#this time I cast gale aside and open myself up to a new love interest (it's shadowheart this time) | Explore Tumblr posts and blogs

arcaneranger · 6 years ago

Text

Final Thoughts - Spring 2018

Oh, I am so very late on this one, but in my defense, I did warn that I had too much to watch during the spring, so much so that I actually have to have MAL open in another tab while I’m writing this just to remember everything.

I’ll start with what I skipped.

* Tokyo Ghoul:re, FLCL Alternative, Hozuki’s Coolheadedness Season 2 and High School DxD Hero because I have neither watched the previous seasons nor read the manga.

* Cutie Honey Universe and Gurazeni because by the time I would have gotten to them, I had only heard bad things.

* Dragon Pilot: Hisone to Masotan because Netflix picked it up and we’ll have to wait until September for it.

* Gegege no Kitaro because I didn’t hear any buzz about it and frequently forget that it even exists, I’ll get around to it if enough people ask me to.

* Full Metal Panic! Invisible Victory because Funimation has inexplicably removed the dub from VRV and that’s how I want to experience it.

* Kakuriyo: Bed and Breakfast for Spirits because I already watched Konohana Kitan and didn’t see much of a difference.

* Captain Tsubasa because Viz licensed it and then just kinda sat on it everywhere except the Philippines.

* Inazuma Eleven because it just went completely unlicensed/unloved.

So, with those out of the way, from the bottom to the top, here’s everything I did manage this season.

Worst of the Season: Fist of the Blue Sky Re:Genesis (2/10)

Oh my god, it’s just the ugliest thing this side of Berserk. I don’t remember a damn thing about this one, and I’d bet that most people who watched it are with me on this one, because I was just distracted by how astoundingly awful the CG production in this show is.

Butlers x Battlers (3/10)

Ugh, what a boring slog of a premiere. I still pretty vividly remember this one, if only because it’s so painfully generic that it swung all the way around to be memorable again. Butlers spent almost its entire first episode on absolutely nothing before remembering in the last five minutes that it was supposed to have a plot and smash-cutting to it in the middle of a scene.

Caligula (3/10)

Where to start? After one of the most interesting premieres of the season, this adaptation pretty immediately sank into complete nonsense, and it’s such a massive waste of potential that this was the work of the writers behind the original Persona titles. Caligula is a show where the main characters literally forget the plot is happening and decide to go to a theme park while they’re trapped in a virtual world with a bunch of digi-zombies trying to murder them. Are you kidding me?

Devils’ Line (3/10)

I just did my write-up for this, so it’s a little fresher in my mind, but honestly, it’s just Twilight with adults and the edge factor turned up, and it looks damn silly trying to be as serious as it is. Sentai needs to choose a little more carefully than this if they want to promote their new service.

Libra of Nil Admirari (3/10)

This one was just so boring to look at that I don’t remember anything except that books were evil and it was a visual novel adaptation.

Dances With the Dragons (4/10)

I’m aware that I use the word “generic” an awful lot, but this season’s worst had quite a lot of that quality, and it applies here, too. Trying its hardest to be a mid-aughts grimdark action piece, it just does almost nothing interesting in its premiere, aside from giving the protagonist an already-existing girlfriend, which may have just been an attempt to quell any yaoi-baiting the two main dudes have going for them, because her only qualities demonstrated were “can’t cook” and “looks hot”.

Real Girl (4/10)

As I said in my write-up, I wanted so badly to like this one, but you need a budget of more than fifty cents to make an anime, and nearly every shot betrays just how little the studio was working with. We’re talking about the kind of show where the main cast goes to a summer festival, and appear to be the only people there. The story and writing just aren’t enough to make me put up with it.

Gundam Build Divers (4/10)

What a total letdown from this franchise. Fighters was an incredibly well-written show that was aimed at kids but could appeal to all Gundam fans, Try was divisive but the people that liked it (like me) got a lot out of it, but Divers just flounders. A relatively decent first episode gives way to episode after episode of Villain of the Week shenanigans that I cannot bring myself to care about because the main cast just aren’t interesting; they’re pretty much just generic shonen cardboard cutouts. This was one case where I was almost hoping for a sudden death game turnaround, because the idea of a bunch of kids being trapped in a game with lots of adults and giant robots would at least be a workable plot, but just fighting Team Rocket over and over again is boring schlock.

Magical Girl Ore (4/10)

I held out hope for too long on this one, but I had an inkling from the beginning that the humor was just going to turn me way, way off, and I was right. This one just carried too many bad implications if you thought about it, and they all piled up and crashed down on me the more I tried to keep going.

Magical Girl Site (4/10)

This show just couldn’t stay above water. The writing only got dumber as the plot carried on, and the fact that I was still watching became embarrassing, because most of the community watched one episode of this and dropped it like a hot rock. Hopefully I’ve learned my lesson.

Darling in the FRANXX (5/10)

What total bull, huh? I’ve never seen public opinion on a show turn around as fast as the community ripped Darling to shreds. While it’s visually gorgeous (most of the time), the writing in the second half of the show is just humiliating to everyone involved, as the script becomes a child Godzilla-stomping through a carefully-constructed castle of wood blocks. Once again, I yearn for Inferno Cop.

Persona 5 the Animation (5/10)

I said for the longest time during the lead-up to P5A that I didn’t really see the point of it. Persona 5 is the fastest-selling game in the franchise, and ultimately an adaptation would only serve to recap the plot, because that’s all it would have time to do in only six months. I actually enjoyed Persona 4 The Golden Animation, because it sold itself as a companion piece to the existing plot rather than a retread of it, and seeing the Scooby Gang just hanging out more was precisely what I wanted from it. A-1 Pictures just didn’t learn enough from the sins of Ace Attorney, because while this is better, it’s still not worth watching if you’ve played the game.

Last Period (5/10)

This one got some early buzz for halfway-decent production work and a skewering of gacha-based RPGs, but ultimately ended up repeating itself so often that it became boring, and sidelining the highlight of the show (the villain trio Wiseman) into having barely a few lines per episode. Just goes to show what happens when repeated gags get stale.

Now that those are out of the way, we can get to the stuff I actually finished!

Legend of the Galactic Heroes: Die Neue These (6/10)

Barely worth watching for how badly condensed the plot is, and barely worth talking about until the movies happen. That’s assuming we actually get them stateside, but I won’t hold my breath on that one. I coulodn’t even find a decent GIF for this one.

Crossing Time (6/10)

A fun, yet not especially memorable set of vignettes about people waiting for the train to go by. Some of the episodes were less enjoyable than others, but still worth a watch if only because it’ll only take you half an hour and anything you don’t like will probably be over quickly.

Golden Kamuy (6/10)

The last thing I finished for the season, Golden Kamuy’s failure to live up to high expectations lies in its inability to focus on its serious tone, constantly inserting dick jokes into its brutal fight scenes and dragging a poop joke on for entirely too long throughout the show, but it’s still good-looking enough to be worth watching, and it was the only decent show this season to pull out the announcement of a continuation in its last episode, without which it probably wouldn’t have gotten a pass from me.

Umamusume: Pretty Derby (7/10)

I still am amazed by the legwork that went into this silly little mobile game adaptation. While parts of it remain half-assed and unnecessary (the random idol performances being at the top of that list), it’s still a competently-written story about a protagonist who won’t let anything stop her from being The Very Best Like No One Ever Was, and I never get tired of that. The constant timeskips do get a little hard to keep track of, though.

Wotakoi: Love is Hard for Otaku (7/10)

This one could have been improved by just tweaking a few things. While the characters were endearing and the comedy on-point, the story needed a little interference just so that we didn’t end the final episode in pretty much the same place as the second, because I didn’t get any sense of progress in the main relationship. Still, totally worth a watch if you were disappointed by the news that Recovery of an MMO Junkie was directed by a Nazi.

Comic Girls (7/10)

A very cute story of four artists living together and sharing their passion for manga. This one grew on me a lot over its run, and while I had been pretty certain it would be a 6, a satisfying ending and unnecessarily pretty production elevated it, and I’m glad I wound up finishing it.

Sword Art Online Alternative: Gun Gale Online (8/10)

This one has the distinction of being the first review I got hate mail for, because I said that Sigsawa was a far better writer than Kawahara and that the female characters in Alternative actually had agency, and boy are those things true. As it turns out, without Kirito-sama, Sword Art Online can actually be decent, or even great. A solid buildup, well-defined characters (that don’t want to bang the main character!) and a spectacular climax lead up to the best story in the franchise. Can’t wait for Alicization to bring SAO crashing back down to mediocrity-at-best.

Tada-kun Never Falls in Love (8/10)

The only HIDIVE show I finished this season! And the best of three romantic comedies we got this spring, because it gave us the progression and satisfaction that Monthly Girls’ Nozaki-kun wasn’t able to. While it hit a few stumbling blocks, Tada-kun was brought up at least two full points by its fantastic ending, and that was a great surprise since I was really skeptical going into the final few episodes, as they are a big shift in tone and setting from the rest of the show, but the story pulled it off brilliantly.

Hinamatsuri (8/10)

The funniest show of the season, hands-down, Hinamatsuri is the strange tale of a girl with psychic powers from another dimension coming to live with her new yakuza dad, and the hilarity that ensues. Hina herself is a great character, as her dimwittedness is the basis for a lot of the comedy in this show, but the real heart is Anzu, and the coming-of-age journey she takes over the course of the story. This series shows a great and uncommon sympathy to the downtrodden members of Japanese society, and ultimately is able to bring every character’s arc to a meaningful and satisfying conclusion...except for one. Shame about that final episode.

Food Wars: The Third Plate (9/10)

I’m surprised at the lack of heat I’ve gotten about my opinion on Food Wars, and maybe it’s because I’ve been too subtle about my feelings, so I’ll spell them out clearly now: Food Wars is better than My Hero Academia, and you should be watching it.

Lostorage Conflated WIXOSS (9/10)

Man, was this a satisfying turnaround from the disappointment that was incited. The decision to bring the original cast back for a Massive Multiplayer Team-Up was a great one, and meant that almost every character, but especially Midoriko, got the conclusion they really needed. I’m hoping that this is the end for this franchise, if only so it can go out on its highest note. Oh, also, the soundtrack is still awesome.

Best of the Season:...

...

MEGALOBOX (10/10)

This shouldn’t surprise anyone, because MEGALOBOX was perfect from beginning to end and anybody who watched it is well aware of that fact. The sleeper hit of the season was everything the first episode promised; a gritty, 90′s-flavored story of one man’s journey to prove himself the best, and damn the consequences. MEGALOBOX is so great that it’s difficult to pick out individual elements of its awesomeness, but special mention should go to the music, because it is amazing. The OST of this one should go down in history along with that of Bebop as the best that anime has to offer.

0 notes

hawk-in-a-jazzy-hat · 8 years ago

Text

Anime Review: Gosick

In the year of 1924, in the fictional European country of Sauville, lies the prestigious Saint Marguerite academy; a place for students to reach the best of their ability. One such student is Kazuya Kujo; thierd son of an imperial soldier determined to make a name for himself away from the shadow of his two older brothers. Not that it’s easy, as due to his appearance he is quickly dubbed the Reaper that Comes in the Spring, as to a local ghost story, and his very appearance is made synonymous with bad luck.

On his first day at the academy, however, he makes a chance encounter. In the towering library on the ground, he discovers a beautiful garden on the top floor. And in there, he discovers a mysterious doll-like girl with beautiful golden hair; the Golden Fairy that supposedly steals the souls of men. He soon finds out however that this is no fairy, but a genius young girl called Victorique, who is kept in isolation at the academy for somewhat dubious reasons.

Kujo quickly takes a liking to her, and as they get involved in spooky goings on and grisly murder cases around the country, she soon takes a liking to him. But a storm is coming, and their happiness is threatened by the very forces that kept Victorique shut away in the first place...

The Reaper, and the Golden Fairy. Two terrifying beings, and two people totally unsuited to be with one another. Yet though the gale threatens to tear them apart, their hearts will always be together.

It’s time to consult the wellspring of wisdom and assemble the fragments of chaos once again.

Every time I start a ‘block’ of new anime series from my overwhelmingly large backlog, I’m always hoping for that ‘one’ series to come up. The series which seemingly comes out of nowhere, that I know very little about, and yet which somehow, inexplicably makes it onto my favourites list. A couple of blocks ago, it was Fate/Zero and Rozen Maiden. The block after that, it was Jormungand. And when I did my little Urobuchi retrospective, Gargantia on the Verdurous Planet was the show which really stuck out to me. It’s a nice feeling when it happens; finding something excellent completely by accident.

In many ways it’s these kind of shows which essentially ‘save’ anime for me; there’s only so much stuff which is mediocre-to-average you can sit through before you begin to question why you’re bothering. I try and mix things up a bit; mixing the things I’m genuinely excited for with shows like the ones above that I’m practically going into blind. Perhaps it’s the lack of hype which makes them stand out, or perhaps I do, occasionally just find diamonds in the rough. It certainly doesn’t always work; shows such as Haibane Renmei or Requiem for the Phantom, while technically impressive, can fall a bit flat under an emotional scrutiny, whereas others like Aldnoah.Zero and Umineko are just plain crap.

But when these shows come along, it’s well worth the wait and the drivel I forced myself through to find them. I was slightly concerned with this current block; while it did give me Tokyo Ghoul and Eureka Seven, both of which are great, the latter I was kind of expecting to enjoy anyway and the former only really became great in its second half after a pretty dull first half. As for the rest of the things I’ve been watching, Ghost Hound was technically sound but ultimately a bit of a let-down, Clannad annoyed me for several reasons, Umineko, as I’ve stated, was pure crap, and we don’t talk about Elfen Lied ever again. I was beginning to worry that I wasn’t going to find my ‘undiscovered gem’ as it were for this block.

Then I saw Gosick; a show which has assuaged my fears and reinstalled my faith in anime once again.

It’s not perfect. It has problems, some of them rather major. But when you actually get down to what matters, Gosick is actually a pretty fantastic show.

It helps that the production is done by my absolute favourite of all anime studios; Studio Bones, baby! These guys can take on any genre and any art style and make it work, I swear. It’s funny, because by Bones standards Gosick isn’t actually that impressive on a technical level; the character designs, while striking, are simple, the direction is merely fine, and the animation is really quite restrained. Yet even a Bones show on a budget looks better than about 80% of other anime out there, and at its best Gosick is a really pretty show, really making the most of its gothic setting. The standout moments are few and far between, but when they come around they really make the most of it. Overall Gosick is just a really purty show; perhaps not with quite the sparkle and flair of a KyoAni or a P.A. Works show, but honestly, I prefer a style that’s a little more grounded anyway.

As for the music, you’re honestly not going to notice it. Aside from a couple of notable insert pieces and two really good ending themes (the opening looks pretty but the song is pretty meh), most of the music just basically does its job; accentuating the mood and blending into the background. I can’t fault it for that, though I can’t see myself revisiting the soundtrack like I do for, say, Eureka Seven.

So here’s a thing which took me far too long to figure out; the title Gosick isn’t a referencing to a plot point or a character in the series, but is in fact just a corruption of the word Gothic. I’m not making a point here, other than the fact that I feel silly for not working it out.

Although technically it is an important point, because when it comes to whether this show works from a story perspective, the important factor is literally staring at you right in the title. From the early episodes Gosick has a tendency to paint itself as a season long mystery show, which honestly is doing itself a disservice. If you’re watching Gosick for a good mystery, you’re probably going to feel rather let down. Even if you’re watching for a thriller or a crime drama or something, it’s really quite basic in that regard.

But if you’re looking for the best example of a purely gothic anime you can find, I can’t think of any better example than this.

(or Rozen Maiden, but...you know...one thing at a time)

It’s not just the visuals and the sound that lead to this. It’s the lore. It’s the setting. It’s the ghost stories and folklore playing along with politics, science and the occult. It’s a tension that never really goes away, and a constant feeling of dread for both our main characters at any given time. It’s pure black comedy mixed with goofy slapstick, and it’s genuine terror mixed with cheesy horror.

Good, proper gothic is a hard thing to get right. In the west, Laika and Tim Burton are probably the only ones who really know what they’re doing in that regard, and even then the latter has the tendency to overdo things here and there. Gosick however strikes the balance just right; it is one of the most consistently entertaining series I’ve ever watched. Even in shows I loved, I can generally point to moments that are better than others. Gosick is basically an extended anthology; two or three episodes a time dedicated to the current mystery, with hints thrown in now and again towards the overall plot. But the thing is, it works, because all the individual mysteries are seriously engaging, as is the main plot. Sure, not everything hits, and not every single plot twist is truly warranted (I am reminded of a certain late revelation which is highly uncomfortable and really could and should have been done another way) but honestly everything that needs to slot into place, really does.

It helps that the show has a strong cast. Again though, not strong in the traditional sense; most of them don’t really go through a proper arc or have much development at all. Even the main hero Kujo pretty much stays the same throughout the whole series, and if there is a weak spot to the show I’d have to point to him. He’s kind, charming and performs the every-man role fairly well...

...buuuuut he’s also a blithering idiot. Like, really. You wonder how he even managed to find his way off the boat.

Okay, okay, he’s not that bad. And frankly, I’ll take his idiocy and his many, many poor decisions with slightly more leeway given the fact that he is such a charming person. It’s not like Shirou from Fate, who is such a blithering moron yet is also so convinced he’s right that you just want to punch him. Kujo’s idiocy is harmless. Most of the time. I did want to slap him once. Maybe twice.

The rest of the supporting cast fill their roles well. The hyperactive teacher, the friendly cook, the flamboyant detective, the secondary love-interest who doesn’t have a chance at all; they’re all interesting and distinguishable in their own way, frankly fitting a gothic story to a tee. They don’t have to have fully fleshed out characters just so long as they’re instantly recognisable, which they are.

Also, props to the show for having a character with ridiculous anime hair, where, not only is this actually acknowledged in the show, but is also a vital plot point. That did make me chuckle.

But of course we’re just skirting around the edges here; the real reason to watch this show and the reason it is so dang entertaining is Victorique herself.

Victorique is basically the Sherlock for the show, but she has an awful lot of layers to her. She’s grumpy and stroppy, but also adorable with a childlike innocence. She can be badass when she puts together a mystery from the smallest cues, yet also badass when she fights for her own happiness. Her relationship with Kujo is what makes the entire series for me; they both fill each others weaknesses, and bring out the best in one another. It’s a deep, mutual respect and friendship that lies beneath the surface teasing and baiting, which honestly is the thing I think was missing from Spice and Wolf.

Honestly, I think Kujo and Victorique have one of the best relationships I’ve seen in any anime. And the show knows this, and is constantly threatening to wreck everything; I won’t spoil anything, but when the feels hit, they hit hard.

Gosick is a show that really shouldn’t be as good as it is, and in fact may not be. It has issues with storytelling, with characterisation, with a bit of major plot contrivance near the end and with the fact that one member of the main duo is, as I’ve mentioned, a complete blithering idiot. But honestly, it doesn’t matter; Gosick does so many things so, so right during its run that I can’t help but instantly love it. If you’re one for sweet, delicious Victorian gothicness or just want to see an adorable and really well realised relationship (which may or may not be romantic) between two very different people, I can’t recommend Gosick highly enough. And even if you’re not sure, give it a try. I did, and while I certainly wasn’t expecting anything truly fantastic, I most certainly got it.

My score: 8/10

Well, one more show from this block to go. Will it round it off nicely, or will it bring the whole thing crashing down. We may never know.

Well, we will. That’s why I do this stuff.

Next classic review will be RahXephon.

#anime 2011 #gosick #studio bones

2 notes · View notes

hentaihunblog-blog · 7 years ago

Text

Cardcaptor Sakura: Clear Card-hen – Episode 1 [Sakura and the Clear Cards] [First Impression]

New Post has been published on https://hentaihun.com/blog/2018/01/08/cardcaptor-sakura-clear-card-hen-episode-1-sakura-and-the-clear-cards-first-impression/

Cardcaptor Sakura: Clear Card-hen – Episode 1 [Sakura and the Clear Cards] [First Impression]

I… I don’t know what I’m feeling right now. o_o

You know, aside from ALL THE FEELS!

I was… actually I was a little younger than Sakura’s Clear Card-hen [CCH] age when a close friend of mine got me into the original Cardcaptor Sakura. I was never as big a fan as she was, but it was cute, funny, and was one of the first anime I was introduced to (alongside Escaflowne, Digimon, Pokémon – that whole YTV/Fox Kids/Toonami anime lineup). I didn’t learn until much later how heavily censored the North American version of CCS was, but as a kid I enjoyed it for what it was.

I will say that I did lose interest between the original seasons and the movies, so I have only a vague understanding of how the original series ended. I saw some faces in this first episode that I recognized, but that I will have to wiki later in order to fill myself in.

Being that the original CCS ran from 1998 – 2000, the animation in CCH is of a much higher quality. Omg, it’s beautiful ~ > )

Anyways, so if you’re familiar with the original Cardcaptor Sakura anime and/or manga, this first episode is going to be a walk in the park for you. Aside from a mysterious new villain whom we get virtually no information about, everyone shown in the first episode is from the original series. Plus guess what – the entire original Japanese seiyuu cast has returned for CCH too! Huzzah! (And yes most if not all the female characters still sound like they’ve been sucking on helium. But that’s always been what the Japanese version has sounded like, so I know I’ll get used to it eventually. Hopefully.)

In this first episode, Sakura goes to her first day of middle school.. Sakura learns quick that some of her middle school subjects are going to be much harder for her now (specifically shown are math and English). On her way home she bumps into Syaoran, who has returned from Hong Kong at long last. They have a sappy reunion, one which Tomoyo interrupts with her sneaky cockblocking antics as always. ;D Some things never change.

That night Sakura has a nightmare in which all her Clow cards have turned clear. There is an unknown figure floating a distance away from her, and she cannot make out the individual’s face or body as they are wearing some kind of hood or mask that covers everything but their (shadowed) eyes. This person makes Sakura’s cards shatter and the broken pieces go racing towards her body. When Sakura is jolted awake, she rushes to open her Clow book and sees that her cards have indeed all turned clear.

The next day Sakura and Kero go to visit Yukito, who turns into Yue when Kero announces that they’re having an emergency. Together Kero and Yue deduce that Sakura hasn’t lost her magical powers, but they don’t know either why the cards have turned clear. Sakura asks Yue to please not reveal anything to Yukito if he can help it, and lets Yue know that Syaoran has returned.

Later at school Sakura fills Syaoran and Tomoyo in on what’s going on with her Clow cards. Kero shares that he’s already e-mailed Eriol in England and is waiting for a reply. With nothing else to do, the three return to their classes and finish their day at school.

Sakura has another nightmare that night, again with the broken clear cards and the mysterious person in the long robes. This time however, the dream continues on for much longer. Sakura is protected from the clear card shards by what turns out to be her new Clow Key (it’s so pretty! 0 ). This appears to anger the

robed figure, who summons a huge, dark dragon and perhaps tries to suppress or remove Sakura’s powers from her. (This figure doesn’t speak a word, so I was a little unclear with this person’s intentions towards Sakura, aside from that they were obviously not positive.) When Sakura wakes up, her new Clow key is in her hand. Whoa!

While walking to school the next day, Sakura and Kero are attacked by what is obviously some kind of wild Clow card. It has the power to rip gashes in the sidewalk and rip a tree down, so it looks pretty powerful. It attacks Sakura a during a vulnerable moment and she is saved at the last moment by her new Clow key, which transforms into a fancy new staff. Her new incantation magically comes to mind and Sakura is able to seal the new card: Gale.

Despite not being a huge CCS fan, I’m rather excited for CCH! I love that Maaya Sakamoto is singing the opening theme (“Clear”), and the ending theme (“Jewelry” by Saori Hayami) is catchy too. My favourite moment/scene from this first episode? Sakura’s reunion with Syaoran – not only because it’s such a romantic moment, but because in the background a beautifully remixed version of the original Japanese opening (“Catch You Catch Me” by Gumi), and I honest to god almost cried. ;~;

CCH is set to run for two seasons, and I’m unsure at this point whether I’ll be covering both. I might pass it to another AAB writer at the end of this season, but time will tell. If I absolutely adore CCH then I’d love to cover it until the very end.

Possibility of Watching: High Possibility of Blogging: High

(A small bonus, random tidbit for all you CCS fans out there – my all-time favourite piece of CCS music is “Purachina” (Platinum), the season 3 opening theme. It’s also sung by the great Maaya Sakamoto. �� What is your favourite CCS song?)