#this album is incredible I am so lucky I'm gonna see him live

[shirawords]

I am seeing Hozier in October and. I am going to cry so much at this concert guys I am going to lose it if he play Abstract (Psychopomp) and I am also going to lose it if he plays Francesca but in the other direction. I'll still cry tho

[ffb6c1lover]

thoughts on my ttpd first listen

Fortnight (feat. Post Malone): I've been saying her relationship with alcohol was not healthy bruuuh. I love how she takes her life, which the vast majority of her listeners would not be able to relate to, and makes an "understandable" metaphor out of it. But it must break her to do so. Love Post Malone's voice here, he really compliments her well. THE MV THO with the dead poets <3<3<3<3<3

TTPD: girl go get your lover tf 😭😭😭 whole era dedicated to this muse, incredible.

My Boy Only Breaks His Favourite Toys: getting mad MATHP vibes from the storytelling here.

Down Bad: now I'm starting to really get dragged in the album. The first verse rewired something in me, Idk. also if I speak about the muse... The New Romantics mention, I died dead. Also someone needs to edit kenstewy to the "hostile takeover" bit.

So Long, London: my favourite so far, I am in love with this vibe. It's giving YLM. Also I love the style of the intro, it's channeling the waves in a way, up until this point the album has a very distinct "look" and I can see it so clearly. My real question atp is how are we supposed to just, go on as normal after this album. She is baring her soul in a way she's never done before and it's not a happy soul, so how is just going to go on keeping her happy persona at Eras and how are we going to let her. I think the management is probably gonna make the last songs be happier ones to get back a bit of the persona. Like atp I'm not convinced the 5 stages of grief was her idea and I don't think this mental state is related to a specific breakup or a specific event, this is a cluster of stuff she's been carrying.

But Daddy I Love Him: "growin' up precocious sometimes means not growin' up at all" holy fuck, mood. My heart aches for her, this anger and resentment must have been burning holes through her and people are still probably not gonna see her as she wants to be seen even after this. She couldn't make this pain any clearer and tomorrow she is still gonna have to play pretend.

Fresh Out The Slammer: still breaking these chains!! If anyone at all is listening, there is a Taylor before this album and a Taylor after. Full stop, no going back.

Florida!!!: I LOVE THIS COLLAB I NEED A FULL ALBUM.

Guilty as Sin?: looove the beats on this one.

Who's Afraid Of Little Old Me: "don't you worry folks we took out all her teeth" and the circus life, I am broken. This album is supposed to be her breaking her chains and the general reaction is "what ex caused this". I wouldn't be surprised if she committed mass murder.

I Can Fix Him (No, Really I Can): this song is giving cowboy - Lana Del Rey - old americana vibe and I'm into it. It's a new thing for Taylor but it suits her well, especially with her country past.

loml: feeling the "All Things End" by Hozier vibes. Now that I think about it the whole album is kinda Hozier-y, like very heavy on lyricism, dark storytelling and kinda giving whiskey/soil/heavy clouds. I am obsessed.

I Can Do It With A Broken Heart: girl go to therapy I am begging you.

The Smallest Man Who Ever Lived: THE SOUND!! THE WORDS!! THE TRUST ISSUES!! I love this song.

The Alchemy: psych ward mention in the obligatory football song, I see you, Miss Swift, trying to see who's actually listening. Well, I am.

Clara Bow: Nothing New bridge meets The Lucky One. I don't think anyone wants to be part of the industry after listening to this album, Tay, but we appreciate the sentiment.

The Black Dog: okay MsKingBean89. Also the location, she is hilarious.

imgonnagetyouback: bpdlor shining through, love you queen.

The Albatross: she hates her fans, and she is right. The Matty thing was heinous.

Chloe or Sam or Sophia or Marcus: beautiful song. I don't have many thoughts about it, it's deeply personal for the people involved (like much of the album), and since I'm not one of them I can just say she evokes images so beautifully with her words. She is extremely skilled and talented.

How Did It End?: the sound really captures the image of someone lost in thought at the grocery store, idk what else to say.

So High School: was she sick while recording this?

I Hate It Here: my anthem. me. myself. I.

thanK you aIMee: cute metaphors

I Look In People's Windows: Ebenezer Scrooge-ass anthem (I am crying does anyone remember my "on the glass wall" post, I'm adding this song). I know it doesn't make sense, but to me it sounds like she hadn't been singing for a while and she is incorporating vocal exercises in her songs, Idk why. (like "oh this exercise sounds fun, should insert it in a song").

The Prophecy: oh boy, oh boy, this one hit hard. Like really hard. "Shades of greige" is the perfect way to describe this album, it's rather monochrome and monothonous like sadness often is.

Cassandra: I love me a good Greek mythology reference. Incredible imagery. Bruno Madrigal's anthem.

Peter: yes. yes. this. Peter Pan imagery + Daisy Buchanan vibes, I died dead.

The Bolter: called me tf out. The leaks in the rowboat, my God...

Robin: not crying, you are.

The Manuscript: that's the ending I was talking about. There is no real happy closure, she had to go back 15 years to find a past that doesn't haunt her anymore, that's disheartening. I guess we'll see how this plays out, but I'm afraid she's not all that better. Hope she can take a break and get better soon.

Overall, I loved this album so much. It's everything I hoped Midnights would be and Midnights is in my top 3, so that's saying something. Considering how wordy it is, I think most songs will grow on me even more, looking forward to that.