#what's hard about writing about steph's death is that it's so steeped in misogyny you can barely write about it without mentioning dc

[casscainmainly]

The Batkids' deaths vary in severity/importance, but they all serve to shake some core part of their superhero identity. Sometimes it affirms their existing identity (Cass' first death), or it spurs them to discover more about what their current identity means (Damian, Tim); sometimes, however, it severs them from who they were. Dick's transition into Agent 37 and Cass' turn to evil both stem from very temporary deaths, where the death is not as important as what happens after. It's not the pill or Cass' dip into the Pit that actually changes them, but the boundary these events create between their old and new selves.

Which is why Jason's death is different from all of the above. Beyond being (at one point) permanent, his loss of self is irreversible. Dick and Cass claw their way back to their identities pre-death, Nightwing and Batgirl respectively; Jason does not. He cannot, because he doesn't fit Robin anymore, and Robin doesn't fit him. It's not only that his sense of self is shaped by his death, but that it was, in many ways, destroyed by it.

But it's ultimately Stephanie's death that links death so closely to the loss of a superhero identity. Her death, unlike the others, is instigated by loss - Batman fires her from Robin, which leads to the events of War Games. On her deathbed, Steph asks "was I ever really Robin?", and Bruce replies "of course you were." It's a sweet moment, but it's retroactive. He can only affirm her legacy as Robin in the past tense (it's over; it can't impact anyone anymore). Her non-existent memorial can be read not only as a lack of care for Stephanie Brown the person, but for Stephanie Brown the Robin - Jason's Robin is immortalised, Stephanie's Robin is erased. She dies because she was made Robin, and she was made Robin to die.

I guess my point is that everyone's deaths are linked to how much they are valued within their mantle, not just in a metatextual sense (as in, how much DC editorial liked them) but also in the text itself - deaths either instigate further ownership of their name, or dismantle their sense of self. This is why it's important to recognise Steph's tenure as Robin (both in comics and fandom). Recognising Steph-as-Robin is a direct refutation of her death, a long-delayed memorial.