#there's more to this textual history than I've summarised here but I am trying my best not to write thousands of words
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polutrope · 4 months ago
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"Wherefore dost thou of the uncouth race of Men endure to upbraid a king of the Eldalië? Lo! in Palisor my life began years uncounted before the first of Men awoke. Get thee gone, O Úrin..."
'Turambar and the Foalóke' in The Book of Lost Tales Part II. Written c. 1919.
"How do ye of uncouth race dare to demand aught of me, Elu Thingol, Lord of Beleriand, whose life began by the waters of Cuiviénen years uncounted ere the fathers of the stunted people awoke?"
'Of the Ruin of Doriath', The Silmarillion, ed. Christopher Tolkien. Published 1977.
So I think something that gets left out of the Thingol discourse (note: no Thingol bashing on this post please), is the textual history of the chapter 'Of the Ruin of Doriath'. Most of the published Silmarillion very closely follows drafts written by Tolkien. Not so this chapter, which Tolkien only ever got to in his first draft of the Silmarillion in the historical summary tradition as we know and love it, i.e., the 1930 Qenta Noldorinwa, where he wrote:
Thingol ... scanted his promised reward for their labour; and bitter words grew between them, and there was battle in Thingol's halls.
(Consider that the Thingol of the Narn i hin Hurin, often cited as a gentler and more complex character, was written in the 1950s.)
The only other time he touched it in more expansive prose format was in the late 1910s, when Doriath was Artanor and Thingol was Tinwelint and the Silmarils barely mattered. He again mentions these events in brief annalistic form in the Tales of Years, most lately revised in the 1950s.
502 The Nauglamir is wrought of the treasure of Glaurung, and the Silmaril is hung thereon. Thingol quarrels with the Dwarves who had wrought for him the necklace.
That's it. That's all Christopher Tolkien and Guy Gavriel Kay (hired to help write this gap in the narrative) had to work with. So they took Tolkien's words where they could get them, and here you can see they took a speech Tinwelint (later Thingol, but not the same character as he developed) spoke to Úrin (later Húrin, but also not the same character) and adapted it to another context, i.e., Thingol's conflict with the Dwarves over the Nauglamir.
In The War of the Jewels (HoMe 11), Christopher writes a revealing commentary on how he put together this chapter, and expresses regrets on how it was done. He admits, "How [my father] would have treated Thingol's behaviour towards the Dwarves is impossible to say."
Now, I really dislike the 'Christopher did him dirty' line of thinking. Working through HoMe, it's obvious Christopher did the best, most faithful-to-JRRT job anyone could have done putting his father's drafts into a cohesive narrative. But, in this case, Christopher (and Guy Kay) did tinker with Thingol's character in a way that, I think, he regretted, or at least questioned. And, unfortunately, the way Thingol speaks to the Dwarves here -- a speech Tolkien did not write -- has become a huge sticking point in fandom conversations.
Yes, it's canon that Naugrim means "stunted folk" in Sindarin. There's definitely tension and mutual disdain between Elves and Dwarves, no question about it. Does Thingol call the Dwarves an "uncouth race" and claim superiority as a lord of Elves in the published Silmarillion? Yes, he does. And so yes, it's canon and it's part of Thingol's character. But it's not the only part of Thingol's character, which is the point I always see the (shall we say) appreciators of nuance returning to.
But I've wanted to make this post about the textual history of what I would consider Thingol's worst moment for a while, since I've not seen it included in the conversation before.
"Canon" in Tolkien's legendarium is hard to define, as we know. (Personally, that's precisely what makes it so creatively inspiring to me.) But I think there are some places where it's harder to define than others, and this episode with Thingol and the Dwarves is one of them.
Take it as you will.
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