#when it comes to emma in modern verses my fave thing is still when she reveals her past because she's ALREADY working on not being a

[smiletimeisrunningout]

In all universes, a flaw that I want to explore through threads because it can be fixed (unlike the irreparable damage left by her ex) is how Emma forgot how to be a part of a team as more than just the leader and ask for help. Being the one who chooses what to do, who takes charge, she pretty much just goes to do what needs to be done, it's already a surprise when she remembers to discuss it with others first unless they ask, and the older she's getting the more she doesn't ask for help unless it's really an accident and someone bumps into her when she can't do anything but do that. So yes, I want to write more of Emma shyly re-learning that she can tell people when she needs some little stupid favor like 'can you get firewood/groceries while I'm busy with this thing' or 'I'm beyond tired, can you wash the dishes' or 'hey I'm about to risk my life, I can't have backup because it distracts me but I need medical ready', that sort of thing, from domestic to dramatic.

[popculty]

52 Films by Women: 2020 Edition

Another annual challenge complete!

Last year, I focused on diversifying my list. This year I kept that intention but focused on watching more non-American films and films from the 20th century. Specifically, I sought out Agnès Varda’s entire filmography, after her death in 2019. (I was not disappointed - What a filmmaking legend we lost.) 

I also kept a film log for the first time and have included some of my thoughts on several films from that log. I made a point of including reviews both positive and negative, because I think it’s important to acknowledge the variability and breadth of the canon, so as not to put every film directed by a woman on a pedestal. (Although movies directed by women must clear a much higher bar to be greenlit, meaning generally higher quality...But that’s an essay for another day :)

* = directed by a woman of color

bold = fave

1. The Rhythm Section (2020) dir. Reed Morano - Not as good as it could have been, given Morano’s proven skill behind the camera, but also not nearly as bad as the critics made it out to be. And unbelievably refreshing to see a female revenge story not driven by sexual assault or the loss of a husband/child.

2. Cléo de 5 à 7 (1962) dir. Agnès Varda - If you ever wanted to take a real-time tour of Paris circa 1960, this is the film for you.

3. Little Women (2019) dir. Greta Gerwig - Still my favorite Little Women adaptation. I will re-watch it every year and cry.

4. Varda by Agnès (2019) dir. Agnès Varda & Didier Rouget

5. Booksmart (2019) dir. Olivia Wilde - An instant classic high school comedy romp that subverts all the gross tropes of its 1980s predecessors.

6. Girls of the Sun (2018) dir. Eva Husson

7. Blue My Mind (2017) dir. Lisa Brühlmann

8. Portrait of a Lady On Fire (2019) dir. Céline Sciamma - Believe the hype. This film is a master thesis on the female gaze, and also just really effing gorgeous.

9. Belle Epine (2010) dir. Rebecca Zlotowski

10. Vamps (2012) dir. Amy Heckerling - With Krysten Ritter and Alicia Silverstone as modern-day vampires, I was so ready for this movie. But it feels like a bad stage play or a sit-com that’s missing a laugh-track. Bummer.

11. *Birds of Prey (2020) dir. Cathy Yan - Where has this movie been all our lives?? Skip the next onslaught of Snyder-verse grim-darkery and give me two more of these STAT! 

12. She’s Missing (2019) dir. Alexandra McGuinness

13. The Mustang (2019) dir. Laure de Clermont-Tonnere - Trigger warning for the “protagonist” repeatedly punching a horse in the chest. I noped right out of there.

14. Monster (2003) dir. Patty Jenkins – I first watched this movie when I was probably too young and haven’t revisited it since. The rape scene traumatized me as a kid, but as an adult I appreciate how that trauma is not the center of the movie, or even of Aileen’s life. Everyone still talks about how Charlize “went ugly” for this role, but the biggest transformation here isn’t aesthetic, it’s physical – the way Theron replicates Wuernos’ mannerisms, way of speaking, and physicality. That’s why she won the Oscar. I also love that Jenkins calls the film “Monster” (which everyone labels Aileen), but then actually uses it to tell the story of how she fell in love with a woman when she was at her lowest, and that saved her. That’s kind of beautiful, and I’m glad I re-watched it so that I could see the story in that light, instead of the general memory I had of it being a good, feel-bad movie. It’s so much more than that.

15. Water Lilies (2007) dir. Céline Sciamma – Sciamma’s screenwriting and directorial debut, the first in her trilogy on youth, is as painfully beautiful as its sequels (Tomboy and Girlhood). It’s also one of the rare films that explores the overlap of queerness and girl friendships.

16. The Trouble with Angels (1966) dir. Ida Lupino – Movies about shenanigan-based female friendships are such rare delights. Rosalind Russel is divine as Mother Superior, and Hayley Mills as “scathingly brilliant” as the pranks she plays on her. Ida Lupino’s skill as an editor only enhances her directing, providing some truly iconic visual gags to complement dialogue snappy enough for Gilmore Girls. 

17. Vagabond (1985) dir. Agnès Varda – Shot with a haunting realism, this film has no qualms about its heroine’s inevitable, unceremonious death, which it opens with, matter-of-factly, before retracing her final (literal) steps to the road-side ditch she ends up in. (I’m partly convinced said heroine was the inspiration for Sarah Manning in Orphan Black.)

18. One Sings, The Other Doesn’t (1977) dir. Agnès Varda – Probably my favorite classic Varda, this film feels incredibly personal. It’s essentially a love story about two best friends with very different lives. For an indie made in the ‘70s, the diversity, scope, and themes of the film are impressive. Even if the second half a drags a bit, the first half is absolute perfection, engaging the viewer immediately, and clipping along, sprinkling in some great original songs that were way progressive for their time (about abortion, female bodily autonomy, etc) and could still be considered “bangers” today.

19. Emma (2020) dir. Autumn de Wilde

20. Black Panthers (1969) dir. Agnès Varda

21. Into the Forest (2016) dir. Patricia Rozema - When the world was ending (i.e. the pandemic hit) this was the first movie I turned to - a quiet, meditative story of two sisters (Elliot Page and Evan Rachel Wood) surviving off the land after a sudden global blackout. Four years later, it’s still one of my favorite book-to-screen adaptations. I fondly remember speaking with director Patricia Rozema at the 2016 Chicago Critics Film Festival after a screening, her love for the source material and desire to “get it right” so apparent. I assured her then, and reaffirm now, that she really did.

22. City of Trees (2019) dir. Alexandra Swarens

23. Never Rarely Sometimes Always (2020) dir. Eliza Hittmann - To call this a harrowing and deeply personal journey of a sixteen-year-old who must cross state lines to get an abortion would be accurate, but incomplete. It is a story so much bigger than that, about the myriad ways women’s bodies and boundaries are constantly violated.

24. Paradise Hills (2019) dir. Alice Waddington

25. *Eve’s Bayou (1996) dir. Kasi Lemmons – I’ve been meaning to watch Kasi Lemmons’ directorial debut for many years now, and I’m so glad I finally have, because it fully deserves its icon status, beyond being one of the first major films directed by a black woman. Baby Jurnee Smollett's talent was immediately recognizable, and she has reminded us of it in Birds of Prey and Lovecraft Country this year. If merit was genuinely a factor for Oscar contenders, she would have taken home gold at eleven years old. Beasts of the Southern Wild has been one of my all-time favorites, but now I realize that most of my appreciation for that movie actually goes to Lemmons for blazing the trail with her story of a young black girl from the bayou first. It’s also a surprisingly dark story about memory and abuse and familial relationships that cross lines - really gutsy and surprising themes, especially for the ‘90s.

26. Blow the Man Down (2019) dir. Bridget Savage Cole & Danielle Krudy - Come and get your sea shanty fix!

27. Touchy Feely (2013) dir. Lynn Shelton - R.I.P. :(

28. Hannah Gadsby: Douglas (2020) dir. Madeleine Parry - If you thought Gadsby couldn’t follow up 2018′s sensational Nanette with a comedy special just as sharp and hilarious, you would have been sorely mistaken.

29. Girlhood (2013) dir. Céline Sciamma

30. Breathe (2014) dir. Mélanie Laurent

31. *A Dry White Season (1989) dir. Euzhan Palcy

32. Laggies (2014) dir. Lynn Shelton

33. *The Old Guard (2020) dir. Gina Prince-Bythewood – Everything I’ve ever wanted in an action movie: Immortal gays, Charlize Theron wielding a labrys (battle axe), kinetic fight choreography I haven’t seen since the last Bond movie…Watched it twice, then devoured the comics it was adapted from, and I gotta say: in the hands of black women, it eclipses the source material. Cannot wait for the just-announced sequel.

34. Morvern Callar (2002) dir. Lynn Ramsay

35. Shirley (2020) dir. Josephine Decker

36. *Radioactive (2019) dir. Marjane Satrapi – The story is obviously well worth telling and the narrative structure – weaving in the future consequences of Curie’s discoveries – is clever, but a bit awkwardly executed and overly manipulative. There are glimpses of real brilliance throughout, but it feels as if the director’s vision was not fully realized, to my great disappointment. Nonetheless, I appreciated seeing Marie Curie's story being told by a female director and embodied by the always wonderful Rosamund Pike.

37. *The Half of It (2020) dir. Alice Wu - I feel like a real scrooge for saying this, but this movie did nothing for me. Nothing about it felt fresh, authentic or relatable. A real disappointment from the filmmaker behind the wlw classic Saving Face.

38. Mouthpiece (2018) dir. Patricia Rozema - I am absolutely floored. One of those films that makes you fall in love with the art form all over again. Patricia Rozema continues to prove herself one of the most creatively ambitious and insightful directors of our time, with this melancholic meditation on maternal grief and a woman’s duality.

39. Summerland (2020) dir. Jessica Swale - The rare period wlw love story that is not a) all-white or b) tragedy porn. Just lovely.

40. *The Last Thing He Wanted (2020) dir. Dee Rees – As rumored, a mess. Even by the end, I still couldn’t tell you who any of the characters are. Dee, we know you’re so much better than this! (see: Mudbound, Pariah)

41. *Cuties (2020) dir. Maïmouna Doucouré – I watched this film to 1) support a black woman director who has been getting death threats for her work and 2) see what all the fuss is about. While I do think there were possibly some directorial choices that could have saved quite a bit of the pearl-clutching, overall, I didn’t find it overly-exploitative or gross, as many (who obviously haven’t actually watched the film) have labeled it. It certainly does give me pause, though, and makes me wonder whether children can ever be put in front of a camera without it exploiting or causing harm to them in some way. It also makes one consider the blurry line between being a critique versus being an example. File this one under complicated, for sure.

42. A Call to Spy (2019) Lydia Dean Pilcher – An incredible true story of female spies during WWII that perfectly satisfied my itch for British period drama/spy thriller and taught me so much herstory I didn’t know.

43. Kajillionaire (2020) dir. Miranda July - I was lucky enough to attend the (virtual) premiere of this film, followed by an insightful cast/director Q&A, which only made me appreciate it more. July's offbeat dark comedy about a family of con artists is queerer and more heartfelt than it has any right to be, and a needed reprieve in a year of almost entirely white wlw stories. The family's shenanigans are the hook, but it's the budding relationship between Old Dolio (an almost unrecognizable Evan Rachel Wood) and aspiring grifter Melanie (the luminous Gina Rodriguez) that is the heart of the story.

44. Misbehaviour (2020) dir. Philippa Lowthorpe – Again, teaching me herstory I didn’t know, about how the Women’s Liberation Movement stormed the 1970 Miss World Pageant. Keira Knightley and Gugu Mbatha-Raw’s characters have a conversation in a bathroom at the end of the film that perfectly eviscerates well-meaning yet ignorant white feminism, without ever pitting women against each other - a feat I didn’t think was possible. I also didn’t think it was possible to critique the male gaze without showing it (*ahem Cuties, Bombshell, etc*), but this again, invents a way to do it. Bless women directors.

45. *All In: The Fight for Democracy (2020) dir. Liz Garbus and Lisa Cortes – 2020’s 13th. Thank god for Stacey Abrams, that is all.

46. *The 40-Year-Old Version (2020) dir. Radha Blank – This scene right here? I felt that in my soul. This whole film is so good and funny and heartfelt and relatable to any artist trying to walk that tightrope of “making it” while not selling their soul to make it. My only initial semi-note was that it’s a little long, but after hearing Radha Blank talk about how she fought for the two-hour run-time as a way of reclaiming space for older black women, I take it back. She’s right: Let black women take up space. Let her movie be as long as she wants it to be. GOOD FOR HER.

47. Happiest Season (2020) dir. Clea Duvall - Hoooo boy. What was marketed as the first lesbian Christmas rom-com is actually a horror movie for anyone who’s ever had to come out. Throw in casual racism and a toxic relationship treated as otp, and it’s YIKES on so many levels. Aubrey Plaza, Dan Levy, and an autistic-coded Jane are the only (underused) highlights.

48. *Monkey Beach (2020) dir. Loretta Todd

49. *Little Chief (2020) dir. Erica Tremblay – A short film part of the 2020 Red Nation Film Festival, it’s a perfect eleven minutes that I wish had gone on longer, if only to bask in Lily Gladstone in a leading role.

50. First Cow (2019) dir. Kelly Reichardt – I know Kelly Reichardt’s style, so I’ll admit-- even as I was preparing for an excellent film, I was also reaching for my phone, planning on only half paying attention during all the inevitable 30-second shots of grass blowing in the wind. (And yes, there are plenty of those.) But twenty minutes in, my phone was set aside and forgotten, as I am getting sucked into this beautiful story about two frontiersman trying to live their best domestic life.There is only one word to describe this film and that is: PURE. I’ve never seen such a tender platonic relationship between men on screen before, and it’s not lost on me that it took a woman to show us that tenderness. Reichardt gives us two men brought together by fate, and kept together by a shared dream and the simple pleasure of not being alone in such a hard world; two men who spend their days cooking, trapping, baking, and dreaming of a better life; two men who don’t say much, but feel everything for each other. The world would be a much better place if men showed us this kind of vulnerability and friendship toward each other. Oh, and it’s also a brutal take-down of capitalism and the myth of the American Dream!

51. Wonder Woman 1984 (2020) dir. Patty Jenkins - My most-anticipated film for the past two years was...well, a mixed bag, to say the least. Too many thoughts on it for a blog post, so stay tuned for the upcoming podcast ep where we go all in ;)

52. *Selah and the Spades (2019) dir. Tayarisha Poe

I hope this gives you some ideas to kick off your new year with a resolution to support more female directors!

What were your favorite women-directed movies of last year? Let me know in the tags, comments, or asks!

[thequlturecritic]

QULTURE’S TOP 20 SERIES OF 2018

20.  BUSY TONIGHT

You guys! Good energy is, like, totally in right now. And it’s never going away. You may know her from Freaks and Geeks, but I know her from Cougar Town as CC’s fun-loving, super-supportive sidekick. When you watch Busy Phillips on her cheeky, positive-vibes only E! talk show, a sense of “we’re all in this together” and “being kind to one another” is definitely a recipe for demolishing disaster. Remember how major Chelsea’s career became because of what so many probably considered a silly little talk show… well. I’m not a fortune teller or anything, but I could totally see Ms. Phillips taking over the universe. I want to be one of her minions. Cheers to another leading lady of late night! 

19. THE VOICE

I’ve always been anti-reality competition shows when it comes to singing, only because I’m a total snob when it comes to what I subject my ears to. My musical tastes are versed and varied, but I still am pretty picky about who I let in to my drums, mostly because I need it to stimulate an eargasm and coincide with my life’s soundtrack. When American Idol launched, I definitely was enamored with Kelly Clarkson’s powerful vocals, but I still kept the close mind that an artist is discovered naturally, not “created” by producers with the backdrop and illusion that AMERICA gets to vote and pick the winner. Ah, who knows, maybe they do… I would just never take the time out to vote. HOWEVER. When I found out Kelly was going to be a judge on The Voice, which is a whole separate animal than Idol, I was shitting my pants with glee, because she really is such a goddamn force of fucking nature. Her spirit is overwhelmingly angelic and I simply love everything about watching her. Last season’s competition was magical, at least for me, perhaps because it was the first time I really got to experience the message and place the show has in the universe. It really is inspiring and lovely to see how much these artists themselves care for the teams they build and the individuals they want to see grow – regardless of whether or not it leads to fame. Alicia Keys and Kelly Clarkson’s dynamic was really something special that inspired me in so many ways.

18. COMEDIANS IN CARS GETTING COFFEE

I love nothing more than a loose format, sans makeup, realistic conversation between famous people. Talk shows rock and all, but there’s something to be said for two people we all know and (often) admire, getting together and doing something that, ya know, regular people do! Like… go out to breakfast. I was never a fan of the Seinfeld sitcom, mostly because when it was popular it was kinda over my head and nothing that interested me. I’d probably be more inclined to watch and enjoy it now because of how much Veep has made me adore Julia-Louis Dreyfus and now much Jerry Seinfeld’s Netflix series about him… getting coffee… with comedians… has made me adore his admiration for vintage cars, honesty in humanity and one of the most important things we all seem to forget sometimes – which is to LAUGH! We live in such politically charged times, and while I get how important it is to talk about the very things we were always brainwashed to believe were impolite to talk about, we also need to be able to make jokes and not be so sensitive about everything. Ya heard?

17. AMERICA’S NEXT TOP MODEL

Oh how I love me some Tyra, but it seems the future is all about Ashley Graham. Yet again – another fucking beautiful superhuman. I am really starting to hate that people even think of someone as “plus size”, but hey, it’s the world we live in. All I see when I look at her is someone with a whole lot of personality, gorgeous features and a personality that you’d be crazy to not gravitate toward. She is living proof that good vibes, energy and kindness (in the fashion industry?! How dare you!) go a long way. Tyra and Co. are doing such a bang-up job sending young women empowering messages about feeling safe in their own skin by infusing all shapes, sizes, colors and archetypes. This cycle was full of hilarious moments and was totally unpredictable. Despite her Trump-loving, Republican ways and complaining about being transformed into a “fire-crotch”, I was rooting for Liberty, Rio and Jeana to compete in the Top 3. That certainly evolved as the season went on, mainly because Jeana’s insecurities were getting the best of her (she had alopecia and they convinced her to be the alien-like, bald beauty – which she looked 10X better as vs. wearing wigs) and Rio had the most off-putting temper tantrum that had me and my bestie Carlee yelling at the the TV, “Who da fuck you think you talkin’ to?!” as if we were speaking for Tyra. Be humble, girls! Beauty ain’t just skin deep. At the end of the day, I loved seeing Kyla take the crown, because her activism, big heart and growth really was something special at the end of the day. Keep up the good work! I want 1000 more cycles.

16. SWEETBITTER

Starz’s adaptation of the best-selling novel by Stephanie Danler is short, but bittersweet. Ella Purnell is a breakout star, headlining the cast of unknowns who are all as equally as fantastic. I think that’s one of my favorite things about it (Caitlin Fitzgerald, in particular, who definitely has that thing) – how naturally gifted the entire cast is. Purnell stars as Tess, an All-American girl from bumfuck who makes her way to New York City to chase the dream, even if she has no idea what it is yet. Any of you who have worked in the service industry as a waiter or waitress will appreciate the authenticity of how intimidating, grueling and chaotic the industry can be… but how much fun it can be once your shift is over.

15. MANIAC

What is Netflix’s limited, vivid, disturbing, funny, emotional rollercoaster about? My brain is exploding from trying to analyze. Typically, in each episode, I get so lost in the perfection that is Emma Stone, I’m completely enthralled by how inspiring it is to watch one of our most exceptional young talents only seem to get better and better. It’s also always a pleasant surprise to see someone like Jonah Hill continue to prove himself as truly versatile. Remember when these two were just getting into stoner cinema and taking over the shelves at Blockbuster, during their Superbad days? Justin Theroux, plus. Sally Field, super-plus. Julia Garner (also of Ozark), a star on the rise! It might make you feel a little crazy while watching, but hey, we all go a little mad sometimes.

14. SHARP OBJECTS

Gillian Flynn’s book to big screen success with Gone Girl made a lot of us anxious to see what would be translated next. Following the trend of mini-series, binge-worthy greatness and big stars coming to the “small” screen, HBO announced Amy Adams would star in Sharp Objects, a dark, sultry murder mystery set in the swampy south that co-stars the amazing Patricia Clarkson – one of my absolute favorite actors. I’ll never forget when I “discovered” her, in Lisa Cholodenko’s High Art, one of my all-time faves. There’s a similar hypnotism with the limited series which also features a deliciously naked Chris Messina, and, of course, the direction of the man I’d say is pretty much cinematic perfection these days – Jean Marc Valee. If you have not yet seen Dallas Buyers Club, and another all-time favorite of mine, Wild, you are missing out. I’m assuming you have watched all of Big Little Lies once or twice, and can’t wait for season two next year. Neither can I. These are the people doing AWESOME awesome things in Hollywood.

13. AMERICAN HORROR STORY: APOCALYPSE

So, I’m always back and forth with AHS. I always love how visually stunning it is, but some seasons either lack substance or are literally just too fucking freaky for me to engage. I can not even set my eyes on Freak Show, thought Cults was too gory and scattered (although fresh off of the Trump presidency was a possible prediction of the future if we don’t all get our shit together) and definitely didn’t even give that Roanoke one a chance. The first two seasons rocked, and Gaga slayed in Hotel, but being that I love witches (Hocus Pocus, Witches of Eastwick) I have to say Coven is my favorite season. I love every Farmiga in life, Precious’ Gaborey Sidibe always makes me laugh and Emma Roberts is a rock star. How gorgeous?! She’s also such a little asshole in the best way. She’s someone I can picture punching me in the face, and I’d invite her to. Apocalypse is the best infusion of boy/girl magic and the ultimate comradery casting wise – as what could make for a perfect finale for the series ties all of Ryan Murphy’s brilliance together. That’s just my opinion – because I think a great series needs to know when to wrap it up, but these days everything is all about milking everything to the last drop, so… idk.

12. THE CONNERS

Roseanne returning was definitely the best of the best in reboot land, until her big mouth got her fired from ABC and launched The Conners, which features the entire cast minus a dead mother. I still respect her as an artist and will always love when TV wasn’t so linked to the Twitterverse, but these days I guess everyone really does have to be super careful about the shit they say – especially when we should know better that racism isn’t cool. It’s such an odd thing, because Roseanne was always so controversial, brave with their material, and was one of the first shows to have an out lesbian comedian/actress and character (the great Sandra Bernhard)… so… idk. That Sarah Gilbert though… she’s somethin’ special.

11. THE GOOD PLACE

Kristen Bell!!!!!!! That’s all. Ok, well, that’s not all… because Ted Danson is equally as amazing. Who wouldn’t love someone married to a dame like Mary Steenburgen?! I’ve been a fan of his since Three Men (and a Little Lady!). The diversity, quick wit, modern spin on the classic sitcom and concept behind this hit NBC series reminds us of why the network is always killing it when it comes to delivering quality, quantity and maintaining its colorful edge. I’m surprised I didn’t get into this show when it premiered, as season 4 approaches and the Globes, and surely the Emmy’s now are getting into recognizing genius when they see it. This show is filled with all the good feels! Maybe Heaven really is a place on Earth.

10. WILL & GRACE

When the reboot of W&G first returned to NBC, I was a bit underwhelmed by some of the writing. It seemed forced and a bit insecure – but it just took a few episodes for them to really get back in the swing of things and season 2 of the return is really on point. Debra Messing is better than ever (congrats on a Globe nomination!), as are Eric, Megan and Sean Hayes – who I’ve always greatly admired because of, what I like to consider his “big break” – the film, Billy’s Hollywood Screen Kiss. Growing up gay, Will and Grace was a trailblazing, extremely important and relevant show to so many of us because there wasn’t much of that on TV. But I’ll always remember that adorable indie of Sean’s. He should make more movies! I love him in Pieces of April too!

9. I LOVE YOU AMERICA: with SARAH SILVERMAN

Sarah has always been my absolute favorite comedian. Jesus is Magic is probably one of the most brilliant stand-up comedy feature films I’ve ever seen (are there many of those) combining music, comedy, political satire, sexually inappropriate and explicit linguistics… nothing is off limits. From jokes about AIDS, Martin Luther King Jr. and the Holocaust, to her dead grandmother’s rape to pussy jokes about child lesbians she’s related to. On her new Hulu series, Silverman takes a tour of the great country we live in, United States of A, talking to Trump supporters, men and women of all colors, shapes and sizes and makes an honest, unbiased, non-judgmental effort to deliver an intellectual perspective on all things current and heated in the minds of many. I love her condescending approach, ability to keep her cool, remain true to herself and do something important with her career. It’s a humbled and divine dose of reality that I think we all need, as at the end of the day she’s basically trying to unite us and get people to understand that despite our differences, respect and kindness can truly inspire change.

8. POSE

First of all – watch Paris is Burning, if you’ve never seen it.

I remember when I worked for the super cool East-coast indie video chain, TLA Video, it was one of the most popular rentals in our Gay and Lesbian section, as it should be. It’s a classic documentary that captures the heart, sole and strut of African American LGBTQ culture during the AIDS epidemic, when being a queen and going to the balls would begin to define what FIERCE meant for a generation. (Play: Azealia Banks, Fierce). It’s one of RuPaul’s favorite movies and certainly inspiration for Ryan Murphy’s vivid and heartfelt FX series starring Evan Peters, James Van Der Beek, Kate Mara and a wonderful assortment of newcomers including the fetch, fierce, versatile and gorgeous MJ Rodriguez, Dominique Jackson and (MY FAVE) Indya Moore.

7. CAMPING

Ever since 13 Going on 30, I’ve known Jennifer Garner was a unicorn. She has that innate ability to charm, impress and entertain us with charisma and natural comedic talent. When it comes to the American adaptation of the Brit series Camping, developed for HBO (in part with Girls’ master Lena Dunham), the team surely arranged the most perfect blend of talent for both behind and in front of the camera. Garner brings the most complicated and hilarious nuances to her character and proves she is more than capable of leading a most diverse and perfectly perfect blend of talent.

6. OZARK

Janet McTeer!! OMG! This woman is amazing and really the force that makes the sophomore season of the hit Netflix drug smuggling/money laundering/gangsta livin’ series all the more bombastic. Sure, Jason Bateman continues to be awesome in every way, but the women on the latest season (even the creepy old meth lady who wants a baby at 99) really slay and own the show, keeping us on the edges of our seats and beyond impressed with how hard anyone with a vagina is proving that they are taking over the world these days. As if we needed more reasons to be obsessed with Laura Linney – she takes her character to new heights, getting more screen time and really being thrust into a more evolved dynamic – sort of how Robin Wright does on House of Cards. As though the audience was more drawn to the female than the male lead the series was built around. But Janet McTeer?! Holy fuck, Janet McTeer. She’ll make your skin crawl and keep you up at night… binge-watching.

5. THE AFFAIR

Showtime’s scandalous, suspenseful and intricate portrait of love, marriage and infidelity has been one of my must-see series since its debut. The entire cast is pure magic, especially the four leads – Dominic West, Ruth Wilson, Maura Tierney and Joshua Jackson. I’m constantly lobbying for Tierney, who continues to blow my mind with everything from those perfect, pouty lips to the way she can make my heart melt with a single tear. Last season, the twists and turns were so unexpected – something so refreshing these days when it comes to storytelling – that none of us could’ve ever seen coming what we now have to go into season five knowing (and grieving with, in my case). This is one of of those shows that stands tall from start to finish, and continues to inspire the way character and perspective is conveyed, as well as how we process it ourselves as an audience. I’ve always been fascinated by the same story being told through different goggles – kind of like in The Rules of Attraction, or Go. I can’t wait to see how this show wraps up, as I am pretty certain we move into the final act, which in itself is always a great quality for a series to know when to wrap it up.

4. HERE & NOW

Alan Ball, oh how I love thee. In the evidence of his brilliance, my affection toward Ball’s beautiful writing and ability to conduct such a beautiful cinematic symphony began with Six Feet Under, as it did most. If ever there were a perfect start to finish series… Rare is the artistic bird who can take such a celebrated drama and weave the social and political issues into a horror series – which is what he did with the addictive True Blood, a show that I would find myself equally hypnotized and aroused by. Ball’s latest gem is yet again a celebration of why we love HBO, his observant mind and heart, and ability to recognize genius when he sees it, in regard to casting. The always wonderful Holly Hunter and Tim Robbins headline a cast of brave, beautiful talents – including the tiny miracle that is the birth-child of Kyra Sedgwick and Kevin Bacon, Sosie, who is one of my favorite actors/characters in this captivating new drama that celebrates all the feels of our current reality. It’s a mixed blend of understanding the human condition and how people of all walks relate to one another while truggling with matters of the heart and psychological warfare.

3. RUPAUL’S DRAG RACE

For ten seasons now, Queen of Drag, RuPaul Charles has been taking her dynasty and giving it a royal upgrade every season with eye-popping elements that consistently allow this groundbreaking competition series to be one of queer and pop culture’s most celebrated. From the guest judges (Season X premiered with a Farrah Moan-esque Christina Aguilera dolled up for all the queens to gag over, which they did – myself included) to Michelle Visage’s dazzling eyewear collection to the costumes to the casting and the challenges – which get more and more innovative – Rupaul’s Drag Race has become a small empire that has the promise to spinning into so many different types of series and assure celebrity drag careers are a thing of the future, now more than ever. I loved the queens this season, especially my future husband Kameron Michaels (beautiful inside and out, boy or girl) and the well-deserved winner Aquaria. This was the second season in a row for me (I haven’t seen a lot of the previous seasons) where Ru got it absolutely perfect. I’m also a huge fan of Vice’s The Trixie and Katya Show which you should get into as well!

2. THE MARVELOUS MRS. MAISEL

All of the hype surrounding the Golden Globe & Emmy winning Amazon Prime series starring the incomparable Rachel Brosnahan as Mrs. Maisel, is the type of perfection that isn’t all-talk. Everything you’ve heard about this hilarious gem of a binge-worthy comedy is true: the costumes, the production design, the brilliant performances, directing and top-notch writing is on trend with celebrating everything we love about women in the world right now, and the time capsule reminds us of how far everyone has come marching to the beat of optimism and fighting for equality. I’m so happy the great Alex Borstein has been honored and been receiving praise for her work, and rightfully so, as she steals scenes from the great Maisel herself in the latest season. It’s truly one of the best watches out there, so get into it!

1. SCHITT’S CREEK

What started out as a little Canadian sitcom from a then unknown Pop TV, has since become a pop culture phenomenon and one of the small screen’s most celebrated, quoted and adored comedies out there. In Season four, we continue to follow the Rose’s on their journey of personal growth, going from riches to rags in a small bumfuck town where they clearly stick out like a redneck tooth fairy for plenty of good reasons. We already knew Catherine O’Hara and Eugene Levy were totes brilliant, but every season I grow more and more enamored with how crazy talented Dan Levy & Annie Murphy are. Their nuances, the way the arcs of their characters have evolved… it’s like their learning from two comic legends and its working for them every step of the way. This is truly already an iconic, feel good show that is spreading such messages of love and beauty throughout society. Loves it!