#where its like ''embrace weirdness''

[plushie-lovey]

Thinking about the plot and details of a plushie related story. Will post about it when more details are developed. Meanwhile read my tags to read some vauge ideas I have rn

[hecatialapis-lazuli]

i feel like I've talked about this before but I wish blazblue dipped more into the horror of the situation. Whether you wanna go cosmic or existential both kind of work, though I guess the theme is a bit more despair than horror? Those two feel like they marry together pretty well.

Like. Think of CS. You have Noel, becoming what she always was, something inhuman. Literally screaming and crying after having the truth of the world and the PFDs revealed to her. You have Ragna, also learning the truth, and that he has tried so, so many times and failed every single time. You have Terumi, relishing in the hopelessness that should cause, yet being just as stuck as everyone else, and painfully aware that if he wants out of this hell, he has to claw his way out.

Idk, I just think there's a lot of stuff in blazblue that lends really well to horror. There's already themes about loss of autonomy, just play a little more into that, emphasize the helplessness before the Master Unit, and then the satisfaction of finally being free.

Hell, the Master Unit/Origin still is sympathetic in this interpretation. She's suffering, she's not doing anything out of malice, she just wants to be a person. Not even the Origin is immune to the horror of being a thing, strung up to watch and desperately try for another ending this time. This time, it'll work.

[nolongerexistingsadcatface]

Ok yes America hating the cold is funny (eh) BUT. have you considered that I like the imagery of an America sitting alone in the forest in the bleak mid-winter landscape of an east coast woods, all alone in both body and mind, agonizing over her seeming doom to be stuck in the throes of loneliness for all eternity?

[roseofdarkness0]

Whilst everyone have a good point about zepotha being a huge let down rip off of Goncharov and why it doesn't work as well I wanna raise counterpoint that whilst Zepotha failed BC it's so mainstream let's say, the videos some people do on omegaverse are proper spiritual successors to Goncharov but some people mainstream tiktokers are too coward to acknowledge it

Which is a shame cause there is drama between Alpha and Omega, there is Alpha bro podcast and it's enemy Omega talk podcast like shitting on tiktok is easy and I get why so many people hate it but I really enjoy it for gems like that :D

[flovverworks]

im gonna talk about it briefly since i. said the other day i would. but i think the comedy of post-mhyk akira accidentally calling the moon the great calamity or whatever and having to try to Not look like a chuuni in their twenties.......person who kept referring to it as moon while everyone else around them called it something else for a year

jokes aside, goes hand in hand with other things i talked about a while back regarding akira reminiscing/missing the wizards, but there are way more feelings than just "oh pretty" after all that, regardless of what akiras feelings toward the moon ends up being towards the end. gets especially funny with like kaits atlas (or even isaac) in gbf crossovers since uh. stay moon...........akira will be thinking "oh the moons tinier here" n then find out the basics of the moondwellers incident like tails_gets_trolled.jpeg

[29121996]

i prefer posting my thoughts on here i rlly get lost in some void n also i rlly .

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[stompandhollar]

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

[tobicup]

Dcxdp

Just thinking of like a demon twins au where danny finds out damian is no longer under their grandfathers rule and goes to visit him in ghost form.

And damian is grieving all over again. Because thats his little brother, dead at his hands. Never able to grow up and live a full life. Just this weird mirror version of it. And now that damians embraced his fathers way of preserving life it feels even more of a waste and he mourns the experiences they could've had together. It felt like less of a blow when he was still in the league and surviving wasnt much of a life. Danyal was most likely happier at rest then there, but now? Now damian wishes they had more time.

Danny not realizing hes forgotten to tell his brother hes actually still alive. keeps saying that damian should come with him. See his home, meet his friends, Etc. Damian thinking danyal wants to drag him to the afterlife. Considers it even, because he owes him that much. Scared by his own thoughts and telling bruce or dick about it. And theyre both grief stricken and furious. Just this whole misunderstanding snowballing. Another son but one whos been lost before they could ever meet. One theyd never been able to know. Who never got the chance to be a child before his time was cut short. And everyone wanting to find a way to lay danny to rest without him stealing damian away too. Bruce desperate to meet this imprint of a son he never met but terrified of it taking away the son he still has.

Lol thinking of like 100 ways this could go.

Bruce calling in constantine. Danny feeling betrayed that they called someone to banish him? He thought damian would be happy to see him? Would accept him. Thought he could meet his father as well.

Or

Damian making him a grave and showing him that he can "rest" now like hed never been properly laid to rest with the league. Danny thinking its either a) a funny joke or b) finally realizes whats going on.

Or

damian offering to go with him as long as hes able to come back? He still wants to live his life and there are others in dcu who can go between realms (sorta i guess?) Danny being like yeah? No duh we'll come back xD damian being like??? When he sees amity lol.

[catgirlzugy]

still in disbelief about how mizu5 genuinely captures the subtleties of transmisogyny so accurately like nothing else i've seen before especially with the nuances with which mizuki's story is told … all it takes is a single sentence, a few words … i love that the classmates saying that shit don't even … realize how cruel they are, bc that's how it /is/ and bc "oh no, we said something weird to a Normal Girl, that makes us look bad" - transmisogyny is just a punchline to a joke for them, that's how detached they are from their own cruelty and it's really not any different from the 'average' misogyny and how that tends to be a joke amongst boys. what ena ended up being exposed to is really just the classmates' 'boy's locker room talk' leaking out, so to speak? ena's probably heard jokes from people about how unfeminine her behavior is in the past and she quickly spits out "that's not funny" bc ena and mizuki are both "pretty girls" who like fashion and dolling themselves up, and hearing them talk about how mizuki's cute in this way … i'm sure it reminds her of her own experiences with being an 'influencer' - people like her when she shuts up and makes herself cute and appealing and ena must've absolutely received her fair share of comments and messages from weirdos for posting selfies of herself online, but i think what drives this home to me as such a fantastic narrative is the way that they call mizuki "attractive as long as she's not making any trouble and being a pain" bc it really speaks to how trans girls are objectified and only deemed 'acceptable' as long as they make themselves into limpless dolls who are acceptable targets for any form of abuse and misogyny instead of trying to claim their own subjectivity as women, so there's so much crossover in how mizuki's experiences work alongside ena's? but also mizuki faces so much more constant and direct criticism, all her actions and choices so closely under scrutiny.

mizuki loves and appreciates the attention of girls and when she first met ena she saw herself in the art that ena made - ena draws a girl in pain and mizuki goes "she's me". in the scene where mizuki gets outed, ena is speechless not bc she thinks mizuki is "gross" or bc she's mad mizuki "tricked" her? she's just horrified that she just got degendered /by association/ and then had to listen to these boys speak about the girl she's in love with in this /aggressively/ violent way, especially since mizuki has a meltdown, knowing, apologizing for hurting, even as ena would absolutely say "no, i'm sorry, im sorry, please don't hate vourself" bc mizuki feels like she's the one at fault for feeling like ena would assume the worst of her, but mizuki also feels like she doesn't have the right to be angry at people … this is the first time we get to see mizuki's rage and it's so palpable … i love so much that she hates the idea of niigo's kindness being born out of her 'abnormality' as a trans girl … she hates everything about this. she hates the idea of coming out, she hates the idea of having a question attached to her girlhood..

mizuki logically knows that niigo are going to accept her bc they've also gone through so much turmoil themselves and understand what it's like to be on the fringes of society, but she still can't shake off all those intrusive thoughts about how they might only accept her out of pity or consideration bc they feel too bad for her rather than a genuine understanding and the idea that things might change between them bc of that is too terrifying to embrace… such patronizing 'kindness' burns too much for mizuki to accept, so she'd rather run away and shut herself out completely… for mizuki it's like being stuck on a bridge where the only two ways out are ones where nothing changes and this hurts in its own way bc she can't tell how much of it would be genuine and how much would be an act and the other way is them /trying too hard/ to be considerate and this can easily become alienating bc mizuki truly just wants to be "one of the girls" in the most natural sense? she doesn't want to be made to feel like she's being accommodated, but there's also all the guilt that she's been internalizing for being "deceptive" and not saying the truth sooner that further complicates things and makes her feel like she's undeserving of any kindness that she may be offered… even though she genuinely was going to tell ena the truth herself, it doesn't matter anymore bc someone else told her before she even got the chance to do so herself and that's something she actually wished would happen in the past, so is there anyone to blame but herself? mizuki's entire thing is that until now she's been "writing" a fictionalized cis girl version of herself when she's with niigo and obscuring her own transness bc she doesn't want to be treated as an Other or have an asterisk attached to her girlhood bc she just wants to be treated as one of them instead of having to explain herself or prove anything but she has her facade violently stripped away from her in the most traumatic way imaginable and now she's entrapped within dysphoria induced suicidal ideation...

[blasphemousclaw]

WHO IS THIS SAULTRY LITTLE BINCH

ok this is my extremely unpolished breakdown of MESSMER THE IMPALER from the shadow of the erdtree trailer

The first thing that stands out about this dude is that he’s wearing EVERY possible symbol of treason against the Erdtree: SNAKES and FLAME

Messmer has snakes on his sigil, helm, and 2 snake friends who have dragon wings. Volcano Manor is known for its statues of winged serpents, but the wings are feathered, not dragonlike. these snakes are bright red-orange and are very unlike the Great Serpent we all know and love, who has a heavier build and is blue-grey in color. 

Regarding snakes as symbolism, the Duelist Helm description reads,

“Bronze helm decorated with innumerable snakes. Worn by gladiators who were driven from the colosseum. The wearer becomes a slightly easier target for foes. The snake is viewed as a traitor to the Erdtree, and the audience delighted in seeing these bronze effigies beaten and battered.”

We can bet that whoever is associating themselves with snakes is a confirmed Erdtree hater (Rykard, hello!!!) or perhaps, this dude could even be part of the reason why snakes are considered traitorous in the first place?

In addition to us seeing Messmer wield fire, this line from the trailer (which I think is spoken about Messmer but not by Messmer) implies that he’s known for his fire: “Those stripped of the Grace of Gold shall all meet death. In the embrace of Messmer’s flame.” 

It’s well known that flame is in many ways a taboo power; particularly the flame of the Fell God, which has the power to burn the Erdtree (the cardinal sin). Messmer’s fire is weird, in some ways it reminds me of the Rune of Death since it starts out black and turns red, but it’s also far too orange to simply be the Rune of Death’s power. 

There’s also this description of the DLC: “The Land of Shadow. A place obscured by the Erdtree. Where the goddess Marika first set foot. A land purged in an unsung battle. Set ablaze by Messmer’s flame.”

I’d guess that the Land of Shadow was the place of Marika’s first conquest, and perhaps Messmer either aided her in razing it or that’s just something he did later? 

so WHO is this dude????

for starters, his name is Messmer the Impaler — M like Marika! Melina, Malenia, Miquella, Mogh, and Morgott. seems to be a pattern...

He says in the trailer, “Mother, wouldst thou truly Lordship sanction, in one so bereft of light?” 

Whoever Messmer’s mother is, she is in a position to “sanction lordship” meaning to give official permission for a lordship to take place. that screams Marika — she is THE goddess, and is responsible for guiding Tarnished to becoming Elden Lord. I can’t think of anyone else who might be called Mother who is in such a position as to allow someone to ascend to the position of Lord. He's also sitting in the same type of throne that the demigods sat in that we see in Morgott's cutscene.

theres 2 ways to interpret this line: 

Messmer could referring to himself when he says this; as if he’s saying, would my mother truly allow me to become Lord even though I’m so dark and edgy?? in a kind of sarcastic way. the flames he produces start out black, and he’s covered himself symbols treasonous to the Erdtree. OR, he’s referring to us, the Tarnished, when he says this; as if he’s saying, would you really let a person with such little light inside them become lord, mother?? (rude!) I’d say we need more context to determine exactly what he means

ALSO, interestingly, his left eye is sealed shut… you know who else has their left eye sealed shut? THAT’S RIGHT… OUR FRIENDS MELINA AND RANNI

The scarseal and soreseal items of Marika and Radagon are also carved into eyeballs… could eye trauma be an empyrean trait?? could Messmer also be an empyrean, one who the current demigods didn’t know the existence of??? 

with all that being said, I really doubt that this guy is Rykard or Rykard’s child as I’ve seen some people speculate… these other clues in the trailer point towards him being another, separate demigod. so what do we make of all the similar imagery?? I think that Messmer might be working against the Erdtree toward his own ends, and he’s embracing similar powers that Rykard did when he turned traitor. 

who is he then? I think he’s a demigod child of Marika, and possibly of Radagon because of the hair (unless his hair color comes elsewhere? a curse?). I think he got banished to the shadow realm for treason reasons, given the heretical symbols. perhaps he was an empyrean with his own agenda who was disposed of by Marika, like the Gloam Eyed Queen? perhaps he has ambitions to return to the real world and become Lord, destroying the Tarnished who might take his throne?

I did this instead of sleeping I hope you’re all happy

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[seattlesellie]

e. williams — moonflower.

pairing: ellie williams x fem!reader

synopsis: it’s ellie’s birthday, and you have three gifts for her. a moonflower bouquet, the latest savage starlight, and a pin from joel. maybe, you even have a fourth one.

warnings: smut (mdni), established relationship, dom!ellie, sub!reader, inexperienced reader, loss of virginity (r!), first time everything, loads of praise, loads of romance, cute little slaps, and as weird as it is to include this in these warnings; mentions of joel and ellie’s complicated relationship.

an: finally finished it. this is very very fluffy, as smutty as it may be. if you love flowers this one’s for you <3 i truly could have made this longer but i was super self conscious so i might post a little blurb instead!! constructive criticism and all comments n discussions are very much appreciated. thank you for being patient and sweet i love u 💗

enveloped up in a baby blue ribbon, it sits pretty on top of your duvet. the latest edition of “savage starlight” — ellie’s favorite comics series, and a bouquet of flowers. when you picked them out just for her— forehead glistening under the radiant june sun, you noticed a singular flower that set itself apart from the others. blinding white, trumpet shaped— it’s lemon fragrance wafted through the thick air. it's petals were curled up, but you decided to keep it nevertheless. you’ve never seen one quite like it. when you brought it to your house, along with the fresh daisies and the garden roses, you noticed something bizarre, and oh so beautiful.

the odd flower bloomed underneath the moonlight that snuck itself inside the big window of your room. as the white petals unfurled, there you stood— awestruck.

⋆˙⟡♡

you decided to bring it over to louisa, the frail old lady who ran the jackson community garden.

“s’quite beautiful, isn’t it?” you told proudly, taking a whiff of the flowers creamy white petals. louisa ran her fingertips delicately over the flowers green stem, and just like you— louisa was awestruck.

“oh dear, it certainly is. how did you… manage to find it?” louisa probed, and your heart skipped a beat. your relationship with ellie was new, and fresh as a daisy. your face flushed, but you told louisa— your precious confidant, nevertheless. “ellie’s birthday’s coming up soon… so i, was picking up some flowers for her. s’not much, i know… but,” you scratched your arm, feeling extra timid. “i think ellie will like them. i… hope”

louisa smiled soft heartedly, the aged skin around the sides of her eyes folding itself and forming three little lines. somehow, it felt like the old lady knew more about you two than you did. “she’d be a fool not to”, she assured, and pressed tightly on your shoulder.

“i would have asked you if you were in love… but, no need to.”

“how come?”

“it simply shows, pumpkin’”

louisa sighed deeply, and began guiding you towards the humble old basement, where she stored all of her gardening books.

ipomoea alba, the tropical white morning-glory, jimsonweed, or for those of us who are a tad scatterbrained— moonflower. the moonflower, is the most romantic flower of all. it is dreamy, and mysterious, and it yearns for the warm embrace of the sun, but it also requires a cold caress of shade. it slumbers amidst the daylight, closing and hiding its delicate petals up, but during the night— it blooms, and it’s magnificent. as wispy and precious as the moonflower may be, the bloom may also be deadly.

it reminded you of her.

⋆˙⟡♡

ellie and you had numerous conversations about things that were… hypothetical. if you were a planet, which planet would you be?, if you were an animal, which one suits you best, would you say?, make it more specific, even— if you were a bug, what bug would you be? ellie told you were a butterfly, and that she would be a spider.

“don’t… spiders eat butterflies?” you probed, your head resting on top of her shoulder. it was a quiet, chilly night in jackson, and for some reason, being around ellie made you feel scorching. ellie huffed and chuckled, “yeah, think they do”

“well… that sucks” you noted, as a loose strand of ellie’s auburn hair tickled your cheek. ellie thought for a while, and then chuckled again. she did it quite a lot, chuckle to herself without saying a word. “i wouldn’t… eat you though. i’d… build a little web around you. protect you from the other spiders. you could be my personal butterfly… pet, thing”

you hummed, being caged in ellie’s spider web didn’t actually seem all that bad. in fact, it had a certain charm to it. but, wait… “wouldn��t being around me make you hungry?”

ellie’s breath caged in her throat.

it already does.

“guess i’d have to fight against my urges” she rasped, and you nodded.

if you were a butterfly, ellie would be the brave spider who protects you.

if you were a lily; who blooms during the daylight, the resurrection of spring, the goddess oestre, enlightened and wise, ellie was your missing piece. the moon to your sun, and the darkness to your light. the universe thrives because of it’s harmonious balance, and so do you.

⋆˙⟡♡

sugar, flour, cocoa powder, salt, two fresh eggs, a cup of milk, and one cane of sweet vanilla. the chocolate cake was damn near perfect. writing her name on the cake with a thick layer of vanilla icing was extremely precious and necessary to you. woefully, the can was nearing on empty, so— the cake read; “happy birth, el”

you impishly giggled to yourself. sounds like ellie’s going to give birth. with one more dip of your finger inside the rich ganache, you came to a firm and final conclusion— it was heavenly, the perfect balance of sweet and chochlaty bitterness. the secret ingredient that must have made it as amazing as it was, was the espresso powder you traded for a bargain. or maybe, maybe it was love.

“ugh, quit it. cheesy” you silently mumbled to yourself.

⋆˙⟡♡

the weather was hot, and the air felt thick. you always deemed it funny, ellie being a june baby and hating the heat. the town bustled with noise of chatter on a busy monday mornin’, and maria stood with her arms crossed against her chest in the corner. she seemed to be in the midst of scolding a guilty looking tommy, and next to them, were a handful of children giggling in the background.

balancing the chocolate cake, alongside with the gifts sitting inside the brown paper bag (with the pretty blue ribbon you clasped onto it), and the flower bouquet was hard. waddling around the town, on your way to ellie’s house, no wonder you nearly dropped it all on the floor when you bumped into a large man, that hit your front like a stone.

“oh— uh, easy there, kiddo”

you could recognize that rasp and that texas twang everywhere, even when your eyes were squinted, avoiding the rays of the sun.

joel.

you hastily managed to balance it all together again, apologizing profusely to the middle aged man— whomst you almost smashed the entire cake onto. he wore a black button up, it seemed… festive. huh. “headin’ to see ellie, i assume?” joel rasped.

you nodded and smiled politely. you’ve never been completely alone with joel, and most importantly, you’ve never talked to him about ellie. things between them were… complicated. you didn’t know why, and sometimes— you were too afraid to even ask. it all seemed too sensitive. ellie would nearly wince when his name was mentioned, and her eyes would fill with something that seemed like sorrow, or regret, or anger. usually, all of those emotions— all at once.

“that her gift?” he pointed towards the brown paper bag.

“mhm! savage starlight. s’the latest edition… i think”

joel smiled softly, and hummed in response. his eyes too, were filled with something that seemed to hold a droplet of sorrow and regret, but no anger though. different than ellie’s.

“she’s still into it, huh?”

“she’s obsessed” you giggled. truthfully, she had a good reason to be. savage stralight was fucking awesome, you grew to realize. it was even more awesome when she read it to you in the dark, cuddled up in her squeaky bed, holding a flashlight to illuminate the written words. when you dozed off, she’d continue reading out loud, maybe to herself, or maybe for your subconscious to absorb.

“i have… this, thing, uh—“ he shifted awkwardly, and began searching for something in his pockets. joel took it out, and showed it to you while holding it in his palm. the thing he mentioned, was a golden, diamond studded pin of the fallen apollo 1. it was beautiful, highly detailed, it’s unmistakable shine reflecting the rays of the sun.

“found it last week while i was patrollin’”

“it’s… woah” you marveled, running a delicate finger over the polished metal.

“is she… still into the space thing?” the stony man asked with a slightly shaky voice. something in you had to physically fight the urge to pull him into a warm hug.

“yeah… we… well, we went to look at the stars the other day”

joel placed the pin in your hand, and wrapped your fingers around it. “could you give it to her? don’ gotta say it’s from me. tell her you found it”

you nearly choked up.

“joel… you should come with me”

joel sighed, and smiled softly again. joel wasn’t into smiling, but you made ellie smile, and that made joel smile.

“maybe next birthday, kid”

joel, just like louisa, knew ellie loved you before she did. and joel, saw his girl turn from a sulky, sullen teenager, to someone who looked like she had something, someone, to live for.

⋆˙⟡♡

12:00pm, and exactly three knocks on ellie’s wooden door. you’d be lying if you said you weren’t filled with anxiousness. being anxious around ellie wasn’t a strange new feeling. you had butterflies swarming around your belly when she looked at you, had butterflies when she talked to you, especially when she used that one tone, when she got out of the shower with only a small towel wrapped around her glistening body, you had butterflies, or better yet— a painfully lage bee colony growing in your tummy. when she kissed you softly, the bees calmed down and were a little more subtle, you could imagine them having black oogly heart eyes— but when she kissed you roughly, forcefully against the wall (or against the concrete floor that one time), the bees buzzed uncontrollably, and somehow flew down to a lower part of your body. when she grabbed your waist and gave it a squeeze, as she ravished your mouth with her wet tongue, they went even lower and…

well, anyways— ellie made you nervous. handing her her gifts made you nervous and having her first birthday with you made you even more nervous. you were a fuzzy ball of nervousness and anticipation, and now ellie opened the door and you nearly dropped the cake on the ground.

again.

usually, ellie would greet you with a shy “hey”. exactly a week ago, she added a “babe” to it. (the belly bee colony buzzed and they were tremendously loud, you thought ellie could possibly hear them — so you had to hold on to your tummy) today, ellie greeted you with blown out eyes and a gasp. “oh…”

“happy birthday” you mumbled adorably as if it was a hushed little secret, too shy to look her in the eyes. ellie was too shy too, a coy smile painted on her lips, rosy cheeked, with her hands clamped in two fists inside her oversized grey sweater (it’s june, she would not let that hoodie go). her pupils were glued to the “happy birth, el” written in white icing.

when she felt bold enough to look you in the eyes after not speaking (just staring) for one whole minute, as soon as she caught your gaze— your orbs began dancing around everything you saw, purely avoiding her look but with a huge grin plastered on your sweet, overly excited face.

would it be stupid for ellie to tell you that she loved you right now? because it was getting incredibly hard not to.

instead of a (perhaps) misplaced i love you, ellie decided a pure “thank you” would be have to suffice. she held the door for you, and you shyly tiptoed in. when you placed the chocolate cake on top of the oakwood counter along with the paper bag, you felt ellie’s hands shyly creeping up to your waist, pulling you in a tight hug. “you really… really, shouldn’t have” she whispered. her voice was still groggy, lazy, raspy.

it was her morning voice.

funnily enough, this was your first time hearing it. you never stayed over past 2am— the night was dangerous in your eyes. the night meant going to sleep, it meant staying in her bed, and it meant sleeping with her inside of it. the idea of a night with ellie felt as if the bee colony in your stomach was about to erupt and explode and splatter everywhere.

“you know i don’t… celebrate these things” ellie rasped again, breaking you off from your idle thoughts. you placed your hand over hers, and giggled. “s’not a thing, el… it’s your birthday”, ellie hummed in agreement, and you continued. “besides, it’s an—“ she planted a soft, chaste kiss on your neck. it made you shudder and it made your voice break. “an… excuse to eat some cake”

“just cake?”, ellie sighed, her raspy voice tickling your cheek.

“mhm” you nodded, distracted as ever.

“whats in that paper bag then, huh?”

the flower only blooms during the night, and savage starlight was meant to be consumed with the help of a trusty ol’ flashlight, under a thick blanket. the sun was still out, so the moonflower slept. for the comics, you wouldn’t need a flashlight, and that would simply demolish all of the fun.

the sun was still out so unfortunately, ellie will have to sit and patiently wait.

you pull yourself out of her hug, and waltz away slowly. “well… paper bags for later”, you tilt your head, drawing out your words just to tease her and then some. “so, not gonna show you what’s in there”

ellie raises a brow, a slight half smirk creeping up on her face. saying ellie was a patient girl, would be similar to saying a cat doesn't walk on four. technically, it could… be biped, but— well, wouldn’t quite work. so similarly, patient and ellie couldn’t quite work either.

“you gonna say no to me on my birthday?” she jests, pulling her arms and crossing them over her grey hoodie ridden chest.

“oohh…” you nod twice, “so now you do celebrate these things?” you teasingly raise an eyebrow, mirroring her stance. ellie chuckles and it comes out from deep within her throat. she squints her eyes, “you’re such a tease”

she must not know one of the bee’s just stung the insides of your own stomach and dropped dead. or maybe it’s not dead yet, because you can still feel it’s erratic buzzing and the venom makes you feel as if you’re about to pass out.

“mhm… it’s okay, i’ll wait, babe” — there’s that babe again, and the little bee is definitely dead by now.

“can we eat the cake outside? s’nice, warm… we could do a picnic!” you chirp, each and every single one of your words laced with that syrupy sweetness that makes ellie melt.

ellie smiles and feels a little blush creeping up on the apples of her cheeks. “could do… whatever you want, it’s your cake” she states, and you roll your eyes at her sweet humility. “s’not my cake, it’s yours” you mutter serenely as you point towards the vanilla icing. “see? has your name on it and all”

ellie tries plunging a slender finger into the icing, a foolish attempt to taste it, but you slap it away, a faux pout forming on her face.

“can’t taste my own cake?”

“nope. outside” you speak, popping the p’.

“yes ma’am”

⋆˙⟡♡

you take a sip of the freshly squeezed lemonade, a droplet of sour and sweetness flowing down from the corner of your lips. ellie— propped up by her elbow, brings her thumb and wipes it away. “so messy” she jives playfully, putting the pad of her thumb in her mouth and joyfully sucks on it. she’s squinting her eyes, attempting to avoid the rays of the sun, and you giggle impishly. “can i finally taste my cake now?” she drawls.

impatient as ever, ellie doesn’t even bother pulling out the white plastic fork. instead, she shoves her hand into the cake and takes a big bite. her eyes shut as she devours it, humming at the taste. with her mouth full, she utters “happy birth, el, huh?”.

you breathlessly laugh and nudge her arm away so she almost falls on the checkered, red and white picnic blanket. “sounds like… mmh, fuck, this is good”, she licks her finger — “sounds like m’giving birth”

“i didn’t have any more icing left!” you raise your tone brightly. ellie looks you in the eyes and swallows a sly smirk. this time, it’s your turn to wipe some residue off the corner of her lips. you taste it, and god damn was she right— it’s finger lickin’ good.

“i think that like, when we have babies, you’d be the one to give birth… not my thing. don’t want some… little intruder in my stomach”

before you have time to answer, ellie bites the insides of her cheeks and feels like slapping herself in the face or burying herself 7 feet in the ground. she’s talking about having babies with you?!

she’d smack herself so hard right now if she could.

for you, however, it’s becoming insufferably hard not to start jumping up and down and ripping your hair off in excitement.

“let me get this straight…” you begin, and ellie’s convinced you’re about to tell her that she’s too much and leave. “an intruder, as you put it, can live inside my belly for nine whole months, but not inside yours?”

ellie has to stop herself from breathing a sigh of relief. “it’ll suit you, is all i’m sayin’”

ellie manages to eat half of the creamy chocolate cake all by herself. she was never one to have a big appetite, did you sneak something inside of the batter, perhaps?

maybe it’s love, ellie wonders. she scolds herself internally, quit being such a sap. it’s definitely the espresso powder her taste buds managed to pick up on.

laying face to face with her eyes closed, you manage to count some of her splattered freckles. one… two… fifteen…, some of them grew darker, tanner. ellie’s chest rises up and down, and you almost think she must have dozed off like a little kid having a post—dessert nap, until;

“hey” she whispers.

“hi” you whisper back.

ellie opens her eyes, a soft, lazy half smile adorning her face. she bites her bottom lip, “can i open my present now?”

impatient.

you shake your head softly. “nuh uh, sun’s still out. sorry, els”

she wants to scoff but she loves it when you call her by that little nickname. “but…” you look down shyly, reaching out for your pocket. “i ran into… joel, on my way here” you speak quietly, afraid of saying the wrong thing. ellie blinks twice, and clears her throat. taking it out of your pocket, you place the little precious pin in between ellie and you. ellie only looks at it, doesn’t touch. you can’t quite describe the expression on her face. surprised? dreadful?… doubtful, maybe, and a tad curious perhaps. “he wanted me to give you this… s’the fallen apollo eleven, i think”

ellie let’s out a quiet chuckle.

“apollo one”

she lifts herself up, taking the pin in her hand. her green eyes begin examining it, brushing her fingers on the golden metal. you sit quietly for a while, allowing ellie to be one with her thoughts. she doesn’t know what to think, what to feel, really. sorrow? regret? tears threaten to fill the brim of her eyes, so with her back to you, she sighs deeply and swallows them up. you bring your hand to lay a small caress on the small of her back, and ellie gazes to the side. she grabs your hand, and plants a small kiss on to your fingers. “ellie…” you silently whisper, and ellie sniffles.

“it’s alright, m’okay” she assures, and lays herself on top of the blanket again. her hand still holds your fingers, and you bring them around her thumb and squeeze. “thank you” she voices. before telling her that you’re not the one she should thank, a small tear flows down her cheek. you’d wipe it away, but ellie grabs your other hand and interlocks her fingers with yours. “sometimes it… fuck—“ she laughs, it occurss to both of you you’ve never quite seen her cry. “it’s okay” you comfort. keep going, you got her. ellie deeply sighs, “feels like i don’t deserve any of this”. the tear is hanging from her chin now, then flows down to her neck. you don’t ask her why, because now is not the time, but you’ll ask her one day. for now, all you do is assure her that she does. and for once in her life, she actually might start to believe it.

⋆˙⟡♡

apparently, chocolate cake, raspberry jam and some bubbly champagne (that you stole borrowed from the tipsy bison) can really get you two going. after hours of aimless giggling, tummies hurting from all of the fine delicacies, it’s time for your favourite past time— ellie and yours hypotheticals corner. naturally, with your head laying on top of her firm chest, you’re the one who starts. “okay, so… plants”, you gush. “mhm, so plants” ellie repeats, her fingers tracing lazy circles on your half covered shoulder. “which plant would i be?”

ellie thinks for a while— you two really take this seriously. she hums before responding, puffing some air from her nose. “chocolate plant, for sure”

interesting. you thought she’d say a certain flower, a delicate one, a soft one, one that blooms in the day. chocolate plant. “intersting… why chocolate? — ellie doesn’t quite know either. perhaps it’s because she loves chocolate and she loves you, and the champagne is making her feel giddy and silly and you’re her little chocolate bean, plant thing.

“cause it’s tasty” she responds, and you almost settle on that except… you seem to have an important anecdote you have a blinding urge to point out.

“well, it makes zero sense. you’ve never even tasted me”

that she hasn’t. yet.

ellie’s breath hitches inside her throat and she nearly chokes on her spit. do you know… what you’re doing? you muttered that sentence so innocently, so absentmindedly, and of course she hasn’t tasted you, but did that thought occur in your mind like it did in hers? you’re still smiling, patiently waiting for her response, and ellie can’t help but feel so… well, she couldn’t quite put her finger on what she was feeling. her cheeks however— light up in a shade of dusty pink.

“imagine if you like, ate me! i’d probably taste so…”

sweet? intoxicating?

“gross!” you exclaim, exaggerating and blowing your eyes out. ellie’s cheeks calm down a little, the pretty pink diminishing slowly. “thank god you’re not a cannibal…”

nah, she thinks she might be something worse.

slowly, ellie pushes her body closer to yours. you feel her faint breaths on the tip of your nose. “tickles…” you murmur, and ellie huffs out and smiles. it’s that smile she gives you before saying something. the way her eyes dart from your lips to your eyes… it makes you feel vulnerable, coy, and it’s as if she’s studying you, taking in your features one by one. perhaps, she loves seeing the way your eyelashes flutter like small butterfly wings when you feel her gaze on you.

“i have tasted you though” she rasps, her voice low and husky. her eyes are focused on your lips now, as hers slightly part, and then close up again. “you have?” you mumble, shy under her gaze. she hums, bringing the pad of her thumb to your lips again and pulling on your bottom one slightly. this time, you don’t have lemonade juice running down your chin. this time— the gesture is truly just for her. those lips… she thinks.

“you taste… good. and sweet, like…”, your lips curl up to a smile. “chocolate?” you complete. ellie hums again, her palm cupping your cheek. you feel warm, how are you always so warm? — even when you’re shivering cold, warmth is all she can feel.

“and vanilla… and coconut” she caresses your cheek with her thumb. you giggle, “you’ve never even had coconut”

“nah, but i can imagine…” — and oh, imagine she can. is this the champagne talking? it must be it, because that fizzling bubbly voice in her head would not let her go. funny, she doesn’t even feel drunk. “you taste sweet too” you state, nearly purring into her hand as she keeps delicately caressing your skin. she chuckles, “no i don’t” — and she’s right. she doesn’t taste sweet, in fact, she tastes minty and earthy and it makes you feel dizzy each time.

slowly, ellie gets her face even closer to yours. she sees your eyes twinkling, and she swears they shine brighter than every star she’s ever seen. back in the old times, nasa would have a field trip exploring your orbs. they might even find new galaxies in there, and ellie wishes she could explore each one. she really should have been an astronaut.

“ellie?” you quietly whisper. ellie nearly gets lost in the way you say her name, but responds to you nevertheless. “yeah babe?”

“can i taste you? to prove how… sweet you are?” — she knows you mean her lips, regardless, that dusty pink turns a deeper shade of crimson. she thinks it’s absolutely adorable, how you still feel the need to ask. however, she forgets that she asks you that question each time as well. can she… kiss you here? right below your ear? that feel good?

she doesn’t respond with words, but with actions. she cups your cheek harder now and with fervour, and she knows she needs to be romantic but she’s famished, so as soon as she feels your lips part— she plunges her tongue deep inside and you surrender to her domination. almost like a waltz, your tongues dance together, swirling around each other and tasting— and she still doesn’t taste all that sweet, but you do, and it makes her brain feel like mush. you whimper into her mouth and it almost sounds like your “els”, and she knows she needs to come out for air soon and break off the kiss but how can she? how can she when you’re so damn sweet?

her hand dips lower, placing itself on your throat, and she gives you that little squeeze (that she realised must have made you feel good, because you always had chills when she did and she could feel them), and this time— you really did whimper out her name. ellie groans, but you abruptly break the kiss, holding on to your stomach. she pants slightly, before releasing your throat from her grasp. “did i do something?“ she asks quietly.

thing is, she truly didn’t. in fact, it was that damn bee colony that did. she must have heard them buzzing and flying into each other and bumping into your stomachs walls and dip even lower and— “can you hear them?” you question— and you’re panicking slightly, she can tell.

“hear who?”, ellie looks around, but nobody’s there. intruders? clickers? you must have drank too much, but you really hadn’t so…

“it’s so fuckin’ stupid…” you whine, lowering your head and hiding your face in the crook of her neck. ellie still thinks you must have heard something for real— and by all means, it is real, just not… like that. “hey” she encourages, placing her hand on the back of your neck. if she dares to even move it to the front of it, you’d panic again and be totally screwed. ellie notices you’re holding on to your lower stomach, “does it hurt?” she questions, worrisome.

“no… no, s’not that…” you voice, an octave higher than a whisper. “just when… when you kiss me? like, when you kiss me like that, you know?”, you hide your face again, and ellie’s worried sick— oh god, you hate it. you hate it when she kisses you.

you take a moment to gather your thoughts, you can explain this.

you breathe deeply, and ellie still holds the back of your head. “you know how people say… that you have… butterflies, when you’re around someone you like?”

“uh huh” ellie sighs. she gets it now. you don’t have those butterflies. you get sick when she kisses you, it makes your stomach hurt and you hate it and hate her and she knew you were too good for her and fuck.

“well, mine feel more like… well, they feel violent. it feels like i’m going to explode. i call them my bees, my bee colony, it’s so fucking stupid and i feel like they’re everywhere—“

oh.

ellie laughs (finally), breathlessly so, and she giggles and squeezes your body closer to hers and you continue to ramble, your voice slightly muffled by the fabric of her hoodie. she’s going to squeeze you so hard you might die, and you start banging your hands on her chest and you’re embarrassed, mortified at your little confession and the bees are so mad! they're calling for a conference call and you nearly explode.

“babe, babe—“ ellie calls out, forcing your head out of her neck and nearly begging you to look at her. you don’t though, you shut your eyes tight as she looks at you and thank god you do because she looks so amused but so enamoured she nearly doesn’t even want you to look.

“you wanna know what i have?” she probes, and you finally open one eye to take a peak. “no!”, and immediately— you shut it again. “i don’t have butterflies either” she calmly states, playfully pressing on your nose so you can huff out and look at her. when you do, you expect to see a smile— but instead, you’re faced with a serious expression, ellies eyebrows furrowing.

“i have wasps”

“wasps?” you doubt her quietly.

“mhm…” her lips part and she licks her bottom one before she speaks. “more like… tigers, or like, lions. way worse than yours. i mean, i’m in terrible condition”— she chuckles, and she just might be.

her words don’t comfort you, in fact, they make you buzz even louder.

doe eyed, you look up at her. “lions?”

“mhm” she nods. lions that might just tear you apart on the grass if you keep on looking at her like that.

this time, when she kisses you again— you don’t hold on to your stomach, you place your hand on hers. as the bees grow even louder, crashing into each other and ruining your slippery insides, you swear you can nearly hear her own lions roar alongside with your buzzing. she grabs your neck and squeezes it again, you nearly shriek, and ellie groans into your mouth and she’s the one to stop, but for an entirely different reason now. “inside?” she murmurs, staring at your glistening, kiss swollen lips and at the drool that runs on one corner. “please…” you whine, and ellie’s eyes nearly roll to the back of her head. please…? she repeats in her mind— and oh fuck.

⋆˙⟡♡

so she takes you inside, your hand in hers.

with the chocolate cake and the bottle of champagne and it’s glasses far forgotten, the sweet raspberry jam slowly melting away, the chocolate cake growing into a chocolate… pudding, the ants are sure to come. how pitiful, that bees will always triumph over them, and the wasps— or the lions, well, they triumph over everything.

what ellie wants to do right now, is take you up to her bedroom and ravish you in all your glory, but you’re no forgetful fool. with everything else washed away, how dare you forget her presents?, her moonflowers?

“ellie!” you exclaim, squeezing on her hand. “it’s nighttime! your birthday presents…” you wiggle out your eyebrows.

shit— she nearly forgot, she’s pretty sure that if someone placed an actual living and breathing dinosaur in her living room she wouldn’t even notice because you keep on rendering her a distracted mess.

besides, its your own fault, because how do you do that? how do you go from driving her crazy and making her want to eat you on the grass, to making her heart flutter and burst inside of her chest the moment after? you’re a magician, a witch, what the fuck are you? not a fairy— that’s for sure, fairies are scary.

“so… you wanna open them up or not?”

she wants to open you up. no, no! bad ellie! that’s definitely the champagne still talking (it’s long gone.)

“fuck yeah”

you grab the paper bags (with the little blue ribbon), and drag her upstairs. you physically drag her, because for some reason, opening her presents is making her incredibly nervous. you expected her to be more eager, to snap the bag out of your hand as soon as you allowed her, but instead— she sits on the bed and just waits. she’s waiting for you to hand them out to her.

the nervousness seems to eat you up as well, tummy aching (still the bees, but also some normal excitement)— and as you hand her the bag, a few questions start to arise.

what if she hates it? what if she hates flowers? what if she’s allergic to the ipomea alba, what if she starts sneezing and coughing and dying?! or what if she already managed to get over savage starlight? (in a matter of two days…) what if the cake sucked and she was lying all along and you’d disappoint her and she dumps you and—

“HOLY FUCKIN’ SHIT!!!!!!!!!” — she yelps, you didn’t even notice she opened the damn bag!

“this is…..” her eyes are bright and she smiles so big it nearly damn hurts the apples of her cheeks. “savage fucking star— fuck! s’the latest fucking one! how did you even manage to, fuck— gotta fuckin’ kiss you right now or i’d die”

ellie practically pounces on you, kissing you all over your face. cheeks— two kisses on each one, your nose, your forehead, your chin, both of your earlobes, “close your eyes, gotta kiss ‘em too”, your jaw, your neck…

“are you into me or something? cause it looks like you’re super into me, giving me this fuckin’ gift… dude. if you have feelings for me…”, she places her pointer and her middle finger on your chin and makes you look up at her. you stifle a giggle, “you gotta just tell me, might be into you too” she pecks your lip slowly and you instantly melt.

“we have to read it today… but only eight pages! gotta save it up”

she nearly buries her entire face in the comic book pages. she sniffs, “shit… even smells new” — a layer of fine dust adorns it, so you know it doesn’t.

“rented it from the library!” you chirp, the concept of libraries being one you merely only read about.

“there’s… something else in there too…” you begin. for some reason, giving her those flowers you picked makes you even more nervous. she curiously looks up at you. “there's more?”

you bend down to grab the paper bag off of the wooden floor. the moonflowers’ petals opened up, and there you were— awestruck again. “you can’t give me more things… it’s too much i don’t…” deserve it? you know she thinks so. regardless, she looks up at you adoringly, as your hand tremors and you lift the flowers out of the brown paper bag. you look at them, trying to decide if maybe you were just being delusional, maybe they’re not nearly as pretty as you thought they were when you came across them for the first time. perhaps they’re…

“woah…” ellie gazes at them, wide eyed. she doesn’t even know the meaning of them but yet she is nothing but mesmerised. “wh… what flower is this?” she asks, running her fingers on their dark green stems. when she reaches their creamy white petals, she moves her fingers even more delicately. caressing it, her knee nudges yours.

“moonflower” you reply silently, watching ellie’s digits adoring the bloom. “it’s… it’s really pretty”

you take a deep breath. “i picked it up cause… it reminds me of you”, you exhale, fiddling with your fingers. when she notices, she puts her hand, the one with the flowers in it— on top of yours. the room is quiet, except for ellie’s shallow breaths.

“it um… well… first of all, it’s beautiful, like you”, you flush, and ellie flushes as well. she swallows deeply, and involuntarily, a small “fuck” escapes from her throat.

“and… they’re not supposed to grow in jackson. it was purely by accident, so they’re special… like you, and uh… well, they only bloom during the night, which is why i waited. they’re strong, and they’re deadly, i mean— the venom is… so don’t… eat it, i guess.” you chuckle, and you barely even notice two fat tears streaming down your cheeks. “they remind me of you because they’re the prettiest flowers ive ever seen, and when i saw them… i was kinda of like… woah, just like what happened when i saw you for the first time, remember?” — ellie sniffles, and ellie’s crying. “so… you’re my moonflower”

ellie doesn’t know what to do. she looks up, covering her face with her hands. she wipes away a stupid tear, and then wipes away your precious one.

one whole minute passes.

“if i ever…” she begins, swallowing hard. “if i ever lose you? i think i might die” — because the moonflower needs sun to live, and you’re her sun, her lifeline.

you take her face in between your shaky palms. ellie’s lips hold a slight tremor, and then she laughs.

“i’m in love with you”

you don’t have to say it back. you really don’t, because again — actions speak louder than words. your soft lips meet her slightly chapped ones, and ellie hums into the kiss. different than the one before, this one is gentle, dim, the lust hasn’t disappeared— it’s still there, but it has something more to it, not diminishing it, just hovering above. could you guess what it is?

“i love y…” you whisper out, attempting to break the kiss, just if you could simply say this one thing, but ellie knows, she knows. she pulls you by the back of your neck more forcefully now, deepening the kiss. because you couldn’t finish your sentence, you pout— but ellie suckles on your bottom lip and wipes your silly pout away. her hand goes lower, from the back of your head to hold on to your waist, and she squeezes the covered flesh. you moan into the kiss, tasting her spit and her tongue, and oh god— the bees. you think you might have just another precious gift for her. one she’s been waiting for, one she’s been fantasising about, one that you’ve been fantasising about. when you moan into the kiss, ellie breaks it. she’s staring you down, panting again. “think i… have… one more gift” you whisper, and ellie— her lips parted, nods once. “one more?” she rasps, squeezing your waist again and pulling you up to straddle her. “mhm”, you hiccup as you feel yourself snugly pressed up against her.

she places one hand on your thigh, simply caressing it back and forth. the more up she goes, the more your breaths become uneven and so do her’s. it’s not entirely an unfamiliar territory— you've been seated on her lap a few times before (seven, but whos counting? she is), but this is… different. “whats your gift, huh?” she teases. you? are you going to be her gift? you always have been…

you whine when she traces small circles with her slender fingers on your clothed inner thighs. you whine and it makes ellie throb— you’ve never quite made that noise before, and she yearns to pull every single noise you could possibly make out of you. a whimper, a moan, god— a scream. she feels like she’s about to explode and christ, you’re still fully clothed.

like a hunter examining it’s prey, ellie moves her face forwards, and then downwards, towards your neck. she places a few chaste kisses, “ah! tickles…” ellie chuckles darkly, yearning to “tickle” you once more. she plants two more delicate, tickling kisses before suckling on the flesh. at first, her tongue meets your skin and she laps up at it. then, her teeth bite into it, and you nearly jump. “sorry… that hurt?” she asks, and really, she’s not sorry at all. “feels…” ellie cuts you off and sucks again. this time, she’s determined to leave a mark. “oh… feels…” you continue, shuddering in her arms like glass. she hasn’t even touched you, not really, and yet everything feels damp. your face, from your tears and from her tears and from spit, to the flesh of your neck that’s being sucked on and played with, down to the small wet patch inside your panties that you’d be mortified if she noticed.

when she finishes the assault on your neck, she moves up to your lips again and grunts when she sees how your lips were already parted, just for her. the kiss is slow, wet, her tongue kitten licking your own. it’s nasty, really, wet smacking and sucking noises filling the air. almost involuntarily, your hips start moving and grinding up against her thigh. ellie moans deeply. “mmph… yeah?” she teases, or at least tries to, because her voice is shaky and turned on to the max. she helps you move slightly, and my god she needs to take your pants off and feel your naked heat against her like this. when she thinks about what it must be like for you— she imagines your fat pussy lips squished up inside your panties, grinding on her thigh and she nearly loses it. she wants to help you grind harder… could she make you cum just from that? cum inside your pants whilst using her thigh? “fuuuck”, ellie groans and lifts her hand up, nearly smacking your ass but it ends up just landing on her own leg.

“s’not fair… what you’re doing…” she murmurs in your ear, “what did… what did i do?” you respond back, your voice high and needy. ellie doesn’t even know what she meant to say. all she knows is that it’s not fair. it’s not fair how you make her react and feel like this, the way your eyes glisten isn’t fair, the way you grind up on her thigh and make those sounds isn’t fair, the way you make her feel sticky and mushy and wet — without even taking your clothes off, isn’t fair.

still moving with fervour on top of her legs, her hand is dangerously close to where you need her the most. she nearly cups it, flips you over and ravishes you whole, but she stops herself. “can i please… take your fuckin’…” she rasps, running her short fingernails on your sides. she’s not scratching, but it’s not an entirely gentle movement either. she doesn’t know where to start, should she ask you to take your top off? your pants? — maybe she should just ask you to go completely naked. she settles on the little top, however.

you lift the fabric up slowly, but you do it out of nerves. as much as ellie wants it off, she lets you take it slow. you peel it off, exposing your skin inch by inch— do you even know how bad you’re teasing her right now? “ah, fuck” ellie groans out. when the shirt meets the top of your head, it gets stuck there for a second. you giggle nervously, your lacey bra on full display, and ellie considers just leaving you there to struggle by yourself. if your eyes are covered by the material, maybe you won’t notice how hard she’s staring. “need some help there, babe?” she teases as she leans back on her elbows. your laugh is muffled, and ellie chuckles. how are you so goddamn sexy and adorable at the same time? after ten whole seconds of struggling, ellie lifts it up for you. “there, good girl… wasn’t that hard, right? just needed my help?” she teases, and god is she mean— that little twinkle in her now much darker green eyes making you feel like your ears are about to melt off.

swiftly, ellie begins planting soft kisses all over your collarbones. her hand isn’t touching your breasts quite yet, but it’s hovering on top of them, and then you realize— she’s waiting for your approval, for your yes. you put your hands around her neck and push her forward, which makes her hands land on top of your breasts. ellie moans as soon as she feels them, and even though they’re covered by fabric — the lace is thin and she can feel your hardening nipples. she runs her thumb over the swollen buds and you shiver. “knew you’d be sensitive…” she murmurs to herself against your skin. “what did… uh, what did you say?”, you stutter, and then she looks up at you. “said…” she flicks it and you buck your hips. “fuck… knew you’d be sensitive”

she knew… you’d be? “you’ve, uh… thought about this before?” — and ellie chuckles, fully laughs nearly. if you only knew how many times she’s thought about this you’d probably crumble like a danish biscuit. “too many times” ellie confesses, and she almost gets too embarrassed to admit, but she swears she can feel a little wet patch on her jeans so she knows you must have thought about this as well, perhaps more than she has — but not likely. “i have too” you murmur shyly, and there it is.

“oh, really?” she asks, kissing right in between of your tits and making you jolt. if her lips feel this good on your chest… your eyes roll back to the top of your head. “so you’re just as filthy, huh?”, her right hand lands on your ass with the smallest smack, she knows she could make it hurt if she wanted to (and she does), but not yet. you jump and squeal, and in a random burst of confidence — “m’filthier…” you whisper.

with that, ellie grunts and takes your tits in her palms, she kneads the swollen flesh, pushing both of your breasts together and kisses right between the formed cleavage. “bet you’re filthier…” she whispers, opens her mouth so her tongue can stick out and lick between your cleavage line. when she does so, she brings her hand to your back and unclasps your bra with just her two fingers. she lets it cascade down, and she notices how shy you get, trying to bring your hands to cover yourself up. ellie is faster than you, and grabs both of your wrists so you can’t. you’re fully exposed, and ellie’s all pants and heavy breaths. when you try to wiggle yourself out of her grip, your tits move and bounce in the slightest, and ellie’s in trance. “you’re so… fuckin’ pretty” she takes your hard nipple in her mouth and you wince as soon as you feel her pink muscles wetness. “that feel good huh?” she takes your other breast in her hand and toys with it, palms it and making it shake.

with hungry kisses, she lays you down on her bed. you buck your hips forward, and ellie parts your legs with her own. she runs her hands all over your body, and before kissing you again, she stops. “els?” you ask, but ellie ignores you. ellie takes her top off, and fuck you’re nearly drooling. she wasn’t even wearing a bra, and her pretty pink nipples are just as hard as yours. you’re staring, and it’s ellie’s turn to go shy. “you like… ‘em?” she giggles, “shit, nevermind”

you don’t expect it, but ellie grabs the brown paper bag and pulls the moonflower bouquet out of it. “wh… what are you doing?”

“don’t worry about it” — she places the flowers on your chest. for some reason, your ears start to burn. “hold ‘em like that for me?” she asks, and you do. with ellie straddling you, it almost looks like she’s about to pull out a camera and take a picture. “perfect…” she murmurs, “feels like i marked you. s’over for you, you’re mine, y’know that?”

you think you’ve always known. “yours” you whisper coyly, giving her that toothy grin that makes her melt into a puddle. she leans forward, kissing the tip of your nose. “yours who?” she kisses your cheek, and then below it, and then on your jaw. “yours… ellie” — and she must be smiling, because you can feel her lips curl up on your skin.

she kisses you everywhere, on every scar, every blemish, sometimes she bites, but then soothes it with her tongue. you’re growing impatient, the pressure down your panties becoming insufferable. before she unbuttons your pants, she unbuttons her’s. she pulls them down, to sit right below her boxers covered ass. she comes up again, kissing on your tummy, and then — she puts her ear to it. “m’hearing them…” she murmurs. “they're… talking to me, the bees are begging me to fuc—“

“ellie!” you call out, embarrassed. you try and muffle your giggles with your hand but it’s all for nothing, because when she pulls your pants down you gasp. she takes a moment to stare, she could just stare at you forever, she thinks. ellie toys with the waistband of your panties, running her pointer finger on the line. she’s breathing heavy, and you’re nearly wheezing. she bends down to kiss your sopping covered cunt, “oh fu— wait!” you call out.

“i’m… i feel, i’m too shy i can’t…”, ellie smiles and kisses it again. she knows you are. “feels like i might—“ you cry out, feels like you might what?

“explode!”

“you might… but i got you, yeah?” ellie coos, and this time, she doesn’t kiss it, she runs her tongue along the wet patch. she wiggles it from side to side and fuck, she can taste you already and she thinks she might be addicted. your thighs tense and they involuntarily wrap around ellie’s head. she chuckles, and parts them apart. to soothe you, she runs her fingers on your inner thighs and caresses you gently. she kisses your clothed clit and she swears she just felt it pump. “awh… yeah?” she coos again, and it feel like she’s talking to your pussy and not to you. you whimper and drop your head back, and she sucks on it. she’s making the fabric grow nearly sheer with her tongue, and when she sees the outline of your pussy lips she moans deeply. “so wet…” she murmurs to herself, “this all for me, huh? did i do something?” she looks up at you, and your eyes are tightly shut, not even in a place where you feel like you can talk.

you’re fuzzy everywhere.

“can you answer me?” she warns, but chuckles when she sees your back arching as soon as she pulls your soaking wet panties to the side. you hum, “all f— for you”, but ellie doesn’t even hear it, because she’s faced with the most beautiful thing she’s ever seen.

your glistening folds, the tiny swollen button on top, and your hole practically clenching in and out over nothing and she thinks she might just die. she spits on it with a small “ptu”, watches as her warm saliva cascades down from your clit to your inviting hole. when you clench, your hole absorbs some of her spit and she groans deeply. “fuck that’s cute”

you’re panting, a sweet harmony of “please, ellie!” escaping your lips, and when you accidentally muttered a pathetic, squeaky “puhleaseee!” ellie scratched the idea of slowly, butterfly kissing your cunt till you’re begging and began placing an open mouthed kiss on it.

as her tongue meets your clit for the first time, you clutch your thighs around her head. it happens twice before she forces them open, “quit that, gotta see you” — she warns, and you listen because you just do. “look at me” she instructs, her voice muffled by your sweet pussy in her mouth. her tongue laps up the wetness from your hole, brings it to the top of your clit and sucks. ellie hums, she was right — you really are fuckin’ sweet. “so good…” she murmurs, “doin’ such a good job”, truly, you aren’t even doing anything, just squirming and whimpering under her touch. she moves her tongue around and you swear you just felt her spell something with it, “ellie!” you cry, and ellie’s breath hitches down her throat so she comes out for air and spits on your cunt again. she rubs the wetness with her fingers, then separates your pussy lips with her thumbs so she can see all of you.

you’re just like a flower, she thinks. slowly, she places her tongue on your clit again, but with her fingers on it still, she begins toying with your tight hole. she merely teases it, probing your entrance with her ring finger. “gonna put it inside, that okay?” she asks, but you’re unresponsive, a blabbering mess who doesn’t even remember her own name. ellie chuckles, she could probably do anything she wanted. she slips it inside, feeling your gummy walls squeezing her in, and she moans right when you do. “oh… gosh, ellie!”

“so fuckin’ tight” she whispers, returning her mouth on your clit and suckles deeply. she adds a second finger and now you’re gone, fully consumed by this filthy, pleasure filled monster. “i think m’gonna!” you cry and ellie whimpers out, nearly going cross eyed when she notices you’re toying with your nipples just like she did. “explode?” she breathlessly says. “c… cum!”

“good fuckin’…” she wants to complete that sentence, but instead her tongue dips lower and her hands push your thighs so your knees are pushed up against your chest. it goes even lower, licking your tightest entrance, the one that’s never been explored, not even by your own hands, and when she flicks her tongue upon it and then immediately goes back to your swollen clit you’re—

“cum’… m’cumming! m’cumming!” and yeah you are, ellie thinks, and slaps one of your thighs. you're jolting when you do, her name leaving your mouth like a prayer, and pray as much as you want but heaven will not be the one that accepts you, perhaps it’ll be purgatory, but with her in it it’s more than perfect. “uh huh… cum for me”

when you do, you see stars, and ellie sees moonflowers.

she laps up your saccharine juices, sucking them off her fingers one by one. you’re feeling faint, buzzing everywhere, from the tips of your toes to the top of your head. ellie looks up at you, eyelids half shut. when you see the index finger that was deep inside of you just a moment ago, go inside her mouth, her pouty pink lips around them and she’s lapping it up and she’s greedy— you cringe a little. she’s tasting and tasting and humming, “told you… you’re sweet”

[cavegirlpoems]

Violet Core Approaches

So. My close friend and collaborator Sarah Carapace has been working on Violet Core - a ttrpg about dykey mecha pilots in space - for the past few years, and that work is approaching its fruition. It's about to get kickstarted pretty soon, and I got a preview copy of the game ahead of that. So, preview/review I shall.

Disclaimers: I'm close friends with Sarah, was involved in some of the early playtests, and might end up doing a stretch goal for the game. So, I am of course wildly biased in Sarah's favour. Still, even if I wasn't, I figure this'd be my jam.

TL,DR: This game is really really good, back the kickstarter. For more details, read on.

The Basics:

Violet Core is set in the Nemesis System, an alternate scifi version of the solar system. The game follows the lives of spacers cut off from their home planet, Cerulea, as they face an oncoming disaster as escalating waves of comet-storms hit the system and everything starts to come apart.

Our characters are mech pilots for one of three factions of spacers - The Reach, The Homebound, and The Cosmic Embrace - each with their own perspective on what to do about the looming disaster. It's generally agreed that they need to escape, but where to and how is a source of conflict.

All three factions and their approaches have their merits. Although the Reach are positioned as more heirarchical and organised than the other two, all three are clearly scrappy tenacious punk-ish survivors who've been rejected and exiled to space by the dickhead bourgoisie of their home planet, Cerulea.

Luckily, you get to pilot X-10s, giant personalised mechs powered by a mysterious psycho-active (psychic?) crysteline core. This lets you get up to all the various activities you just pictured when I said that.

Tonally, it's Sarah Carapace through-and-through. Everything is purple and blocky, with CRT monitors and snaking cables and spray-paint. Riot Grrl mashed up with retro scifi mashed up with cosmic weirdness.

On The Humble D4

The game uses the oddity of dice - the humble D4 - as its main dice, with D8s scattered in here and there. It's a choice I really like, giving the game a feel that's a little angular and off-centre. It's a simple choice, but it does a lot to set it apart. I can't sum this up better than Sarah does, so I'll just quote her:

d4s are the most cursed of all dice.

They are awkward to roll.

They are pointy and can/will stab you.

Femininity is pointy, painful and powerful and so are these odd little polyhedrons.

Also, There is no standardised style for d4s. When you roll them, the result is the number displayed upright, either on the top or bottom. It varies from die to die.

Which I think gives you a good sense of the tone of the whole game, y'know?

The game cares about dice as physical objects deeply. Players can use the emotional connections between their characters to donate bonus dice to another character's rolls: the game suggests that when you do, you should pass her your physical dice, and use the motion of how you do it (including potentially how your hand touches hers as you hand them over) as a way of expressing the connections between characters, which is a fucking genius bit of design.

Anyway. Who do you play as?

Some sort of dykey space-gal x-10 pilot. To define who you are, you pick three things: the faction you belong to, your pilot type, and the X-10 you pilot. I'll go over each in quick succession.

Your faction determines your political alliance and likely goals, and the culture you grew up in, and each faction has access to a different set of X-10s. You pick between:

The Reach: the most organised and strict faction, and the oldest. Strict, heirarchical, and high-tech. You play here if you want to have a good The Man to chafe against, or to be that The Man for somebody else. The Reach are working on engineering humanity to be able to survive the coming disaster and thrive in space, and building a vast engine - the Overlock - to enable this.

The Homebound: the most rough-and-ready faction. A large population of working-class gals, and with too few resources to go around. They're working on repairing a giant machine, The Sling, to transport their people to another star system and flee the coming disaster. Unfortunately, The Sling and The Overlock are both adaptations of the same machine...

The Cosmic Embrace: the weirdo faction. The smallest, most mystic, and overall hippy-est. Short on space, people, and resources, but not on idealism and enthusiasm. They're poking the weird shit of the setting, and getting results. A little culty. In the playtest I was in, I played Cosmic Embrace, obviously.

Notably, you can have PCs all be in the same faction, or be split between them. If split, there's lines of conflict, but also room for alliances and subterfuge. PCs can, and might well, switch faction in play.

As well as your faction, you pick your pilot type. There's three broad types of pilots you can be:

Genebuilt, artificially created super-pilots with custom genetics to make them good in space. Divided into two rough types; the Violet Kind (for if you were a successful project, and inhereted mysterious abilities) or the Rat Bitch (for if you... weren't, and mostly just inhereted emotional issues). There's some interesting space to play with the idea of nature vs nurture here, or with the pressure of expectation.

Baseliners, aka normal humans who haven't been genetically engineered or tinkered with. Again, divided into two types; the Shining Star (for if you're keeping up with the best through sheer talent and training) and the Baseline Breaker (for if you're a normal person getting by with determination and adaptability.

And then, lastly, the Returned. People who died - or nearly died - and were brought back. The character creation section only mentions one sort of Rebuilt - the Returned, who have been remade by the power of humans science - but hints that other sorts might exist. And indeed they do, tied to the mysteries of the setting.

I ended up playing a Rat Bitch, who'd seen her best buddy get horribly fucked up in a training exercise and gone awol. It was great fun.

Lastly, your X-10. Each faction has three models of X-10, divided by function: Warriors to be brutal front-line fighters, Rogues to be mobile scout-types, and Witches that do weird shit and fight at range. Out of these, each faction has its own version of each of these archetypes. Some X-10 models are pretty common and mass-produced (like the Ogress, the Reach's warrior-frame), and some are rare or even unique (like the Hag, the homebound's rare and experimental Witch type that can fuck with time and space).

Each X-10 has its own Violet Core, the psychoactive crystal that's at the heart of the mech and gives the game it's name. Thoughts from the violet core filter through to the pilot, and visa versa. If you pilot a Hag for long, you'll start thinking Haggish thoughts, and your own emotions will start to seep into the core. It can get real strange real fast.

Each type of X-10 feels and plays extremely differently, in a way I personally found made your choice of frame a reflection of your pilot's personality. My pilot ended up in a Mermaid - the Cosmic Embrace's version of a Witch frame - that had the ability to shift space around it (her?), and 'swim' out of the normal world into sub-space. Which brings me to...

The Spaces & The Mysteries

As well as the material, mundane world - what Violet Core terms 'top-space' - there are two other spaces that exist.

Sub-space is a serene, empty (is it?) realm that lies below top-space. You can dive into sub-space in the right X-10s, and explore. Time and space are wierd and fluid here. If you dive deeply, you find... things. If you dive too deep, you might not come back the same, or at all. There are mysteries down there. Remember I mentioned there are other types of Returned you might become? Yeah. Remember those Violet Cores that power your X-10s? They're made from something called 'the fingers' found deep down in sub-space. Who's fingers? You see where I'm going with this.

There's also The Violet Realm. This is the psycho-sphere, the realm of dreams and emotions and mystical experiences. The violet core of your X-10 links you to the Violet Realm. You can meditate to experience it, to commune with what's within...

This is a setting with mysteries. There are things to explore, forces and powers beneath the surface. I won't elaborate. Partly because I don't want to spoil the discovery for you, and partly because I don't want to read it all and spoil myself before I can play this again. What I will say is that the bits I did read ahead on give you a lot to explore, and are explained in a way that make how they tie into the wider setting and plot. It's all coming together into something impressive.

Personally, as a player of rpgs (larp and ttrpg) I really enjoy settings which present you with mysteries and mysticism, which let you explore the underlying nature of this universe in ways that are at times rational and at times intuitive or mystical. It's an itch few other ttrpgs have scratched for me. Lacuna and Orpheus were, until now, games that achieved what I wanted; now I get to add a third game to the list in Violet Core.

In case it wasn't clear, this is high praise. This is extremely high praise.

Mechanics

I'm going to assume you're already sold. If you aren't, let me make a statement:

I'm mad I didn't think of these game mechanics.

The core engine is pools of d4s, in a way I believe is drawn from forged in the dark. However, unlike FitD, I really like how VC handles its rolls. Particularly - as I mentioned above - the way players can pull on the connections between PCs to offer each other dice, and the way this affects the game.

The core is pretty simple but has nuance. There are PbtA-style moves - things like Negotiate, or Hurt, or Shield - that trigger when you do a particular thing. You roll, and get a codified result based on the result. When you roll, you get a number of dice depending on how you're going about it. In person, you use your talents; things like Making Out and Using Your Head. In your X-10, you use the X-10's talents, things like Synchronising and Drawing Near. An example: You're piloting a Mermaid, and you see your friend (piloting an Ogress) is about to be struck by spiraling comet shards. To save her, you dive across to pull her out of top-space and into sub-space with you, dipping out of the material world to avoid the hazard. Since pulling somebody into Sub-space with your X-10 is Draw Near, you roll as many d4s as your Draw Near pool, and count how many hits you get. Since you're trying to protect somebody, you take that result and look at the Shield move to see what happens.

It's a simple core that's then built on with more detail, giving it a lot of room for nuance and expression.

Further, there's a neat little system for tracking the emotional connections between PCs and how they escalate over time. As they escalate, you pick statements to describe how you feel, pinning down the nature of the relationship, that will get deeper and more intense the further in you get. And the further in you get, the more potent it is when you hand another player your dice to assist her PC.

In play its such a neat, deep, evocative system that it made me really mad I didn't think of it myself. It's basically perfect.

Sorties, in which our cosmic purple space robots punch each other

Up front. Although your in giant space-mechs with giant space-weapons, combat isn't meant to be lethal and horrid. It's intense, and gritty, and emotional raw, but in the way that a bloody-knuckled fist-fight is, not in the way that a shootout is.

Fights aren't war. They're personal.

There's a lot of dancing metaphors in how the fights are described. You might be sparring or actually seriously going after each other, but either way, a fight is an interplay between two characters at their most intense. That thing where a fight scene serves the same purpose as a musical number? Yeah, that.

So. Each fight between X-10s is a Sortie. A sortie is divided into a series of steps, and at each step you pick an option for how you're fighting;

Lead, to be agressive

Sway, to be fluid and fucky

Follow, to be evasive

Sway hits follow, Follow hits lead, Lead hits sway. Its a rock-paper-scissors cycle. (If you get two Leads, both hit, and if you get two follows or sways, both miss.)

When you hit, you can trigger one of the moves as a result. It can get ugly and painful. It could concievably get vulnerable and emotional.

Critically, you have a limited pool of lead/sway/follow actions (depending on your X-10), that get used up as you use them in steps. IE: if you're piloting a Witch, you can use Sway twice and Lead & Follow once. So, you can count what you're opponent's used up, and predict their moves based on what they've got left. In really long sorties, once you've only got one option left to you, it resets.

A sortie is a sort of dance as you maneuver for the advantageous position, use that to fuck with your oponent, and get your fists bruised.

Damage to your X-10 can bleed through to you. Contact between two X-10s can bleed through to their pilots. Things can get strange, particularly when there's Witch X-10s involved.

I'm gonna quote the book again here:

Not all pilots fight to win. Some pilots fight to hurt.

The Gay Bits

As you might have realised by now, it's a really fucking sapphic game. Not as a focus, but in the way where all our PCs are assumed to be some sort of dykey queer type because that's just the kinda tone we're going for.

To misquote Sarah's fellow aussie: "This is my book motherfucker, they'll walk be lesbians if I tell them to".

Pulling It All Together

Tonally, it's a fucking slam dunk. The world bleeds with a very specific atmosphere, a sort of dykey grungey weirdness that draws on old late-80s to early-90s mecha anime, and Heaven Will Be Mine, and weird scifi.

The writing has a really strong voice. Sarah doesn't write like a typical clinical dispassionate ttrpg text, she writes like Sarah. There's little witicisms, emotional bits, slang. It reads like somebody passionately explaining how to play in person.

There's a lot of snippets of in-character text - chat logs, reports, records, recordings - that give you a sense of the sort of people in this world.

The art is all fucking gorgeous. Mostly Sarah art, with some guest spots.

It is extremely purple, so purple its even in the name.

In conclusion:

Listen I am wildly biased because I've been friends with Sarah for yonks, but even if I wasn't I'd be incredibly enthusiastic about this game because:

a) it seems to have been carefully fine-tuned to hit my tastes.

b) it's really fucking good. Really fucking good.

It's an idiosyncratic personal work that also has a huge cosmic scope to it. It fucks around with the medium of dice-based ttrpgs in interesting ways. It's gorgeously written. It's got a setting that makes me want to dive in and explore it.

You should go back the kickstarter when it goes live, and tell your friends about it, and I am not kidding. If this game isn't a wild success there is something wrong with indie ttrpgs. The kickstarter is here, I believe it's due to go live in a couple of days.

If any bloggers are interested in getting a preview copy of their own, hit me up and I can hit up Sarah and we can sort things out.

[lovebugism]

Smut request idea: Eddie worshipping reader's tits, who is insecure about their small size (lol totally not projecting 😅)

ty for requesting :D — eddie 'heart eyes' munson sees your boobs for the first time (cw for nudity, but no real smut, 18+ mdni, 1.1k)

bug's one year celebration ♡

On a rainy, post-show night, in the back of Eddie Munson’s van, you decide to be brave.

Buzzing with alcohol, adrenaline, and adoration — a wild concoction rushing like fire through your veins — you take your shirt off for the very first time in front of him. Mostly because your sweater was getting itchy, so you’re not entirely sure how brave that makes you. But your skin burns still, empty like a blank sky, yearning for a warmer touch to fall over you like stars.

In the simplest, most human way, you need Eddie to touch you like you need to breathe air. 

So, when you tugged the fuzzy sweater up and over your head, you hadn’t thought much about doing it. You were too full of need, too unthinking. Head clouded with longing until you developed something short of tunnel vision for the boy underneath you.

It wasn’t that big a deal, right? Isn’t this what girlfriends do with boyfriends?

Eddie’s silence is not reassuring. It feels more like a knife lodged in the very center of your sternum.

You lay the sweater beside you and cross your arms slowly over yourself. Equal parts to hide what you’d just revealed to him and to shield your bleeding, stinging heart.

Eddie’s face twists, pained features swirling like a hurt puppy. “Wait— What are you doing?” he asks in an unabashed whine. His less-than-subtle pout deepens as his chocolate-button eyes flit up to yours.

You keep curling in on yourself, but from where you straddle his thighs, he’s impossible to run away from. “Why aren’t you saying anything?” you wonder in a tiny voice, distantly fearful of the answer. 

You don’t have the kind of chest people put on magazines. Maybe you should’ve just kept the shirt on.

Eddie’s ringed fingers smooth around your bare waist. He realizes he’s holding you there for the very first time without any fabric covering you. His chest starts to sparkle. His thumbs rub gently at your ribcage, just below the arms still concealing yourself.

“‘Cause I’m too busy enjoying the view, honey,” he answers with a plush pink and crooked smile. His words are slightly slurred, weighed down by fatigue and desire. “How am I supposed to think when I’m looking at you, huh?”

You make a faint, grumbly noise, features scrunching in disdain at his compliment.

He smiles wider and curls his fingers around the wrists you hold over yourself. There is little force behind his touch, no eagerness to tug your hands away. Instead he just holds you, in a distinctly quiet embrace, telling you silently that you can let your guard down whenever you’re ready.

“So you don’t think they’re weird?”

He answers with an immediate scoff. “No, I don’t think they’re weird— I think they’re beautiful! I think every part of you is beautiful.”

You grow less and less tense in his hold. Your hands start to slip. You let them. 

Bare again in front of him, the boyish glimmer in Eddie’s dark eyes returns. 

The wild cadence of rain on the rusted tin roof resembles the rapid patter of his pounding heart as he ogles at you. And, with his back propped against the driver’s seat, he has the most perfect view of you.

The pale hands along your ribcage slowly start to rise. His warm touch leaves sparkling goosebumps in its wake. He doesn’t stop until his thumbs are settled neatly beneath your breasts.

“I mean— I always knew they’d be pretty, you know?” he mumbles, getting lost in you all over again. You don’t know if he’s talking to you, or if he even knows he’s rambling. “‘Cause when you’d let me feel you up, you know, over the shirt— I always imagined what you’d look like under it…”

He trails off then, forgets how to make words when his thumb rubs over your soft nipple. The gentle stimulation makes it stiffen beneath his touch. Eddie smiles to himself, all boyishly giddy.

“…But I couldn’t’ve, in my wildest imagination, expected this.”

Your chest warms with his affection. You scoff about it, anyway. “You’re such a boy,” you laugh.

“It’s not my fault you’re so pretty…” 

Still cupping your chest, Eddie leans down to kiss you there. A chaste, open-mouthed peck to your pebbled nipple. His heart swells when he hears you moan above him — your nose buried in the strands of his wild hair, fingers playing with the curls at the nape of his neck. 

Eddie licks his rosy lips when he pulls back from you. 

“See? You’re gonna kill me one day, doll— I swear,” he teases in a joking tone, but means every bit of it. He loves you so much it makes his chest ache. You’ll give him a goddamn heart attack one day if he’s not careful. “Can’t believe you’ve been hiding from me this whole time…”

You’re not sure either, now. 

“I was just scared that… I don’t know,” you stammer, clammy hands fidgetting with his intentionally tattered Corroded Coffin t-shirt. You’d helped him cut rips into the white fabric before the show. You distract yourself with the pink lipstick smudge you’d pressed along the neck of it, rubbing hopelessly at a stain that’ll never come off. 

“I was scared that you’d think I was less pretty or something. I don’t know.”

“No,” Eddie recoils immediately, face twisting in abhorrence of the thought. He shakes his wild head at you. “No way. That’s not possible. I think you’re fucking— perfect. And I think that…”

His eyes fall to your chest again. He loses the rest of his words.

A smile blossoms on your face. You don’t think you’ve ever felt prettier than you do right now.

“You think that what?” you tease, hands rising again to twist in his deep brown curls.

Eddie’s button eyes flit back up to you. His ringed hands lift to cup your breasts in his wide palms. They fit just perfect in his hands — like he was made to hold you there. The width of his beam rivals your own. 

“That I just found Corroded Coffin’s next album cover,” he answers.

The sound of your laughter fills the van. Sunshine compared to the rolling rain outside.

“No. No way. That’s not happening,” you refuse, still smiling, as Eddie leans into you again.

You wrap your arms around his neck when he puts his mouth on you. He buries his own laughter against the plush of your breast — along with so many little kisses. 

He doesn’t mind your light-hearted rejection. The only thing Eddie likes more than showing you off is keeping you totally to himself.

[callsignhood]

Calling König by different cute names:

Tags: Gender neutral, tooth rotting fluff, that’s it.

❤️Schatzi (Honey)

“Where did you learn that?” He blinks his eyes in pure joy and surprise. He loves the way you’re speaking German with him. “You’re my beloved too, my Häschen, my Spätzchen.” He happily teases you back with a grin. He’ll call you by something lovely and purposefully cute, because you are the one that he needs to protect with all cost.

🧸Teddy bear

He laughs with delight. He then drowns you in the embrace of his arms and made sure to avoid squeezing you too tightly, since he is aware of his size and strength. “Of course, I’ll be it.” He playfully spins himself with you a few round, looking at you with those pretty blue eyes full of affection. You can tell he has a big smile under the sniper hood.

💅Baby girl / War princess

König flinches at the name, and he looks you up and down a few times, wondering if he heard it wrong. You repeat it again. He unbelievably coughs out a laugh. “Ernsthaft?” (Seriously?) He’s not very amused, but he’s far from upset. He frowns a little under his sniper hood, and drops his head on your shoulder, giving you a few nuzzles. “Bitte (Please), call me Schatzi or something, I prefer those.”

If you keep calling him Baby girl, expect some defensive head shakes and arm nudges. Nobody has ever called him by those, and it’s… a bit weird for him. But he’d probably accept his fate and comes to you with a grumpy eye roll. “Yes yes. I’m here.”

🎶A name in your native language or something he is not familiar with

“What’s that? Tell me.” He let out a chuckle, grabbing your hand and giving it a light squeeze. He couldn’t understand the meaning behind it, but he’s sure it’s something either cute or cheesy, since he knows you like to tease him. If you don’t tell him, he’ll ask his teammates and find his answer. He is also willing to learn a few pet-names in your own language. Please expect and tolerate some cute mispronunciation from him.

💍Meine Frau (my wife)

König immediately chokes on air, stares at you with wide opened eyes from your baffling words. He then puts one hand on his eyes, sighing out a weak and desperate Nein (No) under his sniper hood. “My love, it’s not right, I should be dein Ehemann (your husband), not your wife.” He corrects you with an embarrassed tone, as his cheeks and ears grew hotter under that piece of cloth. He’s grateful that you couldn’t see him blushing as you finally corrected yourself with mein Ehemann.

He will secretly consider when should he make this name come true to its meaning.