#trigun review

[gealachros]

Trigun in "Year in Review"

Ships

Anime & Manga

Web Celebs

[dardargnan]

original comic

[anime-grimmy-art]

It’s this time of the year again, folks. Time to wrap up the art Ive made in the last 12 months in another Year in Review! I’ve noticed that this is my fifth Year in Review in a row, so I’ll be making an extra post looking back on the progress in those last 5 years!

I've got a lot to say about this year, but purely art wise, I've gone all when it comes to comics, damn! I've kinda found a format that is messy, and therefore more time efficient, yet still looks good. I even made 2 animatics and lotsa shorts/reels! All that on top of opening coms twice, and, oh yeah, MAKING A WHOLE ASS 4MIN ANIMATION ON MY OWN.

How is my hand still alive.

2023 has been….interesting, to say the least. The first half year I was working on my thesis project, aka making an animated short all on my own (in the art department), which makes it honestly surprising how much I managed to churn out between animating. Trigun rly did have me in a choke hold.

Summer was a bit more spotty, esp. with me not being able to draw anything during August as I was writing my thesis (and doing commissions). And towards the end of the year, Kingdom Hearts tried to save me, but alas, Genshin Impact has finally sunk its teeth into me and dragged me to the bottom of the rabbit hole. It all started with me watching a story summary and lore videos while I was sick after my thesis and I was too intrigued to not dig deeper and well, first I fell in love with Kaeya and then the ships started dropping in left and right.

I’m not gonna lie, the last few months have been weird. I finished my masters in October, and have been on job hunt since, sadly without success so far. I’m existing in this weird limbo of still not grasping I’m not a student anymore after 18 years in education, not really being able to accept I’m an adult, yet desperately trying to find something so I can make a routine, cos rn Im too scared to build a rhythm as I know I’ll have a so much harder time readjusting again. It’s left me in a weird emotional state, where most of the time I feel fine, but when it counts, there’s just, nothing. No joy at getting my diploma, no anticipation to finally go to a convention again, neither any sadness hearing my grandfather died. It frustrates me that it extends to my art as well, there’s excitement over ideas and concepts, but no motivation to pick up the pencil, which makes me either not finish art at all or making so many shortcuts and just ending up with sth not satisfactory to me since it’s not the idea I sought after.

Tho, not everything is doom and gloom. I DID finish a whole ass short animation and got my masters degree, that IS sth to be proud of. Also, while Im struggling at drawing, I’ve also kinda started integrating my shortcuts into my style and some stuff I’ve thrown together actually turns out real good nowadays. Also, and this might be a bit of a weird one, I’m so fucking happy to know I can still enjoy gay ships. I’ve been a bit uncertain over the last few years because when I was around 16-18, I had a real big yaoi phase, which mostly came from the fact so much stuff came out that tickled my brain in the right way (Free, Haikyuu, etc.). But over the years, my enthusiasm died down, and I even started to resent some ships because it’s all some fandoms produced. I often found myself liking a hetero ship more than the popular gay ship, which really made me not wanna stick around because I did not care for most fanart and you can only go through a tag with art you don’t care about so long before you lose interest. I think in retrospect that it rly had nothing to do with the ships being gay ships but rather cos the fans just shoved it in your face when you didn’t care (and shipping culture nowadays also can get real scary). But I’m so happy to see I can still get obsessed with a ship and it’s all thanks to Haikaveh/Kavetham. It really just needed the right flavour for me to dig in again. And oh my god, I FINALLY like a ship with a SHIT TON of art and fanfictions, no more scrounging the crumbs from the bottom of the barrel. 

Anyways, enough lamenting. Here’s to hoping I can bite my tongue and get shit started properly in 2024, and that my brainrots may make me obsessed enough to churn out an obscene amount of fanart again.

[brucebocchi]

trigun is a show about how free jazz saxophone can inflict physical pain

[nanomooselet]

On Narrators

You know what, fuck it.

I've seen a lot of references to Trigun Stampede having an unreliable narrator, and unfortunately it's activated my media analyst trap card. While there's always a degree of interpretation to these things, there is a difference between interpretation and declaring a banana skin to be orange zest. It makes a difference, especially if you're trying to bake a cake.

That isn't at all what Trigun Stampede is doing. Among other things, it doesn't have a narrator.

Narration, loosely defined, is text (or spoken lines etc) that directly addresses an assumed audience, which may or may not be the actual audience (it depends on the needs of the story). Think voice-overs, think Kuzco in The Emperor's New Groove, think the text panels in a comic or manga that list time and location, or describe the situation. The song of humanity continues to be sung is narration. A narrator is the character who performs narration; sometimes from with the story, sometimes from a position adjacent to it.

Honestly one of the most interesting things about Stampede, in my opinion, is that it makes a point of having neither.

There's no framing device, no presenter, no announcer, no chorus, no soliloquy, not even an internal monologue. There's no direct line to the writers, giving away their intentions. Indeed, the imposition of any text at all is almost entirely absent, save some pointed timing on the title cards, and no character's voice is objective. Zazie or Roberto, who come the closest, can definitely still be wrong - Roberto says Vash is "not long for this world" when Vash is longer for the world than almost anyone else; the man he says would kill with a smile was in fact coerced into becoming a killer. Zazie knows much and is always truthful, but isn't all-knowing, nor operating with complete understanding. And on the other end of the scale you have characters like Dr. Conrad or Knives, where the easiest way to tell they're mistaken or lying is if their mouths are moving. (Outside of brain fuckery. Then you're on your own.) Then there's Vash, who doesn't lie, necessarily, so much as he doesn't volunteer the truth, and tends to dodge giving answers when asked outright.

Now, an unreliable narrator is metafictional, taking advantage of the narrator being a character, and therefore capable of having an agenda.

What makes them unreliable is that they exert motivated influence over what we see - even accidental influence like distorted recollection or misconception. But before declaring such influence is occurring, we need a solid reason to doubt. You don't dismiss an account as unreliable just because it doesn't line up with your own expectations or desires - not without something like a clear contradiction, perhaps, or some conspicuous omission. *

We simply have no reason to believe what we see in Trigun Stampede is anything other than the truth (inasmuch as it's obviously fictional of course). We see some events from multiple viewpoints - here is what Vash experienced, here is what Knives saw, here is what other characters are doing - and what one character sees isn't different from what any other character sees when the perspectives swap. It's just from different distances and angles. The same words are said, the same events play out, and the same reactions are demonstrated by the characters, according to their established values and motivations.

The narrative itself is unadorned and unchanged by their viewpoints. Whether a character is being truthful is simply a judgement you're given to make as the events that occur and their actions reveal more about them.

The term for this isn't narration; it's focalisation, and it's hardly some avant-garde artistic statement. It's intrinsic to telling even the most simple story.

For instance, the way Knives evolves from his initial presentation. His introduction as an adult is as a wrathful would-be god and a merciless killer before his more nuanced motivations and origins are slowly revealed. It would have been different if he'd been introduced first, discovered Tesla and was then depicted destroying Jeneora Rock. He'd come across as more of a protagonist. Instead, because the central character is Vash, we see him first, the humanising struggles of Jeneora Rock's people and Vash's efforts to help them, his anguish when it's rendered moot, and all the ways he suffers as a result of Knives's actions. This is focalisation that makes Knives the antagonist, representing what Vash must overcome. A complex, compelling and perhaps tragic antagonist, but still - not the guy the story is about.

Oh, and that has nothing to do with their respective moral positions, good or evil. It's structural. A protagonist attempts to achieve while an antagonist obstructs, and both by nature will transgress.

Stampede isn't exactly free of ways to manipulate sympathy, and exerts strict control over the perspectives it presents. You could argue it misdirects, or lies by omission - but that's not the same as an unreliable narrator. A narrative is always going to impose some kind of order on events to produce a specific effect, and that does come with bias. But it's the nature of storytelling never to be entirely objective.

I'm not sure that I really have a point, honestly, except that Trigun Stampede is a show that's exceedingly careful to show the characters exactly as they are. It doesn't lie. Personally, I find that more interesting to contemplate than the alternative. We have everything we need to know why the characters do as they do. Certainly far more than some would rather have us know.

* There are two times I think something like this is happening. One is Wolfwood's flashbacks to the orphanage, which are coloured as memories of the softness the Eye ripped away from him. Hence the different art style, and the title of the episode they occur in: once upon a time. It's a fairy tale, more emotionally true than literal to highlight the harshness of his life since then by contrast. There's likely more to that story than Wolfwood is recalling at that moment.

The other, big surprise, is within the memory world. It has manipulative editing, clips taken out of context, video noise, ADR, everything. All you'd need to make it more obvious it can't be trusted is a disclaimer in the corner or inconsistent timestamps or something.

[veilder]

Whoa! Not all three Trigun series making it onto Tumblr’s Year in Review?! Trigun: Stampede at 7 in anime/manga, Trigun: Maximum at 21, and Trigun ‘98 at 42! :D (Anime/Manga rankings here.)

(And also Vashwood making it to *number 11* on the top 100 ships list?!?! It’s not my thing, but hot damn! O_o) (Ship rankings here.)

Hell yeah, way to go Trigun fans! We are winning so much. XD

[doctor-croctor]

Today, I watched the first four episodes of Trigun Stampede.

Let me first say that I've been a huge fan of the original Trigun Anime since I saw it late at night on either Adult Swim or Toonami, i read the four volumes of the Trigun Manga that my school had and that (Along with DragonBall and Rave Master) are what got me into Manga in the first place.

I am still uncertain of this show, but it is almost in a good way. Vash's character maintains the heart of his goofball antics, and genuinely makes me believe that this world was made for love and peace, at least through his eyes. The art is amazingly and expressive, I like his design, but feel that the glasses are a bit too big, but that also reflects his more wide-eyed personality.

As for Meryl, I actually am enjoying her characterization as a newbie reporter. It allows her to make more mistakes than as the straight man insurance representative. Her back and forth with Roberto, her accompanying veteran reporter, is enjoyable and is great for guiding us through her character arc. Meryl was, along with Misty from Pokémon, basically the character definition of Tomboy, so I'm still at odds with her seeming to lose that aspect of her character, but her compassion is more than noteworthy to keep me invested.

(Below contains spoilers, so click more at your own risk)

I was very surprised when Vash managed to get through to Papa Nebraska, who, in his other characterizations, we never got a deeper sense for his personality. Here, he is still the criminal genius to the brawn of his much more appropriately sozed son, Cozien, but he is constantly putting down Cozien's intelligence while protecting him in an oddly heartwarming way, i love that they managed to expand his characterization while staying unabashedly himself. I quickly believed he could change when Vash brought up helping him and his son, which is something I think neither prior version of vash would have been able to do. Then E.G. Buggy... wait... no... that's not right.

Then E.G.Mine comes in, (nailed it), and Cozien is killed in the first explosion, I was shocked to say the least, but with his death I immediately felt heartbroken for Papa Nebraska, a character who three hours ago I would have never been heart broken for mind you.

I think I'll cut my review of the other characters and villians out for now and come back after ive seen more.

I am definitely enjoying it more than I thought I would after seeing the new design for Vash. The animation is great, the opening is I almost want to say iconic, but the music throughout doesn't drip with that aesthetic I love from the original show. And if that's my main nitpick so far it's doing pretty good.

My only question is, where on Gunsmoke is Best-Girl Stun Gun Millie Thompson?!?

[This post is gonna cost you all 20,000$$, so everybody better pitch in to pay the undertaker]

<Please no spoilers till I've replied to myself with more>

[mickules]

Changing of the Guard

---

I do find a lot of joy in adaptation. In seeing new eyes interpret concepts that I've fallen in love with. Sometimes it's a whole new chapter for me to adore, and sometimes it's just not for me.

Stampede so far has fallen more into the latter category for me, which is a shame, because on a technical level - it is outstanding.

Studio Orange have put an enormous amount of effort into the character body and face animations, the cinematography, lighting, character and landscape designs - their passion for their craft is obvious, and their skill with CG undeniable.

But I'm afraid the same can't be said for the pacing and the writing. Trigun has so many interesting themes and conflicts, character dynamics and motivations that Stampede just hasn't had the breathing room so far to explore, and that has left me wanting.

It's certainly not the FMA:Brotherhood style manga faithful adaptation I might have hoped for.

But it is still early days and I've a lifetime of nostalgia for the original versions to colour my opinion.

At the very least, I'm just pleased that Trigun, a series that against all odds found an audience despite not having much homegrown appeal, is still finding new fans through this new series.

Love and Peace

[animereviewsbykyranskye]

My current top 15 Anime and why

Because why the fuck not. I'm doing top 15 so that I have some variety behind it. Otherwise I would just be gushing non stop XD

Apparently numbers go big now - AND THEY GO SMALLER IF YOU TRY TO TYPE IN THE SAME LINE AS THEM???

comparison:

15

15 -

DA HECK????

(Edit: I was going to colour all the numbers because I wanted a rainbow. WHY THE FUCK FOR THEY CHANGE TO SMALL WHEN YOU COLOUR THEM??????)

Guess the titles of the anime get a small heading. Anyways. Onto the actual list!

15

Technoroid OVERMIND

Ayo. Starting out with a really random one. So if anyone were to look at my Anilist then they might be a bit confused. I decided I'd keep movies out of here as well as anything I haven't specifically finished. Also takt op. Destiny needs a re evaluation.

Anyways. This premise is so sick and I feel like they managed it really well. The characters were all really fun and the music was fantastic which is honestly the most important thing about Idol shows. I really like idol shows but often struggle with the stupid drama in them that just leads to seasons upon seasons that didn't need to happen or wouldn't actually happen.

In this they're just androids. The fantasy twist works so well for the genre and I honestly don't know why it isn't done more often. This way they can bullshit the drama and it actually makes sense.

Honestly my favourite character was Kite. He was great and his voice always gave me shivers. Especially his piece in the closing. Damn.

I don't want to go into full reviews with this, rather just gushing about things I like and stuff. I really don't think this got the recognition it deserves - probably because of it's deviation from the norm - but it would be cool to get some sort of sequel.

(Edit: There's a manga releasing apparently. Imma check that out.)

14

UniteUp!

Continuing on with the trend of idol animes apparently. UniteUp! was so good. As I mentioned in my Reviews while I watch of the show, it felt so grounded and real that other idol shows just don't seem to capture. These were all real people with real problems dealing with real life.

I also like how we had such a large cast of characters but it never really felt overwhelming as they focused on group dynamics and specific individuals rather than trying to cram every single person into their own arcs.

Once again the music was fantastic and by god was this show pretty gay. Honestly I don't know what the sentiments of others are, but the Anela duo definitely weren't straight and neither were Akira and Daiki. That bath scene says it all.

Anyways. If you want a fun time with a really solid idol anime, please check it out. I saw earlier that we're getting a season two soon. I am so looking forward to it.

13

Trigun Stampede

Damn! I don't even know what to really say about this one. The visuals are absolutely stunning - there is no doubt about that. The score and the characters are excellent. And how dare they leave us on that cliff hanger.

I have absolutely no history with this story and still need to watch and read the originally but I am really looking forward to seeing how the story adapts between the three.

You can ask my partner. I've already said we're watching everything trigun related as soon as we are done with our current show.

I'm really looking forward to season two. And especially seeing how this all pans out. Apparently there will be tears according to the fandom. Concern.

12

Re-main

Damn this show came out of nowhere for me. I watched it quite awhile ago and have been meaning to rewatch it again.

The premise is definitely a sports anime but honestly so different. All because of one thing. The fact that he is an amnesiac is such a fascinating concept to work with - especially with how he was before (trying not to spoil - can't remember when this comes up in the anime)

And then the ending?? Damn. They seriously set up that cliff hanger and I really hope this show gets a sequel.

I really can't say too much about it without giving away some spoilers but damn does it change up the formula and do it so fucking well.

11

Given

Given is great. Such a pure but heartbreaking portrayal of love on one side with such conflicting but also nurturing views on the other. Having the different realtionships throughout this is really well done how they all bounce off of each other. Especially when they entertwine it with the music.

As it is said. That is how they communicate - through the music.

I'm busy catching up with the manga and really hope the anime continues with it.

Also the fucking is just fucking gorgeous. It has no write to hit you that hard.

Also - something else that shouldn't be allowed to hit you that hard. Damn Mafuyu has had a difficult past. We love how he learns to heal and grow with Uenoyama at his side.

Anyways, moving on.

10

Bakuten!!

Okay. Who said a sports anime could be this pretty.

I love the art style and the music throughout all of this. I love the portayal and the evolution of these character - seriously all their arcs are great. The interactions of the team is so tangible and real.

I watch a lot of sports anime and I often struggle with some of the drama used within the sports - it feels like the only thing that ever fuels the story is the matches. Whereas in Bakuten - the character seriously fuel the story. You can understand their motivations much more than just - I want to play this sport and be the best!

I also feel like they really captured everything really well in the movie. The whole concept of wanting to sore is great and really well executed.

I also love the interactions they have with the other team. It's not just a once off competition or practice match that they face each other. We actually get tangible characters for the whole team and see how much they two teams are similar to one another. It's a very healthy rivalry that isn't normally this expanded on in sports anime.

9

Sasaki and Miyano

Yesssssss. These two are just absolutely amazing. Their whole story arc and relationship is just tooth rottingly sweet. They bounce off of each other so well.

And I love the fact of how slow the actual story is. They meet at the start of Miyanos first year (from what I know - I still need to read the novels) and sasaki's second and they only end up confessing just before graduation happens. It really plays out well and is so healthy.

There is no problematic elements like in so many BL stories which is such a breath of fresh air. And the fact that sasaki is very specific about making sure to maintain boundaries to ensure that miyano is comfortable is also excellent.

On a slightly different note - I still need to see the Hirano and Kagiura movie. Been dying to watch it. I've been keeping up to date with both manga and both of these stories are amazing. I love the dichotomy of the two stories and how they are coming to their own realisations of their feelings in honestly very different ways.

I also recently watched the dub of the anime due to some videos on tiktok. Fucking hell it is absolutely hilarious. Kellen Goff as Sasaki has no reason for being that good. Seriously. Damn.

8

Link Click

On a completely different note. Damn this one makes you questions your own morals and reality as you know it.

I really don't want to get into this one much as I do believe watching it blind is the best way to go.

The art style is fantastic and that opening hits like a truck it is so good. The characters just click (pun not intended) and you just understand their motivations and don't know which side to side with most of the time. It brings about such high moral dilemmas that will seriously mess with your brain sometimes and there is one episode that will likely make you cry.

Anyways. Season 2 has just started airing and I am so ready for it.

7

Buddy Daddies

Why did a show about two queer platonic dudes who adopt a child while beings assassins hit so damn hard.

The show jumps between episodes with backstory and episodes with them just being good dads and it is balanced so well. This anime won't end up getting a sequel most likely with how it ended but damn I wouldn't say no to one.

Rei is my favourite character and I relate to him far too much. His interactions with the world are so fascinating and his whole arc with Miri is honestly some of the best media I've seen.

I absolutely loved watching this show weekly and it always brightened up my day when I realised a new episode would be up.

If you would like further thoughts on this one then check the Reviews while I watch on it for more chaos.

6

No Game No Life

So. This was the first ever anime that I ever watched. It was a random recomendation from a friend. Look at where we are today.

This show is honestly just so fun. The characters are silly and the whole plot is just absolute chaos. I really enjoy the games aspect and how it was all incorporated into the world.

I can't even really say much about it. It is just a guilty pleasure of mine and will always hold a special place in my heart.

Also. Please can it just get a second season already.

5

Assassination Classroom

So. Unlike everything else on the list - this one I only finished really recently. My partner and I were watching it together. And to put it out there straight away. I cried. That ending was far too emotional.

I really enjoyed the humour throughout the whole thing as well as the constant underlying dread of the whole situation.

They also really played out Koro-senseis backstory really well. The teasing to it was excellent. I must say though that one of the twists seriously came out of left field. Like damn.

I've just recently bought the boxset and am reading through the manga. Once again. It's absolutely amazing.

Also the openings of them all jumping are absolutely fucking hilarious and you can't tell me otherwise.

If you want to know what officially sold me on the show was just in the first episode. (Note we watched in dub)

Don't ask me why but I found this to be the most hilarious thing ever. The absurdity and the line delivery was magnificent. I annoy my partner by quoting it atleast once a day.

4

Life Lessons with Uramichi Oniisan

Speaking of comedies. This show has no right to be this good. The absudist dead pan comedy in the middle of whats meant to be a TV show is such a random premise but just works so well.

Due to the nature of the show, the characters are extremely relateable. I especially love Kumatani and Kikaku.

If your on the same side of anime tiktok that I am then you have definitely seen/heard snippets of the dub.

I think this was the first anime that I originally watched in sub and then tried it in dub and actually enjoyed it. (I often find that whatever I originally watched it in is the only one I can watch it in - it's very difficult for me to change it)

The voice acting on both sides just works perfectly for the show. And that final episode and how they did it was the best thing ever.

Please just give it a try.

3

Angel Beats

Okay. Time for a hard hitter. This comedy like assassintaion classroom is fucking excellent but will make you cry, like damn.

In complete and utter contrast to No game no life, this was the second anime I had ever watched. I had found a video that gave some suggestions and thought I would give this one a try. When I say it destoryed me, I mean it literally. I constantly think about the end of this and I absolutely love revisiting it.

The twist and turns along the way are fascinating and I love how each one alters the characters and the narrative. Each of the characters feel unique - even the lesser developed side characters - with fascinating and complex backstories.

The whole thing just makes you question your own place in life.

2

Moriarty the Patriot

Another one I just randomly tried because I saw a video on tiktok. The first episode immediately pulled me in. I thought it was just going to be some simple detective story (At the time I didn't know much about Sherlock Holmes and who Moriaty was so I didn't have any of that to guide me into this story.) But nope.

I keep saying this but in this one I really mean it. The characters are built so well. The dichotomy between William and Sherlock - as the fandom would probably agree - is just amazing. How they bounce off of each other - i don't even know how to really descirbe it.

Honestly just go watch it.

And if you enjoyed the anime - please go check out the manga too. If the anime was done well - then the manga is done to lamost perfection.

This show was what got me into reading and then eventually buying manga. I now have every single one that is out.

1

Yuri!!! on ICE

Did I make the title gay? Yes.

Okayyyyy. This is just going to be me going on about how much I love this show. Bare with me.

So I was in an anime watching slump just before I picked up this show. I had been seeing some videos popping up talking about it and decided to give it a try (this was in 2020)

I immediately fell in love with this show. Literally everything about it. I ended up rewatching it three times over the course of a week. It got to a point where I was so upset that there wasn't more content for it that I just cried for half a day. (Ask my partner - it was chaos)

This show is the reason I now read fanfiction - all because I found a way to technically have more content for it.

This show holds such an important place in my heart that I sincerely cannot express it properly.

If you've never watched it - go give it a try. It would mean a lot - and hopefully one day we might get a season two.

----

Thanks for reading, if you managed to get to this point. I find it interesting how my explanations managed to slowly get shorter throughout the list as I just started becoming more emotional than factual.

I hope you enjoyed it and maybe grabbed a recommendation or two. If you'd like to know more or hear me ramble on more about anything in particular then please let me know.

[revenantghost]

[omgtatercat]

TaterCat Reviews: Trigun Maximum vol. 6 "The Gunslinger" by Yasuhiro Nig...

[chibivesicle]

Trigun Stampede - Episode 6 - Wolfwood’s tragic backstory, now? Eeeehh?

Episode 6 dropped yesterday and I had only enough time to watch but not anything else.  After watching it, I just felt meh wringing my hands about how when I first heard about the reboot at Anime Expo last summer I was so stoked for a more through Trigun anime.  And we get this version from Studio Orange which I really wanted to be an enjoyable watch - buuuuuut - meh.  You’re killing me Studio Orange.

Since I didn’t have time to get to it yesterday, I pestered my good meta friend Merdopseudo to see what she thought as well, so I’ll be highlighting some of her points here as well since she’s great at catching things I miss or summarizing well.  As indicated by my summary title, I’m quite confused why they decided to lead with Wolfwood’s even more tragic backstory in this version of Trigun than in the manga.

We start off the episode with a fleeing masked member of the Eye of Michael (though they haven’t been named yet) who tries to kill Wolfwood and fails as he destroys the man.

We get even red eyes as he lines up his aim before the man dies.  And he’s wearing his sunglasses even at night!  Wow, maximum badass.  Why? Wolfwood needs to be a maximum badass, that’s why. Furthermore, so many scenes in this anime seem to feature full moons all the time.  Just an observation.

After the opening we return to the quartet in the November News Bureau SUV.  In the backseat, Vash and Wolfwood are pouting over something and Meryl jokingly asks if they are having a spat over candy.

This line feels like it was delivered in poor taste.  I get she’s trying to defuse the situation but are we to think this is due to Wolfwood shooting Rollo - last night?  Or a few days prior?  What is our pacing? What day of the week is it?  How much time has passed?  Any clue would help us out here Studio Orange.  I’m going to take the easiest option and say that they are pouting about the fact that Wolfwood killed Rollo - last night.

Roberto then suggested that they need to finish their job.  This would mean abandoning the SUV and taking the Sandsteamer to July and I guess check in with a Bureau office there?

He’s clear that he wants Meryl to take the steamer but it was vague if he was going to go with her or if he wanted her to take it for safety. Uncle info dump isn’t info dumping this episode much.

They end up separating from Vash and Wolfwood who both board the Sandsteamer.   Wolfwood gives Vash shit for seeming to have no emotional connection to Meryl and Roberto - which really it a valid reply.  It hasn’t been that many days that Vash has known them.

It has been even less time for Wolfwood to know Vash and he’s sticking to him like crazy glue, again being an ass.  Honestly, there is NO chemistry between Vash and Wolfwood in this version, Vash runs and tries to not kill people and Wolfwood gives him shit and kills people.

Meanwhile, Meryl is working hard to convince Roberto that they need to continue to track the Humanoid Typhoon.  Interestingly, that she doesn’t call him Vash, but by his destructive nickname here.  She pulls out the photo with young Rollo asking Roberto if he’s scared.

We don’t get a clear answer from Roberto if he’s actually afraid - I felt he isn’t afraid of Vash per se, but instead realizes that his youthful appearance is some sort of indication that dangerous stuff surrounds him.  More that he wants to avoid Vash out of a sense of - I dunno - not dying.  This episode will frequently use the word monster to describe Wolfwood a lot and Vash as well.  This is the writers trying to get us to connect the two of them and make us feel that they should be friends and a dynamic duo - which they aren’t currently.

We see people at the Ferry Terminal waving to those on the steamer which in this version is called the Humpback.  Interesting shift, as in the original the Sandsteamer was known as the Flourish and was a Humpback class.

In other versions, children were excited when it came, being Sandsteamer nerds.  I’ve been following too many historical sewing/clothing youtubers for the past few years and I keep getting vibes that the clothing for normal people in this sci fi series is more 1910s-1920s and not late 19th century western dress.  The boater hats, suspenders, knickers, newsboy caps, lack of women with bustle action etc.  I know it is a future sci fi series, but it does seem that they tried to modernize the clothing to at least be early 20th century to fit the sci fi vibe more.

On the steamer there is a route map telling use they are leaving the Terminal - which literally is just a single terminal in the desert?  What?  Ports develop around such locations but this is just a terminal. 

It is also hilarious that the Terminal starts somewhere in ‘Central America’ crosses part of the Great Sand Ocean, there is the Hopeland Orphanage in ‘Africa’ stops West of ‘India’ and then loops around ‘Australia’ only to reach July in ‘Southern China’.  Really guys, you just took a world map and smooshed and distorted the proportions.  We also get to see a tall man with the modified Zia-Cross symbol of the Eye of Michael in Stampede. 

Back when I first saw the early previews, I caught a glimpse of what was his back in an action shot and my first thought was - what? Are they using a Zia in the anime when it has some important symbolic meanings?

Stampede has been clear it has shifted very far away from the Christian aspects of the original work.  Since this is based on a Western style anime/manga we get this mixed vague symbol which I’m certain is a visual hybrid with the Zia.  If one were to travel through the Southwest as a tourist, you would inevitably see a Zia in some form with the most obvious being that of the New Mexico state flag.  The flag is yellow with the red Zia in the center representing the Zia sun symbol.  This symbol originated from the Zia Pueblo but has come to include more Pueblo groups, Hispanic native New Mexicans to just New Mexicans.  You live in New Mexico?  Lots of government documents, logos and all sorts of stuff will have a Zia symbol.

A simple way to summarize it is that it captures New Mexico culture - for example a cycling racing team is known as Zia Velo and they represent southern New Mexico.  However, if the Zia is applied out of a New Mexico/Pueblo context things get stickier.  I also think with a Japanese audience, a symbol which is built on groups of four wouldn’t work for the viewers so they took elements of the Zia from a Southwest inspired image board and called it good.  Four is the number of death for East Asians versus for the Zia, four is a scared number that captures key elements of life.

Anyhoo, I got distracted by the interesting looking symbol for the religious group on our desert planet.

Vash finally gets around to directly asking Wolfwood what his job is and he replies that he’s babysitting him. From Wolfwood we can understand that it is his ‘job’ to make sure Vash gets somewhere.  Or at least those are the orders that Wolfwood has.

Their conversation doesn’t get very far since Livio appears on the scene almost immediately and shoots at both of them.  We have a much more clean cut and slick looking Livio with a slim build and his two smaller guns along with a modification on his face and a mechanical sounding eye.

Vash fights back and it able to get close enough to fire at point blank range, but of course doesn’t.    We know he doesn’t want to pull that trigger, but it seems none of his modified opponents could care if they are in a tight spot.

It takes a little bit of time for Wolfwood to recognize who this man is and it ends with him asking if he is Livio before the title screen flashes. 

The anime then takes a shift to a 2D style of animation with silent film style titles showing how Livio came to the orphanage and Wolfwood was the longer taking care of the ostriches.

As Livio settles in, Wolfwood becomes his friend trying to get the crybaby to stop feeling sad at missing his parents.  He gets him to help out in the bird pen, and there is a cute sequence of them becoming childhood friends.

Older Wolfwood, tries smoking like an adult all cool and shares it with Livio who coughs.  We get a close up of Wolfwood running off with Livio hand in hand where in this flashback Wolfwood has a much darker skin tone in contrast to Livio being exceptionally pale.

We get it, there was a time when Wolfwood was cute and he was friends with Livio.   The flashback goes back to the present and Meryl and Roberto chasing after the sandsteamer when the Bad Lads gang shows up on sand sail boats.

They are taking this idea of the Great Sand Ocean quite literally and I don’t know how I feel about this.  I’m still wondering why it even exists but this is a sci fi desert series paying homage to lots of other sci fi desert tropes.

Interestingly, we have no idea if the Bad Lads Gang have taken Meryl and Roberto hostage, just that they’ve been surrounded.  I also guess there will be no scene with Kaite, the son of the chief engineer of the original Flourish.

Wolfwood’s flashback continues that he’s been selected as a ‘Child of Blessing’ just like Rollo by mysterious church.

There is a weird psychedelic flashback were Wolfwood is a test subject and shows S+ levels of possibilities.  This is clearly a term added for the Japanese audience as the States does not have this type of ranking which is a trope specific to Japanese media.

The original Trigun did not make references to S+ and I honestly don’t remember the term coming up in Trimax either.  We get that Wolfwood is subjected to all sorts of crazy stuff and due to his response to the treatments he’s a good candidate for furthering efforts.  Just like the breakneck pace of the anime, his own physical development is rapidly accelerated - much more so than with the manga.

We still don’t have a clear timeline, but if he’s ten or eleven at the start, but he’s I dunno twelve now?  As the original anime put it, he was taken in as a child and trained by Chapel the Evergreen for ten years before striking out on his own for an unclear amount of time making his age over twenty.  The manga has the unclear timeline where you’d think he was around twenty at the end, but maybe seventeen.   Either way, manga and ‘98 anime Wolfwoods were more emotionally mature and had seen things.   This version of Wolfwood might be a super-powered twelve year old for all we know. Which I am not a huge fan of this angle.

For fun he’s stuck on an inverted cross examine room table and called a monster for emphasis. Yeah, let’s slap some basic Christian imagery down but it has no meaning since that’s been cut out in this version.

Of course, being likely only twelve, he tries to escape his now adult form declaring he’s returning to the orphanage before getting caught.

As I stated previously, I wasn’t a huge fan of younger Wolfwood in the manga since it has a character disconnect where he had this world weariness that did not match his age nor life experience.  But I could forgive that a little since we saw him as an older teen training under Chapel.  Now, he’s a man with a child’s mind.  Yeah.

With his attempted escape, he is only stopped by Legato.  This is another huge deviation from the anime and manga since Legato doesn’t even know what ‘Chapel’ looks like in the manga.

Their first encounter was at the Church at Jeneora Rock and the assembly of most of the Gung-ho Guns.  In contrast, he’s immediately on guard since Vash told him about the strange and dangerous man he’d encountered on the bus to May city/Augusta.

For the sake of oversimplifying the plot, something that Merdopseudo and I had been predicting, Legato is the one who reveals that all things lead to Knives.  The Eye of Michael is not an independent organization!  It is all a part of Knives noble plan for the the future.  This is lazy writing.  The whole regenerative capsules and religious assassin organization were independent of Knives and only worked with him due to a shared goal of sorts.  Legato tells Wolfwood he’s been signed up for the Eye of Michael.

And apparently, since Wolfwood still has willpower to fight Legato, it makes him unique and declares that he doesn’t believe in any god.

Wolfwood has gone from being a flawed, trapped principled man with some sort of religious core to an atheist.  Okaaaaaaay Studio Orange - not sure where you are going with this at all. 

Legato brings in Livio who wanted to join Wolfwood and it is clear at the moment that Livio’s backstory has been completely retconned and he’s the younger brother character for Wolfwood to worry about.

Legato comes off as bizarrely cold and unemotional in this version.  In the anime he was a man clearly bent on a dark and destructive agenda, but I would not call him unemotional.  If anything Legato had a huge amount of pretentious pride in his nihilism.  It was a defining feature of his character and in the manga his intense emotions and nihilistic tendencies were even more over the top. 

This Legato - just a cold blooded robot.  Conrad shows up with his own Project Seeds jacket in white, symbolic of his role as a staff scientist.  It also has me wondering how old he is in this version.  Our Doctor has to stop Legato from killing the promising young Nicholas for the greater goals.

The flashback ends and Vash and Wolfwood are arguing again as Vash is interfering wanting to help.

Vash managed to pin down Livio in a rather smooth action sequence with lots of empty shells bouncing around as he tries to figure out what is up when he calls out Wolfwood’s name.

This catches Livio’s attention who says that he needs to catch up [to Wolfwood] and easily launches Vash off into the air while Wolfwood randomly declares that he can’t let the two of them kill each other.

So, when did you become friends with Vash, Wolfwood?  You only showed up in episode four and here in six you are his friend?  You’ve had no bonding!  There was no foray into the desert to rescue a child or bus ride.  No tournament or situation with a runaway kid where your philosophies aligned and clashed.  You haven’t gotten drunk together.

But hey, we now have Wolfwood’s flashback and we know he cares about Livio his adoptive younger brother who can’t kill his other friend Vash. This. Does. Not. Work.  I see two random men in sunglasses who just argue with each other.

Zazie the Beast and Livio approach the Sandsteamer as Legato reads the ‘bible’ of the local religion and the two characters mock Wolfwood and his pinch.  Legato has decided emotions are for losers and Wolfwood has those pesky emotions!

We get it, Wolfwood is different and you are having fun watching him suffer.

They drive close enough to the Sandsteamer that Legato is able to stop an internal mechanism inside the the locomotive that causes it to veer off course.  It seems that Legato has leveled up in his own abilities instead of manipulating people to do things against their will.

I guess Legato is officially an ESPer instead to make him easier to understand.  I will miss that manga scene with the transport truck and the Calvary and the blood dripping onto the sand below. 

By diverting the steamer, it now is on a collision course with the Orphanage - which is apparently the entire town?  This is as confusing as the Terminal being a Terminal alone.

At the same time the Bad Lads Gang have appeared.  And with our simplified plot we know - they were brought here by Knives.

Why do Legato and Zazie the Beast care what Wolfwood does next?  If they see themselves above human emotions why do they care at all?

And with that the episode ends on a cliffhanger. 

We will learn in episode seven what happened to Meryl and Roberto and perhaps the man himself will appear.  B.D.N. that is!

My immediate reaction to this episode -

Wolfwood’s backstory was way too soooooon!  Far too soon!  Was this even earned Studio Orange?

For a few points, I’m going to tap some of my conversation from my good meta friend Merdopseudo.

1.) A good stand alone episode.  Technically, and by itself this was a good episode.  Merdo points out it is fine as an episode but its structure is also its weakness, indicative of the issues that have plagued the series.  Where does this fit in the overall structure of the story?  What purpose does it serve in advancing the plot?  The episode is fine.  You can watch it and be entertained.

2.) Wolfwood’s backstory is unearned.  We get Wolfwood’s tragic backstory far to early into the plot.  He appeared two episodes ago, seems to be a dude who is rude and will kill if necessary.  We don’t know what it at stake for him.  What does he do normally?  Where is his moral compass?  What is he doing in this whole mess.  Why do we even care?  Right now, Wolfwood is a kid with a big fucking gun and apparently had a friend named Livio.  The found brothers trope also falls flat despite the technically excellent 2D silent film flashback.  The backstory in this episode is just ‘put there’ in an attempt to humanize this version of Wolfwood.

3.) Vash and Wolfwood are not friends. Yep, I will continue to say this.  They are not friends.  Wolfwood is an annoying guy following Vash around because those are his orders.  They have not bonded in their adventures, nor have they argued about how to act.  They both jumped into save a girl, rode the bus to May city/Augusta.  They in the anime had more bonding at the competition and fought over the rights of the individual versus the rights of the collective.  In the manga the bonding is a bit later but still happens over several volumes and Wolfwood gets tied into Vash’s heroic antics from time to time.

4.) The pacing is paradoxical.  This is Merdopseudo’s best point.  With the predicted 12-13 episodes, this story needed tight-super tight plot beats.  Instead, individual episodes are slow while the combined episodes are rapid leading to this disconnect.  This is the best highlight of the writing problems that have plagued this series from the start.

This ties into what I have also been most critical of - the pacing.  There is no room to breathe between episodes yet, certain episodes linger and waste time on things which are unnecessary.  This is a lot of the CGI scenes of how E.G. drove his wheel or how Rollo was watching Vash dodge and stuff like that.  Or the man with the lights guiding the Sandsteamer out of port.  Just lots of strange shots that visually look cool but don’t help the story.

Which gets back to Merdo’s theory that this is all just a demo for Studio Orange for future projects and investors.

And as this continues, I become more pessimistic that this indeed is the purpose of Trigun Stampede.  Studio Orange took on Stampede because it was a low risk project.  They updated the look for a more modern audience and don’t have to worry about upsetting the original fans of the anime or manga since it was domestically a flop and obscure.  Clean it up with characters that are for the domestic audience, simplify the plot beyond recognition and make it dazzling to the eyes.  It is only 12-13 episodes, it will pull in better projects in the future.

Studio Orange isn’t going to care about the non-Japanese, specifically very likely vocal American fanbase.  We aren’t there buying the new merch at Animate. Hell, it is currently and annoyingly out of print with Darkhorse here in North America.  Why keep all the elements that made it a smash hit elsewhere?  It doesn’t help their bottom line.

Thus, Trigun Stampede is a product that does not take the elements of the original anime from Studio Madhouse and the lore of Trigun Maximum to deliver a cohesive product that gives us the magic sauce that made the original so good.  It was never their intention to present us with faithful adaptions of the original series and characters.  They clearly don’t care for the original themes, character morals, questions, struggles, successes, failures and sacrifices that made the original such an emotional high hitter.

Quick character notes:

1.) Our dud duo - Meryl and Roberto.  For once, Meryl sticks to her guns and is able to guilt Roberto into continuing.  Good for her, but doesn’t amount to much in terms of plot.  She stood up for herself and made a valid argument and her senior colleague agreed.  Wow.

2.) Vash.  Is more assertive with Meryl and Roberto away from him, and finally asks Wolfwood what his deal is.  He has some decent fight scenes with Livio but honestly, doesn’t do much else in the episode due to the Wolfwood heavy plot.

3.) Wolfwood’s premature backstory.  Fails his character greatly.  Wolfwood is a character of great nuance, moral struggles and lots of questioning in a good way.  We see none of that and get his backstory upfront almost as quickly as Vash’s.  This attempt to humanize him without knowing him does not serve his character.  This also doesn’t work with his previous religious associations which are why he was a more powerful character in the original versions.  We know he believes in God, though he’s not naive enough to believe that faith in God will solve his problems.  If anything he sees that humanity’s flaws and dark sides force humans to become devils at times (a line both used in the anime and manga).  The anime leans in much harder with the priest aspect of his character with his first and last confession in the church before he dies.  The manga instead has him die at peace sharing a drink with Vash as he’s ‘thanked’ by the younger children of the orphanage.  Either way, both of these endings for him show that he’s a man who has a moral code derived from a very Catholic theology and he struggles with balancing that with his own actions trapped between powers greater than him.  He has a clear line between acts of divine beings such as God and Angels and how it is impossible for a single individual to meet those and instead must learn to live with their actions and how painful it is to directly contradict your own moral code.

4.) Legato Bluesummers is a ‘robot’ with a bad haircut.  This version of Legato is not the nihilistic, self-destructive one of the anime and manga.  He mocks others and sees himself as superior to orphans like Wolfwood. He wants to watch a moral quandary but does Wolfwood really have a moral dilemma? Is he religious or is he reading a religious text to mock it due its emphasis of faith and emotions?  Like Wolfwood, his power is also much greater, if this were the original he would have made that random train engineer dude destroy the moving part while dying in the process.  Now, he just goes ‘whoosh’ and it breaks.  Boo - I miss his sadistic tendencies. 5.) Livio is another ‘robot’.  But with a hangup to be like Nicholas!  I bet.  Unless, he also gets a long flashback, his character has been likely completely retconned to the extreme.  Lazy writing would indicate that Razlo the Tri-punisher was a result of his mind splitting due to the experiments.  That’s my prediction if we do get his backstory.  Not due to other things . . .

6.) Zazie the Beast.  Is weird.  Look, I’m playing cat’s cradle and I made a spider web.  Humans are so dumb, mwahahahahahaha!  I’m also filling in for Leonof the Puppermaster with my insect spycams/drones.

My snark is coming out in my character responses here, but really are these characters with depth or characters checking boxes like a game of Bingo.  I’m curious to see how many of my predictions pan out in future episodes of if they will leave us in the dark. 

As far as themes, this episode doesn’t really have one that stands out. Other than adults treat children very poorly in this place and even if you are a masked religious woman, you have to have big tits.

[checkereddreamsandicecreams]

INHALES DEEPLY

…

-Presses index fingers together nervously-

….how many of you would be willing to see TrigunxCoco au art? Or am I just weird with this idea?

[animehouse-moe]

Trigun Stampede Episode 5: The Blessing Child

It's great. It's great, alright. It's basically a guarantee at this point for each Trigun Stampede episode to be great. And a lot of the time what makes them great does overlap, but I feel like there's a good few things I'd like to discuss/show off from this episode. Starting with this really interesting and cool piece of direction.

I think there's a lot of similar "odd" style in this episode, so to speak. Yeah, there's lots of action scenes where the camera and characters are flying around and it looks cool, but overall it's an episode that takes a more... discomforting, style. It focuses a lot on static camera angles to sell the character acting, and in some places build more suspense. It doesn't really move around a great deal outside of a few cases, so the episode itself feels rather different in that sense. Take this clip. Roro talking to his mother about religious stuff, overall a slow scene that builds tension, and uses a curtain to hide his mother to separate her beliefs from how Roro sees her. It makes for a harrowing scene that shows Roro's fear and gives a body to the invisible wall between him and his mother.

Really, this episode ended up all about religion, and I'm here for it. They did a great job connecting the dots and continuing to provide more and more hints as to what the future holds, both through larger and more pertinent moments like Roro in this episode, but also in smaller pieces that slowly compound each other over the episodes.

Take, for example, how Knives' faction makes use of religion. As a way to control people, to bend them to something. It becomes a facet of not just their life, but their existence. It might be a little excessive to say so I'll keep it to insinuation, but Roro in this scene is very reminiscent of something.

The same can go for Wolfwood and his weapon of course. It's easy to connect the dots, but at least they gave the answer to his connection in a somewhat subtle manner. More than that though I really like how much they're putting into the symbolism of his cross. How it symbolizes the sins that he carries and that he must use it to kill, further increasing the weight of the weapon upon his shoulders.

It works really great and they waste no time in making use of it in regards to Vash. Wolfwood quickly reminds Vash of his weakness, and how in attempting to preserve everything he ends up losing anyways. It's a great dynamic that sells Vash's personality early on, and how he might need to or want to change.

Changing topics though, the general worldbuilding of this episode was really great. I think my favorite throwaway detail is that we see Roro use some sort of regenerative capsules on his body at around the midway point, and then towards the end we get to see Wolfwood use a vial of it as well. They don't explain it, they don't really say anything, but the direction and character acting speak incredibly loud. Wolfwood recognizes the capsules Roro uses and it's what spurs him on to kill Roro so he can peacefully pass on. Of course, not before using the same concoction to heal himself though.

So not only is Studio Orange showing off with their visual work on Trigun Stampede, they're flexing their capabilities as writers as well. It makes for such a great series to watch, and easily one of my favorites from this season for sure.

[why-its-kai]

quality dark horse translation moments

Rem Seibrem in Trigun volume 1

Tesla/Tessla spelling inconsistency between Maximum volumes 6&7 (7 pictured above 6)

Jeneora/Geneora Rock spelling inconsistency within the SAME BOOK (Maximum volume 6)

there are many more examples of spelling/translation inconsistencies throughout, really hoping Dark Horse at least corrects these for those fancy new books they’ve announced bc this is pretty embarrassing lol

[beesinspades]

reading negative reviews of tristamp is so infuriating. there are valid criticisms to be had but also. so many of them are in bad faith it drives me crazy. like you're really gonna look at me in the eye and tell me that the characters are "not expressive enough"?? or weirdly so??? that the cgi looks UGLY??? that the movements are "robotic"??? that the music is "TASTELESS" and "INVISIBLE"???? i'm going to come into your house and bite your head off while I blast millions knives through the speakers. bitch