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yridenergyridenergy · 10 months

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The wholesome-ish friendship between Shinya and Kyo

Their latest playful Q&A in Haiiro no Ginka vol. 100 has prompted me to compile examples of this weird but overall wholesome relationship that Kyo and Shinya have and which is not obvious at first.

Situation #1

In October 2017, Kyo gifted Shinya with a custom white version of a MadaraNingen one-piece. As far as I remember, that article of clothing was not available for purchase in white at all, to the public. And of course, we all know that Shinya prefers to wear white.

Situation #2

I think that in response to Shinya sharing a video of him briefly playing with the minicars that were sold as tour goods in This Way to Self-Destruction, Kyo posted a story on Instagram of him revving up a bunch of mini-cars and persistently making them hit his phone propped up on a counter and displaying a picture of Shinya. At age 43. To which Shinya made an Instagram post vaguely hinting that: "Good children should not play with the mini-cars to hit someone's picture!"

Kyo's Instagram Story "The proper way to use mini-cars" video

Shinya's translated response

Situation #3

In late 2022-early 2023, Shinya publicly celebrated his bandmates' birthdays via emojis on Twitter, and Kyo was the only one to respond, in kind.

Situation #4

Kyo posted a cryptic picture of Shinya's video meeting with Mana in an Instagram Story and he has mentioned on Twitter at least once that he was watching Shinya Channel (the making of the FaFa onigiri).

In the same vein, Shinya took his failed attempt at needle-felting a pink bunny in March 2022 and turned it into a miniature hammer-wielding bunny in October 2022, in response to sukekiyo unveiling their Mosaic Shoujo PV which featured Kyo in the killer bunny suit.

Situation #5

This very old video of Kyo teasing Shinya by pinching the side of his dress, Shinya reacting by pushing Kyo a bit and Kyo falling into a robot dance in response.

Situation #6

The coffee maker. In one of the live talks held during the COVID-19 pandemic at concert venues, Shinya mentioned having a coffee maker which was of no use to him, and Kyo expressed interest in taking it from him. Later, in the Galacaa livestream talk between the two, it was revealed that Shinya had promised to give Kyo his coffee maker, but he never pulled through on that offer. Kyo, sporting a doodled face to hide his own, insistently questioned Shinya on this unreliability when the topic was brought up by fans in the comments. Shinya kind of struggled but ended up explaning that the coffee maker was really useless because of a defect, that it would not have been an appropriate gift anymore. But he forgot to update Kyo about it after he tried to contact the manufacturer. Kyo replied like: "Oh, alright then."

At some point, Kyo took the matter to Twitter, confronting Shinya about it with their respective member photos to illustrate the dialogue, and Shinya replied the same way.

Situation #7

In that same livestream, Shinya is so used to Kyo's bullshit by now that he completely ignores Kyo's doodle face sheet and casually leans forward to look past him and at the interviewer, sat on Kyo's right. After a while of this, the interviewer points out to Shinya that Kyo is insistently staring at him with this disturbing face, which is when Shinya becomes startled and nervously laughs upon realizing that, also making Kyo chuckle.

Situation #8

More often than others, Shinya and Kyo are documented chatting on the chairs backstage while they wait for everyone to be ready to start the show. Maybe there's something to be said of how they are the two members of the band to leave the stage the quickest, while Kaoru, Toshiya and Die stay for a while to throw picks.

Situation #9

Miscellaneous pictures of the two:

Situation #10

Apparently it was Shinya's earbuds that Kyo used to play with the cat (also Shinya's?) in this famous old video.

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Situation #11

Other interactions on Twitter include commentary regarding the song battles that fans were voting on via that same website, during live broadcasts from their manager Fujieda on Galacaa. Kyo and Shinya were the only two members reacting to the songs that were pulled out of the box, Kyo sometimes replying to Shinya's own tweets wondering what he meant or outright questioning his preference.

Another interaction consisted in Kyo copying Shinya's tweets regarding the release of their Phalaris album and twisting Shinya's cute comments into hellish versions.

Situation #12

Probably a bunch of elusive comments throughout the years, but here's an example of something that Shinya said about Kyo in a magazine interview.

Situation #13

In Haiiro no Ginka vol. 100, the members were asked to send each other member five questions. Some chose to personalize them based on what they actually wanted to ask of the others, while a couple decided to send the same questions to all, but members were not told who the questions came from. Kyo picked up on that anonymous part of the game and when answering Shinya's set of questions, he ended each of his short answers with a second sentence that can either just be the Kansai dialect for: "Aren't you Shinya!", or in other dialects, translates more to: "Shinya, you bastard!" hahah. From what I saw, nobody else hinted at who they thought the questions came from in their answers. In reverse, Kyo took up two of his five alloted questions for Shinya with the simple statement: "You don't know you're dead yet!", a quote from Fist of the North Star which is highly intimidating as it hints that someone has defeated the character so easily and lightning-fast that they are a dead man standing, their body having trouble catching up with the reality that they were slaughtered. Shinya, in response to that repeated tease, stubbornly replies in his polite and formal Japanese that: "No, I'm not dead." Their Q&A with the other members were not nearly that quirky.

Situation #14

At his SERAPH birthday concert in 2023, Shinya said that his three treasures in life are:

DIR EN GREY

SERAPH

sukekiyo

Situation #15

Kyo replying to Shinya's post featuring a very old picture of Kyo (which was however respectfully hidden by Phalarisu-kun) by pulling out the oldest/youngest postcards of Shinya he could find, also commenting to paraphrase Shinya: "Postcards that probably no one has anymore." His own postcard depicting him peeks from underneath.

Shinya replied to that with: "I tried to look for it but couldn't find it 🥺"

Situation #16

On Twitter, Shinya posted a photo with other artists which he explained as: "Yesterday, we had a birthday celebration for everyone born in February and March 🎂 Happy birthday everyone 🎉🎉🎉"

To which Kyo directly replied: "I wasn't invited." (born February 16th)

And Shinya responded with: "The DIR EN GREY guys are a bit mean 🥺"

Kyo never replied to that.

Situation #17

Going to combine two things considering how long ago they were.

Shinya and Kyo were the first members of Dir en grey to meet, and the day right after I posted this compilation happened to be the 28th anniversary of when they first performed together.

There's also an anecdote that, way back then, no one in the band knew how to contact Kyo because none of them had his phone number, but eventually Shinya just casually revealed that he had it all along and said: "Oh I'll just call him"

Situation #18

Shinya and Kyo are the only members who are clearly dog lovers in the band, while Die and Toshiya are part of the cat team. Shinya used to have a dog (chihuahua?) and Kyo now has Pun-cha. Shinya recently wore a sweater with a dog on it.

Situation #19

In a tweet that Kyo has since deleted, he wrote that if there was one grudge he still held, it was that he never appeared on the cover of a Rockin'f magazine. Shinya also wasn't featured, so he added that while he doesn't have a grudge against them, he has declined interviews and comments for a certain magazine after that.

Situation #20

During their European tour 2024, Kyo and Shinya embarked in a playful spat on Twitter, seemingly out of boredom while traveling on the tour bus. It was funny the way it culminated in both of them forcing the other to subscribe to their fan clubs to find out more. On Kyo's side at least, I didn't see anything related to that on kyo-online for real hah.

Situation #21

Shinya took the time to snap a picture of Petit Brabançon playing on the Yunika Vision screens while he was out solving a game, then posting that on Twitter and promoting Petit Brabancon. " I heard Kyo sing while solving a mystery in Shinjuku"

He also made numerous mentions of the Petit Brabancon posters around Gorilla Hall in his video touring that venue:

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... Did I miss any? And there will undoubtedly be more to come!

Thank you very much to shinyaburashka, mementoboni, lamenty45 and degtau for your help!

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starvinginbelair · 6 months

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say what you will about the new 52, i think this panel EATS

#dc comics #supergirl #i liked her vol. 1 that i picked up tbh #the art is really pretty at the very least #kara zor el #q speaks #q reads comics

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transient-winds · 1 month

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The translations are done by @currylatte🥤 on YouTube. Be sure to check out their channel, they’ve done translations for the Wind Breaker Drama CD Vol. 1 + the Q&As for Sakura, Togame, Umemiya, Choji and just recently uploaded the ones for Suo, Kotoha and Nirei!

I have many thoughts about this one (it’s hilarious), but my highlight is that Kaji and Sakura had the same reaction to the last question (“What would you do if a girl you don’t know asked for your number”) . They both stuttered and panicked, I’m dying 😂. They’re so sweet I swear.

Hiragi stressing over the last meal question ssksk, honey you should not be popping those pills like candy 😭. Speaking of, I didn’t know Sako took his sweets this seriously help- his favorite seasoning being sugar 🫢😭.

#wbk translations #kaji ren #hiragi toma #sako kota #sakura haruka #wind breaker #wind breaker nii satoru #wind breaker satoru nii #ウィンブレ #Youtube

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blueaetherr · 10 months

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future histories

pairing: jude bellingham x fem!reader [she/her]

warning(s): angst, gotg vol 3 inspired [peter q. & gamora]

summary: the one where past lovers consider life beyond their tragic circumstances

author's note: this is part 2 to this imagine which i recommend reading before this one. i'm currently re-reading the book that inspired part 1 (the sun is also a star by nicola yoon), which further inspired me to write this. i also haven't written in time so forgive me for any mistakes that may be here.

tag(s): @aechii

now playing: the miseducation of lauryn hill by ms. lauryn hill

Under the mature night sky, surrounded by the stars and the comfort of the dark, a celebration was underway—an engagement party. Somewhere rural and hidden by trees standing tall and all, there was a house hosting the party of the couple-to-be in the coming weeks. The fiancé, the fiancée, bridesmaids, groomsmen and beyond in attendance.

It was all wonderful, from the presence of everyone, the party atmosphere, Party Girls floating within and beyond the mansion. The night was set in motion and wouldn't stop for anyone until the early morning.

Still, two individuals decided to stray away. And there—wherever they wandered away to—they chose to remain in their own world, oblivious to everything else around them.

"You can't be serious, Jude!" Y/N shook her head and glanced at her friend with a pointed look. Watch your words kinda look. "Say that shit again. I dare you."

It was quiet for a moment before Jude decided to tune in again, shrugging with a smile growing on his face. "A straw has two holes."

Her face contorted, disgust evident even to the blind. "It has one."

Jude hung his head back as he let out a laugh, his laughter trailing into the night sky. Folding his arms, he asked, "You know two things can be true at the same time?" The straw debate was something that the two had been having for a few years. And yet despite his strong arguments and the backing of friends, Jude just couldn't get Y/N to be in the slightest way considerate of his side of the debate.

"And that's completely fine," she said, clasping her hands together. She was comfortable in her place and in her stance. "Just not when I make an argument for something. And I stand by what I believe."

"Okay, whatever you say," Jude raised his arms up in laughter, "Whatever you say, Y/N."

Debating with Y/N was something he always found himself enjoying. Not because he enjoyed the act of debating or because he would aim to propose an outstanding argument. It was more simply because he enjoyed watching Y/N debate, even if it was against him. Always was she animated in discussion, pushing 'til the end to prove a point that may not be entirely true. If she could somehow prove that left was actually right, then Jude would follow behind her and declare left as right.

After walking around the private grounds for some time, Y/N and Jude decided to rest and settled on a low wall. There, they were able to admire the manor house scenery. A location large and luxurious in presentation with its gardens, lakes and grass trimmed to perfection. Still, it remained cosy and informal with the absence of public bodies around; one could be unrestricted and alone with the infinite square feet that were free to wonder.

Jude and Y/N experienced both respectively, the loneliness over the freedom. Outdoors they were together alone, only accompanied by the displays of nature around them. Away from the celebration of the engaged couple, away from secret activities of the night, away and distant from the wonders that this ever manor had to offer. And when that realisation dawned upon the two everything from their talk to their moods fell.

Y/N sighed, her posture faltering a bit. "What are we doing out here?" After all, it was Jude who invited her to stray away from the party. One minute she was in the middle of a game with her friends and the next Jude was taking her away with no explanation, just pace.

Jude took her hand in his and glanced at her with a playful look. "Is it so bad that I want to get to know my bridesmaid?" Weirdly, everyone thought it would be the perfect idea to pair Jude and Y/N as a groomsman and bridesmaid together.

"Yes," Y/N scoffed out a laugh, removing her hand from his grasp. "I know a lot about you and I don't think I want to start learning more."

"That's fair, I guess," he huffed out a small laugh. But because he believed that what she said was wholefully true; he knew that other people shared her opinion so I guess that's where he had to agree. Jude then sobered up from his laughter, "I just wanted to talk to you."

Rubbing her hands together, she blew out a small breath as she looked around the vacant outdoor area. "And we have to do that outside?" The night weather wasn't too bad, though it didn't beat wanting to be indoors.

He sucked in a small breath as he rubbed the nape of his neck. "Yeah, sorry about that. It's just... I'm not tryna be inside right now. I mean..."

She meant to ask what Jude was talking about, but then she heard it. I Can't Help Falling in Love was playing, within and beyond the mansion. And Y/N could imagine the scenes inside. Everyone pushing the engaged couple to have yet another dance, ungrateful yet entertaining steps and twirls, aspiring partners taking the leap of faith with a dance that would probably lead to something more later down the line, lively dances and delight across the board.

Whatever purpose there was to dance—to sway delicately across the dancefloor, to lose oneself in the song, to hold wild thoughts regarding romance—nonetheless, it brought everything to life even if it wasn't there before. Romance, partnership, and lasting promises, all shared between two individuals. Every two individuals except for Y/N and Jude.

It was hard for them. Even though they felt nothing for each other, even though they could no longer feel anything for one another (and weren't actively seeking anything from each other), it still remained hard and unfair to be surrounded by all things love and ideal romance that reminded them that their relationship didn't work, that they themselves weren't deserving of a functional, lasting relationship.

Jude and Y/N were happy for the engagement of their friends, and they would continue to wish them the best until their final days. But being bombarded by all these things—being a groomsman and bridesmaid, everyone seemingly being in current or aspiring relationships—with their history together, one that they couldn't bring themselves to remember or hold onto in any way, witnessing their friends in the relationship that they failed to hold onto for reasons beyond them... it was overwhelming simply being at the engagement party.

"And I just want to talk to you without other people being around... without them judging us." It was weird for Jude. Being a football player meant eyes were constantly on him. He was used to it. Now people were giving him attention over his previous relationship and couldn't seem to shake off the feeling of unease off his person.

Y/N knew Jude's thoughts were real and justified. She heard the whispers speaking on her and Jude. From the wedding rehearsals to the engagement party. Both positive and negative remarks; wondering how they couldn't understand why the two broke up, speaking on why the reason the exes broke up didn't make much sense. That Y/N and Jude looked together, and that they should make up and get together for the sake of it.

In other words, the reason for Jude and Y/N breaking up wasn't valid enough in everyone's eyes.

She let her eyes trail on her legs as they swang over the ground. "It's— it's like people care more about our relationship than we do." She said it like it was a wonder, but Y/N knew well that that was just the reality of things.

"Don't even get me started with that," Jude shook his head before scoffing. "I get asked about our relationship—about you—a lot by friends and family. I mean I don't mind, it's whatever, you know? I expect now. But sometimes it's just too much. And every conversation is the same. How is Y/N? You guys still friends? I think you two still have a chance together. You should definitely ask her out."

"And I'm always polite with it and say, Y/N is fine. Yes, we're still friends I guess. Well, I don't know about that. We haven't talked about that. I hear what you're saying, but I'm not too sure about that. Polite with it. Then they'll ask me the same questions again or ask my parents. It's almost like... like..."

"Like they don't trust our judgements?" Even though she was never present for any of those conversations, Y/N and Jude shared similar experiences post-relationship. The questions, the questions repeated over and over again, the patience that came with having to deal with those repeated questions. There was something so frustrating about having to convince people that your past relationship would remain in the past with no hope of reviving it ever again.

Not only because they didn't want to; the moon and the stars just wouldn't allow it.

"Exactly that. It's annoying 'cause everyone wants me to do something I just can't do anymore... something I can't remember doing. Like," Jude inhaled deeply as he rubbed his hands over his face. He never really was good with his words. "There's something there but it's beyond me. I could love you but I just can't. Not because I don't want to, but it's... every time I want to step forward I'm pushed back. Like it's not my fault and it's not our fault either."

There were grounds as to why Jude disliked dwelling on their relationship. Some were evident, others not so much; one being that the simple thought of the relationship gave him false hope.

In truth, he was a hopeless romantic. He loved the idea of love in all of its forms. By offering and receiving, perhaps to and from his family, friends or anyone who could reciprocate it. Like the average person, it made him feel happy in many possible ways. And when he was consumed in all that love—when he was consumed in happiness—he was more approachable and open to everyone's questions about his past relationship with Y/N. That's where the hope fell over him every single time.

Maybe there's still something between me and Y/N. Maybe we did overreact like everyone is saying. We didn't try hard enough to fix our relationship. So when he was no longer so consumed in his hopeful thoughts, Jude would tell himself let's try again.

But then he would simply look at Y/N and reality would quickly pull him out of his thoughts. No.

Jude could try to find the humour in Y/N's words, he could try to admire Y/N for her beauty and flaws, he could try to remain consumed in everyone's delusions about his past relationship, he could try to indulge in their past romance through the words of his mom. Jude could try anything, yet none of it would change the fact that everything he ever felt for Y/N was compromised. Anything he would ever feel for her would be compromised.

He could no longer feel anything for her. She could no longer feel anything for him. The possibility of feeling anything held no strength to exist, and that realisation always left Jude devastated. They were a lost cause. We're never getting back together, and he just had to get over it.

But that was difficult when everyone would remind him of their relationship. So he was stuck in this cycle of false hope, where he couldn't find it in himself to move on. Truthfully, Jude was unsure if he would ever be getting out of it any time soon.

"It's not our fault. It never was," she said, moving her hand in small rotation on his back to let Jude fall into her touch. All Y/N could do was sit by Jude and comfort him. In fact, all they could do was comfort one another. Because everything Jude felt, everything he couldn't feel, she was right there with him. This would be a soft moment of solace if the circumstances weren't so terrible.

Yet here they were, outside all miserable and devastated by their never-changing circumstances in a scenery so whole and picturesque. While everyone was partying—celebrating and enjoying the declaration of love of the engaged couple, dancing in rightful and infinite pairs—Jude and Y/N could only share some physical attachment knowing that was all one could offer the other. They were strangers to romantic love, so caught up in this insane cycle of misfortune.

"It drains me having to think about it every day," Jude exhaled as he sat up. Having those conversations only came with one benefit; he could exhale everything he had pented up before. "That's why I just want to move on from everything, you know? It's been months since we broke up. Like why is everyone else so hopeful about us than us?"

"If only I could tell you. You'd think they would start asking whether we're both seeing other people by now." Y/N tilted her head in thought. Caught up in her relationship and everyone's reminders of its existence, she had the tendency to forget that she existed beyond Jude. Turning to him, she wondered, "Are you seeing someone right now?"

Jude scoffed out a small laugh as he shook his head slightly. He knew Y/N met well, he did. But he did feel like the answer was evident. I'm a mess, of course not. "Do you really think I would be seeing someone if I'm all in my feelings right now?"

"Just wondering, honey."

Seeing the unspoken apology in her eyes, Jude let his person falter a bit. "Not really, no." Since Y/N the most he could entertain when it came to girls was the talking stage and he would never go beyond that.

Losing the ability to love Y/N kinda left Jude a bit scarred. According to the delicate words of his mom, he and Y/N were once the perfect relationship, a relationship where she fell but he fell harder. But everyone knew how that ended. The fear of a new relationship ending exactly like his and Y/N's, the fear of possibly not being able to love, both ultimately shied Jude away from actively putting in the effort of pursuing girls he might find interest in. "I try, I do. But it's just a lot all at once."

"I think that might be the best way of moving on," Y/N suggested, "Maybe we won't be caught up thinking about each other if we're thinking about other people. It's hard, but it takes time. When you get there, you get there."

He nodded slightly. He wasn't in total agreement with Y/N but he trusted her judgement. "Yeah, maybe. Wait," Jude paused in his place before his eyes grew wide. "Why are you saying it like that?" Suddenly, it dawned on Jude. Y/N was speaking from experience. "Are you seeing someone?"

"Jude."

"Wait, why didn't you tell me before?"

"Just listen to me, Jude—"

"I literally dragged you out here. I don't want him to think I'm making a move—"

"Jude!" Her voice, firm rather than harsh, managed to reach his ears which stopped Jude from his ranting. Unknown to both of them, that was the same voice she had used to resolve problems during their relationship. When she was sure she had Jude's attention, she continued, "I'm not seeing anyone right now. I've just recently become open to it. That's all."

Jude's glance tracked around before returning to the person beside him. "So you're looking to get into a relationship?"

"Am I actively pursuing one? No. But I won't intervene if it comes my way." Y/N was once like Jude when it came to speaking to a potential partner. She was distant and denied guys when they tried to reach out over her fears of her relationship with Jude repeating itself. But over time her thoughts have eased and even though she wasn't exactly there yet, there was some noticeable progress to highlight. She was no longer entirely tied down to Jude.

She adjusted her sitting position. The wall they were sitting on wasn't the most comfortable. "I don't know about you, but I don't want us to be the one thing that people know us for. Like sure we ended on confusing terms according to everyone else, but what can we do? I mean it was out of our hands even before we met. I don't want to be caught up over it forever. We have to find ourselves moving away from all of that somehow."

Y/N learned a lot from her relationship with Jude. They were never truly a real match and they were invalid on many levels. Others could remember their relationship in ways she couldn't, to the point she could only dream of something so perfect and that left her dejected every time.

But moving forward she wanted things to change where she could. The perception others held of her and Jude would remain the same until time deemed otherwise. What she could change, what she could control were her thoughts and actions. Now she could think about Jude and tell herself that everything happens for a reason, that they were an unfortunate case but things happen, that it was okay for her to move forward by herself or with someone else.

She couldn't be so attached to Jude knowing there never was a future for them together in the first place.

"I get it," Jude frowned as he nodded along to her words. Logical and practical. He couldn't find himself arguing against them. He took in a small breath and offered Y/N a small smile. "Well, I'm... I'm happy for you."

"Oh yeah?" Y/N grinned though it was small and unsure. After all, she knew Jude was the more emotional one between the two. She wouldn't have been surprised if he hadn't been so open to her advice.

The thing is though, Jude was happy for Y/N, truly. Or, at least for the most part. Where he wasn't was simply just his current fears. His fears of being stuck in one place forever. His fears of being left behind. His fears of not being able to relate with Y/N on their unique experience of falling out together. Fears that if he lost Y/N then he would have no one to lean on, that he would have no one.

But hearing her story—something full of hope, clarity and purpose for something new—that's where he was happy. Maybe being a hopeless romantic wasn't such a dumb idea to have; he just had to shift his direction of thought and look forward to their future histories, separate or together.

Once again Jude offered Y/N a smile, one wide, kind and truthful. "Of course," he said as he brought her into a side hug, the two swaying softly in tune with the timid breeze. "That's all I can be for you."

Pulling away, Y/N asked, "You sure? I hope I didn't say anything in a way that would upset you. I just don't want us to bond over such depressing shit all the time." She had a feeling that those conversations would come to an end sooner or later.

"Yeah, you're right," Jude sighed with a nod, almost reassuring himself that everything would be okay moving forward. His eyes drifted toward the mansion where everything still remained lively. The discomfort was still there observing the scene, though he felt it diminish—and it would continue to falter with time. I'll be okay. "I get it and I meant when I said that I'm happy for you. I want that for myself too. It's actually not all that bad."

"Why do you say that?"

"You didn't hear this from me but apparently... I once promised you that I'd be the first person to walk you up and down the aisle."

And that was the last time Jude looked back at their relationship through his mom.

#jude bellingham #jude bellingham x reader #jude bellingham blurbs #jude bellingham imagines #jude bellingham imagine #jude bellingham x black!reader #black!reader #jude bellingham fanfiction #jude bellingam fluff #jude bellingham angst #football imagines #football fanfiction #football blurbs #football oneshots

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dailycass-cain · 2 months

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Can you tell us more about Gabrych and the end of the 2000 run? Why was it cancelled?

Near the end of the comic book event "Infinite Crisis", Batgirl Vol. 1 was axed. This was not due to low sales (several DC Comics at the time were selling worse and continued on when the relaunch "One Year Later" program was to hit) but for a rather sexist reason.

Back in 2010, the inker for Batgirl Vol. 1, Jesse Delperdang, posted on Deviantart the real reason the series was canceled, "canceled to make room for the coming Batwoman."

That "coming Batwoman" was an ongoing series by Devin Grayson, and would never see the light of day (DC got cold feet when the character got more publicity than they realized and decided to retool the character (which we got with Greg Rucka and J.H. Williams III over in Detective Comics a few years later).

Because more than "one female bat comic" was one too many. Not only that but just last year Dan DiDio posted on Facebook the original outline he had for "OYL" regarding Cass:

Of course, DiDio always changed his mind and instead, we got the racist caricature in OYL. Nor would this be the last time DiDio would change his thoughts on what to do with Cass (2009, 2011, and 2016. Each a can of worms of themselves).

So that's why Batgirl Vol. 1 was canceled, due to sexism.

As for Gabrych, he continued to work with DC until an Omega Men mini in 2006-2007 and began to go back to his life outside DC Comics. He did come back to write a 2010 graphic novel Frogtown for the Vertigo label.

The thing is, DC Editorial under DiDio was a nasty business. Sometimes you followed the edicts or didn't and walked altogether (Kelley Puckett for a brief run with Supergirl Vol. 5 in 2008 and Dylan Horrocks with the "War Games" event when he and Grayson objected to Stephanie Brown being brutally murdered and DC taking away Babs from the comic too). Or you got nasty pricks in editing to deal with like Eddie Berganza (a noted DiDio toadie). It was just a toxic culture altogether, and I'm glad it is over when DiDio got fired in early 2020.

Two have left comics altogether (Puckett & Gabrych) and Horrocks is doing indie comic work in his native New Zealand, but avoiding the Big 2 after the "War Games" experience.

The sad truth is, if you write a Batgirl ongoing there's a 75% chance you're gonna get out of the industry. Literally, there's only a handful of Batgirl writers who've done stories on the ongoings and not left.

We just got Bryan Q. Miller back to DC in a few months (they're also reprinting the Batgirl Vol. 3 run he did), and that's probably cause most of the old regime left (see an SDCC 2020 Batgirls panel he was on with Sarah Kuhn and others where he goes onto a tale regarding his clashes with the heads over Cass).

Puckett did do a new foreword to his Batman Adventures run which got an Omnibus recently. So MAYBE there's hope for him too.

I hope I answered your question to the fullest on why Batgirl Vol. 1 ended and why Gabrych left the industry.

#cassandra cain #dc comics #toxic work enviroment #Andersen Gabrych #Dan DiDio #batgirl

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potato-frend-blog · 4 months

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Different Types of Propaganda: Part 1

Hello chuckle fucks of Tumblr, it's clear to me that you no fucking clue what propaganda is or how to spot it.

So 1st is what is propaganda?

Definition of propaganda:

the spreading of ideas, information, or rumors to help or injure an institution, a cause, or a person ideas, facts, or allegations spread deliberately to further one cause or to damage an opposing cause https://www.merriam-webster.com/dictionary/propaganda

dissemination of information—facts, arguments, rumors, half-truths, or lies—to influence public opinion. It is often conveyed through mass media. https://www.britannica.com/topic/propaganda

information, ideas, opinions, or images, often only giving one part of an argument, that are broadcast, published, or in some other way spread to influence people's opinions https://dictionary.cambridge.org/us/dictionary/english/propaganda

Propaganda Techniques Explained

This video does a good job of summarizing the different techniques

https://www.youtube.com/watch?v=sybo484veJY (you have to copy the link because the video doesn't allow playback.)

Agenda Setting:

Agenda: a secret aim or reason for doing something. (https://dictionary.cambridge.org/us/dictionary/english/agenda?q=Agenda)

A situation where critics perceive inexplicit political motives (or an institutional tendency to overlook underprivileged perspectives) to lie behind the choice of topics covered (e.g. in the news, current affairs, and documentaries), their relative importance (inferred from sequence and the relative amounts of space or time devoted to them), how they are presented, and what issues are backgrounded or excluded (see also selective representation). Media agendas are often set by ‘authoritative sources’ in government and industry upon which news organizations rely. The primary concern is that those in power thus call attention to issues that suit their agendas and distract attention from those that undermine them. It is usually argued that this influences or determines the terms and scope of public debate—not by telling people what to think but by telling them what to think about and controlling the salience for them of particular issues. (https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095355782)

Agenda setting means the "ability [of the news media] to influence the importance placed on the topics of the public agenda". If a news item is covered frequently and prominently, the audience will regard the issue as more important. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)

(https://www.researchgate.net/figure/Agenda-Setting-Theory-Model_fig1_307536314)

Fear Appeal:

A psychological and rhetorical strategy in persuasive communication such as advertising that seeks to evoke a response of fear or anxiety in the audience by showing them an undesirable outcome that they can avoid by heeding the warning. This strategy is intended to increase the effectiveness of the message and it is commonly used in health and safety campaigns, such as those warning motorists not to drink and drive. (https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095812722?p=emailAWHA3YEy2eMug&d=/10.1093/oi/authority.20110803095812722)

For example, fear can be used to drive votes toward a particular candidate or party—a method that relies on our natural instinct to find safety in numbers. And, a meta-analysis conducted by Albarracin and her colleagues found that messages with fear are nearly twice as effective as messages without fear (Psychological Bulletin, Vol. 141, No. 6, 2015). (https://www.apa.org/news/apa/2020/fear-motivator-elections)

(https://thevisualcommunicationguy.com/2017/09/14/the-fear-appeal-advertising/)

(https://en.wikipedia.org/wiki/Irreversible_Damage)

Appeal to Prejudice

Prejudice: an unfair and unreasonable opinion or feeling, especially when formed without enough thought or knowledge. (https://dictionary.cambridge.org/us/dictionary/english/prejudice)

The one who makes the appeal to prejudice attempts to persuade you to act or feel in a certain way by associating his person, product or proposal with a certain one or more of your prejudices, positive or negative – a prejudice being a prejudgment wrapped in emotion and having a history. Not only does he rekindle your prejudice, he also arouses in you warm feelings toward the one (himself) who apparently shares your prejudice. And so it becomes much easier to make you believe or buy whatever he has to offer. (https://agloa.org/wp-content/uploads/2019PropGuidelinesSecD.pdf)

Using loaded or emotive terms to attach value or moral goodness to believing the proposition. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)

Der ewige Jude, a pseudo-documentary directed by Fritz Hippler and influenced by German Minister of Propaganda Joseph Goebbels, featured scenes of Jews in Warsaw and Lodz ghettos. The film was popular in Germany and occupied Europe, with notorious sequences comparing Jews to rats carrying contagion. The film also highlighted the alien nature of East European Jews, with "stereotypical" Polish Jews transformed into "western-looking" Jews. The film's crude characterizations and gruesome footage made it a hit with audiences, demonstrating that there was no difference between Jews in East European ghettos and those in German neighborhoods.( https://encyclopedia.ushmm.org/content/en/article/der-ewige-jude)

Inevitable Victory + Bandwagon

Inevitable: certain to happen and unable to be avoided or prevented (https://dictionary.cambridge.org/us/dictionary/english/inevitable?q=Inevitable) + Victory: an occasion when you win a game, competition, election, war, etc. or the fact that you have won. (https://dictionary.cambridge.org/us/dictionary/english/victory?q=Victory) = Certain to happen and cannot to be stopped or averted occasion when you win a game, competition, election, war, etc.

Bandwagon: an activity, group, movement, etc. that has become successful or fashionable and so attracts many new people. (https://dictionary.cambridge.org/us/dictionary/english/bandwagon)

An effort is made to influence you to act in a certain way by asserting or implying that that is what is popular or what the majority is doing (https://agloa.org/wp-content/uploads/2019PropGuidelinesSecD.pdf)

invites those not already on the bandwagon to join those already on the road to certain victory. Those already or at least partially on the bandwagon are reassured that staying aboard is their best course of action. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)

(https://www.newyorker.com/news/john-cassidy/the-big-question-about-donald-trumps-rise-in-the-polls)

(https://x.com/AHA_tylersgap/status/734961473265373185/photo/1)

Beautiful People

The type of propaganda that deals with famous people or depicts attractive, happy people. This suggests if people buy a product or follow a certain ideology, they too will be happy or successful. (This is used more in advertising for products, instead of political reasons.) Usually for advertising rather than political purposes, sexual arousal may also be used. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)

depiction of attractive famous people or happy people to associate success or happiness with adherence to an idea or cause or purchase of a product. (https://www.dailywritingtips.com/50-types-of-propaganda/)

(https://quizlet.com/855901690/persuasive-techniques-flash-cards/)

Big lie

The repeated articulation of a complex of events that justify subsequent action. The descriptions of these events have elements of truth, and the "big lie" generalizations merge and eventually supplant the public's accurate perception of the underlying events. (https://en.wikipedia.org/wiki/Propaganda_techniques#:~:text=Bandwagon%20and%20%22inevitable%2Dvictory%22,the%20road%20to%20certain%20victory)

A big lie (German: große Lüge) is a gross distortion or misrepresentation of the truth primarily used as a political propaganda technique. The German expression was first used by Adolf Hitler in his book Mein Kampf (1925) to describe how people could be induced to believe so colossal a lie because they would not believe that someone "could have the impudence to distort the truth so infamously". Hitler claimed that the technique had been used by Jews to blame Germany's loss in World War I on German general Erich Ludendorff, who was a prominent nationalist political leader in the Weimar Republic. (https://en.wikipedia.org/wiki/Big_lie)

A deliberate gross distortion of the truth is used especially as a propaganda tactic. (https://www.merriam-webster.com/dictionary/big%20lie)

(https://thenevadaindependent.com/article/big-lie-looms-over-nevadas-legislative-primaries)

(https://en.wikipedia.org/wiki/Political_views_of_Adolf_Hitler#Mein_Kampf)

Black-and-white fallacy

Presenting only two choices, with the product or idea being propagated as the better choice. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

type of cognitive distortion characterized by the tendency to see things in absolutes, with no shades of grey in between. This type of thinking can manifest in various aspects of life, from relationships to work to personal beliefs. (https://www.psychowellnesscenter.com/Blog/how-does-black-and-white-thinking-affects-your-mood-and-behavior)

only two choices are given. You are either for something or against it; there is no middle ground or shades of gray. It is used to polarize issues and negate all attempts to find a common ground. (https://www.cuesta.edu/student/resources/ssc/study_guides/critical_thinking/103_think_logic_errors.html#:~:text=This%20technique%20is%20also%20called,to%20find%20a%20common%20ground)

"“Globalize the Intifada” is a phrase used by pro-Palestinian activists that calls for aggressive resistance against Israel and those who support Israel. The most prominent expressions of intifada have been through violence so this phrase is often understood by those saying and hearing it as encouraging violence against Israelis, Jews, and institutions supporting Israel. While the intent of the person saying this phrase may be different, the impact on the Jewish community remains the same."

(https://www.ajc.org/news/what-does-globalize-the-intifada-mean-and-how-can-it-lead-to-targeting-jews-with-violence)

See when people say "Globalize the Intifada" it implies that there are only two choices in the conflict. One, is the pro-Palestine side, that the aggressive resistance against Israel, and those who support it, and the pro-Israel side is the ones they are against. Without realizing that there is a peaceful option. ( The one I do not know because, one I am not a politician, and international politics is a mess. And two I do not know enough about the conflict to support a peaceful end where everyone is satisfied. )

Cherry picking

suppressing evidence, or the fallacy of incomplete evidence is the act of pointing to individual cases or data that seem to confirm a particular position while ignoring a significant portion of related and similar cases or data that may contradict that position. Cherry-picking may be committed intentionally or unintentionally. (https://en.wikipedia.org/wiki/Cherry_picking)

Present only evidence confirming your position, while ignoring or withholding an often more significant portion that contradicts it. (https://www.propwatch.org/category_results.php?cat_id=1&id=29&k=cherry+picking&p=propaganda.php)

Example : “CLAIM: Four recent shootings show there has been an “incredible rise” in transgender or nonbinary mass shooters in the past few years, making the group “by far the largest group committing as a percentage of the population.” Donald Trump Jr. spread the narrative widely on Twitter, claiming the supposed “incredible rise” and later saying there was a clear trend forming. Hundreds of other social media users amplified the idea. Trump Jr. did not respond to a request for comment.” THE FACTS: While specific data on transgender and nonbinary mass shooters can be hard to isolate, available information shows that the overwhelming majority of assailants in mass shootings are cisgender males. In making the claim, social media users are citing four examples over the past five years in which the assailant in a shooting identified as trans or nonbinary: the November killing of five at a gay nightclub in Colorado Springs, Colorado; a 2019 shooting at a Denver-area school by two shooters, one of them a trans man, that left one student dead and eight wounded; a 2018 shooting at a Maryland warehouse that left four dead, including the shooter; and the shooting Monday in Nashville. The number of mass shootings committed by those identifying as trans or nonbinary — and their ratio compared to mass shootings committed by other groups — is hard to quantify. It depends on the database used, how the act is defined, and how gender identity is recorded — for example, transgender males may statistically be counted as just men. But experts agree that the most reputable information still shows a clear pattern that cisgender males are the most likely to commit such an act of mass violence.” (https://apnews.com/article/fact-check-transgender-nashville-shooting-misinformation-cd62492d066d41e820c138256570978c)

youtube

(02:15: cherry picking definition: Biden highlights only wage growth in "the bottom 40%," while not mentioning that, due to inflation, real wages actually declined for all other income groups.) (https://www.propwatch.org/category_results.php?cat_id=1&id=29&k=cherry+picking&p=propaganda.php)

Classical conditioning

That is, if A is always present when B is present and B causes a physical reaction (e.g. disgust, pleasure), then when presented with object A in the absence of B, that same reaction will be experienced. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

The behavioral psychological method that systematically transfers feelings, thoughts, or dispositions through relationships. It pairs an object, event, or variable that elicits a particular natural or reflexive response (unconditioned stimulus) with a neutral one to the point that only the presence of the latter is required to induce the originally impulsive and event-specific response. This time, it’s no longer neutral but a conditioned stimulus. (https://www.thecable.ng/classical-conditioning-potent-political-strategy/)

(https://sites.psu.edu/intropsychf19grp7/2019/11/15/classical-conditioning-puppy-training/)

youtube

As you can see, the food products in both these ads have been depicted as mouth-watering and delicious, and are designed to cause consumers to feel hungry. (https://www.advergize.com/marketing/classical-conditioning-examples-in-psychology/#Classical_Conditioning_in_Advertising_Examples)

Ad hominem

A Latin phrase that has come to mean attacking one's opponent, as opposed to attacking their arguments. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

attacking the character or motive of the person making an argument, rather than attacking the argument itself. (https://www.propwatch.org/term_results.php?cat_id=1&id=23&k=ad+hominem)

(https://thinkingispower.com/logical-fallacies/)

youtube

(35:19: ad hominem definition: Warnock attacks the character of Walker and his allies for making allegations against his church, without addressing any of the specific allegations against his church.) (https://www.propwatch.org/term_results.php?cat_id=1&id=23&k=ad+hominem)

Ad nauseam

This uses tireless repetition of an idea. An idea, especially a simple slogan, that is repeated enough times, may begin to be taken as the truth. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

repeating something over and over again, until it forms a mental association and/or becomes perceived as truth. Based on the "mere exposure effect," is a psychological phenomenon by which people tend to develop a preference for things merely because they're familiar to them, including things they don't like. This principle for example makes people more likely to prefer listening to a song they've heard before over a new song they've never heard and to believe something they hear repeatedly, even if they know it's untrue.(https://www.propwatch.org/category_results.php?cat_id=1&id=24&k=ad+nauseum&p=propaganda.php)

"Make America Great Again"

(https://www.msnbc.com/msnbc/donald-trump-dropped-378000-make-america-great-again-hats-2015s-final-quarter-msna786506)

Appeal to authority

Appeals to authority cite prominent figures to support a position, idea, argument, or course of action. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

(also known as an appeal to false or unqualified authority) plays on people’s feelings of respect or familiarity towards a famous person to bypass critical thinking. It’s like someone is telling us “accept this because some authority said it.” (https://www.scribbr.com/fallacies/appeal-to-authority-fallacy/#:~:text=An%20appeal%20to%20authority%20)

appeal to anonymous authority - insisting something is true because an unnamed expert, study, or generalized group (like 'scientists') says it's true (https://www.propwatch.org/category_results.php?cat_id=1&id=73&k=appeal+to+anonymous+authority&p=propaganda.php)

youtube

(09:56: appeal to anonymous authority see definition: There are "those that say" you can test too much, without identifying who those people are.) (https://www.propwatch.org/category_results.php?cat_id=1&id=73&k=appeal+to+anonymous+authority&p=propaganda.php)

Cognitive dissonance

People desire to be consistent. Suppose a pollster finds that a certain group of people hates his candidate for senator but loves actor A. They use actor A's endorsement of their candidate to change people's minds because people cannot tolerate inconsistency. They are forced to either dislike the actor or like the candidate. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

Creates a feeling of mental stress when we encounter ideas or beliefs that conflict with our own. (https://www.propwatch.org/term_results.php?id=99&k=cognitive%20dissonance)

Psychological conflict resulting from incongruous beliefs and attitudes held simultaneously. (https://www.merriam-webster.com/dictionary/cognitive%20dissonance)

Common man

The approach attempts to convince the audience that the propagandist's positions reflect the common sense of the people. It is designed to win the confidence of the audience by communicating in the common manner and style of the target audience. Propagandists use ordinary language and mannerisms (and clothe their message in face-to-face and audiovisual communications) in attempting to identify their point of view with that of the average person. A common example of this type of propaganda is a political figure, usually running for a placement, in a backyard or shop doing daily routine things. This image appeals to the common person. With the plain folk's device, the propagandist can win the confidence of persons who resent or distrust foreign-sounding, intellectual speech, words, or mannerisms. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

Establishing a connection with an audience based on being just like one of them and being able to empathize with their concerns. (https://www.propwatch.org/category_results.php?cat_id=1&id=30&k=common+folk&p=propaganda.php)

youtube

(04:53: common folk see definition) (https://www.propwatch.org/category_results.php?cat_id=1&id=30&k=common+folk&p=propaganda.php)

(https://movieposters.ha.com/itm/movie-posters/war/world-war-ii-propaganda-us-government-printing-office-1944-navy-poster-285-x-40-i-m-proud-of-you-folks-too-jo/a/7132-86871.s)

Cult of personality

A cult of personality arises when an individual uses mass media to create an idealized and heroic public image, often through unquestioning flattery and praise. The hero personality then advocates the positions that the propagandist desires to promote. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

A situation in which a public figure (such as a political leader) is deliberately presented to the people of a country as a great person who should be admired and loved. (https://www.merriam-webster.com/dictionary/cult%20of%20personality)

“Nazi propaganda often focused on glorifying Adolf Hitler as Germany’s sole savior in order to inspire a sense of personal devotion to him. Many films, books, newspapers, magazines, and other items portrayed Hitler as a strong and self-sacrificing father figure who personally embodied the character traits of the “ideal Nazi.”” (https://perspectives.ushmm.org/tag/cult-of-personality)

(Recently appointed as German chancellor, Adolf Hitler greets President Paul von Hindenburg in Potsdam, Germany, on March 21, 1933. This pose was designed to project an image of Hitler as non-threatening to the established order. This particular image is from a popular postcard. The photo also appeared widely in both the German and international press. Hitler appears in civilian dress, bowing in deference to the heavily decorated von Hindenburg. The March 5, 1933, elections had conferred legitimacy on Hitler's leadership.) (https://encyclopedia.ushmm.org/content/en/article/making-a-leader)

(https://foreignpolicy.com/2020/09/30/washington-trump-and-cults-of-personality/)

Demonizing the enemy

Making individuals from the opposing nation, from a different ethnic group, or those who support the opposing viewpoint appear to be subhuman, worthless, or immoral, through suggestion or false accusations. Dehumanizing is also a term used synonymously with demonizing, the latter usually serves as an aspect of the former. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

Psychological process whereby opponents view each other as less than human and thus not deserving of moral consideration. Jews in the eyes of Nazis and Tutsis in the eyes of Hutus (in the Rwandan genocide) are but two examples. Protracted conflict strains relationships and makes it difficult for parties to recognize that they are part of a shared human community. Such conditions often lead to feelings of intense hatred and alienation among conflicting parties. The more severe the conflict, the more the psychological distance between groups will widen.

“During the protracted conflict, feelings of anger, fear, and distrust shape the way that the parties perceive each other. Adversarial attitudes and perceptions develop and parties begin to attribute negative traits to their opponent. They may come to view the opponent as an evil enemy, deficient in moral virtue, or as a dangerous, warlike monster. Such images can stem from a desire for group identity and a need to contrast the distinctive attributes and virtues of one's own group with the vices of the "outside" group…Enemy images are usually black and white. The negative actions of one's opponent are thought to reflect their fundamental evil nature, traits, or motives. One's own faults, as well as the values and motivations behind the actions of one's opponent, are usually discounted, denied, or ignored. It becomes difficult to empathize or see where one's opponent is coming from.”

“Once certain groups are stigmatized as evil, morally inferior, and not fully human, the persecution of those groups becomes more psychologically acceptable. Restraints against aggression and violence begin to disappear. Not surprisingly, dehumanization increases the likelihood of violence and may cause a conflict to escalate out of control. Once a violence break over has occurred, it may seem even more acceptable for people to do things that they would have regarded as morally unthinkable before.Parties may come to believe that destruction of the other side is necessary, and pursue an overwhelming victory that will cause one's opponent to simply disappear. This sort of into-the-sea framing can cause lasting damage to relationships between the conflicting parties, making it more difficult to solve their underlying problems and leading to the loss of more innocent lives."(https://www.beyondintractability.org/essay/dehumanization)

“In Virginia, for example, we are witnessing the most anti-LGBT legislative session in the state’s history. So far, 9 anti-gay and anti-trans bills have been introduced. Some of the bills reveal a fixation with determining the “anatomical sex” of students to ensure that trans students are expelled from communal bathrooms. One goes so far as to impose a $50 civil penalty on any student who uses the “wrong” bathroom. Others seek to prevent trans people from updating their Virginia birth records to match their gender and limit nondiscrimination protections based on sex to people whose gender matches the gender assigned to them at birth.” (https://www.aclu.org/news/lgbtq-rights/legislators-across-country-set-their-sights-transgender-people)

(https://www.worldjewishcongress.org/en/news/defining-antisemitism-talking-about-israeli-policy-by-using-classical-antisemitic-tropes)

(https://www.tumblr.com/the-library-alcove/search/zionism)

(https://en.abna24.com/story/1410340)

Demoralization

Propaganda towards an adversary to erode fighting spirit, and encourage surrender or defection. (https://en.wikipedia.org/wiki/Propaganda_techniques#Specific_techniques)

Propaganda in wartime must seek to demoralize enemy morale. A primary objective of propaganda aimed at enemy nations is to break down their will to fight. It seeks to lower the enemy’s will to resist and it does this in several ways. One is to picture the military successes on the propagandist’s side. Another is to picture the armed might and economic power that the enemy has to face. Yet another is to picture the moral superiority of the cause against which the enemy is fighting. It is part of a nation’s strategic plan to intimidate enemy leaders, to separate them from their people, and to break down resistance by producing evidence that the mass of the enemy people have been deceived and misled. (https://www.historians.org/about-aha-and-membership/aha-history-and-archives/gi-roundtable-series/pamphlets/em-2-what-is-propaganda-(1944)/war-propaganda)

(https://x.com/Cluffalo/status/1790011284471083192)

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