#this weird era of ‘hate/spite-shipping’ or ‘sympathy-shipping’ sucks
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teafiend · 3 days ago
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fearthhereaper · 1 year ago
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Finally finished my The Originals rewatch and I have a few thoughts that I didn't have the first time I watched it, back when it was airing.
Klaus's character assassination in TO has been a well-known fact for years now so nothing new in that area. Klaus was my favorite character during my TVDU fangirl era even in spite of it all. He was by far the most interesting character to me, but I have to say that during the rewatch I found myself enjoying Elijah and his complexity to the point where Klaus and his constant over the top theatrics bored me at certain points. The baby plot was stupid, but then again I always thought that, and the only good thing it gave me was Hayley Marshall and Klayley.
Klayley was...as beautiful, as interesting, as iconic as ever. Truly one of my biggest ships of all time, by far the best dynamic in the show imo....but I have to say, as an ex-Haylijah hater, they ate sometimes. Chemistry wise - they're really good. The story is still weird to me but the chemistry really sold most of their scenes this time around. I don't necessarily ship them, because I still think Elijah's feelings exist due to wrong reasons but I can see Hayley's side of it very clearly and I don't dislike it nearly as much as I had the first time around. They really pulled me in during certain scenes, so that was interesting and new.
Marbekah was always a fine ship that didn't really do it for me but now....damn do I hate it. It's so painful to watch and I genuinely don't believe those two love each other enough to pull all the shit they did. I don't believe that she groomed him, at least not intentionally, so it's not even the usual issue of her watching him grow up that's putting me off, it's just the fact that they truly didn't need to do all that because the Epic Love™ feeling they were going for was just not present.
Camille's storyline in s1 was legit so good, it didn't feel like she existed purely as Klaus's love interest. Her storyline in that season was so interesting and one of my favorites from the whole show. S2!Cami, she existed a bit more for Klaus, and I don't even want to mention s3!Cami that was turned into a vampire for no reason only to be killed off for no reason, in both cases when she was finally getting a new (probably very interesting) storyline. I didn't like the whole "I have darkness in me thing" but her storyline in s1 left such a good impression on me that I felt genuinely robbed by her premature death. (but then again the whole show sucked after s3 so maybe her character dodged a bullet)
Freya could've been a Klaus 2.0, instead we got a family therapist older sister whose job was to cast spells and make speeches about her family. S2!dark!Freya is who Freya should've been and stayed and there should've been far more tension between her and Klaus. She adapted way to quickly to having so many siblings, she was somehow the wiser older sister despite living ten years to her siblings' thousand. A shame that the creators for some reason hated dark characters, they made all Mikaelsons far too soft. She can be morally dubious and still love her family bffr.
I felt much more sympathy for Finn and his situation. His very understandable hatred for all Mikaelsons except Freya and his mother. He had every right to try to off them all, sorry.
And to finish it off with Rebekah Mikaelson who suffered the same character assassination that her brother did because who the fuck is TO! Rebekah. As far as I'm concerned TVDs3!Rebekah is the only Rebekah that is in character. From the random maturity she gained in all of three months between TVD and TO, to the painful motherhood woes, i-wish-i-was-human woes, her character became a completely different and frankly...a very boring person. Suddenly she's the one keeping Klaus and Elijah out of trouble.... Rebekah???? REBEKAH??? is keeping Elijah out of trouble....went from living a thousand years as their spoiled baby sister to I'm suddenly the mommy keeping the order of the playhouse.
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