#tony awards 2013

[no-144444]

hi! i love your blog and i know this is kind of weird but just hear me out. do you remmeber the 'anything but f1' thing they did this year? what if oscar's topic was his girlfriends career and she was like a huge superstar on broadway and on the screen? and he like knew EVERYTHING and answered every question perfectly?

i hope you like this idea, if not, that's totally fine.

thank you ml xxx

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knowing me, knowing you- o.piastri

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a/n: thank you for requesting! sorry it took so long :)

summary: i suggest you look at the ask...

pairing: oscar piastri x reader

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Oscar was too warm and tired for this. He stood in front of a camera, smelling like hairspray and some sort of spray the makeup artist had put on his face, while he was asked all of the ‘Grill the Grid’ questions. 

“That’s it for ‘Grill the Grid’,” she explained. “But this year we have a new segment.”

“Oh yeah?” he questioned, his interest piqued. 

“Yeah, it’s called ‘Anything but F1’,” she smiled. “Your topic is Y/n Y/l/n’s career,” she chuckled. 

Oscar smiled. “This is going to be easy.”

“Will she kill you if you don’t get full marks?” she laughed. 

Oscar pondered. “Probably not?” 

“Alright then. Ready? Pressure is on.”

He nodded. 

“What was Y/l/n’s first role on Broadway?” 

“Matilda,” he nodded. Y/n Y/l/n, his girlfriend, you, also an EGOT winning actor, the youngest there’s ever been. 

“Correct! How old was Y/l/n when she made her Broadway debut?”

“Well, she was 8 in Matilda on the West End and did 2 years of that, so 10?” he answered. 

“Correct! How old was she when she played Sally Bowles, making her the youngest to have ever played her on a Broadway stage?” 

“She was 17.”

“Correct! How old was she when she got her first Tony?” 

“11 years old.”

“Correct!” she smiled. “What Disney princess did she play?” 

“Huh?” he questioned, not knowing that you’d voiced a disney princess. “She’s voiced a Disney princess?” 

She nodded. 

“In a Disney film?”

She nodded again. “Think about it.”

“Does she sing in it?”

“The princess does sing,” she explained. “But Y/l/n did also write a song for it.”

Oscar was stumped. “Can I come back to it?” 

“Sure,” she shrugged, moving on to the next one. “What was her first feature film?”

“Lés Mis,” he answered. “She played Cosette.”

“Correct! What happened at the 2013 oscars?”

Oscar chuckled. “I think Jennifer Lawrence fell over and took Y/n with her?”

“Correct! What is her most streamed song?”

“Does this include recordings she was a part of or just her solo career or the band too?”

“One of those is fine, but if you can give me an answer for all though, we’ll give you an extra point.”

“So,” he started explaining. “Y/n’s most streamed solo single is probably American Teenager, her most streamed band single is probably BABY SAID, and her most streamed cast recording was probably Wicked, or Hadestown.”

“Correct, and it is Wicked.”

As he explained his answers, his trainer and others in the room started to laugh. He knew everything about you. He was so down-bad it was almost embarrassing, but they understood it anyway. You’d been together since you were 14, you were 23 now. You get to know a lot about a person in 9 years, especially from teenage years to being a young adult. 

“What record did she break by winning an Oscar in 2018?” 

Oscar smirked and winked at the camera. “She’s the youngest person ever to gain an EGOT.”

“What school did she teach at in her early years?”

Oscar raised an eyebrow. “How old was she?”

“Ages 8-12, she taught here on and off, and not many people know about it since she didn’t go into that field of the arts.”

He groaned, trying desperately to think. “The Royal Ballet in London!” He exclaimed, finally remembering. 

“Correct! Next question, how many Tony awards does she have?”

“Oh shit they’re on the mantel at home…” he muttered to himself, trying to count them in his head. “5?”

“Correct. Who has more trophies?”

Oscar chuckled. “I have more trophies, but she has more awards.”

“Alright, how many Emmys does she have?”

“1, which she won this year for her role in the Bear.” 

“Correct, how many Broadway or West End shows has she been a part of? You get a bonus point for naming them all.”

“Oh alright, so Matilda, Annie, Into the Woods, Hamilton, Heathers, Spring Awakening, Mamma Mia!, Moulin Rouge!, Cabaret, Six, Parade, Hadestown, Chicago, Wicked, and right now she’s doing Lés Miserables for the first time on a stage,” he explained. “So that was… 15?”

“Just one more?” she hinted. 

Oscar’s face fell. “What? What else has she done?” he asked out loud. “I said Wicked?”

She nodded. 

“Did I say Mamma Mia!?” 

She nodded. 

“Did I say Phantom of the Opera?”

“No, you didn't! Congratulations, bonus point awarded. What has she said is her dream role?”

He took a deep breath. “It’s going to be really bad if I get this wrong, isn’t it? Alright, so, she has always wanted to play Ms. Honey in Matilda,” he watched as the interviewer shook her head. “Shit, alright. Any hints?”

“She said it would be the only way to get her back into a specific show,” she hinted. 

“Oh! Emcee!” he cheered. “God, how could I forget that?”

“Well done! Alright, one final question, what song did she sing at the 2023 grammy awards, where she debuted her first single after ‘LISTEN’, her band, went on hiatus?”

He smirked. He was there for that performance. He was sitting in the crowd as you sang. He got to take you home and congratulate you. He got to be the proud boyfriend all night. He loved it. It was one of his most fond memories. “She sang ‘That’s So True’. I was there.”

“The infamous kiss picture,” she winked at him. He nodded, a smug smile on his face. “So, going back to the other question, what Disney princess did Y/l/n play?” 

“Oh shit yeah, it was animated, yeah?”  

“Not necessarily,” she hinted. 

“Ariel!” he exclaimed. “Ariel, of course!”

She chuckled. “Congratulations, you know the most about Y/n Y/l/n’s career out of anyone I’ve ever met.”

“One would hope,” he chuckled.

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navigation for my blog :) (masterlist)

[callmebrycelee]

MAN CRUSH MONDAY

HUGH JACKMAN

Hugh Michael Jackman AC was born October 12, 1968 in Sydney, New South Wales, Australia. The 55-year-old Australian actor is best known for portraying James "Logan" Howlett / Wolverine in X-Men, X2, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, X-Men: Apocalypse and Logan. Hugh got his start in musical theatre. He starred as Gaston in Beauty and the Beast, Curly McLain in Oklahoma!, Peter Allen in The Boy from Oz, and Professor Harold Hill in The Music Man. After potraying Wolverine in X-Men in 2000, Hugh later starred alongside John Travolta and Halle Berry in Swordfish, Meg Ryan in Kate & Leopold, Kate Beckinsale in Van Helsing, Christian Bale in The Prestige and Elijah Wood, Robin Williams, Brittany Murphy and Nicole Kidman in Happy Feet. Hugh has been nominated for and won numerous prestigious awards. In 2004 he won the Best Actor in a Musical Tony Award for The Boy from Oz. In 2005, he won the Outstanding Performance in a Variety or Music Problem Primetime Emmy Award for hosting the 58th Tony Awards. In 2013, he received the Best Actor in a Motion Picture - Musical or Comedy Golden Globe for Les Miserables. In 2019 he won Best Compilation Soundtrack Album for Visual Media Emmy Award for The Greatest Showman. Hugh stars alongside Ryan Reynolds in the film Deadpool & Wolverine which was released in theaters on July 22, 2024. Hugh is 6 feet and 2 inches tall.

[broadwaydivastournament]

BROADWAY DIVAS SUPERLATIVES: Wait...WHAT???

Elaine Stritch's first orgasm during "Who's Afraid of Virginia Woolf?": Crazy cantankerous Elaine Stritch was never one to mince words. Perhaps a crowning achievement in her many instances of raw candor, Elaine revealed the story behind her first-ever orgasm in an interview with "30 Rock" co-star Alec Baldwin in 2013. Elaine starred in Who's Afraid of Virginia Woolf? on Broadway and during the national tour, 1963 and 1965, respectively. She would have been in her late thirties.

"But I wanted to tell something intimate about myself to John [Turturro] about when he was interviewing me. I told him that when I was doing Virginia Woolf and when George and Martha had their scene together and George said, 'Our son is dead.' You know, that big scene? 'Our son,' he yells in my face, 'is dead.' And I went 'No!' At the height of my force, I said no to him. And I had an orgasm for the first time in my life... So this is how important that moment was on stage to me. This is unbelievable, you don't know." -source

Gertrude Lawrence (almost) drops dead during "The King and I": On August 16th, 1952, one of the great stage divas of this world--and rumored lesbian--Gertrude Lawrence collapsed backstage after a Saturday matinee of The King and I. She was admitted to a hospital shortly thereafter, and by early September, the Tony-winning star was declared dead. She was buried in the iconic champagne "Shall We Dance?" gown, and became the first person for whom Broadway dimmed the marquee lights for. She was 54. And so began the long-standing King and I curse (I say tongue-in-cheek) where every subsequent Anna Leonowens has had some terrible tragedy befall them. -source

Julie Andrews declines her Tony nomination for "Victor/Victoria": We live in a cruel and unforgivable world where Julie Andrews does not have a Tony Award. The closest she came was in 1996 where she was nominated for Victor/Victoria. As the sole nomination for the show, Julie announced that she would withdraw her name for consideration in protest on behalf of her egregiously overlooked costars and creative team. She was thought to be a locked win at the time, and though her name did remain officially on the voting ballot, the award ultimately went to Donna Murphy for The King and I, making an awkward situation for everyone involved. -source

Marin Mazzie's "pussy on fire" incident during "Passion": Well, I'll let her tell you all about it.

Patti LuPone and the ALW Memorial Pool: Patti LuPone and the infamous lawsuit that cost ALW a million dollars for breaking her Sunset Boulevard contract. Patti had an iron-clad contract that stated she would be transferring with the production to Broadway, but news broke that she would be replaced by Glenn Close. Patti, who was at the theatre when she found out, went absolutely batshit and trashed her entire dressing room. Her feud persists to this day with several ups and downs, as is her right as a Diva-with-a-capital-D.

More Polls

Honorable mentions:

Stephen Sondheim sex dungeon

Bob Fosse's womanizing and finally him collapsing in separated wife Gwen Verdon's arms and dying shortly after.

The affairs of Broadway

Anti-vaxxer Laura Osnes tanking her promising Broadway career and now performing as a circus singer.

[periru3]

Reblog for a bigger sample size - for bonus points tag your favorite musical(s) that didn't win this decade but maybe should have!

Polls for other decades

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A second attempt at this poll since in my first one I accidentally skipped Gentleman's Guide and made the duration 1 day when the others were 1 week. So for science we're trying this one again.

Also to clarify since I've gotten some shade about my choices on these polls: these polls are specifically about winners of the Tony Award for Best Original Musical broken down by decade, not some arbitrary shows I'm picking. Anyway, I have one for each decade so go vote in all of them! :)

[heavenboy09]

HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU

THE 1# AUSTRALIAN 🇦🇺 ACTOR IN THE WORLD 🌎♥ & THE LONGEST LIVING ACTOR TO PLAY A SUPERHERO ON THE BIG SCREEN FOR 17 YEARS

He was born in Sydney, New South Wales, to Grace McNeil (née Greenwood) and Christopher John Jackman, a Cambridge-educated accountant. His parents were English and had come to Australia in 1967 as part of the "Ten Pound Poms" immigration scheme. Thus, in addition to his Australian citizenship, He holds British citizenship by virtue of being born to UK-born parents. One of his paternal great-grandfathers, Nicholas Isidor Bellas, was Greek, from the Ottoman Empire (now in Greece).

He is an Australian actor. Beginning in theatre and television, he landed his breakthrough role as Logan / Wolverine in the X-Men film series (2000–2017), a role that earned him the Guinness World Record for "longest career as a live-action Marvel character", until his record was surpassed in May 2022. He is the recipient of various accolades, including a Primetime Emmy Award, a Grammy Award and two Tony Awards, along with nominations for an Academy Award and a British Academy Film Award. Jackman was appointed a Companion of the Order of Australia in 2019.

He reprised his role in 2003's X2, 2006's X-Men: The Last Stand, and the 2009 prequel X-Men Origins: Wolverine, where Troye Sivan played the younger version of James Howlett. He also cameoed as Wolverine in 2011's X-Men: First Class. He returned for the role of Wolverine again in 2013's The Wolverine, a stand-alone sequel taking place after the events of X-Men: The Last Stand, and reprised the character in the 2014 sequel X-Men: Days of Future Past and briefly in the 2016 follow-up X-Men: Apocalypse. In 2015, Jackman announced that the 2017 sequel to The Wolverine, Logan, was the final time that he would play the role. It earned him the Guinness World Record of 'longest career as a live-action Marvel superhero'.

PLEASE WISH THIS LEGENDARY AUSSIE 🇦🇺 MARVEL ACTOR OF A LEGEND & ALL AROUND ENTERTAINER OF ENTERTAINMENT A VERY HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊

YOU KNOW HIM

YOU LOVE HIM & LADIES YOU CANT HELP BUT LOVE HIM

& YOU JUST CANT LIVE WITHOUT HIM

AINT THAT RIGHT, BUB

THE 1

&

ONLY

MR. HUGH MICHAEL JACKMAN🇦🇺 AKA JAMES HOWLETT LOGAN AKA THE WOLVERINE 🐺 OF X-MEN

HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MR. JACKMAN & MANY ALL YOUR DREAMS & YOUR LIFE BE FILLED WITH HAPPINESS FROM HERE ON OUT.

#HughJackman #Logan #Wolverine #Xmen #DeadpoolandWolverine

[jgroffdaily]

Excerpts:

For two seasons and a TV movie, creator Michael Lannan and director Andrew Haigh (who was just coming off his breakthrough film Weekend and was years away from the award-winning 45 Years and All of Us Strangers) led the show’s cast and crew in crafting a new kind of gay TV show—raw, relaxed, character-driven and intimate. It didn’t fully work—in the end, Looking was cancelled due to low ratings—but a decade away from the show’s premiere, it’s clear that the show’s legacy lives on.

Onscreen, the cast of Looking—including stars-to-be like Jonathan Groff and Murray Bartlett—played characters who were working to find themselves while creating a chosen family with each other. Offscreen, the actors were doing the same thing, reckoning with their own identities and finding family in each other.

For the lead role of Patrick, the production looked at Jonathan Groff, the Tony-nominated Broadway star of Spring Awakening, who’d recently made the jump to TV with a splashy role on Ryan Murphy’s hit musical series Glee.

Haigh: I actually quite liked Glee. I thought it was a good show, but I wasn't sure he was going to be right. Then he came in, and I'm like, “Yeah, you're great for this.”

Sarah Condon (executive producer): Jonathan just had all these qualities of vulnerability and also an amazing ability, which to me is very similar in some ways to Sarah Jessica Parker, of doing the comedy and drama together—not a lot of actors actually, can do both so well and flip back and forth between. He is one of those people.

Jonathan Groff (Patrick): I came out of the closet later—I came out publicly at 23, came out to my parents that same year too. I was out but I was, in a big way, not fully accepting myself. I came out of the closet because it felt more painful to be in than out at that point, but I didn't really feel myself own who I was until I had had the experience of Looking.

I remember auditioning for the show, and feeling heat on my skin during the audition. It was the scene with Patrick and Richie on the train, doing this flirtatious scene, and I remember my skin feeling hot, and it feeling scary and exciting at the same time. I felt raw and exposed in a way that I had never felt before. So there was a real vulnerability in that, that made me feel nervous and excited.

Carmen Cuba (casting director): Jonathan Groff was out, but he hadn't played a gay character before. And more than anyone, he was the most experienced on the show, even Andrew. So he definitely must have understood more than any of us, the fact that playing the role is one thing but he was then going to be in press talking about it. It's a different thing you're agreeing to, I assume.

Groff: I remember Murray, Frankie, and I showing up to San Francisco during pre-production in March of 2013—I mean, this is 10 years ago. I remember the month. I remember Murray making us dinner, and me and Frankie going over there, and smoking weed and smelling the jasmine in the backyard of Murray's sublet that he had gotten. I remember Frankie was freaking out, because he had graduated from Juilliard and is this brilliant actor, but had never done anything on screen before, and so we were talking about that. I mean, just immediately, we knew we had to have this believable friendship in order for the show to work. And so we just started hanging out and we never stopped.

Groff quickly developed chemistry with Castillo, one of his onscreen love interests. While Castillo’s Richie was initially meant to be a minor character, the team later made the decision to make him part of the main cast.

Castillo: I remember standing on the platform in between takes with Jonathan [for our first scene together]. I remember our chemistry was developing and we were hitting it off, and I didn't want to ruin that but I also wanted to open up to him and be honest with him. I decided to tell him the story about meeting my now-wife, who at the time was my girlfriend. When she and I had met, there was an undeniable chemistry between us, like the minute we laid eyes on each other, it was just like there was this attraction. We were the only two people in the room in a room full of people. I wanted to tell Jonathan that story because I was relating it to Patrick and Richie meeting.

I was revealing to him that I was straight and he didn't bat a lash. He took it in, he listened and yeah, it was funny, because it was almost like a coming out.

Groff: I knew that he was straight, because I had asked our director or costume designer. I had gotten the intel already. It wasn't a shock. “That guy's cute. Is he gay?” [Laughs]

Condon: I mean, it sounds silly, in a way, but they were brave decisions. I remember having to have that conversation with Jonathan. “Are you up for this?” There were a lot of those kind of conversations. And Jonathan was so game, as was the whole cast.

Groff: I remember the premiere was at The Castro, and I remember feeling like I was in a fairy tale. The Castro, the audience is lit as fuck, and it's a lot of gays. They are there to celebrate, which is just such a special, unique energy at a premiere of any sort.

Michael Lombardo and Richard Plepler were running HBO at that time. I remember being at that premiere and Michael was standing there, talking about, “This is the first exclusively gay show we've ever had on our network.” It felt like, “Oh my God— we're in this. We're a part of this moment in history.” It felt like more than a TV show. It felt like a big deal when he would say that.

Despite its mixed initial reception and its relative underperformance, the show made stars out of the main cast—especially Jonathan Groff.

Groff: Between the first and second season in New York, they had asked me to be the grand marshal of the Gay Pride Parade—because of the TV show, and because I'm a New Yorker and had done a lot of theater. I felt scared to do it. I said yes, because my head and my heart were telling me that I wanted to do it, but there was a huge part of me that felt incredibly fearful, incredibly insecure, and incredibly scared. I did it anyway, and that was also a ring of fire moment. Doing the Gay Pride parade, being on the front, waving at people, and being so visibly out—it was just a constant experience of being, in a great way, pushed outside of my comfort zone.

Alvarez: He was coming off of this breakup and he's meeting somebody new and he's encountering all these feelings of being out in public and what his image represents to other people. And so you're swirling with all these other things, and also you're like, just a man trying to love other men.

Groff: I remember, oh my God, talking about douching [in a scene on the show], and I had never really douched before, as myself. Frankie Alvarez came with me. What we did in the show, where we go to the Walgreens? We actually did [that] in the West Village in real life, where he walked with me to get a fucking anal douche, and also a dildo to experiment with. He was in the gay sex shop with me, doing that in real life.

Alvarez: It was a moment of vulnerability, where he wanted to go dildo shopping, but he didn't want to be alone. He could have called any number of his gay friends, but he called me. And it was a testament to our friendship that he trusted me, that even though I was straight, he understood that he had a supportive friend there through that time. I was Doris.

As the series continued, the team looked to their cast for inspiration, sometimes borrowing elements of their personal lives and using them in storylines.

Groff: I remember sitting in a diner in San Francisco with Andrew and talking him through my most recent breakup as he was writing the big, final episode of season two and the fight between Kevin and Patrick—literally, me recounting and him writing down things that I said, that we said to each other, to get that in there. Everybody was offering up their own stories the whole time. It was incredible.

Weedman: The one thing I remember was, before we did the scene where I go see my dad's dead body, the three of us were sitting in this real funeral home and we're just talking about different times in our lives we'd seen a dead body and what that's like. I had just seen my friend Christopher's body and Jonathan had been through Cory Monteith’s [death]. We were telling all these stories that were just very intense.

And then I remember after we shot the scene, that Murray came to my trailer and just walked in, and we both just cried and cried and cried. And that's pretty rare, that actors aren't just on the phone, working out their next job, figuring out how they're going to renovate their house, how they're going to spend their money—they're not jerking off their ego in some way or some kind of “building their empire.” That wasn't going on—these were just sensitive boys.

In the aftermath of Looking, the cast and crew found themselves permanently changed. The experience of making the series affected everything, from their career decisions to their everyday lives.

Groff: It brought me out of my own skin in a way that I don’t know if I would’ve otherwise. And every set I walked onto after that, every rehearsal room I walked onto after that, I didn't feel insecure about my sexuality. Looking and the experience of being on that set with all those people was so liberating, and really, truly life-changing.

Condon: We've done about a yearly reunion.

Bartlett: Raul got married last year and a bunch of us were able to go—it was sort of a Looking reunion really. It was like, “Oh my God, this is our 10-year reunion.” And it was about Raul's wedding, but it was also a bunch of old friends getting back together and a lot of us from Looking days.

Castillo: Jonathan married [my wife and I] this summer so it's like a full circle.

Groff: That girl that he was talking about [while shooting the pilot] ended up being his wife.

Ten years later, many of the actors who starred in Looking have become bonafide stars. Jonathan Groff has appeared in generational projects on stage and screen, from Hamilton to Mindhunter to Frozen. Russell Tovey has appeared in shows like Quantico, American Horror Story: NYC and the upcoming Feud: Capote Vs. the Swans. O.T. Fagbenle, who had a minor role in season one as Agustin’s boyfriend, has gone on to do shows like The Handmaid’s Tale and appeared in the blockbuster Black Widow. And of course Murray Bartlett continues to be a staple of prestige TV, starring in The Last of Us and The White Lotus, which he won an Emmy for.

Groff: Even if the show didn't hit the way that we all wish it would have, it still affected people, including us, and it looks like that is the art that stays. I mean, I'm on Merrily We Roll Along right now. Forty-two years ago, it was a Broadway flop, and it's such an extraordinary show. People are finally, including me, getting to experience it for the brilliant thing that it is. And so that's encouraging, moving forward, that even though it might not be celebrated in the moment [it might have a moment later on].

Groff: I mean, ultimately, not enough people watched it, and we went off the air—that's just the story of what happened with the show. But the fact that it only lasted for two seasons and a movie, and 10 years later, we're still talking about it, there's something about the staying power of the show, and the people that continue, a decade later, to talk about the impact that it has had on them. It sort of helps heal those wounds of feeling rejected.

[bestmusicalworldcup]

Ariana DeBose has been announced as the host of the 2024 Tony Awards, which will be held on June 16 at Lincoln Center's David H. Koch Theater.

DeBose will have hosted three consecutive Tony ceremonies, which was last done by Neil Patrick Harris between 2011 to 2013. Hugh Jackman, Angela Lansbury, and Bud Collyer have also hosted thrice consecutively.

[arqueete]

Spring Awakening Broadway: Where Are They Now? (Part 1)

It's been 18 years since Spring Awakening first opened on Broadway and 15 years since the original production closed. I decided to do some digging on what everyone who performed in that production is doing these days.

Part 1 covers the original cast, while part 2 will cover replacements.

Jonathan Groff Melchior

Went on to several prominent roles on TV shows like Glee, movies like Frozen, and musicals like Hamilton (pictured.) He is currently in Merrily We Roll Along on Broadway.

Lea Michele Wendla

Notably starred in the TV show Glee and has released several albums. She was recently seen in Funny Girl on Broadway (pictured.)

John Gallagher, Jr. Moritz

Went on to star in several other Broadway shows including American Idiot. He has released an album under the name Johnny Gallagher. Recently appeared in Swept Away (pictured), a musical based on the music of The Avett Brothers.

Lauren Pritchard Ilse

Has a music career under the name LOLO and was notably featured on the Panic! At the Disco song "Miss Jackson" in 2013.

Jonathan B Wright Hanschen

Had a few acting credits on TV shows like Gossip Girl (pictured), now seems to be pursuing voice over work.

Gideon Glick Ernst

Has appeared in several other Broadway shows and was nominated for a Tony Award for Best Featured Actor in a Play for his role in To Kill a Mockingbird in 2019 (pictured.) Some recent credits include the movie Maestro and a recurring role on the TV show The Marvelous Mrs. Maisel.

Skylar Astin Georg

Has had a variety of screen roles with musical elements, like the movie Pitch Perfect and the TV shows Crazy Ex-Girlfriend and Zoey's Extraordinatory Playlist. He currently stars in the TV show So Help Me Todd (pictured.)

Brian Charles Johnson Otto (u/s Moritz)

Appeared on Broadway again in the ensemble of American Idiot (pictured.) Was recently on tour singing backup for Allen Stone.

Lilli Cooper Martha

Has been in several other Broadway shows including SpongeBob SquarePants and Tootsie (pictured) for which she and was nominated for a Best Featured Actress in a Musical Tony in 2019. She most recently provided voice acting for the TV series Hazbin Hotel.

Remy Zaken Thea

Has appeared in several off-Broadway shows, most notably Freckleface Strawberry The Musical (pictured.) Now owns a professional tutoring company in New York called Andersen Education.

Phoebe Strole Anna (u/s Wendla, Ilse)

Has appeared in several off-Broadway shows, most recently Kung Fu (pictured.) She is doing a lot of audiobook narration.

Christine Estabrook Adult Women

Continues to do a lot of TV work, most recently on the show Penny Dreadful: City of Angels (pictured.)

Stephen Spinella Adult Men

Continues to work in theater, film, and TV including a return to Broadway in The Velocity of Autumn and currently in Harry Potter and the Cursed Child (pictured.)

Frances Mercanti-Anthony (u/s Adult Women)

Went on to appear in Broadway plays including Jerusalem. Now doing theater education work for organizations like Paper Mill Playhouse, Rutgers University, and New England Music Camp.

Rob Devaney (u/s Adult Men)

Appears to have moved away from acting around 2009 and now has a career in UX design.

Krysta Rodriguez Ensemble (u/s Wendla, Ilse, Anna, Martha, Thea)

Has performed in several other Broadway shows including The Addams Family and the revival of Spring Awakening. She was most recently touring in Into the Woods (pictured) and will appear in the Kennedy Center production of Bye Bye Birdie this summer.

Jennifer Damiano Ensemble (u/s Ilse, Anna, Martha, Thea)

Has performed in several other Broadway shows including American Psycho (pictured) and Next to Normal, for which she was nominated for Best Actress in a Featured Role in a Musical Tony in 2009. Most recently appeared in Black No More off-Broadway.

Robert Hager Ensemble (u/s Melchior, Hanschen, Ernst, Otto, Georg)

Went on to join the 1st national tour of Spring Awakening as Hanschen. Has since appeared in several other Broadway shows and the national tour of Fun Home (pictured.) He is also writing his own musicals. Siluetas, for which he wrote music and lyrics, will be premiering at Power Street Theatre in Philadelphia this summer.

Gerard Canonico Moritz (replacement), Ensemble (u/s Moritz, Hanschen, Ernst, Otto, Georg)

Was in the show until it closed, by which time he was playing Moritz. Has appeared in many other Broadway and off-Broadway shows including Groundhog Day and Be More Chill (pictured), and is currently on Broadway in Almost Famous.

[livesunique]

Ms Luigia "Gina" Lollobrigida OMRI (4 July 1927 – 16 January 2023)

Destined to be called "The Most Beautiful Woman in the World", Ms Lollobrigida was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. She studied sculpture at Rome’s Academy of Fine Arts, and started her career with minor Italian film roles before coming third in 1947’s Miss Italia pageant. 

After refusing a contract with Howard Hughes to make three pictures in the United States in 1950, Ms Lollobrigida gained for starring turns in 1952’s “Fanfan la Tulipe” and 1953’s “Bread, Love and Dreams,” the latter of which netted her a BAFTA nomination for Best Foreign Actress.

Ms Lollobrigida’s first American film was “Beat the Devil,” a 1953 adventure comedy directed by John Huston that cast her opposite Humphrey Bogart. Over the course of the ’50s and ’60s, she starred in numerous French, Italian and European-shot American productions, with highlights including “Trapeze” with Burt Lancaster and Tony Curtis, “The Hunchback of Notre Dame” as Esmerelda, “Solomon and Sheba” with Yul Brynner, “Never So Flew” with Frank Sinatra and Steve McQueen, “Come September” with Rock Hudson, and “Woman of Straw” with Sean Connery, and “Buona Sera, Mrs. Campbell,” with Shelley Winters.

Her roles made her a major sex symbol of Italian cinema; in 1953, she won Italy’s David di Donatello award for Best Actress for her performance in the opera star Lina Cavalieri’s biopic “Beautiful But Dangerous,” known in Italian as “The World’s Most Beautiful Woman.” 

She later won two more David di Donatello Award for “Imperial Venus” and “Buona Sera, Mrs. Campbell,” a Golden Medal of the City of Rome in 1986, a 40th Anniversary David in 1996 and a 50th Anniversary David in 2006. In 1961, she won the Golden Globes’ Henrietta Award for “World Fan Favorite,” and received nominations for “Falcon Crest” and “Buona Sera, Mrs. Campbell.”

After the ’60s, Lollobrigida’s career began to slow down, but she continued to act intermittently, including in the 1995 Agnes Varda film “Les cent et une nuits de Simon Cinéma,” and in ’80s TV shows such as CBS’ “Falcon Crest” and ABC’s “The Love Boat.” 

Ms Lollobrigida also developed a successful second career in photojournalism during the ’80s. She obtained an exclusive interview with Cuban leader Fidel Castro and also photographed many famous film stars, as well as publishing a number of books of her photographs.

In 2011 she made her final film appearance, playing herself in a cameo for the Italian parody film “Box Office 3D: The Filmest of Films.”

The screen legend sale of some of her 23 jewels from her Bulgari  collection at Sotheby’s in 2013 to help fund an international hospital for stem-cell research. 

On 16 October 1999, Lollobrigida was nominated as a Goodwill Ambassador of the UN Food and Agriculture Organization

Ms  Lollobrigida won the Berlinale Camera at the Berlin Film Festival in 1986, Karlovy Vary Film Festival special prize in 1995, and the Rome Festival’s career prize in 2008. In 2018, she received a star on the Hollywood Walk of Fame.

Ciao, Gina, Riposa in Pace

(Armando Pietrangeli, “Light and Shadow,” Gina Lollobrigida,1960, Trapeze 1956, Woman Of Rome,1954, Salomon & Sheba,1959, Come September, 1961,Un Bellissimo Novembre,1968, The Hunchback of Notre Dame,1956, In London to publicise her book of photographs titled Italia Mia,1974, Fidel Castro shot by Ms Lollobrigida,1974, Gina Lollobrigida pictured on July 11, 2022 in Rome).

[blackmoonlightexpress]

TTEOTM Creative Team: What else did they work on?

For those who are a bit underwhelmed by the summer drama options or still dreaming about TTEOTM! 😎

Kuk Kok Leung (Lead Director)

Kuk Kok Leung is a veteran director who started his career in Hong Kong's TVB. He's been nominated for the prestigious Magnolia Award and is known for wuxia and serious, warm-blooded historical dramas (he's adapted 7 out of 8 Jinyong novels). His works include...

Legend of the Condor Heroes (1983) as Assistant Director, with Felix Wong and Barbara Yung

The Duke of Mount Deer (1984), with Tony Leung & Andy Lau

Return of the Condor Heros (1983) with Andy Lau & Idy Chan

Legend of the Condor Heroes (2002) with Li Yapeng & Zhou Xun

Demi-Gods and Semi-Devils (2003), with Hu Jun, Jimmy Lin, and Liu Yifei

Water Margin (2011), nominated for Magnolia Award

Cool Sword (2013), with Julian Cheung & Wallace Chung

The Patriot Fei Yue (2013), with Huang Xiaoming & Ruby Lin

The Stand-In (2014), with Wallace Chung

The General and I (2016), with Wallace Chung and Angelababy

He's also a frequent collaborator and producer on Johnny To films, including Election, Election 2, Mad Detective.

So you get the picture. He makes TV for men who are ready to bleed for their country. This all makes him a really interesting choice for TTEOTM (and tells you a bit about the ambition and creative vision of the producers), especially since all his more recent idol dramas were widely panned.

Wang Haiqi, Director & Action Director

We don't know too much about Wang Haiqi because TTEOTM is actually his directorial debut. He started his career in stunts and has worked as the action coordinator on Ashes of Love (2018) and Immortality (unreleased) alongside Luo Yunxi. He was also a stunts man/double in a bunch of Hollywood films, including Mulan (2020) and the Foreigner (2017) through the Jacky Chan stunts team.

He's responsible for most of the action/battle scenes in TTEOTM, and his experience working on films probably explains why the fight sequences are unusually cinematic for TV.

Luan Hexin, Art Director

Luan Hexin is a Magnolia Award nominated art director best known for Huanyu productions, including Story of Yanxi Palace, Winter Begonia, and Royal Feast. He's a serious art guy, as you can tell from this interview.

(Note: Huanyu is Bai Lu's management company. There is a rumor that Luan Hexin is part of Bai Lu's "dowry", but the parties have since clarified that Luan was brought in after she was cast.)

He's also an interesting choice, having never worked on costume fantasies before and better known for his authentic representation of the look and feel of bygone eras.

Huang Wei, Costume Designer

Huang Wei is one of the most sought-after costume designers working today, especially for xianxias. She started her career as a Vogue China editor and was in fact the person responsible for TTEOTM's Dunhuang-inspired aesthetics.

Her better known works include A Dream of Splendor (2022), One and Only (2020), Love O2O (2015), Back from the Brink (2023) as well as a bunch of highly anticipated dramas like Immortality and The Last Immortal. (The joke on Chinese internet is that there is an "expensive" vs. "cheap" version of Huang Wei costumes - her design can be much simpler on lower-budget productions.)

I'd like to think that after designing 40 mostly white costumes for Luo Yunxi in Immortality, she decided to go nuts on color with Tantai Jin.

Tsang Ming Fai, Makeup Designer

Tsang Ming Fai is a big name in the xianxia circuit. He and his team of “students" have worked on a large number of costume dramas, including Ashes of Love (2018), Love & Redemption (2020), Under the Power (2019), Noble Aspirations (2016), Sword of Legends (2014), as well as the... wait for it... unreleased Immortality and Luo Yunxi's currently filming drama Follow Your Heart.

He's sadly been receiving a lot of hate in fan circles over the heavy makeup in TTEOTM (which may or may not have been his call). What I do appreciate is his ability to help actors craft distinct characters with varied hair and makeup choices. For example you can distinguish between different Luo Yunxi characters and their personalities with Runyu's clean cut tie-back half ponytail (ethereal & straight laced), Tantai Jin's slightly brown hair, messy bangs and heavy eye shadow (dark & sickly), Chu Wanning's angular eyebrows and geometric hair puff (strict & proud).

He also excels at creating unusual, iconic looks even for side characters, e.g. Chen Yao's dark lipstick paired with gothic jewelry in Immortality and Chen Duling's retro updo in TTEOTM.

[jaspermorgan]

Jasper William Morgan (born 12 June 1970) is a British-American hotelier, businessman, and former actor. He is best known for his portrayals of Liam in the 1997 film Dark Skies, of Sebastian Harewood in the 1995 television miniseries The Outcast, and of Daniel Austin in the critically acclaimed 2009 detective noir film A Conflict of Shadows, for which he earned an Academy Award. He also received a Tony for his role in The Lights of Love (2003).

▲ Early Life and Family

Morgan was born in Mayfair, London to parents Alexander Morgan, the UK's financial secretary to the treasury, and Jillian Morgan (née Spencer), who was the Dean of the University of Central London. He is an only child.

Morgan's paternal grandfather, Sir Ambrose Collins Morgan, was a decorated Royal Navy Admiral, and his great-grandfather, Professor Nathaniel Morgan, was an acclaimed neurosurgeon and neurosurgery researcher who taught at Oxford University. His maternal grandfather, Phillip Spencer, was an investment banker and his wife, Augusta Spencer (née Clairmont), was an oil painter and sculptor.

He spent the majority of his childhood in the care of his maternal grandparents and it was his grandfather, who Morgan cites as being a major influence in pursuing acting as a career as they often watched classics together. His favourite films growing up were The General (1926), Casablanca (1942), and One Hundred and One Dalmatians (1961), and To Kill a Mockingbird (1962). His parents wanted him to follow their footsteps into government or education or even to become a doctor, but Morgan was always adamant about wanting to be an actor. Eventually he was allowed to enrol in a local drama club where he built up his confidence and started to gain some experience in amateur dramatics.

His education was spent in private London schools, which Morgan doesn't credit as having any significant impact on him at all. He has said that there was always more of a focus on mathematics, science, and competitive sports rather than any of the arts and often felt very much an outsider from the rest of his classmates. However, he managed to encourage his secondary school headmaster to put on a rendition of Macbeth for pupils and parents, which was met with praise.

At the age of 18, Morgan attended the Royal Academy of Dramatic Art. His parents helped to pay for the majority of his tuition, but only agreed to do so if Morgan got himself a part-time job to pay for the rest. He ended up at the at the Mornington Hotel near Regent's Park where he first worked the reception nightshift before transferring to waiting tables and later becoming the restaurant manager. He gave up the job once he signed on to The Outcast.

▲ Career

After appearing as an extra in several British television shows throughout 1993, Morgan portrayed Sam Woodbury in the short-lived London West End play One More Night, and then as the younger version of Eric Radcliffe Reid’s character Wilson in the short film Whirlwind, Morgan landed his breakthrough role in the 1995 miniseries The Outcast, playing the lead character Sebastian Harewood: a young upper class gentleman who is disowned by his wealthy father and is forced to make his own way in the world. The show’s director Kathryn Liu states that she ‘took a risk when casting Morgan, not knowing if an inexperienced actor would be able to handle a complicated filming schedule’, but later admitted that "he was perfect for the role and absolutely smashed it’ and ‘his inexperience as an actor even benefited him greatly in that his naivety transferred well into Sebastian’s own". Morgan and Liu later went on to work together on the 2013 action film Highwire.

Morgan was then quickly cast in the 1997 psychological thriller Dark Skies, which was filmed in his hometown of London. His role as the protagonist Liam, a recluse with a vendetta against the world who is also trying to maintain an equilibrium within the relationship he has with his overbearing girlfriend, gained him international recognition. Variety praised Morgan’s performance, writing: “it’s hard to tell that he has very little professional acting experience when watching him portray Liam. Morgan perfectly encapsulates his character’s life of hatred and from his very first moment on screen you’re simultaneously sympathetic and agitated, wanting him to improve his situation and yet also completely understanding why he is the way he is”. He was nominated for a BAFTA for this role and was the catalyst to his career.

When the filming of Dark Skies concluded, Morgan went to work in New York City after landing an off-Broadway role in Impolite Society (1998), which ran between 15 January and 12 March. Whilst his role was small, he was popular with audiences and it gave him the confidence to continue pursuing his career on the stage. Morgan told the American Theatre Magazine: "Theatre was always the most formidable area of acting for me. Doing a play at school was immensely different to doing one on a stage in front of almost 500 people in New York City. Whilst my first show in London played to more people than Impolite Society did, it felt far more daunting this time, strangely enough, and to be performing in front of an American audience was certainly surreal and incredibly special. I'd dreamed of that as a young boy and to have that dream come true is a huge ego boost". It was following this success that Morgan permanently moved to Manhattan.

Between 1999 and 2004, Morgan played Dr Reginald 'Reggie' Keller, a paediatrician and the younger brother of Dr Carolyn Keller (Erin Hardy) in the long-running medical drama series Heartlines, filming the majority of his later episodes in blocks so he could star in other projects (namely the 2002 film Unity and the 2003 theatre production The Lights of Love). During an interview for The Hollywood Reporter in 2012, Morgan said: "this period of my career was easily the most challenging I had done up to that point. Simultaneously acting in 27 episodes of a TV show and a film whilst also preparing to take on a Broadway role wasn't the smartest decision I had ever made, but it was one that allowed me to push myself to my limits and see what I could do under such immense pressure. My hard work certainly paid off; the honour of receiving a Tony award at the end of it all came as a wonderful surprise. However, I wouldn't recommend that kind of schedule for any actor, no matter their age or prowess."

In 2006, Morgan took on his only voice role in animated adventure Nightwalker, alongside Ricky Santos and Florence Martin-May, in which he played a crow named Merrick. He stated that he “wished to have taken on more voice acting in [his] career, but it was, unfortunately, never meant to be”. Directors Julia McGregor and Imaan Bashar had bronze statues made of the animal characters to give to their respective voice actors once filming commenced and Morgan is known to keep his in the office of his hotel.

Morgan spent most of 2007 on hiatus. He spent time out from acting in London as well as in Scotland, Tuscany, Munich, and Hawaii. During his time in London, he returned to his alma mater to give talks and acting classes to drama students; he was almost persuaded into becoming an acting coach, but turned it down to the fact he didn't believe he "had enough viable experience" at the time. It was in August 2007 that Morgan began to partake in philanthropic work, which he said he wished he could have began sooner, and was introduced to the Brave Youth Theatre Charity by friend and fellow actor Cecilia Crane, of which he is still a patron.

In 2008, he took a small role in the miniseries Small Mercies, appearing in three of the five episodes, in which he played Louis Graves, the father of the main character Serena Graves (Lily Richardson-Gill). Filming took place in Seattle, Washington, between April and September, with the show airing on New Years Day 2009. A second series had been proposed, but was ultimately scrapped.

His next appearance was in A Conflict of Shadows (2009), noted internationally for being his greatest performance. Morgan portrayed Daniel Austin- a corrupt police detective working for the NYPD in 1917- who slowly loses his sanity over the course of the film. On his role, Morgan commented: "Playing Daniel was like playing several different people. Each scene he was in was slightly different in terms of his speech and body language and to maintain those distinctions consistently was tough, but he was an incredibly entertaining character to play. I wouldn't pass up the opportunity to play him again if a sequel ever came into fruition." Audiences and critics raved about the film as a whole and of Morgan's performance, Edward Quartermain wrote: "he can express so much by one simple glance and it can be such a powerful gesture, especially to reflect the torment and gradual change in Daniel's internal world as he actively shuts out reality. The range that Morgan presents, from subtle finger switches to full-blown fiery rage, proves he is a formidable actor and one that will continue to both impress and surprise audiences around the world". The film eventually earned more than $1 billion worldwide and went on to win five Academy Awards (Best Picture, Best Director, Best Actor, Best Supporting Actress, and Best Costume Design) as well as numerous other awards (see here) and several other nominations (see here).

Morgan appeared in his fourth and final stage production, Heart of Steel, in 2011, in which he played Charlie Steel: a down-on-his-luck English man in New York City whose cold heart slowly starts to melt when he inadvertently befriends a lost, yet perpetually optimistic 12 year old boy named Ben (Samuel DeWitt). He was highly praised, with critic Laura Pryce saying: “his performance is captivating and deeply moving, a real intriguing insight into how a troubled man's life is a constant battle and can be suddenly transformed into a different kind of battle with something now worth fighting for. His chemistry with DeWitt is also exceptionally joyful to watch- a real bond was formed between both characters and actors”.

In 2012, Morgan starred as the lead in the critically acclaimed miniseries Snowfall. He played Archer Ellison- the mayor of a small Alaskan town that, blanketed by the perpetual darkness of winter, is being haunted by a supernatural force that brought despair and destruction to the residents. Talking to Variety, he said: "Snowfall was one of my more interesting and fun projects, even with the harsh filming conditions when on location. From the moment I read the script I knew I had to be a part of the show. The only disappointing thing for me was that it was only six episodes!" Morgan was also a producer for the show, the opportunity coming from the fact that original producers couldn't afford the full desired funding and Morgan offered to pay the remainder out of his own pocket. "They had a crystal clear vision for what they wanted out of the story," Morgan added, "and without the extra funding the show would have had to have been filmed on a soundstage in hot Los Angeles instead of in Alaska itself. The aesthetic of the setting is paramount to Snowfall; it wouldn't have had anywhere near the kind of chilling impact on audiences if they could clearly see the snow and backdrops were fake and digitally added in. Nobody can fully immerse themselves in a story when the details aren't all there. I was passionate about the story and knew that audiences would be just as enthusiastic as the creators were, so being able to help in adding to the budget was the least I could do. It was a high honour to be starring in the show, let alone being able to produce it".

In 2013, Morgan starred in Highwire, alongside Nina Fischer, who he previously worked with in Unity. The film was almost never made, however. Writers Dashiell McCormack and Kyle Draper wanted Kathryn Liu to direct after the first director, Jeri Schulz, dropped out last minute for personal reasons, but she initially turned down the opportunity. Despite the producers pushing to begin filming, McCormack and Draper refused to go ahead without Liu. It was Morgan, who was in the final stages of negotiations to star in the film and is a close friend of Liu's, that persuaded her to direct. After almost 8 months of filming, Highwire was released on became a success, both commercially and with audiences, earning more than $130 million worldwide, making it the biggest success of Liu's career. After the success of the opening weekend, Fischer claimed that Morgan had the rejection letter that Liu sent to McCormack and Draper framed and gifted it back to her. Liu herself later confirmed this and stated that along with the letter Morgan included a handwritten note that read: 'Dear Kat, I'm glad you took a chance on yourself and the film, like you did with me in 1995. Be brave and never doubt yourself. Love, J'.

Morgan’s final film role was in the 2015 fantasy epic Tyrant, in which he played the eponymous tyrannical ruler Lord Reynard. Filming began in early 2014 and was split between Scotland, Ireland, and Canada. He has cited that the film was his ‘most taxing’ and that ‘the villains are always the most entertaining to portray and wished I had the chance to take on that role more’. Tyrant's director Simon Leyland has often been cited to be difficult to work with due to his perfectionist directing style and long shooting periods and in an interview Morgan told The Hollywood Reporter that: "Even though Simon was determined to make a perfect fantasy film- and, in my opinion, he came rather close- the filming schedule and conditions were harsh and his criticisms only made things worse. I had a few squabbles with him on set, nothing more than minor creative differences that were eventually resolved, but sometimes had to play mediator between him and some of the crew members and actors. I was surprised I wasn't fired and replaced". He then went on to add: "Despite everything, the concept of the film was fun to play along with and being an unhinged ruler of a kingdom, shouting orders and laughing maniacally, was quite cathartic. It's an experience I'll never forget and I'm glad my acting career could end on a high". Morgan's performance also earned him a Critics’ Choice Award.

▲ Personal Life

Morgan is a trained pianist and has been playing for 45 years. It was his mother's idea to enlist him for lessons and did so from the age of 7. Morgan’s skills can be seen in the films Unity, A Conflict of Shadows, and Highwire. He has also played the piano at many charity galas, mainly focusing on charities that helped children and young adults with their literacy and that encouraged them to join in with the youth theatre. He was known for playing classical pieces as well as popular songs from film and television. Despite no longer attending these events, having stopped in 2016, just after he retired, Morgan still donates to the same charities.

Morgan is also talented in close-up magic, a skill that was introduced to him by RADA classmate Marcus Creaghan, and he would later perform these tricks for interviewers at award shows and at charity galas he attended. Morgan is also a self-professed impressionist, having learned by repeatedly watching specific film scenes and mimicking tone and inflections from a young age. He is known to do uncanny impressions of actors such as Al Pacino, Jeremy Irons, James Stewart, Liam Neeson, and Christopher Walken, amongst many others, having shown them off on the first season of The Tonight Show with Jimmy Fallon and The Graham Norton Show.

From January to July 1997, Morgan was in a relationship with actress Natalia Sinclair. Their relationship was initially private for the first two months as they began to film Dark Skies together, but soon became public after they were seen together outside of filming in Hyde Park. Although Morgan has always refused to talk about the subject, several reports were made that their time together was ‘heated, passionate at first’ but then ‘rapidly developed into something toxic’. He has also refused to comment on Sinclair's untimely death, too, only stating in an Instagram post in April 2024: “…I still respect her greatly, as a person and as an actor, and that she deserved better, both from her short life and from myself”.

After selling his home in London, he moved to an apartment in Manhattan, New York City, which he bought from an undisclosed NBL player in 1998 and stayed there until his retirement. It is a well known fact that Morgan loves parties and over the years, his apartment has been the setting of many personal social events and charity events, even hosting an array of celebrities, including Lillian Grace Bower, David Solis, and Ethel Ajibola.

In 2004, Morgan officially became an American citizen whilst also retaining his British nationality. He has stated that ‘even though I have lived in the United States longer than I have lived in London, I will always consider myself British first and foremost’.

He has never married, but dated English actress Hattie Radford-Lowell between 2001 and 2004, American actress and singer Twyla Blake between 2006 and 2010, and briefly dated American author Summer Aston during 2013. He also dated English actress Arabella Woods whilst they were both studying at the Royal Academy of Dramatic Art. He remains friends with Blake and is also close friends with A Conflict of Shadows director Colton Hensley, whose youngest son Morgan is godfather to.

Just weeks after the release of Morgan's final film, Tyrant, he hosted the 87th Academy Awards where he announced his retirement from acting. The announcement was met with a mixture of high praise of a prosperous career and disappointment from both fans and critics, many noting that they had been looking forward to seeing more of Morgan in theatre productions and speculating that he would even progress onto directing. In July 2015, he moved to Aurora Bay, California, where Of Fire and Stars was partly filmed and where he bought the Seascape Hotel from a local resident. He spent almost 2 years renovating and restoring it, with the funds coming from his own pocket, before reopening it as a luxury hotel that draws in guests from all over the world. Morgan still performs acting and music often on the stage of the hotel’s lounge & bar and takes a very active role in the day-to-day running of the Seascape.

▲ Filmography

► Film

• Whirlwind (1994) as young Wilson (short film)

• Dark Skies (1997) as Liam

• Of Fire and Stars (1998) as Ashford Roy

• Unity (2002) as Dr Quentin Horrocks

• Nightwalker (2006) as Merrick (voice role)

• A Conflict of Shadows (2009) as Daniel Austin

• Highwire (2013) as Ethan Maythorn

• Tyrant (2015) as Lord Reynard

► Television

• The Outcast (1995) as Sebastian Harewood (8 episodes)

• Heartlines (1999-2004) as Dr Reginald 'Reggie' Keller (27 episodes)

• Small Mercies (2008) as Louis Graves (3 episodes)

• The Graham Norton Show (2009) as Himself/Guest

• 82nd Academy Awards (2010) as Himself/Host

• Snowfall (2012) as Archer Ellison (6 episodes) ; also producer

• The Tonight Show with Jimmy Fallon (2014) as Himself/Guest

• 87th Academy Awards (2015) as Himself/Host

► Theatre

• One More Night (1994) as Sam Woodbury (Ambassadors Theatre)

• Impolite Society (1998) as Nik (Astor Place Theatre)

• The Lights of Love (2003) as Elliott Bird (Broadway Theatre)

• Heart of Steel (2011) as Charlie Steel (Gershwin Theatre)

▲ List of Awards and Nominations received by Jasper Morgan

• British Academy Television Award for Best Actor: Sebastian Harewood in The Outcast (1995) – won

• British Academy Television Award for Best Actor: Liam in Dark Skies (1997) – nominated

• Critics’ Choice Award for Best Supporting Actor: Dr Quentin Horrocks in Unity (2002) – nominated

• Tony Award for Best Leading Actor in a Play: Elliott Bird in The Lights of Love (2003) – won

• Academy Award for Best Actor: Daniel Austin in A Conflict of Shadows (2009) – won

• Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture: Daniel Austin in A Conflict of Shadows (2009) – won

• Critics’ Choice Award for Best Supporting Actor: Archer Ellison in Snowfall (2012) – nominated

• Tony Award for Best Leading Actor in a Play: Charlie Steel in Heart of Steel (2011) – nominated

• Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture: Ethan Maythorn in Highwire (2013) – nominated

• Critics’ Choice Award for Best Actor: Lord Reynard in Tyrant (2015) – won

[broadwaydivastournament]

And the Tony Award Goes to...

Six-Time Tony Winner Audra McDonald, reigning Queen of Broadway

In honor of the Tony nomination announcement today, it's about time I published this post I've had waiting for almost two months now. With 64 Divas in our tournament, they're practically drowning in Tonys. Collectively, 53 Divas have received one or more nominations across four eligible acting categories, and 31 have taken home the prize. And you'll never believe what tumblr's image limit is. 30.

As luck would have it, two Divas won Tonys in the same year and despite what might be the most dramatic height difference possible, Bebe Neuwirth and Janet McTeer were photographed together specifically so I could make this post work 27 years later. (Bebe in heels and Janet in flats, and still...)

Pictured (L to R): Andrea Martin (2013), Anika Noni Rose (2004), Bebe Neuwirth and Janet McTeer (1997)

Pictured (L to R): Bernadette Peters (2012), Beth Leavel (2006), Betty Buckley (1983)

Nominations: (excluding wins)

Nominations Overall: 125 Best Leading Actress in a Musical: 56 Best Featured Actress in a Musical: 36 Best Leading Actress in a Play: 13 Best Featured Actress in a Musical: 19 Producer: 1

Pictured (L to R): Cherry Jones (2004), Christine Baranski (1989), Debra Monk (1993)

Pictured (L to R): Donna Murphy (1996), Harriet Sansom Harris (2002), Heather Headley (2000)

Nominations: (including wins)

Nominations Overall: 175 Best Leading Actress in a Musical: 75 Best Featured Actress in a Musical: 50 Best Leading Actress in a Play: 18 Best Featured Actress in a Musical: 29 Producer: 3

Pictured (L to R): Jayne Houdyshell (2016), Joanna Gleason (1988), Judith Light (2012)

Pictured (L to R): Julie White (2007), Karen Ziemba (2000), Katie Finneran (2002)

Wins: (2024 pending)

Wins Overall: 50 Best Leading Actress in a Musical: 19 Best Featured Actress in a Musical: 14 Best Leading Actress in a Play: 5 Best Featured Actress in a Musical: 10 Producer: 2

Pictured (L to R): Katrina Lenk (2018), Kelli O'Hara (2015), LaChanze (2023)

Pictured (L to R): Laurie Metcalf (2018), Lea Salonga (1991), Lillias White (1997)

Special Tony Awards (non-competitive):

Special Tony Award (posthumous): Marin Mazzie (my beloved) Isabelle Stevenson Award: Bernadette Peters, Judith Light

Pictured (L to R): Patti LuPone (2008), Stephanie J. Block (2019), Tonya Pinkins (1992)

Pictured (L to R): Tyne Daly (1990), Victoria Clark (2023)

Most Frequent Nominee: (including wins)

Leading Actress in a Musical: Kelli O'Hara (7) Featured Actress in a Musical: Andrea Martin (5) Leading Actress in a Play: Cherry Jones/Laura Linney (5) Featured Actress in a Play: Jayne Houdyshell/Judith Light/Julie White (3)

No Diva has won more than twice in any performance category. This will not change with the current nominees this year.

Oldest Winners:

Leading Actress in a Musical: Victoria Clark (63) Featured Actress in a Musical: Patti LuPone (72) Leading Actress in a Play: Laurie Metcalf (62) Featured Actress in a Play: Judith Light (64)

Oldest Nominee: Mary Beth Peil (76)

[citizenscreen]

Cicely Tyson, Best Performance by a Leading Actress in a Play for 'The Trip to Bountiful' winner, poses in the press room at The 67th Annual Tony Awards at Radio City Music Hall on June 9, 2013.

[mthguy]

Merrily We Roll Along

2024 Tony Award Winner - Best Revival of a Musical!

The director of this Broadway revival, Maria Friedman, had a long history with the show, having previously appeared as an actor in a 1992 production. In 2012, she directed a revival of the musical, which started at the Menier Chocolate Factory and transferred to the West End at the Harold Pinter Theatre in April to July 2013. This production of Merrily We Roll Along subsequently ran at the Huntington Theatre Company in Boston, Massachusetts starting in September 2017, directed by Friedman. An off-Broadway production of Merrily directed by Friedman based on her Menier Chocolate Factory staging premiered at the New York Theatre Workshop in 2022 and the production subsequently transferred to Broadway at the Hudson Theatre in 2023.

Her version worked in London and, in New York, got its victory lap. The revised “Merrily” is a dream show, still told in reverse, but solid from finish to start.

Sondheim had a good thing going. He just needed Maria Friedman to find the right path.

[overthinkingbelle]

Aaron Tveit appreciation post.

Movie appearances/roles:

2008-Ghost Town (Anesthesiologist)

2010-Howl (Peter Orlovsky)

2011-Girl Walks into a Bar (Henry)

2012-Premium Rush (Kyle)

2012-Les Misérables (Enjolras)

2013-A Dream of Flying (The Young Man) Short film

2015- Big Sky (Pru)

2016-Undrafted (John "Maz" Mazzello)

2016-Better Off Single (Charlie) Previously named Stereotypically You

2017-Created Equal (Tommy Reilly)

2018-Out of Blue (Tony Silvero)

TV roles/appearances:

2009–2012 Gossip Girl (William "Tripp" van der Bilt III) 10 episodes

2010 Ugly Betty (Zachary Boule) Episode: "All the World's a Stage"

2010 Law & Order: Special Victims Unit(Jan Eyck) Episode: "Beef"

2011 Body of Proof (Skip) Episode: "Point of Origin"

2011 Law & Order: Special Victims Unit (Stevie Harris) Episode: "Personal Fouls"

2011 The Good Wife (Spencer Zschau) Episode: "Executive Order 13224"

2013–2015 Graceland (Mike Warren) Main cast; 38 episodes

2016 Grease Live (Danny Zuko) Television movie

2016 BrainDead (Gareth Ritter) Main cast; 13 episodes

2017–21 The Good Fight (Spencer Zschau) 3 episodes

2019 The Code (Matt Dobbins) 5 episodes

2020 One Royal Holiday (Prince James Gallant) Television movie

2021 American Horror Stories (Adam) Episode: "Rubber(wo) Man Part Two", (Jay Gantz) Episode: "Feral"

2021–present Schmigadoon! (Danny Bailey) Main cast; 6 episodes

Theatre works:

2003 Footloose (Garvin) Merry-Go-Round Playhouse [2003 Regional production]

2004 Rent (Steve, u/s Roger, Mark) US national tour [January – December 2004 National tour replacement]

2005–08 Hairspray (Link Larkin) US national tour [August 2005 – July 2006 First national tour replacement], Neil Simon Theatre [July 18, 2006 – January 18, 2007; April 1 – May 4, 2008 Broadway replacement]

2007 Calvin Berger (Matt) Barrington Stage Company: [July 3–14, 2007 Original regional production]

2007 The Three Musketeers (D'Artagnan) North Shore Music Theatre [August 21 – September 9, 2007 Regional production]

2008–10 Next to Normal (Gabe Goodman) Second Stage Theatre [January 16 – March 16,2008 Original Off-Broadway production], Arena Stage [November 21, 2008 – January 18, 2009 Original Washington, D.C. production], Booth Theatre [March 27, 2009 – January 3, 2010 Original Broadway production]

2008 Saved! (Dean) Playwrights Horizons

[May 10 – June 22, 2008 Original Off-Broadway production]

2008–09 Wicked (Fiyero Tigelaar) Gershwin Theatre [June 24 – November 9, 2008;

January 20 – March 9, 2009Broadway replacement]

2009–11 Catch Me If You Can (Frank Abagnale, Jr.) 5th Avenue Theatre [July 28 – August 16, 2009 Original Seattle production] Neil Simon Theatre: [March 11 – September 4, 2011 Original Broadway production]

2010 Rent (Roger Davis) Hollywood Bowl: [August 6–8, 2010 Limited engagement]

2014–15 Assassins (John Wilkes Booth) Menier Chocolate Factory: [November 21, 2014 – February 8, 2015 Off-West End revival]

2017Company (Robert) Barrington Stage Company: [August 10 – September 10, 2017 Regional revival]

2018–22; 2023 Moulin Rouge!(Christian) Emerson Colonial Theatre: [July 10 – August 19, 2018 Original Boston production] Al Hirschfeld Theatre: [June 28, 2019 – March 11, 2020, September 24, 2021 – May 8, 2022, January 17 – April 9, 2023 Original Broadway production; paused due to COVID-19 , Won 2020 Tony Award for Best Actor in a Musical, Returning for limited engagement in 2023]

Feb. 9-May 12, 2023 Sweeney Todd (title role) Broadway revival, Lunt-Fontanne Theater (replacement)

Source: Wikipedia