#they destroyed some of his characterization in english it sucks so bad

[runerapier]

I should write more character analysis because some of the things I read about genesis and angeal makes me feel as though I played a different game

[asherisimmortal-archive]

wandavision weekly ask, featuring some complaining and off-topic ranting.

firstly, while joss whedon is unfortunately a scumbag, his characterization of ultron and vision was very distinctive and helps analyze vision's short scene this episode. instead of making ultron this unfeeling, removed robot that fulfills his goal of "peace in our time" as soon as possible, he's actually the most human character. he talks about the "poetry" of destroying humanity with a meteor the same way the dinos got destroyed. he could have just yeeted everyone using his connection to the internet. but no. he grew, changing bodies, evolving from one vessel to another, becoming more and more human. his final vessel was supposed to be vision; it's no mistake that his body is so humanlike. (scarlet witch could only read ultron's mind from vision's body because his consciousness was finally entering a humanlike brain. remember she kills Ultron by pulling out his heart, unnecessary for a robot except to emulate the human body.) ultron, despite trying to be above humans, constantly strived to become one. vision is similar. he begins his existence with philosophical musing. trying to find his identity. trying to become more and more human. the magic happened in those 2 years between civil war and infinity war. wanda needed a shoulder to cry on; vision needed someone to be open with, to copy, to fake humanity until he "made it", to learn to love. by infinity war, paul bettany says he's the "most human" out of the avengers. he's not wrong. so when i saw vision in the civil war-era flashback of this episode, i thought of all that, of him trying to understand humans in order to be human, of "what is grief if not love persevering" 😭😭😭😭😭 his logic is impeccable. the quote kinda makes no sense out of context but once i heard him say it iwaslike bruh you're right. a common criticism of robots in sci-fi is that they're often just characterized as "ace ppl on the spectrum" which is. fair. and i kinda felt that in this episode. but i felt like it worked here? (asher as an nd ace person whaddya think of this?)

marvel has a reeeally wide audience. they have to cater to the lowest common denominator and go totally unsubtle with like, everything. that seems more present in the show's "mcu-wide" episodes than in the "sitcom-era" episodes. this ep i think the writers should have just let wanda's memories speak for themselves, but instead agatha just gives tons of sometimes informative but mostly unnecessary commentary. hayward too: his entire character is so on-the-nose. we're told every second what we're supposed to think of him ("hayward's a d--"), what he's planning ("he wants to make vision's body into a weapon"), and how he thinks of vision ("3 billion dollars of vibranium") with no subtlety whatsoever. i wasn't expecting much different but still. :(

speaking of hayward. he wanted vision online so bad. unlike her, he knew she had the power to bring him back ("you have the power to bring him 'online'" — how did he know? secretly mephisto?) then staged a disgusting desecration of his corpse to provoke her, told the soldiers to stand down so she could revive him, and when she couldn't, instead making a hex to regen him, he lied, said she had his corpse denying vision's last testament, and tried to take his new body outside the hex. unfortunately he realized when vision tried escaping that he couldn't make it out — he's part of the hex but only he knows that — so he made white vision to replace him and take out wanda (the only possible whistleblower). in conclusion, hayward can go screw a cactus (yes i read that phrase in the comments of a fanfic and i wont stop using it to describe ppl i hate)

i get super upset when people talk in english when their first language isn't english for like,,,no reason. so when the maximoffs spoke in english specifically to practice their english i found that refreshing.

agatha backstory why. and what. i suspect she's a scarlet witch too. i think the reason her magic starts out as purple is because she pushes back her coven's blue magic with her red magic. watch the clip again and you can see how she glows red, not purple, right before she pushes back against the witches. red scarlet witch magic + blue coven witch magic = purple agatha magic.

thanks erik voss from new rockstars for pointing this out: coven mother in the beginning of the episode gets a glowing blue crown right before she gets yeeted. the figure wanda sees in the golden glow of the mind stone is a silouhette of herself with the crown. erik says this is the crown of the dominant witch. but whatever the case it think the crown of agatha's "mother" is a hint to the origin of scarlet witch's comic book headdress.

i don't like what theyre doing with agatha's hair. something about it doesn't vibe with me.

im getting more and more convinced that the "mystery actor" paul bettany keeps talking about was himself. white vision vs westview vision battle royale.

speaking of him, paul needs to go to therapy. his constant self-deprecation in interviews started out charming but after a while it gives me the vibe of someone who has no self-esteem and therefore constantly downplays himself and his own accomplishments. (me projecting? what makes you think that? /s) but yeah. parasocial relationship with paul bettany go brrrrr

we need answers about fietro

and finally (before i remember the million things i forgot to say) the latin. sucks ass. like i know like 2 words in latin but the spells were probably written by someone's dummy thicc ass cheeks on a keyboard and setting the autocorrect to latin. the spell agatha does before going into wanda's memory-door is "memente memoria" which means "remember memory" like seriously marvel you could have spent 2 more brain cells on writing spells

1. I completely agree with you and I hate how I learn news on Tumblr (Why are the only celebrities that turn out to be assholes the ones that I slightly care about).

2. Marvel definitely needed to be at least a tad more subtle. I know that this is one of the last episodes of what has been the most confusing thing they have ever made but Agatha’s commentary was a bit too much.

3. Agreed this account is a Hayward hate zone.

4. I 100% agree with you, I always found Black Panther really weird because they were speaking in English even when Martin Freeman’s character wasn’t around (and I know why that was but I still hate it) so I’m glad that this episode actually made sense.

5. At this point I don’t have a clue what’s going on with Agatha and honestly at this point I think I’m just gonna hope they clear that up in the next episode.

6. That’s interesting. That’s another thing that I’m not smart enough to have a clue what the heck is happening, but that’s still really cool.

7. I have to disagree with you I think her hair is great.

8. If it’s literally just Paul Bettany that’s gonna be really anticlimactic and I’m going to be very upset (I want Magneto damn it).

9. I didn’t watch a lot of interviews for WandaVision for some reason so I’m just gonna take your word for it and agree with you.

10. I’m assuming we’re getting them in the next episode (I saw a theory that he might be Loki in disguise and that’s looking pretty much impossible but fuck it I’m gonna get my hopes up anyway)

11. I don’t know shit about Latin so this is another one where I’m gonna have to take your word for it.

[throwing-summers-at-the-walls]

Hi, i hope you are feeling good! Im better than yesterday so i can finally answer you. First of all: i am so happy that you shared your fanfiction! i had a great time reading it! Im always open for more recs. Maybe your all time favorites? Or if you know some good h/c these are always welcome :) And YESSS please send me a link to your fanvids. -- yeah 13rw was super cursed. haha i also watched season 1 but thankfully i was able to sto watching becaue i could feel it making me feel bad (1)

I agree the suicide scene was just cringe (but i think i remember reading somewhere that they cut it out? idk) and overall this show just gave me the feeling that there was no hope and things are always getting worse instead of better and i hated that. but enough of that cursed show. can i just say i really admire how open you are about your feelings (like being suicidal and that) i realy, really admire this about you. i have so much respect for you that you can just share your feelings here (2)

I have never heard of ace attorney but that story you described sounds really good. and i get reading sth that isnt good for you and still doing it (because im a dumb bitch too :D) -- okay i might accept that Root will never grow on you (but i thought so too and look at me now :D) but i havent fully given up yet :)-- yes thats the girl. i think it was really sweet when she said that to Shaw. and i think Shaw appreciated it that someone tried to figure her out instead of just writting her off (3)

Shaw is really cool and definately also a badass and in combination with John its just great! but you will have to suffer trough some Shoot.  but maybe, maybe you will end up not hating Root. hope dies last (idk how the saying goes in english, sorry). -- Did you ever ship Caresse (in a romantic way)? cause sometimes i do and sometimes i dont and i get so confused about it :) but i think most of the time i like them more as friends. anyway her death really sucked and you are right with (4)

her death and them losing the library it felt like a different show (i mean i guess it was a different show then). i kinda get your feelings about the destroyed library because i also really loved it (and im really bad with change) but i dont think it affected me as much as you. but yeah i still missed the library very much. and while the subway is a really cool new place its not the same. (also the subway is super dark cause its underground and idk it just makes the whole thing less homey) (5)

Yes he is everything! such a great, interesting character and i wish there were more John-centric episodes! (like ones that explored his character more). that was one of my biggest dislikes of the later seasons that John wasnt featured as much anymore. i think he chuckled a few times in the show but a real laugh? i cant remember one :(  -- He did promise Joss to talk to Tyler so @show were is that talk? -- if seen the vid its awesome! thehiddenmemory has some great poi vids! (6)

yes i think so too. Like Grace would probably be relived and thankful that Harold is still alive and maybe they would even try again but eventually she would figure out that she cant trust him after lying to him for so long or sth like that and Harold would ofc realize that he is in love with someone else now. And then he finds out that John is still alive but stayed away cause he didnt want to get in the way of Harold/Grace. But then Harold comes back. And when they meet again John is like (7)

you came back for the machine? what about Grace. But Harold tells him he came back for John not the machine and then they kiss and have a happy live with Bear (sorry i got a little carried away here :D). -- Yeah Zoe is really hot and she needed more screen time! -- i hope you have a good day and i hope i havent messed up the numbers on the asks! :)

Hi ! I'm finally free from the resits, I hope you're doing okay with your thesis 💛

Sorry for replying late, there was the exam resits, and I read a bunch of fics, then I fell into pokémon and started bingewatching it. (Also I had a breakdown during therapy today so I'm gonna finish writing my answer to distract myself - it's been sitting in my drafts for so long rip)

Thank you !! It was a very personal thing, I'm really happy you liked it !! Your support and your comment made me thrive 💛💛

Tbh I was surprised to see it get kudos given that the only intended audience was my self projecting ass 🤣

So, my fav fics (my fav fic ever is in French, rip to y'all bc it's so good):

I am, I am, I am by RavenWhitecastle

Actually check the entire series this work belongs to: The Sinner and the Saint. I haven't finished it yet but I love it (I just skipped the explicit fics bc I don't like smut or sub!John)

Breaking All The Rules by talkingtothesky

Outsider Perspective by Neery

A Really Private Person by astolat

Hamartia (the hero's fatal flaw) by astolat

If Only for Tonight by spacemutineer

From Here, Where? by AKMars

Stroll by TheaNishimori

and the world was gone by lunarcorvid

a light that never goes out by vindicatedtruth

Limitations. by Michaelssw0rd

Reel you in and spit you out by Michaelssw0rd

All I Want For Christmas Is You by richmahogany

By What Power I Am Made Bold by brinnanza

Aftershocks by darringtons

At Certain Hours It All Breaks Down by nogoaway

construction of a kingdom by the_ragnarok

You Take Me Higher Than I've Gone by talkingtothesky

All Together Now by beadedslipper

I'll Let the Waters Still by brinnanza

Birthday Tradition by talkingtothesky

Things My Father Taught Me by KRyn

Truth is in the Eye of the Beholder by infiniteeight

Better Luck This Time by Lisztful

Motivations by JenNova

What's On the Table by cortue

In Another Life by Della19

I Thought We Already Were by talkingtothesky

Misunderstandings by thisstarvingartist

This is already fucking long omg so for the h/c: my bookmarks filtered with Rinch and h/c

Here's my playlist, it's mostly Rinch, but there are a few not Rinch vids, plus some scenes I like

This is long enough already, so it's time for a read more. Also, warning, we be talking about suicide

The portrayal of suicide is cringe most of the time anyway. If my suicidal ass can find a list of suicide methods and their lethality in 2 mins on Google you'd think writers who are supposed to do some research would be able to find them too but no they're like "ah yes slicing wrists" even though it's literally the shittiest method 🙄 (I just don't understand why slicing wrists seems to be such a popular method in the collective imagination ? It's weird.) At least in 13rw she took aspirin and cut herself vertically instead of horizontally but still, no hesitation wounds, and she dies even though she only got 4 wounds iirc ? I know more about jumping off bridges than slicing wrists, but it kinda sounds like bullshit to me. Also Netflix once suggested "beyond the reasons" to me, it's a sort of discussion with the cast and crew of 13rw and the only thing I remember is a moment of intellectual masturbation abt how they "opened a discussion abt suicide" 😬😬😬

They may have cut it out it's not impossible, idk I didn't hear about it, but it's not like I look for info about this dumpster fire lol. Maybe they faced backlash ? Wouldn't be surprised given how shit the show was. And yeah it has a hopeless vibe, I mean that's how it be when you're suicidal, but I didn't like it either.

You're sweet 💜💜 it's interesting that you find it respectable or admirable, I don't have an external point of view, so I'm just like 🤷 it is what it is. I understand where you're coming from though, I guess it's still quite a taboo subject, and suicidal people don't always feel comfortable talking about it, so me throwing around that I jumped off a bridge must be surprising. I'm detached enough from my suicide attempt that I'm able to talk about it without much of a problem, and I'm not really suicidal anymore.

Dumb bitches unite 👏👏👏 we be out there reading shit we shouldn't read

Yeah I think it's nice how the show didn't portray Shaw as a bad person for not having "normal feelings". Well, hope makes one live as we say in French (idk the English saying either lol) but don't hold much hope about me liking Root lmao

I used to ship careese bc they kissed in the crossing, but then I read some Rinch fics and I just ended up falling into it to the point where I stopped caring about careese. Now I think their relationship works better as a friendship.

Yeah all that change really puts me off... It just gives me "bad spin-off" vibes. Especially since there is less John :( and less Rinch :((((

Lmao yeah I just have a lot of feelings about early poi hgkfglrk. Also :/ I'm sad about the subway being less homey pls I just want happiness ?? I swear this show destroys my heart on top of owning my last braincell (brb changing my blog title to this lmao)

Mood I need all the John-centric eps, give me m o r e characterization and development and backstory and feelings hhhhhhh. I love him so much I just wanna spend more time with him. And that's what fics are for ! Yeah thehiddenmemory is so talented ! Astolat made some good ones too, on top of writing really good fics ! (Our fandom has been blessed with the presence of one of the ao3 founders hell yeah)

Also, remember how we talked abt the poi subreddit ? The other day I left a comment on there, wild I know. It wasn't a discussion about the last seasons though, I'm not crazy, it was about the impact poi had in our lives so I said it literally taught me English. Who knows maybe sometimes I'll comment again lol. I just don't wanna meet one of those people who prefer late poi over early poi.

Allow me to uuuuh write something based on what you said. Don't ask me how John survived with no major injuries, my man got that Thick Plot Armor alright. Hope you appreciate me getting carried away sjdkdksk it's kinda rushed and the first part isn't that good bc idk how to write Grace I'm just here for that sweet sweet Rinch stuff

Harold is eating breakfast with Grace in her kitchen – he can't think of her home as his home – when his phone vibrates. It's a text from the machine. It's a surprise, she barely contacted him since... He blocks the thoughts and the images coming to his mind. The machine sent him a picture. When he opens it, his heart misses a beat. Right here on his screen is a silhouette he thought he would never see again. His phone vibrates again. Another picture, this time it's unmistakably John, wearing his signature suit, Bear next to him. Transfixed, he stares at his phone until he feels Grace gently touching his arm. She goes straight to the point.

"Is it John ?" He looks up in confusion, but before he can say anything, she adds, "I hear you call him in your sleep every night."

"It's him, yes." He doesn't want to explain. He only wants to see John, to touch him, to tell him how much he loves him.

"You should go back to him. I like you, Harold. I am deeply relieved to see you alive. But I've been thinking, and... It's not working. This, us... You aren't really the man I fell in love with, the man I grieved... I can't trust you anymore." She doesn't say 'You lied to me' but Harold hears it all the same.

~

Harold sits on their bench. The machine indicated John often comes here. Soon enough, his arms are full of Bear, and John is standing in front of him.

"John. How are you ?" he asks when Bear finally calms down.

"Busy. And you ?"

Harold eyes him suspiciously – John once said he was busy when he was bleeding and way too close to death – but he seems to be well.

"I'm fine." He doesn't have time for awkward small talk." I thought you were dead. Why didn't you contact me ?"

"The machine told me you were with Grace. I thought you wanted to come back to your previous life. I didn't want to crash into it and ruin what you had."

Harold wants to be angry at him, but he understands. He did the same with Grace.

"You would never ruin anything. Besides, my relationship with Grace... didn't survive my lies. She's very dear to my heart, but she's a part of my previous life, as you said."

"So you came back for the machine, and the numbers, like the good old times ?"

Harold gets up from the bench.

"I came back for you. You are an important part of my life. The most important part."

John smiles, finally. He takes a step towards Harold, they're so close they could kiss. Harold reaches out, grips his shirt and slowly inches closer. He's still afraid of being rejected but John wraps his arm around him and kisses him. The kiss is over too soon. John's smile is even wider when they part.

"You're the most important part of my life too," he says before kissing Harold again. "You will stay ?"

"Always."

Damn I live for sappy Rinch stuff.

Bitches decided that Harold saying "always" is peak Rinch. It's me I'm bitches.

Also ofc I had to make a reference to number crunch, who do you think I am

Anyway. I hope you have a good day ! 💛

[serialreblogger]

just finished watching the Mummy (Tom Cruise edition) and i have Some Thoughts

I knew it would be racist going in. I knew that. But it’s just such a dumb premise for a movie, like. Egyptian Zombies, but they’re extra scary because they’re èxötique

and of course the people destroying antiquities are Rebel Egyptian Insurgents and the white opportunists (who’re explicitly stated to be stealing and selling artifacts on the black market) are actually rescuing them from the violent natives. just. so dumb, so racist, so unnecessary

also why is Ahmanet (the mummy, pictured above) so white? Like. i know this is kind of a case of “damned if you do, damned if you don’t” (if she’s white it’s whitewashing, if she’s accurate it’s hoo boy with the symbolic Dangerous Exotic Women), but frankly if you’re in that situation you’re already doing it wrong. and they’re clearly going all out with the racist vibes (we’ll get to that more later) so like. why is she white. the producers were presented with two evils and chose both, is what i’m saying

*Oh, and it’s not bc she’s undead. there’s a really good post i saw recently explaining how to properly colourize undead POC, and friends, this isn’t it. (i can’t find that post back because tumblr is the worst, but if anyone has it on hand PLEASE send it to me and i’ll add the link here)

“I’m scared,” Blonde Love Interest confides to Tom Cruise in a moment of crisis. Hey, that line was progressive! Sixty years ago on Star Trek. And Uhura, who said it first, actually had some character. 

the ENDING. friends. the ending. Spoilers below, just fyi (it came out in 2017, but still)

the! ENDING! i know i’m an english major and i tend to overthink things but I CAN’T DEAL WITH THAT ENDING

so Ahmanet is an Ancient Egyptian Princess who was set to inherit the throne, but then her father had a son so she decides to go evil because she really wanted to inherit, you know? as you do

of course it didn’t work and for her crimes she was “mummified alive” (someone should probably have looked up what mummification entailed. but whatever) 

tom cruise disturbs her resting place and consequently becomes Ahmanet’s Chosen Vessel. he’s now set to be possessed by the Egyptian god of death, who is also apparently Satan, because white people suck

[insert an hour of bad zombie effects]

at the end, the blonde woman tom cruise knows from a one-night-stand and is apparently now in love with?? dies. she’s drowned by Ahmanet and her skeleton army. 

tom cruise then decides to use this evil magic knife to stab himself, thereby inviting Egyptian Satan to possess him so he can have “power of life over death”. Cruise then uses this power to:

Slam Ahmanet, the Beautiful and Seductive Exotic Woman (a common trope in the 1600s, fyi, always juxtaposed with the Good and Obedient White Woman. which is also the case. in this movie. which came out. in 2017) into a wall

Drags Ahmanet onto a stone table and traps her beneath him

Kisses her on the lips, sucking out her life force and reducing her to a dried-up corpse.

...

The symbolism here is breathtaking. (No pun intended, for once.) 

Tom Cruise, the white man, is forced (“forced.” actually even within the movie he had the option. he very clearly chose to do this instead of just destroying the means of god-summoning. it’s framed as a sacrifice on his part) to physically conquer and molest the woman of colour, in order to halt and reverse her monstrous deeds. He reduces her to a husk of herself, and transfers her life force into his dead blonde love interest. The Good and Obedient White Woman comes back to life, rewarded for... she didn’t even do anything. She’s rewarded for being white and attractive to Tom Cruise’s character.

The only difference between this ending and literally any moralistic seventeenth-century literature characterized by its preachy dialogue and thinly-veiled lessons is how Cruise’s character is treated afterward. 

Where, historically, the male hero would be celebrated for his actions, Tom Cruise is labelled “a monster” who had to become something society reviled in order to do what had to be done.

I CAN’T DEAL WITH THIS. THIS IS WHAT THEY’RE SAYING:

“Women who try to recover the rights/honours men have taken from them are monsters.”

“POC are monsters.”

“Women are only saved by men’s love for them.” 

“If a woman does not receive a man willingly, she must be forcibly taken, in order to reverse the life-sucking effects of the monster she’s become.”

This is a narrative straight from early colonialist Britain. 

This is a narrative that apparently hasn’t changed! except that now Hero Men who show women their place are unjustly vilified, made to become monsters by doing what had to be done.

I AM NOT OKAY WITH THIS, FRIENDS

anyway

this has been Movie Reviews with Linden

thanks for reading and, uh... try not to write horrifically racist and misogynistic plotlines? i guess?

[ephemeral-afterlight]

Day 8: Stab Wound

(But hold on a little while longer.)

Whumptober 2019 Day 8: Stab Wound

Word Count: 2054

Relationships: familial Creativitwins, platonic/familial dlamptr

Warnings: Stab wound (obviously), other minor injuries, blood, minor dissociation, lots and lots of cursing

A/N: yes, i know this is late! it’s only by 30 minutes though D: hopefully my characterization of the trash man is alright! this was fun to write hehe

Well. That wasn’t a very fun camping trip!

Remus has always been one for surprise. He likes the excitement, the variety, the fun! It’s healthy to keep a little bit of spice in your life. He’s not afraid to live by this sort of motto, because life is about the little things. Although, he isn’t sure that getting stabbed in the middle of the woods at three a.m. necessarily counts as little, but he’ll take what he can get.

So sue him! Maybe he likes to have a little fun sometimes. Routine is boring! Fuck patterns! Fuck authority! Cause anarchy!

And, uh, yeah. He’s pretty chill with living on the edge like that. But maybe… maybe just a bit further from the edge? He means, like, the edge of harmful societal expectations and complacency, or whatever dumb shit Dee and Lo-Lo rant about to each other at one in the morning. Remus loves his roommates, and would totally rip out a bitch’s spine for them, but they’re fucking nerds. Speak ENGLISH.

Yeah, the edge of “normal”. Not the edge of death.

He’s not gonna die out here, no siree. If he believes he’s immortal strongly enough, he will be. That’s what Barbie movies teach you, right? In any case, even though he refuses to die, getting stabbed hurts like a motherfucker, and it doesn’t help that it’s also storming. He just wanted a nice, fun camping trip, but nooo, some shitty-ass god out there decided “Oh! Time to turn Remus into a shitty cliche horror movie protagonist!”. Why can’t he be the antagonist? Or… wait, what’s the one in the middle of the two? The side character? He wants to be the one guy who is in the midst of all the action with the protag, but seemingly dies halfway through the movie, and then comes back at the end to be like, ”Haha, surprise, bitch! I’m not dead!”.

Huh. Maybe he shouldn’t make all of his life choices based on movie stereotypes.

Anyway, he wishes that at the very least it’d stop fucking raining, because it makes it seriously hard to crawl through the underbrush while slipping in mud and falling flat on his face every two seconds. The stab wound is painful, sure, but as long as he can keep pressure on it and not lose too much blood before he gets to the main road, he should be fine. But having to deal with the downpour hindering his movement and blinding most of his senses sucks ass. How the hell is he supposed to utilize his tracking skills and make sure he’s going the right way without being able to see, hear, or smell a single goddamn thing? He might like making other people wet, but that doesn’t mean he likes being wet himself.

So, he thinks he’s going the right direction. Trying to escape a batshit crazy murderer in the middle of the woods doesn’t leave you a lot of time to casually sit down at a table with a cup of tea and pull out your faded, burnt treasure map, but if he had a table and a cup of tea and a partially burnt map, he would totally do that. Maybe the killer would be so confused, he’d have time to run away.

The thought causes Remus to bark out a laugh into the white noise of the storm, which is a VBI (Very Bad Idea), because it goes straight to his stomach. The pain that radiates out from the wound is like, actually excruciating, hahaha! But... Remus is supposed to be the one who actually survives to the end. He-- he has to be. Who else is gonna fill Roman’s socks with wet concrete?

Oh, Roman. His brother would probably be crying like a little bitch if he were here. Now he’d be the protagonist, the one who’d make so many stupid decisions and somehow come out of it alive anyway. He’s like those teenage girls in horror movies who make you scream at the screen “Don’t go in the dark scary basement, you fucking idiot!” but for some reason, never have a single repercussion for any of their terrible choices. (Remus would be the one who would sacrifice himself for the main character near the end of the movie at the dramatic climax, but Roman can never know that.)

Maybe he wishes Roman was here so that he didn’t have to crawl all this way on his own, but whatever. His brother would probably be too busy whining about his ruined hair to help much, anyway. Not-- Not that Remus needs help! He is having a blast slipping and sliding through the sticks and mud and bushes, thank you very much!

“C’mon out, dude! Don’t draw out the inevitable!” a voice echoes from the trees, a yell that’s far too familiar for Remus’ liking. God, can this guy just give it up already? Go find some other helpless damsel to terrorize! He does not wanna try Remus right now. This may all be fun and games, but Remus is starting to get pissed off, and he is unafraid to take out the stress on this crazy dumbfuck.

Somehow, Remus is able to hear the guy’s footsteps come closer through the sound of the rain splashing all around him, and he speeds up. Probably better to just avoid the guy. Although Remus’d totally win in a fight, the dude does have a knife, and Remus would really prefer to not get stabbed a second time. There’s a drop ahead, a place where it looks like the floor disappears, so Remus shuffles over to it and peers over. It’s a small cliff, with maybe fifteen or so feet to the bottom, and Remus curses under his breath. Fuck, he’s gonna have to do it, isn’t he? And now that he’s looking, he can just barely make out some headlights flit through the trees and disappear, so he knows that he’s close to the main road.

With a grimace, Remus steels himself, then slides off the edge feet-first, trying to use his shoes as a brace against the incline. Of course, because his life fucking sucks, he somehow manages to hit a rock embedded in the side in the wrong crevice, and it pitches him forward off the wall to tumble to the ground below. He smacks into the wet dirt, is just barely able to bite his tongue hard enough to stop the scream from ripping from his throat, and he lands at the bottom harshly. 

His stomach is on fire. It fucking hurts, feels like he’s being stabbed all over again a thousand times over. Bruises are definitely going to start forming all over his body from that fall, and coupled with the fact that his leg hit the ground at a weird angle, walking is going to be even worse than before. Fuck! Why can’t he just catch a fucking break?!

Remus pants hard, trying to work himself up to resuming his trek, when he hears his attacker’s voice calling out from above again. It sounds like he’s coming to the edge, so Remus just swallows hard and scoots himself over through the agonizing aches in his body to lay flat against the cliff wall. He just has to hope the dude doesn’t see him. He can’t really see very well through the storm, but Remus thinks he sees the guy look over the edge. Silence is key, and that’s pretty damn hard considering the absolute torture that is his wounds, but he has to. To survive.

He can’t die today.

And then the guy’s yelling for him again, and his voice is getting further away, and Remus waits in the mud until he can’t hear his footsteps anymore. Vigour and adrenaline now fully renewed, Remus bolts into the trees again, crawl morphing into a crouched run when he’s finally in cover. He clutches at his stomach to try to lessen the pain, which of course doesn’t help, but maybe it’ll keep some blood inside of him or something. Probably not best to bleed out right before he can get help. That’d be a shitty movie ending, if he’s being honest. Absolutely uncreative and unsatisfying. -11/10. 0% on Rotten Tomatoes. Is Remus delirious right now?

Despite all that, the sight of the road through a break in the trees is like a blissful breath of fresh air, a shining light of hope in the darkness. He’ll get to see Roman again, and prank Patton with bugs, and absolutely destroy Virge at video games, and listen to Dee and Lo-Lo’s stupid philosophy talks, and give his adoptive uncle Thomas a heart attack every time he does something stupid, and holy fuck maybe Remus is dying because when did he become sentimental? Ew.

A car finally comes along right as Remus manages to drag himself up onto the shoulder, and he waves frantically from where he’s kneeled on the ground in an effort to flag it down. Thank fuck, the car actually slows to a stop, and the window rolls down almost immediately. The face that pokes out is cute, and innocent-looking, and Remus prays to a god he doesn’t believe in that this person will actually help.

“Oh, jeez, are you okay? Why are you out on the road like this? Is-- Is that blood?!” the driver asks, horrified, and Remus tries to stumble closer. He doesn’t know what he looks like right now, but it’s probably horrifying, and he wouldn’t really blame this stranger if he drove away immediately. Maybe Remus will become like those ghost stories, the spooky legends about ghost hitchhikers. Ooh, maybe he’ll become a local cryptid! They can tell stories about him, and sell merch with his face on it, and he’ll be famous, and he can rub all of his sweet, sweet royalties in Roman’s face.

“Got-- I got stabbed. Crazy fucker got me while I was asleep. Help,” Remus manages to force out through his grit teeth, voice hoarse under the weight of the pain he’s in, and the driver looks extremely worried. For whose well-being, Remus has no clue.

“Alright, I’m taking you to the hospital. I couldn’t live with a guilty conscience if I left you out here. I’m Emile, by the way-- please don’t murder me, okay?” the stranger, Emile, says, and Remus chokes out a laugh despite himself. Emile gets out of his car and rushes through the drizzle without any hesitation, and Remus can already see that this is a genuinely good person. Anyone else would leave him here to die. He knows that. Even he’d leave himself here. But here this guy is, the kindest anyone has ever been to Remus, and it makes him wonder if he’ll still be as nice when he realizes that Remus’ personality is awful and the polar opposite of good and kind. (He knows he’ll never be good enough. He knows. He’s heard it enough, and he doesn’t need to be told again.)

“Not g’nna murder you. I can’t-- can’t even walk on my own, so,” Remus mumbles once he’s sure Emile is close enough to hear, and the latter just clicks his tongue with hands that frantically wave all around as if they don’t know where to go. Luckily enough for Remus, Emile pulls himself together quickly, slings an arm underneath his shoulder to help support his weight, and they limp back to the guy’s car together. As they do, Remus realizes the rain has stopped outright, and, well, isn’t that poetic?

Once he’s inside, dripping all over this stranger’s seats (okay, maybe he feels a little bad about that. When he’s a famous cryptid, he can pay for Emile to get his upholstery fixed), Remus starts to fade in and out. Not like the dying kind of “fading”, because he knows from multiple personal experiences what dying feels like, but more like he’s losing time as an effect of a literal stab wound. Oh, what did Lo-Lo call it? Desecrating? Dissipating? No, dissociating. Yeah, that’s the bitch. Yeah. Yeah...

He gets flashes now and again. Streetlamps outside, a tall building, hands underneath him, bright lights, rapid conversation. It smells like an E.R. It feels like home. He’s not gonna die today. Not yet.

[bardofv0id]

Meat vs. Candy: Meat

Here’s the thing.

I’m hearing two main arguments online... a lot of people saying the epilogues are Terrible, for various reasons, and a few people saying they're Good, with a smaller but vocal subset of those people arguing that if you don’t like them then you’re obviously just expecting to be spoon-fed a fluff ending in which the Character You Like gets a wish-fulfillment storybook epilogue.

There are probably some people who are mad about not getting that. However, I think misrepresenting the range of anger various parts of the fandom are experiencing as being purely some kind of childish knee-jerk tantrum at not getting the toy they wanted is disingenuous, at best, and parallels some of the mistakes of the epilogues themselves.  Note that this in no way excuses or justifies people sending the writers or anyone else death-threats or whatever the hell else has been going on.

Honestly... the Meat ending was pretty good writing, in my opinion.  It wasn’t comfortable or happy or flattering in any way to a number of characters who I recognize people care deeply about, but it was nothing really worse than I expected from Earth C, based on the fundamental narrative of Lord English’s giant closed-loop system.  The loop had to close, in order for Homestuck proper to occur at all.  That means that Earth C is where Calliope and Caliborn hatch and grow up, far, far in the future. And that means that universe, like the others, will be destroyed by a SBURB session one day. Sorry, folks.  It was never meant to be a 'happy ending'.

Meat was deeply metatextual. It was gristly and greasy and discomfiting.  It raised questions about what it means to have a narrator, and whose biases are implicitly included--and I think those are very interesting questions to raise, whether or not they are particularly satisfying to someone who is also reading for the characters.

Spoilers beyond the read-more, for obvious reasons.

That said, there were elements that did surprise me.  The removal of the other kids from different points in different doomed timelines, to fight with John against LE, rather than being his teammates from Earth C--but from John’s perspective, it doesn’t seem like there’s much difference.  Either way, they’re not fully ‘real’ to him (and barely feel real to us, as quickly as they appear and then die). He’s from the Game Over timeline, he’s battling depression, and nobody in the retcon timeline is really quite authentic to him, either--just as to many fans, they didn’t feel quite authentic, when the retcon happened and we had to suddenly let go of the characters we'd watched grow and change, replaced by funhouse mirror reflections and could-have-beens.

I’ve also seen some reasonably interesting arguments that a lot of Dirk’s narration, in the Meat route, either sounds eerily like Vriska talking or flips back and forth between Vriska-mode and Dirk-mode, well before alt!Calliope ever gets involved.  I’m prepared to believe some Serket element (whether that is potentially Vriska, or the Aranea who was abruptly displaced from her attempt at wresting control of the narrative by John) was involved there, and Dirk was not acting entirely of his own accord.  I’m also prepared to shrug and say “okay, maybe it was just a narrative parallel--Homestuck does that a lot”.  Some narration, especially when Terezi is involved, doesn't sound at all how I would expect a Serket-influenced narrator to sound with regards to her, in particular.  It doesn’t particularly grind my gears to think some version of Dirk, in the right environment, might make a series of choices that leads him to behaving like this, entirely on his own.  I recognize that it’s upsetting to DirkJake fans in particular to see their favorite pairing written like this, but it doesn’t feel wholly out of character to me for either of them to develop in these directions, given the right (or wrong) pressures and external situations. This Dirk is the culmination of a very wide multiplicity of Dirks, including at least one if not more who ended up directly subsumed in Lord English and/or under his explicit influence.

I’ve heard that some people were attacking the Meat route on the grounds of transphobia, which... I think is a rather weak argument, given that it’s recognized in the text itself, as pronoun changes are handled respectfully by one narrator-character and inconsistently by a second, who is being set up as the villain of the story. That seems like a pretty solid metatextual rejection of the action, no?  Like, if a villain does a bad thing, in a story, while the hero is fighting them, do you argue that the story itself advocates for that thing? There has to be some kind of distinction between ‘character does X’ and ‘author of story advocates X is Morally Correct’, or we would never have any villains at all. Dirk's dismissiveness toward Roxy's agency grows, the further toward 'villain' he slides.

Were there some things I liked, in Meat?  I guess.  From a sociopolitical and cultural standpoint, the shitty repercussions of the way the retcon gang set up a planet, dumped a bunch of chess people and clone grubs, then left them to do all the work of creating its society and waiting for their eventual 'godly' return... were pretty logical. I'm actually happy that it was acknowledged, instead of just brushed off as inconsequential.  It was interesting, too, to see some of the kids playing with notions of gender identity as they grew, and how their companions adjusted. It was telling (in terms of Dirk's character development) how he thought of Roxy and Calliope's gender explorations as something he could choose to 'allow' or not. Also, with how truncated most of the gang's personal development (and plot development) was in Homestuck proper ('thanks', retcon!Vriska), I think it kinda made sense how stunted and incapable of like... dealing with regular life in a functional way a lot of them seemed. Jumping straight to teenage 'godhood' didn't make them experienced or smart. It's sad that all of them just kind of... stagnate there, but Earth C has always felt incredibly stagnant to me.

Retcon!Vriska getting swallowed by the black hole was at least thematically fitting, though I'm wondering why she is using such Seer-themed language, suddenly. I also like that the wallet is finally back in play. Rose and Dirk's philosophical debate about individuation and free will is delightfully creepy, given the themes of the story. There are moments, within the story, that the turns of phrase and the humor just hit me full in the teeth and remind me this is Homestuck, and I do love those moments.  And of course, my xenobiological worldbuilding interests enjoyed that apparently, earth onions are quite toxic to trolls.

Were there things I didn’t like in Meat?  Yeah, of course. I don't particularly like that John, an Heir of Breath--one who is innately positioned to awaken Breath, freedom and motivation in the people around him--callously shoves an unresisting teenager he's barely met into a refrigerator and just leaves him there, apparently convinced he deserves it.

Did some of the things I disliked relate to the storytelling itself, rather than just how characters were characterized, or what actions they took?  Yeah. Why are we still out here queer-baiting with Dave and Karkat?  Years have passed.  They have spent literal years sitting 1.5 feet apart so it's 'not gay'? I sincerely don't think this pairing is actually healthy or beneficial to either of them, the way it developed in canon, but come on. Then, they still balk and drag their feet unless it's being narratively pushed on them by someone else. It's just painful to watch.

I also take a certain level of personal offense as a Tavros fan when the narrative goes out of its way to repeatedly harp on Tavros being useless and no one giving a shit what he's doing.  Ghost Tavros was awesome, okay, and was personally responsible for gathering the ghost army, so fuck you, Vriska-coded narrator. You have bad judgment. But that is not a crime of writing, if it is an intentionally biased perspective and not just writers taking cheap shots at a character they don't happen to like. I'm just incredibly tired of it being done habitually and collectively, as a fandom, to that character in particular. Furthermore, I'm really discomfited by the way Tavros's development (am I the only one who remembers him dancing and telling Vriska to suck it?) is completely ignored and de-legitimized by having him immediately fawning on her, trailing around after her, hiding against her shoulder, etc.  Tavros was a victim of emotional and physical abuse, at Vriska's hands.  Can we just agree to stop narratively forcing victims back into contact with their abusers, period? It's not a good look.

Moreover, there's the whole misogyny angle.  When does a story about misogynistic characters (and narrators) doing misogynistic things while misogynistic shit narratively happens start being a critique of misogynistic tropes rather than a tired old rehash?  Every step Jane (allegedly a strong, independent woman, though also stepping into her dictatorial role as 'Heiress') takes is either dictated by Dirk, sent into a complete tailspin that upends her confidence by Jake, or verbally decried as factually wrong and/or stupid by Dave and/or Karkat.  Rose and Kanaya both have their agency overwritten and end up separated from each other through the actions of Dirk, and Rose becomes an extension of Dirk, losing her very selfhood.  Jade is treated as an accessory to the DaveKat trainwreck, simultaneously discounted as actually emotionally relevant and blamed for its ludicrous problems.  She, of course, also ends up having her agency overwritten as she's plunged into a coma and possessed, prevented from actually having reactions to the things that are going on, or taking action for herself. Borrowed!Rose and Jade are KO'd almost instantly in the fight against Lord English, and become either literally erased, or dead weight for a male character to drag around until it's no longer convenient. Terezi admits to wasting a huge amount of time trailing around after Vriska--who was an emotionally abusive gaslighter to her, on the retcon!meteor. (And we're back to victims being constantly evaluated according to their proximity to their abusers again.) Then, she's on to redirecting herself into some quest on John's behalf, instead. She's still not living for herself. Finally, you show me an Aradia who would ever, ever be concerned about 'saying more embarrassing stuff' around Dave, or thinking of him as an ‘outrageously cool dude’, and I'll show you a bridge I'd like to sell you.  That ain't any Aradia I've ever seen. So who’s narrating there, Dirk again? A third party?

Other weird things: apparently Jane's kidnapping in the snapchats just... never gets explained or referenced again? I went back to reread those, and they connected to Meat even more than I realized at first.   I guess Jane grew up to be... exactly what she was raised/groomed to be, which is *uncomfortable* but not particularly shocking.  I feel bad for people who were hoping for happier endings for the human kids, but I don't think I ever really expected Homestuck to serve up happy endings.  I don't buy that things in the snapchat were just thrown in at random, though.  Those elements were there for a reason, and arguing that everything in the snapchats were connected to the epilogues EXCEPT that one major extended plotline doesn't make sense.  Especially when it visually and narratively seems to be a direct link to the events of the Meat storyline. 

Also, where the fuck are the sprites?  We never see or hear from Jasprosesprite, Gcatavrosprite, or the Nannasprite(s?) again. I’m not sure anyone cares, but. Uh. Yeah.

I have other thoughts regarding the classpect-coded language that crops up pretty frequently in the epilogues, but I think I will devote a separate post to that, if I get around to it, given that this *is* at heart a classpecting blog.

So anyway, Meat ends, it's depressing and futile and grim, I get it. I don't like every element, but it hangs together as a story with a narrative, overall.

Then we get to Candy.

Hoo boy.

I’ll tackle that one next, but as it was considerably more upsetting for me to read, rereading it for fact-checks and commentary is going to be a lot harder for me.  I’ll get through it here sooner or later, though.

[journeysintowebcomics]

Homestuck Liveblog #182

UPDATE 182: Nothing Goes According to Plan

Last time the epilogues had started. First the meat route! Featuring John going to fight Lord English with many teenage versions of his friends, and Dave and Karkaroni launching their candidacy for president to stop Jane from getting there. Let’s continue.

Wherever John just zapped everyone to is very dark. Given the final destination likely is the place where they’ll fight Lord English, this would be inside one of the bubbles, no? I don’t remember them being particularly dark or dreary, so maybe they’re in the space between the bubbles instead. Shouldn’t be too difficult to find the one with Lord English, just look for the one with the destructive light show.

Apparently they arrived very early. It’s Caliborn, Gamzee and that robot rabbit. Hm. Perhaps this is when they went to fight Caliborn according to the clay theater show?

Lord English is holding something that looks like... Lil Cal? It’s definitely Lil Cal, and Lord English is definitely waltzing around with it in his little spotlight in the middle of the nowhere, swinging the puppet around by both its floppy arms. Well, rather, he was waltzing around. He stopped the moment you looked at him.

...okay then, of all things for Caliborn to be doing, dancing the waltz with the puppet wasn’t really one of them. Consider me surprised, story.

John and Caliborn do a staredown that’d have filled like eighteen pages of Homestuck, and John gives him a thumbs-down. Caliborn takes umbrage with that, although it’s just for a little while, before laughing and deciding this really was the moment represented by the clay theater thing. So, if I recall correctly, that ended with the Original Wonderkids being trapped in the juju, and Dirk shoving Caliborn and the red sprite whose name I don’t remember into the puppet. Foregone conclusion?

CALIBORN: BE QUIET.

CALIBORN: I’LL HAVE YOU KNOW THAT YOU JUST INTERRUPTED A GROUNDBREAKING INTERPRETIVE ART PIECE.

CALIBORN: IT WAS THE FIRST OF ITS KIND. PERFORMED ONLY ONCE. AND MADE MORE VALUABLE FOR ITS RARENESS.

JOHN: wow.

Yes, John, the guy who will destroy existence and also ruin everything still is a dork. Surprise?

Caliborn seems very confident everything will go according to plan and maybe he has reasons to believe that. I mean, it has to, for this to not be a paradox and doom everybody in the process. And yup! Effectively, the ninth page is all about how the heroes lost and got trapped in the juju. It didn’t go all according to the claymation theater because there were some minor and unimportant deviations, but it ended with their loss. I do wonder if we’ll see what happened after they got trapped, though. Kind of doubt it, given this is from John’s point of view.

Nope, it’s Jane. Alright, time to see what’s going on with her and how accurate Dave and Karkaroni’s assessment of her is.

So, I have read several paragraphs now. I can definitely see why those two would say that, and although it wasn’t as bad as it could have been, I do sense a constant and unsettling ‘I know better than everyone’ vibe over all this. Then there’s the matter of word choice:

In fact, Jane is pretty sure that Karkat Vantas would probably literally burst into flame if too many people happened to look at him at the same time, like a vampire walking out into the sun.

Wait. Jane lowers the pillow from her face and stares at her brass-and-glass art deco ceiling. Was that vampire thing xenophobic against Kanaya? Or whatever it was that Kanaya was supposed to be? No, of course not, she assures herself.

---

And despite being inarguably the dimmest of his family’s impressive ecto-biological stock...

Oh, dear. Stock. That’s likely a problematic word, isn’t it? Jane thinks. She crosses it off her mental list of “appropriate words to say during a press conference.”

----

And the consorts? Who had even given them the right to vote in the first place?

----

But Earth C’s paper-thin idyllic history was very close to a boiling point—its very first boiling point, in fact, which will have everything to do with the problematic nature of troll reproduction. The first generation of natural-born trolls obviously cannot be entrusted to a troll.

Which was absolutely not a xenophobic thing to think. It was just realistic. The citizens of Earth C were able to rest easy knowing that the government held careful rein over the... well, over matters of equity.

All that? It’s not outright awful, but it’s enough to leave a nasty aftertaste when you think about it for a moment. Can’t say I know how anything’s supposed to work in the so-called idyllic society of Earth C, or what kind of intricate social problems exist, so I can’t really comment about most of this without making a loooooot of assumptions that are a burden to deal with, but all this about controlling troll reproduction is an uncomfortable callback to the Condesce’s efforts to control human reproduction and mold it to her tastes. I doubt Jane would go that far, but it still is too much of a similarity to it. When I said last update she totally was the Condesce’s descendant it was a joke, not a wish for this, golly.

That aside, in all this I have the impression Hussie isn’t walking the walk, or whatever the colloquial saying goes. I don’t know why exactly he decided to go in this direction with the character, but to me it feels like he’s both trying to push in that direction and try to keep Jane similar to how she was in Homestuck. It’s just a few paragraphs and she hasn’t even said a word to another character, but to me it feels like he’s not committing to the characterization he’s trying to make here. You can’t do both at the same time, seriously. Maybe it’d work if it was an entirely new character instead of an existing character – and by Jove this story doesn’t need new characters, that’s for sure – but yeah, right now? All this with Jane? It’s...not really working for me. It feels kind of clunky.

I definitely can see why I heard people were unsatisfied with the epilogue, though! A character being given unsavory traits and inclinations it didn’t have before must have been an unwelcome shock.

Welp! Time to call Jake! I suppose she’ll try to get his political endorsement thanks to the major political capital he now has. Let’s see if it works!

JAKE: Ahoy ahoy!

Jane has to suck in a hard breath to stop herself from groaning. Why were so many of the finest young minds on this planet slaves to this foolish man’s perky glutes?

Can Jake be treated as more than a one-dimensional character with an ass jutting out? Would be great.

Apparently getting shot with horse tranquilizers is how the shows have been ending for a while already. No wonder there are riots every time, so much for the underdog victory in that show. Still, it’s working, because he’s adored by everyone. Jake sounds like he’s okay with this, but really, he must have a breaking point. You can get shot with horse tranquilizers only so many times before you demand it to stop.

JAKE: Its beginning to feel like all people want from me is to stick my derriere on a signpost for their own profit.

Funny you’d say that, given how much it’s been featuring in this epilogue.

Jake isn’t really the brightest bulb, but he’s not so dense he wouldn’t notice this, yup. Maybe he’d be relieved to know Dave and Karkaroni want him to wink and give double pistols at the camera instead of showing his butt on a billboard. If that’s what makes Jake support them over Jane I’ll laugh and also feel pretty bad for him.

In all this, Jane invites Jake to see her, saying she’s ready to give him what’s best for him. That’s...pretty manipulative, knowing what she wants. Still, she managed to convince him to go see her, so that’s that. I don’t think this meeting will go like she wants to, so I’m kind of dreading it. Next page!

Apparently John never considered the possibility they’d lose against Caliborn. I mean, it’s hard to imagine you’d get trapped into a juju that’s essential a complete void in the universe, but still! He says he screwed up, and praises Rose. Looks like John is alone in the space he’s in, while the rest of the Wonderkids are in their own little pockets of nothingness not too far away. Inside this juju they can’t feel time or space, which is...good? Means they’re not going to die, at least. Dave and Jade are powerless. Can Rose use her seer powers?

ROSE: What did my future self say it was we had to do?

JOHN: erm... she never rea—

DAVE: WHAT?

JOHN: she—

DAVE: I CANT HEAR YOU

JOHN: UM, SHE NEVER REALLY TOLD US WHAT WE HAD TO DO, EXACTLY?

JOHN: JUST WHAT WAS GOING TO HAPPEN, IN A REALLY LOOSE SORT OF FASHION?

ROSE: DOES THAT MEAN WE’RE STU—

What does it say of me I thought she was going to say ‘stupid’. For charging ahead without getting as many details as possible of what future Rose said, I guess. Maybe it’d have been less of a shock when this happened.

Apparently what future Rose foresaw is that they would be trapped in the juju and then freed in the future. Sounds about right, I think that was implied to happen in Act 7. So it’s only matter of time before they’re freed, although, knowing who wrote this, I wouldn’t be surprised if the rest of the fight against Lord English is just shunted aside with a vague description of how it went. Hah!

From what John can imagine, the battle outside is going just like the claymation theater had predicted. By now Caliborn must be getting shoved into the puppet and thrown into the fabric of the multiverse, to doom everyone. You know, now that I think about it, how are the New Wonderkids going to leave wherever they are right now? Without John they’re kind of stuck. Whooops.

It doesn’t sound like Terezi is in the new world. Either she isn’t or she completely cut contact from the rest, because John misses her. I figure he’d at least know what she’s up to, if she were around. Hm.

She wouldn’t have let you neglect relationships with certain friends for so long that you missed whole chapters of their lives. She wouldn’t have put up with you moping around with the salamanders for so long. She would have kicked your ass for being such a loser about everything. She would have poked you in the forehead and called you insufferably lame and told you to pick up the damn phone. You would have called her a weirdo and pretended you hated it, and maybe you would even have believed you hated it. But now, sitting here in this little white cubicle, contemplating your regrets, you don’t think you’d have hated it much at all.

Definitely sounds like she isn’t around. I can’t remember what happened with her in Homestuck...maybe something in these epilogues will answer that?

Also, it’s possible John is depressed. It’s not impossible, really! It’d be surprising if after the events of Sburb and its very traumatic qualities they’re not affected in some manner. Some seemed to be better-adjusted, somehow, but it’s not out of the question others have been affected negatively. Maybe John is depressed. Nothing to do in this juju than tell the rest about that, I suppose.

It’s strategy meeting time right there at Karkaroni’s hive. Dave is in charge of everything, outlining their strategy and what the consequences of Jane’s reign of terror will be. Most of it goes over my head, I admit, thanks to Dave’s verbose way of talking, and Karkaroni and Jade don’t seem to be faring much better.

DAVE: are you two even listening or are you just making noises with your mouths

KARKAT: HOW DARE YOU.

KARKAT: I CAN’T BELIEVE I’M BEING ACCUSED BY DAVE STRIDER, REIGNING EMPEROR OF SPEWING ENDLESS VERBAL DIARRHEA DIRECTLY INTO MY INNOCENT HEAR DUCTS EVERY DAY OF MY FUCKING LIFE, OF MAKING THOUGHTLESS MOUTH NOISES.

KARKAT: JADE, ARE YOU HEARING THIS?

JADE: im scandalized

JADE: especially when

JADE: there are much better things we could all be doing with our mouths.....

...

...

...

...did I mention already I have heard so much dissatisfaction about the epilogues? I didn’t get many details back then, but I definitely am realizing why I heard those opinions all the time. What’s wrong with you, Jade. Nobody else knows how to react, so Dave just continues his strategy meeting.

From what I can gather here, Dave’s opinion is that Jane will capitalize on the very violent and very disturbing features of troll life back in Alternia, and boy is there plenty of that. The average person would be incredibly fearful of a repeat of any of that, especially if the Condesce is brought up. Really, in terms of humans, I’m preeeeetty sure Jane has their vote, no contest. Can’t say I wouldn’t vote for her if I was told about the brutality of troll life and the effects it’d have on us. It’s all about how it’s presented, and Jane would definitely present it at its most raw.

Jade gives an overview of the consequences of the Jane presidency in a manner that stuns our dear underdogs here, and also dog hormones are mentioned. Are you telling me that in the fusion Jade was somehow implanted with her dog’s endocrine system? Was that a thing? Because if she wasn’t then this doesn’t make sense at all, unless somehow her dog ears and tail are secreting hormones. It’s illogical. Not that Jade being fused with her supernatural omnipotent dogsprite is incredibly logical.

You know, when I started reading the epilogues I didn’t really expect to be reading about Jade’s polyamorous urges. I don’t want to read about Jade’s polyamorous urges. Let me just...skip this until the topic changes.

I can’t believe that took the rest of the page, and that’s not a joke-y ‘I can’t believe’. Well then. Next.

Oh, great, it’s Vriska. You know, I like Vriska enough, buuuuut her influence in the narration was never really something I liked of her. Guess I’ll have to endure that, then. The narration starts with reminding she still has quite the hero delusions. Peachy! Off to kind of a bad start. Still, what’s important is that she’s facing Lord English and she has just deployed the juju that’s hosting the Wonderkids, so this really is picking up from Act 7. I didn’t think this would be happening yet here we are. Nice!

Now that the juju has been deployed, the majority of those present – Meenah, Tavros and a myriad of unnamed ghosts – should be retreating, but Vriska wants to see how Lord English destroys reality, which he does with just a roar, sending literal pieces of reality crashing down and bonking Vriska on the head. Above her, a black hole is forming, consuming reality itself. It’s so strong that, without Tavros to anchor her, she’s lifted off the ground and sucked towards it. She’s unable to hold onto the juju or onto anything, and disappears into the black hole.

Well that was quite the random aside, but that’s how Homestuck is.

John and the rest emerge from the juju, just in time to see the huge and realize things are falling apart. There’s nothing about Lord English being nearby, so maybe he was absorbed into the black hole as well? Not much time to wonder about that, because reality unravels.

In Jane’s office reality isn’t unraveling, though, what’s unraveling is her patience, because Jake doesn’t figure out entering through the door is what anyone would do, instead of entering through the window from what’s likely not a ground floor office. Once he enters like any person without powers would do, Jane receives him.

And intimate knowledge of his hoarding habits—particularly the type of sultry, cerulean content he is known to hoard—is exactly why Jane is wearing a blue dress with a very high hem. Jake’s bow tie practically spins at the sight of it.

Thaaaaat’s also manipulative. Clever and it most likely will work, but it’s manipulative. I’m still having a hard time trying to associate this with Jane, honestly.

Well she tries to seduce him, which, knowing how hard of a time she was having enduring her romantic trouble in Homestuck, is darkly hilarious, especially when it fails completely because she’s not good at this. All Jake can do is spit bourbon at her. After that little stunt she’ll need to have incredible patience not to kick him out immediately, but the political capital must be really worth it.

Although she’s clearly very frustrated, she still plows ahead and starts talking about the economy, trying to get Jake up to date with the intricacies of what’s going on. He doesn’t know anything at all, so she has to explain to him everything. She still seems to be kind of aiming to seducing Jake, though. Sigh.

Who are they now? The same Jake and Jane who passed like particularly dysfunctional ships in the night a decade ago? Or is Jane wiser, and Jake kinder? Are they better versions of themselves?

Well it sure wasn’t the other way, Jane sure didn’t get kinder and Jake wiser. That much was very clear just from this update.

I’m not entirely sure if her reminiscing about how they may be all drifting apart and how the trajectory all of their lives have taken is fake – part of me believes it may be sincere, after all – but what I’m sure of is that she doesn’t miss Jake. She makes sure to say she does, though! And he reciprocates. This leads to a lot of kissing. This sure escalated fast! And on Jane’s favor, dare I say. It was a complete accident, but it’s going pretty close to what she had intended.

Or not, because through all this Jake keeps thinking of Dirk and his abysmally romantic attributes. Boy, if Jane heard about this she’d be even more frustrated. But yeah, pretty clear Jake hasn’t gotten over Dirk no matter what. Seems to me like he’s doomed to think of Dirk for quite a while. He realizes that in a flash of inspiration and yelps in panic, deciding to scram and ending Jane’s underhanded romantic overtures. That went pretty badly!

JANE: What the...

JANE: Everliving fuck!

It really is for the better she’s not aware what was going through Jake’s mind, hah! She even calls Dirk to talk about what happened. He’s not understanding, he simply states you can’t be nice to Jake if you want him to be interested in you, and pretty much tells Jane to stay on her line and stop trying to play romance with Jake because that’s his turf. Paraphrasing. This is starting to seem more and more like Jake won’t throw his hat in their ring, in my opinion.

She’s also looking emotional support, and she’s not getting it from Dirk because she has other things to deal with, more important than the election of president of the entire planet. Rose is here, and given how they have a mutual problem, they have to talk about it. But that’s for next time!

[gaberoothekangaroo]

this is kinda going to be long.

my dad gets so fucking worked up about things and it fucking drives me bonkers because hes just being an ass about it. like we were watching transformers on tv and it had some extra interviews and it talked about the differences of opinion between shia and michael bay on how to do a scene. so my dad is spouting off about how ‘directors are lazy and complacent and they need to learn from others successes’ and on and on and on. and im like ???? there are like only a handful of series that go from one movie to the next??? and so we got into it. like i explained to him that this is a recent thing in the past ten years to have movies that all link up to one another that tell a whole story, rather than having a story that has a beginning middle and end and then adding on a sequel. cause lets be real most sequels suck cause theyre trying to recaputre the glory of the first movie and they dont live up to it.

so hes just fuckin goin off about how this that and the other. and i point out to him that the marvels movies started out as flops. like iron man was pretty good, then two just was in the toilet. well it was the first of its kind. they closed the doors on the first movie. it was a little hard to try to reopen things they had already closed. so they learned and the third movie was pretty good. then we have all the other movies in the franchise that build off each other. yeah they make mistakes, but these guys have all learned and built off each other. 

NOPE. hes like hauling off about laziness and they need to look at other peoples successes and failures on working in series. and im like ?????? asshole, do you not realize there are not that many series out there???? and so we just keep fighting over it and it gets to the point where im like ‘dude, its a fucking novel that theyre taking from a script and turning it into a visualization. you have a problem with their lack of continuity or their characterization, thats where your problems lie, not with the producer’

so then hes just like freaking out hardcore and hes like ‘movies and books are different’ and im like how? how could they possibly be different? world building, characters, a plot, a beginning middle and end. like how are they different aside from the fact one is visual and one is text based? and he just cant see that theyre literally the same thing. and so he keeps freaking out.

and im like ‘if i were to write a book on xyz, i wouldnt go look at the other successful authors that wrote something similar. thats fucking stupid.’ and hes like ‘thats not what i was saying’. um yes it is. if youre talking about looking at something and trying to base it off its predecessors successes and failures, then...wouldnt you have to...idk find something that was actually similar before you can make comparisons???

idfk. he had an issue with the fact that michael bay is a jackass and wanted ‘to do things his way’ and wasnt going to let shia do something he wanted to do. yeah okay creative differences, still made a fairly okay movie. not the actors fault that theres four of these stupid movies. but he was raging hardcore over the fact that the director was ‘lazy and complacent’. so what is his laziness? is there some sort of standard hes following? what is his complacency? like i? dont? understand???

the complacency youre talking about is he wanted a fucking paycheck. the first one was successful and he probably won awards and there was acclaim. so whats stopping him from trying to make a second? a third? he has the characters. he somewhat has the world. its not his own idea, no, because hes taking from an already fairly successful source. but hes moulding the characters to his needs and purposes. same thing with his screenwriter.

i have more anger directed towards the screenwriter than the producer because if the script/characters suck, its on them. they wrote the fuckin thing. if you dont know how to worldbuild or write a cohesive character outside of a single individual film, thats on you and your creativity, not the producer. but nope, he couldnt see it that way. and he kept yelling about how i was putting words in his mouth and this that or the other. like jesus fucking christ man.

im so fucking over how he cant see another point of view. he does this shit with everything. like i need to move fucking far away again. i cannot do this shit. it drives me near up the wall.

he gets so mad that im ‘so literal’ ‘all the goddamned time’. okay well...im not yelling every five seconds that the english language is being destroyed and cant accept change. ‘i was taught all the rules and exceptions’. bullshit. if you were, youd speak worse than a goddamned textbook. you wouldnt sound human. you wouldnt fit in to your social environment. you would be stiff. yet whenever you hear a new word, jesus lord almighty the world is coming down around your ears. its bad when others say it, but you dont mind when we do it. righto.

he makes me so mad. he just doesnt want to look outside his viewpoint. as understanding as he is, he doesnt want to learn. he says he likes learning, but he doesnt actually. if it goes away from what he was taught or something hes stood by for forever and a half, he doesnt want it to change. its like tough luck asshole, thats how things happen. if you dont want change, move to a cave. i dont like change either, but im not yelling from the rooftops about it. nor am i blinded by my viewpoints.

the dumb thing about all this is, is that i dont have anyone i can talk to this about. none of my friends really wanted to stay in contact after we grew up. i havent made too many strong relationships after childhood. the ones i have made, i dont want to feel like im bothering them. i dont want to feel like im incessantly talking nonstop and only about myself and my problems. so i bottle it and then it explodes and then after im done writing it out or talking it out, im still angry. my anxiety is still high. but im over it. im done talking about it. i could get riled up again, but it just tires me out.

like i feel like i used to have a good relationship with my dad, but then i moved away. i learned some new things. i saw some different view points. i aligned myself with others that were abroad. i try to look at things differently. and now that ive come back, its like hes exactly where i left him. he didnt change, but i did. he doesnt want to learn or grow. he thinks hes done, that this is the most him he can be.

it makes me really angry because i want to share things with him. i want to talk to him about the things that excite me, that i think might excite him cause we share a lot of common interests. but then all i get is push back and anger and confrontation and it just makes me tired. it makes me angry too, but i just want to be done and over with it. i want to be away from it. from him.

when i left, i didnt know mothers werent supposed to be that way. now that ive learned thats not how any individual should be, i can see how dads shouldnt be that way either. im not saying hes abusive like my mother, but hes nearly there. belittling and jeering and outright testosterone fueled meanness when things dont go his way or i dont perform to his standards. theres even a disparity between how understanding he used to be and how understanding he is now. the older i get and the further i get away from who i used to be, the less understanding he seems to be. it makes me sad. it makes me angry. it makes me want to leave and not come back. it makes me want to go and to go and to go. at the same time, i live in a constant state of existential crisis. life is short and nothing has meaning. all that stuff. so theres fear, true panic inducing fear that dominates my line of thinking for a few days before i get it under control and so i dont want to lose my relationship with my dad. he is probably one of the closest people in my life. but he also keeps getting more distant as time progresses.

nights like tonight just make me want to cry. i go from anger to sadness/panic to exhaustion. like ive ranted, ive changed the subject a couple times now, but i dont feel better. theres still a low simmer of anger in my chest thats constricting in the way anxiety is constricting.

i dont want many more of these situations. i guess its time to move. i dont want to do it permanently, but it looks kinda like it might have to be. and if it is permanent, that means i leave behind my grandmother who means the world to me. it means i leave behind one of my best friends, a friend i believed would die and i wouldnt be informed of his passing a few years ago. i already left some close friends behind in my last state of residency. i read a lot because i choose to escape from things. i have a hard time facing things. like facing the fact that my dad is probably not going to change as a individual and will continue to be confrontational and a hypocrite. i really wanna cry but my depression doesnt allow it.