#the web is so deeply tied to musicals and stage performances it deserves a whole 'nother essay

[solo-walker]

I WAS THINKING ON A SIMILAR LINE, BUT OH MY GOODNESS YOUR BRAIN IS ON A DIFFERENT LEVEL ALTOGETHER HOLY-. 1000/10 addition to my post because the reflection of Eye and Web themes is freaking awesome. Think of all the fourth wall breaks (or almost-breaks) you could put in a musical or stage production!

Have the characters occassionally look into the audience whenever they feel 'watched', as though almost realising but not quite. Make the audience squirm in their seats as the characters go through all the horrible things and suffering, cry for an escape, while they can do nothing but watch and watch and watch.

Let's see how you handle the characters' accusing gaze, even though you know they can't see you (they can't...right?), while you sit with the guilt of having only been a passive onlooker. You can't help them, not even if you want to. And what's more, you enjoyed it. You enjoyed watching the characters go through what they did in favour of wanting to know what happens next in the story.

Make Tim look directly at the audience as he says "I don't forgive you."

During the Unknowing, the performance should absolutely burst out of the stage, if you know what I mean. Have the actors run around in the audience, add flashing lights so that you can't really see who is who. Is that a fellow audience member? Or is it an actor? Oh wait, is it actually a large prop?? Am I supposed to run around as well??? Am I an actor now?! (You get the drift) The audience should have nightmares whenever they hear anything faintly resembling calliope music later in life. PLANTS IN THE AUDIENCE IS SUCH A GOOD IDEA FOR THIS PART! Imagine sitting and being confused by what's happening around you and you turn to your neighbour in the next seat and suddenly that person is wearing a mask as well.

Remember that quote that goes like "the audience is only safe when the story isn't about them"? There are so many fun ways to play around with that. Imagine this: the audience till now have been in almost exclusively in darkness. When the Eyepocalypse begins, the entire hall gets illuminated. And your blinking in the sudden brightness as all hell breaks loose on stage.

Any Annabelle Cain/Web song should be a kindergarten-rhyme-esque call and answer song. I'm probably not explaining it properly, but the sort of song where one person says a line or two and the group has to repeat and clap along to the beat. Involve the audience. Make them clap along to the minimalistic music and poof, you've been successfully manipulated into joining in on the Web's tune under the guise of a fun activity.

I want TMA to be made into a musical for just one reason:

The Jurgen Leitner rant as a Jon-Gerry duet.