#undeniable mark

[mischievous-thunder]

For every feisty Logan there's an equally fiery Wade across the multiverse

[waybackbands]

The Blood Brothers playing at the First Unitarian Church in Philadelphia, PA February 13th, 2003 ©Broken Image

[meraki-yao]

Translation of a Bilibili Video Analysing the Paris Love Making Scene

HOLY SHIT THIS LITERALLY TOOK ME ALL DAMN DAY

Preface from me: PLEASE NOTE THAT THIS IS NOT MY ORIGINAL CONTENT! THIS IS JUST MY TRANSLATION OF THE FOLLOW VIDEO MADE BY 搭火箭都要追剧 A CHINESE RWRB FAN. I REPEAT, THE CONTENT IS NOT MINE, I'M JUST A TRANSLATOR (that being said I did a little bit of commentary, anything in brackets is my own thoughts)

All photos are unedited screenshots taken directly from the video

Preface from OP: The content of this video is very subjective and shallow, if it's different from your opinions, you're the right one (a Chinese saying which basically means "this is just my thoughts don't come at me") and it's most likely to be very different from any official BTS.

Didn't translate the first part because 1, I can't really translate it well due to cultural references 2, I... don't really agree with it, but did like 90% of the video

Also since it's about the Paris love-making scene, there's sexual content, you have been warned

For the moment when Alex slips his hand under Henry's shirt

When Alex slides his hand across Henry's naked waist, his fingertips, the most sensitive part of the hand is touching Henry's bare skin and stirring his desires, which is why Alex's body tenses: he clenches his jaw and takes a deep breath in.

In contrast, Henry is absorbed in the romance of it all. He's been in love with Alex the whole time and finally, the man of his dreams is here with him, touching him.

For the couple of shots where they stand naked with Henry touching Alex

1, Close Up Shot of Henry's hand gliding up Alex's arm

Henry told Alex that he's in good hands, therefore Henry's the one to lead this dance and set the atmosphere, so most of the light is on him, with the bright spot being shone on Henry's wrist which leads the audience to focus on that point

He starts with his fingertips running along Alex's vein, but the brightest spot doesn't follow the movement of his hand and stays focused on his wrist and the lower part of his thumb while the rest of his hand is in darker lighting. This is to strike a contrast and to put the focus on Henry's hand and therefore his movement. The reason only part of his hand is illuminated is because his entire hand is lit, the frame's lighting loses its balance and looks abnormal, and won't match the more subtle, softer tones of the romance in the movie

A highly saturated orange/golden light is chosen, which increases the feeling of content and ambiguity (I don't that sounds weird but it's the closest word I can think of, but a more accurate description… Imagine the use of steam in a shower sex scene) which also hints that this is going to be a lovely night

The use of light and the contrast of brightness on different parts also serve to convey Henry's emotions and internal thoughts. Even though their first night in Alex's room and their hook-up during the polo match were both really intense, but it was more about the surging, frantic sexual desire between the two. Now Henry doesn't actually know how Alex will react and is somewhat worried about it, which is represented by his fingers in darker lighting. But at the same time, Paris is the first time Henry can be so physically close with his long-time crush and be extremely honest/vulnerable with him, and later understand and feel each other on a spiritual level (… Woah.). He feels contentment from that, which is what the brighter area conveys.

In this single shot, the bright and dark areas are fairly equal, which also means these two emotions are in equal conflict at this moment

Then Henry's hand slides up towards Alex's shoulder and he switches to touching him with his fingertips, which, with its sensitivity, means Henry can feel any tiny change on Alex's skin. He feels Alex's excitement and comfort, which in turn makes him happy and bolder, which is also conveyed in the change of the light in the frame: the fingertips that were previously in dark lighting gradually shift into the brighter area, representing his worries fading

2, The following shot of Henry facing Alex's camera right, Alex's back against the audience, camera left

The light is still on Henry which means this shot is still conveying Henry's feelings

There's a clear contrast of light on his face which makes his face seem more 3D (again sorry for the weird translation but I can't find any other words) and attracts the audience's attention more.

The contrast is also represented in Henry's characterization. To explain this, we need to understand what a cognitive schema is: cognitive schema is a psychological concept which can be summarized as when a person is exposed to an object, event or person, they will use precious experience and knowledge to make a general judgment and description of them thus predicting their next actions. So in the case of Henry, at first since he's a prince, the audience and Alex, using their cognitive schema will assume he's prim and proper, when in reality he's horny (ha), flirtatious and adorable (so in conclusion, he's actually a babygirl)

Henry then lingers his hand on Alex, and glances at Alex with a flirtatious smile, enjoying Alex's shiver under his touch.

3, Shot of Alex facing audience camera left, Henry back against audience camera right

The light is now mostly on Henry's back, increasing the romantic atmosphere of the shot.

The light is also on Alex's torso and cheek forming a light contrast, which turns the audience's focus onto Alex. The larger dark area indicates he's being led by Henry in this situation, and he doesn't really know what Henry's gonna do, therefore his nervousness is the dominating emotion, represented by the dark area.

But he's also enjoying Henry's touches, which is why the light is still mostly on Henry but also partly on Alex now, almost like an extension of the contentment that Henry feels

The lamp that in-universe is providing the lighting is on the right side of the frame. If a similar light source isn't placed on the left side, the left side of the frame would seem too cold, which would destroy the atmosphere previously created. Therefore a mirror was placed there both for spatial balance and to create a reflection of the lamp's light, creating a small light spot on the left, balancing the coloring and lighting of the shot.

To the right of the mirror where the light can't cover is a small cupid statue. The statue not only adds to the romantic atmosphere but also indicates what's about to happen, as cupid symbolizes love and sex. Cupid is also a mischievous God who enjoys pranks, which also somewhat describe the boys' relationship: cupid shoots out the silver/lead arrow of aversion and revulsion that leads to their misunderstanding and subsequent hatred, but the shoots out the golden arrow of fall that led to them falling in love with each other and living together happily ever after.

Alex keeps watching Henry's hand as his hand slides down and looks back up when Henry touches his chest and takes a deep breath. Henry smiles brightly at Alex's reaction.

Alex then becomes intoxicated by Henry's touch as his sexual desires take over him

When Henry picks up the key that means a lot to Alex, Alex clenches his jaw. The highlight in his eyes allows the audience to immediately catch the change in his eyes that's filled up with lust.

So to conclude this part, a lot of attention was given to the placement of props and the lighting: the saturated golden creates a romantic but steamy/foggy (meraki seriously can't find the right word) setting, which is a filmmaking technique often used by Wong Kar Wai, in fact a similar lighting was used in "In the Mood for Love" (Matthew is a true fan)

For the shots of them kissing on the bed

There's a red mark on Henry's chest which OP explained in an earlier video that would have been caused by Alex grabbing there when thrusting forward

There's another possibility which is Alex getting excited when being behind Henry but he doesn't really know what to do so all he can do is grind against Henry. But Henry feels and sounds divine, and Alex gets impatient so he leaves marks on Henry's arm and chest

To prove her hypothesis op did an experiment with her own arm: she chose her arm because just like the part of Henry's chest that's marked, part of the muscle curves (into the elbow just as the chest muscle curves into the armpit) it's not a easy place for fingers to exert force, thus can draw a closer, more subjective comparison.

Experiment process: open uses her other hand to grab onto her arm and pull backwards forcefully, to 1, observe the shape of the mark and if it's identical to that of Henry's, 2, observe the time needed to create the mark in order to be the same as Henry's

As shown in the photo, the (faint) red marks are approximately the same shape, width and redness as the ones on Henry's chest. It took 28 seconds to reach this. This approximates the time taken by Alex to "do stuff" (I think she means prep?) from Henry's behind

With how loving and gentle Alex is with Henry it's not that likely that he started groping Henry's chest from the beginning, so the conclusion is when Alex was trying to "move forward" when he was behind Henry (I seriously don't know if she means prep or like, doggy style) but doesn't really know what to do and groped Henry in his nervousness, and this failed attempt lasted at least 28 seconds.

OP thinks the failed attempt was done in front of the window with Henry bending over, gripping the back of one of the chairs, and deduced from the DNC scene: the boys were originally chatting in bath robes on the couch with the curtain mostly closed, but when Zahra barged in, the blackout curtain was out, leaving just the mesh layer closed. There was a bathrobe on the far side of the couch and another in front of the window. So presumably after the talk, they went for another round, Henry ditched his robe on one side of the couch and pounced on Alex (similarly to how he did on Alex's couch), they tumbled around and switched position and ended up in front of the window, Alex remembered he failed attempt in Paris and wanted to make up for it so he pulled open the blackout curtain but left the mesh layer closed, and then he got to work. (...tbn personally I think this is a stretch?)

Henry thinks Alex is adorable but he's also really intoxicated and wants to get down to business asap, so he grabs Alex's neck and presses Alex towards him, kissing from Alex's lips to his neck. He kissed Alex's neck because from their first hook-up and the way Alex immediately stretched his neck to give Henry space when he kissed his neck then, that this is the quickest way to stimulate him. Which is why you can see a faint hickey on Alex's neck

As they kiss they walk towards the bed. During their first hook-up, Henry pushed Alex onto the couch, so now it's Alex's turn to pounce on Henry, which is what we see in the shot: Henry falls onto the bed first, then Alex follows. Alex is really happy and a bit proud that he can drive Henry crazy like this, while (and I quote directly) Henry can't think of anything anymore, and has "please hurry up and fuck me" painted on his face

The mark/hickey on Alex's neck takes the shape of an inverted triangle, with the vertical side and the diagonal side (left down right up, in math it's a positive slope) being more red, which means those two points experienced the largest amount of force

Red Mark on Henry's Chest

Screenshot from In the Mood for Love using a similar lighting

Red Mark Result from OP's experiment

Blackout Curtain Closed on DNC Night

Bathrobe (presumed to be Henry's) on the far side of the couch

Bathrobe (presumed to be Alex's) near the window, Blackout Curtain Open in the background

For the process, deduced with the shot of them laying in bed during the afterglow

The trajectory of sweat on Henry's temple runs downward vertically. If he was fucked lying down, the sweat should run into his ear canal horizontally. Which means he was fucked in a sitting position. For example in the polo match hookup, Henry's sweat is visible in the form of drops running vertically down his face. Also in the afterglow, the sweat also seems to be splattered, which required Henry to have vigorously moved either up and down or front and back. So yeah this further proves that there was a cut riding scene.

Alex also has sweat on his face, and his fringe is wet. So riding should have happened right before they lied down and started talking.

So the process deduced by OP is 1, they tried doggy style in front of the window and failed 2, what was shown in the movie 3, doggy style on the bed 4, riding (OP wasn't aware of the details of the extended Paris love-making scene, but all RWRB fans in China know that there's doggy style and riding that got cut, this is OP's deduction of the order)

Even without looking at the sweats and marks, from the way Henry's signet ring is turned in the movie you can tell that something's deleted, since before Alex intertwined his fingers with Henry, the letter H was facing outwards, and when their hands join the movement causes the ring to turn and for the letter to face inwards. But then the next shot with Henry's hand on Alex's shoulder shows the ring worn normally again, which means something in between was deleted or reordered.

Hickey on Alex's Neck

Henry's sweat in the afterglow

Henry's sweat during the polo hook-up

Alex's sweat in the afterglow

tagging @sanneannelies7 and @na-18dia who mentioned wanting the translation in my original post

[acidkoipond]

All my headcanons for Logan is just making him do cat things 🐱

[thresholdbb]

Little Harry Kim really asks Janeway if she’s ever been in love when he stands behind her and Chakotay standing inches apart and whispering to each other on the bridge all day every day

[highly-opinionated-art]

The greatest botanist on Mars

[mariocki]

Twisted Nerve (1968)

"Martin's dead. He's been bad. N- not Georgie. Bad, bad Martin. And now... I lay me down to sleep, pray the Lord my soul to keep... if I die before I wake... if I die before I... wake..."

[one-silly-cart00nist]

Creek Week Day 1: AU [Cisswap]

I love and adore the trans!Mark headcanon of both @bonkerbuster69 and @twuizzy but it also inspired me to think about how different (and still the very same) Mark would be without all the self-hatred and gender dysphoria and just facing common girl problems since birth. 

Competitive as hell

Guys probably hate being challenged and falling second to her because she rubs it in their faces

Still the smartest person in class with a "well actually" attitude

Gets into verbal conflicts when she calls people out on their bullshit (I mean, this is just canon except she'd control her emotions better)

Snappy, has a temper, flips people off on a daily basis (this would also be canon if the source material was aimed at older audiences)

Hates the “is it your time of the month” way people try to shut her up

Hell to handle on her actual bloody week, refuses to use meds (just out of stubbornness to handle it), will slap you with a used pad

Probably punched a guy before for being misogynist/homophobic/generally an asshole

Thinks she’s aroace until belated realisation she’s head over heels for David

GAY for David, brain shutdown noises

Still autistic and doesn’t bother masking

Still doesn’t like being touched unless she initiates it first

Still DMs of course and wears her cape to the creek

Is as theatrical as in canon but gags at the theatre kids because the teacher didn’t let her as a girl play the dragon in seventh grade

Fuck gender roles

Fuck beauty standards

Would probably be more embarrassed about liking mahou shoujo than canon Mark

Parents probably don’t understand her interests and wish she was girlier; get her pink princess presents that she has no use for 

Less socially inept but not really interested in making acquaintances aside Barry & David

I really like the idea that opposed to trans!Mark who wants to affirm her gender and be feminine, cisswap!Mark would push away from it as a way to establish herself and distance herself from the other girls, or just because she can't be bothered to put that effort into fitting the mold.

[shmorp-mcdurgen]

IT'S NOT LIKE HE EXACTLY. KNEW. BUT ALSO YEAH HE WASNT THE BEST. THERES REASONS FOR WHY HE WAS THE WAY HE WAS THOUGH, WE WILL GET TO THOSE. YOU HAVENT SEEN ALL OF WHY CESAR WAS THE WAY HE WAS.

fun fact. Home saw him as her son the moment he was brought home from the hospital. He's never truly been alone in that house. It's a scary thought to consider that. Yes it was wrong to deny Mark the way he did but would you really want to accept that you had always been watched?

Though.

Maybe he's forgetting something.

YEAHHHHHHH

Why would he think something was wrong? Why should he?

He doesn’t want to face that. Not now.

[fideidefenswhore]

anyways....when is boleyn, the musical coming out, again?

[sciderman]

song of the day (for peter parker)

i wish whoever was responsible for this song being the introduction to mcu peter parker was in charge of mcu peter parker because they’re the only guy who gets it

[freckliedan]

such a hard handshake emoji on the dans curves deeply impacting my gender front. you always just get it

anon this js us right now

[workathomemom13]

Furiosa’ Fires Up Cannes With 6-Minute Standing Ovation for Anya Taylor-Joy and Teary Chris Hemsworth

In a remarkable display of cinematic fervor, "Furiosa" ignited the Cannes Film Festival with an electrifying premiere that left audiences in awe and admiration. As the highly anticipated prequel to George Miller's iconic "Mad Max" series, "Furiosa" has been the subject of much anticipation and speculation. However, its unveiling at Cannes exceeded even the loftiest of expectations, earning a thunderous six-minute standing ovation and moving its stars, Anya Taylor-Joy and Chris Hemsworth, to tears.

The film, directed by George Miller and starring Taylor-Joy as the eponymous Furiosa and Hemsworth in a yet undisclosed role, promises to delve deep into the backstory of one of cinema's most enigmatic and beloved characters. Set in the dystopian world of the Wasteland, "Furiosa" takes audiences on a thrilling journey through a harsh and unforgiving landscape, where survival is a constant struggle and hope is a rare commodity.

The Cannes premiere offered a tantalizing glimpse into the world of "Furiosa," showcasing its breathtaking visuals, adrenaline-pumping action sequences, and gripping emotional depth. From the moment the lights dimmed and the opening credits rolled, it was clear that audiences were in for a cinematic experience unlike any other.

Anya Taylor-Joy's portrayal of Furiosa captivated audiences, with her fierce determination and steely resolve bringing the character to life in vivid detail. Taylor-Joy's performance was nothing short of mesmerizing, showcasing her range as an actress and solidifying her status as one of Hollywood's brightest talents.

Equally impressive was Chris Hemsworth's performance, which reportedly left the actor visibly moved during the film's emotional climax. While details about Hemsworth's character remain shrouded in mystery, his presence on screen was undeniable, adding depth and complexity to the film's narrative.

But perhaps the most unforgettable moment of the evening came during the film's conclusion, when the credits began to roll and the audience rose to their feet in a spontaneous display of appreciation and admiration. For six minutes, the theater echoed with thunderous applause and cheers, a testament to the film's undeniable impact and the talent of its cast and crew.

As the applause finally subsided and the lights came back on, it was clear that "Furiosa" had left an indelible mark on the Cannes Film Festival and the hearts of all who had the privilege of witnessing its premiere. With its captivating story, stunning visuals, and powerhouse performances, "Furiosa" has set the stage for what promises to be an unforgettable cinematic journey, one that will undoubtedly leave a lasting impression on audiences around the world.

[enhypen-scholarship]

NO CUZ WHY IS MARK'S HUMOR SO PETER PARKER CODED??? "okay steve jobs sit down" calm down mark lee‼️‼️😾

[ruskayas]

isn't yelena asexual or is that just a fandom hc

hello! yelena’s sexuality is never explicitly stated in the comics, and while i definitely understand where the notion of her being asexual comes from, i personally interpret it as a conglomeration of identity that she doesn’t even quite understand. in my opinion, yelena is not interested in sex enough to fully partake in it in occasion— but that doesn’t mean she isn’t curious & sometimes driven by lust (especially when it comes to natasha). if i had to state a label for her i suppose demisexuality fits best; but it still doesn’t cover her own struggles with intimacy. she is not comfortable with it, but neither appalled or disgusted. she’s a work in progress & doesn’t even care if she finds closure or not.

[ssspringroll]

He cleaned up nice

Didn't end up working as the townie i wanted him to be, but I'll never say no to a cute redhead. Even if we both know that's not his natural color.