#there's too many things to point out

[lock-my-feelings-in-a-jar]

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[paintedcrows]

Assorted Gravity Falls doodles!

[batbabydamian]

it’s so funny to me Damian made and wore this suit for ONE meeting with his mom 😭

shown in the “Demon or Detective?” backups in Batman (2016) #106 and Detective Comics #1034!

[omaano]

If you're still taking those polyam sketch prompts...D2 for Cody/Obi-Wan/Rex?

Obi-Wan deserves a pair of handsome space heaters for the cold Tatooine nights :3 nap piles for everyone! Thanks for asking (and for adjusting the requested pose so that I can keep drawing different poses)❤️

Polyamorous/platonic poses for sketching

[poorly-drawn-mdzs]

Round and round, In circles we go.

[First] Prev <–-> Next

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[faaun]

last night i got home kind of tipsy and very much in tears and my mother told me the force you exert to keep someone in your life is proportional to the force with which they will leave your life. if you have to fight tooth and claw to keep them, their leaving will be just as hard, just as harsh, and just as definite.

[luxaofhesperides]

Ghostlights cuddling for comfort, but also they're oblivious idiots who are pining over each other but thinks its unrequited

“Ugh,” Duke says, dropping down onto the bench besides Danny.

Danny nudges him with his shoulder. “Rough night?”

“Slept for like an hour,” Duke mutters, “This sucks. My head’s going to burst like balloon and my eyes are about to fall out.”

“Yikes. You know, you could have just canceled for today. I wouldn’t have minded.”

Duke sighs and presses the heel of his palms against his eyes. “Maybe, but I would have minded. We barely see each other anymore, man. I’ve missed you.”

“Oh.” Danny bites his lip, trying and failing to stop from smiling. Something soft in his chest glows at the words, a growing spark of happiness in knowing that for this, at least, the feeling is requited. It’s nice to hear that he was missed, and it would be even nicer if Duke wasn’t in pain, pushing himself just because he didn’t want to cancel. Carefully, Danny reaches for him and pulls his hands away from his face. “Here,” he says, “Let me.”

His hands are always cold. Most of him is cold, really — side effect of having an ice core. Sam told him once that his hands were better than an ice pack, and he’s hoping she’s right or this is going to be weird. 

Danny gently presses his fingers against Duke’s temples, his hands cradling Duke’s face. Duke is tense for a few seconds, then abruptly relaxes, leaning into Danny’s hands. 

“Is this helping?” he asks, voice hushed to keep from aggravating Duke’s migraine.

“Mhm. Yeah, it feels great. Thanks, Danny.”

Duke goes completely limp, leaning against Danny. They sit there for a minute in silence, the rest of the world feeling far away. As nice as it is to just exist together, he knows what Duke needs most right now is quiet and stillness. Gotham is very much not that, and every honking car that passes by makes Duke wince, trying to turn away from the road even more.

“Hey, let’s head back to my place. It’s close by, and a lot quieter than out here.”

“Are you sure? I know we planned to go to the arcade today…”

“The arcade can wait. You’re more important.”

Duke blinks open his eyes and looks at Danny with something soft in his gaze. Being so close together, barely any space between them, with Duke looking at him like that makes Danny’s cheeks flush red, unable to think anything but please kiss me.

Which is never going to happen. Duke is his friend, and just his friend, no matter how much Danny wishes they could be something more. It’s a pipe dream, something so impossible it’s almost laughable. 

Duke likes being friends with normal human Danny. He doesn’t want to imagine how he would react if he found out about Danny being half ghost, assuming this imaginary reveal happens without Danny being hunted down and cut open by GIW agents. 

He’s still in hiding, always waiting for the worst as he stays in the apartment his friends (living and dead) had set up for him. The building is for ghosts so it technically doesn’t exists, which means it’s the safest place for Danny while he’s actively being hunted by the US government. 

He can’t be honest with Duke. Can’t be as close to him as he wants to be. Duke deserves more than to be dragged into Danny’s problems and put in danger.

Even so, Danny can’t help but want him around, pushing his luck each time they hang out.

“Come on,” Danny urges, standing up. He pulls his hands away and Duke’s brow immediately furrows, his pain returning. “It’s only a few streets away.”

Duke sighs, then visibly braces himself before he stands up. Danny tucks himself into Duke’s side, taking as much of his weight as he can as he walks them down the street. It’s times like these that he wishes he could reveal his powers safely and just fly them to his apartment. But even without the GIW gunning for his head, showing off powers in Gotham is a sure fire way to get a target painted on his back.

“Almost there,” he says as they turn a corner. 

His apartment doesn’t have a fixed address. It doesn’t have a fixed location at all, drifting around, but it likes this street the most, so this is where it usually is. Danny takes them halfway down the street, then turns into an alley, following his ghost sense. 

Where there’s usually a dead end is instead a building, looking as if it’s always been tucked away in this alley. Danny keeps a tight grip on Duke as they climb the front steps, silently asking for the building to let him stay while he’s with Danny. The door opens easily, which is as good as an agreement, and they’re inside without anything going wrong. The small entrance lobby is empty, with an area for packages filled with clearly magical artifacts carelessly wrapped in bubble wrap. 

Danny drags them past that quickly, hoping Duke doesn’t notice, and calls the elevator down. It arrives silently, the doors opening to let another tenant out. Carefully, Danny positions himself in front of Duke, making sure he doesn’t see how the tenant, who nods at Danny, has a still bleeding wound in his stomach that has him nearly split in half. 

“Alright,” he says, ushering Duke into the elevator, “Just a little ride up and then you can lay down.” He hits the button for the fourth floor and they ride up in silence, Duke dropping his head down to onto Danny’s shoulder again, wrapping his arms around his waist as he stands behind Danny. He’s glad Duke can’t see his face; there’s no doubt that he’s blushing like crazy and if that doesn’t give away his feelings, he doesn’t know what will.

Thankfully the elevator ride isn’t long. If Danny had to go for more than a minute with Duke breathing softly against his neck, his warm hands on his stomach, Danny would have collapsed into a pile of flustered goo.

He opens the door to his apartment and kicks his shoes off. Duke follows in suit, still plastered onto Danny’s back, refusing to let go. 

“Come on,” Danny says, leading him to the couch, “Sit down and I’ll grad you some water and painkillers.”

Duke nods against his shoulder, then slowly detaches himself from Danny and makes his way to the couch. He drops onto it gracelessly, pressing his face into a cushion. 

Danny winces. He must be feeling really bad. He knows how bad migraines can be with sleep deprivation, having suffered through high school with only a few hours of sleep at night, if he got to sleep at all. Frankly, it’s a testament to Duke’s strength that he lasted the entire walk to Danny’s apartment without complaint. 

He returns to the living room with a full glass of water and a bottle of Advil, setting them on the coffee table to crouch next to the couch and place a cold hand on Duke’s cheek. “Hey,” he says softly when Duke turns to look at him, “Is Advil alright? It’s all I had.”

“Yeah, that’s fine. Thanks, Danny.”

Duke sits up and shakes out three pills, then washes them down with water. He drains the rest of the cup quickly, then falls back against the couch with his eyes squeezed shut.

“Is there anything else I can do to make you feel better?”

Duke immediately reaches a hand out for him.

“Um?”

“Sit next to me. I feel better when I’m next to you.”

“Oh! Alright. Bet you’re only saying that because my hands are cold.”

“You caught me,” Duke laughs, pulling Danny onto the couch. He goes easily, tucking his legs beneath himself, and places his hands on Duke’s temples again. “Man, I owe you my life.”

“I don’t think my cold hands are worth quite that much.”

Duke hums, but doesn’t say anything else, so Danny settles in and focuses on keeping his hands a little colder than normal. 

The apartment is quiet. No sound from outside can reach them, one of the few ways the building looks after its tenants. Danny and Duke fall against each other, at ease with each other. There’s no need to fill in the silence, and with Duke’s eyes closed, Danny doesn’t have to carefully shove down his feelings and act normal. He indulges in the warmth of Duke’s body pressed against his, a hand on his knee and an arm around his waist. 

He keeps his hands as steady as possible as he looks over Duke, adoring all the little details he can see; a small scar on his chin, the fullness of his lips, the way his hair falls into his face now that it’s long enough to keep in braids.

“I can practically hear you thinking,” Duke murmurs, “What’s on your mind?”

You’re cute, he thinks, I feel safe with you. I want to kiss you. I wish I could be brave enough to be honest.

I wish I was brave. I wish I was brave. I wish I was brave.

“Nothing,” he says. “Feeling better?”

“Yeah. I might fall asleep though.”

“That’s fine. You know I would never say no to a nap.”

“Come here, then,” Duke says, and before Danny can do anything, Duke gets a stronger grip on his waist and pulls Danny down on top of him as he falls back towards the arm rest and gets his legs on the couch.

“Duke!”

Duke laughs underneath him, and Danny can feel it roll through him. Okay! This is definitely something he’s going to think about… forever. Wow, he can feel Duke’s abs tense up as he laughs, and has he always been ripped? Unfair. Also unfairly hot. 

“Is this alright?” Duke asks, voice soft and quiet. There’s a hesitancy around his words that Danny doesn’t like hearing, and he brings his hands down to sweep his thumbs soothingly over Duke’s cheeks.

“Of course it is, man. I’d never refuse cuddles.”

“Okay. I’m gonna pass out now. Wake me in an hour?”

Danny moves his hands back up to his temples and says, “Sure. Get some rest, Duke. You really need it.”

He feels Duke relax beneath him, breaths slowing down as he begins to fall asleep. It’s peaceful and quiet and Duke is warm in a way Danny never can be with his ice core. He doesn’t mean to fall asleep, but curled up on the couch with Duke in the safety of an apartment that only barely exists has him drifting off in no time at all.

. . .

(Duke wakes up before Danny. Their legs are tangled together and Duke has moved during his sleep, turning so Danny is held tightly to his chest, his back to the cushions, while Duke is balancing very carefully at the edge of the couch. 

It’s been hours, and he should be heading home soon, but he stays as he is, enjoying this quiet moment for as long as he can have it. Danny is in his arms, safe and content with him, his head no longer hurts beyond a residual ache he can easily ignore, and he can admire how pretty Danny is without being worried about Danny catching his lingering stares. 

These moments are precious to him, rare as they are, and he wants nothing more than to kiss Danny once he’s awake and let his feelings be known.

But the Signal has lots of dangerous people after him, and Gnomon has started causing problems in Gotham again. So he’ll bite his tongue and keep his less platonic feelings buried under lock and key until it’s safe enough for Danny to be around him more often.

And when that time comes, he can only hope that Danny will feel the same way.

That’s all far away from the stillness of Danny’s apartment. All that matters is that he has Danny in his arms. Everything else can wait. 

For now, this is more than enough.)

[birdricks]

the really interesting thing about mortys fear of relying on rick is that it really does go both ways. like as much as hes afraid of needing rick... rick needs him just as much, if not more. and i think this ties into mortys fear of having to be responsible for ricks sadness.

there are SO many times where morty threatens to leave rick... just as rick constantly reminds morty that he can be replaced.

the difference is that morty COULD leave rick behind if he really wanted to. and he could probably be okay without him. but hell always come back to rick... because thats how hes meant to be. a mortys defining trait is how he will always put rick and his emotions first.

we can see this in evil morty and how he was able to escape the cycle simply by no longer caring about ricks feelings. what makes him different isnt being evil... its simply no longer prioritising the feelings of rick over his own.

like how many times do we see morty choosing to stay with rick despite everything rick puts him through? and i think this is partly where his forgiveness comes from. of course he does truly love rick and that plays into it, but hes also terrified of what might happen without him there to fall back on.

any time rick feels he might lose morty he spirals and lashes out in some weird manipulative way to keep morty reliant on him (which is ironically the very thing morty fears most).

and whenever he DOES lose morty for any amount of time he turns into a complete wreck. probably part of the fear of his own reliance on rick comes from knowing its largely manufactured by rick and not fully his own choice.

even WITH morty there to support him rick is incredibly prone to suicidal ideation and self destructive tendencies. its not hard to work out what would happen if morty was no longer around to cater to his emotions.

so he stays. of course its awful for him. but he does it. hes willing to sacrifice himself and his own emotions to save rick over and over again. because he knows what will happen if he doesnt.

[snailwitdamail2]

incredibly low quality Anaya appreciation post bc i think he’s adorable.

[eightspringdays]

People who infantilize autistic coded characters are the weakest link in society's chain.

How are you gonna look at this mf

And then tell me he's too uwu to do anything. Open your eyes, expand your brain; he thinks of the MCnasty too. Let him say fuck !!!!

[jadecantcreate]

in the whitchlite carinval. straight up “caking it.” and by “it”, haha, well. lets justr say. My chad

(some gideon exploration & little doodles)

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.