you over to Ratchet and Rachet is like 'hm I think I know what that is but let me come run some tests'

SO Ratchet comes over and has a look at the engine and is like yeah as I thought. its crotch rust. and you're like 'crotch rust??' and he's like yeah its crotch rust. its a. well I think humans call them STIs? its like that.

so you're like '..........are you telling me a Transformer fucked this car' and he's like yeah. looks that way. and you're like 'what in the world' and he's like I don't know. people are freaks. anyway we don't want this stuff spreading so I'll be back tomorrow with the right nanites. keep it away from the other cars.

he comes back the next day like okay so I have good news and I have bad news. you're like 'well what's the good news' and he's like WELL I spent last night testing all the autobots for crotch rust and they're all clean. so you're like 'does that mean the car wasn't fucked' and he's like oh no the car was definitely fucked there's no other way this could have happened.

so you're like 'wait. are you saying a Decepticon fucked this car?' and he's like yes. we have a Decepticon fucking cars. and they are giving the cars STIs. thank you for bringing this to our attention here are the nanites goodbye.

[meli-writes]

Bitch-Princess of Toronto

“Cute, right?” Tamsin grins. She gestures to the small, pale mess curled up on the sidewalk couch with her — into her — the 6-foot, mullet-topped werewolf draping her own leather jacket over it to keep it warm. “Got the Bitch-Princess of Toronto purring in my lap.”

“I don’t purr,” the mess purrs back, echoing off the motor-repair shop’s walls, with an idle flash of fang catching Ezra’s eye.

“You want me to use the word ‘snore?’” Tamsin asks, irritatingly casual about it all.

Because Ezra, well they have been watching those fangs every day this week, waiting to see if the little caught vampire is gonna try anything; keeping her leashed in silver chains, some regular mechanic’s ones too, to one of the steel columns while the pack-elder fucks off to debate what to do with her. Ezra’s been looking into things themself — the usual rumours of vampires prodding into their territory, making sure it’s no-one who belongs to the Prince — because this one hasn’t been much in the way of forthcoming.

And in the two days they've left Tamsin in charge, she's got the bitch on a dog leash.

Ezra exhales, pulling at their septum ring and breathing the stress back in. “That’s the part you take issue with.” Not looking at Tamsin — but the vampire. The silent perfection with which she seems to not even notice Ezra is a screeching brake rotor in their head.

“Still only responds to what she wants to,” Tamsin uselessly informs them, flat-toned with a barely hidden smile that also says, but i’m what she wants.

And what does her owner want? The Prince, Ezra doesn’t say aloud.

“Why is she in your lap?” they manage to ask.

“I don’t know,” Tamsin says. “We were chattin’ and I felt bad about leaving her chained to the post.” She rolls her shoulders back, stretching, and pulls a massive, thrice-bitten arm up to ruffle at the vampire’s ruby-red hair. “She’s so warm after feeding.”

“You did what!?” Ezra shouts, their hands convulsing in an electric gesture of sheer-fucking-disbelief before managing to clamp them into fists on their temples. “Tam! If Lucerne comes back from the Eldermoot and sees this-leashed-bitch and that-shit-on-your-arm she’ll fucking kill us both!”

“I don’t know,” Tamsin offers in a smug-salted, doubtful smile, “seemed a whole lot less messy than feeding out of the bowl — and she’s been so good. Two taps when she needs me to pull her off, ‘cos she struggles to herself. Very polite.”

Just to annoy Ezra even worse, she gestures it out — Tap! Tap! — on her arm.

“You think she's imprinted on me?”

“So she’s a stray cat now?” Ezra says, knowing in an instant that Tam is going to—

“Ohh, she’s such a good kitten. Ain’t that right, Red?”

Not much more escapes the pile of leather and frizzy, red hair than low, pleased grumble and the soft scrape of blood-full cheeks rubbing into Tamsin’s half-dressed chest.

Ezra’s hands run from temple-sides down their cheeks, like a squished bagpipe dragging out the last few thimblefuls of air, “I guess. If it helps.”

They’re not able to think of what else could even keep ‘Red’ on her leash, nothing short of the brute-strength that seems futile on a now barely-restrained, blood-full vampire. Marde. She’s one of the Prince’s fledglings too.

But if it is, at this point, all about what ‘Red’ is choosing to do, maybe Ezra can—

“Can I— pet her?”

Tamsin’s eyes lock to her, face still for a few contemplate moments, and then— well, she kind of nod-shrugs.

It’s when Ezra has reached a wrench’s length away that ‘Red’ finally does ‘notice’ them, stirring from her wretched repose to swipe at them; Ezra has to stumble back, falling ass-backward onto the stacked-tire coffee table.

Nothing got scratched, but Ezra can definitely feel their ego bleeding; looking at Tamsin who should be pinning the bitch to the floor, snarling, fur sprouting from claw-to-delt, and is instead pissing herself laughing.

“Don’t think she’s imprinted on you,” she adds, and Ezra is sure the vicious fang-bitch is smiling herself. Probably didn’t scratch me ‘cos she didn’t need to — with Tam playing pet-mom to her. “Gotta let her feed on your first.”

“Oh-ho-ho! Ha! Ha-ha! No chance,” Ezra mutters, twisting their swiped-at wrist in the other hand to soothe the emotional agony of it. “Tam — what if she tries draining you and uses that strength to escape?” 

It’s a perfectly sensible question; one that should point out what a bad idea this is; one that not even Himbo Tamsin should be able to—

“Don’t want to,” interrupts ‘Red,’ boredom effusing into Tamsin’s tits.

“What?” Ezra asks.

…

“Ugh!” they squeal, throwing their arms up in the air. “Tamsin, can you ask her—”

Tamsin merely coos at the fucking beast, rubs one of its dumb cheeks and, “you like it when I keep you, don’t you kitty?”

“Mhmm,” she replies, like once-again Tamsin is the only other person in the room. Ridicule! 

But it crawls into them then, why doesn’t she want to.

“Also,” the vampire adds, as if listening to Ezra’s thoughts more than their words, “the Prince’s current truce is a lie. Doubtless I’m no longer his favourite too, if he’s not bothered to take me back from you guys.”

There’s a roll of Ezra’s eyes that hurts more than an unplanned, full-moon turning, “Oh my god! Then we’ve been hiding a worthless hostage this entire time.”

“I don’t know,” ‘Red’ tells them. “Seemed obvious to me.”

“And you never told us!” Ezra moans, glancing up to Tamsin who’s pathetically infatuated with the attention-whore clamped around her like a bench vice. “So what, nowhere to run now? We would’ve let you off leash at least. The silver one, not this shit.”

“Seems kinda hot to be honest,” ‘Red’ says, and Tamsin hums in satisfied, deferential agreement.

When Ezra stares her down she shrugs, “What? I was comfortable,” and seems to want to send a message back, “Scared a little, okay. And I’m patient. Wanted to see what happened, because again, if he wanted me, a truce — fake-or-not — wouldn’t stop him; and he knows I’m here, for sure.”

There’s a wince now, but she doesn’t stop, “I don’t feel him but— ugh, I’m sure he feels me. Even this far from his ivory tower. Wasn’t really my choice to be there y’know, or any of his ‘princesses.’”

Ezra wishes they were the one borrowing Tam’s jacket, just to hide in it.

Silver chains and a bowl. Next to a mattress you needed Tamsin to find a blanket for. What an asshole, a wonder she doesn’t listen.

Practical feels the best way forward, “So what now? You gonna tell us about some secret attack or plan or whatever it is?”

After a moment they realise, and look to— “Tamsin?”

Tamsin’s got a hand under the girl’s borrowed shirt; fingers nipping at the trim fat, forehead rocking into the top of her head. “You know this sounds awfully dangerous, kitten,” she chimes. “You don’t want the Prince to hurt me, do you? There’d be way less cuddles then.”

‘Red’ takes a moment to weigh the bargain.“Mmm, sure. But I want dinner first.”

---

(Masterpost)

[the-algebra-thing]

the misogyny deal that I'm hearing about with the lesbian ship being endgame and everybody now discarding them and being more invested in the straight ship or the gay one is like. god like i get it I do. it is tragic it feels wrong. it's so fucked up that everyone is going utterly insane over jayvik and caitvi is kinda in the dust. we literally scored a show with a central lesbian relationship that is fully canon and in theory this should be insane and awesome, and in some ways it is, but it's somehow not nearly as exciting as it was supposed to be. and I don't think the misogyny is completely on the viewers, if at all.

the reason that people are not as invested in it now as they were in season one is because the writing ended up accomplishing basically nothing solid in the whole damn show, and there were no through lines to latch onto that had meaningful or new themes attached, and so now everybody is flailing for anything to grasp onto. and they just didn't write caitvi in season 2 to be a good handhold. they started a lot of cool things with them and then changed direction in the middle, maybe even several times, and I also feel like the fuckass end to jinx's storyline and involvement (which I have plenty of thoughts about that I shan't get into here) kind of wrecked anything they would've been able to salvage from it. it just wasn't written in a way that is easy to parse or navigate—the ship OR the show in its entirety.

and so people are reaching for the easiest things to latch onto: timebomb had a simple, straightforward storyline and tragic ending, and it was pretty cute I guess. jayvik had one of the most central storylines to the narrative, was supremely gay, and did the howl's moving castle thing. I'm sure you can see which of the camps I'm closer to LMAO but like. caitlyn and vi DID have lesbian sex in a prison cell and I think that was very important, and they had some other concrete things going for them, but beyond that?? they're still alive and together but now they're kind of physically and mentally destroyed, and grieving, and for what. what was their story even about. what was the theme here; what were we trying to say with this. that oppressed people and cops can get married to each other and we should be happy about it?? like I dont get it; it didn't DO anything. and that's why it's falling into the background. and that's not on shippers or any of us, that's on the writers, for failing lesbians Again.

a theme isn't just a word or a statement. you've got to say something new, or say something old in a new way, or point out something new in something old. none of those things happened. they just threw some characters onscreen and some of them had very meaningful relationships, but because those relationships weren't tethered securely to one of these things, they didn't stick. vi and caitlyn had nothing to stick to. I don't like it either but I think that's why this is happening. the idea about lesbians getting trampled on is still relevant, I just wouldn't blame each other so readily

[alexanderwales]

The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

[dalliancekay]

And it is All. Aziraphale's. Fault.

NO IT FUCKING ISN'T HIS FAULT

First of all: I'm pretty sure every time we see Az and Crowley in the past, Crowley is wearing whatever is the height of fashion while Aziraphale wears things that are well made but several decades out. Meaning he is wearing them for a good while. Swapping his clothes around when they become maybe too worn, maybe too conspicuous.

Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

Really? Was he born yesterday? He has no idea how the world works?

the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag. 

It wasn't invented by the rich. It was 'invented' or used rather by the church that got used by the rich to keep the poor in place. There is no way you can blame Aziraphale for this. All he wanted is for Elspeth not to end up in Hell. Which Crowley wanted too, after he saw how upset it made Aziraphale. That's not fucking wrong. And you can't tell me either that rich have more opportunities to do good. Or that they do so. Or that more of them go to Heaven.

The inequality in humanity? Well, Adam and Eve had nothing. We have caused all this bullshit to ourselves. Nothing to do with Aziraphale. Or Crowley.

He respects her goodness tremendously.  It proves to him his “rightness.” 

Did you mean to say, he's glad she's not heading for Hell.

And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

He WAS saving her soul. Remember? Heaven and Hell being real places you go to when you die in GO?

Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

Maybe next time try to be a bit more condescending to someone who just learned something new. And IMMEDIATELY changed his mind about it. Plus, Crowley had no idea digging up bodies could be spun to be a good thing either. He was learning just as much as Aziraphale. But I haven't seen one single FUCKING META about how Crowley was completely disinterested in Elspeth and her life. Only in having his usual argument with Aziraphale. Until he didn't. (And as I pointed out, he wasn't right about - you have start people off equal, people did start off equal, we are just assholes)

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide. 

In other words, everyone makes their own choices, things go badly for Wee Morag. Maybe re-watch the ep and see how Elspeth doesn't blame Aziraphale (or Crowley) for what happened. So why do you?

Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.  

Is he? Or is he taken cos he sent two guards directly down to Hell, alerting them?

And it is All. Aziraphale's. Fault.

(I deleted what I wrote here)

He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him. 

There's absolutely NOTHING in canon to support this. We can HC whatever we want sure, I for example think that Az wears things, as I said above, that are stylish but always out of fashion because it takes him time to find the right things and then he wears them for decades and decades. Because that's what is suggested by the canon, by the care he puts into his clothes and how well loved they are. The fact that 'male' fashion got less flamboyant down the centuries was not Aziraphale's decision. I for example HC too that Azi, when building his bookshop, and using his own, earned money as you rightly say, was spending miracles on making sure his workers didn't injure themselves, that he spent miracles looking after the street urchins in the very poor neighbourhood he has chosen to settle in (as opposite to say Mayfair). And that when Gabriel told him off for using too many 'frivolous miracles' in 1792 he got mad and decided to go to Paris like the stupid angel he apparently is and get, say, ravished by his enemy who would surely find him helpless and not able to save himself in a prison.

What would Crowley do, if he were free to be kind? And so Aziraphale changes.

Yes, because Aziraphale is an asshole who cares about nobody, and nothing, right?

the angel who took too long justifying a life-saving miracle for Wee Morag

Because he's NOT ALLOWED TO INTERVENE.

who hesitated to give Elspeth his 90 Guineas

Do you think he should have just worked and worked and give all his money to poor people? Is that the answer to all the world's problems? Making Aziraphale poor?

willingly and freely gave Maggie forgiveness for thousands of pounds of debt

Why wouldn't he. It's his property and I am sure he lends it to Maggie for significantly less than anyone else would have. Definitely less than those 'gentlemen' in the book who come and try to persuade the angel from time to time to sell his bookshop.

I'd love to know what else he's done over the last 180+ years!

He's been the kind, big hearted angel he always was. Looking after his shop, his tenants and anyone else who he could. Saving babies in prams and making sure shady men never came back. Looking out for Crowley, trying to keep him out of trouble, worrying about him, keeping an eye out to see if he's not doing something reckless. Finding out the demon wants to rob a church, handing him the one thing that could take him away forever with the heaviest of hearts. While of course, Crowley was doing the same thing. Not giving in to Aziraphale's princess act in the Bastille because he knew it would not ultimately end well for them. Understanding when Aziraphale said no to a date in 1967, not surprised since he remembered well what happened in 1941 when they were seen together.

*** YES if Aziraphale did absolutely nothing on the graveyard, Wee Morag would have probably lived a bit longer. How much longer though... and they would very likely end up in Hell, because they would have had to do much more crime down the road. Maybe even get hanged for graverobbing. Also see: Aziraphale just wanted to help. Did you never make a mistake??? He didn't mean to hurt anyone. If he did nothing, he'd never have learned yet another way the world is complicated and not black and white. Crowley was going to do nothing at all, just have a laugh at someone robbing a grave. No one cares. He's a demon. He stopped Elspeth from killing herself and everyone applauds, yes, it is super kind of him, and dangerous for him too, but it is the right thing to do. He didn't want her to go to Hell either.

The people who think they would have figured everything out before any events happened at all...well, good luck in your life.

And people who think Az should have done nothing - okay then. Let's just all do nothing at all, hoping we avoid all the bad things. Also: Changing the world is not done via charity but via changing the society, creating better welfare systems, housing, medical care, education. Those are things one lone angel (and his husband) can't do. And it's not their place anyway. I have like 5 pounds in my bank account (I hope) and yet I am not blaming someone well-off for that. It's the systems that are failing us. Much like the systems failed Aziraphale and Crowley. Putting two wonderful beings through so much pain because - that's how it is done.

And as I have said a million times before, Aziraphale is not learning some morality lesson in GO (HE IS A WONDERFUL, GOOD, KIND, GENEROUS, BRAVE BEING ALREADY), he doesn't need to get off his high horse, he doesn't need to finally 'see things clearly'. He knows how fucked the system he lives in is. He's just trying to help. Even Crowley says (in the book) that Heaven is the better option over Hell. However fucked it is.

Aziraphale learns from Crowley that he can question things, yes. But not in some, oh he's so blind and stuck and deep in some dogma bullshit. NO. He was always told things will happen a certain way. That Earth gets 6000 years tops. That God Herself made a Plan. It may be Ineffable, but it is a Plan.

I'm sorry, if you think you are far smarter than this and you would have figured out that God is telling porkies, good for you, I'm glad such intellects exists.

Because Crowley also didn't know the Plan could be changed until the end of S1. Yes he asked Az to try stop Armageddon but I don't think he really believed they could. He just wanted to give it a go. Cos - well what did he have to lose?

And they did change it. They held Adam's hands and they told him to be himself and when Gabe and Beez wanted to go ahead anyway Az confused them by asking about which Plan said what. So yes, he learns to question things. And he learned that from Crowley. And Crowley? Who was abandoned by the one Being who was always supposed to love him? Well. Crowley looks into those blue eyes and trusts.

The Night That Changed an Angel (or, why does Aziraphale still wear that shabby vest?)

Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.