#there's a sparseness to their prose and a sharpness to their imagery that i find cuttingly effective because it suits the subject matter

[odericevertz]

2, 17 and 28 for the writer ask game <3

ooh!

2. anything that you'd like to write but feel like you're unable to?

i have a very straightforward answer for this. DEFENSELINE FIC!!!!! i feel so insane about the dynamic they have going on over there. i have a whole section in my gdocs of wilo/gabi moments in interviews that i want to build a fic off of but i feel like i just can't nail down their voices well enough to write a fic from either of their POVs. a lot of rpf for me is feeling comfy enough in their voice to write it but i don't think i have a good enough handle on how they speak to write about how they Think... if that makes sense.

(one of my fave wilo/gabi interactions is where they're arguing about who's the best dressed on the team and wilo goes yeah but you like my fashion and gabi's like eeeh sometimes. and wilo presses like so sometimes no? and gabi fake-winces at how bad it is and says no....and they kind of devolve into a laughing argument which wilo ends by saying something like yeah but i know you like that one outfit of mine. OUGH.)

17. past or present tense? why?

OKAY. even though both of my published ones have been in present tense i actually like past a lot more......i feel like there's a depth and reflection to it that lends it a lot more weight. present for me comes naturally when i'm writing shorter fic / when i want the fic to feel more stream-of-consciousness and really immersed in the character's POV. then again i love that present always feels more real to me......more (unintentional pun) present, like i can see it playing out in front of me. as you can see i'm quite indecisive which is a huge problem with my WIPs because for a single fic scenes always come to me in different tenses and i end up having to decide which one fits better.

28. any writing advice that works for you and you feel like sharing?

i am the worst person to ask this bc i genuinely don't look up writing advice....i've always believed that the best way to improve is to read more & write more. READ! both published books AND fic from authors you like. figure out what exactly you like about their writing, learn from them, try to recreate the same feeling their writing gives you. in 22/23 when i was arsenaling but unaware that there was actually a fan community i read every single one of tetrapod's arsenal fics and their style had a HUGE impact on me.....big fan also of old footie fic that's on livejournal/ported to ao3 etc because that was actually how i got into football (users saltstreets redandgold guede rave etc, basically all my ao3 bookmarks)

thank you for asking <3

[pseudofaux]

1/2 Pseu, the last couple Slings I rq’ed some dirty talk & MA’AM did u deliver. But I realized I never thanked/gave feedback like a dummy so here I am! They were so so SO good (fenrir esp & SIRIUS?! 😳 woof), pls dont doubt ur DT writing skills bc they were all so hot, /very/ in character (I could practically hear Kyles!) & beautifully written to boot. Ur prose has so much personality, it is such a joy to read <3 & I have def read those pieces. many. times. I just want to thank u & apologize for asking u 2 go out of ur comfort zone. When I get the chance I will def tip u for the trouble (& commission if im brave enough lol)

Thank you so, so much for this! I really appreciate hearing that the dirty talk worked for you, that’s the best. When other writers do that right it GETS ME FEELING, so knowing that might be true outward as well is!!! a lot and very cool! But if you are this nice to me I will CRY. 🥺💙💙💙 SO LET’S GET TO THE GOOD SH*T, I am so glad you asked for this because Faust is one of the best characters to get n a s t y with, the holier the man, the, uh... holier our holes? Something like that? ANYWAY:

CW: degrading language (”whore”, “slut”), sadism, some sacrilegious thinking  regarding Jesus’ crucifixion (this is quick and about related imagery, but I’m putting it in the warnings just in case), depravity in a church. If any of the stuff in the ask squicks you out, keep yourself safe and turn away. 💙

(Requests are open through May 1 if you would like to get one in, dear reader!)

“A whore in my chapel,” he muses. It’s so soft, his voice is so very soft, it makes the words feel funny in her head. She knows they are lashes but they feel like petals, and when her eyes close it is not to hide from the words but to shut out everything except his voice so she does not miss any others. She wants everything he has to say. She wants anything he has to give her. All the thorns of the crown, every scrape of the doubter’s spear slicing through the flesh of her belly. Simply knowing him—as though there were anything simple about it— has warped her. That’s why she stepped through the doors into the dim chapel, lit more by moonlight than the sparse candles at the altar.

He tilts his head as he considers her. She is just beyond the threshold and she is just deciding she should beg him to let her stay when he moves closer.

“Open,” he says, but he is pulling at her mouth with one gloved finger as he begins talking so she has no chance to obey on her own. She wants to! Why is he taking that from her? She leans forward as though it will help her anticipate his next request sooner.

She is not prepared at all for him to grab her by the chin or come so close. Her heart knows the joy of an entire flock of freed birds when she thinks he is going to kiss her. There has never been a time when she blinked so fast in her life—

He comes close enough for warmth, but not touch. He spits between her open lips. “Move that around with your tongue. Get the filth out of your sluttish mouth,” he tells her. She is beyond shocked but she does as he says. It should be revolting to have someone else’s saliva in her mouth like this, but she is so gone for him she doesn’t even want to swallow, wants to keep that piece of him mixing with her, safe and warm. When he takes a step back and lets go, she falls to her knees with her palms up like some kind of penitent. She doesn’t mean to. It just feels right.

She could be in a comfortable bed right now, instead of on the unswept floor of a chapel, all her worshipful inclination aimed away from the altar and toward a very dangerous man. Will her foolishness mean they find her in a ditch somewhere... Will they find her at all? Or will he send her back on unsteady feet with her own juice tickling her legs as it travels from her core to the ground? She can’t fathom what will seem most cruel to him, what he’s most likely to do.

That’s not really a part of her interest. She’s not sure she could explain the interest if she tried, but it is the full shape of her heart now, and directs her nighttime steps to him no matter what her brain tells her otherwise. If she knew where he was during the day, she would try to find him then, too. Her comfortable bed is nice but it does not make her blood sing like he does. The pain he gives, and his presence, those are things she has come to need.

And he fulfills those needs. He’s generous with pain and he is always there when he gives it to her. She nearly swoons to the floor thinking about it, and only the thought that she might lose out on time with him keeps her upright and dutifully swirling his spit in her mouth.

“Get up, imbecile,” he says, and he points further into the chapel! She is being invited even more inside! She could weep! “Lean back against that pew. You’re not even worthy of kneeling in this place.”

She’s not. Somewhere in her there is a heart that is kind and good, and a person who tries to do her best, but the moment she left the mansion to come here she was guided only by selfish lust. It’s what makes her stand up so fast. She doesn’t even know what he will do if she manages to please him... so far she has only experienced his sharpness, and it has worked to hook her as surely as a fish.

Her feet are moving but she is lost in an imagining that he is piercing the side of her mouth when he shouts “Swallow already!” at her, and it makes her jump. It also makes her so, so happy that he was paying so much attention. Every echo of his rage is like choir music. She swallows immediately. In her rush her throat betrays her and she feels like she will choke, but before she can stop herself she coughs and then keeps trying to clear her windpipe. His hand is on her upper arm and he shakes her like a rag doll. It does not help, but it feels like a dance.

Faust grits out “Get. Over there.” and she gets, still coughing. It is uncomfortable and her eyes are watering but she longs for him more than air and he let go of her arm when he pushed her toward the pews. So her steps are sad ones.

She puts her back and her hands onto the curve of the pew. It’s wide, smooth wood beneath her. The sturdiness brings her head down from the clouds in time to hear the slide of the book bundle he has kicked toward her, just in time to move her ankle out of the way. He laughs and mutters something she can’t hear. She tries very, very hard not to pout about it.

“I don’t have all night,” he says flatly. “Put your foot up and show your sin to me.”

It’s a scramble to comply-- should she hold up her skirt first or put a foot on the books and then raise the fabric?-- but her body just moves, eager to comply. This is why she’s here. As much as for him, she is in this chapel for what only he can do.

He rolls his eyes as she wads up her skirt in her hands. Her stockings can’t be clean after that time on the chapel floor, and there is no way her underwear is without a telltale patch of lust, not with the way all his power has been pooling between her legs since before she even touched the other side of the chapel doors. When he steps close she can actually feel a tiny but undeniable gush of arousal slipping out of her so easily it might as well be her self-control. It’s mortifying. She hopes he sees.

Then he is close, close enough for one of his hands to slip behind the leg that goes straight to the ground and stroke it, which makes her bite back a moan. She has to clench her teeth shut just to withstand the gentle contact without falling over. When he pulls her leg up, her knee rests beside his hip and she begins to shudder so hard she fears she will convulse.

“Stop that this instant,” he hisses, and his fingers dig into the back of her thigh so hard all that gently-stroked flesh is too stupid to feel the hurt right away. It comes to her quickly, though. She bites back another sound, something more vulnerable.

He watches her, then leans in beside her ear. “You put your foot on a stack of bibles in a church,” he whispers to her, every syllable touching his teeth the way she wishes he would touch her. “And you spread your legs like you think someone wants to see your mess.” He makes the most derisive, delicious noise, and her eyes roll so far back into her head it nearly hurts. More words, more words, please...

He takes her by the chin again, and when he lets go of her leg she knows she needs to keep it exactly where it was, no matter how precarious this makes her balance, while his hand comes up to slap her face. “You don’t tell me one wretched thing, slut,” he enunciates carefully. She did not even realize her thoughts had become words. She quickly tries to apologize and he slaps her other cheek. 

“Shut up,” he says, syrup sweet, and slides his hand back under her thigh. It’s the exact tone of a bully. She shuts up. She shudders, too, from the way it seeps into her and makes her warm all over.

He lets go of her chin and pulls the front of her underwear into his fist. He keeps pulling until the soft, well-laundered muslin digs at the back of her hips and her sex at the same time, right up against the tender flesh of her holes, and makes her yelp. He must have measured his strength exactly, she hears the snap of two threads but the fabric holds. He could rip it from her with ease. Why is he not doing that? He gives the muslin just a little slack, then pulls it even tighter and she feels like a marionette, all her limbs out of her own control. Were it not for her hands on the back of the pew, she would be a mess on the floor instead of a mess barely standing

Faust growls, “Be still, sinner-- and keep this leg up-- or I’ll make it so much worse.”

She keeps the leg up without his hand beneath it. She will never again doubt the existence of miracles.

He pulls the soaked fabric aside, pulls back his newly freed hand, and slaps her right on her slit without any preamble. The shock of the hit is gold and white-blue behind her eyes, and her sob is ugly, an animal’s sound in a place meant for prayerful people. He says nothing as she whimpers through the hurt of every little ripple of post-pain, the way the tingles stay focused on the flesh that took the hit. It feels like a scorch on both sides of her sex that she cannot escape; how appropriate that inescapable he put that feeling on her, in her.

Belatedly she realizes that she did stay still, and that calms her spirit, strokes her in time with his thumbs on the inside of each thigh. High like heaven. Soft as a dream. He may even be shushing her tenderly instead of telling her to be silent, but she is so delirious she cannot be sure. She can feel the way she is even more wet, because the slickness makes the burn better. Not in a healing way, in a way that clarifies the precious, god-given sharpness he provides. She is sinful and filthy and so far below worthy of his touch, but he does touch her, he talks to her and touches her, and when Faust does those things she feels very holy. There is a silence in her soul that makes it a little easier to ignore the way her body is screaming from pain and desperate want.

The slap hurts. It takes her a long time to come down from the pain and the heat. But when she is silent, he sneers and stops stroking her thighs, and then he does it again.