#this is not necessarily about stephcass btw but definitely could be read as cass' crush on steph

[casscainmainly]

So as much as I loved Batgirl #5, I did kind of raise an eyebrow at this panel:

It's a sweet sentiment but not one I think Cass would have; this kind of sympathy towards her younger self, particularly this idea that she had "no control of her life," runs counter to my view of her self-hatred and guilt. Elsewhere in this sequence she talks about that self-hatred, which feels more true to Cass, and to me somewhat contradicts the way Cass is fully embracing her child self here. I do not think Cass would ever shift the autonomy of her killing away from herself by saying she was "lost" and had "no control."

But then I thought harder about it, about the times when Cass was more forgiving of herself, and realised there was a common denominator: the one and only Stephanie Brown.

From the beginning Steph is associated with communication and language - Brombal nods to that here, where Steph allows her to "find those words." In Batgirl (2000) #20, arguably the start of the Steph-Cass relationship, Cass goes to Steph for reading help. Stephanie has always been a source of communication and connection for Cass, both things David Cain withheld from her.

Then we have this scene in Batgirl (2000) #28, which is SO important to Cass' conception of Stephanie. The "you... won't last" isn't only referring to their sparring, but to Steph being Cass' "best friend" - Cass doubts whether anyone can truly love her like that. But Steph impresses Cass with her tenacity, making Cass realise that this is someone who never gives up, no matter the odds. Someone who might actually, truly be able to love her.

It's this foundation that allows Cass to relate her experiences to Steph's abuse from her own father:

Steph's friendship allows Cass to acknowledge, on some level, that what David Cain did to her was abusive. It's a crucial step to mitigating some of that eternal guilt she holds, and seeing herself as someone worthy of love.

It's why Steph's conversation with Cass in #38 kickstarts Cass' journey of romantic discovery. It's not necessarily the possible crush she has on Steph, but that Steph as a whole represents romantic possibility.

Then Stephanie dies, and we get #62:

Imagined-Steph encourages Cass to fight for her life. This is huge compared to Cass' death wish in the beginning of Batgirl (2000) - even though Shiva helps her overcome that in #25, this is the first time we see Cass fully embracing her desire to live, fully choosing to live. And this choice is framed not through her own voice, but through Stephanie's. It's as if Steph represents the fact that Cass is actually worth saving.

So although some other people might have worked for this hallucination, for this specific part - Cass embracing her younger self - I think no one would have allowed her to do it except Stephanie. Nobody except Steph allows her to look at herself as someone worthy of compassion and love.

Batgirls (2022) #14 and #15