#they're always in the back of my mind. i love the pixel versions he put into old scarland but PLEEEEEEEASE

[nightshadeowl]

I only see it mentioned by other people offhandedly every once in a while, like every once in a blood moon kind of rare, but I would DIE to get to see Scar's oil paintings. SIR PLEASE

[gemharvest]

Might not be exactly what you asked for but PLEASE PLEASE PLEASE go into more depth about the bf and pico drawing with the kinto pet song lyrics 🙏🙏🙏🙏 it has haunted me in a good way and I will explode without more

UR MORE THAN FINE DWWW it's easier for me to ask for prompts but I LOVE ASKS IN GENERAL I like getting to ramble. Forever and always if you see me post something and you want me to elaborate on it/ have specific questions/ literally whatever PLEASE DON'T BE SCARED TO SEND AN ASK IN !!!

okay needed that out of the way first LOLLLLL

The like. Images I get in my head when I listen to this song drive me insane like this was just me putting it into one image but I could deadass do a full PMV if I had the time.

Obvi I prefer to draw in a more Funkin'-influenced style, but esp. with how Pico is drawn I hope it's clear I was leaning into the Pico's School side of things.

(continuing under a cut because I am about to Ramble)

I don't think I was consciously thinking abt it the other night BUT at least the first verse makes me think. Of the Love Conquers All version of Pico's School. An ideal ending; Cassandra is convinced not to carry out her plan, nobody dies, Pico certainly wouldn't be Going Through It. Maybe in this ideal ending they (Pico & BF) wouldn't have split. "In this world, we're friends forever".

I also imagine it as like.. basically how the art I did ended up being. They're just black lines on a white background. Faces obscured. Maybe with some visual effects that distort things too/ some pixelation whatever. I actually think I was planning to have some parts of that pixelated but forgot by the time I was home and could draw; might have been for the best but here's a version with a biit of what I'm talking abt.

They're in a void. Separate from the real world, but happy. Stuck in a loop of the happiest time of their lives (mostly thinking from Pico's perspective with that lol). Is that not better than having to continue on in a fucked reality?

Of course, that's not real. It's just an imaginary loop of "what if"s in Pico's mind. It's a world he built for Boyf.

In this world, Boyfriend is always following with Pico, always showing him kindness and always smiling. Pico's emotions are less readable; maybe in a proper PMV I'd give him his mouth too so he can show he is at least somewhat happy, but despite being the "leader" of the two, he is much more passive, reserved. They are always holding each other's hands.

Verse 2 would be the inverse (lol), signaled by the stronger beats kicking in. White lines on black background. It's no longer the ideal world, and instead the "real world". Real, but distorted by trauma. "Inside my code, you'll always be". The world Cass built for Pico.

The bit of instrumental between verses 2 & 3 would be the Real real world, going forward to when FNF would take place; Pico and Boyfriend reconnected, through less than ideal means, though reconnected nontheless.

We're back to black lines on white background, but everything's less distorted. There's more details too, the world not just being a hazy backdrop for Pico and Boyfriend to play around in, but real.

He's different from Pico's memories, obviously, drawn now in the FNF style fully. More confident, still stupid. He has Girlfriend now.

The first 2 lines of verse 3, his imagined worlds and the real world melt together. Mixed in ways that highlight a feeling of off-ness. Everything feels strange, distorted, unreal.

The last 2 lines it's just Pico and Boyfriend hanging out alone. "All that's left is me and you/Lots of fun that we can do". Boyfriend cheery as ever, while Pico is visibly nervous-- uncharacteristic for him but we don't see if Boyfriend notices.

The strong beat kicking in again sends us back to the imagined world. The good world. But things are wrong. The real world is slipping in, things are no longer stagnant; no longer perfect. Visual distortions/ glitches worsen.

Pico could delude himself when he hadn't known where Boyfriend was; now that he's back, his world warps. No longer under his control. He is not in the lead.

The first half of the outro Boyfriend is still mostly playing along, though still seems to be growing disinterested. Pico is noticably anxious, clearly seeing how the other is no longer like a puppy at his side. Boyfriend is pulling away. Why is he pulling away, when everything's "perfect"? Why is everything going wrong. "The world I built, designed for you".

The second half of the outro, Boyfriend is now actively pulling away. He no longer looks like the idealized, young Boyfriend. He's older, a stranger, he doesn't care for Pico anymore. Pico is older now too, desperately holding on to Boyfriend. Unwilling to let him go again, first in the real world and now in his mind. Boyfriend refuses to hold his hand but Pico still grips onto his arm. Their eyes finally become visible in the imagined world.

Pico's behavior mirrors Cassandra's involvement in the second verse, though unintentionally violent as opposed to her intentional violence. He's selfish, desperate to hold on to his world; to Boyfriend. He's hurting the imagined Boyfriend in the process, but that is second in his mind to him so desperately trying to avoid a second heartbreak. Anything to keep his world together, his peace. Without it, he just has the dark.

Beyond this screen, you cannot leave Inside my code, you'll always be Endless fun that we can do In a world I built for you

In the final instrumental and as the song fades out, Pico wakes up. He's shaken, disgusted by how he acted in his mind and feeling like he's nothing but an anchor to Boyfriend, holding him back. He can't keep clinging to this false reality, nor can he pretend he's doing any good by being in Boyfriend's life again. His mind is made up.

...

LOL I hope the way I summarized The Thoughts I get paints the picture I get in my mind. I've got terminal artist brain I am imagining AMVs to near everything I listen to I am not joking; had to take a break halfway through typing this to walk around a store and I was looping KATAMARI by femtanyl for like half of it imagining an edit in my head. I can imagine anything jpeg.

I wanna very much stress that all that above would have been filtered through Pico's mind. He's not actively hurting Boyfriend, but he's fucking terrified of doing so and he feels so fucking guilty for continuing to hold on to the past they had. I guess it wouldn't be apparent from what I described but he'd also feel guilty for still having feelings for him when the other has moved on and even has a girlfriend.

His world, once his perfect escape from the anguish of his reality, corrupts as he feels worse and worse over even entertaining the thoughts. Him deciding to forget his world and, in turn, go to cut off Boyfriend for the other's sake is not based on objective reality, but an act of self-sabotage that he convinces himself to be the best outcome for everybody.

^ Literally included him doing this shit in a part of that last fic I did you can tell this is something I find interesting exploring with him.

The tone of the song too just fucking.. it adds to the eeriness I'd want out of a proper PMV of this idea. The way it's clearly an homage to the IBM 7094 singing Daisy Bell; the voice and instrumentals just feel so unnerving. Sweet and innocent on the surface, but clearly holding bad intentions. Maybe not intentionally bad, maybe misguided good even, but they are not good nor sweet nor kind. I am talking about the song on it's own divorced from it being from KinitoPET what I describe here is just the feelings it gives me in regards to my favies.

Anyways uhhhh god I could go on for hours but I've been going off for long enough I'm sorry to anyone reading this who had to sit through my insanity. My head is now lighter with this information shared tho.. I guess in conclusion: I am definitely normal and neurotypical and can be trusted to listen to music and be into my games without creating the most devastating ideas known to man. xoxo

[coffeeandcalligraphy]

hi!!! so i have been following your YouTube channel since (checks calender) 2018 so it's been a while, and I'm a huge fan, just a lil shy (you're so cool holy shit, your writing is mind blowing, aaaaaa), so ANYWAY the point of this ask is, body back sounds awesome, might i request some more vibes perhaps 👀👀👀

Omg hi!!!! I could cry to learn someone’s been watching my videos for so long 😭 thank you for all your support!! ❤️ when people think I’m cool it makes me v excited because I’m really just a little gremlin IRL! Happy you like my writing & appreciate all the engagement!

Of COURSE I can send more vibes for BB! First, here's just an excerpt because I'm about to go ham under the cut lol:

The pool he floats in belongs to a young couple. The man works real estate according to the signs Harrison’s seen of his face peppered around the neighbourhood. He’s wondered if that’s ever humiliating, to constantly see pixelated versions of yourself everywhere. But that doesn’t matter. His wife walks dogs in her free time, which means always. Last week, Harrison watched her jog with a vizsla, and just yesterday she spent the morning on their gable-roofed veranda brushing a wispy Alaskan malamute. That was the same veranda Harrison passed on his way to their yard’s fence. Perhaps they wanted someone to do what he did: hook his boot into the crisp rung of their gate, then swing right over. Why else would it have been so easy?

More in-depth BB rambles under here!

CW: drug addiction, mental illness, violence & suicide.

This project is taking over me right now, which might be a way of my brain procrastinating finishing Seventh Virtue (LOL), but I’ve learned to just lean into the hyperfixation so we’re here now!

I really felt drawn to write BB because of this extremely complex thing Harrison goes through in Moth Work that unbeknownst to 17-year-old Rachel who wrote it, she reaaaaaallllly relates to now at 21. I've been unable to stop thinking about this since re-reading MW, because I somehow profoundly represented this experience at 17 that I'm now undergoing at 21.

Harrison is supporting someone who needs a LOT of help (at this point in MW, Lonan’s been an addict for about 3 years, is chronically depressed, is in a constant disocciated state, has attempted suicide twice in less than a year). He feels responsible for this because he loves this person very much--he WANTS to help Lonan. But I don't think he realizes how much effort this will entail and that he himself doesn't have the sole power to "fix" anything. But he’s so young—how long can he handle this before he himself breaks?

The answer is: not long! One could say Harrison’s fatal flaw in MW is not wanting to change. He doesn’t WANT to leave Lonan behind because he doesn't WANT to lose him, he doesn’t WANT a relationship with his mom, Suzanna. At the same time, his life is at this tenuous impasse: things CANNOT sustainably continue in the state they're in, but he's terrified of them changing. And by the end of the book, both of those things happen—it’s his arc. The loose end is the prior point: he's terrified of change, but now the change has happened.

What I want to do in BB is take that loose end and light it on fire. I want to show what happens when that change happens. It's NECESSARY change, but in this moment, feels like the worst decision possible. BB is about the in-between space of being in a destructive relationship & eventually putting yourself first. For Harrison, the experience is extremely messy. He craves intimacy badly but has no idea how to love anyone but Lonan. He craves independence but is also scared of it: how do you start your own life when the last few years have been focused on someone else's?

In Moth Work, he creates the beginnings of a relationship with a man named Jeremiah (to be clear: H&L aren’t dating in MW, they never canonically actually date unlike how I make it sound LOL, only in the Seventh Virtue AU are they a couple!). Jeremiah is a really interesting character in Harrison's life because he represents something "normal." Here's when Harrison meets him in MW:

The motel is named after a dead woman—The Greta Arquette. Harrison discovers this while absently thumbing through a brochure at the empty front desk. The lobby is decorated with vintage clocks and floral wallpaper and it makes sense—the woman it’s dedicated to died at 92. He’s on page six when a young man with an earring and a hair pick appears behind the desk.

Harrison shuts the brochure and slots it back into the display. “Can I get a room?” he asks, already fumbling for his wallet.

“Long ride?”

The clerk—Jeremiah, according to his nametag—smiles. His skin glows amber under the lanterns hung from the ceiling, and his hair looks too good for 2AM. The collar of his uniform pastes underneath his sweater, and it’s almost charming, this unnoticed mistake.

Wait up for my video later today (3PM EST!!) where I literally in-depth analyze a couple scenes with Jeremiah (since I talk more about this there), but essentially, Harrison gets a small taste of what it might be like to be a "typical" 21-year-old here. It entails dancing with people you think are cute, enjoying each other's company without doing anything at all, going to breakfast, etc... All things he and Lonan have never done.

In BB, I want to show the breakdown of this "normal" relationship as Harrison more and more self-destructs to self-preserve. He literally cannot handle this change he's incited--who is he at all without Lonan? He doesn't know, and he can't handle that he doesn't know, so he "goes bad." There's brief mentions of this turn in Feeding Habits where Harrison addresses he was a bit of a disaster when he and his mother lived in Las Vegas, which is why his main goal in FH is to "restart" in NYC (and it's why he also gets destructive again in NYC when his second reboot fails).

I always knew elements of what happened to Harrison in Las Vegas, but didn't know the extent. In FH, the only element we're certain of is when he runs into the same woman Lonan runs into in ch. 6 of Moth Work. He essentially ends up being beat up badly, which for him (mostly his mother, Suz) is the last straw and what makes them pack up to NY.

It was only later, when he stumbled, bloody knuckled, through their front door, stepping over partygoers and martini glasses, that he understood. He hadn’t come to the party thinking about Lonan but managed to attract the same people. He hadn’t drunk the magenta liquid thinking about him but managed to exit the house stumbling, as Lonan did, his knees knotted like a newborn lamb's. There was something inconceivably indissoluble about them—their bond mirror-like, one making a decision, and the other mimicking it with vigour somewhere else, unknowingly inseparable.

But I've been wanting to write what happened BEFORE this, in the time between, which is what BODY BACK is going to be! Here's an excerpt from FH (ft. Jeremiah) that takes place during this timeline:

They saw each other in brief, neon stints. Drinking in his one-bedroom, after Jeremiah’s shifts at The Greta Arquette—a dingy motel—clattering, limb by limb, under his Styrofoam disco ball and calling it dance. They knew each other so little but so well. Where each groove of skin and bone on the other’s body was, what limbs could notch so perfectly together, like nubs of old soap fused together.

The vibes are going to be pretty much the above! Mirror balls, pop music, drugs in misty rooms, eat the rich, etc.

I've been excited to write this story because it shows a side of Harrison I only barely understood when I wrote Feeding Habits. It's actually why Feeding Habits was IMPOSSIBLE for me to write, because I was still seeing Harrison in "caretaker" mode when he actually was rejecting that fully. I wasn't used to seeing him make bad decisions. For all accounts, Harrison is a terrible person in FH. He takes advantage of his mother's kindness, he disappears to scare her, he's self-medicating, he's inviting Reeve to his place under the guise of catching up with an old friend when he actually doesn't care at all about her and only wants to see a glimpse of Lonan's face, he's stealing from the vulnerable, and doesn't want to stop any of it. FH is really Harrison's destruction arc, and BB is going to explore HOW that happened--what triggered those events?

I'd always seen Lonan as the "issue" in their relationship. This was natural in a lot of ways since Lonan started out as a literal villain (lol), but also mostly because I emotionally related to him most back when I was writing him. ALLL my negative emotions and struggles went right to him. It's why Lonan was my favourite character all throughout my teenage years. What I didn't expect is that at the age they're at in this book (21), I'd suddenly understand Harrison on a very, very different level. This is also another reason I want to write this like NOW because I'm 21 and in a similar (albeit wayyyy less dramatic) era. Is this sort of going to be autofiction, maybe!

I think in MW, Harrison doesn't feel much like an "adult" yet. in BODY BACK, he KNOWS he's an adult, and goes a little too hard knowing he can do whatever the hell he wants. If Harrison can do what he wants, it means he can reclaim himself even if it means destruction along the way. What's he willing to do to get his body back?

That's a q to ponder!

It's going to be lots of fun! LOL