i know it’s a popular idea, but i don’t think i can ever really be on board with the idea of lovelace having some big post-canon revenge tour. like, i can appreciate the catharsis of a good revenge narrative in other contexts, don’t get me wrong, but given the themes of wolf 359 as a show, and particularly the values lovelace expresses in her own character arc, i can’t see it as anything other than a tragic regression into the exact type of person she chose not to become.
“the whole epic rampage of revenge thing? isabel lovelace wouldn't do that. the terrible wretch that you people made isabel lovelace into? oh, she'd do that. but... i’m not going to be that person anymore. i’m going to be isabel lovelace again. even if i never have before.”
twice near the end of s3 hilbert calls lovelace isabel, sees in her some shared experience and reflection of himself and his willingness to do whatever it takes, by any means necessary, but he fails to realize that what he recognizes is the result of trauma inflicted on her largely by him. hilbert is a constant reminder of what lovelace has lost and what’s been done to her, and in some sick way that makes him the last link to her past. they both die, and she comes back, and he doesn’t, and she decides to be isabel lovelace again. i don’t think that’s a coincidence.
wolf 359 as a show seems to believe in the futility of revenge - all of dirty work, “and then what? who pays for this? who owns up for this murder? and for the one after this one?” - and places its faith instead in the power of individuals to break cycles of violence and abuse. and i think that’s relevant to the wording of lovelace’s final lines in the show: “look up some old friends, take apart goddard futuristics brick by brick... maybe go to disneyland? but first, i’m going to take a long vacation, somewhere warm and quiet, where nobody has any idea who i am.”
lovelace feels a sense of duty in dismantling goddard and holding them to account, but it’s a world away from the all-consuming ire and drive for revenge “run and hide” contained. i think that’s where the focus should be. it’s not about hurting the people who hurt her, not anymore. it’s about preventing them from hurting anyone else. it’s a final act of love and closure for the people she couldn’t save, to say: i’m still here. i remember you. i’ll make sure your families know the truth. i’ll make sure they never hurt anyone else, ever again. i can’t bring you back, but your deaths won’t be in vain.
i think it’s important to emphasize that lovelace is NOT a violent person. she doesn’t want to be. she doesn’t enjoy it. whatever she may have been driven to by fear and trauma and desperation, she chooses to be isabel lovelace, and that’s not the person isabel lovelace is. i hope she does help take goddard down. structurally. brick by brick. and then i hope she lives a good, peaceful, happy life, in the memory of all her loved ones who couldn’t. like minkowski in boléro: “so that we never forget how important it is that we're still here.”
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