#which is nor exactly the best comparison i suppose

[cringelordofchaos]

"OMG! Did you know that pigs would easily eat a human? How scandalous! Outrageous! Disgusting! Pure proof of their immorality!"

- average Jessica, who eats porkchop with their family once a month

[arcane-abomination]

In “The Basics of Death Magick” I briefly mentioned what death energy is like.

“Death energy is about stillness, endings, and about the deconstructing and reconstructing processes. It’s about using what’s passed to fertilize what’s new and grow something that has purpose in the next step of your life. It’s about the acceptance of inevitability and what we can’t change to bring about what we can.”

That statement is somewhat vague in comparison to the full expanse of the truth. So in this blog I intend to break it down and fully flesh out exactly what I’m talking about here. It’s a truth that isn’t really grasped fully by many death craft users for some reason. A truth that all must learn to fully grasp the encompassing mystery of death.

A Moment of Death

The act of death itself is a very swift action. The time leading up to it may be arduous and long but the moment the soul is separated from the body is almost instantaneous. It’s the exact instant that the ultimate change happens. And it’s that small instantaneous moment from which we’ve created a whole practice.

In that second, everything is different. Our mortal minds are completely stripped away and the real truth, the incomprehensible knowing that our previously living bodies weren’t made to comprehend, suddenly becomes realized in its entirety. This is the ultimate transformation, and the strongest form of the liminal.

Death & the Liminal

It may seem strange to think of death itself being liminal, especially since the moments between life and death are in of themselves liminal. Well the truth is death is all about change just as it is about the ending of something. You see, once Death happens, decay sets in and the process slowly melts away the old tissues, creating nutrients for the earth. This is the process of the liminal. The point of change from one form into the another. A reconstruction of energy. So while death is undoubtedly the end that is merely the tip of the iceberg as it would seem. The process of change is one of the biggest parts of death magick and yet it’s rarely talked about and understood by many who claim to practice it. Yet it is so quintessential to the art.

Stillness & Movement

As stated in the quote above, death is about stillness. However, just as it is about both endings and reconstruction so to is it about stillness and movement alike. The stillness we are most familiar with comes from the physical realm, the corpse. While the underlying movement in the equation stems from the spirit that was released. It’s a movement often unseen with mortal eyes but exists nonetheless. So I suppose the most accurate description of this energy would be “the physical stillness and hidden movements.”

Both forms of energy are intertwining and never exist without the other. That’s the reason many death users and spirit users alike often have a physical representation in their work and why many necromancers go to graveyards. The unity of the stillness and movement aspects work most beneficially when they are in tandem. And while one can call on them separately, it’s in their nature to connect. So working with both leads to a more prosperous craft.

Now, while I’m aware we all can’t have the convenience of working with an aspect of the corpse, like its bones for instance, especially when it comes to human bodies. Nor are we all able to get to a cemetery, it’s still important to represent the physical aspect of death. Trinkets and belongings from ancestors and relatives passed on work well, as do skulls carved in stone or crystal. You see, honoring the unity of both halves of death energy is the key to success.

In Conclusion

Death energy is a more complex energy than many may realize. It has layers and depth that few dive into completely and understand, preferring to work with what’s presented on the surface. The best way to experience Death magick is to understand these complexities and immerse oneself within its mysteries.

[disappointmentthemusical]

begging people to understand the implications of there being no good candidate.

neither trump nor biden (or any of the third party candidates, actually) is a viable option.

do y'all get that? understand that? comprehend that?

nobody (barring the alt right fascists) wants to vote for trump.

nobody (barring the neo-liberal fascists) wants to vote for biden.

trying to justify a vote for biden because trumps just so bad is – no kidding – cognitive dissonance

like just putting it all out there, for a one-to-one comparison:

Option A is a convicted felon, insurrectionist, open racist and egomaniac

Option B is in active cognitive decline, will (if elected) beat his own record for oldest president, hasn't actually protected a single civil right mentioned on current campaign, and is providing troops, funding and munition to a genocide.

Like?? And we're just supposed to, what, pick one? And hope that the one we picked isn't the one who starts world war III?

Yeah, OK. Sure. This sounds exactly like a democratic republic, wherein we, the people, get to vote for the candidate we feel best represents our peasant interests.

Which one is that, again? Option A or option B?

Or, do I pick hidden option C, who had a portion of his brain eaten by a worm and is part of a hegemonic elite family?

so. yeah. don't vote – or do. but at least be honest about it.

[genericpuff]

LR is really, really good but I just wanted to say something- this is probably more about the readers than LR itself, but when it's said that LR is so much better than LO artistically (which it is!!), like say in terms of writing, pacing, and art - I think it's also not an apples to apples comparison, since LR has LO to draw inspiration from and a lot of external reactions to LO to learn from for what to do and not to, while LO is both time-constrained and (when it started out), didn't have much basis to compare to.

(The SA plotline is one example.. many criticize RS and say she shouldn't have written it in the first place but that's the thing - she actually didn't know. While I agree it's really shitty and RS has definitely ignored a lot of criticism she should take into consideration, the conclusion that she shouldn't have written it in the first place wasn't something that she knew about until after fans pointed it out. She definitely is mishandling it now, but I think writing that in at the start was born out of actual ignorance - different from her problems now, since she's now actively ignoring and shutting down the feedback she does need to get better. This blowing up educated a lot of people- probably not you specifically- and opened up a lot of dialogue for things that Rachel likely didn't have access to at the start of LO. and has no excuse for now.)

Anyway, yeah - Love Lore Rekindled, thank you for creating it! Genuinely, I do - this ask isn't meant to be a bad thing against you at all, nor do you need to reply to it.

Not a bad thing in the slightest, I honestly agree with you! The reality is that LR wouldn't exist without LO, so to try and compare them feels kind of like... it defeats the point?

Like obviously Rekindled was made with similar intentions, I'm not gonna sit here and pretend like Rekindled wasn't made out of spite over what could have been, but at the heart of it all, it doesn't exist to 'flex' on LO, really it's just to help recapture that joy and beauty that the original comic had that I fell in love with in the first place. It's only because I loved the original concept and foundation of LO so much that it exists. That's also why I call it an "AU" of sorts, as a sort of "alternate reality where LO didn't turn out the way it did" experiment lmao Mostly by maintaining the consistency in the original art style and paying off those earlier plot threads that didn't payoff the way we were anticipating or were dropped entirely. Sure, it's trying (and in some ways succeeding) to be "better" than LO, but that definition of "better" and how it's applied was what we were hoping to get out of LO in the first place.

So yeah, when people say "the art/writing is so much better than LO's!" part of me tries to take it as the compliment it's undoubtedly intended to be, but also I'm like "ack, that's not the point!! the art still doesn't look exactly like LO, I'm failing!!" LMAO I suppose that's part of the magic, but it doesn't fully align with my original goals or intentions. That's the struggle of art stylization, you can try and mimic another person's work as much as you want, but you can never mimic the them that's in their work, just like how you can't remove the you that's in yours. I want to be at peace with my own work and what I put into it, so I try not to compare them too much and just treat them as their own unique separate things (even if one of them is directly trying to resemble the other). It's okay that Rekindled doesn't look or read exactly the same as LO, but in saying that it's 'better' defeats the point of why Rekindled exists in the first place and diminishes LO's part in the process. LO has to exist - all of its best and worst parts - for Rekindled to exist, so putting LO down just to raise LR up... isn't that kind of what we criticize all the time within the comic, how it can't seem to hold up its best parts without putting down others? Why can't they both have their own things worth appreciating on their own exclusive of one another?

This is also why I generally ask people to not share Rekindled with the general Lore Olympus hashtags or post about it in the fan groups (and why I don't mirror it on Webtoons) because I just like... don't want it to come across as some "booo you like LO??? go read this instead!" type deal. I want people to be able to enjoy Rekindled as its own standalone story as an extension of LO, in the form of what could have been. There's a very thin line in the sand between Rekindled being just what it is and it being used against the fans as if it's a crime for them to still genuinely enjoy LO. I can't enjoy LO in good faith anymore, but that doesn't mean I make Rekindled for the sake of ruining that good faith in others. I was a fan too, once upon a time, so Rekindled is just as much for the fans as it is for the people like me who started off loving this comic just to be disappointed in the end and yearning for the "what if" that could have been.

And yeah, it's absolutely an advantage that I have in my court that I have the knowledge of knowing what LO started as and where it went wrong to work off of, an advantage that Rachel didn't have. It's like when I look back on my original pages in Time Gate: Reaper and think "man, I wish I had known xyz when I made these so they could be better!" but if I hadn't made them like that the first time, I wouldn't be able to reflect on them now knowing I've improved. In that same regard, Lore Olympus had to run so that Lore Rekindled could crawl. And I'm forever thankful to LO - and Rachel - for giving us something we could all connect over to such an extensive degree that Rekindled could exist at all.

[pocketramblr]

Thoughts on Kalego VS. Aizawa as teachers

They're an interesting comparison because while being similar on paper, there's a lot of differences in how they actually play their role in the plot

bnha is more focused on the hero part than the academia part, where m!ik is equally focused on the "welcome", the "demon world", and the "iruma" parts of the title. bnha is all about Izuku's path to best hero ever, we're told that almost right away and it's all about that destination, and while it is obvious that Iruma is going to end up being the next demon king, that destination is not as important to the story as the journey to it.

Since these stories are fundamentally structured differently in their protagonists and focuses, the roles of "grumpy teacher to protagonist" is also going to be structured differently.

Well, m!ik is an isekai. Iruma is a normal enough human, though one with a tragic backstory, taken to a very different world. bnha is the opposite- Izuku's initially the fish out of water in his own world, but once he gets his quirk that kinda goes away. As much as fic writers would like to pretend otherwise, Izuku does not think of his own former quirkless status that much. Iruma, on the other hand, is rather aware of his human status. and those two differences feed into the socieity examining aspect of the stories, which influences the roles the teachers play.

Both teacher's initial purposes involve being an obstacle to the main character- Kalego's flying race for ranking, and Aizawa's quirk assessment ranked test. Both are pretty antogonistic and already don't have high opinions of Iruma/Izuku due to things that happened before they properly met.

But Aizawa is representative of a good hero who does not mesh well with hero society expectations, and Kalego is representative of a bad demon who does mesh very well with demon society expectations.

So Aizawa's expulsion threat is an anomaly, as is his underground status. That said, he is very good at his hero job and is someone that the student characters are supposed to look up to and emulate in at least some ways

Kalego, on the other hand, doesn't even actually control the initial ranking, he just facilitates it. the ten-rank system is built into demon society and Kalego fits well in that way, with his own high rank and power level. But Kalego is also not a demon the student characters are supposed to take as an example, at least not at first and not in the same way as Aizawa. The Naberius clan is weird for demons, they've got a dog blood curse instead of a proper familiar or bloodline magic, and they're disciplined in a way demons usually aren't. I wouldn't be surprised if there were Naberius archers out there, for example. But Kalego's discipline is not like Iruma's human discipline, nor are Kalego's traits ones that Iruma particularly needs to pick up to grow into a demon king. Maybe later with the music festival, but overall? eh.

And their later actions can be compared too- the Heartbreaker Exam is 95% a better designed test for the students than the Hero Course Semester Exams, even though both involve the basic idea of students v teachers. Kalego and demon teachers had a better plan for testing each student.... uuuuuntil you get to "jazz actually getting tortured" and then the test continuing after iruma is almost kidnapped by a traitor on the staff. It'd be like if Aizawa said "hey nedzu and snipe, keep going with the rescue lesson with any uninjured students while the injured are hospitalized with me, they won't get a break after a villain attack in the real world!" and um. yeah i don't think Aizawa would have said that even if he had been conscious. Kalego... did. and that difference ties back to what exactly the main characters are supposed to learn. Both Izuku and Iruma are supposed to trust their teachers with their learning and well-being, but while Iruma is also supposed to learn about the mechanisms of demon society and how to command powerful demons like Kalego, Izuku is really only supposed to pick up various strategies from Aizawa so he doesn't only have All Might to mimic.

[madara-fate]

Do you know what queer subtext is? Is when the creator DOESN’T know he created a story so gay. Kishimoto didn’t intend on people shipping Naruto and Sasuke romantically, but it doesn’t help that he started off the story with a kiss gag and instead of leaving it at that, he had Sasuke end up picturing said kiss as one of the reasons why he saved Naruto from Haku, when naruto asks him why he’d do that. All that stuff is classic tropes from romance so it’s not fartetched to see it as some kind of gay subtext even tho it most definitely wasn’t Kishi’s intent. There’s also the fact that it’s supposed to be a friendship between them, but their rivalry kinda shuts it down, and probably why the likes of Shikamaru & Gaara are more often considered to be narutos best friends over Sasuke. You could see them as brothers too, but the fact that Sasuke has Itachi also tones down that angle. There’s even a time when he gets told naruto see shin as a brother and he’s like “the only brother i have, i want to kill” 💀 the disparity between labels as a concept vs their reality is what leaves a lot of room for other interpretations, one of them being powered by what is seen as gay subtext because it doesn’t entirely tick the sibling nor friend boxes.

Do you know what queer subtext is? Is when the creator DOESN’T know he created a story so gay.

That's not what queer subtext is. It is the presence of homosexual or non-heterosexual themes, which Naruto and Sasuke's relationship doesn't have. Especially not when they reacted so negatively to that accidental kiss that so many people love to desperately cling to. Kishimoto didn't unintentionally create a gay story Anon.

he had Sasuke end up picturing said kiss as one of the reasons why he saved Naruto from Haku

That's not what happened. Sasuke didn't use that memory as incentive to save Naruto, unless you're gonna tell me that he also used the memories of him insulting Naruto as incentive to save him, because that's the logic you're using, which also makes no sense. He remembered it because it was a recent and memorable incident (for all the wrong reasons) with Naruto who he had grown to value as a comrade. He wasn't remembering it because he found it to be a pleasurable experience, and there's nothing queer about remembering an accidental kiss that made you want to kill yourself - In fact, that is a very heterosexual reaction to have when accidentally touching lips with someone of the same sex. So if anything, it should kill any queer vibes, but these people are simply beyond reason.

There’s also the fact that it’s supposed to be a friendship between them, but their rivalry kinda shuts it down, and probably why the likes of Shikamaru & Gaara are more often considered to be narutos best friends over Sasuke. You could see them as brothers too, but the fact that Sasuke has Itachi also tones down that angle

A rivalry doesn't shut down a friendship. One of the best examples of this was following Sasuke's late arrival during the Chuunin Exam finals. You could clearly see the nature of their "vitriolic best friends" relationship - They were friends, they wanted each other to do well, they engaged in light hearted banter, and yet they still wanted to fight each other, because they were rivals who respected each other's ability. That rivalry doesn't take away from their friendship.

No one thinks they are actual brothers, so I never understand why people bring up Itachi to counter this point, as if people are saying that Naruto and Sasuke are literal blood brothers. That was never the point of the comparison in the first place.

the disparity between labels as a concept vs their reality is what leaves a lot of room for other interpretations

So what exactly is "their reality" according to you?

And no, there's no room for interpretation. Authorial intent dictates how the narrative is supposed to be perceived and understood. If Kishi didn't want Naruto and Sasuke to be romantic, then they're not romantic, end of story. I mean, I could just as easily "interpret" Sasori as being an Uzumaki due to his red hair, but Kishi clearly didn't intend on that being the case, so Sasori is not an Uzumaki, and there is no room for interpretation on that.

one of them being powered by what is seen as gay subtext because it doesn’t entirely tick the sibling nor friend boxes.

So let me get this straight - you think that (in your opinion) their relationship doesn't entirely tick the sibling box (sure they're not actual siblings, but the fact that their relationship has repeatedly been portrayed as akin to siblings because that is literally the story of them being reincarnated from actual blood siblings shouldn't be ignored), or friend box (despite them both on numerous occasions describing each other as a friend). And so because of that, are you implying you think their relationship ticks the lovers box?

[razorblade180]

Whispers in droplets

More of this <- I guess?

It was another calm night in the nation of Hydro. Warm street lights cut through the darkness on every corner while the bustling sound of rushing water had become a source to soothe wary souls to a good nights rest. Furina wished she was one of those people.

All by her lonesome, she stepped rhythmically on every painted brick on the way to the Opera House, her gaze fixated on the ground. Though she lived for the performances, a piece of her also found it calming to be in the grand, empty hall with its lustrous curtains closed; no performances to a n audience had its own since of beauty in her eyes that were currently a little puffy and pink. By now, even the energetic Charlotte had to going to bed, which was good. Furina couldn’t bear the thought of an unwanted picture of citizen capturing her in such a pathetic state of-

“Focalor?”

A voice called out, causing her to jolt upright out of her trance. What was a the muffled sound of water became crystal clear as the young adventurer who sat up against the fountain. Furina’s heart nearly stopped. Of all fountains, it had to The Fountain of Lucine that Aether sat against. She quickly recovered from her internal fear but failed to be as in character as she would’ve liked.

Furina:W-Well well… aren’t we a night owl? To think I’d see you here even later than usual. Plotting a scheme no doubt.

Aether:I thought you learned your lesson about baseless accusations.

Furina:Excuse me!? If you’re referring to Mr. Lyney’s prosecution, we both know it was far from baseless. Even if I hadn’t uttered a word he’d still be questioned, given the fact a crime happened that was during the show! My bold declaration merely expedited the process towards the inevitable truth. Though I’ll admit….the twists and turns along the way were indeed…unexpected.

Aether:I’d say you’re putting that mildly, but I don’t anyone, not even a god, would’ve predicted that nonsense accurately. The crime spanned decades after all.

Furina:Well…I agree, I suppose. *deflates* Though a couple decades in comparison to centuries of life makes my assumption laughable at best. Anyways, why are you here of all places? You of all people must know it wouldn’t do you any good to be around the water system so casually given recent events. Neither Neuvillette nor I would expect you of foul play or tampering, but you’re still a foreigner with trust to earn.

Aether:Can’t argue with that. Unfortunately for me, I’ve been accused of crimes while having even less suspicious behavior. *stretches arms* I couldn’t really sleep, so now I’m here.

Furina:Most decide to take a proper walk or eat something to soothe the body and mind.

Aether:Well I’m not exactly most people. Turns out I’m pretty sensitive to the hydro element. When l can’t sleep , I come here to listen to the water and the secrets they share~

No amount of practiced theatrics could remove the shock in Furina’s eyes. Aether could see her fists tense slowly and despite her attempts to stand tall, she looked a little less composed.

Furina:Secrets you say? What kind of secrets exactly?

Aether:..*smiles* Can’t say. If they wanted to be known, they would. It’s like you said, I have trust to build, so the secrets stay with me.

Furina:…*grins* Ha! Very well then. I suppose I can’t drag them out of you.

Aether:You sure perked up quickly. Though I guess it’s a good thing. It looks genuine.

Furina:Genuine, you say? Heh…

She approached Aether and sat down beside him, going as far as to remove her hat as she gently leaned against his arm. She didn’t care if he could see the redness under her eyes, wrinkles on her clothes, or the frizzled strands of hair that weren’t befitting of a god.

Furina:Pardon my proximity, but I’m rather tired tonight. Or…I suppose I should say I’m tired most nights.

Aether:That’s fine. I’m tired too. I thought you had some place to be, or at least that’s what it looked like?

Furina:I did, however…*closes eyes* I enjoy company; even if it’s yours.

Aether:You were so close to being sweet.

Furina:Gotta keep you on your toes. Seriously, I do enjoy this little moment. Though I hope you do understand you can’t go blabbering about this to anyone.

Aether:Heh, what’s one more secret between us?

[margridarnauds]

So, as of just now, I've watched both seasons of The Rings of Power, and here is my current scattered list of thoughts.

Tolkien would be rolling in his grave. But he would also be rolling in his grave at aspects of the movies, we can be honest about that.

It feels like the second season did a better job with costuming than the first, though, to be honest, I think that claims about the badness of the costuming of the S1 costumes have been over-exaggerated (not WRONG, but I think over-exaggerated due to a general unwillingness to treat any aspect of the show with good faith and to clasp onto perceived shortcomings.)

I do think that they over-extended some storylines, wanting it to encompass EVERYTHING and, in doing so, meant that some storylines are less cohesive and developed than others.

The Harfoot storyline in general feels like it might have been tacked on -- it's sweet, and I think it's so important in some ways, but I also don't think it's ever been as well-developed as some of the others, especially in S2 where they're kind of wandering around. The first season had the strong focus on the Harfoots' love for one another, and that was reduced in S2.

Ciarán Hinds is forever one of my DILFs of all time since Persuasion, and he does his best with the role, but the Dark Wizard never really escapes from the shadow of being Discount!Saruman, especially with his addressing of Gandalf as "old friend". And when you are up against Christopher Lee, particularly in a villain role, you've kind of got to accept you've already lost. Tolkien did have the evil Istari written in, but he didn't really do anything with that plotline, and I can't say the show does much better, though I suppose we'll see how that develops down the line. He might still find a way to distinguish himself as a threat in his own right, but he's swimming against the current when he's a villain in a show with *SAURON*.

Speaking of Gandalf, though, I do appreciate Daniel Weyman -- the man is competing against Ian McClellan, in an absolutely iconic role. And I don't think he does *better* at it than McClellan, but I'm saying that I think his approach to the character is very plausible as a younger, less experienced version of McClellan's Gandalf (specifically).

Though, regarding that, I do think that TROP suffers at times for inviting comparisons with the Jackson trilogy in some ways, via a number of visual and textual homages, while also diverging from it. I love the Jackson LOTR, but trying to tie into it means that neither Jackson purists nor book purists will be 100% satisfied, and sometimes, it feels like they try too hard for fanservice.

That being said, when it does these things WELL, I do think it does it well -- Elendil getting Narsil made me freak out, because it was a reminder of his fate -- that sword *will* fall from his hand in battle, his son *will* take that blade up, it *will* be shattered by Sauron, and it *will* be reforged by Aragorn. His death is being written even at his highest point.

I still think the series sometimes goes too grimdark/actionified to keep up with HOTD/the films -- and I kind of hate that part of why S2 has been praised more than S1 is its darker tone.

That darker tone does sometimes affect areas where, imo, it shouldn't have been affected -- Tom Bombadil being a prime example. I liked seeing him on screen, but it really felt like they took some of the whimsy from the character in favor of upholding the larger narrative, which could work for some characters, but not *this* one.

I do like the way that we SEE corruption slinking in, the way that the characters are trying to maneuver around things without having the full picture, often to tragic results. It really highlights how much of a threat Sauron truly is, without making him a one man army. One area where I truly think it's a *masterwork* is the depiction of Sauron and his manipulation; the Celebrimbor arc was exactly as devastating as it needed to be.

I really wish that people hadn't been so focused on "oh my GOD Galadriel has a SWORD" because, even among people who weren't alt-right trolls, who DID want to make valid points about women only being valid if they aren't overtly feminine, (1) Morfydd Clark....is still incredibly feminine as Galadriel, and is a very nuanced role even if it isn't 100% what Tolkien would have likely done if he was writing this; I get so tired of people saying that women are "being written as men" when they are still incredibly gender conforming, it brings "butch Princess Peach" vibes and (2) There are so many other women who are wives, mothers, leaders, and healers, and this criticism, even when it attempted to be a feminist critique, ultimately did them a disservice.

Honestly, I think that Galadriel SHOULD cut her hair short, burn her bra, and make out with Celeborn, who, in the years apart, has discovered that she's a woman, just to piss people off.

But also, they should have found a way to write Bronwyn off without killing her off, even with the actress not wanting to return, since it was, functionally, a fridging, even if it was one of the more understandable examples.

I do really like the nuance given to the dwarves beyond either "comic relief" or "greedy" -- the take on dwarf culture here is something that I do think is going to be memorable long term.

The linguistics for the names suck, but the pronunciation of Elvish tends to be pretty good.

I really like the take on the orcs, for the most part. I still don't like them wearing skulls in the first season, I really wish that they weren't so Jackson-inspired as far as their visuals, since the Jackson really was racist (though Tolkien's orcs would have looked like racial caricatures of East Asians if adapted faithfully on screen.) I do think that the second season does a better job than the first, highlighting why the orcs went to Sauron and how he betrayed them in the same way that he betrayed everyone else.

I don't think Adar is Tolkien-esque, as a figure, but I love the tragedy of his character, I loved seeing his rise and fall, and I was really rooting for him to somehow survive.

It's clear that, despite some things being altered here and there, sometimes, imo, for the better, sometimes for the worse, there are a lot of people involved in this project who deeply care for it -- you can hear it when you read the cast interviews.

I think a lot of people were really ageist when discussing Thomas Edwards' Celebrimbor -- the man conveyed the right combination of emotional depth and steel, and a lot of it came down to "doesn't look like how I personally imagined the character." (Because I wanted him to be hot and young and shippable.)

Also people were ghoulish about Charlie Vickers' appearance -- the man was a perfect Sauron and, honestly, I do think is beautiful in the role. People really judged him based on how he appeared in the first series, when he was at rock bottom.

Morfydd Clark can create chemistry with anyone.

In general, I don't think there's a miscast person in the entire cast.

I am super nervous about Míriel's plotline, because if they go with the forced marriage thing, it will look really bad with a black woman in particular.

I think it does do a lot more of a tribute to Tolkien than people give it credit for, namely because so many people think that the Jackson films = Tolkien. I love the Jackson films, but they aren't Tolkien. But, as per the point above, I don't think the series does itself any favors when it *invites* those comparisons.

People complaining about Sauron being straight were not prepared for the second season.

Overall....do I think it's perfect? No. But I remember how much Tolkien purists hated the films when they came out, and I suspect that the reception of this series is going to be better, in twenty years, than the Hobbit films. Not great, no, not as iconic as the films, no, but decent. Provided they don't jump the shark at some point.

But also, fuck Bezos

[haleigh-sloth]

What are your thoughts on Gran Torino calling Tomura a “thing” and saying that his death will be his salvation, so Deku shouldn’t try that hard to save him? I’m worried that the story is going to end up agreeing with him in the end.

I've talked a lot about that line. Of course I can't find the most recent post I did where I talked about that line, love tumblr.

My bottom line is: It won't happen.

There are only a handful of characters who I have doubt for in my mind in terms of their arcs being satisfying to the max potential, and Tomura, Touya, and Toga are not on that list.

Gran Torino said that in chapter 309/310 (can't remember exactly which one and I don't feel like checking), and he has not been remembered/acknowledged by the protag or the narrative as a whole since.

I might be wrong and he may have shown up once?? But I'd even go so far as to say I think he's literally had 0 panel time since then, and we're on chapter 385.

Meanwhile in comparison you have Izuku remembering Tomura's pain in that one moment where he realized it was there, and remembering what he said he would do in chapter 305 MULTIPLE times, over the course of 80 chapters later. Now, which one has more narrative importance?

The thing is, the question of "can he be saved" is already there. Tomura's done a lot of damage, left a lot of death, misery, and mourning in his wake. The only positive force he's had in the manga is bringing the League together so none of them died alone, and which has resulted in half of them meeting their about-to-be-heroes. It's really not HARD to wonder "CAN HE BE SAVED??" The question is already there. Which, to me, explained why Gran Torino has been so ignored since he said that.

I know a lot of people try to play the argument of "oh the author did this good writing thing on accident", and no. He didn't. Everything in BNHA is intentional, that is a lesson I've learned. A frustrating, painful, but much appreciated lesson lol. Gran Torino saying it in the first place was intentional. Yes you are supposed to wonder if Izuku might think he has to let Tomura disappear or die. There's gotta be some level of doubt, even if it's not very convincing (and to me it's not lol). And then, Gran Torino being ignored for 80 chapters after is also intentional.

Izuku thinking about Tomura multiple times, asking if he's still there in his own body, knocking him out of his "tomb"--which Izuku referred to it as and emphasized the fact that it was a tomb--and falling to the ground with him to face him in the security of not having everyone else who wants to kill him around, is intentional.

The art is intentional. Look at the most recent panels with the two of them, and look at Izuku's general attitude toward Tomura in comparison to what it was during the PLF war arc. It's a complete 180, it's entirely different and way more full of determination than it is rage and anger. That wasn't on accident.

Anything that involves Tomura dying results in the main protagonist's arc ending in complete failure. The story has not once validated the "kill to save" take, nor has it once validated Gran Torino on anything, ever.

I use this same argument when I talk about Touya. Ochacko saving Toga--which lots of people seem to be more accepting of now, finally--will not happen without Shouto saving Touya and Izuku saving Tomura. None of those three will succeed while one of them fails on the side and mourns their failure to save someone who was crying---which those three villains are all crying. It just won't happen.

Obviously I'm not Horikoshi. But this is seriously one of the things where I am 0% concerned about where the story is headed. Tomura is the best written character in the manga, he's been rewritten time and time again, redrafted time and time again. My confidence that his arc won't be trashed at the end is really high. I am not worried.

[kellykadesperate]

>:3c hello!

Judd is never there lmao … He has strong friendships but he goes home to his wife. ooooh, damn, that is so true! the contrast of judd versus the others makes complete sense indeed, that judd's first choice will always be his wife and kid, and then maybe friends his age that he's known for many years, e.g. tommy and his poker buddies. he's been living and having a fulfilling life in texas before the new team was formed, and it's nice that this is visible in these choices. it makes things clear without downplaying his friendships with the team. also re tommy, she is another good example of more realistic freedom: she did choose her family over her job because it made sense back then until she eventually returned. i liked that – life is long, and people temporarily leave their jobs, go on sabbaticals, etc. this isn't a death sentence to solid friendships.

we don't see them close in that sense despite being very involved in each other's personal life. this!! there is this weird disconnect happening between what i actually feel when i watch canon versus what i know i am supposed to feel (what the shows tries to make me feel) when i watch canon. i get what the show tries to convey but they suck at believably executing it, so i just. do not really feel it lol. i mean, you cannot be amatonormative (all of them have separate families; not being each other's top priority in comparison to their actual partners; being single is equaled to living an unfulfilled life/ romance seems to be regarded as vital) and anti-amatonormative (all the scenes that emphasize that family can come in many forms and that friendships are meaningful too) at the same time. these puzzle pieces do not fit together at all, and whenever one of them is shoved into my face, i just like ??? why is this show just contradicting itself repeatedly? one episode ago, you said something else! either you tell me that a life can be fulfilling and incredibly happy without a romantic partner or nah, but you can't do both.

He's poor little has no clue what he wants Buck in a way that feels like they're almost laughing at him lmao. djdjdjdjdj THAT is so real. they use buck a lot for those purposes, and it's not doing his character nor the other characters a favor lmfao. at best, he's relatable for having those struggles while the others seem supportive. at worst, he seems like the laughing stock because he is young and does not have a romantic partner/children yet, which means his life must be empty and he lacks life experience, while the others seem condescending. "judd with the younger members" feels better than "bobby, hen, chim with buck". i exclude eddie bc he's apparently buck's age but never got the baby treatment.

If it wants to be dramatic, give me drama with lifelong consequences. i agree! i like silly, i like drama... balancing them can be tough tho, and then they just water each other down until you do not really get to enjoy either of them to their full extent. love the funny episode but the entire premise of this show is sooo wonderful for whump that i cannot help being a big sad that they don't manage to build proper suspense :'(

It just feels weird when they really hammer home how close the crew are and important they are but really don't show them all hanging out for extended periods of time. In fact they make a point of showing them hanging out separately. i am taking a megaphone to shout this so loudly that the 911 makers can hear me <3 exactly. it really is a Choice™.

I was fully convinced Kameron was going to try and kiss Buck or something, I still kinda think they'll go there because ... why not! OHH, interesting! i personally did not think that would happen, but it's an intriguing idea to me. i really loved that the only reason this entire donor sl even happened is because an old friend remembered buck to be such a good person that he decided "his [buck's] babies will definitely all turn out great" lmaoooo. and that kameron felt comfy enough to seek out buck's support even though they've only known each other for a few months! <3 cute! ngl i would not even hate them getting together. what a story to tell the child someday LMAO. no but jokes aside, pls omg give these characters something to do that isn't their next love interest for once <3

The whole destined to be alone, unloved, I'll never find someone who knows me is just ... I'm sick of it and makes both characters feel like they actually don't know what they want. absolutely this! i am okay with some romance and drama, that is all a-okay with me, but we've reached a point where it's really just chipping away at the characters. the others have the advantage of being in clearly endgame-coded commitments already, so buck and eddie drive most of the "unsure single life" perspective in the show, which is very very very unfortunate for them because the show sucks at that LOL. i enjoyed natalia and the scenes she had with buck, but i am only "tentatively hopeful" at best at this point sksksksk. we've already covered the whole issue with 911 and side characters in general – i cannot imagine that the show will suddenly improve the writing in this regard, so i expect the worst treatment for all these poor side characters. plus, season 6b felt incredibly rushed and dropped a lot of balls; the buck and natalia romance definitely needed much more room to feel more organic and authentic. it felt like a choice made because the s7 renewal was not certain, so ig we'll see what they'll do with it now that they do get a s7.

It also makes the idea of them invested in each other's lives seem a little truer, more authentic rather than them hearing about snippets of things on the way to calls. hell yeah!! i remember the nancy thing, that was so adorable and relatable! building meaningful relationships takes time and effort and mutual liking and intention! yes, even if those relationships are platonic! it's a little bit like the crucial difference between "what you say" versus "what you do". calling somebody a "friend" but never hanging out with them one-on-one or not seeming to share any interests with them is... weird. saying things to the audience (e.g. mentioning snippets on calls) but not showing things to the audience just doesn't feel as authentic, yes yes yes. i'd rather verify things with my own two eyes if only 911 allowed me to actually see some of those alleged friendships it attempted to establish as canon lmfao.

IDK I just think it's a lot easier to let your audience see a group of friends grow into a family than start by showing them THIS IS THE FIREFAM FAMILY. very true! it's funny because og 911 kinda started out in a similar way? both bobby and buck were quite new to the 118, and none of them were friends except hen and chim. they could have build friendships from there, and they did, in a way, but the approach was so different (and i personally think worse) from how 911 ls did it. they started out with the heavy shit, which isn't bad per se but... they then neglected to do the normal friendship stuff on the way? e.g. they mentioned buck and bobby going to a concert in season 1 and even now, after 6 seasons of development, that seems absolutely unlikely to me. because... do they even like music? do they share the same music taste? what does music mean to them? we simply do not know!!! i cannot emphasize enough how empty all these dynamics feel because the characters lack interests and passions and a life outside of their job sksksksksks. another example, we saw buck being very interested in fitness in season 1, but that was then completely dropped. we see he's fit, but it's not portrayed as a hobby or interest or big part of his life anymore, even thought we know that realistically it must be.

and they all have to go their separate ways and it just shows a nice way of moving these characters along but not damaging ties they still have. oh yeah, i have seen the end of s2 and ik from tumblr that they had to go separate ways – and i LOVED the balls of the show to externalized the reason for such a big change in the show and showcase how the job is not the be-all and end-all for the team. characters trying to constantly fix themselves and that being the entire topic of a show is simply boring to me after a while. i'd much rather watch characters having to work together to fix some big external problem while their self-improvement occurs on the journey. another thing that i miss in 911.

ooooohohoho i watchedAE (it's fantastic!) and severance and succession are both on my to-watch list! i heard fantastic things about them. mostly i am scared of succession being all business talk LMAO i am absolutely no economist asdfghj. might be a nice break from yellowjackets tho hehe (i started it impulsively and really have fun so far)

hey hey!

this isn't a death sentence to solid friendships - And that's it. I think they did such a good job of showing Tommy's influence on the whole group so quickly. The fact that she replaced Michelle was such a good thing for the show. Michelle was outrageously isolated from the group and maybe they would have paired her with Owen but then the stuff with Gwyn might not have happened and that again was a real step up for the show I think.

i exclude eddie bc he's apparently buck's age but never got the baby treatment - Which is so interesting to me. It's like they realised they wanted to make a different/mysterious/he's gone through so much type of character for Eddie so ran with it and they have genuninly unpacked a lot about him which is great. At the same time, Buck is seen as like you say a bit more of a dumbass and they play on that. YET they have given him the most devastating backstory and show him being competent and caring and mature all the way back to season 1 with Abbey so it's ... it's weird. They want a baby of the group and that was fine in s1 but now it's s6, that baby has rightfully grown up and doesn't fit the mould they tend to shove him in for the sake of it. I really hope that stops soon!

The whole donor sl is really an interesting one. I wasn't mad about it but would love to know what the general vibe was a little more because it did seem to come out of nowhere. It seems like another 'give it to Buck!' type of sl where everyone else is so settled, Buck seems to be the character they can try stuff out on without thinking long term. Idk if the sl is going to continue or just be dropped but it's something I think they did give a lot of airtime too in terms of him making his decision.

the buck and natalia romance definitely needed much more room to feel more organic and authentic - It definitely did feel like a choice. Natalia seems a bit more grown up, and settled and that's about it! We literally no nothing else lol. I think they'll probably have her in the next season and I hope they want to build something settled and nice for Buck because it would be nice to see that side of him rather than just being ridiculously unsure of the relationship he's in. It needed a lot more time, you're right. When Buck was like she sees me/it's different, I really didn't know whether we were supposed to laugh or agree with him which is obviously not ideal.

i'd rather verify things with my own two eyes if only 911 allowed me to actually see some of those alleged friendships it attempted to establish as canon lmfao - YES. I remember when Hen and Maddie had that talk about getting engaged I was like dear God have these two ever had a scene together? Have Chimney and Hen and their families ever had a scene together? Hanging out? They're best buds? Maybe they have and I've forgotten but again it was just quite jarring to see. The only relationships I'm sure do exist are: Buck/Eddie, Hen/Chim, Hen/Athena, slightly Hen/Buck but aside from that ... nothing really and usually these parings are at the expense of seeing them all in an environment together.

e.g. they mentioned buck and bobby going to a concert in season 1 - LMAO WHAT! I have no memory of that whatsoever but that seems hilarious. I do have a lovely soft spot for Bobby and Buck, I think their relationship is super sweet but they need to develop it so much more. I get the whole dad/son dynamic but !! I'd love to see more. It's like they can't decide whether to go all in, have Buck be seen as Bobby's family OR they're colleagues. The middle ground sometimes feels ... unresolved or lacking.

i'd much rather watch characters having to work together to fix some big external problem while their self-improvement occurs on the journey. - Yeah exactly. Because the stakes are high. It feels really important and you see them changing as characters and it's meaningful! They're not stuck in their ways. They're developing as people. With some 911 characters, I don't think they're done developing but I think the writers are done with showing any true development.

AE is amazing! I watched it from the first two episodes and was hooked. I'm a secondary school teacher myself so I just die at the accuracy and OMG you need to watch severance, it's one of the best things I've ever watched.

mostly i am scared of succession being all business talk LMAO i am absolutely no economist asdfghj - MOOD. That's how I felt but honestly it's not tooooo jargon-y at all. There's talk that you might not fully get but then other characters explain it well. I had the same time with watching Suits and talks of merges and stuff lol

[justfor2am]

sanders sides and situational context

okay i'm adding nuance to my sanders sides take because i feel like it needs to be said.

i don't think having sanders sides episodes be ad reads are a bad thing. it's important to remember that this is thomas' livelihood and he has people to pay.

i also don't think fluff is a bad thing, and i genuinely miss when episodes were light and breezy. (which, reminder: that's what the Aside videos were meant to be.)

i don't think having a fluff, time-filling video for an ad read is bad.

but i DO think that doing an ad read for a series that has not had a main plot-centric episode uploaded in roughly 2 years while the fanbase is held in update-less limbo isn't exactly a good look.

i've seen several people try to play the "gotcha!" card of: "well the crofters video was an ad too!"

firstly, as i said: it's not a bad thing for a sanders sides episode to be an ad.

secondly, the crofters video was uploaded April 19th, 2018. the next video, Learning New Things About Ourselves (the puppet episode) was uploaded October 29th, 2018.

roughly six months. LNTAO was a high-production video, and the delay was more than understandable. however, six months compared to two years isn't exactly a fair comparison.

(side tangent: i've seen some people talking about a supposed bonus episode made that was locked to patreon; i don't have patreon nor am i fully informed about the situation or if it's even real so i have no opinion no the matter.)

i have not seen the newest video yet, but i am excited to do so. i have missed these characters greatly and they hold a special place in my heart. but that does not negate my frustrations with thomas + co. about how disjointed this series has become.

in no way am i demanding new content. in this age of the push for endless content consumption, i am not asking nor expecting an indie team such as them to create new episodes every week as it used to be. that would be ridiculous.

i'm asking for clarity. that thomas would occasionally tweet "scripting is 1/2 done!" or "we're slowing sanders sides production to focus on other projects/ensure that the finale product is up to our stands/take a break."

if the thomas and/or team were to say "hey, we're going radio-silent for the next few months to really focus on the finale, don't expect any new content for a while", i would scream for joy. because then at least we would know to wait, and roughly for how long.

it's the fact that we sort of get new unrelated videos at the same time that this really high-production finale is getting workshopped that concerns me. this is not healthy time-management.

it feels disingenuous to keep fans in the dark about a very high-production (and fan-funded given patreon,) end-of-season 4-parter, and announce more merchandise for a series that has felt as though it were abandoned.

i'm certain it's difficult behind the scenes, and i wish the team would let off some of that pressure to release smaller, low-production videos that are slice-of-life and less taxing to create. (probably once a month at best.) or at bare minimum, the fans are better informed on the timeline of production, so that the waiting feels less infinite.

i'm not expecting anything to change. and while i joke about being angry with the team, i'm not. i'm not even disappointed, really.

in truth, i fear for the future of the series if things continue at this rate. and i hope the team takes the time to acknowledge this stagnant feeling within the fandom and take measures to counter it. that's all i can hope for.

tl;dr people have a right to be frustrated with the new video, people have a right to be happy with the new video, and updates on production would be nice, though it shouldn't be expected as much as i hope for it.

thanks for reading

[albon-o-positive]

rating the drivers based on their current haircuts

lewis: 100/10. undeniably the best hair on the grid. when he had his hair up in the two little buns(?) near the start of season I damn near became teamlh

george: 6/10. I personally don't think it serves cunt but it gets the job done. preferred his williams haircut but this one does make him look older so

charles: 9/10. to be fair I think any haircut this man could possibly get it'd still look amazing. life is so unfair

carlos: 9/10 also. ferrari should rebrand to the good hair team. mattia is not included because he wears a clown wig constantly

max: meh. 4/10. don't love it. to be fair I feel like I only see his hair when it's really gross and sweaty when he takes his helmet off

checo: 5/10. just a man's hair

daniel: 8/10 for the glow up. because godamn his hair in toro rosso was not serving cunt. it was doing the opposite. removing cunt so to speak

lando: 6/10 I am a lando curl enjoyer who also likes consistency. I have not been receiving either of that from him. to be fair like, he had that r e a l l y bad haircut a while ago which like anything in comparison is better, but max f's brother has not been doing his hair well I'm jusy gonna say it

mick: 6.5/10. he got a haircut recently and I really didn't like it. I can't exactly remember what it looked like before but I want him to go Back. I like it when he is boyfriend shaped

kevin: 6/10. viking hair. I respect it

alex: 8/10 for the red hair. personally I think he should bleach it and then re-dye it red so that him and I can match and also because then it'll show way more. but I think that's just me being selfish

nicky: 4/10. not a fan. can't really remember what it looks like (I'm writing all of these without looking a refrence) but I know I'm not a fan

seb: please don't hate me. please don't hate me. please don't hate me. 2/10. I don't like the long hair I'm so sorry please don't hate me

lance: -100/10. I'm sorry lance but what the fuck. his hair looked way better last season what did he do to it????? just like ferrari I think Aston need to rebrand...

val: 5/10. just a guy's haircut. neither here nor there but it's solid I suppose

guanyu: 9/10. very very very solid hair cut. looks good. accentuates his features. I like your cut g

pierre: 6/10. it's... okay. I really liked the blonde streaks he had during toro rosso. bring them back pls. or is there not enough money in the rbr budget for bleach

yuki: 5/10 okay I love yuki soso much yeah but I just Do Not vibe with the hair cut. I will let him off gently though because he looks like he takes good care of it

fernando: 4/10 it's okay??? I've never really thought about his haircut prior to this. can't say im a fan though

este: esteban I am so sorry but it's a 3/10 from me. there's just. so. so much better haircuts you could have

this is all in good fun and also just my opinion so pls don't take this as me attacking any of the drivers :)

EDIT: I manifested blonde Alex for you all ur welcome xx

[rabbits-of-negative-euphoria]

The ESV translation (which I generally hold to be more accurate, but having reviewed the Greek, I certainly think is more accurate here) renders 1 John 3:2 as, "Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is."

With that in mind, when I read 1 Corinthians 15, it seemed to be an argument for my position, rather than against. In using the seed-sowing metaphor, Paul is stressing a continuity between the old body and the new to the gnostic Corinthians (who feared perhaps a corpse-like body or a soulless one) while also emphasizing to them that there will be important, necessary, and specific transformation occurring. The new body will be imperishable rather than perishable, glorified/glorious rather than dishonored/dishonorable, empowered rather than weak. The new body will not be animated by Adam's breath but by the Holy Spirit. The new body will not be in the image of Adam and his dust, but in the image of Christ and his heaven. Paul is very clear that Christ is the "firstborn" inaugurator of our resurrection. I also find Luke 24:16 seems to confirm this continuity of the body, as it suggests Cleopas and his friend would have recognized Jesus on sight had divine intervention not blinded them (though it does not necessitate that Jesus look exactly the same as he did before he died).

Personally, I think Aristotle would disagree with the Catholics' use of his philosophy to explain the Eucharist, because even if the appearance of the body and blood of Christ is accidental, the substance of his body and blood is bound to his resurrected person. His person is the matter. In this manner, the Catholics separate form from matter in exactly the way Plato did, just without spurning matter as inferior. But that's neither here nor there; a concept can be applied in any wrong context without discrediting the concept itself. That said, I've already stated it's not a perfect comparison, but rather an introductory illustration for people who have never thought about the body and soul as one single, united entity (as I hadn't for most of my life).

I think we are misunderstanding the substance of the soul. I am not saying brain damage somehow changes the fundamental design/nature of a soul. A soul is a soul. But a soul is also the mind, the heart, the emotions, the conscience, the intellect, and all of these things are fluid and influenced by various factors. If you lose your legs, then a legless body is now your whole body, and you are still your body. You don't lose part of your soul, but your soul (your mind, your heart, your emotions, your conscience, your intellect) is affected by the loss, for better or worse, because you are a union of whole body and whole soul. I am talking about the soul as it was made by God before the Fall, and as it will be after Glory. To chalk up the differences between the sexes as purely physical or an effect of the physical is simply nuts at best and gnostic or materialist at worst. God made man male and female bodily, with corresponding souls, and unlike sin or illness, it is a fundamental part of the spirit-body union. If it weren't, then all these so-called "trans Christians" could be metaphysically correct in saying, "Because of the Fall, I am a man's soul in a woman's body. It's not how it's supposed to be, but because of sin, that's how it is." They could even labor under the delusion that they will receive a male body in Glory. On the other hand, if we were to affirm a genderless soul, these same people could say, "Gendered lifestyles are materialist social constructs, because they don't account for the existence of my genderless mind/heart/emotions/conscience/intellect."

I've been thinking a lot about your circle/bowl analogy and ultimately I think this is fundamentally incorrect, and a bad analogy. The mathematical construct of a circle only has real "existence" when instantiated in the form of an object, but the human spirit (or "soul", the immaterial part of a person) is not an abstract concept like a circle, but a real spiritual object. If the soul didn't have existence outside of its instantiation in physical form, then humans would cease to exist between death and the resurrection. Also, the soul can be expressed imperfectly by the body. If the soul and body were 1-1, you'd lose a part of your soul when you take brain damage.

In reference to this post.

I stated in the post that it wasn't a perfect comparison (I borrowed it from Aristotle, who used it to rebut Plato's more gnostic ideas about Forms), and that the soul is spiritually real. The point of the answer was to demonstrate that many things which exist on a different plane, such as the spiritual or mathematical, must manifest physically to be understood, experienced, or fulfilled.

I know that when I die, my soul will go to heaven while my body remains on earth. Do I understand what that will look like or how I will experience that? No. I could not possibly. It is beyond my comprehension.

I also never said that the soul is perfectly expressed in our bodies. We live in a fallen world, and thus both our bodies and our souls are imperfect; and as anyone who has met a very healthy and beautiful narcissist knows, their flaws aren't usually mapped over each other.

I also don't think this analogy necessitates that brain damage would "lose" you part of your soul, but I think you'd be hard pressed to find anyone who does not concede that brain damage changes or affects the soul, just like any injury does. The body and soul are a union, and even doctors and scientists cannot conceive of where one begins and the other ends, or which one is affecting the other in a given circumstance, so they dispense with the idea of the soul at all.

What I am talking about is the soul-body wholeness we will have after glory, that Adam and Eve had before the Fall. The human being factory settings. Because it is a bodily resurrection we will experience, we will necessarily retain our physical sexes, just as Jesus did. And even though we will no longer be multiplying in the New Earth, the complementarity of the sexes still glorifies God in its beauty and depicts His image within us.

[rrasado]

Hello Rras-san, if you have a free time, can you please do a TW headcannon request. Please do a headcannon of the dorm leaders meeting GN! MC’s mother, who is similar to Lady Dimitrescu, with the towering height and glowing eyes. I’m curious about what’s their reaction. Thank you and stay safe.

Meet the Mother

I’m also praying for them at this point dkdndj ive only ever seen Lady Dimitrescue in like clips and tiktoks but I know fully well she’d slice me in half.

When they meet your mom

As someone who also has an intimidating mother, he’d likely be less as shaken as the other dorm leaders dkdn. He really has to look up just to meet her gaze and when he does well..he wasn’t sure what the safest option should be

It’s more on how he meets her in my opinion, if it was planned and on purpose then a little mental pep talk would save him BUT, once he comes face to face with her. Boy would he feel tiny. Like an ant or a door mouse I suppose

“I-it’s a pleasure to meet you madam”

Would momentarily forget how to speak given the sudden chill Riddle would feel once his simple gaze locks with glowing orbs but hey he’ll get used to it djdjd

Knowing how much moms can be scary, he’d makes sure to watch what he says with Mc’s mother regardless. Even if she does offer a cup of tea to the redhead.

Leona can easily go both ways but both routes end up with him just- immediately straightening up his posture because hand to god his already tall stature isn’t enough to measure up with MC’s mother.

Oddly enough, the initial fear and intimidation becomes subtly respect and admiration. Unlike in his home where beast women were revered for their strength. Your mom was normal in biology yet..has twice the effect

“Your mom...?. Nice to meet you I guess..”

Don’t take his reluctancy to answer as hesitance, as a beast one should survey their situation, he’s just testing the water and how much exactly he can dip. More so when his senses all seek to hyphen when your mother looks at him with that killing gaze of hers.

Suffice it to say Leona is the second to take it calmly, you’ll know who’s the first later on dkdn. Tho it would explain to him why you yourself have little to no fear in this school.

Azul, is on the caught off guard side, more specifically- he thought and normal height was exclusive to fae and merfolk so hoW TF- please excuse his sudden faltering he needs time to process.

His first instinct is well, treat her like how he treats the tweels...if the tweels were women and stand at an astonishing 9ft height-

“My my it’s quite the prestige to meet you Madam~”

Behind that cover up of an introduction is an irked octo who feels like a guppy and would rather sink in his octopot. He’ll do what he does best and make do with the situation, perhaps he can use this opportunity to his advantage who knows..

What he does know is that, fear and bigger people aren’t only from the depths. Literally.

Kalim Kalim tut tut tut our dear sunshine please calm down- he likely has a habit of, always meeting someone in eye contact, but the one time he regrets this is when he meets gazes with your mom.

When he looked it felt like he was pulled out or something? He’d never admit it but it was like when he was staring at Jamil during his overblot. Except in this case it’s well...normal. And not of danger?

“Nice to meet you! Would you like anything?”

He’ll use his hospitality to make up for whatever initial slip up he’s made so far. There’s something about your mother that makes him wanna..be decent to at the very least. He has good Intuition when the situation calls for it and this was one of those times.

By the end of the day he’ll compliment your mother for the powerful aura she gives off. To which it’s met with an all knowing smile.

Vil, we all know he’s an actor, someone who’s been in the entertainment industry for so long. Which by extension means he’s seen his fair share of extreme things.

But a behemoth woman wasn’t one of them, especially one without effects nor magic nor special blood whatsoever- no no darling he isn’t scared maybe shaken but he uses his skills to put on the charm and try deflecting your mother’s naturally intimidating aura with a charismatic smile.

“It’s quite the honor to meet your presence Miss.”

A dash of charm here and there and you got the two getting along nicely, Vil even using his vast knowledge of beauty cosmetics and ways to intricately form viable compliments to your mother to which she finds amusing.

But when your mother leaves you’ll Shiite literally see him stopping to catch a breathe, it seems keeping up charisma also takes toll on the star. He’ll admit..now he knows here your beauty comes from. But that’s what he hears from rook anyways..

Idia for some reason I’d feel like. He is fuming on the spot not out of fear but more on admiration cause, as common as tall people are in his family assuming his height is from genes. It’s rare to find tall people in the norm.

She really does remind him of a lot of characters from franchises he follows. But his anxiety knows better than to start rambling about the comparison to your ever glowering mother

“H-hi- great seven I c-can’t-“

You’ll have to ease him of his nerves, he really doesn’t know how to handle the feeling because he really is torn between that anxiety and admiration. Better idea to also bring Ortho along if he does meet your mother.

He is tall as well but he still needs to look up and try not to collapse from the glowing gaze and ever amused smirk on your mom’s face. It feels like he’s being looked down on which he literally is but he also doesn’t wanna just run away out of fear of disrespecting her.

Ahhh yes, the unbothered one, well to be specific the “curious” one. MC are you sure you are not part fae or your family having history of one? How peculiar...

In short malleus is the best person to introduce your mother with given how normal he treats her to which your mother finds nice for a change of pace, yes she may still have to look down a bit to meet his gaze but honestly I think malleus has the capacity to make himself taller if it’ll make your mother more comfortable.

“I presume this is much better for us Miss”

A true gentleman through and through. The only reason he isn’t as fazed as the others is because of how much he’s already seen through his lifetime. But still that is not to say your mother is a norm oh no no no far from it in his book.

After all that gaze of hers wasn’t something normal even for him. Perhaps the nice chat you’ll all share will clear things up? Maybe so.

[theoriginalcarnivorousmuffin]

One thing that has always bothered me about the magical system in HP is how much it... doesn’t exist? No one questions anything, there’s almost no theoretical exploration, and Hermione Granger (someone I’ve always found to be of average intelligence at best) is the brightest witch of her age.

Some characters seem to be inexplicably more powerful, but I wonder if it isn’t simply a matter of discipline and will-power.

What are your thoughts on magic? We never really see what light vs. dark entails, so fanfic authors tend to make it up as they go along, but do you have any head-canons about how magic works in HP?

I mean, to be fair, it wasn’t really the point of JKR’s series. She just wanted to write about a kid going to a magic boarding school in Scotland with this quirky witch aesthetic. 

No need for her to placate us uber nerds who demand a sensible explanation to the minutia of her magical system. 

Right, but yes, it clearly bothers me too. No one questions anything, there’s no understanding of why wands and spells even work, or why it has to be in this weird pseudo-Latin. No one even bothers to learn Latin, for that matter, and you think they would given the damn spells. 

Hermione Granger is the brightest witch of her age given that “her age” is either around 30 people (the amount of people in her year) or else around 300 (the population of Hogwarts at a given time) which is a pitiful amount. She also is an extremely hard worker and actually reads her textbooks, sadly I think this gets you ahead of 95% of the population.

Part of the reason I think the Wizarding World thinks like this is that they’re this incredibly tiny, cut off, insular society. Generally, when you have a small society cut off like that you tend to lose innovation or even understanding of technology you have.

But that’s not what you asked. Right.

Personally, I think there is no light and dark magic. Magic is just this part of the natural universe that muggles, for whatever reason, are not able to directly access. It’s neither good nor bad, it just is. For that matter, I don’t think spells themselves really exist, or rather, they’re not what magic really is in its purest form but instead a way that humans can easily access and control magic to perform a certain task. Kind of a glorified API if you will. 

So, dark magic and light magic are instead arbitrary labels that wizards apply to their own tool box based on the functions of that tool. If you have a tool that is only designed for/can be used for the murder and torture of sentient beings: well, that’s bad, we’ll call that dark. That said, do I think the spells themselves are inherently evil? No. It’s like if you open up your tool box, pick out a sledgehammer, and go, “This, my child, is an instrument of pure evil and you must never touch it.” Well, that’s a bad comparison, it’d be like taking a handgun out of your tool box and saying “this is a dark weapon”. Now, this gets into a debate I don’t want to get into, but to me dark spells are a lot like handguns (they’re designed for only one purpose and there’s no squirming your way out of what that purpose is).

Now, I think wizards have forgotten this (mostly because they don’t understand what spells or magic is), and so they get very hung up on the labels of spells or even just your odd genetic trait (i.e. parseltongue). So, we have these weird moments where someone uses, say, the severing charm to cut somebody open in the middle of the street. And it’s less bad than if they had used the killing curse to kill them painlessly and easily, because the severing charm’s not dark magic. 

It’s like... If someone were to walk out and bash someone over the head with a sledgehammer until it kills them it’s less evil than if they shot them in the head with a handgun.

Wizards seem to miss the point of this. 

As for what magic is, I believe it’s... direct energy that wizards are able to access in a way that muggles (thus far) cannot. What do I mean by thus far? Well, look at electricity. In ye olden days, I’m sure that if you asked a wizard they would say that making artificial light without flame is a property solely done by magic and muggles are not capable of it. Well, muggles then did it, and suddenly the definition and parameters of magic change. Wizards are kind of like chess grand masters who suddenly lose to your AI du jour, who say that it doesn’t count because the AI didn’t really do it like a human would. It’s not real intelligence.

I don’t believe people have magic in and of themselves, any more than anyone else does at any rate, because we see too little differences between powerful and mediocre wizards. You’re either a squib or you’re not, there doesn’t really seem to be a spectrum, and those who struggle with spells appear to do so for other reasons (Neville has severe confidence issues and is traumatized, Harry’s an idiot, etc.) 

I think what separates the great wizards from the rest is hard work, the ability to read books and learn from them, even an inkling of understanding of how spells really work and how to create them (and this makes you Voldemort level right here), and a good ear to be able to pronounce your ridiculous pseudo Latin.

The wand is a tool specifically designed so that, with repeatable easy to understand steps, you can perform a whole array of tasks and even use them as building blocks to develop a new spell (combine swishes, flicks, and various garbled sentences together in such a way and BAM new spell).

Your wand, in other words, is your API to direct and access untold amounts of energy from the universe.

But people have forgotten that so instead what you memorize are very specific function calls that will prove useful in your daily life.

As for the wand and spells themselves, well, here’s my hokey ridiculous theory on how that came about. A long time ago, a brilliant foreigner enters the Roman Empire with a revolutionary idea that puts him on the level of Einstein/Newton/Feynman Name Your Stupidly Brilliant Physicist. He says, hey, how about instead of doing these time consuming magical rituals we develop a tool that, in a matter of seconds, allows us to perform truly complicated and powerful magic any time we want. No more relying on having the right ingredients about, virgin sacrifices, the full moon, etc.

Everyone probably laughs at him, but then he goes off and designs a rudimentary wand, and through probably some uber ritual that was dangerous as hell implements this system by which by flicking your wand a certain way and saying basic commands like “levitate”, “repair”, etc. you can perform these tasks.

Only, the guy’s foreign and Good Will Hunting (no formal education in the empire), so he doesn’t actually speak Latin. So what you have instead is this weird half-Latin like, “Leviupwards Fly”, “Repair-o”, etc. 

It sounds dumb as hell, but goddammit it works, and more it gives Roman wizards an unheard of advantage against their enemy wizards who are all stuck doing these stupid rituals. They suddenly have a vast military might, so long as they use these wands and spells this guy came up with.

Everybody who’s anybody, who wants to win a fight, is now using wands. Wandcraft becomes a huge deal and people specialize in fine tuning these things exactly so as to get the maximum efficiency for a particular user.

And they probably go up to our guy and say, “Hey, buddy, can you make this in actual Latin? I can barely remember what it is I’m supposed to say to get this to work” and after the hours, and hours, and hours he spent making this thing that nobody helped him with he goes, “DO IT YOURSELF, BITCH”. And they never do because they’re too damn lazy/have no idea how he actually did it and any attempt to recreate it ends up with something that’s pitiful and doesn’t work. 

So, they’re all stuck with it, and thousands of years later they forget this guy even existed and while there’s a recognition that not all magic has to be performed by wands there’s just this feeling that the wand is the magic. And so no one will ever come up with an English/French/Whatever version where when you say “Up” the thing goes up. 

And that’s “The History of Magic” as brought to you by The Carnivorous Muffin.

[the-insomniac-emporium]

Serenade (Daniela Dimitrescu/Reader) Pt. 8

Fandom: Resident Evil: Village Rating: T for language? Warnings: None? I think? Please let me know if I missed something Notes: Bit of fluff with some anxiety/update on primary conflict. Next chapter will be a cute date with Dani, the one after that will be maximum h*rny, and then what will likely be the finale. Music for this chapter here. PS this one is a bit on the shorter side, but I hope y'all still enjoy it. Past Chapters: Pt. 1: Nocturne, Pt. 2: Overture, Pt. 3: Accelerando, Pt. 4: Toccata, Pt. 5: Poco a Poco, Pt. 6: Elegy, Pt. 7: Harmony

Chapter 8: Obbligato

(Obbligato: An instrumental part which is essential in a piece of music)

“Okay, okay, serious this time, please? I’ll give you a kiss if you try hard enough,” you promised, grinning up at Daniela as you did. A week had passed since your talk in the library, with the two of you spending most days together, and you were progressing nicely with the musical lessons. Still, your girlfriend (you would never get tired of saying that word) was prone to getting a tad ‘distracted’. By you, usually. Not that it was intentional by any means. There was only so much you could do to keep her focused when the two of you were this close together.

“I could just kiss you anyway,” Daniela teased, leaning in with familiar intent. Right before your lips touch, however, she pulls back and smirks. “But if you insist, I can handle the challenge.” Then she’s turning back towards the piano, carefully finding the starting position. Even with her prior experience, you were impressed with how much she had already learned, and couldn’t help but be immensely proud of her. If anyone could meet Lady Dimitrescu’s expectations within a three month timeframe, it was the two of you. Except, of course, you still had to double-check just what her expectations were.

In the meantime, you were excited to hear your girlfriend play through the sheet music you had written up. Most of what you were working with had come from the family’s storage room, but you had also found some blank sheets, and figured it couldn’t hurt to create songs of your own. This particular one was relatively simple. It had been based on a song from a game you had played years ago, and only posed a moderate challenge due to its interesting rhythm. Daniela had seemed to enjoy playing it, with you even hearing her practice the song outside of your lessons, but had so far today refused to play it seriously.

Finally that was going to change. Once she found the starting notes, she nodded to herself, then started playing. For the first time today her expression is stern, focused. Seeing her like this was nice. She was always cute, you just thought that she was extra cute like this. But you tried not to let yourself get too distracted, knowing that you couldn’t give her feedback if you didn’t pay attention. In your head you “play along”, fingers miming the movements, knowing that it would help you catch any possible mistakes. Throughout the piece there are only a couple that you catch, none of them being severe enough to ruin the experience. Finishing with a little flourish, Daniela returns her gaze to you, grinning expectantly.

“Well? I seem to recall you promising me a reward,” she said, perking a brow. Laughing a little, you roll your eyes, before moving in to give her exactly what she wanted. Both of you are smiling into the kiss, enjoying every moment of it. Soon enough Daniela is running a hand through your hair, and pressing against you more, tilting her head just enough to deepen the kiss. You’re blushing hard now, thoughts going everywhere other than music. It’s not until you pull back for air that you remember what you’re supposed to be doing right now.

“As wonderful as this is… we still have a few more songs to go over,” you murmured, despite how much you wanted to keep kissing Daniela. By the way she groaned in frustration, you figured she felt the same way, more or less. “Hey, don’t fret too much. Think of this as an opportunity to earn a few more rewards,” you teased, gently patting her on the shoulder. For a moment she simply pouts, but eventually she sighs and gets ready to play another song…

------------------------------------

Rushing up the steps, practically two at a time, you desperately hoped that you wouldn’t be late. This was your third “update meeting” with Lady Dimitrescu, which by itself was enough to make you a nervous wreck. Add in the fact that this was the first time you’d be meeting alone? And in her personal study, no less? Well, it was safe to say that you were terrified. You hadn’t even been told why things were different this time. No, you were about as clueless as could be, given the circumstances.

By the time you make it your Lady’s study, you cannot tell whether your heart is racing due to stress or physical exertion. Regardless, you make it there in short time, arriving precisely at the scheduled hour. After taking a moment to settle your nerves, you briefly knock on the chamber door. There’s the sound of movement from inside before the way opens. Lady Dimitrescu has to bend a little to see out, but quickly smiles when she meets your gaze. Which was rather unexpected. The last time you had met with her she had been distanced, although still polite. Then again, Daniela had also been with you, and the focus was, as always, on her.

“Lady Dimitrescu,” you greeted, giving a short bow per customs. Then you were being waved in, brought over to a small sitting area, where you waited for permission to sit down. Once it was given, you relaxed a little. Maybe I don’t have as much reason to be nervous as I thought, you muse.

“Please, make yourself comfortable. There are no reasons for you to be unsettled, as far as I am aware,” Lady Dimitrescu said, smile disappearing for a moment at the end. But it’s back as quickly as it had vanished. Did she suspect something? Perhaps she had seen the way Daniela looked at you, or even overheard the whisperings of your roommates. Both thoughts do little other than renew your anxiety. Noticing this, Alcina frowns and shakes her head. “I was merely joking. Now, let us get to the reason for our meeting: How are Daniela’s lessons fairing? There is only so much I can glean from listening.” Glad to have something to think about other than your secret relationship with your boss’ daughter, you nodded and began explaining.

“Lady Daniela is making outstanding progress, in my opinion. Even with her occasional… lapses in attention, once she puts her mind to something, she’s quick to master it. At this point she can sight read nearly as fast and accurately as myself. However, we’re still going over vocabulary, as well as keys and their corresponding chords,” you answered, barely able to maintain eye contact with your employer. Thankfully, she seems to have accepted the inevitability of your nervousness. You were especially thankful now that you prepared to ask her a question. “My Lady, may I inquire about what specifically you expect from my teachings? If there are certain genres you wish for Daniela to be familiar with, or techniques-... I must admit I am unsure as to how to best meet your requirements.”

Slowly reclining in her chair, Alcina appears to ponder your question. In the meantime she sips at her beverage, holding the cup as if it were a fragile heirloom (which it could very well be), eyes looking into the middle distance. Then she gives a soft hum, setting her cup down and returning her attention to you.

“I suppose I can understand your concern. In some ways you have already exceeded my expectations,” she said, expression oddly plain in comparison to her positive phrasing. “My daughter has rarely invested herself in anything as much as she has in your lessons. For this, I am left wondering what she finds so captivating- the music, or the one who pulls the strings?... But that is not the answer to your inquiry, is it?” In that moment, you are incredibly still, willing yourself to keep a straight face, despite the racing of your heart. At your silence, Alcina perks a brow, expecting you to respond. You can’t, your mouth suddenly dry. “What I expect is a passion to educate, a drive to see my daughter flourish. I expect you to teach her exactly as much as she wants you to, focusing on whatever brings her the most joy. But I expect professionalism. Your duties come first, above your health, happiness, and all other desires. Am I understood?”

“Yes, my Lady. Of course, my Lady,” you replied, stuttering, eyes wide. Did she know? Or merely suspect?... There’s another thought, one you try desperately not to voice, only to hear the words fill the room before you can stop yourself. “May I ask where Lady Daniela’s desires fit into this?” Silence hangs heavy over the room for several seconds. Your employer has narrowed her eyes, lips curled downwards into a sharp scowl, watching you with thinly-veiled anger. All you can do is gulp and wait for her response. When it comes, you are surprised by the stability of her tone. It was almost as if she respected your gall.

“She is young still, with the mind of a lovesick maiden. Daniela does not know what she wants, not really, nor does she understand what she needs. If her… flirtatious nature begins to interrupt your instruction, then your response must be swift, and uninterested. Regardless of how unkindly she takes your rejection, I will ensure that she does not harm you,” Lady Dimitrescu said, giving a stern nod at the end. Though her tone was reassuring, you hardly felt better, considering you were far past the point of turning Daniela down (if anything, you had only turned her on). “Now, with that settled, I believe I should let you return to your duties. Oh, and do tell Cynthia that the tea she brewed was perfect, should you happen to see her.”

Then she looked away, practically ignoring your continued existence. So you rose to your feet, gave another bow, and left before your panic could devolve into a breakdown. Daniela is not going to be happy about this.