#they're great if you really like an artist's style & trust them to create something you'll like!

[retquits]

Im sorry if this is a dumb question but what does skeb style mean? ;n;

not dumb at all, it's a relatively new phenomenon that got its name from the japanese commission website, skeb!

the general concept of skeb is that you send an artist the character(s) you'd like drawn, and then let them have artistic liberty on how they illustrate that character (so no WIPs or revisions unless there's a mistake)!

the idea was really widely liked, so artists outside of japan also started adopting it with their own variations!

here's an illustrated crash-course:

[waitingforminjae]

@iloveshineemost Well here's a list of all the stuff that happened abt Taemin on this show since I have it pulled up rn:

First of all, even tho he's as famous and established as he is, he had limited screen time. And the time he did have was focused on his translating for Koharu and praising the other dancers.

Block B asking U-Kwon who was gonna be on the show with him and Taemin being the first name out of his mouth. Then his members immediately saying "Ah. You worked hard--" bc they know he can't win against Taemin. This proves that Taemin does, in fact, have a huge reputation in the industry.

Shownu saying he personally liked Taemin-sunbaenim a lot

Taemin's introduction: "He's also great. He doesn't like to lose, he's famous for it. From a cute Maknae, now he has become a man. It's Taemin of SHINee." There's no real hype, and despite their comment, he displays literally no ego here. In his own words, "I have waited for it. I just want to do my best."

For his dry rehearsal, all the other contestants and their dancers stop to pay attention. U-kwon says "I am looking forward to him as well as checking him." They're all engaged and focused. Afterwards, all of them "sincerely clap for him."

"Taemin's rehearsal got everyone's attention."

"Is everyone's expectations burdensome?" "Totally. But spending more time on practicing, I would be better than others." Instead of being proud or boastful, he simply speaks with the customary SHINee grace and honesty. His statement isn't a boast, but a fact. If you practice longer at something than others, you'll likely naturally be better at them.

"Taemin has practiced a lot since he was young. He has a passion in dance. He proves himself through the result." -Kai

He invites Koharu to give her exposure, but also bc he's proud of her and comfortable with her. He does this in spite of the language barrier, and patiently translates everything for her.

"Taemin is a really good person and made me feel comfortable. I could work with him pleasantly and practice well." -Koharu

"There's no limit about the song, so I chose what I can do the best, which is my song. It's a song sung in Japanese. However to increase the delivery of the lyrics, I [sang it] again in Korean." This, again, makes sense. It's not cheating bc it wasn't a rule. Recording it again in Korean also means it can be marketable later on, as well as accessible to the audience. It's very smart actually, and very clever. I imagine a lot of the others wish they'd thought of the same thing.

"What people think abt devils is very strong and dark. But I wanted to express something internal. But the key is how to make people understand it. That's my [role]." No one else did that. Again, thinking outside the box. Not only did he not use a crew like Bora did, but he also chose to portray a relatable sort of devil, and trust their chemistry and abilities to be able to convey it.

The cameras basically didn't cut to the audience at all during his performance. Everyone is visibly impressed.

"The actual performance feels so different from the dry rehearsal." -one of the professional dancer-choreographers competing.

"Having a performance with him is already great...." -Koharu

"Koharu, as the world-renown dancer, how is Taemin's dancing?" "Really, I have worked with various dancers all over the world [the rest is not translated bc the host is speaking over her]. When I did a rehearsal with Taemin, and watching him dancing, I thought he has a skill that touches your heart. I thought he is a dancer with power. I am thankful to meet Taemin." -Koharu

"It's true he has skill." -one of the professional dancer/choreographers competing

"Every time I see Taemin's dancing I realize that...normally when people are experienced, they just get cooler only with the same skill. But it seems he reached the top now." -the main dancer from H.O.T, serving as a judge

"He is the top, now?" -Host's interpretation of that comment

He good-naturedly tolerates the hosts teasing him abt translating the judges comments for Koharu, as he has throughout his career.

"I am also a dancer, and I'm very shocked. He must be the best in Korea in the same genre of dance he did today [contemporary--in fact the 2nd or 3rd style has performed in]. He's so suitable for this kind of mood. I can't imagine how he does that facial expression and [creates] such a mood. I was speechless." -judge who is a famous choreographer

"I couldn't take my eyes off of him. His energy was burning non-stop. It was such a great performance. I knew that Taemin dances well, but I didn't know that he is [this] great." -another judge

5/8 of the judges voted for him. The only contestant who beat that was Ten, although a couple matched him. Ten says that he can't believe he beat Taemin.

"It's great that I compete with such great artists. I'll do my best and more to show you better performances. Thank You!" "I didn't know [when I won]. I couldn't see the score bc I was looking at the floor. By looking at Koharu being so happy, I noticed it. I got so happy as well. Ah! I won! I was so nervous and I tried so hard. It feels like I got to win as in return of my efforts. I will prepare something more of mine. It was such a great time to [make] a great memory about dance, which I love." -Taemin's closing remarks.

[weareallfallengods]

Writing Advice?

Ok I'm gonna answer these.

Nothing is perfect. This is a misnomer- perfection doesnt actually exist, so the concept is flawed from the outset. What is perfect to one is deeply flawed to another. Strive for "complete" instead.

You can pry adverbs from my cold, dead hands.

No. Without trying, EVERYTHING you write is going to be from your learned perspective, so learn new things, research, study, and expand your repetoire.

Avoid repetition? Well depends what you mean. Using the same word over and over really close together? Yeah avoid that. Callbacks are technically "repetition", but when done well, *muah* fabulous.

Write every day. Sure. Doesnt have to be words on paper every single day. I spend days or weeks hashing out the look and plotlines, character arcs, etc in my head, AND THAT COUNTS!

This is just...wrong. Every artist has inspirations and influences that work together to form their own style. Borrowing tropes and concepts is what makes a Genre, but outright copying? Yeah no. Readers should be able to see what inspired you, but it shouldnt be a straight rip off.

Yeah, we try to.

See number 6.

The more you read, the more things, ideas, styles and words you'll be exposed to. All that is like your writer's toolkit. And you can do more with more tools. Dont get me wrong, it's still possible to create great art with limited tools...but it's way easier with more.

When initially writing your first draft, yes, dont think too much, just let the story take you where it wants to go. Thinking and planning is for later.

If you dont like it you wont want to write it.

WRONG. WRONG WRONG WRONG WRONG WRONG. So much wrong. If you like long words, USE THEM. How the hell do you think other writers developed such awesome vocabularies? They were reading, saw a big-ass word, and then looked it up! Never apologize for writing in a way that forces people to think, learn, or expand their mind in any way.

Victor Hugo would like to argue that with you.

Passive voice absolutely SUCKS. It's like unseasoned grits. Abomination.

Yes and no. Showing, by immersing the reader in the action is usually best, but occasionally, telling can be quite useful and effective. Especially if your narrator is an actual character. Lemony Snicket is a great example of how to do both.

Just because a trope is difficult to execute well, doesnt mean you shouldnt do it. Start on a train if you like. In fact, I have a short story that starts on a train (well, subway). It can be done.

Not all rules. Grammar, punctuation, etc. for example. Then again, paste a copy of a paragraph from Les Mis into a word doc and watch it light up with "grammatical errors".

No, 1st drafts arent shit. They're the raw gemstone you pulled from the muck of ideas in your head when everyone else just saw a muddy rock. Now go polish it.

All drinking does is lower the inhibitions you've built up over the years. Let those go and write.

Yeah, dont do this. Seriously, just dont.

Going out of your typical locationnfor writing can be helpful for some. For me, it's a disaster because I cant concentrate at all if I go out.

I. Freaking. LOVE. SEMICOLONS. Just learn how to use them correctly.

Kill your darling characters? Sometimes. Not everyone loves trauma.

Yeah, not editing during the writing process is very hard, but its important not to because it interrupts your flow. However, it is occasionally necessary.

Nope. I write faster by typing, even on my phone, than I do by hand. The key is to jot down your ideas as they come.

See above.

YES! The internet as a whole is at once helpful when you need to research something, but because it's functionally endless, will suck up your time and make you less productive.

No, if you're proud of the thing, show it. Just remember that it's a first draft, but positive reinforcement will motivate you to make it better.

Yes. Only trusted reviewers early on. See above.

Mmmmm, meh, in moderation, go for it.

Yes, read it out loud! It forces you to use different parts of your brain, and thus hear things differently than when you read them silently. Great way to pick out issues with structure and flow.

No, you dont always have to have an end point in mind. Just start, the ending will reveal itself in time.

Yes, structure is key. Dont worry about chapters, etc, but bear in mind what scenes/acts look and feel like.

Not just dialogue, every part of your story should be part of telling that story.

You need characters with heart. Even if it's just one. People need to emotionally connect with your story, and portraying empathy is the best way to do that.

I will kick you if you ONLY use "said". Hard. Somewhere tender. Use "said", sure, but change it up a bit.

Depends on your style of writing or dialogue. As long as it's consistent, starting sentences that way can give an off-beat lilt, and more natural sounding flow to your writing.

FRIKKIN ALWAYS!!!!!!

Yep, pretty much.

The ending is where you can safely close the book.

Only if you have severe anxiety.

By hand? Who are you, Skakespeare? Dude, use the tech you have! Hell, I use voice-to-text to do the broad sketches of the story.

Well, if you dont challenge yourself, who will?

Hmmm. Possibly. Depends on whether they're a storyteller or not. I would say everyone probably has at least a concept for some kind of book/writing/art in them.

Rhythmic dialogue? Not always.

Dialogue by definition should SOUND like talking. If your character is really stilted in the way they communicate, their dialogue should reflect that. Star Trek is a really great example of this. All the characters have dramatically different dialogue styles, but they flow together in what feels like a natural conversation.

Wow that was a lot of answers to type out!

Let me know if any of this was helpful or if youd like to hear more.

Writer ask meme!

Assess the following writing advice (do you like it, how do you interpret it etc)

Nothing is perfect

Don't use adverbs

Write what you know

Avoid repetition

Write every day

Good writers borrow from other writers, great writers steal from them outright

Just write

There's nothing new under the sun

Read

Don't think!

Write what you love

Never use a long word where a short one will do

Less is more

Never use the passive when you can use the active voice

Show don't tell

Start your story on a train

Rules are made to be broken

The first draft of everything is shit

Write drunk edit sober

Write stoned edit stoneder

Leave home

Do not use semicolons

Kill your darlings

Don't edit as you write

Always carry a notebook and pen

If you have an idea, write it down, you are not going to remember it

Get off the Internet

Do not show an early draft to anyone

Do not show an early draft to anyone that you do not really trust

Don't drink and write

Read your story aloud

Start with the end in mind

Embrace structure

Dialogue should be purposeful

Be empathetic

Never use a verb other than 'said' to tag dialogue

Do not start a sentence with a conjunction

A new speaker always gets a new paragraph

If there's a story you want to read but it hasn't been written yet, you must write it

The ending is just the place where you stop your story

The only way you can write the truth is to assume that what you set down will never be read

Write your first draft by hand

Challenge yourself

Everyone has a book in them

Dialogue should be rhythmic

Dialogue should be natural