#this is a character of mine! he's the embodiment and metaphysical manifestation of love. so hes not actually animal death but still

[dontpunchdogs]

i started another bigger pieeece im putting the original sticky note w the wip this time. here

[lunelantern]

~~Sasuke's Revolution~~

Analysis

{What I want is.... REVOLUTION}

This contemptuous and rather forthright cite from Sasuke is a proclamation of his character inner coordinates as Schopenhauer's philosophy shines brightly as we let ourselves be entralled by the cruel beauty of this seemingly irrational confluence of pent-up inner conflict and Sasuke's response to the ills and mals of a crumbling extraneous society that produced nothing but pain and collective conflict.⚔️

Kakashi wisely concludes in a sheer humanist rhetoric that "Sasuke is the result of the current world's flaws".🌇

His words ascerts that Naruto manga's fictional a universe, as a perfect metaphoric parallelism to the contemporary world, offers an ample overview of the consequences of a world's flaws in its detrimental uncaring decadence; a chaotic system that's governed by corruption, higher ambitions, organized crime, the usage of mass-destruction weaponry and the glutenous strive for dominance, power and conquest. 🏭🛢️🌩️

Masashi Kishimoto crayons a multi-disciplinary narrative allegory of the current world society - - mainly focused on the confluence between medieval Japanese rites intertwined with modern Japan - - where characters' evolution is presented through the technique of metaphysical introspection, which unravels their inner coordinates. ⛩️

In this case, Uchiha Sasuke is the embodiment of the contemporary world's ills in response to the psychological trauma of a system that's profit-oriented.

Kishimoto's personal view of the world rallies with humanism and its organic philosophy.

The two perspective are illustrated in the manga through the two metaphoric answersthat Naruto and Sasuke proposed in their symbolic encounter with the Eremit of the Six Paths - - an introspection into Schopenhauer's Will, congruent to the manga's thesist inclinations and Christian and Buddhist elements about Genesis, karma and cosmogony.

Naruto embodies the humanist view as unyielding trust in the innate good nature of any sentient being, which are moulded and turn into evil by extraneous conjecture.

It's the society and the environment that turns one from good to bad and it's that "turns hatred into love" ; which means that love as an omnipotent transcendental universal force of nature possesses the soul - cleansing ability to make the fallen angel return to his pure, sinless form - - a reflection of the humanist view of the manga.

Kishimoto's solution to acquire universal peace, namely adhering to the humanist view of the world proposes a respectful cohabitation between the two antithetical doctrines - - Yin and Yang harmony/ Naruto and Sasuke's cooperation.

Uchiha Sasuke, as the echo chamber of Kishimoto's empirical view of the world and personal criticism, is the paradigm of one of the two manga's supporting pillars, namely Arthur Schopenhauer's pessimism and life philosophy. The negativism and nihilism, the Antinatalism, the sublime introspection of Will as the pathway to unravel the origins of life and one's life purpose.

In his iconic objectification of Will and the way a person perceived the matter and the material world is intimately intertsined with the personal perception of his Will, or the spirit.

The entire Uchiha clan consists in an expletive repertoire of anti-heroes, whose inner character coordinates are cemented into Schopenhauer's phylisophy of Will and aesthetics.

This philosophic retoric culminates with Uchiha Itachi avidly insists that "all people live with false preconceptions that they call as reality"; alluding that the materialistic reality is nothing but the extraneous manifestation of one's internal consciousness and perception projected on the material world.

Madara's INFINITE TSUKUYOMI is the pinnacle of the Uchiha's allegory as the struggle to vanquish the major source of pain and suffering in the world - - the mindless Will, and tragedy of self-reflection and pessimist introspection.

Uchiha Itachi is one of the few key characters that represent Kishimoto's "echo" of the manga; a self insertion direct intervention from the author into the plot using the technique of self-indertion, along with Jirayia, Hashirama and Orochimaru.

Only when one would deeply and minutely look into his own soul through introspection will he unravel the enigmas of the universe.

It's the implicit apanage of the naturally reflective minds - - the condition of the genius - - to be prone to introspection. The thinker, the genius, the philosopher, are all key attributes ascribed to the uchiha clan members.

Itachi, madara, obito and sasuke are all self - thinkers by nature. Their scholastic philosophical introspection is what offers dynamics to the manga in contrast to the hero's linear life philosophy. They are reflective in their quest to unravel every iots of the world's greatest mysteries that always challenged the most brilliant minds - - scientists and philosophers all-together.

So, Sasuke's REVOLUTION must be analysed in intimate conjunction with his characters inner coordinates and the dynamics of the manga and Kishimoto's solution to acquire universal peace.

His life philosophy can be asserted as "revolutionary" in contrast to the manga's humanist view.

While Naruto's solution to universal peace proposes the preservation of the original (Hashirama's) status quo, Sasuke proposes an avant-garde idea which is meant to surmount the current flawed system with a novel one.

Similarly to Kant and Schopenhauer and their irrefutable influence aesthetics of the world, Sasuke's proclamation causes a huge shock to the audience.

His character portrayal coupled with his life philosophy and symbolism are cleverly and masterfully introduced into the manga as veiled into the aura of earth-shattering avant-garde contrast to naruto's humanist view.

The tragism of the moment wordlessly speaks for itself. Sakura, Kakashi and even Hagoromo are a sublime frame mirror of the audiences shock in front of a radical opposing life philosophy. We are just as dumbfounded by Sasuke's antithetical view as the tragism and the metaphysical stupefaction seems to transcend the inanimate page of the manga and materialize right before our eyes.

The scene is intentionally written as a veritable drama aimed to cause shock, to impress, to challenge the audience to contemplate upon our own life values and principles.

So Sasuke's revolution is a milestone moment that precedes the grand finale of the manga, namely the crossroad between the two major manga ohukosophies - - humanism and pessimism - - as a possible solution to the biggest manga quest:

How can we acquire universal peace?

One suggests that the understanding of the others soul is the answer, she the other ideology suggests that the answer of understanding the universe is to look inside our own selves. "all of you, iwhtour measuring your own power had no idea of mine", Uchiha Itachi.

Sasuke's revolution offers a solution to acquire peaceful cohabitation as self-reflection to proper understanding of the universe.

The origins of the universe resides in the metaphysical understanding of self - - Will.

Sasuke's metaphysical answer to Hagoromo is revolutionary in the sense that it proposes a divergent and completely new, radical answer in sublime anthitesis to the hero's humanist overview.

The illusory idealism offered as the manga's solution to accede to univers peace is audaciously challenged by Sasuke's revolutionary philosophy.

Sasuke's revolution incites the readers to reflect and review their own system of principles and morals and invites to self-reflection.

In Buddhism, reaching the ultimate state of tranquility and inner peace as to quench conflict and pain as acquiring "NIRVANA", can also be possible once a sentient being quenches its inner bodlity desires and cravings to connect to the flow and energy of the universe. The Buddhist ultimate goal of Nirvana also shines brightly into Sasuke's character.

Schopenhauer himself was inspired by the Buddhist phylisophy of achieving supreme peace of mind and transcendental tranquility as the sublime state of the consciousness which attended perfect communion with the universes organic intrinsec flow of universe (the chakra harmonization and control).

Sasuke's seemingly laconic, spiritless and emotionless phlegmatic character is, in reality, the representation of Schopenhauer's metaphysical aesthetic phylisophy of "sublime" and "beautiful". Schopenhauer argues that the sentient being is a slave to his own incessantly rapaceous Will which can only offer morsels of perennial pleasure that can never Last.

However, once the spirit frees himself from the shackles of Will, for it inevitably leads to pain and conflict and suffering, sublime is achieved.

Schopenhauer argues in his double-faceted subjective and objective nature of aesthetics that beauty and sublime can be attained once a sentient being cuts the bonds with his innate starving Will that's prone to incessant pain and suffering (Sasuke attempts to cut all his erstwhile bonds).

Itachi, Sasuke, Madara, Danzo Shimura, Obito or Orochimaru all crayon the same tragic inner conflict, in which the transcendental genius struggles to be freed from the nightingale cage of his own Will. Their reflective nature and the inquisitive philosophical nature creates a sublime conflict that's reflected into their every action and ambitions.

Sasuke makes it clear from the start that "I'm different from you guys. I walk a different path than you guys. I'm an avanger." in which case, Sasuke establishes his role as the tormented genius whose reflections and metaphysical phylisophy evolves in perfect in contrast to the hero's empirical idealism.

While naruto, Sakura, Kakashi, Hashirama are all governed by a linear idealism organic panteism, Sasuke devotes himself to self reflection and introspection. He's always portrayed as detached, reflective and trapped into his own chain of thoughts rather than seeking immediate pleasure by devoting himself to his Will. He isn't glutenous - - while Naruto is obsessed with ramen, Sasuke only orders plain rice - - he isn't prone to be attached to material goods and the bloom of his pubescent and adolescent years is scarce in typical behavioral traits. While most of the teenagers of his age start to explore the hedonic repertoire of their puberty, hormones and discover of own sexuality, sasuke seems rather dissimpasioned and detached.

That's yet another foolproof reflection of his character symbolism in the manga cementing the metaphysical conjunction of Buddhist philosophy of nirvana and is his sheer pessimism, nihilism and negativism.

And his ideologic revolution which inevitably led to his symbolic "I... Lost" - - implying that his nihilism / pessimism lost to naruto's humanist/ idealist doctrine - - artfully offers one last moment of glimmer of the Yang part of the manga's anti-hero aesthetics and phylisophy - the negativism, the pessimism, the nihilism in the light of Arthur Schopenhauer sprinkled with Buddhist elements.

[gildedink]

Gods of Tenruon'ou - Tsakiri, Goddess of the Moon

The Goddess of the Moon, Tsakiri is both the literal and metaphysical embodiment of the heavenly body within the world of Tenruon’ou. She is one of the first two divine beings to emerge from the ether of The Void and in affiliated with human females. She is also known as the Holy Nurturer, the Protector, the Goddess of Tragedy, Mystery, Misery, Lovers, Repentance, Mercy and Protectress of Women. Commonly referred to as Lady Moon or Lady Tsakiri, she was the one to create the oceans and the Sea Realm. Alone she created the Great Silver Shark, Kural, to rule the watery domains she had made and is thus referred to as The Great Mother by Sea Spirits.

Symbols

There are several symbols, motifs, plants and animals that are connected to Tsakiri. They are listed below.

Animals: sharks, coral, starfish

Plants: moonflowers, jasmine, lavender

Stones: emeralds, pearls, white marble

Objects: shark teeth, sea shells, sea glass

  Physical Appearance

Within the lore of Vidy'aa, Tsakiri is described as a female figure with three sets of arms and a long, semi-sheer veil that covers her body. In the full version of The Legend of the Sun and Moon, Tsakiri is described thus;

       “With long tresses, dark as the cosmos, she extended her white arms up, down and out to her sides. Delicate fingers grabbed starfoam with which she molded Kural, the Great Silver Shark, first-born of the Great Spirits. The Bright Mother than ripped out the eighth row of her teeth and affixed them to her child’s mouth so that he may use both teeth and tongue as weapon in place of claws. Thus, seven rows of razor sharp teeth remained in the Goddess’s lovely pink mouth.”

Later within the story, her appearance changes as a result of pushing her brother, the Sun God Zoleko, out of their shared Celestial Palace;

       “Thus with a great, furious cry the white Goddess pushed her brother and friend from the tower on high in the cosmos. Noble Zoleko tumbled down, shocked at the betrayal of his sister and friend. When her shadow-lurid rage subsided, Tsakiri recoiled at her actions. With a wail she scratched at her face, furrows deep as her sorrow becoming etched on her cheeks. The marks wept silver as her eyes, her tears falling into the Sky Realm as stars.”

It is due to this event that the Moon Goddess begins veiling herself and creating the phases of the moon humans see today, as well as the stars in the night sky.

Through various legends and stories, a concise description for the Goddess is as follows; long, wavy black hair that melts into the dark night sky or cosmos, silver eyes and pale-white skin. Three sets of arms are on her torso; the top set is studded with the gemstones of the Sea, the middle set is swirled with black characters in a language known only to the Gods, and the bottom set has been completely blackened due to her sin of evicting the Sun God, Zoleko. Within her mouth are seven rows of pointed teeth (previously eight before the Great Silver Shark was created) and clawed marks on her cheeks like tear tracts that weep silver liquid. It is unclear if this liquid is the Goddess’s blood or another manifestation of her remorse.

  Genealogy

The following is the family tree of the Goddess Tsakiri.

Mother: Unknown

Father: Unknown

Siblings: Zoleko, God of the Sun; Sheliirpa, The Demon King

Children: Kural, The Great Silver Shark; all Sea Spirits

  Lovers and Offspring

Lovers

Currently, it is unknown if Tsakiri has ever had any lovers. By creating Kural, it was shown she does not require a male counterpart to create. However, all other Sea Spirits were created by herself and Kural. It is unclear if this union was purely in the crafting sense or in the sexual sense.

Some local retellings of The Legend of the Sun and Moon state that Tsakiri and Zoleko were lovers.

Offspring

All Sea Spirits are the offspring of the Moon Goddess. Kural, The Great Silver Shark, is the only Spirit she created alone. Humans who are Blessed by Sea Spirits see themselves, by extension, as children of Tsakiri. The most notable family is the Jurai Clan who have been Blessed by Kural for as far back as human records go. Those Blessed by The Great Silver Shark inherit silver eyes that match both Kural and Tsakiri.

  Key Myths

The following are the myths and legends that are integral to Tsakiri either in regards to characterization by the religion, cosmic role or moral lesson.

The Legend of the Sun and Moon

The story of the creation of the universe. It also tells of the awakening of the Goddess Tsakiri and her brother, Zoleko.

The Legend of the Great Silver Shark

The story detailing the creation of the Great Silver Shark by the Goddess. He was created by Tsakiri alone with no other aid.

The Legend of the Great Drowning

The myth of how the second great human city, Hajitanjō, was drowned at the request of the Great Silver Shark Kural by the Goddess Tsakiri. The city was flooded in order to hide the body of a brave warrior from the Demon Prince Xi’hasa who, it is claimed, to have threatened to defile and puppet the body.

The Legend of the Dragon’s Eye

The tale of how a powerful gem called the Dragon’s Eye is made. There have only been two recorded sightings of the gemstone and both times it has been wielded by someone within the Tanaka Clan.

The Legend of the Constellations

The story of how a young woman showed the Goddess how to make pictures with the stars. A touching tale of female friendship that crossed both station and time.

The Legend of the Lanterns

The tale of three pairs of forbidden lovers; a young priest and a male acolyte of his, an elderly maid and an elderly widowed man, and two female prostitutes. The story blends the three tales into one as the six people encourage and influence one another. It is a love story of hope, kindness and joy. Vastly popular with the common people. Not a religious text.

The Legend of the Bow

A story that tells of how the Moon Goddess inspired a blacksmith to create the bow weapon. Because it was inspired by the crescent shape of the Moon, it became a common weapon for female nobility and linked to the Goddess herself, though the Goddess herself does not wield a bow.

The Legend of Many Scarves

The story of how a male dancer captured the eye of the Moon Goddess. In return for his companionship, she taught him the way of silent movement. It some retellings they become lovers. In others the relationship is that of mentor-student.

The Legend of Destruction

A conspiracy story that is at the crux of the Cult of Rebirth. The story claims that when the end of days comes for the Universe, Alohirona will ascend to the Heavens and the Goddess Tsariri shall unhinge her 7-rowed maw and devour the world whole. She will then give birth to the world once again in another dimension of reality, where Alohirona does not exist.

  Known Favor

While Tsakiri is not known to often interact with humanity, some mortals have caught her eye on occasion.

  Javed Sherazi No record exists of this man, but The Legend of Many Scarves claims he was a clerk in service to Lord Prakash of the Bhāharas’ City-States. By night he would be taught by his elder sister, who excelled in the art of ritual dance. Over time, with Javed dancing under the moonlight, he caught the eye of Tsakiri. In some version they became companions of the night with the Goddess whispering secrets to the young man of the cosmos. In other versions he became a lover to the Goddess and laid with her. It in unclear how true this story is.

Jianyi Li The blacksmith of the providence of Sunwen from the destroyed Zhohang Empire. A well-known blacksmith, he is credited with creating the bow during a sleepless. He was inspired by the shape of the Goddess’ mostly-veiled face. In his notes there is line that seems to be either a prayer of a promise to the Goddess; ‘Though you shield your face, I shall make grief a weapon. Your sorrow will protect those of fair form.’

Roshan Terzi A young, Sea Blessed woman from the destroyed Ērsia Kingdom. Legend claims she is the one who created the first constellations by mapping the stars in the sky and noting the pattern of their movements in relation to the earth. All that is known about her comes from The Legend of the Constellations. She may have been a nobleman’s daughter, a favored concubine within the court or simply a fisherman’s daughter depending on the telling.

Himiko Fujita The sculptor of the largest statue of Tsakiri. A flower seller in Hachiiru, it is said she one day awoke with an insatiable need to create the largest image of the Goddess possible. She spent the next several years tirelessly working. The nobility of Mikaizu, moved by her dedication and fierce piety, provided her with gemstones, the finest stone to be mined, sculpting tools, food, water and silver. Though the then head of the Jurai Clan, Ryouta Jurai, offered to send workers to help her, Himiko vehemently refused. When the sculpture was completed, she collapsed on the ground in front of the statue, dead. The statue is enshrined in Haachiiru with an additional small shrine made on the spot Himiko collapsed to honor her. The Smarnians believe she was driven to madness by the Masked Muse.

The Drowned Warrior An unknown warrior whose death caused the flooding and concealment of the rumored second settlement of humanity, Hajitanjō. While no sex is specified by the legend, some scholars speculate them to be Kibou Jurai is the story states that it was at Kural’s request that the city was drowned. Those of the Smarnian Villages believe the drowning occurred due to an offence caused by the people against the Great Shark. The version of the legend told by the Far North Descendants says the warrior was a woman, a virginal maiden who was beloved by Kural but defiled by the demon Xi’hasa. The drowning was a means to purify her soul and allow it to be changed by the Goddess into a shark Spirit so that he may wed her.

Ayako Jurai While there is no record nor rumor that Lady Ayako Jurai has direct favor with the Moon Goddess, it is speculated she is highly favored by her son, Kural. As such, it can be said she is indirectly favored by the Goddess. One of the few female Jurai clan leaders, under her command the region of Mikaizu flourished both economically and socially. Many new temples dedicated to the Goddess were erected, worship of her increased within the region and women were given more freedoms both in possible job occupation and personal health rights. As all women are under Tsakiri’s care, such progressive strides may be seen as worthy of favor by the Goddess.

Kibou Jurai The first human to be Blessed by the Great Shark Spirit, Kural, on record. Kural was the last Great Spirit to Bless humanity and as such, it is surmised that Kibou also received the goddess’ favor.