#truly the worst thing to ever exist. i'm trying so hard to be chill about it but even after all this time it still gets to me. sigh.
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a/b/o is a hot, slash-enabling romance trope TO YOU. to me, it's dystopian body horror.
#truly the worst thing to ever exist. i'm trying so hard to be chill about it but even after all this time it still gets to me. sigh.#i'm not saying it should be banned or ppl who like it are evil or anything! i've tried to enjoy it as romance AND as horror but#it's just too disturbing. it's just pure nightmare fuel.#like it could be bearable to me (not that it matters lol) if it stayed firmly within the fanfic sphere. but it's leaking out so badly#and it's like i can't escape it lol. it's escaping the recesses of fanfic websites and (even more than it always has been) becoming#material for cis people lacking awareness of and sensitivity towards trans ppl and issues to spice up a m/m story#and that's actually maddening lol#i remember considering ranting about it to my therapist for a hot minute back in the day#but ultimately the last thing i want is to spread it further or to be made to talk about it haha#even posting about it now is making my skin crawl. but i figure that anyone on this website is already acquainted with it :}#this will probably be severely regretted and deleted eventually though#about me#mine#cw omegaverse#cw tag essay
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ok ok I'm insane and couldn't pick one so have two (no need to answer both if you don't want to)
âYou talk to him.â Not kindly, but he does.
âIâm used to him,â he shoots back. âIâm the only person who is.â
That makes Niki feel something, some uncomfortable tug in her chest. She mentally kicks herself. Itâs not jealousy, she reminds herself, because despite the near-cliff jumping and the long nights without food and the nuclear fallout that has punctuated her last few months, being jealous of Tommy would be the least reasonable thing sheâs allowed herself to be, maybe ever.
âYou donât believe me,â Tommy says flatly. âYou never - eugh.â He cuts himself off with another ragged sigh, running a hand down his face. âLook, Niki, itâs - we were all together in Pogtopia, right? But I was there first. With him. And you didnât see the start of it, it was horrible, and Iâm glad no one else saw the beginning of it either but it was still just so shit and he kept saying all these terrible things about Tubbo and Fundy and you and,â he takes a shaky breath, âthen, when I died, I saw him.â
Her breath catches in her throat.
Well, the voice in the back of her head whistles. If you were still wondering about all this afterlife bullshit, if you want to know where youâre going after your third life, here you go.
and
âYou didnât even - this isnât about LâManberg, Wilbur!â Niki shouts.
And then he stops, breathing hard, and he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to say.
âWhat else is there?â he asks.
Niki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut, her chest, her shoulders, chilled down to the bone. With slow-dawning horror, she can feel hot tears welling up behind her eyes, sitting in her throat, threatening to spill over into a sob. She swallows - to keep her cool, to stay calm, to keep it together -
And then, something in her chest just snaps.
âYou said youâd come back for me!â she cries, and her voice hitches on the lump of tears at the back of her throat and god, she sounds absolutely pathetic. Wilburâs face softens immediately, which somehow just makes her feel even worse. âIn Manberg. When Schlatt put me in prison, and you and Tommy were in Pogtopia, you said youâd break me out when it was safe. I waited for weeks , Wilbur. It was⌠it was horrible.â
âNikiâŚâ a kaleidoscope of emotions flicker across his face, and he seems unsure which to settle on. âWe got you out though, right? After the festival.â
âYou looked for the button first,â she says quietly, and he stills.
Her sniffling sounds embarrassingly loud against the quiet background of night.
thank you sm!!! iâm gonna put these under the cut because they got a little long sorry (tw for discussion of suicidal ideation)
to preface: tommy is kind of the accidental but incredibly necessary invisible support beam for niki and wilburâs making amends in bitter. niki cannot accept wilburâs actions and apology without first acknowledging her own actions and making steps towards an apology, because otherwise it kind of falls flat? in that ending scene niki finally gets what wilbur is feeling and wilbur finally gets that someone else knows how he feels (itâs not perfect 100% yet, butâŚ. thatâll get explored later)
onto the actual snippet! âtommy talks to wilbur - not kindly, but he doesâ was very important to me! tommy has stuck by wilbur ever since pogtopia, but the tragedy is that he is not equipped to deal with wilburâs issues, and it shows. wilburâs first stream after revival depicts this really clearly, where tommy tails wilbur around the whole time but insults him, is still stuck on calling him the villain, physically fights him at some point, etc. on one hand this isnât healthy but on the other hand tommy is actually around, which is more than can be said for basically any other ally wilbur has had on the dsmp, maybe excluding his dad, who literally killed him lmfao.
this whole issue is exacerbated by the fact that tommy believes that he is the only person who properly understands wilbur, the only person who gets what happened to him, and feels like wilbur is generally his burden to bear. he failed to stop wilbur from both 1. hurting other people and 2. killing himself after the pogtopia-manberg war - and he doesnât trust wilbur not to do either of those things again, so heâs stuck hovering around wilbur while wilbur is inadvertently setting off his own trauma and feeling responsible for any way he might fuck up and hating that but not wanting to leave. tommyâs memory isnât perfect and he isnât a perfect narrator, what he remembers from pogtopia the most were the scariest parts and thatâs understandable but it means heâs holding wilbur to the worst expectations of behaviour (and he does so very vocally). the others showed up later, sure, but in tommyâs eyes heâs the only one who saw wilburâs descent, and by the time they showed up wilbur had already changed irreversably. tommy tries to rationalise this by splitting the âdifferent wilbursâ apart from each other in his head (he does this in canon too - thereâs one quote from like late 2020 where he says he and tubbo need to keep on going for who wilbur used to be, not who he became, even though theyâre,, the same person), and no one challenges that perspective, so he just keeps doing it even though itâs not healthy for him or wilbur.
and then limbo happened and, oh geez, THAT didnât help jhfaskjjfsa
tommy is on a bit of a knife edge with niki in this fic. nikiâs in this state of âok, heâs annoying whatever, iâm moving onâ, but all tommy knows is that she tried to kill him that one time, disappeared off the face of the map, joined a book club with two people who definitely do not like him, and now is just acting weirdly mellow and polite. she is not someone he wants near wilbur bc what the fuck is she gonna do? what is he gonna do? who knows. heâs frustrated that niki doesnât seem to acknowledge how heâs feeling (especially bc once upon a time she would have been someone he trusted to acknowledge them - they were friends, they fought together) and heâs taking a big step by telling someone about his concerns here, especially bc tommy doesnât really like talking about them at all. he wouldnât be saying absolutely anything to niki if he didnât truly believe she should stay away from wilbur, even if heâs wrong about him. (sometimes i think i write tommy as a little too emotionally mature here but it all goes out the window when wilburâs brought up. idk if that balances it out)
ok onto niki: this is the first she has actually heard of limbo! sheâs only just come around to the fact that resurrection is possible at all. death is kind of a touchy subject for niki both in general and re: wilbur in the fic - sheâs coming off of a period in her life where suicidal ideation was, uh, a big thing (whether you want to read that into canon or not is subjective, thatâs just the angle i went with in this fic). the sudden existence of a life after death, miserable as it is - and whether she really believes in such a place, when it only exists in tommy and wilburâs words - that is a lot of information for her to absorb all at once. death is a weird connection point for tommy and niki here, coming right off of the fact that theyâve just acknowledged each other having those problems - tommy, out of, yknow, altruism, would very much like to keep niki out of that place, and niki is quietly reckoning with the fact that that is where she would have sent him. the concept of limbo from the perspective of a character with no experience of it, even secondhand, is so interesting to me like what kind of eldritch location would you feel like youâre living in asghjkl
(also - i gotta be honest the jealousy angle here but mostly when sheâs talking later about dream not deserving wilburâs companionship kinda came out after this post came across my dash while writing. whoops /j)
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fun fact, this is the very first snippet of bitter that i ever wrote! all the way back in may!! this is like the moment of the fic - it's where the miscommunication that niki and wilbur have been having is shattered entirely - and so sticking the landing was uhhh kinda important to me lol.
wilbur's entire being in this fic is basically consumed by L'Manberg - he equates his self worth to it entirely. in his eyes, everyone (rightfully) hates him because of what he did to L'Manberg, because L'Manberg was corrupted and he himself with it, etc. niki tries to tell herself this, and while it definitely does form part of her issues with him, it was the betrayal that causes her this much pain - that he seemingly brushed her and their friendship off entirely when he supposedly left her for dead in manberg. because here is what we as the audience know: wilbur couldnât leave niki in trouble when he heard her life was in danger, even when he was trying to find the button (pretty much the only thing he sees himself as having left at this point) and so he returned. here is what it looks like from nikiâs perspective: wilbur told her to wait in manberg until it was safe to come to pogtopia, laid the place with TNT, went to blow up the place, and only returned when he couldnât find the detonator (and then the first thing she saw him do in pogtopia was encourage the pit behaviour but thatâs not what weâre talking about asdfgh). that is massive miscommunication and itâs been brewing between them for months - to make a quirky little reference to the title, niki has been carrying that anger with her so long it's gone bitter. it was never just about lâmanberg with niki - not that anger, not her and wilburâs friendship (hence the little flashback earlier in the fic, bc nikiâs relationship to anarchism and statehood or statelessness juxtaposed with her friendships with wilbur and eret - she loves lâmanberg bc she loves wilbur, but she loves eret too and those national ties donât undermine that - is Real Interesting to me) - so when wilbur asks what else there could possibly be (because in his mind, what else could she have bothered staying around for?), she just fucking breaks.
âNiki freezes. Stock still, unable to move, unable to breathe, ice threading its way through her gut...with slow-dawning horror, she can feel hot tears welling up behind her eyesâ - prose discussion time! heat and cold are two big throughlines in this fic - particularly for niki, cold is what she is. admittedly when i started with it i mostly wanted to subvert hot = angry and cold = dead but i kinda ended up enjoying this take on it for what it is instead of just as a subversion (also i like the idea of revived people running hot, their bodies r working hard to keep em going). sheâs holding onto her feelings and refusing to deal with them, sheâs frozen over. descriptions of cold are key to nikiâs mental state throughout the fic - cold weight on her chest, feelings of frostbite when she and wilbur hug the first time, ice cold water during the dinner scene, waking up in the cold flat, etc. this was an attempt at describing a more visceral feeling of like, when youâre really mad and you can just feel the adrenaline running through your veins. always felt more cold than hot to me. when she starts to cry, the facade sheâs been putting on is finally thawing out and cracking the ice sheâs buried her feelings under. (also gives an excuse to write warm comforting hugs towards the end /hj). itâs a loss, itâs catharsis, itâs a whole mess.
and ofc this is all news to wilbur and he feels terrible, because as unintentional as it was, he really really hurt her - because the destruction of lâmanberg fucking sucked but above all else wilbur hurt the people he loved because they loved him so much and not in spite of it, because they cared about him so deeply and his death was a massive blow to them. this hasnât even dawned on him, because how could it? he respects deeply niki (lowkey respects her opinion more than his own at this point) so he has to listen, because itâs niki (âand he looks at Niki the same way he does whenever her voice is being drowned out in a crowd - the way he does when he wants to hear her, when he wants to know what she has to sayâ - because he does), and what she says fucking floors him. in his eyes, he failed her by putting her in danger and then by destroying her home - the idea that she valued him and their friendship so much flies entirely over his head until this moment, and he is forced to re-evaluate the mindset that has motivated him since⌠basically since pogtopia! the way i write wilbur is like⌠yes, heâs one of nikiâs closest friends and heâs more aware of her insecurities and issues than most (which is why he does always take the time to listen to her, etc) but he does over-idealise her a bit. tbf, i think he does to some extent with everyone (calling tubbo strong on the anniversary stream, for example). also the fact that he really wasnât around for nikiâs lowest moments as a character! he still thinks of her the way she was in lâmanberg - confident, steadfast, respected - and this moment shatters that for him as he realises exactly what effect he and his death had on her and everyone else, not just by his actions, but because they loved him and cared for him so deeply.
sorry that this got horrifically long!! and thank you so much for sending snippets in <3333
#ALSO SORRY THIS TOOK TWO WEEKS. LMFAO#asks#thespoonisvictory#dvd commentary#< i have successfully coerced a discord server into doing the dvd commentary on a regular basis and it is the BEST thing
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All the headcanons: 11, 12, 13
11) idk know about a sinful headcanon but my most deeply chaotic ones are all about how toph really just. is very grey in terms of morality and (especially at the beginning of her arc) only really looking out for herself. i truly do believe she doesn't have particularly strong opinions on the majority of their 'enemies' (e.g. didn't give a single fuck about zuko's dark past because he hasn't wronged her, only really thinks of azula as 'that girl i fought a couple times', and doesn't have much of a concept of ozai other than 'melon lord')
12) cute headcanon: u remember in the tales of ba sing se where katara is like "femininity is good toph have makeup and instagram self-care" (i know exactly what they were trying to go for but the whole thing makes me sick to my fucking stomach tbh). reverse of that. toph drags katara to the middle of nowhere like "you need to chill the fuck out so we're gonna cover ourselves on mud and wrestle because that's the real self care babey" basically i relate way too hard to toph and i Will project my relationship with gender on her
13) okay i got two for ya:
a) toph is like. deeply uncomfortable with the aftermath of the war. you know how ozai didn't die because aang wouldn't kill him. post-war toph and aang's character conflict is that toph cannot fucking abide azula's imprisonment in the asylum because it has all kinds of reflections of toph's childhood trauma written all over it. toph basically stomps her way through walls to avoid listening to any conversation about it because nothing humanises azula to her like thinking about how she's trapped hidden away on an island because she's shameful and being forced to behave in particular ways in an effort to "cure" her (toph baby u are protecting so hard but u are also right)
b) hot take but ursa played favourites even worse than ozai and i'm about to break down my deeply complex view of the fire nation royal family's interpersonal relationships to explain this.
so i believe that, at one point, ursa really did try with her marriage. yes, she was upset she didn't get a choice in the matter, but she's not the type to mope, so she gave it her best shot, and zuko was born. similarly, ozai didn't instantly hate zuko, he was just generally dismissive and barely noticed him. eventually, ozai decided zuko probably wasn't a firebender (or at least not good enough for him) and gave it another go. ursa didn't want another child. again. she didn't get much choice in the matter.
so azula is brought screaming into the world and immediately handed over to a random wetnurse because ursa can barely stand to look at her and ozai is far too busy to bother with her until she can firebend. so she spends the very important developmental stage being passed between various staff members who, try as they might, aren't the best equipped to deal with her.
she grows up.
zuko is mother's favourite. zuko gets hugs when he is sad. zuko gets to cry. zuko isn't scolded as harshly for the same things. zuko is the only person who ever seems to notice she exists in the first place.
azula starts firebending and zuko gets jealous. father looks happy in the worst way she has ever seen. mother is angrier than ever. azula gives up on her and chases her father's attention. she only seems to get it at the expense of zuko but he gets hugs so she thinks it's a fair trade-off and packages those feelings away where dad can't see them.
azula goes to school. she meets ty lee, whose parents are far too busy with her elder siblings, and azula understands. she meets mai, whose mother is never happy with the fact that she's a girl, and azula understands.
zuko is the eldest and zuko is a boy and that's just how these things work.
(azula is a monster.) (she doesn't know how that fits in yet but she will.)
mother disappears and suddenly azula is the favourite and, so sue her, she enjoys the turntables. she has always been better than zuko but now it's obvious and mother isn't there to make her worse for zuko's feelings.
ozai still only mentions her progress to belittle zuko, but she'll take what she can get. he's still the boy, after all, and everything is about the boys. she'll be in charge soon. she can fix it.
tl;dr: ursa pitted the kids against eachother just as much as ozai did.l
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