#time stamp: 0:33

[r0tt1ngr4bb1t]

These Orbs guide You 2 ur True Reality :3

[a-green-misstep]

A list of all Jayce and/or Viktor scenes in Arcane (wth time stamps)

SPOILERS for all of arcane

Season 1:

EP1

11:00 - 11:50

Jayce is heard, not seen during lab the break in

EP2

0:00 - 7:50, 11:50-12:20, 14:15-19:00, 20:00-21:40, 23:20-24:30, 31:30-33:40

Jayce introduced, goes in front of the council, almost kills himself and is stopped by Viktor who wants to work with him

EP3

7:30-8:40, 13:00-15:20, 17:00-18:00, 19:10-20:00, 25:10-27:00

they break into the lab and make a breakthrough in hextex

EP4

0:00-5:30, 11:00-14:30, 20:15-22:15, 23:10-26:30, 28:40-31:50, 33:00-35:20

hextex has advanced, Jaycee gets flirty with Mel, makes a public address, gets robbed by Jinx, and is made a council member

EP5

8:30-10:00, 13:20-14:00, 15:10-16:20, 19:00-21:20, 25:40-29:00, 31:30-32

Jaycee has lost focus on science for politics, and Viktor gets a breakthrough in the hex-core! Jaycee fucks and Viktor is in the hospital.

EP6

0-8:30, 13:00-16:15, 18:00-20:00, 22:30-26:00, 31:20-32:20

Baby Viktor, Viktor is getting weird and meets up with an old freind, Jayce fires Heimerdinger

EP7

5:10-8:40, 13:00-14:20, 23:00-27:30

Viktor is taking drugs and Jayce is getting hot in the forge. "I'm from the undercity"

EP8

5:30-6:20, 19:00-23:30, 24:30-35:00

Councilman Jayce meets Vi, Viktor runs, self-harms for the Hexcore, and kills Sky. Jayce forges the Hex hammer, raids a factory, and kills a child

EP9

0:00-2:30, 4:40-6:30, 8:30-10:40, 13:30-16:00, 23:00-24:20

Jayce sad about the dead kid, Viktor is sad about dead Sky and almost kills himself. "In the pursuit to be great, we failed to do good.". The boys get blow up

Season 2:

EP1

0:00-2:30, 14:00-16:00, 23:30-31:00, 34:15-36:30

Jayce survives, Viktor is dead and Jayce saves him with Hextec. Hex cacoon. Jaycee fighting aginst undercity gang.

EP2

13:00-17:00, 19:30-22:00, 32:20-36:00

Hex-Jesus leaves Jayce :(. Jayce almost kills Heimerdinger but instead talks science with Echo. Hex-Jesus starts a new religion.

EP3

13:30-15:30, 18:00-19:00, 21:20-24:30,

wild runs, the gang goes to visit the Hex-gates... it doesn't go well.

EP4

nothing

EP5

35:00-40:00

Jayce is back, and is doing bad. Viktor is now somehow speaking through Salo. "I thought you were done with hex-tec, and me." Jayce SMASHES Salo.

EP6

The entire episode is them.

Viktors the prophet, he has surpassed bodily existence. He helps heal, until Jayce comes to him, and kills his body.

EP7

8:00-10:30, 15:30-16:30, 17:00-20:00, 22:00-22:30, 27:30-28:00, 32:40-37:00

Jayce is in the Future, is being haunted by the mage, and spends months in a crevice with a broken leg, going mad. He is rendered disabled (like Viktor), and climbs to the top of piltover to find where the end of the world begins. (meanwhile Echo goes to prom)

EP8

6:00-6:20, 7:20-9:00, 14:00-20:00, 23:00-28:10, 33:30-37:00

Viktor has reached the glorious evolution, he spies on and trys to kill Jayce. Jayce is going to war. Viktor is alone, and is inbodied by a monster.

EP9

4:40-6:00, 18:00-18:50, 22:00-23:00, 27:00-39:00

Viktor has transformed, he wants for the world to become one, a collective consciousness. Jaycee and Echo convince/beat Viktor into understanding that he is wrong, and to end it, Jayce and Viktor, as partners finish things together, and their souls implode into themselves whilst they hold each other close.

[dqrkncss666]

Black Butler Season 4 opening analysis (bear with me)

So, as we all know Otoha (we love Otoha) has made the new opening for Black Butler S4. This in case you missed it 0-o

A wonderful opening. SADLY WITH A LOT OF EASTER EGGS. ON TODAY'S EPISODE OF DORA ON CRACK WE WILL DISCUSS THE EASTER EGGS I FOUND.

TRUST ME. THIS IS WORTH READING.

So starting from the beginning and also linking the translated ENGLISH LYRICS of this song from this video:

We will start the analysis (Photos will be provided at the BIG EASTER EGGS while time stamps in both.)

SPOILER WARNING FROM MANGA DO NOT APPROACH IF NOT READ !!!!!!!!!!

So at time stamp 0:17 in the official intro, we have Bizzare doll bandages (Oh wow I am so smart).

At time stamp 0:25 in the official intro, near the shattered glass of Bluewer we see Claudia's P. locket AGAIN.

At 0:28 in the Of. In. we have Sebastian covering Ciel with his cape resembling the darkness that 'ate him' (haha ya get it) when he made the contract

At 0:33 we have a very old and dry 'Tree of Life' ew XD

At 0:36 for people that didn't notice behind Ciel, it's the Headmaster/ Undertaker.

NOW. at the time stamp 0:41 till 0:43 IF YOU PAY CLOSE ATTENTION TO THE GLASS REFLECTION BEHIND THE OBVIOUS PEOPLE YOU CAN SEE REAL CIEL HOLDING IT. I KNOW THIS IS SHOCKING BUT ONCE YOU SEE IT'S AMAZING.

At time stamp 1:03, Black butler became Attack on Titan XD

NOW. At time stamp 1:06 we see this

This is followed by the lyrics from the video I linked:

This is Undertaker speaking and the silhouette we see is Claudia P. I came to this conclusion because of the scene in Book of Circus that Undertaker holds her locket THIS SCENE

And has a monologue of the warnings he has given. HERE COMES THE LYRICS OF THE INTRO: ' EVEN THE FEELINGS OF CURSING SOMEONE ARE TAKEN IN LIKE AN OFFERING' It fits perfectly.

9. At time stamp 1:11 we see Ciel... OR IS IT. That is in fact REAL CIEL.

This is based again on the lyrics of the video I linked which are these:

It speaks for itself. ITS THE REAL CIEL AND NEXT TO HIM IS NOT SEBASTIAN BUT UNDERTAKER IN HIS CLOAK.

10. At time stamp 1:12 we see the lockets again (Undertaker)

11. At time stamp 1:24 we see the witch arc forest and the dead bodies that were thrown in there.

Possibly speed run to a Season 5 and 6 0-0???????? Green Witch arc and Blue Star??

I will finish this one here but I am not done with the full song of Otoha that I will probably reblog here tomorrow as it has more Easter eggs concerning some characters.

Bye-bye for nowwww XXXXXX

[portlandwithyou]

Dead Men Don't Throw Rice- Time Stamp Roulette

Minutes: 0 10 17 27 33 40 43

[youhearbiggirls]

YHBG ~ "Bad Boy" Volume Discussion

It's a wrap! Our "Bad Boy" discussion is now available everywhere you listen to podcasts, and despite the chapter not being that deep, we found plenty to talk about! Listen along as @lostcauses-noregrets, @siriuscc and @tsuki-no-ura talk about the joys of translations, Acker-Awakenings, and Levi's childhood tea making technique

MP3 Youtube Spotify

Discussion Time Stamp

0:00 Intro with Momtaku & Luna

3:50 Guest Introductions - Lostcauses, Marie and Tsuki-no-ura

6:38 Is "Bad Boy" a fair translation of the new chapter title?

7:58 Thoughts on the Shingeki Fly bundle

11:08 American vs French fans

16:45 Translation challenges of Bad Boy and Attack on Titan in general

24:41 "Bad Boy" chapter impressions

30:43 Is Levi's age confirmed?

33:04 Have we hear the tea cup story before?

35:30 Ackerawakening vs Ackerbond

52:16 Levi's hero journey

55:02 Reference to Kenny as Levi's father

1:01:21 Ask from Mysh (shymshym) on Twitter: Levi's Titan-like transformation?

1:09:05 Ask from Mysh on Twitter: Any Ackerlore?

1:16:53 Levi's post canon life

1:22:45 Rate Levi's tea making technique

1:29:22 Isayama learns to draw digitally & his post canon life.

1:36:40 Break

1:37:20 Luna discusses her trip to Japan: Shingeki cafes, feeding the deer, and Disney Sea. (Also if anyone wants Connie merch - hit her up!)

1:59:36 Momtaku discussed her visits the Netherlands: Museums, food, kitties and binge watching Avatar

2:16:37 Future podcasts? Probably not. Goodbyes!

Links this episode

Interviews from Shingeki Fly: https://twitter.com/AttackOnFans/status/178856461894147690

Fan Translation: https://dto.to/chapter/2831302

Translation analysis: https://www.tumblr.com/tsuki-no-ura/750192956623994880/bad-boy-translation-analysis

[imjustavenuxwithaboomerang]

i very heavily recommend

there for you (a duet)

over til it's over (a group song but he has a small solo, a duet part, and he leads the male group parts)

it's my time (a group song but he has a duet part, and you can hear him on the first chanty part)

from the lodge to any dbd fans (who haven't seen it already) who want to hear jayden's singing/rapping voice

time stamps under the cut for the last two if you need them

(these are from the soundtrack version btw but the scenes line up i'm pretty sure)

over til it's over: 0:19 - 0:23 (solo part), 0:40 - 0: 53 (group part 1), 1:05 - 1:09 (group part 2), 1:14 - 1:17 (duet part), 1:28 - 1:40 (group part 3), 1:52 - 1:55 (group part 4), 2:10 - 2:21 (group part 5), 2:33 - 2:36 (group part 6), 2:48 - 2:53 (group part 7)

it's my time: 0:01 - 0:14 (chant part), 1:39 - 1:55 (duet part)

[factorialsotherfandoms]

Ooooo Christmas fic from Factorial :0 I love your writing so much!! How about one from one of your Ordem AUs? I really like your post-opc with Johnny and Rubens, but any of the others (xcom, opd/opc fix-it, maybe even that steampunk one you were poking at a while back) are also good. Thank you and Merry Crimmus friend!! Go nuts!! <33

Merry Christmas Curly!!! You do not have post-opc au, you have a special treat... (likely never to be continued steampunk au)

And to everyone else, a wodnerful holiday season to you all.

Please find the ao3 link here is you so prefer: [link]

Mild body horror, but if you can handle ordem canon you should be fine. No spoilers, it's too au for that!

This is the furthest into one of his father's factories that Thiago has been in a long time. Long gone are the great thick safety rails and brass plating, replaced with burning pipes and skin-meltingly hot steam exhausts. The machines used here before were dangerous, yes, but nothing next to the ghost tech now installed. Even Thiago knew ghost tech was dangerous when his father vanished a decade ago; whoever stole his inheritance clearly has no such concerns, not when factory accidents now make the everyday news.

It is Thiago who writes that news, of course. The Gazette is not the most sophisticated of papers, but it is one that allows him the freedom to investigate such accidents. Explosions, burns, loom teeth catching on long skirts... he has seen much, and written it all. Even choking slightly on the cotton dust in the air after yesterday's work Thiago keeps looking; the lack of cleaning plus the exposed boil-vents is reason enough to slam the company, but only page seven news really.

What he hasn't seen, though, is a factory like this one; he had managed to convince the foreman to give him the key, between a silver tongue, a shared and genuine concern for the workers' safety after a number of disappearances, and a the insinuation that he was sleeping with the man's wife. And now he is inside...

The other bits are just factory, but it's in jimmying open a door and getting towards the machine rooms that he finds it.

The true meaning of ghost tech.

Pulsating walls, steam churning like blood, a hulking mass of wire and brass and steam... There's blood all around, and lumps of flesh mixed with the pipework. If it is human or not... Well, he prefers not to think about where those missing workers went.

He also has no idea as to if this monstrosity itself can be considered alive or not; careful of making noise, he grabs a pencil and paper, and begins to draw.

His sketches are nothing special, but they can be used as references for the stamp cutter. Chip here, gap there, move it all about...

He's nearly done when a gloved hand covers his mouth and pulls him closer.

Looking up... a woman, smartly dressed in green-trimmed black. The lace from her hat covers only the left side of her face, a cloth mask covers the lower half, and the edge of a cage-crinoline is pressed against the back of his legs. It's somewhat out of date, most women now preferring the half-hooped crinolette if not the recently developed bustle.

... Maybe Thiago should be paying more attention to his surroundings, and less to his colleagues working on the fashion rags.

Still, with a hand over his throat, there is not much Thiago can do but attempt to make eye contact.

It is very much failing, the woman's one visible eye is trailing over the abomination before them.

"I suggest," she whispers, bite in her tone. "Leaving very carefully and quietly."

Her hand shifts, and Thiago gains space to speak.

"Unfortunately, dear lady, I am here on business, and I am not quite finished yet."

He keeps his voice low, not wanting to draw attention if that thing can hear.

She glances at his sketch, then at him. Pauses a moment, and then…

"Oh, about the explosion?" She asks.

"Explosion?"

What explosion?

"Hm," her eyes run over the abomination again. "The one that will happen in around five minutes. A terrible shame about the use of fire boilers in an uncleaned textile mill."

"Ma'am, that is not a boiler."

"As a member of the Special Investigations Unit," she flashes a badge too quickly to see, then hides it again; there is no way that is a legitimate police unit, Thiago had been studying those extensively before taking to trespassing. "That is all that you know."

"But you know more, don't you?" He presses a little. "These were my father's factories, you know? The Infinite Production Conglomerate stole them during probate."

That seems to catch her attention.

"You're a Fritz?" she asks.

"Thiago," he replies, following her gaze to watch the monster.

The hand leaves his face entirely, reaching instead into a pocket of her skirt. She leans to one side as she does - it must be a large pocket - before pulling out... Some form of gun.

"Elizabeth," she tells him, as though there were fewer than six Elizabeth's working in his department alone. "Now, I am going to see that this monstrosity finds its way to hell. I highly suggest leaving."

Thiago does not know what sort of gun this Miss Elizabeth is holding, but he does know what happens if you combine even a slight flame in a textile factory this poorly maintained.

And he enjoys having skin.

"Alright," he whispers back. "There's an open door just across the factory floor."

"Lockpick?"

"Foreman knows me. He lent me the key."

"Hm," she considers a little. "Alright, your way; I don't want to climb back through the window."

She got in through a window? In that dress?

Thiago would say he is impressed, but flabbergasted would be a more accurate term.

"Of course, my dear Miss Elizabeth," he offers a hand. "Shall we?"

She ignores the hand, and starts crossing the floor.

Thiago quickly finishes up his sketch, and follows after her.

Now that he has seen it, he can hear the squelching of the abomination echoing in the pipes...

He tries not to think about that.

They make it outside without incident, and Thiago finds the guards he snuck around collapsed on the floor. There is no smell of blood, so he likes to think of them as merely drugged unconscious.

It is dark, he cannot see details, he can be forgiven.

Also, Miss Elizabeth does not drag the bodies into the factory, which anyone sensible would do with corpses before demanding a cover-up from a reporter of dubious repute, so they are probably clear of murder charges.

"Permission to explode your possessed factory, Mister Fritz?"

"Of course, Miss Elizabeth; I do think such things an insult to my father's legacy, after all."

She does not say more before snapping open her strange gun. She adds not a bullet but a canister to it, before flipping it closed and pointing it at the broken window.

And then she fires.

No projectile he recognises comes from the gun, but instead a small burning leading a trail of red smoke.

It enters the window.

Miss Elizabeth grabs Thiago by the arm, and pulls him to the ground.

It does not even take a second for the cotton dust to ignite, the entire factory quickly developing into a blazing ball of soon-to-be-ash.

Miss Elizabeth keeps him low for a while - long enough for the shrapnel and spitting fireballs to pass - before carefully getting to her feet.

"A pleasure doing business with you, Miss Elizabeth," he tells her, as he also struggles up.

"I must bid you farewell; I have a telegram to send," she dusts off her dress, and corrects the tilt of her hat. "I suggest leaving; pray we do not meet again, Mister Fritz. You have no business here."

She does not wait for an answer before returning the strange gun to her skirts, and begins sprinting down the road, in the opposite direction to the bell of the approaching fire cart.

What a strange woman, Thiago thinks, even as he, too, sprints off at ninety degrees to them both.

[iamsweden]

WE GET POSSESSED? | Ghost Hunting with Friends! Pt. 1 Before the Hunt

Summary: 

While filming what should be a routine “ghost hunting” urban exploration video with her friends, Tressa uncovers old secrets that should have stayed hidden.

A/N:

Celebrate Halloween with me by reading this obscure Octopath Ghost Hunting Youtuber parody AU?

This is really just a fun little thing I wanted to do, so I’ll posting chapters as soon as I finish them! That means minimal editing, so I apologize for any errors! I just want to get as much done as possible before Halloween hits tomorrow :)

I’m also cross-posting this fic on AO3 but without the extra formatting. Click HERE to read! 

All chapters will be tagged with #ghosthuntingwfriends if you'd like to follow along!

Enjoy!

WE GET POSSESSED? | Ghost Hunting with Friends!

515,962 views | Oct 31, 2024

For this week’s treasure hunt, I take my friends on a Spooky Halloween Adventure to the HAUNTED Old Royal Academy in Atlasdam! 

Featuring: 

Ophilia (@AskSisterOphilia)

Cyrus (@historywithcyrus)

Therion & Alfyn (@GrabBagGames, @DontTalkToMe, @thatherbguy)

Primrose (@primroseazelhart)

Olberic

H’aanit & Linde

Follow me!

IG and X: @TressaColzione

Edited by Noa (@wyndyseagull)

Time Stamps:

0:00 - Before the hunt

3:30 - FIRST FLOOR

8:50 - SECOND FLOOR

19:51 - THIRD FLOOR

25:02 - HEADMASTER’S OFFICE

33:28 - TECHNICAL DIFFICULTIES

38:02 - History Lesson Break

46:57 - THE H4TCH

48:36 - B4SEM3N+

66:66:66 - F4LL1NG IN+0 +H3 A8Y5S

1:19:58 - CALLING THE EXORCIST

1:24:20 - NVM WE’RE GOOD

1:36:21 - REFLECTION

—

BEFORE THE HUNT

Since diving headfirst into her steller youtube career, Tressa has learned several valuable lessons: avoid drama, thoroughly vet and research any potential sponsorships, create backups of all her files and videos, etc. You know, the stuff anyone in the business will tell you to watch out for. And even though Tressa hasn’t been on the scene very long, at least compared to some of her peers, she really feels as though she’s gotten the hang of this youtube vlogger thing.

So when she rolls up to the looming, imposing facade of the abandoned Old Royal Academy in northern Atlasdam, Tressa doesn’t have a worry in the world. Tonight is gonna go off without a hitch. Once all of her friends get here, she’s sure they’ll be having too much fun exploring the old place to get scared.

Tressa can’t think of anyone else she’d want to guest star in her next big video than these guys. Even if they all make different kinds of content (or no content at all, in Olberic and H’aanit’s cases), everyone is guaranteed to come out of this venture with a special video of their own.

Cyrus and Olberic are here first, of course. They live in Atlasdam for one, and Cyrus specifically helped her nab permission to shoot on the premises tonight. His set up is frighteningly simple and devastatingly slapstick: a cheap video camera and likely even cheaper clip-on microphone. Olberic holds the camera steady with the fortitude of a statue. Cyrus barely pauses his agonizing ramble about the history of the college to wave at her in greeting.

“...thereby earning itself the new descriptor ‘old’ in 1847. However, the Old Royal Academy’s doors would remain open for several years yet, producing such austere minds as esteemed poet and playwright Simeon Ventus and Atlasdam native Yvon Baudelaire, who earned the title of second president of the (new) Royal Academy in 1864. Shortly after his inauguration, his alma mater would mysteriously catch fire, destroying a large part of the northern part of campus and compromising the structural integrity of the building as a whole. Regrettably, the fire claimed the lives of forty-eight students, teachers, and staff. The school closed, never to open again. As you can clearly see behind me, however, the Atlasdam Historical Society restored the building with the intent of transforming it into a protected historical landmark. While repairs were completed in 1962, a series of logistical mishaps stagnated the effort, leading to the project’s abandonment in 1970.”

With his very interesting and not at all boring monologue finished (for now), Cyrus claps his hands and spins on his heel towards Tressa, donning a mighty grin. “And here is our intrepid adventurer now, come to lead us on a journey through this stunning piece of history! How have you been, my dear?”

“Good!” she says, dragging her last duffle bag out of the back of her car. She brought more than enough gadgets and gizmos for everyone to use tonight. 

Tressa has REM pods. EVPs. A bunch of different radios. This weird little teddy bear that talks to ghosts and records spooky sounds. A deck of tarot cards–though they’re mostly for show instead of, like, actual use in studying the paranormal. If there are ghosts and ghouls and demons lurking in that old spooky place, Tressa will find them.

And if not, because, let’s be real, ghosts aren’t real, she’ll have a ton of stuff she can use to edit spooks and scares in post! Her editor Noa always knows how to turn a boring video into something wild and interesting.

While Cyrus paws through her gear, critically examining each piece of probable junk, Olberic hums. “And these… items are supposed to help you do what, exactly?” he asks.

Tressa counts on her fingers: “Pick up weird ghost noises, talk to ghosts, catch apparitions, detect temperature fluctuations–oh, and this thing senses movement!”

“Ghosts are said to manifest as fluctuating energy,” Cyrus explains, holding the Boo Buddy teddy bear out at length. He pokes at its button nose. Then Cyrus hands the bear to his husband, who gingerly accepts it. “Paranormal investigators use sensitive equipment to measure that energy. I read through the wikipedia article last night.”

“I see,” Olberic evenly says.

Yes, their first real skeptic of the night! Cyrus is going to take this investigation so seriously, but she’s really counting on Olberic to keep realistic expectations! It’ll create a nice narrative for the evening, especially when everyone else gets here.

And speaking of the rest of their friends–

Next pulls up a real rust bucket of a truck, the back of which is covered in faded bumper stickers. Most of the decals are meme-y stickers from their own store, but there’s more than a couple hippy environmental messages thrown into the mix. The second the truck clunks into park, Therion tears out of his seat, indignantly hissing, “We’re fucking over.”

“Huh?” Tressa asks right as Alfyn calls through the still open door, “He broke up with me because my swag is–”

Therion slams the door shut.

“I’m done,” he reiterates, daring anyone to challenge him.

Tressa rolls her eyes. They’ll be back together within the hour. 

Or so she thinks, until Alfyn joins the group, proudly standing before them while looking like an absolute idiot. Tressa doesn’t know what’s more egregious, the hat that says Paranormal Investigator or the shirt that says, This is my Ghost Hunting Buddy! with a big arrow pointed to the left. Presumably the shirt is half of a matching set. If Therion didn’t set fire to his shirt, it probably got thrown out the window to rot in a ditch somewhere.

(At least that’s what he’ll likely tell them–Tressa wouldn’t be surprised if he’s wearing it right now, kept hidden by his stupid hoodie.)

Tressa reminds herself that she loves Alfyn and Therion and values their friendship. She really does. She really, really does.

“I’m gonna text Prim and see where they’re at,” Tressa mutters, abandoning Cyrus and Olberic to deal with whatever that is.

She quickly rounds the corner, using her phone as a light. The academy rises high into the sky, blocking out the moon from this side and bathing the street in stolid darkness. Dead leaves sweep across the broken sidewalk and crunch underfoot. The gothic metal fence lining the property is painted a chipped black. The Halloween vibes are off the chart out here. If she hadn’t come out earlier to shoot some B-roll, this would be the perfect time.

the girlssssss 4 people Thursday 8:07 PM tressa Whats you guys’s ETA Alf and therion just got here Therions already throwing a fit prim we’re about 6 mins out. phili Oh no! What happened? tressa they broke up bc Alf looks stupid. prim I swear to sealctige. Sorry Phili. phili I’m sure he looks fine :) tressa He really doesn’t tho. prim well we’ll be there soon. hold fast soldier. tressa o7

Before Tressa heads back to the guys, she pauses for a moment. The air is cool but not uncomfortably so, yet a shiver still snakes its way up her spine. She zips up her vest and tugs the cuffs of her sweater over her fingers.

It’s pretty out here, sure, but it is genuinely pretty creepy, too. There are no street lights around the academy–save a large spotlight out front, illuminating the main front gate. The fence isn’t that high either. Even if it’s topped with ornate spikes, that wouldn’t be enough to stop any ne'er do wells from entering. Yet when Tressa was here earlier to film, she didn’t see any graffiti on the walls or trash strewn about the yard. The academy is in tiptop shape. Well, as in-shape as any old, abandoned building can be.

But it’s still weird that it’s so abandoned, right? Like, there’s not a lot of security around the building either. The front gate is padlocked shut, with the key held solely by some up and up from the (new) Royal Academy.

Tressa warily eyes the dark facade, half expecting to see something looking back at her from one of the windows.

But the place is as empty and lifeless as ever.

She’s psyching herself out for no reason. Ghosts aren’t real, and they’re not in any kind of danger. If they do happen to run into someone unsavory inside, they’ll surely turn tail and run at the sight of Olberic and H’aanit.

Tressa shakes her head. Prim, H’aanit, and Phili will be here soon. She needs to head back out front and–

Darkness swoops in as her phone’s flashlight turns off. Tressa flails in surprise, nearly throwing her phone–but self preservation keeps her fingers locked tight around it. She taps on the screen to turn it back on, but it’s like frozen or something, stuck on the background image of her, Ali, and Noa at the fair this summer. The time reads 8:88.

Wait. What? She looks closer, squinting at the dimmed brightness. Okay, yeah, she just misread it. It’s 8:14. 

That’s still… weird, though. It wasn’t that late before when she texted Primrose and Ophilia, right? Is her phone on the fritz? Damn Apple, making crappy, overpriced products. Tressa smacks the side of it, clicking the buttons over and over, trying to force it to restart.

Eventually, it unfreezes and the screen goes black. She keeps holding the buttons, waiting for that stupid little apple to pop up and show it’s restarting, but it never shows. Instead, her lock screen flashes back on. It shows a couple missed calls and new texts:

dumdum did you fall in a manhole or smthn — phili Hello? Where are you? Are you okay? — Missed Call from alf — alf Everything ok? where’d you go for real tress we’re gettin worried — dumdum shortstack where did you go if ur doing a prank video i’ll kill you i’ll seriously do it. — Missed Call from alf Missed Call from phili

Before Tressa can respond or even figure out what everyone’s talking about, a blurred, unflattering picture of Therion fills the screen. Her ringtone blares, cutting through the silence like a jagged knife. She answers. “Hey–”

“It’s about damn time!” he interrupts, sounding breathless. “Where the hell did you go? Did you get kidnapped?”

“I’m like twenty feet away from you, just around the corner of the building,” she snaps, marching back down the sidewalk towards the main gate. “I stepped away to text Prim.”

“Yeah, like ten minutes ago! They’ve been asking us where you are.”

Ten minutes? But that’s….

Tressa rounds the corner, stepping back into the buzzing fluorescent light. Cyrus and Olberic still stand by the gate next to her ghost hunting equipment, but now they’re joined by Primrose, trying to convince them that this isn’t something we need to call the cops over, calm down.

“Perhaps she took a wronge turn and lost her way,” H’aanit suggests, though her brow pinches in concern as she scans the street–and then finds Tressa.

“Okay, well, bye,” Tressa mutters before hanging up on Therion. To the rest of her friends, she says, “I had some phone trouble and I think I zoned out for a bit! I’m good though!”

Everyone breathes a collective sigh of relief. Primrose’s thumbs fly across her phone screen as she texts Alfyn and Therion–missing from the group–that Tressa is back.

Tressa becomes a broken record as she assures her friends she’s fine, that she just lost track of time, that nothing happened. No, she didn’t get lost. Yes, she’s really okay. No, she didn’t see Alfyn or Therion–

“I don’t see how you didn’t,” Primrose says, giving her a thorough scan for–what, any injuries Tressa may be hiding from them? “They both went looking for you. You’re sure you just walked around the corner? Kept to the sidewalk?”

Tressa nods. “Yeah, I stood beside the fence the whole time. I don’t know what else to say. I didn’t go anywhere, I swear.”

“What matters is that you’re safe,” Ophilia decides, descending upon the interrogation with all the grace of a saint. She wears a beatific smile that completely unravels the tension. “Let’s head inside. When Alfyn and Therion rejoin us, we can begin filming.”

[casual-video-transcripts]

"Triple Frontier - Movie Snacks" by Triple Frontier Facebook

Original captions by Triple Frontier (Official Facebook Channel)

Edited and Time-stamped transcript by @ casual-video-transcripts is under the cut

[0:00] [Text on screen: MOVIE SNACKS]

[0:01] [Text on screen: EATING]

[0:02] [Text on screen: MOVIE SNACKS]

[0:03] [Text on screen: WITH THE CAST OF]

[0:04] [Text on screen: TRIPLE FRONTIER]

[0:05] [Text on screen: BRAZILIAN BREAD]

[0:06] [Text on screen: BRAZIL]

[0:06] Charlie Hunnam: Pass the smell test?

[0:07] Oscar Isaac: They’re really good when they’re a little warm.

[0:09] [Text on screen: CHILLY MANGO]

[0:10] [Text on screen: MEXICO]

[0:10] Charlie: What is this?

[0:11] Garrett Hedlund: Did you go for it?

[0:12] Oscar: Goat tongue.

[0:13] Charlie: Woah.

[0:14] Ben Affleck: It’s got a weird like 

[0:15] sweet and 

[0:17] peppery thing or something.

[0:18] I don’t know.

[0:19] Oscar: What a refined palette.

[0:20] [Pedro laughs and falls backwards onto Oscar’s shoulder.]

[0:20] [Text on screen: NOODLE SNACK]

[0:22] [Text on screen: MALAYSIA]

[0:23] Charlie: Do you just eat like this?

[0:24] I don’t need any water?

[0:25] Oscar: Do you want this?

[0:26] Ben: It does taste like 

[0:27] with hot water.

[0:27] Garrett: Quite the trickers.

[0:29] [Text on screen: STROOPWAFEL]

[0:30] [Text on screen: NETHERLANDS]

[0:31] Garrett: How long do we get to do this for?

[0:32] [Oscar wheezing out a laugh.]

[0:33] [Text on screen: SAMOSA]

[0:34] [Text on screen: INDIA]

[0:35] Charlie: That is a good samosa!

[0:36] Pedro Pascal: Yeah it is good.

[0:38] Ben: I’m eating it. I’m eating it.

[0:39] Pedro: This is good.

[0:40] [Text on screen: COCONUT RICE]

[0:40] [Text on screen: THAILAND]

[0:42] Charlie: Oh now we’re talking.

[0:43] A little coconut rice.

[0:44] Pedro: I just want to say that

[0:45] I’ve tried all of these before.

[0:46] [Oscar shoves a spoon full of coconut rice in Pedro's mouth.]

[0:47] [Ding.]

[0:48] Pedro: Well that was fun.

[0:50] Don’t forget to check out 

[0:51] Triple Frontier on Netflix.

[0:53] [Text on screen: TRIPLE FRONTIER ONLY ON NETFLIX]

[0:54] Pedro: I’m not cleaning any of those tasty snacks up.

End of transcript

Video Description: Snacks on Snacks.

Disclaimer: None of the videos I transcribe belong to me. They belong to the content creators and the crew behind the videos. Please keep in mind that my transcripts may not be 100% as I am not a professional. I'm just someone who wants to provide video transcripts for people to understand and enjoy these videos. For this video, I focused the speaker and the on-screen text.

If there are any corrections you would like me to make, let me know in the comment section of the post or through my ask box.

If you like this video or any other videos from the Triple Frontier Facebook page, feel free to check them out in the link above.

Personal Notes: Yep, I'm back!

I was trying to find an official one where Garrett did the closing where he called the movie, "The Triple Frontier", instead. I couldn't find it besides this compilation video made by Hollywood Celebrity World on YouTube which I am still grateful for. However, I decided to transcribe this version from the movie's official Facebook page where Pedro does the closing and it has captions imbedded in the video. I'm mainly doing this for my reference.

The mera video transcription is a-coming. My IRL stuff is somewhat settling down a bit. I'll catch you all in the next post.

[airenyah]

Hi, I'm enjoying your JoongDunk era very much, keep up the good work 😃 I was wondering if you could maybe possibly share the JD timestamps in siyh? I don't want to watch the whole show, but I really want more JD on my screen. Danke schön 🥰

hiiii, glad to hear! it usually feels like there's not many JD enjoyers here on tumblr, so i'm glad that there are in fact some people out there who are enjoying the JD turn that my blog has taken over the last few months 😂😂

anyway, yes, sure thing!!​ here you are (joong's "my starlight" has come on spotify just now as i'm typing this lol):

bitteschööön <3

i hope you can read it! i'm probably gonna type it out at a later point, but right now i'm on mobile and i can't be bothered

edit: here's a transcript

joongdunk time stamps in "sky in your heart" and the "star & sky" special

sky in your heart:

Ep1:

Pt.1 → 10:55–13:33

Ep2:

Pt.4 → 1:50–3:09

Ep3:

Pt.1 → 6:15–7:39

Ep4:

Pt.3 → 2:22–3:41

Pt.4 → 1:55–3:30

Ep5:

Pt.1 → 4:23–5:39

Pt.2 → 7:45–8:54

Ep6:

Pt.1 → 9:46–10:34

Pt.2 → 4:48–5:30

Ep7:

Pt.4 → 5:07–6:14

Ep8:

Pt.1 → 7:42–10:02

(Pt.3 → 4:43–6:26)

Pt.4 → (montage: 0:27–2:14) 2:14–4:02

star & sky special:

Pt.1:

4:08–8:03

Pt.2:

(0:18) 0:54–6:27 → Texas Chicken Ad

6:27–8:25

Pt.3:

0:15 – 4:00

4:37–7:18 (DaoKluen dialogue: 5:50–6:14)

8:51–11:22

Pt.4:

0:15–6:12

10:55–13:06

[quodekash]

Win asks a lot of questions. In twelve episodes of the show, Win asks a grand total of 162 questions. And, because I don’t have a life, here are all 162 questions in one place, plus what episode each was in, what part of the episode, and a time stamp. Enjoy. 

EP 1, 1/4, 4:16, “right?” 

EP 1, 1/4, 12:28, “when will you stop?” 

EP 1, 1/4, 21:21, “who did this?” 

EP 1, 1/4, 21:44, “do you think that’s easy?” 

EP 1, 1/4, 22:17, “what is it now, man?” 

EP 1, 1/4, 23.21, “happy?” 

EP 1, 1/4, 23:24, “why are you so problematic?” 

EP 1, 2/4, 1:45, “waiter, can we have one (two, three) shaved ices please?” 

EP 1, 3/4, 6:27, “tinn, how did you become a judge here?” 

EP 2, 3/4, 2:56, “we have a fan?” 

EP 2, 3/4, 4:38, “you think we’re your slaves?” 

EP 2, 3/4, 4:40, “you think you’re the school president and you can do anything?” 

EP 2, 4/4, 0:25, “gun, are you sure?” 

EP 3, 1/4, 4:49, “why did you even agree to that, gun?” 

EP 3, 1/4, 4:55, “what’s that freaking smile?” 

EP 3, 1/4, 6:47, “how does he know that?” 

EP 3, 1/4, 6:48, “is he watching us?” 

EP 3, 1/4, 7:27, “who would have time to tutor us?” 

EP 4, 1/4, 1:11, “right? they are” 

EP 4, 1/4, 3:51, “see? I knew it.” 

EP 4, 1/4, 5:06, “what the heck are you doing?” 

EP 4, 1/4, 12:34, “why are you here?” 

EP 4, 2/4, 1:40, “what?” 

EP 4, 2/4, 1:41, “I couldn’t help it, could I?” 

EP 4, 2/4, 4:31, “do you think we will accept him?” 

EP 4, 2/4, 5:17, “why the heck would we want that?” 

EP 4, 2/4, 9:57, “what?” 

EP 4, 2/4, 10:35, “what the heck are you guys doing?” 

EP 4, 4/4, 4:40, “what the hell is wrong with you?” 

EP 4, 4/4, 4:41, “what do you want?”  

EP 4, 4/4, 12:01, “gun, why did you come back?” 

EP 5, 1/4, 1:59, “how’s your band now, sir?” 

EP 5, 2/4, 0:33, “what the hell are you doing here?” 

EP 5, 2/4, 1:13, “you think i’m slacking off, don’t you?” 

EP 5, 3/4, 5:27, “why are you here, Sound?” 

EP 5, 3/4, 5:38, “what?” 

EP 5, 3/4, 5:39, “do you think i’m running home?” 

EP 5, 3/4, 5:44, “are you picking a fight?” 

EP 5, 3/4, 5:46, “huh?” 

EP 5, 3/4, 11:14, “are you trying to get on my nerves?” 

EP 5, 4/4, 7:35, “what is love?” 

EP 6, 1/4, 6:46, “the heck are you talking about?” 

EP 6, 1/4, 13:34, “why?” 

EP 6, 1/4, 13:35, “are you bullying me?” 

EP 6, 1/4, 13:51, “are you happy now?” 

EP 6, 1/4, 13:57, “how about i shut your mouth with my feet?” 

EP 6, 2/4, 3:39, “was that a warm-up, too?” 

EP 6, 2/4, 3:52, “want me to coach you?” 

EP 6, 2/4, 4:37, “how many times have i told you?” 

EP 6, 2/4, 4:45, “don’t you get what I said?” 

EP 6, 3/4, 1:04, “why looking confused?” 

EP 6, 3/4, 3:53, “there’s more?” 

EP 6, 3/4, 3:59, “HUH?” 

EP 6, 3/4, 4:06, “have you decided who has a secret crush?: 

EP 6, 3/4, 5:34, “can i try it again?” 

EP 6, 4/4, 3:38, “that was off-script, wasn’t it?” 

EP 6, 4/4, 7:01, “should i just work in this industry?” 

EP 6, 4/4, 7:11, “your tier?” 

EP 6, 4/4, 7:12, “what tier, exactly?” 

EP 7, 1/4, 1:39, “when will he stop rambling?” 

EP 7, 1/4, 5:00, “why do you always ruin your friends’ mood?” 

EP 7, 2/4, 6:20, “you know people send me flirty messages every day?” 

EP 7, 3/4, 2:26, “four, do you like to eat?” 

EP 7, 3/4, 2:40, “do we need to?: 

EP 7, 3/4, 3:08, “what?” 

EP 7, 3/4, 3:42, “why on earth do i have to be attached to you?” 

EP 7, 3/4, 3:57, “can you hurry up?” 

EP 7, 3/4, 3:59, “see?” 

EP 7, 3/4, 4:32, “what?” 

EP 7, 3/4, 4:37, “why would i lie?” 

EP 7, 4/4, 2:27, “what are you waiting for?” 

EP 8, 1/4, 10:08, “are you sure?” 

EP 8, 1/4, 13:31, “what?” 

EP 8, 1/4, 17:26, “what did you do?” 

EP 8, 1/4, 17:31, “why did you drink that? 

EP 8, 2/4, 4:33, “can’t you see the situation?” 

EP 8, 2/4, 4:34, “how dare you leave now?” 

EP 8, 2/4, 4:38, “what?” 

EP 8, 2/4, 4:40, “gun, how can you let him leave?” 

EP 8, 2/4, 9:37, “are you the last one who saw him?” 

EP 8, 2/4, 14:30, “how about we practice all night tonight?” 

EP 8, 2/4, 14:36, “how does practice all night sound?” 

EP 8, 3/4, 2:39, “so this is your workshop, huh?” 

EP 8, 3/4, 3:00, “what’s wrong with your wrist?” 

EP 8, 3/4, 3:05, “why didn’t you tell us?” 

EP 8, 3/4, 3:08, “why acting cool?” 

EP 8, 3/4, 3:30, “want to go back with me?” 

EP 8, 3/4, 4:14, “does it fit?” 

EP 8, 4/4, 1:52, “why are you telling me?” 

EP 8, 4/4, 1:55, “you want me to take you?” 

EP 8, 4/4, 2:03, “how is your wrist?” 

EP 8, 4/4, 2:05, “is it better now?” 

EP 8, 4/4, 2:12, “what?” 

EP 8, 4/4, 8:01, “am i dreaming right now?” 

EP 9, 2/4, 4:08, did you come and set these up for us beforehand?” 

EP 9, 2/4, 9:25, “can anyone please tell me why he wanted us to do this cover dance?” 

EP 9, 3/4, 0:26, “how can that help with playing music?” 

EP 9, 3/4, 3:10, “what’s up with you recently?” 

EP 9, 3/4, 3:24, “what are you mad at me about?” 

EP 9, 3/4, 3:38, “what song are you writing?” 

EP 9, 3/4, 3:52, “why did it turn into a sweet love song?” 

EP 9, 4/4, 9:53, “why do i feel like you just yelled at me through that song?” 

EP 9, 4/4, 10:13, “seriously, since when?” 

EP 9, 4/4, 10:45, “hey, can i go with you?” 

EP 9, 4/4, 10:54, “are you leaving me here?” 

EP 9, 4/4, 10:58, “what if i get home soaking wet?” 

EP 9, 4/4, 11:00, “don’t you feel pity for me?” 

EP 9, 4/4, 11:02, “what if i have to walk home through the rain and get sick?” 

EP 9, 4/4, 11:05, “can i go with you?” 

EP 9, 4/4, 11:34, “you are?” 

EP 9, 4/4, 11:42, “the umbrella is small, right?” 

EP 9, 4/4, 12:00, “what is it?” 

EP 9, 4/4, 12:01, “are you blushing?” 

EP 9, 4/4, 12:07, “why is your heart beating so fast then?” 

EP 9, 4/4, 12:33, “what if i say my heart never beats fast for you?” 

EP 9, 4/4, 13:34, “can you coach me?” 

EP 9, 4/4, 13:48: “do you think you can do it?” 

EP 9, 4/4, 14:00, “so this is your way of hitting on me?” 

EP 10, 2/4, 5:40, “so what if we have no audience?” 

EP 10, 3/4, 8:19, “tinn, where’s gun?” 

EP 10, 3/4, 8:20, “didn’t he come with you?” 

EP 10, 4/4, 0:29, “what should we do now?” 

EP 10, 4/4, “where on earth is gun?” 

EP 11, 1/4, 7:30, “what?” 

EP 11, 1/4, 7:32, “are you guys giving in to this small defeat?” 

EP 11, 2/4, 6:08, “what do you want me to do?” 

EP 11, 2/4, 6:17, “don’t you get it?” 

EP 11, 2/4, 6:18, “what do you expect me to do?” 

EP 11, 2/4, 6:23, “what do you want me to do?” 

EP 11, 2/4, 6:28, “what do you want me to do?” 

EP 11, 2/4, 6:46, “what can i do now?” 

EP 11, 2/4, 17:56, “why didn’t you help him carry?” 

EP 11, 3/4, 7:13, “like it?” 

EP 11, 3/4, 10:14, “how can you even walk?” 

EP 11, 3/4, 10:53, “gun, do you want to take my place?” 

EP 11, 3/4, 10:57, “hey, gun, what’s wrong?” 

EP 11, 3/4, 11:01, “why are you two hugging?” 

EP 11, 3/4, 11:04, “if nothing, then why are you guys hugging?” 

EP 11, 3/4, 11:09, “gun, are you dizzy?” 

EP 11, 3/4, 11:11, “are you having a fever?” 

EP 11, 3/4, 11:20, “can i have some?” 

EP 11, 3/4, 13:23, “why would we walk all the way here just to let you drink it?” 

EP 11, 3/4, 13:37, “why would we walk all the way here then?” 

EP 11, 3/4, 13:41, “and you think we’re not?” 

EP 11, 3/4, 13:54, “he should go so he can stop being so self-centred?” (there was a question mark in the subtitles so im going with it) 

EP 11, 3/4, 13:58, “when was i being like that?” 

EP 11, 3/4, 14:04, “and you didn’t make mistakes at all, right?” 

EP 11, 3/4, 14:06, “was i the only one wrong?” 

EP 11, 3/4, 14:21, “why can’t you become a world-class musician if you’re so great?” 

EP 11, 3/4, 14:26, “so what?” 

EP 11, 3/4, 14:54, “what do you do every day aside from stopping fights?” 

EP 11, 3/4, 15:24, “you just realised that, a-hole?” 

EP 11, 4/4, 3:39, “did i miss something?” 

EP 11, 4/4, 3:40, “what is happening?” 

EP 11, 4/4, 3:45, “what did you two talk about?” 

EP 12, 1/4, 16:41, “have you seen this?” 

EP 12, 1/4, 16:43, “have you guys seen this?” 

EP 12, 2/4, 1:18, “have you seen the student council help other people like they did with us?” 

EP 12, 2/4, 8:15, “right, pumpkin?” 

EP 12, 3/4, 0:20, “what’s the situation?” 

EP 12, 3/4, 11:52, “what?” 

EP 12, 4/4, 5:57, “what should i write down?” 

conclusion: win asks a lot of questions 

[taruchisguide]

Outing Event: Red and Black MagicShow Lesson and Event Missions

[OUTING EVENT: RED AND BLACK MAGICSHOW]

A simple guide for the lesson and event missions with color coded words and names so you can glance at it quickly. Don't be afraid to tell me if something is incorrect!

Please Note: The lack of space in "MagicShow" is intentional to match the Japanese title of the event, 『赤と黒のMagicShow』, posted on Twitter.

Twitter Version Here

↓↓↓ Text version below!  ↓↓↓

Outing Event: Red and Black MagicShow Lesson Missions

Destination A Winter Troupe: 2 Summer and 1 Autumn, Complete Lesson 5 Times Spring Troupe: 2 Autumn and 1 Summer, Complete Lesson 5 Times

Destination B Summer Troupe: 2 Spring and 1 Winter, Complete Lesson 5 Times Autumn Troupe: 2 Winter and 1 Spring, Complete Lesson 5 Times

△△△△△△△

Outing Event: Red and Black MagicShow Event Missions

Complete 5 Lessons: 1 Limited Onigiri Complete 15 Lessons: 30,000 Coins Complete 30 Lessons: 1 Limited Onigiri Complete 50 Lessons: 5 Lead Actor Trophies Complete 75 Lessons: 1 Limited Bento Complete 120 Lessons: 3 Gems

Complete 10 ACTs: 3 Limited Kame Buns Complete 30 ACTs: 3,000 Friend Points Complete 55 ACTs: 3 Limited Kame Buns Complete 85 ACTs: 5 Lead Actor Trophies Complete 120 ACTs: 1 Limited Kame Box Complete 180 ACTs: 3 Gems

Read All Event Story Chapters: 2 Limited Kame Boxes Complete 33 Expert ACTs: 5 Gems*

* The 33 Expert ACTs reward is only available after September 9th 0:00 JST.

△△△△△△△

Outing/Odakeke Event Stamp Guide

You can only collect 3 stamps per outing (AKA odakeke) event. However, stamps are cumulative throughout all outing events. This means if you earn 3 stamps this event, they will be available in the next outing event.

Upon earning 6 stamps, you are rewarded an Ultimate Curry, and your stamp count resets back to 0.

Stamp 1: Unlock the full event story. (Reading not required.)

Stamp 2: Obtain the reward SSR at 1,150,000 points.

Stamp 3: Complete an ACT with all 3 event gacha cards. (Guest support cards DO NOT count. You must own all the cards yourself.)

[epic-song-lyrics-showdown]

Epic Song Lyrics Round 1, Wave 2, Poll 14

“Tell me, lover / Now that you made your change / Was your soul rediscovered? / Was your heart rearranged? / Are you still taking pills in the morning? / And did you lose that longing now? / For a walk through an ocean town / 'Cause this town's just an ocean now”

-Maine, Noah Kahan

“He drove in from Mexicali, no worse for wear / Money to burn, time to kill / But five minutes looking in his eyes and we all knew / He was broken pretty bad so we gave him what we had / We cleared a space for him to sleep in / And we let the silence that's our trademark make its presence felt / Come on in, we haven't slept for weeks / Drink some of this, it'll put color in your cheeks”

-Color In Your Cheeks, The Mountain Goats

Maine-Noah Kahan

Time Stamp: 0:00-1:33

Propaganda:

Just I love the vocals and sort of rocking of the intro to this song. And then just like the lyrics being about a relationship that’s changed.

Color In Your Cheeks-The Mountain Goats

Time Stamp: 0:41-1:17

Propaganda:

"five minutes looking in his eyes and we all knew, he was broken pretty bad, so we gave him what we had" it's a song about finding a community where you feel welcome and safe, and that line in particular makes me choke up. it's so simple, but it portrays trauma so well.

Check out the other polls in this wave here.

[portlandwithyou]

Body Language- Time Stamp Roulette

Minutes: 0 21 23 32 33 40 41

[lorecatchup]

2015: Cody Rhodes WWE appearances, episode dates and time stamps:

Smackdown January 2: 21:31

RAW January 5: opening

Smackdown January 9: 39:44

Main Event January 13: 1:10

Smackdown January 22: https://youtu.be/NMkJnkE_mhg?si=lXFEdXvbAdypDJQh

Royal Rumble: 1:54:35 #13

Smackdown January 29: 51:33

Smackdown Fallout: https://youtu.be/BSbYO2qCgGc?si=5QbwKd6DU9ngHQvw

RAW February 2: 37:15 "don't call me Cody" starts

Smackdown February 5: 17:02

RAW February 9: 1:17:10/1:22:43

RAW February 16: 29:29/41:43

JBL 117: https://youtube.com/clip/UgkxIDwx3NIBVF9RsmebfD16tyF3UHBC8L9X?si=9hmpJrz2xBda_PIv

Main Event February 17: 10:28

Smackdown February 19: 1:01:39

Fastlane: 27:45

RAW February 23: 1:20:00

RAW Fallout February 23: https://youtu.be/e3T0YFtlW_U?si=nJx7I_qiYColdb6U

JBL #118: https://youtube.com/clip/UgkxErV0mtEAzTsq5S5kcbIui_ZSVm6o71Th?si=v3RaFKhvyVm4bP1D

Main Event February 25: 32:26

Smackdown February 26: 1:03:40

Smackdown March 5: 1:22:22

RAW March 9: 25:00

Smackdown March 12: 10:16/1:09:13

RAW March 16: 1:37:26

Smackdown March 19: 26:55

March 19: https://youtu.be/7NiAl-M-x-A?si=H3p_7FiXt6fkGqFn

RAW March 23: 15:29

JBL Show #122: https://youtube.com/clip/UgkxK4-n4VPU0I_L64V807qVM62QVt0wy0MQ?si=WdrgEB2Q7siKUFFH

Wrestlemania press: https://youtu.be/ubOwDXMMe0g?si=FhhYFFCVHxDJf0X_

Wrestlemania press:

https://youtu.be/WrGwo8ZHOMI?si=pbhfpRU8DXYEZQi6

Wrestlemania press:

https://youtu.be/szwMEu2XAwI?si=EcGfYc45V4li2Nc9

Wrestlemania press:

https://youtu.be/-6lgIvwmU1w?si=WfiFCKIGuPBzW0y9

Wrestlemania press:

https://youtu.be/BvC2kdoZ5Ek?si=QqD3VO1_9g_6O_Yf

Wrestlemania: first match

RAW March 30: 59:21

Main Event April 1: 1:00

JBL Show #123: 0:21

RAW April 6: 48:44

RAW April 13: 1:15:37

Main Event April 22: 19:52

RAW April 27: 52:30

Main Event April 29: 32:02

RAW May 4: 1:16:21

Main Event May 6: 34:04

JBL #128: https://youtube.com/clip/Ugkxmz5nofzSJMpnkh-EHnJbBXY8WEL0PvDM?si=0CuWIvoRllHjpCJa

Main Event May 13: 31:28

Superstars May 15: 29:37

Payback kickoff: 27:28

RAW May 18: 1:36:50

Smackdown May 21: 48:54

RAW May 25: 1:02:00

RAW Fallout: https://youtu.be/7Jhnvh6kulg?si=6xFh0GsF9wpTChz3

Elimination Chamber kickoff: 40:05

Smackdown June 4: 28:34

Main Event June 10: 17:20 Last match before Dusty passes

YEAR NINE

RAW July 13: 1:54:16

Smackdown July 16: 53:20

Smackdown July 23: 17:52/23:38

RAW July 27: 35:06

Smackdown July 30: 53:53

RAW August 3: 1:49:00

August 5, 2015: https://youtu.be/GPWyZK_suAk?si=d8VUDTrDQPjndZAky

Smackdown August 6: 55:27

RAW August 10: 1:51:21

August 10:

https://bleacherreport.com/articles/2544390-stardust-storyline-a-fascinating-case-of-wwe-breaking-the-4th-wall

Main Event August 12: 14:58/32:30

RAW August 17: 1:52:26

Main Event August 19: 16:56

Smackdown August 20: 37:22

SummerSlam:

RAW August 24: 1:12:14

Main Event August 26: 12:56/24:39

Smackdown September 3: 16:36

Superstars September 4: 28:31/34:17

Smackdown September 10: 1:01:48/1:08:53

Superstars September 11: 7:34/29:35

RAW September14: 1:19:18

RAW Fallout September 14: https://youtu.be/mL17o0Nnga0?si=02_sBQRrPJ1p_U_Z

Smackdown September 17: 23:12

Night of Champions Kickoff

RAW September 21: 16:41

Main Event September 22: 16:51

September 26: https://youtu.be/FNKjUOp8Pvo?si=ACf77PcDtUZzkZku

RAW September 28: 1:11:47

Smackdown October 1: 49:24

Live from MSG October 3: 23:19

Battlefront 2 Let's Play, October 8: https://youtu.be/EkBSOapmJpc?si=IUzMj9BOKTAwD4m1

Smackdow October 8: 1:04:51

RAW October 12: 2:05:39

Main Event October 14: 1:13

Smackdown October 15: 14:00

Superstars October 16: 34:23

Smackdown October 22: 7:33

Superstars October 23: 33:54

Hell in a Cell Kickoff: 36:58

RAW October 26: 1:50:43

Main Event October 27: 14:46

RAW November 2: 32:55

Main Event November 4: 11:28/27:45

Seth knee injury

Smackdown November 12: 54:22

Superstars November 13: 24:30/29:43

Smackdown November 19: 19:37

Survivor Series Kickoff: 55:00 Goldust Returns

RAW November 23: 59:24/1:01:07

Main Event November 25: 2:25

RAW November 30: 1:47:51

Main Event December 2: 32:52

RAW December 7: 31:20/1:46:13

December 21, 2015: https://youtu.be/WFlkomAT-RQ?si=46zmq0Pnahkulpu

December 22, 2015: https://youtu.be/qnLUd6e-5NM?si=z6AtRqlfO61CGK7Y get em chewie

Smackdown December 24: 18:49/35:46/54:37

Main Event December 30: 28:45

[liliannasprereadmediathek]

Get in losers, we’re becoming vigilantes ♥

That’s right, this month we’re discussing the classic 90s road movie, Thelma & Louise 🚘👩‍🦰⛰️👩‍🦰🌵🛣️🚔💰

(emojis of oncoming automobile, woman: red hair, mountain, woman: red hair, cactus, motorway, oncoming police car, money bag)

So dust off your denim and your cowboy hat, and join us as we explore what rebellion and freedom look like when you're on the run from patriarchy. 

Topics we'll be visiting on our journey include: the genre of the Western and 'frontier justice', the road as part of the infrastructure of patriarchy, and, of course, the iconic final scene.

To join the ride, head to the link in our bio, or find us on YouTube, Spotify, or your podcasting platform of choice 🔗 (link emoji)

Content Warnings:

Mentions of attempted rape, gender-based violence and harassment, police violence, murder, and death. References to suicide (Thelma & Louise driving off the cliff) will be made throughout. Please note that while we make references to gender based violence and attempted rape, we do not go into any graphic detail.

Detailed time-stamps

0:01:55 - 0:02:10 (attempted rape, harassment, murder)

0:16:25 - 0:16:46 (mention of murder, domestic abuse)

0:16:47 - 0:17:17 (verbal and sexual harassment)

0:33:38 - 0:33:48 (gender based violence)

0:34:37 - 0:34:40 (rape culture)

Notes on the WGA and SAG-AFTRA strikes

🪧www.sagaftra.org/were-fighting-survival-our-profession 📜 www.sagaftrastrike.org/influencer-faqs

Both the Writers Guild of America (@wgaeast, @writersguildwest) and the Screen Actors Guild(@sagaftra) are on strike right now.

Key issues involve residuals and use of AI among others. Please check the link below to both WGA and SAG to see their demands and support them when you can. Remember! DO NOT! CROSS THE PICKET LINE!

Check SAG’s rules for influencers here (https://www.sagaftrastrike.org/influencer-faqs) and do not perform covered services for a struck company during the strike!

www.wgaeast.org/ www.wga.org/

📝 Shownotes: 📝

📼 Preread text (Rowan Ellis, https://youtu.be/SMFll3aIbmo)

Primary Sources:

🎞️ “Thelma & Louise” (1991) (dir. Ridley Scott, wr. Callie Khourie)

Secondary Sources: 📺 “Marge on the Lam” (The Simpsons S05 E6) (wr. Bill Canterbury) (1993) 🎶 “Goodbye Earl” (comp. Dennis Linde) (The Chicks, 2000) 📚 “Driving Visions: Exploring the Road Movie” (David Laderman, 2002) 📚 “American Road Narratives” (Ann Brigham, 2015) 📼 “Thelma & Louise (1991) | Behind the Scenes” (youtu.be/boQk207-IVo?si=RRRTgIM25zjik73S) 📼 “Thelma & Louise [Alternate Ending]” (youtu.be/tnKnTqu3v2c?si=QNGlJ5kMe0yacJLK) 📚 “On the Road” (Jack Kerouac) (1957) 🎞️ “The 400 Blows” (Les quatre cents coups) (dir. François Truffaut) (wr. François Truffaut, Marcel Moussy) 🎞️ “Hunt for the Wilderpeople” (dir., wr. Taika Waititi) 📰 “Monica Lewinsky Is Back, but This Time It’s on Her Terms” (Bennett, Jessica) (www.nytimes.com/2015/03/22/style/monica-lewinsky-is-back-but-this-time-its-on-her-terms.html) 📰 Riot Grrrl (en.wikipedia.org/wiki/Riot_grrrl) 📓 “Terra nullius” Definition (https://en.wikipedia.org/wiki/Terra_nullius) Recommendations:

Lili: 🎞️ “Rocks” (dir. Sarah Gavron, wr. Theresa Ikoko, Claire Wilson) (2019) Anna: 🎞️ “Desert Hearts” (dir. Donna Deitch, wr. Natalie Cooper) (1985)

📱Social Media📱:

IG:     @liliannapod/ Twitter:@liliannapod Tumblr:@liliannasprereadmediathek

🎹Intromusic🎹: "Wall" by Jahzaar, licenced under Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)  

🎹Outro Music🎹: “Waterbeat” by DJ Lengua, licenced under Attribution 3.0 Unported (CC BY 3.0)

🎹Transition Music🎹: 050612_Wild West #1 by Pixabay Harmonica_riff-102340 by Pixabay Highnoon-39371 by Pixabay Highway-14475 by Pixabay Hohner-harp-33554 by Pixabay Jingle-slide-guitar-22108 by ShidenBeatsMusic Saloon-door-squeak-102485 by Pixabay Syntheticwind-hektorsound-23953 by Pixabay The-only-harmonica-in-the-west-33942 by Pixabay Train-1-99265 by Phoenix_Connection_Brazil

#WGAStrike #SAGAFTRAstrike #WGAStrong #MoviePodcast #LiliAnnaPod #LiliAnnasPrereadMediathek #queer #FeministPodcast #QueerPodcast #ThelmaAndLouise #RidleyScott #CallieKhouri #SusanSarandon #GeenaDavis #HarveyKeitel #MichaelMadsen #ChristopherMacDonald #StephenTobolowski #TimothyCarhart #JasonBeghe #MarcoStJohn #1966FordThunderbird #WildWest #Cowboy #FeministMovie #RoadMovie #nationalcinemadayuk #lovecinema #lovethebigscreen