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itsclydebitches · 5 years

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RWBY Recaps: The Shining Beacon Part 2

I miss RWBY. Specifically, I miss early RWBY when there was less drama (not really but let me pretend), so let’s head on back to Volume 1.

In our opening scene of Episode 3, Ruby and Jaune have managed to find the hall where the rest of the newbies are meeting and honestly? I’m super proud of them for it. These are the two fools who will later argue over who had the map while wandering around the wilds of Remnant. Baby leaders managing to find the rest of their flock? Great job. Well done. Mama’s proud.

This little time skip raises some questions though. Did they ever find the Beacon cafeteria? What else did they chat about the rest of the day? Yang makes it sound like they’ve been gone a number of hours and I for one would love to know what awkward Ruby and even-more-awkward Jaune got up to during that time.

Tis the realm of fics though, not canon. Instead we get another shot of RWBY’s infamous shadow people with Yang standing out like the goddamn sun.

Who could the main character possibly be??

Beats me. What a gosh darn difficult question.

Yang: Ruby! I saved you a spot.

Are... are there spots, Yang? You’re all standing in a giant auditorium. If Ruby comes to stand beside you is another student gonna throw a fit about it? I mean real talk, I went to watch the changing of the guard while spending a month in London and let me tell you, there were people who guarded their spots like a pissed off bird guarding her eggs. (For the record you couldn’t even see anything. This was just human prickliness at its finest). So who knows, maybe Yang knows precisely what she’s doing.

Ruby abandons Jaune to join her, which on the one hand is kinda mean—you can’t invite your new friend to stand around with you?—but Ruby does say she’ll “see [him] after the ceremony,” so that’s nice and all. I know my anxious ass would have been thrilled to hear someone making future plans like that, even if it’s mostly just a nicety. Making new friends is hard.

Of course, Jaune doesn’t make that job any easier on himself. I’ve written before about his Nice Guy tendencies in the early volumes and they come back in full force here. He bemoans Ruby’s leave, asking himself where he’ll find “another nice, quirky girl to talk to?” It’s an easy introduction for Pyrrha, revealing her behind Jaune and quite obviously setting her up as that “nice, quirky” girl who he’ll become closest to as the episodes progress, but jeez, Manic Pixy Girl assumptions abound. Especially given the fact that Jaune/Pyrrha became canon in Volume 3. Obviously Pyrrha will be written with great depth as RWBY continues, but it does rankle a bit to have her introduced as a Ruby stand-in, someone positioned as a way of fulfilling Jaune’s ridiculous “needs.” I’m glad this is undermined later when she takes initiative towards him, i.e. saving him during initiation and angling to be his partner. Her interest is clear even if at that point Jaune will take anyone pretty: Ruby, Weiss, Pyrrha herself.

But I digress.

Ruby gives her whole spiel about meeting Weiss and Yang’s response is, “Yikes. Meltdown already?” heavily implying that she expected Ruby to have a “meltdown” at this school, just not so soon. Which—iffy terminology aside—isn’t at all surprising. RWBY does an excellent job of setting up Ruby’s nerves, from her “bee’s knees” comment to her eagerness in showing Weiss exactly what she’s capable of. The girl is desperate for validation—as is the whole RWBYJNPR gang, in their own ways—and a lot of that comes out as anxious, social awkwardness. If Ruby was at all inclined towards “meltdowns” at Signal then I’d say she did a damn good job holding herself together through everything that happened at Beacon. Granted, being put in a position of power will help with that, at least on a surface level. To semi-quote Oz, how can you expect others to put forth their best if you’re not constantly doing the same? Ruby has the veneer of self-control down now because she had to for her team... which makes me anticipate her inevitable breaking point all the more. We saw in Volume Six how close Ruby got to dropping her ‘I’m an endlessly put together leader’ persona with Qrow drinking himself to oblivion, but she never quite got there. I’m waiting (hoping really) that Ruby’s long-established anxiety will finally be addressed, what with Yang having made good headway in that department and all the shit they’ve gone through adding up to a very justified breakdown.

Let the poor girl really falter for once and let the rest of the group grapple with that. Everyone deserves it.

I’m jumping six volumes ahead though. Here and now Ruby is still telling Yang all about her horrible encounter, segueing into how she “just wanted her to stop yelling” which of course is the perfect moment for Weiss to sneak up behind her with a loud “YOU!” (Jaune’s comment linking to Pyrrha; Ruby’s comment linking to Weiss—RT enjoys writing these little bridges, particularly for introducing new characters).

I love this moment simply for how much it tells us about Weiss. Largely in retrospect. Because while her trailer song is definitely on the nose in some respects—“I’m the loneliest of all”—it’s not until later on that we realize exactly how abusive Weiss’ family is and how isolated she’s been for the whole of her upbringing. This girl has absolutely no experience interacting with people outside of the Schnee/everyone else hierarchy (note in a moment how she assumes that Ruby will want to “make it up to [her]”) so if you’re suddenly surrounded by people for the first time who aren’t fawning over your name and money and dust connections... what do you? How do you get some vaguely positive attention? Oh okay, guess I’ll force it! Here Weiss is claiming that she never wants Ruby to speak to her again, but she’s the one who barged in on their conversation and loudly drawing attention to herself. Weiss is starved for healthy validation while simultaneously stuck in the behavior she’s been taught: asking for attention solely by trying to show off— here’s a rambling summary of the Schnee Dust Company’s disclaimer look at what a good puppet I am—or by insulting others. Weiss mocks Ruby’s genuine offer to buy school supplies together but then doesn’t move away from her and Yang once the announcements start. She doesn’t know how to say ‘yes’ to any offers of friendship, but she also doesn’t want to say ‘no.’

Interestingly, that moment also tells us a fair bit about Ruby. Not just by re-emphasizing how kind she is by extending the offer to start this relationship over, but also adding weight to the headcanon that Ruby is neurodivergent. Weiss’ heavy sarcasm about how they can “go shopping, paint our nails, and talk about cute boys” goes right over Ruby’s head. She responds with a “Wow! Really?” similar to the “...can you?” heard right before she attacks the Nevermore during initiation. Ruby has a history of not just being awkward but missing a lot of ‘normal’ social cues as well.

The girls’ bonding is interrupted when Ozpin begins his speech and boy oh boy do I love this moment too. Anyone who reads my metas knows that I’m a firm defender of our disaster headmaster, especially after volume 6, and looking back this scene is the PERFECT example of how RT tries to make Ozpin seem shady... while really failing to accomplish that. Obscuring eyes/the whole face is a super easy way to tell the viewer that this is an Untrustworthy Character. See: every horror movie where the villain’s face is obscured by shadows, our own dear Adam who keeps his face hidden with a mask, etc. It serves to dehumanize the character, keeping us from seeing some of the most expressive parts of their bodies, and equates one thing they’re hiding—such as a deformity. Yay ableism! /s—with other things they’re keeping from the heroes; secrets, sinister intentions, and the like. The primary exception to this are characters who wear masks for defined and morally acceptable reasons. i.e. superheroes who need to keep their secret identities intact and, notably, aren’t withholding that information from the viewer. We as the audience usually know who they are and thus aren’t inclined to distrust the character based on secret-keeping.

Awesome superpowers aside, Ozpin doesn’t fit within the mold of superhero, so all of this reads as pretty damning:

Like holy shit, friends. With the exception of one moment,

notably when Ozpin informs them that “knowledge will only carry you so far,” the cinematography goes out of its way to hide his eyes, if not his entire face. Oz comes across as super shady here, compounded by the close up and centered shot of Ruby’s silver eyes to contrast. Compounded further by the exchange Ruby and Yang have afterwards about how he seemed “kind of off”—an exchange that doesn’t precisely fit with in-world logic (how does Yang know what Ozpin is normally like?), but serves as a clear message to the viewer: Something is UP with this guy.

The problem? This isn’t Ozpin’s introduction.

Imagine a series where in Episode One we only hear about a powerful Beacon headmaster. Someone who bends the rules and let’s Ruby in two years early for reasons unknown. Then by Episode Three we see this guy almost insulting the new group of students (Yang’s eyes narrow when Ozpin says he sees only “wasted energy in need of purpose”) and the entire time the camera refuses to give us a good look at him. That would have set up a character who is legitimately creepy. Someone we know instinctively might not really be on our side.

Instead our introduction to Ozpin is this.

He’s smiling and charming and legitimately kind. He listens to why Ruby wants to come to Beacon before making his decision (aka establishing her agency here). He shares a fond “Aww, you know I’m gonna get what I want” look with Glynda. He brings cookies, for god’s sake. Ozpin’s supposed shadiness falls completely flat here because we’ve already developed positive feelings for him, notably while he was with our protagonist and his BFF headmistress. The intimacy in Episode One implies that this is the “real” Ozpin, whereas a formal speech in front of (from the audience’s perspective) a literally faceless mass sets this up as a “fake” Ozpin, one that comes out when he feels the needs to be stern with incoming students. Or, based on information we learn later, when he’s pulling from another personality.

All of which isn’t a criticism of RT’s writing. Rather, given what we now know definitively from Volume Six, I don’t think they were invested in making Ozpin into a legitimately shady character. What RWBY is invested in is poking at or outright dismantling a lot of tropes and conventions, which is essentially what they did here. “You EXPECT the secretive, powerful headmaster to be a morally gray kind of guy... so we’re just not even gonna go there. Not really.”

But back to the actual plot. Jaune ends the scene by sliding up and announcing that he’s a natural blonde, another excellent example of precisely the thing women aren’t looking for in a guy. He knows Ruby now so it’s totally cool for him to re-join her, but using that as an excuse to start talking about his looks? Nah. Remember folks, women generally like it when you treat them as more than just a romantic and/or sexual conquest!

But enough about Jaune. We cut to that night where all the newbie students—way more than we’ll actually see throughout the rest of the series—are crowded together in Beacon’s hall, which from a world building perspective is a really great choice. I love what it says about Beacon as an institution: We’re not giving you rooms yet because we believe that most of you will fail the initiation (or at least that’s the impression they want to give the students). There’s a sense of ‘roughing it’ with simple mats and no personal space, the sort of things they’d have to get used to if they’re out traveling as huntsmen later in life. The overall emphasis on community and team work. Like the teams of four, Beacon is invested in setting up situations where the students are forced to work with one another. Particularly with those they might otherwise avoid.

That’s precisely the sort of interaction we get in a moment, but first: a tangent. Okay. So in previous metas—mostly Volume Six stuff—I’ve gotten a lot of pushback for my use of the term “kids” to describe the RWBY gang. Which I get. Post-Beacon most of them are legally adults by our standards and they’re certainly doing Adult Things nowadays. I do think there’s a lot of interesting nuances here—the fact that our protagonist and arguably most significant character plot-wise (Oscar) are both still underage, asking whether Remnant even views age in the same way we do, whether hitting the magical age of 18 suddenly gives you any more insight or maturity than you had at 17 or 16, acknowledging that they were never meant to be out in the world fighting this war and making these decisions yet, so we shouldn’t conflate traumatic necessity with emotional growth—but for the most part fans don’t want to grapple with those sorts of questions. There’s a knee-jerk reaction (particularly from those who are around the group’s age) of, “Most of them are 18. They’re not kids so stop acting like they are.” RWBY has raised a lot of questions for me regarding how I balance “Kids/teens/young adults are people with agency and more maturity than people tend to give them credit for” with “I remember how much of a kid I still was at 18 and know precisely how much I’ve grown in the decade since. I was not an adult then, no matter what the law said.” It’s a matter of acknowledging generational experience without turning into one of those, “Bah! Kids don’t know what the hell they’re talking about” curmudgeons. I’m an adult with a father who dismisses everything I say because he’s got—and will always have—50+ years on me. I’m well aware that it sucks.

Why am I bringing all this up again? Because this scene is just so kid-ish. It’s wonderfully young and carefree! Ruby is writing a letter to her friends in cutesy grimm PJs. Yang slides over with a comment about how it’s just like a sleepover. They acknowledge that Tai would not be pleased with all the boys around while Yang ogles the shirtless guys and Jaune wanders around in a footed one piece. This entire scene has a distinctly middle school or early high-school vibe. Not that adults don’t hang out and chat in super comfy PJs—we totally do—but rather that viewers know how scenes like these are coded. They’re supposed to look young here and even though experience has most certainly aged them, even though about two years have passed since this moment... that’s still only two years. I have a difficult time accepting that we should now view the group’s decisions as irrevocably Adult and Mature (cough-airship-cough) when such a short time ago they weren’t either of these things. And they weren’t meant to be those things. Not yet. I wish that these later Volumes of RWBY were more interested in exploring the concept of (yes) kids forced into the role of adults, as opposed to trying desperately to pretend that they’re adults already with a more worthwhile voice than people with 10, 20, or in Ozpin’s case, a 1,000 years more experience than them.

Anyway. Enough ranting for one recap.

Ruby shares her fears about not making any friends and Yang has her “You’ve just made one friend and one enemy!” line before giving her little sis a legitimate pep-talk. She explains that there are friends all around Ruby, “you just haven’t met them yet.” A near identical perspective to what we heard from Jaune last episode. Which is hilarious given that ten seconds ago Yang was pseudo-insulting the guy.

Seriously though, how is there not more Jaune-Yang interaction in canon? They’re got so much more in common than just blonde hair and anger management issues.

Cue another segue. Right after Yang finishes talking about future friends Ruby catches a sound off screen and we get our first look at Blake since the courtyard.

Yang quite literally drags Ruby over and it is an excellent display of siblings being siblings.

Blake recognizes Ruby as “the girl who exploded” and honestly I’m sad that this didn’t become a moniker for her in the same way “vomit boy” did for Jaune. Nothing like being defined by your embarrassing moments and ridiculous habits to encourage true bonding! My BFF calls me Trout and I call her Hunter and no, I will not expand on the ridiculousness that was my middle school years.

I mean, Ruby starts to tell Blake that she can call her crater face before realizing that this might not be the best idea. The girl is awkward af and I love her.

Yang: What are you doing??

Ruby: I don’t know help me!

God they’re so fucking relatable.

Yang manages to get Blake’s name out of her and then makes the mistake of commenting on her bow. Granted, Blake doesn’t show any overt signs of discomfort here—that would have been too obvious even by RWBY’s standards—but looking back we can assume that any conversation veering towards the one thing she wants to hide wouldn’t exactly endear her to these girls. Blake gets pretty rude by saying that she’ll continue to enjoy her book just as soon as they leave. Yang gets ruder by announcing, right next to Blake, that she’s a “lost cause.”

The book is Ruby’s in though. Now it’s less small talk and more legit interest as she asks what Blake is reading. The fandom has acknowledge to death the “It’s about a man with two souls, fighting for control” line and how that obviously relates to the Ozpin-Oscar situation, but beyond that I’m interested in the fact that we never learn the title of this book. Normally that wouldn’t mean much (only so much world building you can do and book titles aren’t necessarily the sort of thing RT wants to waste time on), except that Ruby specifically asks for it and Blake delves straight into the summary. I wonder if perhaps this specific text will show up again in future volumes. I don’t have any real evidence for the hunch, just the fact that we now know Ozpin has put stories out into the world that relate to his situation, namely The Maidens fairy tale. I have to wonder if perhaps other lives of his created art as a way of coping with their situation—unknowingly truthful accounts that people like Blake read, oblivious to the ways that this fiction might be setting them up to be more empathetic towards the same situation in real life. It just stands out to me that we’re not given a title or author here; that Blake was one of the ones to learn about Ozpin’s immortality off screen (denying us her initial reaction); that comparatively she was one of the more sympathetic during that awful moment out in the snow. It would be awesome if the “lol Blake is a nerd who sometimes reads porn” aspect of her personality actually sets her up to be one of the more understanding people in Volume 7.

Basically, please give me super nerd Blake who starts warming back up to Ozpin because she finds out he’s authored a bunch of her favorite books lol. Or at the very least she realizes that she’s now living the stories she’s long adored; she’s been given the opportunity to extend real support to someone so very like the characters she’s felt for all these years...

RWBY does love its meta.

Ruby admits to loving books too, particularly the fantastical stories that Yang used to read her. Blake is far more pessimistic.

Blake: Hoping you’ll live happily ever after?

Ruby: I’m hoping we all will.

Hello, conflict of the entire series. As well as many fans’ hope for how it will all turn out. I’m personally not at all interested in a 7+ year investment with this cast only to watch them end on a bleak, or even bittersweet note. Despite what some might claim nowadays, happy endings are far from overrated. Given the state of the world, happy endings are radical.

Blake tells Ruby that her dreams are “Very ambitious for a child,” one of the very few indicators we’ve gotten (along with Weiss’ “Aren’t you a little young to be here?”) that the rest of the students recognize on sight that Ruby is younger than them. I’ve literally never heard one child refer to another, same-age acquaintance as “child.” Especially not when they’re hinting strongly that they’re being naive.

Yang is SUPER proud of that optimism though and starts a tackle hug that leads to them fighting cartoon style, complete with stars, cat noises, and dust clouds. The racket of course brings Weiss over. And by “of course” I mean “Oh look, another excuse she can use to go talk to the only people she knows here.”

We get another handful of great lines—Ruby has known Weiss a day but she was “always on [her] side,” Weiss exclaims that Ruby is “a hazard to [her] health”—but the episode is basically over. Blake blows out her candles and that’s that.

Meanwhile, I can’t believe I just wrote nearly four thousand words on a six minute episode. I’m gonna go re-think my life choices.

Minor Things of Note

“You’re lucky we weren’t blown off the side of the cliff!” Hey there, episode four foreshadowing! Also, Weiss, you guys are nowhere near a cliff. You’re so dramatic.

You can really see the difference in their expressions when Oz gives his speech. Ruby and Yang looked pumped and joyous. Weiss is anxious and unsure.

Still super interested in Ozpin actually using his cane as he leaves the stage. Probably just a random animation choice before they worked out all his character kinks, but if we imagine that his host was currently speaking maybe that’s a quirk specific to him.

We never again hear about “the gang back at Signal” that Ruby is writing to. Just like we never see the friends Yang apparently entered Beacon with (and weren’t meant to given that they were also shadow people). Not that RWBY needs any more characters to keep track of, but from an in-world perspective it is a little strange that they were supposedly super close to all these people and then just... never mention them again lol.

#rwby #rwby recaps #mymetas #the shining beacon pt. 2

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