#this was elias koteas' film 100%

[six-demon-bag]

CRASH (1996) dir. David Cronenberg

[amplesalty]

Christmas 2019: Day 4 - A Very Harold & Kumar 3D Christmas (2011)

On the fourth day of Christmas, my true love gave to me...

Four rounds of sliders!

So, turns out I had the title of this movie wrong, it’s not just A Harold & Kumar Christmas, it’s a 3D Christmas! Which also answers the question of where we go from the second movie, apparently out goes all that racism and in comes just so, so many shots of things flying at the camera.

It’s 2011 by this point, have we not left all this in the past? Hell, they were doing this in House of Wax when I watched that last year and that was back in the 50’s. To their credit, they do poke fun at the whole 3D thing at times, like near the start Harold’s assistant brings in a big ass TV meant as a present for Harold’s father in law. Harold questions if the whole 3D thing hasn’t jumped the shark by now but his assistant disagrees, exclaiming that it’s going to be ‘amazing’ as he points down the camera for emphasis. Harold just dryly asks who he’s looking at.

Harold has been moving up in the world it seems, now a very successful businessman on Wall Street. Unfortunately this comes during the whole ‘Occupy Wallstreet’ movement and the streets outside his office is lined with protesters wanting to eat the rich. Perhaps with a side of eggs which they throw at him by way of the camera lens.

Like a good soldier though, his assistant steps into the line of fire and takes a barrage of eggs to the face. RIP in peace. They have this whole musical sting whilst it’s happening, I feel like this has to be referencing something but I’m not sure what, war movies aren’t my thing.

Harold’s father in law by the way is played by non other than Danny Trejo, which is a rather scary thought. Trying to impress the father in law is bad enough without factoring that into the equation. He’s predisposed to disliking Harold as well given that his mother was killed by a bunch of Korean street thugs when she came over to America.

We learn that in his youth, Mr Perez dreamed of celebrating Christmas with a Christmas tree but would never get his wish. It was only upon reaching America that his mother promised they would have one every year, only for his life to be cut short. That’s why he holds this season and Christmas trees in particular in such high esteem. We also learn that apparently he was born with his moustache, which honestly wouldn’t surprise me with Danny Trejo. Also, someone being viciously murdered by street thugs seems a bit dark for this franchise.

Speaking of facial hair, Kumar is still a layabout bum who got kicked out of medical school for failing a drugs test. I do dig the beard though. Vanessa has left him though and he lives in filth with a neighbor who rents out his bathroom to let homeless people take a shit. So yeah, little bit of a mismatch on how our two heroes lives panned out over the last 7 years. I’m digging the beard though, but he promptly shaves it off under the pretense of trying to finally mature somewhat when he finds out Vanessa is pregnant.

Although, he is a little distracted during this revelation by the unfolding scenes of A Christmas Story and Flick getting his tongue stuck to the flagpole. Clearly an Xbox man as well, seemingly playing some Crackdown and Gears of War recently. This isn’t like that time I kept seeing It’s A Wonderful Life everywhere, is it? I’m not going to start having A Christmas Story pop up in all these movies, am I?

H&K are reuinited for the first time in two years when a package turns up at Kumar’s apartment addressed to Harold, which turns out to be a massive joint. Kumar lights up, only for Harold to play narc and throw it out of the window. Miraciously though, it curves around and flies back in a different window, lighting up Mr Perez’s Christmas tree and nearly burning down the whole house. This only reinforces what a negative influence on Harold’s life Kumar is and it looks like our duo are going their separate ways again. But, this does give us our impetuous for another hour and a half of whacky shenanigans because if Harold doesn’t fix that tree, there’s a good chance Mr Perez might kill him.

So we get the odd foursome of Harold and his new white bread bestie, Todd (and his daughter) and Kumar and his neighbor, Adrian, out on the lookout for a tree. This does lead to perhaps the most racially driven portion of the movie as they head to a tree lot run by two African-American guys trying to do this ‘good cop, bad cop’ thing, the Fat Albert looking guy playing nice and the other wondering what a pair of honkey, cracker, white ass fools are doing coming up in their turf.

Turns out Mr Perez isn’t the only one out to kill Harold though, as the tree search takes them to a party by way of Adrian who has a hookup waiting for him that he met online. She’s a virgin because apparently all the guys at school are scared to go anywhere near her. Adrian realizes that’s because her dad is notorious Ukranian mobster Sergei Katsov. At first I thought this was Chris Meloni making his third outing in the series but no, it’s actually Elias Koteas who was Casey Jones in the Ninja Turtles movies.

After Adrian goes soft upon finding out this information, Mary will settle for anyone at this point and goes to start blowing Harold right in the middle of the party. An inopportune time then for Daddy to come home and find what looks like an Eiffel Tower situation going on.

Even after they barely escape though, the nightmare is far from over as they start tripping and think they’re in the middle of a multi storey evil snowman attack. And, this all takes place in claymation. This is a really awesome scene, the design of the snowman is great and the level of destruction going on is amazing.

I could do without Kumar showing off his clay cock though, I only dread to think how much worse this is in 3D with him waving it about in your face.

Luckily, old buddies Rosenberg and Goldstein are there to shake them out of their bad trip and take them to White Castle to relax. Man, they have a much easier time getting their this time. They’ve clearly learnt from their past experiences. Along with the whole 3D into the camera gimmick, the racism angle has been replaced somewhat with religion, notably here with a whole speech about how Goldstein’s wife had him convert to Christianity and him just going in on those ‘dirty Jew bastards’.

That and the use of his son as a distraction so Harold & Kumar can go steal a tree from a church. ‘Pillow fight in the altar boys room, last one there is a rotten egg!’. Going in on the Catholics as well, I see.

And of course, the big one, the main man JC. Apparently Heaven is like a nightclub and we get the story of how NPH was ushered in the front door following his altercation at the whore house. Only, Jesus didn’t take kindly to NPH macking on his ladies so put in a word to the big man upstairs to send NPH back down to Earth. I mean, it’s not 100% to the letter but I’ll take this as I fucking called it.

The third part of the trifecta of racism replacements in this movie is metaness. There’s a good example here how they call out NPH coming out of the closet in real life, only to reveal that NPH is as big of a poon hound as he’s ever been and this is all just a trick to get the ladies. David Burtka? He’s not his husband, he’s just his dealer!

There’s a couple of other moments like someone referring to Harold as ‘Sulu’ or Adrian saying he lied to Mary and said he was Robert Pattison’s acting coach and that Kumar worked in the White House.

NPH is starring in some big festive stage show and sweet talks one of the dancers back to his dressing room, suggesting she strip down so that he can give her a massage. Hey, it’s cool, we’re all girlfriends here, right? Now just give him a minute so he can squirt some of his special lotion on your back...

He hooks up H&K with a tree from the set but before they can head home, the gangsters catch up with them take them to a secluded part of town for an execution.

But as they make their escape, Harold finds his dick has become stuck to the pole they were tied to. Okay, firstly, between this and Office Chrstimas Party, I’ve seen just about enough dicks to last me til the end of the season. Secondly, maybe this is God’s way of reminding me that I have some unfinished business with A Christmas Story. Sure there was the original and that sequel no one asked for but there is another...

And just in case you forget this is a Christmas movie, Harold inadvertently shoots Santa out of the sky and Kumar has to perform impromptu surgery, because he always does. Santa being played by Richard Riehle who was in Grounded for Life and, relevant to this blog, Chillerama and the Rob Zombie Halloween II. Turns out he was the one who sent Harold the massive joint so that the two of them could reconcile. I never knew Santa cared so much about the friendship of two potheads. I don’t know if he’s a good fit for Santa though, a little too gruff and mean. Doesn’t have the heart of say, an Edmund Gwenn. That could have been an alternate way to do this actually, have a totally sacherine by the numbers Santa that gets corrupted by H&K when they get him to smoke with them, he’s on too much of a bad trip to deliver the toys like normal so it’s up to them to save the day.

I think I would have to put this above the sequel but behind the original in terms of quality. As one note and as fleeting an appearance as he is, the Ukranian gangster somehow feels more of a threat than the entire US government in the second film. Keeping this adventure local again makes it feel much more grounded and there’s just a more light hearted atmosphere to the whole thing when you don’t have that massively racist and oppressive tone pressing down on it.

[roseisread]

My Year in Movies: Favorite Non-2018 Feature Films (Part 3)

In case you missed it, check out part 1 and part 2! Now picking up where we left off...

28. My Cousin Vinny (1992, directed by Jonathan Lynn, country of origin: US)

I know, I know. I can’t believe it either. But I really hadn’t seen this one til just a few short months ago. Marisa Tomei is, of course, a megababe in it; and Joe Pesci wears the hell out of some ridiculous outfits as he portrays a very unconventional defense attorney trying to help his cousin and a friend beat a murder charge. I laughed and laughed and cheered and laughed some more. Best courtroom scenes I watched all year, (and I watched A Few Good Men this year so that’s saying something). If this is still a blind spot for you, or you just want to revisit it, you can rent it on Amazon for 99 cents right now. 

27. After Hours (1985, directed by Martin Scorsese, country of origin: US)

Talk about things that escalate quickly: In this movie, Griffin Dunne’s character Paul meets a fellow book lover/manic pixie dream girl type (Rosanna Arquette). However, when he accepts her invitation for a late night rendezvous at her place, she quickly turns into a manic pixie nightmare girl. By morning, Paul finds himself a fugitive on suspicion of burglary, sex crimes, and murder in a neighborhood it’s safe to say he will never visit again. It’s a more heightened, comedic take on the classic “wrongfully accused” genre, and Dunne plays every note of desperation perfectly. You can watch this for free on Vudu, or rent on other streaming platforms. 

26. The Big Clock (1948, directed by John Farrow, country of origin: US)

The Big Clock actually has a few things in common with the aforementioned After Hours--hardworking New York City guy agrees to drinks with possibly sketchy woman and winds up the prime suspect in a murder. The whole thing takes place over a 36-hour period, and as you might guess the Clock of the title is ticking. The cast is great--Ray Milland, Charles Laughton, Maureen O’Sullivan--and the film balances humor and suspense with ease. Fun fact, the movie is directed by John Farrow, father of Mia. The movie is available for online rental through Amazon, Vudu, and iTunes.

25. The Doll (1919, directed by Ernst Lubitsch, country of origin: Germany)

I adore Ernst Lubitsch, who directed The Shop Around The Corner, To Be or Not To Be, Trouble in Paradise, and Design for Living. Before his English-language talkies, however, he got his start in Germany with silent films like Die Puppe (The Doll). Starring the effervescent Ossi Oswalda (basically the silent era’s Greta Gerwig), this comic fantasy skewers romantic conventions. 

Lancelot is a young prince who must marry in order to receive his inheritance; but he’s afraid of women (or possibly gay... it’s easy to read it that way). He buys what he think is a life-like doll to deceive his family and avoid marriage to a real girl; but little does he know Ossi is actually a real girl pretending to be a doll. It’s all very silly and over the top and winking, and also one of the most hilarious and charming rom-coms this side of the Hallmark channel. The physical comedy is outstanding, the social commentary is scathing, and Ossi is the hero we didn’t know we needed. There are a few versions floating around on YouTube or you can rent it for a few bucks on Amazon. I caught it on Filmstruck during a Lubitsch spotlight, and my life has never been the same.

24. Talk To Her (2002, directed by Pedro Almodovar, country of origin: Spain)

Pedro Almodovar can take the most seemingly absurd situation or plot contrivance and draw out something truly human and moving. He excels at shining a light on damaged but compelling characters, and doing everything with such style and panache that you let your guard down completely and before you know it you’re rooting for someone you ordinarily would scoff at from a distance. This movie’s story focuses on two comatose women and their caretakers, and delves into the limits of love and consent in fascinating, disturbing ways. I had no idea where this film was going but I was with it every second. Available for rent on most online platforms.

23. Crash (1996, directed by David Cronenberg, country of origin: Canada)

From the king of body horror, David Cronenberg, comes a movie about people who find eroticism where most people would find repulsion. Based on the controversial book by J.G. Ballard, this film follows a group of people who are aroused by car accidents and the injuries that result from metal and flesh colliding. It sounds macabre and at times it is, but under the surface are deeper themes that question what is considered “normal” versus “fetish” and why bodies that are whole and untarnished are worshiped while those that have distinguishing marks are tossed aside. There’s also certainly a critique of consumerism and cars as status symbols, and probably a lot more I missed on first viewing. Who better to portray a sexual deviant than James Spader? He’s joined by Holly Hunter, Elias Koteas (you’ll never think of Casey Jones the same way again), Deborah Kara Unger, and Rosanna Arquette. This is a tough one to track down--nowhere online right now, and it’s out of print on physical media; but if you see it at a thrift store or your local library, check it out. 

22. The Cabinet of Dr. Caligari (1920, directed by Robert Wiene, country of origin: Germany)

The Cabinet of Dr. Caligari is one of those movies that gets referenced a lot but I still wasn’t sure exactly what to expect from this silent German Expressionist film. Sometimes watching such a revered classic can be a little daunting--will I like as much as I’m “supposed to”? Thankfully, I did. Basically all of goth culture could probably trace its lineage back to this weird, creepy, twisty film. The elaborate, off-kilter set design and mind-bending story got under my skin in the best way. I won’t say much about the plot--just watch it (on YouTube unofficially or rentable on various streaming services).

21. Duck Soup (1933, directed by Leo McCarey, country of origin: US)

My introduction to the Marx Brothers was A Night at the Opera, and I went gaga for their rapid-fire verbal gymnastics and their gonzo physical comedy. This film takes it to the next level and throws in some political satire for good measure. So many incredible, iconic routines; song and dance sequences; and dialogue that you have to watch at least 4 times to catch all the jokes. I’m officially a fan of the Marx Brothers after this. You can rent it on most streaming sources, but I’m guessing if you have a male relative over the age of 50 you could probably borrow it from their collection. It’s very popular with Dad/Uncle demographic, and I can see why.

20. They Live by Night (1948, directed by Nicholas Ray, country of origin: US)

Nicholas Ray is quickly becoming one of my all time favorite directors. Rebel Without a Cause, In a Lonely Place, Johnny Guitar, The Racket, and now They Live By Night--just stunning movies about troubled souls who don’t quite fit in with the rest of the world. This film lays the template for so many that would come after it: Young couple, good girl falls for bad boy, they go on the run from the law, love is not all you need.

When things are good, they’re really good and lead characters Keechie (Cathy O’Donnell) and Bowie (Farley Grainger) are rapturously crazy in love. But they also bicker believably when the past begins to bleed into the present, leading to one of my favorite exchanges in the film. Bowie confronts Keechie about her whereabouts, and when she informs him she’s been to the doctor “about the baby we’re gonna have,” he bursts out, “That’s all I need!” She fires back, “You don’t see me knittin’ anything, do ya?”

This is a Criterion film, so you may have to get it from the library or catch it on TCM until the Criterion streaming service launches later this spring. Either way, it’s a must-watch, especially if you love movies like Badlands and Bonnie and Clyde.

19. Paprika (2006, directed by Satoshi Kon, country of origin: Japan)

Look, I love Inception as much as the next person, but now that I’ve seen Paprika I must admit Christopher Nolan owes a major debt to Satoshi Kon for the way he portrays dreams and reality intersecting in uncanny ways. The difference is Satoshi Kon did it with much more weirdness and color and unsettling body horror. Don’t ask me to explain this movie, I’m not even 100% sure it can be unraveled all the way into a linear structure; but it is zany and wonderful in the best way. There’s no Tom Hardy but there is a girl who turns into a butterfly and a band of frogs and a creepy clown and a really fat guy who’s in love with the smart scientist lady... I’m telling you, you gotta see this thing. You can stream it for free on Crackle; otherwise it’s a $2.99 rental from Amazon and Vudu.

18. Good Time (2017, directed by the Safdie Brothers, country of origin: US)

If you missed this in 2017, PLEASE watch it now. Robert Pattinson gives his career best performance as a fast talking petty criminal trying to get his mentally handicapped brother out of jail after making him an accomplice to his own crimes. The soundtrack by Oneohtrix Point Never combined with the Safdie Brothers mesmerizing cinematography make for a hypnotic, propulsive viewing experience. Newcomer Taliah Webster delivers an excellent supporting performance as an unwitting sidekick partway through the film. Watch for free on Amazon Prime or rent on Vudu or YouTube.

17. Cleo From 5 to 7 (1962, directed by Agnes Varda, country of origin: France)

My first foray into the filmography of Agnes Varda, and I loved it. Cleo, a French pop singer, spends a couple hours trying to distract herself from anxiety and dread as she awaits the results of a biopsy. She buys a hat, plays with her kittens, and argues with her male collaborators over song choices. 

Eventually she meets a stranger and they walk around Paris in a vignette that almost certainly influenced Richard Linklater’s entire milieu. Cleo mulls her possible fate and concludes “as long as I’m beautiful, I’m alive”--a notion Blondie would later reference in their tongue in cheek tune “Die Young, Stay Pretty.” But as much as she is fixated on her appearance, she finds herself struggling to be taken seriously by men who dismiss her because of her beauty. 

Special shout out to Michel Legrand, who we learned today has left the mortal plane: He composed the lovely score for this film and also appears in it as Cleo’s pianist.

I watched this on the now-defunct Filmstruck, but it’s part of the Criterion Collection so your best bet is probably getting it from the library or waiting for it to show up when Criterion’s streaming service launches later this spring.

16. Happy Together (1997, directed by Wong Kar-Wai, country of origin: Hong Kong)

Wong Kar-Wai captures unfulfilled romantic longing on film better than just about anyone. If you’ve seen In the Mood for Love or Chungking Express you already know this. Happy Together turns the director’s eye once again toward people on a collision course of love, lust, and disfunction. Leslie Cheung (RIP) and Tony Leung portray a couple hoping their toxic relationship will hit the reset button with a change of scenery when they relocate from Hong Kong to Argentina. At times their passion manifests as tenderness, as in a moving dance sequence; other times, volatility erupts into violence. When one of them meets someone new, the possibility of a simpler, sweeter kind of love  offers an alternative to the cycle of codependency and betrayal. This one is out of print right now on DVD, but check your local library or used movie store and you may get lucky.

15. La Dolce Vita (1960, directed by Federico Fellini, country of origin: Italy)

You’ve got sumptuous Italian vistas, Marcello Mastroianni being gorgeous, Anita Ekberg dancing in the fountain, and a bunch of hedonism that leads down a path of inevitable emptiness and/or destruction. Personally, I prefer this one to Fellini’s 8 1/2--it’s filled with  so many scenes that could work as stand alone short films; and there’s more humor and exuberance here than in his better known, meta film experience. The 174 minute runtime may seem intimidating but for me it flew by. Available with Filmbox on Amazon right now, also part of the Criterion Collection.

14. Cooley High (1975, directed by Michael Schultz, country of origin: US)

If you’ve enjoyed movies like Dazed and Confused, American Graffiti, Boyz N the Hood, or even Ferris Bueller’s Day Off, you should really watch Cooley High. Filmed in Chicago, it follows a group of friends in high school as they skip class in favor of visiting the Lincoln Park zoo, recite poetry, go to parties, make out with girls, get into fights, and navigate the tenuous border between youth and adulthood. Full of laughs, heart, and clear-eyed realism in place of the occasional sentimentality that seeps into movies about “young folks,” this must-see of Black cinema influenced independent filmmakers like Spike Lee and Quentin Tarantino. You can rent it on Vudu, or pick up a physical copy on Blu-ray or DVD.

13. Poltergeist (1982, directed by Tobe Hooper, country of origin: US)

Out of all the major blindspots I caught up with in 2018, this is the one that both impressed me the most and made me wonder why it took me this long to see it. I think I just assumed that it would be super cheesy or super scary or somehow both? Needless to say, I was wrong. It’s a blast! Funny, scary (but in a way I loved), original, and one of the best portrayals of family I’ve seen on screen. I now plan to watch this at least once a year to celebrate Halloween the same way that I watch Independence Day on July 4th, Elf/Jingle All the Way/Christmas Vacation at Christmas, and Nightmare Before Christmas/Donnie Darko for Halloween. I’m sure that everyone else in the world has seen it, but if you by some chance have not, go watch it right now! It’s available for rent on YouTube, Amazon, and GooglePlay.

12. Arthur (1981, directed by Steve Gordon, country of origin: US)

This one really surprised me. I became vaguely aware of its existence around the release of the terribly reviewed Russell Brand version; but no idea what to expect when I impulsively clicked the “watch now” button on Filmstruck. At first, Dudley Moore came across as an obnoxious drunken boor, but as I kept watching I realized the levels to his character went much deeper than it seemed at first. John Gielgud immediately won me over as Arthur’s butler Hobson, who loves Arthur like a son despite his many shenanigans. Then Liza Minnelli shows up on screen and isn’t she cute as a button! If you only know her as Lucille II from Arrested Development, you really owe it to yourself to see her in her heyday. You might not think Buster is so crazy for embracing “our nausea.” 

This movie became one of my favorite romantic comedies, in some ways a Cinderella story and in some ways a coming of age story and in most ways something wholly original. It’s a very special film, and deserves a wider audience among today’s movie fans. It’s a $1.99 rental on most platforms right now, so you have no excuse.

11. McCabe & Mrs. Miller (1971, directed by Robert Altman, country of origin: US)

I knocked out a few Altman films last year, and they were all good but this one was my favorite. I’m not always a fan of Westerns, but this one, which finds Julie Christie’s Madam teaming up with Warren Beatty’s Gambler to open a brothel, well, it’s different. I have a feeling Altman (and maybe his cast) watched Johnny Guitar, an earlier entry on my list, because this is another case in which a powerful woman with a mind for business upends the natural order of things (aka men being in charge). 

The writing here is wonderful, especially the dialogue, which includes such gems as “You know how to square a circle? Shove a four by four up a mule’s ass!” but also some more gentle, sweet exchanges and voiceover. There are also some gorgeous shots in this film, unsurprising with cinematographer Vilmos Zsigmond on board (who also shot Close Encounters of the Third Kind, Deliverance, and Blow Out just to name a few). 

Watch it via rental on Amazon, GooglePlay, or iTunes.

Next up: The Top 10! Stay tuned! 

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND July 4, 2019  - SPIDER-MAN: FAR FROM HOME, MIDSOMMAR, MARIANNE & LEONARD

It’s the 4thof July weekend, which is often the bane of my existence because I’m never invited to do anything with anyone. Fortunately, I’m going back to Ohio for the first time in nine months so I’ll be spending this 4thof July with family, and hopefully, that will include some movie-watching.

The movie I’m most excited about seeing again is SPIDERMAN: FAR FROM HOME (Sony), the sequel directed by Jon Watts that returns Tom Holland to the Spidey-suit and brings back all of his friends and classmates, as well as throwing Jake Gyllenhaal’s Mysterio into the mix. You can read how much I enjoyed the movie in my review below, and also, check out my interview with the director, also below.

MY REVIEW OF SPIDER-MAN: FAR FROM HOME

INTERVIEW WITH JON WATTS ON THE BEAT

The other wide release this weekend is Ari Aster’s sophomore feature MIDSOMMAR (A24), starring Florence Pugh, Jack Reynor (Sing Street) and Will Poulter as a group of friends who travel to Sweden to observe a Midsommar ritual held by the community of their friend, but things are not what they seem. Before you can say “The Wicker Man,” they’re finding out the real intentions for their hosts.

Mini-Review: Like most, I loved Ari Aster’s Hereditary and saw it as the advent of a fantastic new vision in filmmaking and horror, specifically. Whenever a filmmaker delivers such an amazing debut, his or her follow-up is going to be eyed with equal parts anticipation and scrutiny, and that’s truly been the case with Midsommar.

Like Aster’s previous film, this one begins with the death of family members, in this case those of Florence Pugh’s Dani early on in the movie.  Dani’s boyfriend Christian (Jack Reynor from Sing Street) is ready to break up with Dani, because he can’t handle her family drama. At the same time, Christian has been invited by his friend Pelle (Vilhelm Blomgren) to go to his small Swedish community to take part in the Midsommar ritual along with friends Josh and Mark (Will Poulter). When Dani finds out about it and Christian invites her (think she’ll say “No’ – she doesn’t) – it soon becomes obvious Dani will be the fifth wheel threatening to bring down the mood. That’s okay because Pelle’s friendly community might have ulterior motives for the visitors.

There’s a lot to like about Midsommar, particularly Aster’s clever way of exploring The Wicker Man territory in a new way that offers terror and horror often in the brightest of daylight, an achievement in itself. Other than the film’s look and the production design that went into making it such a unique-looking visual film, it’s hard to ignore the fact that this is the exact same “stupid young people on vacation getting slaughtered” motif we’ve seen in so many horror films from Eli Roth’s Hostel movies to Touristas to so many more.

For the most part, Aster has another strong cast --  Florence Pugh is quite fantastic in a very different role, although she does a lot of crying in this movie. Jack Reynor could begin stepping into a few of Chris Pratt’s roles without anyone batting an eye, because he has similar rugged looks and charm. I actually liked Will Poulter’s obnoxious American to the point where when he mysteriously vanishes halfway through the movie, it loses quite a bit.

Beyond that, Midsommar explores some of the same themes Aster explored in his first movie, including death and grief and family squabbles with one character crying a lot, and of course, diabolical cult rituals and lots of nudity. Aster also use the same upside-down camera shot he used in Hereditary, which itself was borrowed from Darren Aronofsky. Maybe I’d have liked Midsommar more if it didn’t feel like Aster was retreading familiar territory. I do have to wonder if Aster has ever had therapy, because he certainly seems to have issues, maybe even with a sister, driving him to kill sisters in both his films?

Owing as much to The Texas Chainsaw Massacre as the more obvious Wicker Man, MIdsommar is still not your typical horror movie by any means. If your favorite part of Hereditary was its crazy ending and you didn’t think it was crazy enough, then Midsommar is the movie for you!

Rating: 7/10

LIMITED RELEASES

Because it’s the 4thof July this week, we’re getting far fewer limited releases but I do want to call attention to a couple docs opening this week.

But first, I want to draw attention to a movie that opened at the Film Forum last week, Lila Avilés’ The Chambermaid, an amazing portrait of a Mexican maid in a high-end hotel as she goes through the day-to-day while trying to achieve her goals and dreams, all which seem to move further and further away. I was a fan of last year’s Romaand though The Chambermaid is a different type of movie, it features another amazing performance by an indigenous Mexican, Gabriela Cartol, who had appeared in a couple other movies before, but she really keeps the viewer drawn to the movie and the things that she goes through. At times, it feels like there’s no way for her to fulfill those dreams, and it’s something to which we can all relate.

A doc that’s a must see for all Leonard Cohen fans is Nick Broomfield’s MARIANNE & LEONARD: WORDS OF LOVE (Roadside Attractions), an amazing look at the relationship between Cohen and Marianne Ihlen, the Norwegian woman with whom he lived on the isle of Hydra in Greece, one of his early muses and the inspiration for the song “Goodbye, Marianne.” It’s an amazing film by the award-winning documentarian that has a lot of revelations, including the fact that Broomfield as friends with Marianne going back to the ‘60s, making him the perfect filmmaker to tackle the subject. It opens in select cities including the Angelika Film Center in New York Friday.

Opening at the IFC Center in New York is Rob Fruchtman and Steve Lawrence’s The Cat Rescuers about New York City’s 500,000 street cats and a group of volunteers who go through Brooklyn getting these cats fixed and returning them to their colonies or getting them adopted. It’s a movie that cat lovers will probably enjoy similar to the film Kedi from a few years back, but it’s also kind of sad when you realize that some of this cat population will have to be put down, because cats are adorable and you don’t want them to die. 

Opening at the City Cinemas Village East in New York  almost two years since premiering at TIFF is Tali Shalom-Ezer’s My Days of Mercy, starring Ellen Page and Amy Seimetz (Pet Sematary) as sisters Lucy and Martha who attend state executions to demonstrate against the death penalty. At one such event, Lucy meets Mercy (Kate Mara), the daughter of a police officer whose partner was killed by a man about to be put to death. They quickly bond before Lucy confesses that her own father (Elias Koteas) is on Death Row.

The only other limited release this weekend is Frédéric Petitjean’s directorial debut Cold Blood (Screen Media), starring Jean Reno as Henry, a hitman who is living in a cabin by a lake in the Rocky Mountains when he encounters a young woman who survived a snowmobile accident and has to decide whether to save her life. It opens in select cities and On Demand Friday.

STREAMING AND CABLE

There aren’t any big movie releases on Netflix this weekend but that’s because Season 3 of Stranger Things will premiere on the 4thof July, and I expect many people will be spending the early part of the weekend watching that.

REPERTORY

METROGRAPH (NYC):

Unfortunately, I missed something last week in terms of repertory series at the Metrograph as I didn’t realize that former Village Voice critic J. Hoberman was doing another series in conjunction with his latest bookMake My Day: Movie Culture in the Age of Reagan. The series Reagan at the Movies: Found Illusionsincludes a mixed array of films including 1951’s The Day the Earth Stood Still, a new restoration of Rambo: First Blood Part II (1985), Clint Eastwood’s Firefox (1983), Hal Ashby’s Being There(1979) starring Peter Sellers and more!

Also on Wednesday, Metrograph will be premiering a special 20thanniversary restoration of Takashi Miike’s horror classic Audition, which I think is so perfect for the remake treatment due to the #MeToo movement and its implications. Can you imagine how well a revenge thriller about a young woman getting revenge on sleazy movie producer types would go over in this day and age? Call me, Jason Blum!  

This week’s Late Nites at Metrograph is Penelope Spheeris’ Suburbia (1983) while the Playtime: Family Matinees is Robert Zemeckis’ Who Framed Roger Rabbit? (1988).

THE NEW BEVERLY (L.A.):

Weds has a special matinee screening of the Bond film From Russia With Love (1963) and Tarantino’s theater isn’t taking off on the 4th of July. In fact, it’s holding a special event screening of Red Dawn (1984) and Rocky IV (1985) (You might notice a theme there… USA! USA!) Weds and Thursday are also double features of The Happening  (1967) with Anthony Quinn and Land Raiders  (1970), starring Telly Savalas. The Friday/Saturday double features are the 1966 sci-fi classic Fantastic Voyage with 100 Rifles. The weekend’s KIDDE MATINEE is the Disney classic The Love Bug (1968), while Friday’s midnight screening is Tarantino’s Django Unchained and Saturday at midnight is a 35mm print of Richard Rush’s Getting Straight (1970), starring Elliot Gould and Candice Bergen. Sunday and Monday is a double feature of Dean Martin’s Murderer’s Row (1966) with Ann-Margret’s Kitten with a Whip  (1964).

FILM FORUM (NYC):

Elaine May’s Mikey and Nicky (1976) gets a new 4k restoration that begins on Friday, plus May’s 1971 film A New Leaf will also screen through the weekend. The restoration of Jennie Livingston’s Paris Burning continues to play through the weekend, while the Film Forum will also continue showing Elaine May’s Ishtar and the Coen’s The Big Lebowski through the 4thof July.

EGYPTIAN THEATRE (LA):

The Friday after the 4thof July sees a double feature of Steven Spielberg’s Jaws (1975) and Hard Ticket to Hawaii (1987), co-presented by Beyond Fest. Saturday is a screening of the classic Lawrence of Arabia (1962) in 70mm, while Sunday sees a double feature of The Return of the Living Dead (1985) and The Texas Chainsaw Massacre 2  (1986).

AERO  (LA):

Oh, look… Spielberg’s Jaws is playing here, too… but on Wednesday. Director Peter Hunt will be on hand Friday to screen his movie musical 1776 (1972). On Saturday, you can see a double feature of Jaws 3-D  (1983) and A*P*E (1976), co-presented by Cinematic Void, and on Sunday is a Baseball Double Feature of 1993’s The Sandlot and Penny Marshall’s A League of Their Own  (1992), both in 35mm!

MUSEUM OF THE MOVING IMAGE (NYC):

MOMI is having another screening of Stephen Frears’ My Beautiful Laundrette  (1985), starring Daniel Day Lewis on Saturday, wrapping up Grit and Glitter: Before and After Stonewall. This weekend’s See It Big! Action movies are Robocop (1987) on Friday and the Wachowskis’ The Matrix on Saturday and Sunday.

QUAD CINEMA (NYC):

Opening on Friday is a 4k restoration of the Director’s Cut of Daniel Vigne’s The Return of Martin Guerre (1982), starring Gerard Depardieu.

ROXY CINEMA (NYC)

On Saturday, you can see Alfred Hitchcock’s terror masterpiece Psycho (1960) on the big screen again!

LANDMARK THEATRES NUART  (LA):

Friday’s midnight screening is Tommy Wiseau’s midnight movie “classic” The Room (2003).

Next week, things slow down with two lower-profile films, the comedy Stuber, starring Kumhail Nanjiani and Dave Bautista, and the alligator horror film Crawl, from Alexandra Aja and Sam Raimi.  

[olivierdemangeon]

  Synopsis : Dans un futur proche où la science a vaincu les secrets de la génétique, on peut, dès la conception d’un enfant, le protéger de toute maladie et décider de son avenir. Gattaca est un centre d’étude et de recherche pour les meilleurs de ces jeunes au patrimoine génétique impeccable. Un jour pourtant, un « invalide » décide d’entrer dans ce centre réservé à l’élite…

Origine du film : États-Unis Réalisateur : Andrew Niccol Scénariste : Andrew Niccol Acteurs : Ethan Hawke, Uma Thurman, Jude Law, Loren Dean, Xander Berkeley, Elias Koteas, Ernest Borgnine, Tony Shalhoub, Dean Norris Musique : Michael Nyman Genre : Drame, Science-fiction, Thriller Durée : 1 heure et 46 minutes Date de sortie : 29 avril 1998 (France) Année de production : 1997 Sociétés de production : Jersey Films Distribué par : Columbia Pictures Titre original : Gattaca Notre note : ★★★☆☆

Notre commentaire : “Gattaca” ou “Bienvenue à Gattaca” est un film de science-fiction américain datant de 1997, écrit et réalisé par Andrew Niccol à qui l’on doit également “Good Kill” (2014). Les acteurs principaux sont Ethan Hawke, qu’on a pu voir dans “Les Sept Mercenaires” (2016), Uma Thurman, qu’on a pu voir dans “Paycheck” (2003), Jude Law, qu’on a pu voir dans “Aviator” (2004), Elias Koteas, qu’on a pu voir dans “Le Dernier Rite” (2009), et Dean Norris, qu’on a pu voir dans “Suspect” (2013). À signaler également la participation du regretté Ernest Borgnine, qu’on a pu voir dans de nombreux films sur six décades, ainsi que la participation de Tony Shalhoub, célèbre pour avoir incarné pendant sept ans le personnage d’Adrian Monk dans la série télévisée “Monk” (2002-2009).

“Bienvenue à Gattaca” est un film qui présente une vision biopunk d’une société futuriste axée par l’eugénisme où les enfants sont conçus par l’intermédiaire de la manipulation génétique pour s’assurer qu’ils possèdent uniquement les meilleurs traits héréditaires de leurs parents. Le film se focalise sur Vincent Freeman, interprété par Ethan Hawke, qui a été conçu en dehors de ce programme eugénique et lutte pour surmonter la discrimination génétique afin de réaliser son rêve de voyage dans l’espace. 

“Bienvenue à Gattaca” s’appuie sur les différentes préoccupations engendrées par les technologies de reproduction qui facilitent l’eugénisme et les conséquences possibles de tels développements technologiques pour la société. Le métrage explore également l’idée du destin et les manières dont il gouverne les vies. Les personnages du film sont continuellement en lutte avec la société et finalement avec eux-mêmes pour trouver leur place dans un monde où tout semble répondre à des normes et régies par des castes dont il est difficile de s’extraire en fonction de ses gènes. 

Le thème est quelque peu provocateur, mais cela est construit intelligemment. Ce film est, en fin de compte, profondément dramatique même si certains pourront retenir l’approche par la science-fiction. Les questions éthiques présentées restent intéressantes et interrogent la nature même d’une certaine science. Au-delà de ces questionnements, le thriller est au rendez-vous. L’intrigue se focalise sur le fait de savoir si Vincent Freeman (Ethan Hawke), qui a pris l’identité de Jerome Eugene Morrow (Jude Law) va être découvert et donc expulser du programme destiné à l’envoyer dans l’espace. 

De nombreux flashbacks permettent de comprendre le cheminement du personnage interprété par Ethan Hawke. Uma Thurman interprète Irene Cassini, une collègue de Vincent Freeman, avec laquelle il va débuter une relation amoureuse. Progressivement, elle va découvrir le secret de ce dernier et sera en proie au doute pour le dénoncer ou pas. Jude Law, dispose d’un rôle important dans l’intrigue. Son personnage avait tout le matériel génétique pour vivre au sein de l’élite, mais un accident l’a cloué dans un fauteuil roulant. Il va offrir son identité, son sang et son urine à Vincent Freeman afin qu’il puisse gruger les dispositifs de sécurité et ainsi évoluer au sein du programme Gattaca, lui ouvrant ainsi les portes de l’espace.

En dépit d’avoir rencontré des critiques positives, “Bienvenue à Gattaca” ne fut pas un succès au box-office, mais le film aura eu le mérite d’avoir cristallisé le débat sur le sujet controversé du génie génétique humain. Doté d’un budget de 36 millions de dollars, le film n’a engrangé que 12,5 millions de dollars de recette au box-office. 

“Bienvenue à Gattaca” a fait l’objet d’une édition en DVD ainsi qu’en Blu-ray, paru le 19 mars 2008 chez Sony Pictures Home Entertainment. Pour de plus amples renseignements, n’hésitez pas à consulter la fiche du film sur le site DVD.Fr.

En conclusion, “Bienvenue à Gattaca” est un film intéressant par le sujet qui est développé en arrière-plan. Le scénario est relativement bien écrit, mais l’intrigue est quelque peu simpliste, sans vraiment développer de rebondissement et sans faire preuve d’innovation. La photographie accuse le poids des années. La distribution est intéressante, et le trio Ethan Hawke, Uma Thurman et Jude Law fait déjà preuve d’une belle capacité à s’immerger dans les différents personnages qu’ils interprètent. L’ensemble reste très correct et mérite qu’on s’y arrête le temps de redécouvrir ce métrage. 

  Bande-annonce :

BIENVENUE À GATTACA ★★★☆☆ Synopsis : Dans un futur proche où la science a vaincu les secrets de la génétique, on peut, dès la conception d’un enfant, le protéger de toute maladie et décider de son avenir.