#theather's lullaby

[peachyfnaf]

i havent drawn these two in a hot second so. my favorite gay people :) this piece is named 'emergency gay people' bc i listened to a song that reminded me of them and damn it really Was an emergency to draw em kjdfhsdfdgf

[deyisacherry]

SOLARMOON PLAYLIST IT'S DONE!!

listen to it here!

requests are still open! so go ahead and tell me songs you'd like to hear in the playlist! 💜

@jestersdlc @polaris-stuff @dana-chan-the-control-brain @smolbonbon

[chameshida]

Your idea of a LN musical is great! It inspired me and now I’ve got some ideas for the little nightmares musical au/concept you were talking about .

Like I have some ideas for the types of songs Mono and The thin man could sing and I think Six would mostly hum her music box song (maybe before/during the first time she meets Mono) and she would probably accompany/sing along with some of Mono’s songs as they become friends, while the Thin man could sing the opening of the musical with songs similar to “Into the unknown”. “Lullaby in frog land” and “wayward souls” from Over the garden wall.

I imagine Thin man’s songs would get transmitted mostly by and through the TVs and initially his songs would have a very comforting, warm and alluring tone to them at least till the Thin man gets Mono to free him and takes Six, then when he starts chasing Mono then The thin man could sing a more villain-like and/or sinister song until Mono is able to defeats him (something similar to “wayward souls”) and because the mechanic of the game has us/Mono copy the Thin man’s movements during his fight maybe in the musical they could have Mono need to echo/recite the song The thin man is singing for him to be able to defeat him/until he is able to defeat him.

Now with Six I don’t personally think she should get a villain song, I imagine she wouldn’t sing that much on her own except as a support or accompaniment of Mono’s songs who would mostly take the Lead till the end of the musical. Although I’d like to imagine she would be the one to initiate the song they sing when they both meet for the very first time.

Maybe Mono would try to sing a song similar to the one they sang when they first met after rescuing Six from the city tower (maybe about how glad he is that she is Ok and that now everything will get back to normal) yet Six does not follow his song’s lead this time and/or doesn’t respond nor echoes his melody, she would only do that when they are about to reach the exit when she turns back to catch Mono’s hand just like she does the game, then she stops singing and then the betrayal happens and that’s when Six starts humming (just the melody) of her music box once again.

Mono could sing a lament song about the loss of his friend maybe regretting and thinking it was somehow his fault and wondering what he did wrong, then the melody could start taking a darker tone and start sounding like the “villain song” or the “Intro” of the Thin man, till Mono starts to grow up into the Thin man and the last song he sings could be something like “Into the unknown” finishing the song that was featured at the start of the musical to show that all this time they were either the same person and that the story is repeating or that Mono was always meant to take The thin man’s mantle (just like in the game)

If dreams can't come true, then why not pretend?

Oh how the gentle wind

Beckons through the leaves

As autumn colors fall

Dancing in a swirl

Of golden memories

The loveliest lies of all

The loveliest lies of all

I can imagine the musical playing with concepts of the TVs, old nostalgic memories and with the music as a form of escapism, by illustrating how the melodies/songs have a great power behind them which are able to affect the people surrounding them, just like in the game in which the TVs and the programs/music were able to hypnotize the viewers.

And because many theorize that the game is a loop, I think the musical could play with this concept by starting the musical with a song similar to “into the unknown” from over the garden wall and then at the end of the musical they could close it by having the intro being completed and/or repeated.

This concept was done with musical of Hadestown in which the story in universe is said to be a very old song/story which is being implied to be sang/repeated over and over with the last notes of the musical being the intro implying it’s gonna start/going to be sung over again.

I really want to try to develop this concept. (It seems great and I like it a lot!) it also seems fun to try to interpret a mostly silent game through other medium.

From my LN musical post

Oh wow that's the long one! It gets me really happy when I get long response like these for my ideas! Sorry it took me a while before I response

Yeah! LN (2 especially) did really remind me of OTGW too!

Having Thin man sing the opening song is the interesting idea, something I haven't considered. It works well if you want the musical to be the perfect loop. Although if it's to capture the OTGW feels of it I also feel like the Eyes would be the good candidate. Regardless, whoever singing the opening number is going to give off the very difference feels. I also kinda still want the kids singing. Maybe like Beauty and the Beast it can happening all at once, The town folks(Kid, establishing the universe) Belle (Mono, I want song) Gaston (Thin man, Villain song)...not as in having the eye/thinman singing like Gaston but as in part of their song being feature in the opening number. Maybe they could be the one to start, the kids being the chorus, Mono juxposition the mood.

I agree that Six wouldn't sing a lot or have her stand alone song in any of the LN2 duration. I can even imagine her voice to not like...how should I put it,...doesn't sound like a singer. She'd only sing along with Mono and it mostly sound more like a talk than a singing (at least at the start. She will get more into it as the story progress) so when she does eventually have her own stand alone song it feels special and people'd grew on her voice. As for the humming, I'd have her hum the same way in game with the scene she's only shown humming in(with exception for the last scene) as in it's isn't really the add in musical element as it is just happen organicly....FOR THE SEQUEL/LN1 however. Imagine if her song has that humming we're so familar as part of it.

(I also should clarify for my original post that Six doesn't have the villain song. at least not in LN2 and even if it's for LN1 it's still arguable if it counts as villain song since she’s the main protagonist in that one. Her last song (or her I want song as I put it) is still being sung together with Mono. I don’t know what’s the musical term for it but it’s kinda like they’re screaming on top of each other until eventually Six’s winning. Kinda like for the first time in forever reprise or Evelyn Evelyn. In this musical version Six would be explicite about the reason of why she drops Mono, a major changes in adaptation)

There are some scene I wasn't sure about like how the musical element is incoperate into the scene I wasn't sure if it should be musical , like when Six and Mono first met. I think for my version I'd like to keep it as it is with them not singing like how it happens in game but the imaginary of Mono bursting into Song at hopes of finding friend then get shove aside by Six is pretty funny to me. I think most of my song, with some exception like the letting go scene all happening in the period that can be extend/expane upon or has extra scene to it like Mono and Six first together song wbeing sing on the raft. Thin man and Mono song though I wasn't sure myself. I think they should have a sing off or song together like you mention but will it happening as Mono is killing Thin man or seperately I wasn't sure. (They could sing right before they fight maybe but the fight itself is mostly action)

(For me the song that most similar to Like ship happens similary to Like ship; the love song happens in the middle of the story)

Oh  and now that you point it out For some reason in my version I completely forgot that Mono turned into the Thin man--I mean I didn’t forget that he is thin man but my version it just end without showing him turning into Thin man XD. Maybe that’s why I haven’t consider having him singing the opening number. If we follow the game and keep the scene and play fully into the concept of the loop then yeah your idea is really spot on. I think for mine since it end with him as the kid, the song is only hint in similarity of thin man without the song fully turn into his song. and the concept of loop is more of the musical element of First song and last song being the same song more than he play of actual loop.

But we do have similar idea of having the repeat song even if it happens differently XD Mono singing to Monster Six call back to their early song and Six song as she letting go is the twisted version of that same song too...Mono last song call back to his first song etc.

But yeah our version could be seperate and totally different! That’d be fun to have various intrepetation of how the musical would turn out to be. Mine is very disney-esque  and steven universe-y lightheart compare to the original material but yours would be closer to that and Over the garden wall. One thing to keep in mind though is that Animated (movie? series?) with musical element in it and Musical theather is also a very different meduim and my idea is made with animated musical in mind since why I do still want a lot of scene without song in it. If it’s for musical theather then I can totally see Six and Mono sing as they meet or Mono and Thin man sing as they fight. Mybe your idea and my idea will be like the total different version/take on this

You (and anyone else who’d interest) are allow to play and tinker with this concept however you like! I’d love to see it!