#there's a certain charm to sketch skeletons anyway~

[the-mother-of-sighs]

This was requested by @midori-moonflaw!

A Kiss~

[theyearoftheking]

Book Eighty-One: Billy Summers

“Maybe a chilly story needs a chilly writing room, he thinks. It’s as good an explanation as any, since the whole process is a mystery to him, anyway.” 

Well hello there, Constant Readers! Have you missed me and my half-assed reviews of Steve books? 

Crickets. 

I know I’ve promised book reviews, television recaps... all the things. But I’m kind of busy living and enjoying life at the moment, without the need to take notes or screen grabs. That being said, I really did enjoy Billy Summers, and it took me almost a hundred pages to remember how this blogging thing worked. I was supposed to take notes? Dark Tower references? DePere, Wisconsin? Should I remember that for some reason? But don’t worry, it was like riding a bike. This blog is full of all the stuff you’ve come to know and love, as well as SPOILERS!!! So, if you have not finished the book yet, stop reading and come back once you’ve turned the last page.

SPOILERS!!! Consider yourselves adequately warned. 

Billy Summers doesn’t really include anything supernatural, and it’s more suspenseful and plot driven than some of Steve’s other books. In other words, it’s another great recommendation for people who don’t claim they don’t like Stephen King. 

Billy is an assassin who has mastered the art of “dumb like a fox”. 

He’s hired for a new assignment, but something seems off. Billy has been in the assassin game long enough to know when something is foul in the state of Denmark. He doesn’t trust the people who hired him, and he has the distinct impression he’s going to end up as the patsy in the end. But, he plays along as Dave Lockridge, single man and writer. He moves onto a charming street in Midwood (I kept reading this as Midworld... thanks, Steve), makes friends with all the neighbors, and beats all the neighborhood kids at Monopoly on the weekends. This part of the book was so tender, it reminded me a lot of Ted Brautigan and the kids from Hearts in Atlantis. Of all the things Billy later regrets, it’s letting these kids down, and having them trust him when he was obviously so untrustworthy. 

During the day, Billy writes  at his office in Gerald Tower. There’s always a tower, isn’t there? And this tower takes on more significance, because it’s the spot from which Billy is supposed to shoot Joel Allen. Joel is due to be transferred to Midwood, and marched up the steps of the courthouse just like in The Outsider. Constant Readers remember how well that worked out... 

Billy has an assassins creed: he only shoots bad guys. On the scale of bad guys, Joel Allen isn’t quite Ted Bundy, but he’s not Mr. Rodgers either. He had something of a “me too” moment when he accidentally mistook a feminist writer for a sex worker; and there was a gun fight outside of a poker game. It’s enough for Billy to work with. 

Billy is waiting for Joel to be transferred to the Midworld Midwood county lock-up; and he bides his time by actually doing some writing. He covers his tragic childhood (his mom worked in a laundry facility, just like Steve’s mom), and his time in the military. This is where Steve really shines. Billy’s book is written in a childish tone that just WORKS. It’s exactly what you’d expect from a simple-minded assassin. But still waters, friends. As the story goes on, Billy’s voice grows and improves. Well done, Steve, it’s like two books for the price of one.

In between writing, Billy assumes another fake identity (Dalton Smith), and secures a bolt hole to hide out in once his job is complete. Believe it or not, the murder of Joel Allen is such an insignificant part of the book. Billy successfully takes him out, and makes it to his bolt hole undetected. And this is really where the second part of the book starts. 

One rainy night, Billy hears random noises outside his apartment. He looks out the window in time to see a van full of guys dump a female body into a gutter. Billy should have just anonymously called the police... but if he had done that, we wouldn’t have a story. Instead, Billy goes full on Captain Save A Ho, and pulls the young woman from the gutter. It’s clear she had been drugged and assaulted, and she manages to puke all over Billy’s place. 

Neat. 

When Alice wakes up in the morning, she recognizes Billy from the police sketches, but promises not to rat him out for the Joel Allen murder. They form an unlikely friendship that includes watering the neighbor’s plants, watching Blacklist, and Alice reading Billy’s book. Basically, they were sheltering in place before that was even a thing; something Steve jokes about. Eventually, Billy knows he needs to get the rest of his money for the Joel Allen hit, and punish the guys who raped Alice. 

Y’all. I’m still having nightmares over the most creative use of a hand mixer I have ever read. I thought the can-opener in Lisey’s Story was bad... this was worse. But the kind of worse you feel good about, if that makes sense. 

After finding out the name of the guy behind the Joel Allen hit, killing a few bad dudes, and pissing off a bitch named Marge (fucking Marge if you’re nasty), Billy and Alice hunker down in Colorado with Billy’s assassin booking agent, Bucky. 

As soon as Billy and Alice entered Colorado and the town of Sidewinder was mentioned, I knew where we were headed. Yeah buddy, Overlook time! 

Billy takes to writing in a little shack behind Bucky’s house, and inside the shack is a Polaroid picture of the topiary animals at the Overlook. Every time Billy looks at the picture, the animals seem to have shifted. It gives him a cold sense of dread. 

There’s a certain parallel I picked up on in Colorado: Jack Torrance and Billy Summers are both haunted men running away from things. The Overlook was where Jack went to dry out, and work on his writing. He wanted to work on his marriage, and become a better father to Danny. We all know he failed spectacularly. Then, we’ve got Billy. Billy actually gets writing accomplished, and becomes an unlikely father-figure to Alice. Despite having just as much, if not more baggage than Jack, Billy doesn’t let it define him. He acknowledges it, and moves past it. It’s almost like Billy accomplishes what Jack couldn’t. And it took the Overlook burning to the ground for that to happen. 

While we’re on the topic of Billy and Alice, one of the things I love about Steve’s characters is he never forces romance where there doesn’t need to be any. While Billy acknowledges the age gap between him and Alice, nothing untoward ever happens between them. There’s obvious love, but never the romantic kind. Steve is one of the few contemporary writers to get this right. 

The story ends with Billy killing the guy behind Joel’s hit, getting shot by Marge as he leaves the crime scene (fucking Marge), Alice nursing him back to health, and getting him back to Colorado where they all live happily ever after.

I wish.

I wish I had stopped reading twenty-three pages before the book ended, because the actual end was more realistic, but heartbreaking. In reality, fucking Marge shot Billy in the stomach, and he died of an infection in the back of a Walmart parking lot. Fucking Marge indeed. But this was the way the book should have ended. Needed to end. Anything else would have been unrealistic. But damn, I hated to see Billy go out like that. 

There was one Wisconsin reference: after Billy kills Joel Allen, he’s supposed to be transferred to a safe house in De Pere. You know... where Steve lived when he was in a kid.

Other than Gerald Tower, we were also graced with “the world has moved on-” just to remind us that we all follow The Beam. 

Total Wisconsin Mentions: 49

Total Dark Tower References: 78

Book Grade: A+

Rebecca’s Definitive Ranking of Stephen King Books

Doctor Sleep: A+

The Talisman: A+

Wizard and Glass: A+

11/22/63: A+

Mr. Mercedes: A+

Billy Summers: A+

End of Watch: A+

Under the Dome: A+

Needful Things: A+

On Writing: A+

The Green Mile: A+

Hearts in Atlantis: A+

Full Dark, No Stars: A+

The Outsider: A+

The Bazaar of Bad Dreams: A+

If It Bleeds: A+

Just After Sunset: A+

Rose Madder: A+

Misery: A+

Different Seasons: A+

It: A+

Four Past Midnight: A+

Stephen King Goes to the Movies: A+

The Shining: A-

The Stand: A-

Finders Keepers: A-

Bag of Bones: A-

Duma Key: A-

Black House: A-

The Institute: A-

The Wastelands: A-

The Drawing of the Three: A-

The Dark Tower: A-

Dolores Claiborne: A-

Blaze: B+

Hard Listening: B+

Revival: B+

Nightmares in the Sky: B+

The Dark Half: B+

Joyland: B+

Skeleton Crew: B+

The Dead Zone: B+

Nightmares & Dreamscapes: B+

Wolves of the Calla: B+

‘Salem’s Lot: B+

Song of Susannah: B+

Carrie: B+

Creepshow: B+

Later: B+

From a Buick 8: B

The Girl Who Loved Tom Gordon: B

Sleeping Beauties: B-

The Colorado Kid: B-

Storm of the Century: B-

Everything’s Eventual: B-

Cycle of the Werewolf: B-

The Wind Through the Keyhole: B-

Danse Macabre: B-

The Running Man: C+

Cell: C+

Thinner: C+

Dark Visions: C+

The Eyes of the Dragon: C+

The Long Walk: C+

The Gunslinger: C+

Pet Sematary: C+

Firestarter: C+

Rage: C

Desperation: C-

Insomnia: C-

Cujo: C-

Nightshift: C-

Faithful: D

Gerald’s Game: D

Roadwork: D

Lisey’s Story: D

Christine: D

Dreamcatcher: D

The Regulators: D

The Tommyknockers D

I’m not going to end this with any promises of upcoming posts. That way when I do randomly stumble on here one afternoon, it will be a delight for us all.

Until next time, Long Days & Pleasant Nights,

Rebecca