#then Jimin dropped SMF Pt 2 and he's come very close

[beautifulpersonpeach]

Hi, I know you're resting now, I wanted to share my opinion about the album. I noticed that there are five tracks in Face and they are so similar to the 5 stages of acceptance. What do you think about it? Perhaps my question is incoherent, I am writing it through a google translate.

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Ask 2: FACCE IS SAURRR GOOODD!! 😭😭😭 WHEN IS THE REVIEW BPP?

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Ask 3: Which remix is your fav?? I think beans and toast won this won

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Ask 4: Bpp Imma need to go to SK and hold Jm hostage…I need him to make more music…Im going crazy Hes not my bias or my bias wrecker but hes wrecked me…I cant believe that he made my soty my aoty…I just wish the album had more songs…Like crazy is crazy good!!!!

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Ask 5: BPP, hi!

I was hoping JM would show us a bit of his true self in his new album. And did he, huh? That MV and song reeks of homosexuality. I know it's simething ARMYs do not talk about. But... What do you think?

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Ask 6: So did Jimin really end kpop for you BPP? Which song is you’re favourite? ☺️ He’s blown my mind at least. It’s Instant AOTY for me!!!!!! I hope Like Crazy is promoted really harf because I think it has really good potential It’s my favorite in the album ☺️

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Hi Anon(s),

Before we get into it...

...I have a bone to pick with Jimin.

I don’t understand what Jimin thinks he’s doing not putting Letter on Apple Music or Spotify. Like, why does he think that’s a good idea? Does anybody know? This song is so perfect - Jimin's lush vocals harmonizing with Jung Kook's is beautiful - Letter needs to be available on as many platforms as possible. See, these are the kind of choices the tannies make that just causes me to laugh because yeah these hidden songs are 'gifts to fans' but it's also a crime against all that is good and honest in this world to keep it off channels those fans will gladly pay for? The fact Ddaeng is still stuck in Soundcloud purgatory is reason enough to kidnap Bang PD's nephew and sell him to the mafia, far as I'm concerned. The only reasons I haven't done it yet because kidnapping is illegal in my country, the Cosa Nostra require a blood oath, and Jin wouldn't like delays to his game update.

Letter is Promise all grown up, a little wiser and more developed, and I hope in every subsequent album Jimin releases for the rest of his career, that there is a version of Promise, a song that feels like Jimin - comforting, easy, warm, simple, and beautiful. Listening to it I'm so thankful Jimin exists. (Yes Jimin, I'm that fan who is simply happy you're alive - Pixid reference, so for anyone who hasn't watched it yet I've linked it here).

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FACE is a solid 8.1 / 10.

(Are you streaming?)

It's a great thing Jimin has been so forthcoming in talking about the process and his reasons for making the album, the songs on it, as well as how he had key input on the choreography. I strongly suggest everyone watch his live (linked here - I should probably also mention the English subs aren't up yet, just FYI). Jimin has been very clear about what he's communicating in FACE so I won't tarry on it.

My favourite songs in order of least to most:

5) Like Crazy

4) Face Off

3) Letter

2) Alone

1) Set Me Free Pt 2

Something about each song in reverse order with the exception of Letter - for Letter, see mafia case above.

Set Me Free Pt 2

This is the best song on the album.

Alone

There are two reasons why SMF Pt 2 comes out on top over Alone though Alone in many ways is the superior song. (1) The production (including the use of autotune) in SMF Pt 2 is incredible, and (2) because Alone ends on too disturbing a note for me to dwell on, knowing that it has come from Jimin.

Everything about Alone is perfect. The way the song begins with piano, then guitar, and then drums. Jimin’s voice. That man’s voice seriously fucks with my head. It’s the way I feel every time Yoongi twitches his voice when he’s being particularly nasty. Or anytime I hear Joon’s adlibs in a song. Or what happens in my head every time Hoseok slathers his vocal inflections with grit. I don’t know if I’m making sense, but what I mean to say is that Jimin’s voice during the entire song feels like a gift. It draws you in. And then you hear what he’s singing about...

It’s heartbreaking.

I can’t abide the thought that this is something Jimin went through recently, and that I relate in a very personal way. The emotions expressed in Alone feel too raw, too scary, and too real, and while that could point to a worrying state of mind in its author, I think Jimin’s idiosyncratic bluntness and clarity of speech in Alone shows the state of someone who still reflects often, is self-aware and also resilient.

Still, it’s a sad song to hear, an even sadder one to sing, but it is one of the most powerful and beautiful songs I’ve ever heard.

(He's a problem)

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Face Off

I appreciate the vision Jimin had for this song. Starting with the gag of him playing the Flea Waltz in the intro - the song the members have teased Jimin with repeatedly by saying it's the only song Jimin knows how to play on the piano - Jimin used that common (good-natured) taunt and then weaponized it in a song putting those who have crossed him in their place. It's clear by the second verse when Jimin raps that he's pushing himself to express what he means in as many ways as possible. He's challenging himself and sending a message, and that I can respect.

Anon in ask 1 who talked about the album showing the five stages of grief, I agree sort of. If we were to assign a response to each song, I'd say...

Face Off is Anger

Like Crazy - Denial (though bargaining works too)

Alone - Depression

Letter - Acceptance

(PJM2 will be madness)

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Like Crazy

This is my least favourite song on the album because it never really develops, but it's also not supposed to. Jimin has said he wanted to express a dreamlike state in Like Crazy, and he does that impeccably well. The song leans into its 80s groove, heavy padded synths, something reminiscent of if Foster The People and The Weeknd made a song together. The thing about dreamlike states is that they lull your mind, and one easy way to create that effect is repetition and monotony. Think about why someone trying to hypnotize someone else tries to keep their voice steady, calm, and monotone. So, many times listening to Like Crazy I wanted the song to go somewhere, to become fuller or less predictable, but that would kill the trance so it didn't. While it's not my preference, I can appreciate Jimin's commitment to the idea of the song.

It's a great track even then. I sometimes listen to it right after Big Man, Little Dignity by Paramore.

Speaking of Like Crazy, there's been much ado about about Jimin's sexuality, queer-coding, etc in the song and so Anon in ask 5, I see where you're coming from.

Jimin is queer. I don't know what else there is to say about it or why even the mere possibility of Jimin being queer should generate the amount of fuss/discourse it does. It's possible I'm wrong of course, but like you Anon I don't think I saw Jimin even stand straight once during the entire MV. There’s not a single straight thing about this guy.

For the sticklers, perhaps the more diplomatic way of saying it is, 'many of us strongly suspect Jimin is queer.'

(What a stunner)

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Jimin seems very pleased with his first album and this is my favourite thing about the last few weeks. Watching him for the last nine years, it's gratifying to see how he has fully embraced himself, his limitations, his pride, his vices, his virtues... Jimin is a strong tenacious person and in making this album, he turned that intensity inwards, towards learning to love himself. The result is five great tracks, and I'm eager to see what more he will show us in the future.

[beautifulpersonpeach]

He put crack in this song.

Does anyone else sit with the fact that, besides the choir, every voice heard on Set Me Free Pt 2 belongs to Jimin?

(Jimin, the man you are...)

You know, I used to wonder why Yoongi chose Tony Montana as the song to have Jimin rap on. This was way back, when I didn't really pay attention to Jimin, and I felt Jimin should be the last person to feature on a track like that. Tony Montana is one of the most disgusting songs in Yoongi's discography. It's so nasty. I'm talking gutter trap, filthy distortion... not even Yankie (the original featuring artist) could do that beat justice, and that's the song Yoongi gave Jimin.

Yoongi knew...

(He's an animal)

Yoongi knew that Jimin would work magic on a track like Tony Montana, and be fully in his element. Jimin is very similar to Yoongi in that way, and this is even more clear after SMF Pt 2. Yoonmin both use autotune to represent the voices in their heads, to colour whole personalities, to exhibit their alter-egos, both benevolent and malicious. Yoongi's mastery of that tool has only enhanced his credibility as an MC, and if there's any member who can one day match Yoongi's proficiency in using that stylistic tool, it's Jimin. Because already, with his first ever song as a solo artist, Jimin has painted such an arresting picture using that tool.

When SMF Pt 2 first dropped, I thought there were only two voices in the song: the autotuned voice saying Jimin's inner thoughts, and the normal voice singing the topline of the song. Now, I hear four distinct voices:

The voice representing reckless ambition - “I never stop, I never stop / Ah yeah, ah yeah”

The voice representing impatience and anger - "Hey fool, just get out of my way / Shut up, fuck off / I’m on my way"

The voice representing the exponent - "Enemy / Better be"

The voice representing clarity, acceptance, and triumph - "날 비웃어도 멈추지 않아"

Even with the autotune, Jimin uses it in three very different ways to express three different voices in his head - all of which are wholly Jimin, but he closes off the whole affair in his own voice, the one that's least processed on the song, the voice that represents his triumph and determination to forge his own path.

(Called it)

It's been weeks and I'm still obsessed with Jimin's delivery of those voices. His voice is addicting. No member in BTS can sing "Fuck all your opps" the way Jimin does.

Speaking of opps...

I've seen your asks about our old friend, William, and I haven't responded because a big part of me doesn't care. I don't want to be dismissive of the people who are angry that William excluded ~100k units in sales for Jimin (and Jimin only, going by the placements of other k-artists on the chart) in the second week of tracking. I agree with you that it's annoying because as it always is with BTS, the rules have been selectively applied, Jimin's work and achievement has been made to look less legitimate, and this is happening while the same organization highlights and celebrates other k-artists who haven't just fallen off the chart, but also performed poorly in critics reviews, so a.k.a. mediaplay.

I feel the frustration too but at the same time, when has the playing field ever been equal for BTS? It feels like a rite of passage for new fans to experience at least one 'what the fuck just happened?' moment when it comes to how blatant the subversion is for BTS.

But I don't care to harp on about it because (1) It's unproductive, (2) I'm neck-deep in FACE, (3) I just kinda believe Jimin.

He's not stopping. He plans to continue making music even if it hurts and even if people mock him. And I plan to keep listening to him for as long as he feels he has something to say. Jimin has already made his mark, and like everything else he does, he's done it in record time in spite of all the handicaps. He knows his fans love his work, he knows he's gotten critical acclaim for his efforts, and he knows the industry has never been a friend - he's not new to William's antics. Jimin is fine.

(...more than fine. Just look at that man. God. He was born to own the stage)

The fandom is another matter lol. ARMYs will need to figure out how to adapt, the way the fandom has always found ways to adapt, but I don't know if this will happen before the implosion or afterwards.

Either way it's only a matter of time before Jimin comes back with another project that ends k-pop and wins hearts, saves souls, and makes babies. The world can decide whether or not to make room for him to settle at the top and it wouldn't matter, because Jimin means it when he says he makes his own way. And I intend to support him as an artist his entire career. It's me and him. The rest of you can choose to join in or not.

(A performer)

Everything about Set Me Free Pt 2 feels extreme. Every single thing about it. The brass. The haunting, wailing, choral chants. The autotune... There are so many choices Jimin could have made on that song: he could've tempered the aggression with an intermission of his feather-light vocals the way he does on Face Off, he could have emphasized his points by having the instrumentals bottom out the way it does on Alone, he could have gone about SMF Pt 2 in a million other ways, but he chose the most audacious sound to declare that from here on out, he's playing by his own rules, making art on his own terms, and everyone else is just going to have to get used to the idea.

(*The performer)

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For the Anon surprised that Jimin knows about Rilke, but went on to diss Joon in the same ask... what did you think Jimin was doing with Namjoon all those times they'd hang out and talk about life? Namjoon is the bonafide Rilke fanboy in BTS, has been sharing Rilke's works and poems with fans and the members for at least six years now, but it's suddenly surprising Jimin looked up poems to fit the theme of his song and went with Rilke? Y'all need to start paying attention to how your biases interact with every other member in BTS, not just the members you like.