#to me it just kinda sounds like the producer (idk if it's teddy for both songs but im SURE he had a role in this somewhere... )
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ok but like @ yg we need to talk cos what the FUCK is going on w/ the recent music from blackpink members lol!?!?
#i just checked out jennie's new song and like... she sounds GREAT and i like the melodies and the lyrics are... theyre fine it's fine#but the BACKING TRACKS??? what huh what why what WHAT???#even the 'jazz' version sounds so bad jfc...#i also found a similar problem w/ jisoo's recent(ish) solo and i'm just so frustrated uhhhhh#to me it just kinda sounds like the producer (idk if it's teddy for both songs but im SURE he had a role in this somewhere... )#is /trying/ to be experimental or unique but are just too goddamn generic for their own good#ending in something that just sounds tired and disjointed (and NOT in a fun i got a boy way lol)#it's just SO hard to be a blackpink fan when the music is consistently mediocre lately#and it ESPECIALLY sucks cos the girls have gORGEOUS voices sigh sigh sigh sigh#rant over lol#personal#it's been a while since i complained about kpop on here i kinda missed doing this lol
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we NEED to talk about jcs 1975 madrid cast!
i have come to make camilo sesto justice
(i finally finished this post yay!)
i may be a bit biased, since this was my first jcs.
short story on how i discovered it
my dad used to be an apostle for a bootleg staged playback jcs in peru during the 70s! they used this version.
he had the cd. he also had the mp3 files. i used his computer, so that was how 13 year old me found it.
those were tough times, bc later i started doing catechesis and i kind of got depressed and started questioning my faith lol. judas' character really resonated with me
since this is a recording, i didn't have any footage to reference, so i made up everything in my mind. (this is why it was a bit weird for me to see the english productions, bc they looked nothing like in my head lol)
now, a bit of historical context for spain in the 70's
camilo sesto was a popular spanish singer and actor who went to see the jcs 1971 broadway production in london. he loved it so much that he did everything he could do financially to bring the show to spain.
spain was in a fascist dictatorship at the time
they fought with censorship for years, that's why the lyrics are a bit different (i'll make a post about that too)
they had to remodel the alcalá-palace theater stage entirely
franco (our dictator) died two days after the premiere (about time lol)
the "ultras" (conservatists) didn't like the show so they did lots of crazy stuff (for example, praying for the cast outside the theater or sending BOMB THREATHS?)
anyways, this was the first official translation for jcs!
on the main cast we have
camilo sesto as jesus christ (he wanted the role from the beggining)
teddy bautista as judas iscariot
ángela carrasco as mary magdalene
here's an old pic of them (and some apostles)
(now that i look at it closely, it kind of looks like a bootleg jcs 1973 lol)
on the recording
it's a stereo recording, so use both headphones or you'll miss out on half of it
musically speaking, it's similar to the og concept album (songs ending on fade-outs and shorter trial before pilate) but it has some interesting choices (teddy, the producer and the voice of judas, took a lot of... artistic liberties)
some things this version has
it adds lots of synth. it's very psychodelic. i understand this can be a turn off for some people
they kinda change the key to many songs. maybe to fit vocal ranges idk
teddy just loves to make up new melodies (please give this man some water)
EPIC GUITAR SOLO in what's the buzz
what's the buzz and strange thing mystifying are separated tracks for some reason
camilo sings so good
cute synth in everything's alright ángela has such an angelic voice she makes such a good mary
the drums and guitars during this jesus must die are so danceable
the BEST simon zealotes i've heard. shit goes HARD. he goes CRAY
i really love this pilate, in my rating he would be the best one
camilo's "¡SALVAOS VOSOTROS!" during the temple is really pathetic lol
damned for all time interlude replaced by synths. the SAX SOLO is also replaced by synth (questionable choice)
cool thing happens during the end of this song that i'll talk about in another post
judas' occasional nervous laughter really adds to his character
also he cries a lot
"you sad pathetic man" part during last supper is... fairly different! (i'm looking at you teddy...)
camilo's gethsemane is epic. he's a baladist singer but MAN he can ROCK
cool harmonica during the arrest
i'll never shut up about our pilate (he nervous laughs too)
herod is so fruity
judas' death really hits different when you were depressed and questioning faith (this version is BRUTAL) also lyrics change (i'll talk about it i swear)
teddy's one of the few judas who sing the i don't know how to love him reprise in the higher scale!! it sounds so painful and anguished
the album continues acceptably
other cool things it has
jesus and judas have this interesting accent difference. since camilo is from valencia, he has this pristine and traditional spanish accent. and teddy is from canarias (also lived in the usa) so his accent is rougher and more, crusty? idk how to explain it but it's neat and stablishes their dynamic a bit. (ángela is from dominican republic! but her accent is barely noticeable)
on the footage aspect, we only have old vhs videos and live audios uploaded on youtube. also some old photos
there is a book about this version. it has some anecdotes (only available in spanish)
now we have a 4 episode mini-series about the odyssey that it was to produce this. it's called "camilo superstar" (i won't be watching it bc it's a bit fan-ficy from what i've seen)
the posts i'll make about this production will be tagged as #jcs 1975 madrid
you can listen to it on spotify!
or on youtube (playlist made by me)
#jesus christ superstar#jesucristo superestrella#camilo sesto#teddy bautista#ángela carrasco#jcs 1975 madrid#platadesangre
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