#when there isn't memory of it being this huge pop culture moment and you just pass by it on netflix

[gayofthefae]

Wait you guys......

Mike and Will are in love

No because like they're just...they're just a wholesome childhood friends to lovers slowburn I'm gonna rewatch like "aww you don't know yet".

Like....

Mike and Will are in love.

They fell in love from ages 12-16(?). That's so cute. What the hell. I just randomly starting thinking about it like it's just some show I just heard about or something and I'm like "aw cute trope". What a cute trope wtf. That's adorable. Two twelve year old boys in the 80s and they fall in love over the course of many years as they grapple with internalized homophobia and homophobia in their small town? That sounds like a GREAT show where can I watch it? That's adorable.

Mike and Will are in love. And...that's just the premise. That's just the premise of their plot. If you came up to me after you watched episode 1 for spoilers and you were like "What happens to Lucas? Dustin? Mike? That girl they found? The kid who went missing?" I could just be like "Dustin gains confidence and becomes besties with Mike's sister's boyfriend after they break up, Lucas meets this girl who's introduced next season and they're really good for each other, the girl gets adopted by the police chief and then into the Byers and has a great found family and independence arc, and the boy who went missing survives and he and Mike fall in love!"

And that'd just be like...right. I'd just be telling you what happens.

[zeke-ewan]

IMHO: David Tennant as 'the Bridge Doctor'; I think it was a good move. In this essay I will...

Talk at length about this whole thing, if invited.

For now, I will share main points, and if anyone wants more, you know what to do - it's tumblr. This isn't super long but I still hate taking up dash space, so:

I am inspired to write this because I watched this video ... ("The REAL Reason David Tennant is Back as Doctor Who" by Joe Brennan on Youtube). And I would like to politely add my own opinion, as I am one of the "nostalgic fanboys" mentioned in the video, but I also consider myself able to learn and change perspectives, as I highly value the adaptive nature of scientific research.

"The News" to which I am responding, is that David Tennant will play The Doctor, while we await Ncuti Gatwa who is working on another project. Some opinions are concerned this is too much fan service, despite "Tentwo" being somewhat of a placeholder, as Ncuti is presently too busy to film Who.

Key points of which I think when considering this move:

If you really have selected the perfect person for the role, wouldn't it make more long-term sense to hold their role for them while they make the necessary accommodations? I can surely say that if someone headhunted and offered to change my life with the role of a life time (though I think if it were my first role, I'd have another character in mind for myself, if I were able to make wishes haha) I sure would need to make some necessary adjustments!

Joining something as phenomenal and endless as Doctor Who has got to be one of the biggest honours in Sci-Fi, pop culture, etc, along with a number of other popular or obscure titles that have endured as long (I would like to nod to Star Trek, Star Wars, Red Dwarf). And adjusting one's life to accommodate filming such a title would take much preparation.

Personally I welcome the nostalgic nod to the anniversary with the 'Fan service doctor'. Sometimes, when able to show growth through throw-back, nostalgia is okay, for a moment. In a world where the nostalgeneration (my term, anyone a fan?) who watched our parents fear the technology then integrate it into our entire society. The millennials were the ones who grew up riding bikes then couldn't afford our own cars, so please give us a break when we get excited to see hopeful faces from our upbringing, or at least me, if I am alone in this feeling.

I was promised success upon completion of school, then failed school, over and over and over. But I have fond memories of watching Doctor Who with my mother, who remembered it a bit growing up, despite not being an avid Sci-fi fan.

I could explain my points further, except I am attempting to practice sleep hygiene and it's already past my bed time, so I must away.

I think it's okay to take a breather with some gentle nostalgia to celebrate a monolithic anniversary, so that we can say that we didn't miss that huge milestone, but still keep the role open for the perfect next candidate.

Personally, I'd rather wait for the dream role than rush into an ill-suited one. Sure would help the wait, knowing what's at the end of the tunnel, but at this point, I'm not even sure what I'm 'waiting on' any more. And I'm determined to make this waiting room as interesting as possible - when the main quest is out of reach, do side-quests! I just hope the main quest becomes clear again soon, even if I have to write the dang code myself, lol.

[twh-news]

Loki: Sophia Di Martino Talks About Songs, Sexuality, Scoring The Role Of Sylvie And More

Sophia Di Martino was launched into the pop cultural consciousness thanks to her role as Sylvie – AKA the Loki variant on Marvel Disney Plus series Loki, where she trades barbs and shares background stories with Tom Hiddleston's God of Mischief.

Episode Three of the series found Loki on a wild adventure with Sylvie, after he accidentally sent them both to the doomed moon Lamentis-1, on a collision course with a planet. Facing an apocalypse, the pair hatches a plan to find the escape vessel that some of the moon's wealthier residents are hoping will carry them to safety and, while on the train to the ship, they discuss everything from the nature of love to their respective magical abilities.

When the opportunity arose to talk to her, we naturally jumped at it, so here is part of Chris Hewitt's conversation with Di Martino, who was frank and funny while chatting about getting the job, Loki's sexuality and more.

The last two weeks in particular must have been a heck of a whirlwind for you. What's it been like being at the centre of the storm?

It's been a strange one. Because I feel like I've been waiting in the wings for quite a while. And I haven't been able to talk to anyone about this until today. So, it's been a really strange few weeks, just watching the show start and listening to people's reactions, but not being able to talk about it. I don't feel like I've been in the centre of the storm at all. I feel like I've been watching it play out.

Have you been able to say anything to anybody, family friends... Postmen?

Absolutely no-one! My mum has no idea where I've been for the past two years. It's been really difficult. But to be honest, I'm actually really good at keeping secrets. So, I've perhaps been too good and haven't told anyone, anything. My agent, no one knows anything! I’m taking it really seriously, maybe a bit too seriously!

You and director Kate Herron have worked together in the past. Is that how it began for you?

Kate and I worked together on a short film of hers a few years ago now. And we stayed in touch, we're mates, we'll go out for coffee and do a bit of improv. We exist in the same circles in London. I'm trying to remember how exactly it happened. I was shooting another film in the UK, and I think I got a message from Kate saying, “I'm on this show, I'm not allowed to talk about what it is... There's a role, we'd like to see what you do with it. I can't tell you anymore. Just wanted to give you the heads up...” A really vague WhatsApp message. So, then I got a request for a tape through my agent. But obviously, my agency also couldn't know anything about what was happening and what it was or anything. I was given a really short scene, made a tape of this scene and just had to guess what it was about. I think it was actually what ended up being the scene from Episode Three, which is Loki and Sylvie on the train. I think it ended up being that scene, but it was very different when I did the audition tape for it.

Did it have the word Loki in the script at any point?

No, no, no names! I think it was Bob and Sarah or something completely different. I didn't have a clue what it was.

"I was really interested in how angry she is and how sort of laser-focused she is on this mission that she's given herself."

At what point did the penny drop? At what point did you realise that you were auditioning to play a Loki on Loki, and then this incredibly complex character?

I can't remember what happened first. It might have been the news that Kate was directing the new Loki came out. And then I was like, “Oh, maybe that's what I read for...” Or if it was that I was just offered the job, and they told me what it was. But yeah, it was a surprise. And I had a chat with Tom on FaceTime because he was in New York. I never actually met anyone because I was nine months pregnant, I couldn't fly anywhere. So, I was in London, everyone else is in the US. So, it was just that tape, it was all based on that. And obviously, I've worked with Kate before, so she knows that I'm not some weirdo. And she must’ve convinced them to cast me!

Let’s talk a little bit about Sylvie as we now know her. What's clear to me is that you're not doing a Tom Hiddleston impression. This is not your take on a Tom Hiddleston Loki, this is a very, very different iteration of their character. So where did you start?

Well, probably exactly there, making that decision that I didn't want to go in and do an impression of Tom, because that would have been awful. I'm really bad at impressions for a start! Sylvie’s very different to Loki in a lot of ways. There's the chaos and there's the mischievous, which are very, very Loki traits. But for me, I was really interested in how angry she is and how sort of laser-focused she is on this mission that she's given herself. And I think that plus the playfulness really helped me get into the character. And, and so that was the way I started.

The stunt training and the fight training really helped me with her physicality, and we were all really keen on her being a really strong, sort of street fighter, almost. She's not as elegant as Loki. She's fit and rough around the edges, she's had a harder time, in a way, she's been on the run for the majority of her life, getting into scraps. And I like the idea that she really enjoys fighting. And she'd really get something out of it. Because she knows that she's probably going to win. Right? And that's where her cockiness comes through, maybe. And so that was part of it as well. And then as soon as you put the costume on, you're there.

What was that like? Because the costume says so much as well. There's the headpiece, which obviously has a missing horn, which says a lot about the scrapes, that she's gotten into in the past. And also says that this isn't the Loki we might be expecting.

We were really keen on making the costume look like it's been through the wringer a bit. And she's sort of gathered bits of it from places that she's been throughout her journey. We didn't want it to be too clean and shiny. And it was also important to me that it was a really comfortable costume and that I could actually fight in it, and I could kick in it and just do things that I needed to kick not have to worry about breaking it or being uncomfortable. And then Christine Wada, the costume designer, was amazing at just making it super comfy. But I still felt like a badass when I put it on.

The train scene that wonderful moment were you’re talking about your romantic pasts, and Loki confirms that he is bisexual, which has been received rapturously since the episode came out. And it's such a huge moment and I know it was important to Kate, as well. What can you say about that? First of all, about filming that moment? Did you get a sense of its momentousness when you were filming it?

I knew how important it was, yeah. And I'm just so pleased that it's been received so well. And people are super happy to have seem that scene. And like I said, the show is inspired by the comics, and the comics for a long time have alluded to Loki being bisexual or pansexual. And his sexuality is not straight. And even back to Norse mythology. So, it was important to Kate, and it was also important to me and Tom, that this was represented in a six-hour story about that character. Because representation is important.

And it's such a beautifully written scene as well. Can you just talk about your memories of filming those exchanges? Not just seeing Tom singing in what I presume is Norwegian, and what that was like for you? But also, just that exchange about love and how important it is for these two characters. Because we've only just met Sylvie, of course. And we haven’t seen Loki consider the idea of love or falling in love or being frail or vulnerable in that way before. So, it seemed like a fairly important exchange...

It’s a super important scene. And it was interesting to shoot it because it's the first time that you see Sylvie vulnerable. And it's just a really important moment for the two of them to understand each other in a different way, and not just be miffed by each other for the first time. And when we were filming it, it is quite a long scene. And it just felt really good to do a long, talky scene. It didn't feel long when we were doing it. But it was nice to get into those characters, and it sort of felt like doing a play, when you go a bit deeper and it’s great. It's just another way of understanding the character that you're playing. And listening to Tom singing was also an experience! Didn’t he do such a good job of learning all those words? I was just amazed that he could learn a song in a different language. And he did it so quickly! Like, one day he got the words and the next day he was fluent in Norwegian! That’s Hiddleston, isn’t it? He’s just so smart!

[gerryconway]

Stan the Man

Since the news of Stan Lee's death I've wanted to write something meaningful about my own feelings for him, what he represented to me as a creator and as a human being, and what kind of impact his life had on my life. For many reasons (I was dislocated by the Woolsley Fire and haven't fully settled down since our return) I haven't had a chance to give such an in-depth appraisal much thought. Honestly, I doubt I could do a full appraisal of Stan's importance in my life even under the best of circumstances. His work and presence as an icon and as a human being helped form who I am today. To write a full appreciation of Stan I'd have to write my autobiography.

Among my most vivid childhood memories is my discovery of the Fantastic Four with issue 4, the first appearance of the Sub-Mariner. I was nine years old, and I'd been a comic book reader for years at that point. I knew about Superman, I knew about Batman, I'd read the early issues of Justice League. I was a compulsive reader, voracious (still am)-- devoting hours a day to books and stories and comics and even my parents' newspapers. (Both my parents were avid readers. My dad read science fiction, my mom loved mysteries.) I vividly recall the astonished joy I felt when my mom took me to our local library and got me my first library card. I was six, I think, and the reality of a roomful of books just for kids seemed like a gift from heaven. I won all the reading awards at school-- any competition for reading the most books in a year was over as far as I was concerned the first week. By nine, I'd already graduated from "age appropriate" books for pre-teens to Heinlein's juveniles, Asimov's robot stories, and the collected Sherlock Holmes stories of Arthur Conan Doyle. I was a total reading nerd.

And then came Fantastic Four.

I've never been hit by lightning but I have to imagine the shock might be similar to what I experienced reading that early adventure of Reed Richards, Sue Storm, her kid brother Johnny, and Ben Grimm. If you weren't a comic book reader at that time you cannot imagine the impact those stories had. There's nothing comparable in the modern reader's experience of comics-- nothing remotely as transformative. (To be fair, I suppose both "The Dark Knight Returns" and "Watchmen" come close, but both remarkable works built on prior tradition and were perhaps a fulfillment of potential and creative expectations. The Fantastic Four was _sui generis_.) Over a series of perhaps five issues, a single year, Stan and Jack Kirby transformed superhero comics in an act of creative alchemy similar to transmuting lead into gold, and just as unlikely.

They also changed my life. Because Stan credited himself as writer and Jack as artist, he opened my nine year old eyes to a possibility I'd never really considered before: I could be something called a comic book "writer" or "artist."

Think about that, for a moment. Before Stan regularly began giving credits to writers and artists, comics (with a few exceptions) were produced anonymously. Who wrote and drew Superman? Who wrote and drew Donald Duck? Who wrote and drew Archie? Who knew? (Serious older fans knew, of course, but as far as the average reader or disinterested bystander knew, most comics popped into existence spontaneously, like flowers, or in some eyes, weeds.)

Stan did more than create a fictional universe, more than create an approach to superhero storytelling and mythology-- he created the concept of comic book story creation itself. Through his promotion of the Marvel Bullpen, with his identification of the creative personalities who wrote and drew Marvel's books, he sparked the idea that writing and drawing comics was something ordinary people did every day. (Yes, yes, to a degree Bill Gaines had done something similar with EC Comic's in-house fan pages, but let's be honest, EC never had the overwhelming impact on a mass audience that Marvel had later.) He made the creation of comic book stories something anyone could aspire to do _as a potential career_.

That's huge. It gave rise to a generation of creative talent whose ambition was to create comics. Prior to the 1960s, writing and drawing comic books wasn't something any writer or artist generally aspired to (obviously there were exceptions). Almost every professional comic book artist was an aspiring newspaper syndicated strip artist or an aspiring magazine illustrator. (Again, there were exceptions.) Almost every professional comic book writer was also a writer for pulp magazines or paperback thrillers. (Edmond Hamilton, Otto Binder, Gardner Fox, so many others-- all wrote for the pulps and paperbacks.) Comic book careers weren't something you aimed to achieve; they were where you ended up when you failed to reach your goal.

Even Stan, prior to the Fantastic Four, felt this way. It's an essential part of his legend: he wanted to quit comics because he felt it was stifling his creative potential, but his wife, Joan, suggested an alternative. Write the way you want to write. Write what you want to write. Write your own truth.

He did, and the rest, as the saying goes, is history.

When I picked up that issue of Fantastic Four, I was a nine year old boy with typical nine year old boy fantasies about what my life would be. Some were literal fantasies: I'd suggested to my dad a year or so earlier that we could turn the family car into the Batmobile and he could be Batman and I could be Robin and we could fight crime. After he passed on that idea I decided we could be like the Hardy family-- he could be a detective and I could be his amateur detective son, either Frank or Joe. Later I became more realistic and figured I could become an actor who played Frank or Joe Hardy in a Hardy Boy movie. In fact, by nine, my most realistic career fantasies involved either becoming an actor or an astronaut, and of the two, astronaut seemed like the more practical choice.

Stan and Marvel Comics gradually showed me a different path, a different possible career. By making comic books cool, by making them creatively enticing, and by making the people who created comics _real_ to readers-- Stan created the idea of a career creating comics.

Stan alone did this. We can argue over other aspects of his legacy-- debate whether he or his several collaborators were more important in the creation of this character or that piece of mythology-- but we can't argue about this. Without Stan's promotion of his fellow creatives at Marvel there would have been no lionizing of individual writers and artists in the 1960s. Without that promotion there would have been no visible role models for younger, future creators to emulate. Yes, some of us would still have wanted to create comics-- but I'd argue that the massive explosion of talent in the 1970s and later decades had its origin in Stan's innovative promotion of individual talents during the 1960s.

Nobody aspires to play in a rock band if they've never heard of a rock band. The Marvel Bullpen of the 1960s was comicdom's first rock band.

That was because of Stan.

For me, Stan's presence in the world gave direction and purpose to my creative life, and my creative life has given meaning and purpose to my personal life. I am the man I am today, and I've lived the life I've lived, because of him. From the age of nine on, I've followed the path I'm on because of Stan Lee. (So much of my personal life is entangled in choices I've made as a result of my career it's impossible for me to separate personal from professional.)

My personal relationship with Stan, which began when I was seventeen years old, is more complex and less enlightening. It's a truism your heroes always disappoint you, and I was often disappointed by Stan. Yet I never stopped admiring him for his best qualities, his innate goodness, his creative ambition and unparalleled instincts. People often asked me, "What's Stan really like?" For a long time I had a cynical answer, but in recent years I realized I was wrong. The Stan you saw in the media was, in fact, the real Stan: a sweet, earnest, basically decent man who wanted to do the right thing, who was as astounded by his success as anyone, and who was just modest enough to mock himself to let us know he was in on the joke. I imagine Stan was grateful for the luck of being the right man at the right place at the right time-- but it's true he _was_ the right man. No one else could have done what he did. The qualities of ego and self-interest that I sometimes decried in him were the same qualities needed for him to fulfill the role he played. In typical comic book story telling, his weaknesses were his strengths. And his strengths made him a legend and a leader for all who came after him-- particularly me.

This has been a rambling appreciation, I know. Scattered and disjointed. Like I said, trying to describe the impact Stan had on my life would require an autobiography.

When I started thinking about Stan in light of his death I realized, for the first time (and isn't this psychologically interesting?) that Stan was born just a year after my father. When I met him, as a teenager struggling with my own father as almost all teenage boys do, Stan probably affected me as a surrogate father figure. Unlike my own father, Stan was a symbol of the possibilities of a creative life. He was a role model for creative success, like other older men in my life at the time. But unlike them, he'd been a part of my life since I was nine years old. A surrogate father in fantasy before he partly became one in reality.

Now he's gone. Part of me goes with him, but the greater part of me, the life I've led and built under his influence, remains.

Like so much of the pop culture world we live in, I'm partly Stan's creation.

'Nuff said.

[sparklessswift]

19 Things I've Learned in 2019

1. “The desire for positive experience is itself a negative experience. And paradoxically, the acceptance of one's negative experience is itself a positive experience.” — Mark Manson (The Subtle Art of Not Giving a F*ck)

I always thought that "How To Be Happy" things on the internet are true and those things can really change your life if you will try to do so. But while reading this book, I've realized that it's not. That the irony behind thinking of ways to be happy and positive just reminds us of what we are not and of what things we failed to have that we've always wanted. The more we try searching for ways on how to be happy, the more we can't attain happiness.

2. The quality of your life depends on the quality of your choices and decisions.

I've learned that you are the only one who's accountable for everything that you choose to do, for every thoughts that you entertain and for every decisions that you make. The quality of your life is shaped on whatever you want it to be. Whenever you feel like you're carrying a huge amount of emotional baggage, it's because you chose to carry it anyway. You chose to entertain the melancholia, you chose to let it enter your life. Do not blame your situation or even other people. Change the way you see things, make good decisions and choices and the quality of your life will be better.

3. Music is a form of enlightenment towards our true emotions.

I found out that longing to hear sad songs that we can relate to whenever we are feeling sad isn't a sign of tolerating sadness, it means we are trying to fill the gap between what we know and what we feel. Finding the perfect song that explains exactly the way we feel helps us figure out the right words to describe our current emotion. It makes us feel that we are not the only one in the world who's suffering. It's relieving to be so connected to a song that you feel as though, it was written for you.

4. Forgiveness is a nice thing to do.

There are times when we feel as though, people and even ourselves are not worthy to be forgiven and that no amount of apology will cease the burning fire. But one thing I do learned this year is that, forgiveness means letting go. Do yourself a favor and let go of the bad memories, what's important is that you took it as a learned lesson. Let go of the grudges that you kept for so long, it will give you a peace of mind. Let go of the idea that forgiving without hearing an apology is not necessary in life, it is. Forgive yourself for all the mistakes you've done in life and forgive those people who have hurt you as well. Release the pain by forgiving so you can finally move on.

5. Self loathe is the most toxic form of hate.

I've learned that there is nothing more toxicating in life than hating your own existence and body. It's like badly wanting a poisonous thing even when you know it is bad for you. It's like loving the lyrics to Taylor Swift's song "ME!" because it radiates self-love but there's always a cringeworthy feeling whenever you sing the words "I'm the only one of me, baby that's the fun of me" because you can't feel the message it conveys. And it feels like, no amount of motivation from other people can cure the poison in you. I know it's easier said than done but remember that only you can free yourself from self loathing so might as well start appreciating small things about yourself and sooner or later you will realize that it's fun to be the only one of you.

6. Being 18 is challenging. While it may be true that each year has its own challenge, being 18 is quite different. It's the time when your mind starts forming questions about life, existence, and future. It's like a climax to your own story, exciting as it may seem but it contains setbacks, challenges and a hundred thousand pieces of inspirations needed in order to thrive harder. In order to believe that you can pursue your dream of reaching the happily ever after.

7. Appreciate high school moments while they last. Realizing how fast the time has flown after my journey in high school is something I wish I was ready for. Funny how we're so attached to a moment from the past (e.g. graduation) that everytime we remember it, there's this bubble of thoughts appearing in our heads with the line “it felt like yesterday” and it feels so bittersweet. If there's one thing I can teach the other generations, it is to always appreciate each moment while it lasts. After all, moments will become memories that will forever be stuck in our head so might as well enjoy your high school life and make good memories out of it.

8. We are all temporary in everyone else's lives and that's normal. It feels relieving when you realize that each person that we meet has a temporary role in our lives. We are bound to lose connection with someone whom we thought will never leave us, we're bound to cut ties with people who are not good for us, and we're bound to be left behind or leave not because we want to but because we just crossed paths with each other, we aren't really travelling the same path not as what we thought we are. Learn how to appreciate someone's presence and learn how to accept someone's absence.

9. Do not drown yourself in the thought that internet validation is important. It is definitely okay to dump the idea that you're living in the wrong generation if you think likes/reactions, comments and shares are not important. Most people today still haven't come to realize that the internet has not just open-sourced information, it has also open-sourced insecurity, self-doubt, and shame. And we have to open our minds about it. Life is happier the moment you realize that you should not give a damn about what other people think of your posts.

10. Do not jump on hate trends in social media just because it's in. Cancel culture has made a noise in the internet this year and suddenly everyone are bragging their freedom of speech because they are jumping on the bandwagon (or should I say, we're? 😂) But one thing I do learned from all the hate trends is to be discerning. This is the best time you can practice cherry-picking and only utter a word when you think you really need to or when you think it is appropriate to do so. Just as Taylor Swift said, “You just need to take several seats and then try to restore the peace and control your urges to scream about all the people you hate”.

11. Being attached to someone does not mean you're into that person. Attachment is way too different than love and even infatuation. It needs not to be stereotyped. Sometimes all you have to do is to give yourself the benefit of the doubt about how you feel and you will realize the true value of a person to you.

12. The hardest struggle in life that we can ever experience is something that is related with our family. Indeed home is where the heart is. Family is our major source of inspiration and it can also be our major source of distraction whenever there are unforeseen circumstances going on. And I think dealing with those circumstances is the hardest struggle to face because there will always be a pain in your chest wherever you go that is inevitable. The pain that lies deep within you but bleeds through the surface of your body that you can't hide.

13. College is way too different than high school and you should be ready for it. Of course, culture shock will always be there the moment you enter college. You will start comparing high school and college in every single details, you will randomly reminisce high school memories while walking in the hallway and you will remember how easy passing the exams and getting high grades back then. In my first semester in college, I've learned that you will never survive if you are ill-spirited, proscrastinator, lazy and weak student. I've learned that college is survival and in survival, you should not come with unnecessary gears. I'm sorry Taylor Swift but in college, you should not bring a knife to a gun fight.😃

14. It's okay to have few friends atleast they are real. Making friends is hard and no one can convince me otherwise. People's intentions to you are confusing nowadays and it's hard to trust another set of new people. I've realized that the amount of friends has nothing to do about how you enjoy your life. What's important is that you have friends who are honest as the day is long.

15. Listen more, say less. This year I've learned the value of lending ears to those who are in need of it and even to situations that require much understanding before saying an opinion to avoid any conflict.  Do not be easily carried away by your emotions to the extent that you're no longer thinking if what you are going to say is appropriate to the situation. On the other hand, there are times that people who are venting out their problems do not need any piece of advice, what they need is someone who is understanding enough to spend time listening to their rants.

16. Things that are gonna make your life more interesting are things that you should say yes to. — Taylor Swift

Progress doesn't come in the blink of an eye. You need to challenge yourself to do new things in order to make a progress. It is even more okay to step out of your comfort zone sometimes in order to grow. Life will be more interesting when you accept challenges with conviction.

17. Follow accounts on social media who are good for your mental health. Do yourself a favor and start unfollowing accounts that triggers your anxiety, insecurity and self-doubt. Your feed should only contain things that motivates you and people that inspires you to be like them. It should not be a place to start who-did-it-better or who's-best-at-life competitions.

18. Acceptance takes time. I have learned that it is okay to still question things that happened to you 6 years ago. It's okay to still cry everytime it pops up in your head, it's okay if you are not a hundred percent healed and it's okay to have a mind with not enough understanding about the situations that you've been to even if it happened a long time ago. God put you there for a reason. You have to keep in mind that acceptance has no definitive time frame. Healing doesn't wait for you to be ready for it. It will just happen.

19. Procrastination can ruin your goals in life.

There will be no further explanation, there will just be procrastination. 😎