#the story was all along and the way it was meant to be interpreted all along is a misreading of the text and I don't think that's fair'
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musical-chick-13 · 11 months ago
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I'm the LAST person to suggest that you have to preface every single comment you make about a character/fictional relationship/etc. you like with a reminder that you Know™ it's pRoBLeMaTiC, but I DO question what the point of acting genuinely for real like there were no problems is.
#I don't even mean in a 'what would it look like if this relationship were healthy' or 'what if this character were a good person'#because I think that's interesting to explore and I have several things I'm working on with elements of that#but I genuinely will hear people go 'there ARE no flaws in this thing' with their whole chest in a completely serious manner#when they could just. talk about how they like the thing without that qualification? and I feel like...#...idk. just because *I* am someone who enjoys horrible characters and deranged unhealthy fictional relationships#I feel like it's a disservice to act like there were never any faults or problems or [insert applicable noun here] at all? it gets rid of#the narrative complexity that's present#I was talking to long-distance best friend last night and I went on a rant about how I wouldn't like jaime as much if he actually WAS as#Super For Real Actually A Completely Good Person Who Was Never Flawed In Any Way as some people act like he is.#it's BECAUSE he does shitty things and isn't A Super Good Person™ that makes him particularly interesting#if you want to imagine a version of this story where he doesn't act horribly and is a 100% Stand Up Guy then go for it you don't need to#justify that by saying that that is completely for real without exception who he actually is in canon?#(this wasn't even the example that brought this on. he's one of many MANY examples.)#and you know I could write a story (I won't) where like. idk altena for example. handles her issues and doesn't become The Antagonist™#where she gets therapy and ends up with a fulfilling life where she participates in society as a more well-adjusted person.#but again it would be an INCREDIBLE disservice to the way this character (a complicated fascinating character) is written to act like#she was Always Like That or that this turn of events was intended by the story or that She Genuinely Never Did Anything Wrong Actually#it's less 'oh people are having sympathy for [xyz] in a story context that I think isn't merited' & it's more 'acting like this is the way#the story was all along and the way it was meant to be interpreted all along is a misreading of the text and I don't think that's fair'#mel's media criticism
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reasonsforhope · 3 months ago
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"The Lower Ninth Ward of New Orleans has recently witnessed an incredible eco-renaissance following decades of damage and neglect.
Led by a local community development group, a 40-acre wetlands park has been restored to glories past with hundreds of local trees that attract over a hundred species of birds, plus joggers, picnickers, and nature lovers besides.
The story begins with Rashida Ferdinand, founder of Sankofa Community Development Corporation (CDC). Growing up in this historic part of New Orleans, where Black homeownership thrived, where Fats Domino was born, and where locals routinely went out into the wetlands to catch fish and crustaceans, she watched as it suffered from years of neglect.
Poor drainage, ruined roads, illegal trash dumping, and unmitigated damage from hurricanes slowly wasted the wetland away until it was a derelict eyesore.
In the name of restoring this wild heritage indicative of the culture in the Lower Ninth, and in order to protect her communities from flooding, Ferdinand founded the Sankofa CDC, and in 2014 entered into an agreement with the City of New Orleans for the restoration of Sankofa—a 40-acre section of neglected wetlands in the heart of the Lower Ninth.
The loss of Sankofa’s potential to dampen flooding from storms meant that over the years dozens of houses and properties were flooded and damaged beyond the ability of the inhabitants to recover. Forced out by a combination of nature’s fury and government failure, the cultural heritage of the community was receding along with the floodwaters.
Ferdinand knew that restoring natural flood barriers like Sankofa was key to protecting her community.
“Hurricane protection is a major concern in the community, but there’s a lack of trust in the infrastructure systems that are supposed to protect us,” Ferdinand told the Audubon Society. 
Today, Sankofa Wetlands Park is a sight to behold. Hiking trails snake through a smattering of ponds and creeks, where bald cypresses and water tupelo trees continue to grow and cling to the ground even during storms. Picnic benches have appeared, wheelchair-accessible trails connect sections of the park to parts of the Lower Ninth, and local businesses are seeing more visitors.
It needed a lot of work though. Thousands of invasive tallow trees had to be uprooted. 27,000 cubic meters of illegally dumped trash compacted into the dirt had to be removed. A 60-year-old canal dug by the US Army Corps of Engineers had to be disconnected, and all new native flora had to be planted by hand.
Audubon says that Ferdinand routinely can’t believe her eyes when she looks at the transformation of Sankofa into its current state.
“Seeing butterflies, birds, and other pollinators in the park is a sign of a healthy ecosystem,” she says. “All we had to do was create the right conditions.”
Slated for official completion in 2025 with an outdoor amphitheater, interpretive signage, and additional trails, Ferdinand and the CDC have their eyes set on an even larger area of wetlands to the north of Sankofa.
Along the way, Ferdinand and the CDC attracted many helping hands, and entered into many partnerships, But the catalyst for change arose from the spirit and determination of one woman in the right place at the right time, for the benefit of hundreds in this historic heart of a historic city."
-via Good News Network, September 17, 2024
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ellieputellas · 2 months ago
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pretend | alexia putellas x reader
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Alexia contemplates her feelings as you pretend a drunken kiss between you two never happened.
contains: angst, some making out, barçafemeni!reader, avoidant!reader, just a lot of angst tbh | word count: 2k+
a/n: not proofread, just wrote this cause i couldnt sleep and was listening to lizzy mcalpine's hate to be lame which gave me this idea
it's always on the tip of my tongue but i stop myself from saying it tell myself it's not the right time or something dumb
The last night of the Champion's League celebration was supposed to be just like any other victory party—loud, drunk, messy. On nights like this, it was natural to make a fool of yourself.
Alexia was never immune to the drunken stupidity — the typical drunken dancing and singing, foolish antics that got the team laughing. (In one victory party, Alexia found herself dancing with someone else's sports bra wrapped around on her head.)
But on that particular night, her drunken act of stupidity wasn't just loud karaoke or making a fool of herself. No, it was way different.
At some point, during the night, you two had gotten drunk and began grinding on each other at the dance floor. It was normal for teammates to get a bit touchy during parties so no one bat an eye but Alexia knew this thing happening between you two was different.
It started with playful dancing then you somehow found a way to plant a few kisses on her neck. It didn’t take long until you two ended up stumbling into the vacant restroom, kissing each other desperately.
Some kind of tension has always lingered between the two of you before but Alexia always chalked it up to the two of you being newly single. She always brushed it off, thinking it might just be her reading into things. Afer all, you have always been her type and she figured she might be interpreting your dynamic through wishful thinking.
But that night, that small tension she felt burst into something more, and she understood that this meant it wasn't just her who felt attraction towards the other.
She felt your hands desperately cling onto her as you locked lips. Your tongue glided on her bottom lip before ultimately finding its way into her mouth. You took turns pinning each other against the flimsy walls of the cramped stall.
Alexia's hand has found it way to your neck, gently tilting your head up with it before pressing her mouth against your neck to kiss, lick, and bite at you. You gasped in satisfaction as the taller girl kissed your neck.
You grabbed her face again to kiss her deeper, more intensely. Alexia felt that this was the type of kiss that could lead to something more; the likelihood of you crossing that line increasing with every minute that passed.
You gently pushed her off of you, as you tried to catch a breath. Your eyes remained locked as you stayed within close proximity. After a while, you noticed the hunger in Alexia's eyes simmer down into something more... soft and intimate.
This time, Alexia gently touched your face and moved to capture your lips again but this time, you looked away and avoided her kiss. You sighed before hurriedly unlocking the stall, walking out the restroom, and leaving Alexia all alone without even a goodbye.
Alexia felt dumbfounded. She thought that this kiss was your way of addressing the tension, a way of telling her that maybe you felt attracted to her too. But with the sudden exit, she began to doubt herself.
She wanted to talk to you about it the next time you saw each other but it became immediately evident to her that you were set on pretending like nothing happened.
You still joked with her in training, still bantered with her, tell stories like normal. You acted exactly like you did before; it was as if she dreamt up the kiss.
She played along like nothing had shifted, like your kiss had been meaningless. She even laughed at your jokes during training. But every word felt like a lie, every shared laughter felt like a stab.
In her mind, she wished you'd at least act different. She would rather you hated her or avoided her, something—anything to confirm that there was something real, something more.
But you acted like it was nothing.
She felt like she was going crazy, even doubting her own sanity at some point. She spent the past few months trying to forget it ever happened. But the more she tried, the more it hurt her. Because how could you pretend that all of that was nothing... when it felt like everything for her.
But then you kiss me like you do And we're right back where we started from
It was Pina’s birthday.
Alexia initially didn't want to go. It was in the middle of the season and she knew that the team captain being there meant everyone would be too hesitant and shy to drink, knowing she was around.
But she knew how Pina was, and she knew Pina would pester her endlessly if she didn't at least make an appearance.
So, she did. She went to the place late and much to her surprise, most of the team was behaving. A few of the players were nursing a bottle of beer but nothing excessive. She figured she must have done something right for her teammates to be so well-disciplined even without her hovering around them.
Well... she thought that until she saw you.
Of course, she's drunk. She thought to herself.
You were already tipsy, practically glowing, and laughing too loudly. The sight of you sent a jolt of something unfamiliar through her.
You had your arms wrapped around Caro, who was trying too hard to help you sober up by making you drink from a bottle of water. Alexia sighed and made her way to save Caro from your drunkenness.
Caro gave her a thankful look as she took over in aiding to you. She let you drape your arms around her as she wiped the stray hairs that stuck to your face.
"In the middle of the season?" She asked you in a stern voice. "Really?"
You frowned at her. "You wouldn't get it."
Alexia just sighed as she continued what Caro was doing, desperately trying to get you to sober up. "Did something happen?"
You stayed silent but you were too easy to read when you were drunk. Your glazed expression gave away that you were going through something. You still had an arm wrapped around Alexia, as if to keep yourself balanced, but you were also trying to avert your gaze away from her.
Alexia sighed. "I should take you home."
You bit your lip but you nodded. Alexia sighed and held your waist as you kept an arm around her; she was afraid if she let go, you'd fall over.
The car ride was silent. She wanted to talk to you about why you were getting irresponsibly drunk, why you seemed upset and... why you acted like your kiss never happened. But instead, she stayed silent, and as did you.
Alexia pulled up to your apartment building. After she parked, you unclasped your seatbelts but neither of you made a move to exit the car.
Alexia sighed. "Do you wanna talk... about anything?"
You shifted your gaze towards her, taking in how pretty she looked tonight. She was wearing a leather jacket on top of a cropped shirt, revealing a sliver of her abdomen. Your eyes now fluttered to her face. You took in her warm eyes, her nose, her lips. She looked so besutiful even under the dim lighting. You thought, fuck, why does she have to be so gorgeous?
You hummed. "I'm sorry I took you away from the party... especially since you look so good tonight."
Alexia started growing anxious as you said those words. "Well, I didn't really plan on going anyway..." Alexia said.
Drunkenly, you reached out to cup her face and guiding it upward so she'd meet your gaze. You stayed that way for a bit, just looking at each other's eyes. Until finally, you couldn't take it.
You leaned in and captured her lips in a kiss. It was more gentle than before, more intentional. As you pulled away, you studied her expression but Alexia just looked pained.
She sighed and looked away, causing your hand on her cheek to drop. She took a deep breath as she gripped the steering wheel with her hands and rested her head on top of it.
Emotions were overwhelming her. This was the long overdue confirmation she wanted from you so bad yet... it felt so wrong.
After a minute, Alexia finally spoke. "Why?"
"Huh? Why what?" You asked back.
She lifted her head slightly and locked eyes with you again. "Just... why?"
You sighed. "I don't know... I just want to kiss you."
Alexia looked exasperated. She took a moment to think. Do you remember last time? Why did you act like it never happened? Why do you want to kiss me now? Why do you only want to kiss me when you're drunk? Do I mean something? Do the kisses mean something? Do you... like me like I like you?
She had a million questions flying around her head but she settled on one. "Tell me honestly. Do you remember the last time we kissed?" She locked eyes with you and this time, you could see pain behind them. She tried to be firm with the way she asked but the vulnerability seeped through.
You blinked at her. “I think about it all the time,” you admitted before you could even consider lying; your inebriation made you too honest.
Alexia chest tightened as she felt hurt by the admission. Am I not supposed to be happy... that she thinks about it too like I do?
Before she could react, you were trying to lean in again as your face cupped her cheek, trying to kiss her. And that's when Alexia snapped into clarity.
No. You were drunk. This wasn’t... healthy. She couldn’t let herself do this again, not when everything between you was so confusing, so undefined.
“No,” Alexia whispered, gently pushing you away, though her hands shook with the desire to do exactly the opposite.
You looked at her with an expression that could only read as upset to Alexia but she tried to ignore it as she unlocked your car door. "I think you should go."
You stayed steady for a minute, twiddling your thumbs then staring at her but she kept her head low, trying so hard not to look at you until you finally stepped out without another word.
Hate to admit but it might be true Hate to admit but I think you knew Hate to be lame but I might love you
After that night, as expected, you didn't acknowledge the kiss. But this time, you started acting cold.
No more joking around. No more banter. You'd be laughing it up with the other Barça girls but as soon as Alexia came over, you'd bail and make an excuse to avoid her.
It was killing her, just being like this. Mapi had taken notice and pulled Alexia aside to ask if she was alright, which Alexia just hesitantly nodded.
Mapi didn't believe it for a moment. "Is it because of..." Mapi trailed off as she discreetly turned her gaze towards you as you were busy on your phone in the locker room.
Alexia sighed and said nothing but that was enough confirmation for Mapi. She sighed. "You need to talk it out," She said. "It's kinda affecting your dynamic on and off the pitch."
Alexia knew Mapi was right. Not only was it taking a toll on her emotions to be dealing with this awkward tension and silent avoidance, it wasn't long before shit gets worse and the team performance is affected. If it was only affecting her, she would have dropped the whole issue but she knew this was beyond you and her.
She caught you before training the next day, her voice sharp but shaking as she confronted you. "Can we talk?"
You sighed and nodded. "Yeah, Capi?"
She winced at the nickname, knowing that it was your tactic to distance yourself from her. Just another subtle way of deflecting.
“I know you feel the same way,” Alexia blurted it out, her words tumbling out too quickly. She regretted being so outright but she also no longer wanted to waste time. She had to do what she had to do.
Alexia sighed as she ran her hand through her hair. “And... it hurt when you acted like nothing happened. Like it didn’t matter.” Her chest heaved with the weight of everything she hadn’t said.
You stayed silent which just forced Alexia into doing all the talking. "I don't know what's going on with you but... why me? Why are you roping me into this?"
"It's nothing." You muttered.
Alexia grew frustrated. "Bullshit."
"What do you want me to do, Alexia?" Your eyes finally met hers.
"I don't know." She groaned. "Admit you like me too... or even just admit you kissed me. Tell me why you did. Tell me if it mattered. Fuck, I'd settle with you telling me it was a mistake. I just... need to hear from you that..."
"Nothing happened,” you said firmly, almost as if to convince yourself as much as her.
Alexia’s heart sank. She was there just begging for you to admit it did, even if you say it was a mistake; she just needed to hear it from you. Instead, you denied her again.
“But—”
“Drop it,” you snapped, turning quickly, rushing away before she could say anything more.
She watched you go, her hands shaking at her sides. There was nothing more she could do. She was left standing there, confused and hurt, unable to understand why it hurt so much. How could you pretend it meant nothing when everything inside her screamed that it meant everything?
Do I love her? Do I need her? Do I want her? Do I care enough to say That I love her, that I need her? 'Cause I don't but I wanna feel okay
Days turned into weeks and weeks into months and Alexia still couldn't forget what happened.
Your dynamic on the pitch suffered for a bit but it recovered. And pretty soon, you were acting normal again around her.
As if nothing, nothing at all, had happened.
For a while, Alexia had convinced herself she had moved on from it. It was just two kisses, she told herself on multiple occasions. You don't even like her that much.
But there were nights when she couldn't help but be consumed with confusion and frustration. She hated how it happened—how you treated her, how you pretended nothing was real.
On most days, she hated you. She acted normal around you, sure, but there was an added layer now. Everything was more guarded. Even if she asked you often how you were and laughed at your jokes, your relationship was hurt and it could never go back to how it was.
And even if she did despise you for what you did... she still couldn’t stop the way her heart raced when she saw you. She couldn’t shut off the part of her that still hoped that maybe, one day, you'd admit to her that it did happen and maybe that you feel a certain softness for her too.
But she knew it wasn't happening any time soon and now, all she can do is what you do best — pretend.
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taliesin-the-bored · 1 month ago
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Tag game: tag nine people you’d like to know better.
Tagged by: @oneshoulderangel (Thank you for tagging me!)
Last song: At the moment, I have "Losing Your Memory" by Alan Star stuck in my head, which I suppose makes it my current song, not my last song. Hm. I get songs stuck in my head very easily, but the last one I had there for a significant amount of time was a mashup of different language versions of "Les Rois du Monde" for about a week. "Lehetsz Király", the Magyar version, is probably my favorite of them. It's worth a listen.
Currently watching: Normally, the answer would be "random mostly terrible old movies/shows" or "nothing much", but I currently have a hyperfixation on the musical Roméo et Juliette and have been watching it in multiple languages. (Thus, the song).
Three ships: This is hard. Maybe as a result of being on the ace and aro spectrums, I'm more likely to care about which characters are interacting than whether it's romantic or platonic. Here goes:
Kedivere/Bedikay. It can be romantic, platonic, or queerplatonic, but whichever way, I'm here for it. I probably spend too much time thinking about how in Cullwch and Olwen, when Cai gets mad at Arthur and marches out, Bedwyr stays behind, keeps acting like nothing's happened, and isn't the one to avenge Cai's death. The feeling of betrayal on both sides has a lot of unexplored potential. And the version where Bedivere dies and Kay fights to bring his body back safely while mortally wounded himself... And the version where Bedivere survives Camlann and Kay isn't said to fight in it, so they might be left together after their world has fallen apart...
Platonically or queerplatonically, Galahad and the Grail Heroine. I really like the tragic Grail Quest friendships, but I like theirs most, maybe because there's something weird and otherworldly about them both. I like it when characters are strange and endearing and doomed by the narrative.
Ever since reading John Matthews' retelling, which I read before the original, I've had a soft spot for Caradoc and Guinier. The Story of Caradoc is very disturbing, and I have some major qualms with Caradoc over a detail Matthews cut out, but all the same, there's a reason these two have the best track record with magical fidelity tests. Each of them would go to the ends of the earth for the other, and together, they're stronger than any curse.
Favorite Color: Blue, particularly royal blue and some teals.
Currently consuming: Black licorice with chocolate.
First ship: This is a hard one, since through elementary and most of middle school, I tended to go along with whatever I thought the author's intentions were and was more likely to unship something. The first non-endgame ship I got invested in was Sonya/Nikolai in War and Peace. I didn't like Nikolai, but Sonya did, and she was my favorite character, so I wanted her to be happy. The first non-canon couple I thought was meant to be together was also in War and Peace: Marya Bolkonskaya and Julie Karagina. My eighth grade self did not think their letters could be interpreted platonically. I still don't.
Last movie: If the musical doesn't count, the last movie I watched was Quest for Camelot, which was awful. Though not Robot Monster-level bad, Robot Monster has an elegance to its simplicity which Quest for Camelot lacks.
Currently working on: Various fics, most of them Arthuriana or CotRK-related (I am woefully behind on the Badfic Bingo), and (theoretically) an epic-style poem, though I haven't gotten much of it written for quite a while now.
Tagging: @gawrkin, @emperorcandy, @wildbasil, @gorewound, @knightsofsomethingorother, @ladyminaofcamelot, @tasosotaso, @amashelle, @gingersnaptaff (I have no idea who's been tagged so far, apart from the people on @oneshoulderangel's post, so I apologize for any multi-tags)
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ripplestitchskein · 6 months ago
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This is one of my favorite moments from the episode. Like from an art point of view the expression and body language is so on point. If you watch this sequence without sound it tells the story just as effectively as the dialogue, so kudos to them. A+ animation.
However, I’ve seen a few people say it doesn’t make sense for Stolas to react like this because he overheard Stella plotting to kill him. Which, I think that scene was more to highlight Stolas’s obliviousness in general more than him knowing she was trying to kill him? But that’s a separate post. This moment though has very little to do with Stolas’s worry over his personal safety or even the assassination attempt itself. He is not reacting to the reveal that Blitz didn’t warn him about an assassin from a place of “I could have prepared myself better with a warning and known what Stella was plotting earlier”.
He’s reacting to it from a place of “Someone tried to kill me and you didn’t care enough about me to even mention it”. The episode is about how Stolas is interpreting and “learning” that Blitz was showing him all along he didn’t care about him, that Blitz just does this to people, that Stolas is NOT special he’s just another in a crowd of people Blitz fucked and fucked off.
That they conveyed so well how crushing this must have been, to learn the person you love and care for not only knew months ahead of that someone was trying to kill you but you factored so little into their thoughts they just FORGOT to tell you? How he realized that he meant so little in the scheme of Blitz’s life that Blitz couldn’t even be bothered to mention it?
So yeah this isn’t a mistake, this isn’t the writers forgetting Stolas already knew, the issue here is not about the assassination at all, it’s about how Stolas is now interpreting this as “Someone tried to end my life and I meant so little to you I didn’t even warrant a heads up about it”. Like, not to be dramatic but Blitz just basically confessed that he didn’t care about Stolas’s existence at all.
We know it’s because of how Blitz sees Stolas as this untouchable immortal figure on high, but Stolas doesn’t see himself that way. He’s very clear he doesn’t recognize his own power and position.
It goes even deeper than that devastating line of thought though. It casts the whole “Am I in danger?” aspect of Western Energy into a whole different light. We interpret it as him not really believing he is in trouble, just mildly inconvenienced and wanting Blitz to play hero for his romantic fantasies. He is kidnapped by someone he recognizes as being a friend of Blitz’s, he calls him to clarify it, Blitz is then “I can’t save you today, my daughter has a thing”. During this point in the conversation Stolas has no idea Striker is sent to assassinate him persay, he thinks he’s just been kidnapped by a friend of Blitz’s. But Blitz DOES know Striker tried to kill Stolas in the past and is a credible threat. In this scene in Apology Tour Stolas finds out that Blitz knew that from the beginning, that he knew that and still couldn’t be bothered to come and was dismissive of it. That’s what Stolas saw anyway. He didn’t see Blitz driving crazy and turning around. He didn’t see his face of worry or regret. So the only information Stolas has now is “I called you telling you I was kidnapped by a man you knew tried to kill me and you said you were too busy. You knew how dangerous he was and you didn’t even care about me enough to help me.”
I’m sure it was a lot easier to deal with and excuse Blitz not being there and being busy when he assumed Blitzø didn’t know he was in real danger, now Stolas knows the truth. Blitz knew the person he identified as having kidnapped him had tried to murder him in the past and it still wasn’t enough to stir Blitz to save him.
Like that’s so fucking crushing? And important. Like critical really.
Like do the Stolas math of “Let me add up the evidence to interpret his feelings” and in addition to all the times he sneered or turned away add in “He knew a person who kidnapped me had already attempted murder and still didn’t give a shit”.
We know that’s not the whole story, that Blitz was worried and did turn around but Stolas doesn’t. This is the whole pattern of their entire relationship. He never sees when Blitz turns around in any context. He looks at Blitz and SEES him, is rebuffed by Blitz turning away and so Stolas looks away and just as he does Blitz turns back to him. It makes me want to claw my face off. This isn’t about the assassination at all, this is about them missing each other yet again.
In my head I think of it like a trapeze act. They each take the swing, they are flying through the air but they aren’t paying attention, they look away and miss the grab and both are plummeting to the ground.
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wachinyeya · 3 months ago
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Birds Sing Anew After Residents of New Orleans Ninth Ward Restore 40-Acre Wetland to Historic Glory https://www.goodnewsnetwork.org/birds-sing-anew-from-within-40-acre-wetland-restored-by-residents-of-n-orleans-historic-lower-ninth/
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The Lower Ninth Ward of New Orleans has recently witnessed an incredible eco-renaissance following decades of damage and neglect.
Led by a local community development group, a 40-acre wetlands park has been restored to glories past with hundreds of local trees that attract over a hundred species of birds, plus joggers, picnickers, and nature lovers besides.
The story begins with Rashida Ferdinand, founder of Sankofa Community Development Corporation (CDC). Growing up in this historic part of New Orleans, where Black homeownership thrived, where Fats Domino was born, and where locals routinely went out into the wetlands to catch fish and crustaceans, she watched as it suffered from years of neglect.
Poor drainage, ruined roads, illegal trash dumping, and unmitigated damage from hurricanes slowly wasted the wetland away until it was a derelict eyesore.
In the name of restoring this wild heritage indicative of the culture in the Lower Ninth, and in order to protect her communities from flooding, Ferdinand founded the Sankofa CDC, and in 2014 entered into an agreement with the City of New Orleans for the restoration of Sankofa—a 40-acre section of neglected wetlands in the heart of the Lower Ninth.
The loss of Sankofa’s potential to dampen flooding from storms meant that over the years dozens of houses and properties were flooded and damaged beyond the ability of the inhabitants to recover. Forced out by a combination of nature’s fury and government failure, the cultural heritage of the community was receding along with the floodwaters.
Ferdinand knew that restoring natural flood barriers like Sankofa was key to protecting her community.
“Hurricane protection is a major concern in the community, but there’s a lack of trust in the infrastructure systems that are supposed to protect us,” Ferdinand told the Audubon Society.
Today, Sankofa Wetlands Park is a sight to behold. Hiking trails snake through a smattering of ponds and creeks, where bald cypresses and water tupelo trees continue to grow and cling to the ground even during storms. Picnic benches have appeared, wheelchair-accessible trails connect sections of the park to parts of the Lower Ninth, and local businesses are seeing more visitors.
Visiting birders have recorded sightings of over 100 species of songbirds, ducks, near-shore waders of all kinds, egrets, and herons, and the park also acts as a home and refuge for otters, beavers, and a variety of amphibians and reptiles.
It needed a lot of work though. Thousands of invasive tallow trees had to be uprooted. 27,000 cubic meters of illegally dumped trash compacted into the dirt had to be removed. A 60-year-old canal dug by the US Army Corps of Engineers had to be disconnected, and all new native flora had to be planted by hand.
Audubon says that Ferdinand routinely can’t believe her eyes when she looks at the transformation of Sankofa into its current state.
“Seeing butterflies, birds, and other pollinators in the park is a sign of a healthy ecosystem,” she says. “All we had to do was create the right conditions.”
Slated for official completion in 2025 with an outdoor amphitheater, interpretive signage, and additional trails, Ferdinand and the CDC have their eyes set on an even larger area of wetlands to the north of Sankofa.
Along the way, Ferdinand and the CDC attracted many helping hands, and entered into many partnerships, But the catalyst for change arose from the spirit and determination of one woman in the right place at the right time, for the benefit of hundreds in this historic heart of a historic city.
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everythingisromant1c · 4 months ago
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It's Always Been You - Chapter 9
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james potter x fem!reader
summary - after the whirlwind of emotions that you'd felt in the past few days, and with James's odd mood definitely not being of any help, all you wanted was some peace and clarity. Though, it didn't seem like you'd be getting much of that any time soon with how things were looking around school.
wc [4.5k]
a/n: the biggest thank u to everyone who has been sticking w/ this story and supporting it!! it means the world to me, + i cannot wait to keep at it and get the last few chapters out 🤭very exciting times ahead
all chapters | <- Chapter 8 - Chapter 10 ->
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You'd seen so little of James the rest of the day you'd think he was walking around wearing a bloody invisibility cloak. You tried not to jump to conclusions as to why he was acting the way he was, but that seemed impossible when your mind kept replaying each moment you shared with him in the locker room like you were making a stop-motion film from it.
The fact was troubling, especially because of the other blaring fact that you had a big History of Magic exam coming up that you desperately needed to study for. You'd decided a study session in the library was exactly what you needed to get your mind cleared and focus on eighteenth-century goblin rebellions, but your solution wasn't proving so successful.
Maybe you were still paranoid from the broom closet rumor incident, but you could've sworn people were giving you weird looks. You'd only been sitting at your table on the far side of the library for maybe twenty minutes and had to stop what you were doing three times because you had the feeling people were staring at you—which you were proved right about every time, looking up and meeting a pair of eyes that would glance over you once before turning away, a matching pair of lips whispering something to an equally nosy friend that you couldn't make out.
Each time it happened that feeling in your stomach would sink deeper and deeper until it made it too hard to even focus on the books in front of you at all. You shut your textbook maybe too loudly, bracing your head in your hands for a minute in frustration. When you looked back up, you met the eyes of a Slytherin girl from afar. She was giving you what you could only interpret as a dirty look, though she wasn't so quick to look away.
You looked over your shoulder, like an idiot, thinking maybe she was staring at someone behind you, but the only thing in your sight was more books on a shelf. Your gut was churning, a feeling that only got more intense as you watched her get up from where she was sitting and march over to you like she meant business.
"Hey," she greeted, though her greeting was anything but inviting, her darkly painted lips a thin line against her pale complexion.
You creased your forehead up at her. "Hi?"
"I don't know if you've noticed," she began, practically snarling, "but everyone's getting pretty sick of you going around acting like you can do whatever the hell you want."
"Excuse me?" You blinked at her, entirely lost. She only stared down at you, nostrils flared with a cringe-worthy hand on her hip. You turned halfway back to the closed textbook in front of you. "Sorry, I think you've got the wrong person."
She scoffed. "You're dating Sebastian Vance, are you not?"
You paused, taken aback. "I- ..." You opened your mouth and then closed it. Were you dating him? He did ask you on a date, but that didn't mean you were really dating him, did it? The girl didn't even give you time to answer her, let alone figure it out for yourself.
"Yeah, you are. And you're also the girl who's been sneaking around hooking up with Potter every other day, correct?"
Your jaw dropped along with your stomach. You were rendered speechless for a second, mind racing a mile a minute as this random girl peered at you like you were some dirty gunk stuck to the table with a cruel expression. You rolled your eyes. "Look, I don't know who you are, and I also don't know what the hell you're on about."
"Yeah, sure," she spat. "Well, you should know that it's bloody trampy of you to be going around hogging Vance from the rest of us when you're so set on fooling around with Potter."
"'Hogging Vance?' What-"
"Hey, Ashthorn!"
The girl snapping at you whipped her head in the direction of the voice from behind you, luckily rescuing you from the one-sided conversation you'd been forced into. In no time, the voice grew louder and you recognized with a relieved smile Marlene and Lily making their way over to where you sat.
The blonde put a hand on the back of your chair, sharp eyes glued in front of her. "Why don't you slither away to your other horndog friends until you figure out what the bloody hell you're talking about?"
The girl, or Ashthorn, as Marlene had called her, contorted her features crudely. "Bugger off, McKinnon."
Lily crossed her arms from beside Marlene. "Professor McGonagall is right down the hallway. Do you want us to go get her for you?" The redhead took an authoritative step forward. "If not, I can deduct points from Slytherin fine myself."
Ashthorn crossed her arms over her chest too, eyeing the prefect and seething blonde standing beside her. You'd never been so thankful for having such intimidating friends.
She scoffed, seemingly deciding the argument wasn't worth whatever punishment Lily had in store. "Whatever."
With a final nasty look at you and the two girls behind you, she stomped off and out of the library. You released the tension that'd spread to your shoulders and let out a breath you didn't know you were holding in.
"What a bitch." Marlene rounded the table so you could better see her. "I knew she was crazy, but not total batshit crazy."
Lily gave her a look, but you saw her holding back a smile. She turned to you concernedly. "Are you alright?"
You nodded, finally feeling like you could think clearly. Then, you remembered all the stares you'd been getting, and the full-blown argument you'd just had in the middle of the library certainly didn't help. You felt dozens of eyes still lingering on you, like they were insects crawling on flesh. You must've looked visibly uncomfortable because in no time Lily and Marlene were packing your bags away for you and having you follow them out of the library.
"How did you guys know I'd be in the library?" you took your bags back from them, smiling gratefully.
"You're not exactly a difficult girl to find," Marlene shrugged. "We knew you'd either be in our dorm or off in the library as soon as we heard that bloody rumor."
Your feet halted in their tracks, a painstakingly familiar alarm blaring in your head. "What rumor?" you panicked. "The one about the broom closet?"
"Not the broom closet one." Lily shook her head horrifyingly. "The locker room one."
"Oh no. No no no." You ran a stressed hand through your hair. "What are people saying now?" The crowded feeling of your heart beating in your chest told you that you weren't sure you truly wanted to hear the answer.
"Well," Marlene began cautiously. "It's ridiculous, but my brother heard from his friends in the second year that you and Potter got caught snogging in the boys' locker room without shirts on."
"What?" Your eyes widened until you felt as if your eyes could fall out of your head any minute, dropping to the floor along with your stomach and your pride.
Marlene shook her head. "I know. I don't know how they come up with these things, really."
You bit the inside of your cheek, averting your eyes as your brain racked backward to that morning. "I guess it's not entirely far off from the truth."
Lily's jaw dropped. "It's not?"
"It's not true, obviously," you began hurriedly, placating your friends' petrified stares. You lowered your voice to a whisper, paranoid but rightfully so. "I was in the locker rooms with him this morning. There was no ... no snogging. None of that."
Marlene raised a brow at you. "So then where did the 'topless' part come from?"
You fought against the heat rising into your face. "Well, I wasn't topless, of course. God." You lowered your voice and your head. "But James was." You hurried to add, "But only because he'd just come from playing Quidditch outside."
"Oh, Love." Marlene sighed, a hand reaching for her forehead. "At this point, you're doing it to yourself."
Lily slapped at her arm. "What she means is," she eyed Marlene. "Even though these people are boring and awful for having nothing better to do than obsess over some dumb rumors, it's hard to explain why you and Potter keep ending up in these ... situations. Ones where he's topless nonetheless."
You averted your gaze, beginning to walk again. "Yeah, it is hard to explain. I wish I could tell you the answer myself." You sighed. "I've been trying to steer clear of being around him too much because of-" you stopped yourself, remembering the feelings for James you'd avoided speaking to the redhead about all year. "-Because of all the rumors. But he just has seemed off lately, and I wanted to check up on him. That's all. But I suppose even that's social suicide since the world has it out for me and loves seeing me holed up in my dorm since that's where I'll be hiding for the rest of the year."
Marlene reeled, tipping her head at you dramatically. "Don't be ridiculous. You can't let these thirsty idiots win."
"Win what?" You threw your hands down at your sides tiredly. "I don't want to be in some competition I didn't even sign up for."
"Don't think of it as a competition." Lily shook her head from next to you. "It's not about them. It's about you getting to have fun at Hogwarts while you still can. Things will die down in a day or two, and we'll be here for you the whole time like we were just now."
"Yeah," the blonde agreed. "This school is literally full of deadly magical creatures. Something's bound to snag their attention in no time." She rolled her eyes. "Plus, not everyone is as feral as Cressida Ashthorn."
You held in your laughter, maybe still shaken up from the interaction but your friends easily lightened up that feeling.
Marlene shook her head to herself, face still contorted with disgust. "Who knew she gets that territorial over Sebastian Vance of all people." You stopped in your tracks again, probably a walking traffic hazard by then, but your mind was too occupied by a different revelation to care.
"Oh my God. Sebastian." Lily and Marlene both watched you wordlessly with only the raising of their brows in question. "I need to go find him." Without saying another word, you sped off down the hallway.
"We'll meet you in the dorms?" you heard Marlene call, voice full of confusion but encouragement that you definitely needed. You threw her a thumbs up. The day was lasting much too long and every new thing being thrown at you was getting harder to dodge.
You had absolutely no idea where you thought you were going, and after peaking around the dungeons for a solid five minutes with no sign of him, you remembered you were a Marauder and that the map existed.
Groaning at the idea of all the stairs in this god-forsaken castle of a school, you started for the Gryffindor common room. It felt as if an eternity had gone by before you arrived on the right floor, your mind trying to think through what you'd say to Sebastian—you came up with nothing.
The feeling sunk in alarmingly when you rounded the corner to the common room and saw the very person you were looking for standing by the portrait entrance.
"Sebastian?" You stopped your steps a few feet away from him. He was standing there with his hands tucked into his pockets, head tipped forward that he raised at the sound of your voice. He called your name back to you softly in greeting and you were struck with how handsome he was once again. No wonder that Slytherin girl had been so crazy over him.
"What are you doing here?" You tried to make your tone as casual as possible, suddenly shy after not having seen him since he asked you out the night before. The fact that not even a full day had gone by since then was mind-boggling.
"I was looking for you, actually." Even if he ended his sentence with a smile, you still felt yourself panicking internally.
You chewed on the inside of your cheek. "I'm guessing you heard about the rumor."
He tilted his head, eyes lightly painted over with a look that told you he had. "You mean the one about you and Potter in the locker rooms?"
You visibly cringed. "Yeah, that one." You looked him directly in the eye, even if doing so made you want to run into the portrait door behind him and hide in your dorm like you'd wanted to all day. "I'm so sorry you keep having to hear all these rumors. I swear whatever you heard about it isn't true, and I can explain everything."
Sebastian began to shake his head. "You don't have to-"
"I was in the locker rooms with him," you started, because you didn't know how to stop, "and he was shirtless but trust me I was definitely not, and there was no snogging no whatever else people have been saying, and-"
"It's alright." Sebastian cut in, stopping you in your panic, his voice sandy and smooth. "I believe you. You don't have to explain yourself or apologize. It's not like you started any of these rumors, right?"
He laughed lightly and you thought he must be one of the kindest boys in your whole grade. How you got him to ask you on a date of all people, you didn't know.
"You're right. It's just not fair that you have to keep hearing them. I hope you know I would never do something like that when I just agreed to go on a date with you."
"I know." He shrugged a shoulder. "Don't worry about it, seriously. People are just bored and want a good story to talk about."
You laughed inwardly, feeling a little lighter now that you'd cleared things up with Sebastian. "I can certainly tell some stories." You stopped yourself with wide eyes. "Not ones with James, of course. God." You looked up at Sebastian, who was laughing to himself, and that soothed your nerves. "I was talking about this absolutely rude girl who came up to me in the library of all places earlier today and started yelling at me about hogging you, or some rubbish like that. She was crazy, I swear it."
Sebastian sighed as you finished your story, a hand to his head. "Let me guess. Cressida Asthorn?"
You blinked at him, surprised. "Yes, how'd you know?"
He put his hands back in his pockets like his forthcoming answer took effort just to tell. "She's had this obsession with me since the third year, Salazar knows why." You fought back the urge to ask him, Have you seen you? "This isn't the first time she's done something like this."
You laughed. "Wow."
"Yeah," Sebastian huffed. "Now I owe you the apology, for having to put up with her and all."
You shook your head. "Like you said to me, it's not your fault."
He smiled warmly at you. "Don't worry though, I'll talk to her."
"Don't, I think she'd like that too much." You could see him immediately fight back a laugh, something that had you grinning at your own joke.
"Anyways," he said, straightening himself up. "The rumor wasn't actually why I wanted to talk to you."
"Oh." You winced. "Sorry, I was probably panicking so much you couldn't get a word in."
He grinned, flashing perfect teeth. "Don't be." He ran a hand over his hair. "I came here to ask you whether you liked The Three Broomsticks or Madam Pudifoot's better for our date. Or we could walk around and go to both. Whatever you want."
Our date. The word felt foreign in your mind. You weren't even sure you cared where you went on the date, just the fact that you were going on one had your mind occupied enough.
"Both sounds good." You pulled your lips into a smile, suddenly feeling light as air in a way you weren't used to.
"Great," he said, and he smiled infectiously.
"Perfect."
You were looking up at him, ignoring your lack of social skills, and he was looking down at you, and you could've sworn his eyes flickered over your face so delicately it was almost unnoticeable, but it made your mind spin. What was he thinking about right then?
You never got the chance to find out, because the life-sized portrait door swung open from beside you, right in between you and Sebastian.
"Sorry," Sebastian muttered immediately, bowing his head and taking a step back to give whoever was exiting the common room space. When no one came out, you frowned until you saw who it was.
"Well, look who it is: Our favorite couple," sang Sirius, who stood in a group with the other three boys. You took in a breath, already having the urge to roll your eyes at your friend who loved to torture you any moment he could. He looked between you and Sebastian with a glimmer in his eye. "Oh, please, don't stop whatever you were doing on our accord." He pretended to cover his eyes with his hand. "Act like we're not here."
Now you really were rolling your eyes, if only to hide the embarrassment you were feeling at him calling you and Sebastian a 'couple'.
"You can open your eyes, Sirius," you drawled, the corners of your mouth creeping up. You turned to Sebastian, who was watching the interaction with interest and definitely some confusion.
"Sebastian, these are my friends." You gestured to them from where they still stood inside the portrait hole, trying to deflate the awkwardness of the situation and probably failing. "This is Sirius." The boy in question waved his fingers at Sebastian, and you fought your reaction from your face. "And then there's Remus, Peter, and, well, you've already met James."
You couldn't explain the way your heart beat heavier as you looked at the boy you gestured to. The last time you'd spoken to him was that morning when he'd practically shooed you away from him. It felt like at this point you were living your life on rotation, bumping into James and wanting nothing more than both talk with him and avoid him all at once. With the realization that he'd probably heard the rumor by now too, you were thinking the latter was the better option.
"Yeah," said Sebastian, and maybe his tone was tight but you could see him making an effort. "Alright, Potter?"
The distance between the two felt tangible, and it didn't help that James hardly even gave a nod in response. You looked over at him, trying to signal with your face that he was being rude, but he wouldn't meet your eyes.
"Well," you began. "I was just talking with Sebastian about the new horrid rumor going around. Hopefully, you guys haven't already heard it."
"Trust me, we have." Sirius barked out a laugh. "This one was quite the catch." Remus elbowed him in the side, and Sirius held his torso dramatically. "Fine, not funny. Tragic."
You sighed. "I'm guessing it had to come from that blonde kid who came looking for his broom polish, James." You looked up at him, who finally met your gaze, something off about the way he'd been avoiding your eyes. Maybe he was thinking about what'd happened that morning; you definitely were.
"Yeah, Crembley," he said plainly. "He's a second year on the team. I already told him he'd be running extra laps at our next practice." His eyes flickered between you and Sebastian. "Don't worry."
Your lips parted. "Thanks." You held his eyes for a second, something that reminded you too much of the moment you shared in the locker room.
You broke the suffocating silence hurriedly. "Well, I'm gonna head in." You turned to Sebastian again.
"Right," he said, nodding. "I'll see you tomorrow?"
In all the disarray of the week, you'd almost forgotten that the Hogsmeade trip, and your date, was tomorrow. You didn't let it show on your face though, and smiled. "Yeah, tomorrow."
You felt like maybe hugging him goodbye, but turning and looking at the four boys still awkwardly standing in the portrait hole, you decided on a wave instead. He waved back, and you watched as he gave the boys one last nod before leaving, walking down the hallway and out of sight.
You let out a tired puff of air from your lips, turning to your friends that still hadn't budged. "You know, you guys really could've helped make that less awkward instead of just standing there like a bunch of stone statues."
"Hey, I talked," defended Sirius, a side smirk creeping its way onto his lips.
You gave him a look. "Yes, unfortunately." You made your way into the portrait hole, the painting door shutting behind you as you walked into the common room, the four boys following you from behind. You eyed them over your shoulder. "Weren't you guys going somewhere before we bumped into you?"
Remus nodded, taking a seat on the arm of the sofa before the burning fireplace. "Yeah, we were actually going to look for you."
You raised your brows, leaning against the back of the couch. "Oh. How come?" You paused. "Don't tell me it's about another prank."
"Not yet," Sirius teased. "We actually have some exciting news to share." He sprawled lazily beside Remus, a doggish grin taking over his features. "Wormtail here scored himself a date to Hogsmeade tomorrow."
You gasped, maybe too loudly, turning to Peter. "Pete that's great!" You poked him in the shoulder as he came to sit by the rest of you. "Who did you ask?"
He rubbed a hand over the back of his neck, looking sheepish. "Lina Wednesbury." You racked your brain and matched the name to a quiet Hufflepuff girl in your Herbology class. "And, well, she asked me."
Sirius pushed him in the side, smiling playfully. "Nothing to be ashamed about, mate. Game is game."
"Yeah, I think you two make a perfect match." You grinned. "It looks like the two of us both have dates for tomorrow then."
"Hear that, Padfoot?" Peter joked, turning to the boy on his left. "You're off your game."
The long-haired boy shrugged, rolling his eyes cockily. "Please. I reckon I could score a date without even getting up from my seat."
You shook your head at his antics, Remus doing the same. He held up a hand. "Please don't test out that theory."
"Don't worry, I won't." Sirius smirked at Remus and tipped his head over to where James sat in the seat to your right. "Wouldn't wanna leave you and Prongs here all alone."
James tilted his head up from where he'd been leaning it back against his seat the whole conversation. "I don't see what's so important about getting a bloody date."
Sirius barked out a laugh. "Says the man who spent more than half his Hogwarts years asking Evans out to every Hogsmeade trip."
James rolled his eyes at him, tone souring. "Ha ha."
Remus peeked over at him curiously. "You ask her out this time, mate?"
"No," he answered, bored tone telling you he didn't want to discuss the matter. "I didn't."
Sirius gasped. "That's gotta be a first."
"Not true," James defended.
"Yes, true." Sirius leaned forward, elbows resting on his knees. "Weren't we just saying we reckon she'd say yes this time?"
"Yeah," Peter agreed. "And then the three of us could all have dates."
"How adorable," Sirius cooed. "You three could all triple date. You, Pete, and Sebastian." He cracked up at his own joke as James rolled his eyes.
"Like I'd spend a whole day with Vance when I could be doing funner things, like helping Filch clean the toilets."
You tutted, squinting at James and his lazy position in his seat. "Very funny," you mocked, turning back to the others. "Sebastian's actually quite fun to be around. He told this hilarious joke the other day in Potions about Slughorn's outfit that-" You halted your words. "I'm sorry," you said, turning to James, who'd scoffed into the empty air as you spoke. "Is there something wrong?"
"No," he answered, but continued talking anyway. "It's just that I've heard Vance tell about a million jokes to you in that class and trust me, you couldn't get a five-year-old to laugh at any one of them."
You frowned at him, sitting up in your seat so you could better look at the boy who'd had little to nothing to say to you all day, yet now wouldn't let you get a word in. "So you're listening in on my conversations now?"
James avoided your eyes, rolling them instead. "Not willingly, trust me."
You shook your head, face surely showing disgust. "You're being incredibly immature, James."
"I'm sorry that I'm not as mature as Vance." You huffed out an annoyed breath, because you were sure you'd never talked about Sebastian mature, ever. "And quite frankly," James continued, "I'm just saying what we're all thinking."
Now you were really irritated. "Really?" You turned to the three other boys sitting beside you, onlookers to the absurdity. "Was anyone else thinking that?"
"I think we're all just tired," rang Remus when everyone else said anything, forever playing the role of peacekeeper, though you'd rarely ever seen him have to do it over you and James. "Maybe let's talk about something else, yeah?"
James huffed. "Gladly."
"No," you interjected, turning full in your seat to the brunette. "I want to know why the hell you hate Sebastian so much."
James sat still for a moment, eyes flickering directly into yours for only a beat before they wandered again, taking on that avoidant and quite frankly aggravating set to them. "I suppose it's not so much him than the fact that he decided he suddenly needed to take you out during the first Hogsmeade trip back. Obviously, the lad doesn't have friends of his own."
At his last sentence, he let out an ill-humored laugh, looking to Sirius and whoever else to agree with him. Meanwhile, your head was spinning at his words.
"Is that what all this is about?" you interrogated. "If it's so important to you, then fine I'll ... I'll take the carriage ride into Hogsmeade with you guys. That way we can still all spend some time together." If you were being honest, spending time with James when he was acting like this was the last thing you wanted to do. You threw your hands up. "Are you happy?"
James regarded you for a moment silently, and then shrugged, seeming to submit back into his aloofness once again. "Yeah," he said. "Whatever."
You ran a hand over your hair desperately. "If that's not it, then what is it?" You couldn't help the way your voice was rising. Your hardening eyes searched over his form for whatever stick seemed to be up his arse, and then softened as a realization flooded into your mind. "If it's about Lily, then I can always-"
"For Merlin's sake," James interrupted, loud enough to stun you. "Not everything's about Evans, alright?" He ran a frustrated hand through his hair and then rubbed both of them over his thighs in frenzied thought, silent. "I'm going to bed." He stood up, storming swiftly past you and the others without another glance back.
"But the sun's hardly set," Peter squeaked in question.
Remus shook his head. "Let him go." He peaked over at his retreating form until he disappeared up the stairs, out of sight, and a weight seemed to lift in the air of the common room, though it stayed rooted in depths of your chest. "He's just in a foul mood. Needs to sleep it off."
"Yeah," you agreed, leaning back in your seat tiredly. You looked over at the seat he'd been sitting in. "I hope so."
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tobi-smp · 1 year ago
Text
you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
youtube
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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kailoraurelius · 2 months ago
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I’ve been crying over “Falling in love with Chloe was an accident.” for the past 10 minutes wtf lmao 😭😭 thats so her I cant
That line alone needs its own story
Beca tried to read the dictionary once, back in elementary school. Her classes were boring and the kids around her were boring and she figured—with the logic of a child—reading the dictionary would mean she knew what everything meant and she'd be smarter and could finish school faster. It was a brilliant, flawless plan.
She didn't even make it through the A's, because reading the dictionary was boring too. Obviously.
But she remembers some of the words she read pretty well. And one in particular has been bugging her for a while now.
Accident—An event that happens by chance or that is without apparent or deliberate cause.
There's other, less cool definitions that pop up when she googles it to make sure she remembers right. But this is the definition that sticks out to her.
A lot of things in her life have happened by accident, she thinks. Accepting her dad's college deal to get him off her back accidentally led to her finishing out her degree. Landing the job in New York accidentally led to her and Jesse breaking up. (There was another, more pressing reason, but they've silently agreed to let this be the story for now.) Not being able to afford the ridiculous rent on her own accidentally led to her having to roommate with Chloe and Amy. And, related, not being able to afford more than a studio apartment, even with the three of them chipping in, accidentally led to her sharing a bed with Chloe. For the foreseeable future.
Which brings everything back around to that more pressing reason for her and Jesse's breakup...
Falling in love with Chloe was an accident. There was Jesse and he was cool. Not a great boyfriend, but a good one. And a great friend. Which felt like a good enough balance back then. It should have worked for her.
But there was also Chloe and she was...everything. Shockingly bold, hopelessly optimistic, and undyingly kind. And beautiful. The kind of beautiful that artists desperately attempt to create. The kind that makes Beca's stomach flutter when it's too close.
Jesse noticed it first. And it wasn't until he flat out said, "You're in love with Chloe" that she was able to fully accept it herself.
Falling in love with Chloe was an accident. Except...she doesn't think it was. Because how can there not be "apparent or deliberate cause" when Chloe is constantly running her fingers along Beca’s forearms just the way she likes or waking her in the mornings by shaking her with soft hands and even softer whispers. Is it "chance" that Chloe always knows exactly how Beca wants the music she makes to be interpreted? Just chance that Chloe can sense Beca's mood without her even speaking?
It can't be, Beca thinks as she sits on the end of their bed, watching Chloe. It's just the two of them, Amy out with Bumper for the evening, and Beca's just staring as Chloe dances around the kitchen while she cooks. She hums and sways her hips to whatever song is stuck in her head today. When it comes time to add the cheese to her pasta, she opens the fridge and pulls out the cheddar. Amy's favorite is cheddar. Chloe's is pepper jack and Beca knows for a fact that there's a bag of it in the fridge, right beside where the cheddar was. The spoon taps gently against the side of the pot, musically, as Chloe stirs with one hand and conducts a silent orchestra with the other.
And that can't all be chance. Can't all be without apparent or deliberate cause. Because Chloe was made to be loved. Designed to draw people in and make them want to build a home in her presence. Everyone falls in love with her, because how could they not? And Beca, in particular, feels targeted. Because it can't be an accident that this girl who is Beca's opposite in so many ways harmonizes with her so perfectly. It just can't be.
And maybe that's why Beca speaks up.
"I love you, you know."
Chloe nearly drops the spoon as she spins around. "What did you say?"
Another time, another version of herself, she may have taken it back. Or turned it into a joke so nothing would get weird or awkward. But right here and now, she's so certain that none of this is happenstance. It was inevitable. "I'm in love with you," Beca says, shrugging. "I have been for forever. And I don't know why the hell I decided to tell you right now, but uh." She shrugs again and stands up.
Chloe hasn't moved from her place at the stove and she watches with wide eyes and trembling hands as Beca crosses the distance between them.
"I don't know, dude. You just..." Awkwardly, Beca motions to the dinner on the stove and the kitchen in general that Chloe has been dancing in for the last hour. "I just wanted to...say it. I guess. And it's totally cool if you—"
Chloe kisses her like she was made to do just that. Her arms wrap around Beca's neck with the kind of ease born of years and years of friendly hugs and maybe cosmic design. And when Beca grabs her hips to pull her in closer, Chloe’s sigh sounds so much like, "Finally".
When Chloe eventually pulls back, it's with a smile Beca knows well. She saw it that day in the showers of Barden, on stages around the world, and almost every morning since they moved in together.
"I'm in love with you too. Totes ridiculously in love." Chloe laughs against her lips as she steals another kiss. "You have no idea how long I've wanted to do that."
"You should tell me." Beca grins when Chloe kisses her again for it.
"I will. But first." Chloe winces apologetically as she removes one arm from around Beca's neck and reveals she's still holding the cheese sauce-covered spoon. "I think I just got sauce on your shirt." She tugs Beca to the side to check her back. "Shit, I totally did. I'm sorry!"
Beca just laughs. "It's okay. It was an accident."
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discoursecatharsis · 1 year ago
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I've noticed this pattern with antis in fandom where, in their attempt to distance themselves from anything and everything "problematic" in their fandoms, they refuse to acknowledge when they DO enjoy something problematic. Therefore, they don't recognize the problematic elements of the ship, character, media, etc. They'll also heavily downplay or deny any problematic. aspects of their favorite fandom thing.
I just saw an example of this and it is blowing my mind right now and I need to share this with y'all.
It involves the comments on this video.
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Some context for Princess and the Frog: the blonde girl is Charlotte, also called Lottie. She's the main character Tiana's best friend. Charlotte's goal was always to marry a prince, and she almost marries (who she believes to be) Prince Naveen, but once she sees that Naveen and Tiana are in love, she tries to help them turn back human so they can be together.
At the end of the movie, Tiana and Naveen get married, and this scene plays after. Charlotte dances with Naveen's kid brother, and says "I've waited this long" in response to him saying that he's 6 and a half years old.
Now Charlotte's line here, if you look at the context clues of her story line, implies that she's saying "I've waited this long for a prince to marry, so I can wait longer for Naveen's younger brother to grow up." It's just a joke. Albeit, a joke that many will find to be very uncomfortable and inappropriate, but a joke nonetheless. I highly doubt Charlotte is actually going to "wait for" this child to grow up to marry him. She's making a joke at her expense, about her desperation of her dream to marry a prince.
BUT FOR SOME REASON.... many of the comments are like "she means that she's been waiting to DANCE with a prince."
I'm completely and utterly serious y'all. Here are some of the comments along those lines, with thousands of thumbs up each.
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If you've seen this movie, you'll realize that these comments make absolutely no sense for more than one reason.
1) Charlotte danced with Prince Naveen (or at least with the villain disguised as him) earlier in the movie. She danced with a prince already. Why would that still be her dream if she already accomplished that?
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2) Lottie speaks multiple times (during her childhood and in present day as a young adult) about her dream of "marrying a prince." Not dancing with a prince. Not meeting one. No, she wants to MARRY A PRINCE AND BE A PRINCESS.
This video has some clips of her saying this, at the time stamps 0:20, 2:52, 4:08, and 5:21.
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Charlotte does give up her dream of marrying Naveen specifically for Tiana, because she see that he makes Tiana happy. But with how she jumps in like a wide receiver to catch the bouquet at Naveen and Tiana's wedding, it's clear she still has her dream of marrying *A* prince, just not Naveen.
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But back to the comments on that video.
The comments seem to be downplaying the actual implication of her line. It's almost like they're desperately trying to ignore what she actually meant and make it more wholesome because they don't want to admit that their favorite movie has an uncomfy and inappropriate joke.
It's disturbing that this is yet another example where people in fandom (who are fantis or have been influenced by that fanti mindset) are downplaying a scene (or a ship, trope, etc) that is ACTUALLY problematic because they personally like the movie or the character and they don't want to admit that it has some issues. Instead of just admitting "yeah that scene/line was kinda fucked up and gross," they are jumping through HOOPS to make it seem more innocent than it was. And this is completely blowing my mind and is honestly concerning.
If you want to personally interpret it in a different way, in a way to make it more palatable to you, be my guest. That's what fandom and fanon is all about and I do that a lot too. But to see so many people outright deny the actual implications of this line is... bizarre af. It's one thing to be like "hmm yeah I don't like that, so I'm going to personally interpret this ship/trope/scene differently so it's more comfortable to me." It's another thing entirely to be in complete denial and ignore the actual context of the character and their story.
Also, so many of the other comments on the video aren't even commenting on the actual scene or on what Charlotte said. They're just generic comments on how much they love Charlotte as a character or how they miss this 2D animation. It's like they're trying reallyyyyyy hard to ignore the joke that's being made.
On the grander scheme, this is concerning because these people are refusing to acknowledge something that's inappropriate at best and predatory at worse (an adult "waiting" for a child to grow up) because they don't want to be caught enjoying/supporting something "bad."
All their talk about normalizing and normalization, but they're the ones kinda normalizing bad things by downplaying them or being in denial of it when it's in THEIR favorite media. And that is very concerning and a big issue.
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aheathen-conceivably · 5 months ago
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Long before the last note Antoine had grown aware of Zelda’s presence; but as he finished, he looked up at her with a newfound vulnerability in his eyes. As she stared at him unmoving, he absentmindedly moved his hand along the strings to fill the quiet left by the watching stars, “Was it alright, you think? Writing lyrics, it’s new. Harder than assembling notes, if you ask me.”
She looked at him in amazed silence. His original piano pieces had been brilliant, and sometimes he had written ditties for her to sing, but never before had she heard him sing his own lyrics. She had always known how much he loved it - this place that he had left but that walked alongside him everywhere he went; but it was so much clearer this way, so full of both love and hate, loyalty and disdain, longing and relief, that it was difficult for anything other than music to encompass it. 
She brought her hands together in something that may have been a clap if she wasn’t so afraid to disrupt the stillness of the desert air. On silent footsteps, she left her reverie behind and moved to sit where he had made room for her on the worn wooden bench.
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She looked at him earnestly, trying to ease his fear with even just the movement of her eyes, “It’s brilliant, Antoine, truly.” And she meant it, not just because she was under his spell and not her own now; the judgmental eyes of God and her sisters were shut out when she was in his orbit. Now there was only him and his memories for her to get lost in. 
He left his hands on the strings, still playing the familiar notes as though they helped make the admittance easier to utter, “You were right, you know? When I play it’s like I can see it all laid out in front of me. Or better yet, under me. Like I’m above it, observing it all like a story. Makes me realize I loved it more than I thought I did. That house. That place. Her. I wrote it because I know it’s gone now, probably nothing but rubble under a cheap government build. I just don’t want to forget. Or maybe I don’t want the world to forget.”
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The stars looked down on them as his smile widened with every inch she drew closer to him. They reflected brightly in her eyes as she leveled them to his, “Would you sing it again? So I can hear it better?”
He let out a small laugh, just as much in relief as in humor. “Surely you would prefer to sing it? With a voice like yours I would hate to imagine what mine must sound like.”
She brought her knee up on the bench with them, curling as close as she could without dislodging the guitar from his arms. “Hush and sing. You don’t need me now.”
“I always will, Mrs. Duplanchier. No matter what. But as you wish….” 🎶
Part 3/3
(As Antoine is meant to have written House of the Rising Son in this universe, I’m going to leave a little disclaimer about this song and its origins under the cut, in case you are interested!)
The origins of the song House of the Rising Sun are much older and more complicated than I have presented here. Folklorist Alan Lomax has written more on it if you are interested, but it is commonly thought to have originated as an English folk song, morphing into the version we know today amongst various groups of American immigrants.
Perhaps best known for its 1964 version by The Animals, it has long formed a staple of American folk, blues, rock, and country recordings, with recorded versions by everyone from Lead Belly, Woody Guthrie, Doc Watson, Nina Simone, Dolly Parton, Joni Mitchell, Bob Dylan, and Alt-J (amongst so many others). However, I have taken inspiration from the earliest known recorded version, which was done in Appalachia in 1933.
Of course, in having Antoine write this song I have compressed much of this history into a single figure, as well as slightly twisted the meaning of the song to fit the story line. The latter is mostly based on personal interpretation of the lyrics and is purposefully meant to draw a line from this family’s musical heritage through the 1960s and beyond. It also gives a face to the very real figures behind many of the staples of American music that have come to us from the early part of the 20th century, many of which were written or played by black men and women whose songs have continued onward while many of their names and stories may have been forgotten.
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david-talks-sw · 9 months ago
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I got a good feeling about "The Acolyte"
Not even kidding. Like, I've spoken before about why I'm wary of it.
George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.
The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.
See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.
BUT.
The trailer looks fucking cool. It really really does.
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And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.
1. The Acolyte won't be a 10-hour movie.
I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.
But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.
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Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.
And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.
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Yes! Exactly! That's how it's supposed to be!
Like, compare this to Baylan Skoll's storyline in Ahsoka.
In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.
So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.
2. Maybe the Jedi will not be as demonized as I originally thought.
Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.
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It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.
They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.
Moreover, there'll be a variety of Jedi POVs, many personalities.
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Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.
The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.
I also like how her reasoning goes re: Jedi drawing their lightsabers.
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Which explains the hand-to-hand combat seen in the trailer.
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This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.
3. She's a fan of Star Wars... but a screenwriter first.
You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.
She's done her homework. She's a fan.
But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.
The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.
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Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.
That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.
And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.
Hm. Wonder why.
Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.
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The FULL context of that interview reveals that she's actually:
debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...
the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.
Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!
George is a proponent of the "autheur" theory, Leslye isn't.
However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.
So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D
But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.
I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.
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It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.
She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.
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"No, she's a woke feminist! Anything she does is evil! Eww, girls!"
🙄
Needless to say... I'm gonna give it a shot.
I think it's gonna be a good show, I think it's gonna be a solid story.
I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.
As @gffa states in this post:
Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D
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bnhaobservation · 6 months ago
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Changing society in BNHA
So… I came up with an odd thought about which might be the change in society we're expected to witness in BNHA, what was that Midoriya's fight with Tomura was supposed to show to society so that it would change.
There’s a scene that stick particularly in my mind in BNHA, the one of little Tenko wandering through the streets, mentally begging for someone to help him while people pretend not to see him. Finally an old lady notices him but then decides he looks creepy and tells him the police or a Hero or somebody else will help him as she’ll do better go to her job. Little Tenko keeps on walking then, and people keep on seeing and ignoring him until one person reaches out his hand to him. Sadly for Tenko said person is AFO who helps Tenko solely to turn him into Shigaraki Tomura, symbol of fear.
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In my country, if an adult sees a small child of 5 wandering alone, he should feel responsible for the kid and help him. You aren’t allowed to ignore it. The result is I’ve always interpreted that scene as Horikoshi blaming society for not helping a child. If one of those people who saw Tenko, instead than ignoring him, had saved Tenko before AFO, then Tenko would have never turned into Shigaraki Tomura.
There are other instances in which Villains seem to be born by how society, instead than caring for them/helping them out, turned their back on them, which caused them to end up on perceiving society as their enemy and therefore choosing a Villain life.
As a result I was expecting at the end of the story the BNHA society would be changed into one who was more willing to help those in need and not just pass the job to the Heroes.
Even Tomura’s speech talk about how people has just got used to be protected due to the Heroes coddling them…
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...the fact that, right from chap 1 as Heroes were fighting people would just stop and stare as if it were a show, and the whole All Might being a pillar so that the weight would rest on him made me think the theme was that society had to turn into a more helpful one instead than just a passive one that watches Heroes saving people.
But then I’ve been wondering if the theme hadn’t somehow shifted along the way… or maybe I just had misunderstood it.
You see… after the first war the story shows us the struggle of Heroes. Some of them, facing all that destruction, think they should change work. Midnight and other Heroes are dead, while other Heroes like Endeavor and the Class A students are hurt. The public attacks Heroes for failing to protect them. Even at Enji’s press conference they aren’t really angry with him for what he did to his family but for allowing Machia’s rampage, for failing to stop the destruction Villains caused. In short for failing as a Hero.
All Might’s statue starts to get vandalized and Uraraka wonders who’ll help Heroes when they need to be protected, before giving a speech in which she assures the public only Heroes will be coated in filth, that they won’t be asked to do the same, but asks them to just help a Hero (Midoriya) rest so he will be able to keep on fighting for the people.
Later, much later, when Midoriya is fighting Tomura, people will still try to help him, to help the Hero fight Tomura by giving Eraser Head shirts and other necessities.
So it can be that THIS IS the change watching Midoriya fight was meant to bring in the society, making it aware they should help their Heroes instead than just watching them.
In a way that’s also what Spinner blames himself for failing to do, he believes he didn’t step in and saved Tomura, his Hero, sooner.
It’s not really a new idea in the story.
When Bakugō was kidnapped Tomura himself, talking with him, asked him why the press was criticizing Heroes who were, after all, humans whose only crime was doing too little, too late. Society expected them to be perfect but humans can screw up here and there, can they?
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In truth though, especially after the Stain’s arc, Tomura’s speech doesn’t feel like a “we should support Heroes more” kind of speech, but a Heroes really aren’t doing enough, with Shūichi summarizing how Stain taught them that when Heroes started protecting people for a paycheck they stopped being Heroes… which might seem him scolding them for doing it for their self interest… but if we turn it around it can also mean that since they’re PAID to save people, if they don’t they FAIL at their work and this allows society to complain and ask for a refund.
To go back to the scene of the lady not helping Tenko this would be that the story isn’t scolding the lady for not helping Tenko… but for not helping the Heroes to find Tenko so that they could help him.
While the result is similar (either way Tenko gets help) the final message is different. People aren’t asked anymore to help other people but… let’s call it the system in place. They’re asked to take responsibility in helping the Heroes, to cooperate with them so as to make the Hero society work better.
Midoriya’s fight with Tomura was meant to show people Heroes need them to win and save them, society has no interest in saving Tomura, they needed to see Midoriya win with their help so that they would change and become more supportive of Heroes.
Then Heroes… assuming they’re good Heroes… could have it easier saving people so that more of them could be saved. In short the idea BNHA might be trying to propose is, if common people also were to turn into a bit of a Hero (as they would support Heroes and be Heroes for their Heroes), the Heroes then could prevent more easily things from getting worse which is what Midoriya and Tsukauchi talk about.
Now… I don’t know if this is the theme Horikoshi went for and if this was his intention from the start (honestly to be Tomura’s speech felt like him scolding the Heroes, not society for deciding not to support them) but the real problem I see with this theme, is that it might work in Japan, but not so much in the west.
Japan has a good relation with its police (I’ll take supporting Heroes can be the equivalent of supporting police in the real world), they don’t fear it, they find it reassuring, they’re regarded with great respect and admiration. They aren’t at the level of the Heroes of BNHA but it’s quite a difference with how many countries in the west instead fear police, blame it for its violence and abuse of authority and don’t see it as really reassuring or supportive of people or worthy of respect.
Japanese people don’t discuss when the police arrest someone, if they do it should be because that someone was guilty (and once you’re arrested you’ll generally are judged guilty in Japan) while in the west we fear more the people might have caught the wrong guy for various reasons.
So while in Japan a theme that remembers people of the importance of being supportive with the people in charge of the protection of citizens might work… in the west it might be taken differently. Many western countries are more critical of the government and of the police than in Japan, which is also why many fanfic writers like to paint the Hero Commission as the bad guy in their stories, while Horikoshi, despite saying it did some wrong things, didn’t really handle it as an evil organization.
Society remains unaware of its wrongdoing, the president is murdered off in a quick scene and, after a brief period in which Mera was in charge, Hawks is placed as the new president and, since Hawks is meant to be seen as a good guy, likely this is our narrative clue that the Hero Commission will take a turn for the better, with him even trying to free Lady Nagant and her remaining in jail just because she decided to stay.
It kind of reminds me of how in the past in Japan when a clan rebelled and then lost, the family head would commit seppuku and they would switch to a new family head and the clan would be pardoned… so I guess from a Japanese standpoint this can work just fine while here, if we’ve an organization doing something dirty we worry to make sure we remove EVERYONE who was involved in it, not just the boss… but okay, I guess we’ll see how Horikoshi expects society to change in future chapters so I guess I should just be patient and, for now, this is just food for thoughts as I might be completely off track.
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dotthings · 7 months ago
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Some tea from Richard Speight, Jr. about filming Cas’s testament scene has surfaced from DLC6. [x]
nothing cut from script to screen but they added things, such as Cas having to paint the sigil on the door and leaving the bloody hand print on Dean’s shoulder [my note: wbk about the additions during filming. There's still the matter of the spanish dub because the latam dubbing team felt a verbal I love you from Dean, made sense. And a few other lingering questions that have not actually been resolved and we may never know, but I'll go along. If Rich is happy with what was filmed and got to screen in the US, I'm glad. I love 15.18 either way. Rich's comments also goes to show how collaborative making tv is and how fluid the process can be.]
Rich said the scene wasn’t intended to be about Dean’s reciprocation, it was to give Cas his moment to speak his truth, to speak his love for Dean, and Cas didn’t expect an answer back, he just wanted to be heard, wanting Dean to know. [my note: makes sense to me, and it’s what I’ve thought about Cas pov. Cas pov not being the same as audience pov and what the story might need next and what Dean’s needs are. But for that scene, Cas feels complete. It also very much means the emotional story from Dean's side is not resolved. Dean wasn't given his chance yet, by creative design, perhaps because the only way they could get this greenlit at all is if it was only Cas who got to speak. We'll see what happens next.]
Rich saying because they did many takes of the scene with Dean’s emotional reactions, there are shots where Dean is crying more, or crying less. Editing put together different angles from different takes. [my note: the irony that naysayers are already trying to weaponize this to shut down the idea that anything got cut when per Rich himself, the facts on the ground are that the full range of Jensen’s acting for Dean’s response got reduced. No shade on Rich. But let's not erase or deny what was going on with Jensen's acting and how Jensen gave 110% and what wound up on screen was about 80% of whatever work Jensen did. Dean wept more than we saw, even before Dean was on the dungeon floor sobbing. Jensen’s performance as it stands is beautiful and powerful and full of emotion. It has taken an inordinate amount of hate and erasure, which is 100% cynical concern trolling to deny Dean’s feelings for Cas. More shots of Dean crying openly wouldn’t stop it, there’s no excuse for those responses. What’s there is loud enough. Only the most willfully cynical gaze could deny the love and anguish Dean showed.]
Rich said the parallel for John and Mary’s confession in TW 1x07 to 15x18 is a “coincidence” yet went on to talk about the trope of confessing love in a life or death situation and cited Leia and Han Solo among others [my note: it was also used again by an ep Rich recently directed in another piece of media I won’t say so I don’t spoil it. Also I’m laughing about how it seems he answered this. Total coincidence!! And spn 15.18 is like TW 1x07 is like Han and Leia and love confessions in dire situations is a common (romantic) trope. Pls, if anybody is taking away from this some kind of shutdown on creative recognition of the Destiel implications of it all, I don’t even want to know, I’ve had my fill of poor comprehension skills, poor critical thinking, and poor media literacy, oh my god]
Rich saying he was glad Cas’s words meant a lot to queer fans and that he feels it was important and a “bold” move that Bobo and Misha fought for. <3
So that's confirmation from director now, to add to writer intention, both actors, and an EP who greenlight Bobo's pitch for Cas’s testament as romantic. That is canon. That is a lock.
Cas's testament started out carefully padded into an “open to interpretation” zone. We have watched it be eased out of it and into the open.
I’m pleased it's openly acknowledged for what it is...and what I knew it was when the ep aired. I did expect it would be eventually, and would take some time. I’m glad it's here now.
As always, my appreciation for the work Rich, Bobo, Jensen, Misha did on 15.18 <333
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sorrowsofsilence · 1 year ago
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Burning Out • I
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Pairing: Noah Sebastian x Fem!Reader
I was lost, but now I'm found Under the lights and in the sounds So let us sing and sing it loud That we're not perfect, but we're proud of who we are.
Noah Sebastian is lost. His crime-filled lifestyle is anything but perfect; but everything changes once he meets you.
Words: 4.7K
General Fanfic Warnings: 18+, explicit language, smut, alcohol, drugs, violence, mentions murder/suicide, panic attacks/anxiety, nightmares
Authors note: Chapter One: The Apparition - (EDITED 09-03-2024) This story was a request by an anon! I hope you enjoy my interpretation of the prompt (prompt is here). I am excited to see where this goes! Let me know any thoughts, and if you’d like to be tagged leave a comment :3
THIS IS A FANFICTION USING REAL PEOPLE IN A FICTIONAL SITUATION! I AM NOT IMPLYING THESE PEOPLE WOULD DO THE THINGS IN THE STORY OR ACT THE WAY THEY DO IN THE STORY, IN REAL LIFE! IT IS SIMPLY FICTION, AND JUST FOR FUN! THINK OF THEM AS ACTORS LOL.
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NOAH
The world was always in a state of grey, the life of the concrete jungle persistently sucking out the souls of its inhabitants with every passing second. Destruction. Crime. Greed. A shattering abyss of capitalism and corruption.
Yet, I don’t think I was meant to be the good guy in this lifetime.
Maybe someday, in another universe, there would be a possibility for me.
But for now, the only thing I could think about was how my heart pounded as the gun sat between my fingers, threatening the innocent ahead.
Destruction, Crime, Greed.
“Noah, let’s go,” Ruffilo desperately pulled at my wrist in an attempt to drag me away. My arm remained still, held in its position, resisting his force.
The woman’s eyes watched me in horror, tears brimming as her back hit the brick wall behind her, arms wrapping protectively around her body in defeat.
My heart raced, yet I couldn’t move.
“I won’t say anything I swear,” She pleaded, lips trembling, saliva foaming from her mouth as she was too afraid to swallow.
I don’t want to do this, but I fucked up.
“Noah,” Ruffilo said through gritted teeth, “We need to go,” he placed a hand on top of my gloved one, in another attempt to have me lower the bad decision.
I closed my eyes, squeezing them shut in contemplation as my chest heaved, the voice of rationality fighting against the voice of destruction.
You’ve never been able to kill anyone before you moron, why do you think this time will be any different?
My eyes snapped open, leathered finger dancing along the trigger as I stared at her. My teeth barred through chapped lips, a snarl of frustration crawling from my throat as the woman's eyes turned away in fear; as if watching her demise would kill her.
Seeing her in complete terror left me broken. Is this who I am?
The next thirty seconds passed as though I was walking through molasses, my thoughts battling contradictions before I audibly screamed in frustration, shoving the gun back into my pocket as Nicholas and I ran towards the van.
“Fuck!” I yelled, slamming the car door as forceful as possible. The tires squealed in place, burning out as Jolly’s foot pounded onto the gas pedal.
I ripped off my ski mask, throwing it angrily onto the floor of the vehicle.
“You should’ve just left her Noah. Now if they find us we could be charged with assault with a weapon.” The deep Swedish accent was the last thing I wanted to hear. He eyed me sternly in the rearview mirror, and I lingered on his gaze for a moment before turning my head towards the window.
“Oh Fuck off Jolly,” I sighed angrily, closing my eyes as my breathing quickened, the anxiety beginning to set in. The pounding of my heart began to vibrate along my entire chest, and my leg bounced in anticipation, waiting for the panic to subside.
I kept justifying to myself that we’re all dead anyway, so what’s the difference between a God and a loaded gun?
The van sped through the city's veins, a blur of neon and shadows. I felt Ruffilo's eyes digging into me, a mix of disappointment and concern as he watched my tapping fingers against the plastic of the car door. Another fuck up added to the list.
The silence in the vehicle was deafening, broken only by the occasional honk of a distant car or the screech of tires against wet asphalt.
"We need to lay low for a while," Jolly's voice cut through the tension. "I know a place on the outskirts we can hang out at ‘till everything cools down. It’s not pretty, but it'll do."
I nodded absent-mindedly, my thoughts still with the woman we'd left behind. Her terrified eyes haunted me, a stark reminder of the monster I was becoming. Or perhaps had always been.
As we drove further from the city center, the buildings grew more dilapidated, the streets emptier. The grey world outside mirrored the turmoil that had taken over my thoughts, reminding me of the emptiness that seemed to follow me everywhere.
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Y/N
I tied the grey apron around my waist and punched in for my shift. With my hair pulled back into a low bun, I tucked away any stray strands of my bangs. Another day at work, feeling like it was all just slipping away, lost to the endless cycle of capitalism.
Overall, I enjoyed my new job working in the coffee shop. The city was busy, something I wasn’t used to, but the cafe was a comforting environment filled with tasty pastries, and an unlimited amount of caffeine to fulfill any heart's desire.
I sighed as I checked on the coffee pots, organizing them before nearly lining the glass display with more cakes and croissants. Stocking up the cups and lids, I hummed to myself, letting my mind wander into my corporate daydream distractions.
Why are you never real?
Whenever you appear
You leave me with that grace
I am trembling with fear
But I know that you will disappear
“How’s it going Y/N?” My coworker asked, smiling, pulling me out of my trance.
Annika; I have grown quite fond of her, even though I’ve only known her a week.
“Good,” I smiled, pulling a sanitized cloth out of a bucket and wiping down the counters, “yourself?”
“Oh you know, same old same old.” She said, sighing with a sad smile. I matched her as we shared a moment of familiarity, before concentrating again on wiping the surface, the cold cloth running along the faux marble. 
The seating area was bustling with activity; friends catching up, students poring over their notes, and business meetings taking place. I loved observing the vibrant energy that each person brought into the space. A smile formed on my lips as I watched the familiar elderly couple, whom I had seen every morning this week, bid farewell.
I gave a nod to Lauren and Ray as I said goodbye, then made my way to the empty tables. I began wiping them down, ignoring the sound of the door ringing as more people entered. I hummed softly to myself, lost in thought. It had only been three weeks since I left my old life behind, and this was just the start of my newfound freedom.
So let's make trouble in the dream world
Hijack heaven with another memory now
I make the most of the turning tide
It just split what's left of the burning silence
“Sleep token?”
Suddenly, a man's voice interrupted my thoughts and I snapped out of my daze. My face heated up with embarrassment as I realized that Annika must have gone to assist another customer. I quickly apologized and avoided eye contact as I tossed the cloth into the bucket and rushed back to the register.
I glanced nervously at the buttons in front of me, mentally preparing to either hit to go or to stay, as I waited for the man's response. But when my eyes met his deep brown gaze, I was instantly lost in the intensity and mystery within them. My lips parted slightly as I stared at him, feeling a rush of infatuation that warmed my cheeks. His dark chocolate eyes were framed by long, tousled brunette hair that fell just below his collarbone. His arms and neck were adorned with colourful tattoos, giving him an alluring look. And when he smiled, it was almost enough to make my knees weak; the crinkles around his eyes and the lines of his smile were captivating.
However, there was something else lurking behind those intense eyes, and my mind couldn't help but want to uncover it.
He returned my gaze, his eyes carefully taking in every detail of my face. A light blush crept along his nose, making its way across to the top of his cheekbones.
"So, is it to go or to stay?" I stuttered, breaking eye contact and quickly looking away. I could feel the heat rising to my ears and I focused all of my attention on the counter in front of me; trying to act casual but feeling a wave of shyness wash over me as I glanced up at him.
"To go, please," he replied, and his voice was like music to my ears with its slight Virginian accent.
In all my years working in retail and serving, I had never been so captivated by a customer before. There was something about this stranger that intrigued me; a mystery waiting to be discovered. "Just a black coffee, please," he said slowly, almost as if he was unsure.
I let out a shy laugh, “Did you want cream or sugar? Or we have a variety of syrups-” I watched as he smiled, before shaking his head, eyes remaining fixated.
“No, black is fine,” he replied. Something about his gaze, like the colour of October leaves, drew me in and held my attention as time seemed to stand still. As if invisible strings were connecting us, pulling me towards his magnetic presence that I couldn't seem to resist.
“Alright then,” I nodded, feeling a bit flustered as I avoided his stare, “is that all for you?”
“Yeah,” he said softly, digging through his wallet before handing me a bill.
“Can I have your name?” I asked shyly, looking back at him and trying to read his face for any clues about who he really was. Sometimes a name can reveal more than words ever could.
“Noah,“ he said, giving a slight nod and tight smile.
“Noah,” I echoed.
I pivoted on my heel and made my way over to the coffee maker, picking up a cup and filling it with the warm liquid.
Annika slinked up beside me, lightly bumping into my arm. "That's Noah," she whispered, nodding towards him, "He used to come here all the time, but he hasn't been around lately. He's always in a gloomy mood."
I glanced at her, unsure of how to respond.
"And he usually takes his coffee with cream and sugar, so it's interesting to see him trying something new." Annika turned her head slightly, observing the boy for a moment before leaning in closer to me. "Maybe it's because he's so distracted by you that he forgot his usual order."
A tinge of warmth spread across my face as I dismissed the idea with a scoff, "Yeah, right." But out of curiosity, I couldn’t help but glance over at the brunette behind the counter. Just as I suspected, he was discreetly watching us but quickly looked away when our eyes met.
"You should give him your number," Annika whispered mischievously before walking away to assist another customer.
I chuckled softly as I closed the lid and slid a sleeve onto the cup. My hand hovered over the sharpie, wondering if I should do it.
I shook my head gently, shaking away the thought before scribbling his name across the top of the plastic.
"Noah," I said, his name escaping my lips like a delicate sigh. It felt so natural as if he had been the one to breathe it into me.
His inked fingers wrapped around the cup, “You were singing the apparition earlier,” He said, and I watched him curiously, “fascinating, the line about the past.”
Every word felt like it was being taken from my body as we watched each other. Both of us seemed to hesitate, waiting for the other to say something.
The brunette spoke first, eyes gazing upon me for a moment as he turned towards the door, “I’ve never seen you before, you must be new around here.”
Though I wanted to reply, I found myself unable to move or speak. Instead, I fixated on each of his movements as he approached the door, the image of his black hoodie imprinted in my mind.
"Welcome to the neighbourhood," he said with a nod before exiting through the door, the bell chiming behind him.
I stood there, frozen, watching the door long after it had closed behind him. My heart raced, and I could feel a flush creeping up my neck. What was it about this stranger that had me so flustered?
"Earth to Y/N," Annika's voice snapped me back to reality. "You okay there? You look like you've seen a ghost."
I blinked rapidly, trying to regain my composure. "I'm fine," I mumbled, though I wasn't entirely sure that was true. "It's just... did you see him? The way he looked at me?"
Annika grinned knowingly, placing a gentle hand on my shoulder. "Oh, I saw alright. And I told you to give him your number, didn't I?"
I groaned, leaning against the counter. "I know, I know. I just... froze. God, why am I such an idiot?”
Annika smiled at me, kneading her fingers into my skin sympathetically. "Don't be so hard on yourself. Besides, he seemed pretty interested in you too. He’ll be back, he always comes here."
I sighed, straightening up and trying to shake off the lingering effects of the encounter. "Maybe. I just... I don't know what came over me. It was like time stopped for a moment there."
"That's called chemistry, sweetie," Annika winked. "And from where I was standing, there was plenty of it."
I busied myself with wiping down the counter, trying to distract myself from the memory of Noah's intense gaze.
But as the day wore on, I found my mind drifting back to those few moments. The way he mentioned the apparition as if he'd been paying attention to me long before I noticed him. As if he was the one to plant the lyrics into my mind. I couldn't shake the feeling that there was more to Noah than met the eye.
As closing time approached, I found myself glancing at the door more frequently, half-hoping he might return. But the bell remained silent, and soon enough, Annika and I were wiping down tables and stacking chairs.
"Why don't you head out early, I can finish up,” She said, wiping her hands on the apron tied to her waist.
I gave her a small smile, appreciating the gesture, “I’d love that. Especially since I have to be at the bar tonight.”
“Go,” she waved me off, and I gave her a nod, gathering my bag.
As I stepped out into the cool evening air, I couldn't shake the way his eyes had locked with mine, the subtle rasp in his voice - it all replayed in my mind like a broken record. Was I going crazy? What was wrong with me?
I shoved my hands in my pockets and started the short walk to my condo, my footsteps echoing on the quiet street. The sky was a canvas of deep pinks and oranges, the sun beginning to dip below the horizon at its 5 pm descent.
It was beautiful, but I barely noticed it, too lost in my thoughts.
Suddenly, a familiar figure caught my eye across the street. My heart skipped a beat as I recognized the black hoodie and inked fingers. Noah. He was walking in the opposite direction, his head down, seemingly lost in thought.
I hesitated, my feet rooted to the spot. Should I call out to him? Cross the street? The moment stretched out, feeling like an eternity as I debated what to do. Before I could make a decision, Noah looked up and our eyes met once again.
Time seemed to slow as we stood there, frozen on opposite sides of the street, and a car passed between us, momentarily breaking our connection. When it cleared, I saw the brunette take a hesitant step towards the crosswalk.
My heart pounded in my chest as he made his way across the street. I remained rooted to the spot, unable to move or speak as he approached.
"We meet again," Noah said softly, a hint of a smile playing at the corners of his mouth.
"Hi," I managed to squeak out, inwardly cringing at how breathless I sounded.
"I, uh, I wanted to thank you for the coffee earlier," he said, rubbing the back of his neck. "It was really good. Although I forgot to ask for cream and sugar.”
I felt a flutter in my chest at his words. "Oh, I'm sorry about that," I said, tucking a strand of hair behind my ear. "I usually remember to ask."
Noah shook his head, his eyes never leaving mine. "No, no. It's not your fault. I was... distracted."
The way he said it, with a hint of shyness in his voice, made my heart race even faster. We stood there for a moment, the silence stretching between us, filled with nervous energy.
"I'm Y/N, by the way," I finally said, extending my hand.
He took it, his touch sending a jolt through my body as his fingers wrapped around my own. "Noah. But you already knew that."
Well, I believe,
Somewhere in the past,
Something was between,
You and I, My dear
Noah’s gaze met mine, our eyes searching for any unspoken words. But he broke the silence with a blunt question: "Do you believe in love at first sight, or should I walk by again?"
His unexpected inquiry caught me off guard, and I couldn't help but give him a dumbfounded look, my eyebrows furrowing in shock. Slowly, a smile of disbelief spread across my lips and I tilted my head to look at him. A laugh escaped me and he joined in, his own laughter shy and reserved.
"I...I think you should walk by again," I managed to say between giggles, mustering a quick retort. "But only so I can get another glimpse of what you would look like walking towards me on a date." As soon as the words left my mouth, I cringed at how cheesy they sounded, but Noah's smile widened at our playful banter.
“So, I’ve gathered that we are both really terrible at flirting,” He said, licking his lips.
I hummed in agreement, “I think that can be a safe deduction from this one-minute conversation,” my eyes following his fingers that now ran through his long chestnut hair, eyes trailing over the flower on the back of his hand, “maybe, you’d like to see how bad a longer conversation could be?” 
I held out my phone, ready to exchange numbers and Noah's eyes lit up at my suggestion, a hint of mischief dancing in them as another smile tugged at the corners of his mouth. "I'd like that," he said softly, passing me his phone as we shared each other’s informatoin. "Very much."
We stood there for a moment, both of us grinning like idiots before I remembered my shift at the bar. "Oh, shoot," I muttered, glancing at my phone. "I have to get to my other job soon."
Noah's face fell slightly, but he quickly recovered. "Right, of course. I wouldn't want to keep you."
I bit my lip, not wanting our encounter to end just yet, “But we could take a walk before I have to go?”
Noah's face brightened at my suggestion. "I'd love that," he said, falling into step beside me as we started walking down the sidewalk.
The setting sun cast long shadows across the pavement, and a gentle breeze rustled the leaves overhead. We walked in comfortable silence for a few moments, stealing glances at each other when we thought the other wasn't looking.
"So," Noah began, breaking the silence, "you work at a coffee shop and another place? Busy schedule."
I nodded, tucking a strand of hair behind my ear. "Yeah, it can be hectic sometimes, but gotta do whatcha gotta do…You mentioned earlier that you've never seen me before. Are you a regular at the café?"
Noah nodded, his hands tucked into the pockets of his hoodie. "Yeah, I usually stop by every morning…a little bit of stability and sameness in my life.”
“You don’t find that sameness boring?”
Noah shook his head, a thoughtful expression crossing his face. "Not at all. There's comfort in routine, you know? But..." he paused, glancing at me with a soft smile, nudging towards me, "I'm not opposed to a little excitement now and then."
I felt my cheeks warm at his words, and I couldn't help but smile back. "Well, I'm glad to hear that."
We strolled on, our shoulders grazing occasionally. The slight touch sent shivers through my body every time.
"I was just listening to this song by Deftones you might enjoy," he said as we walked aimlessly down the street without a plan, “Considering you like sleep token.”
"Can I try to guess?" I looked up at Noah, who stood tall above me. Despite his lanky frame, I felt small next to him and my heart raced at our closeness. With each of his strides, it felt like I had to take three steps, his Dior cologne filling my senses.
Why are you never real?
The shifting states you follow me through
Unrevealed
Just let me go or take me with you
"Is it sex tape?" I asked and Noah gave me a big grin, clearly impressed.
"I have no idea how you guessed the exact song," he chuckled, looking at me curiously.
"What can I say," I shrugged, "I'm good at reading pretty boys' minds. And it's a great song, similar vibe."
He playfully raised an eyebrow at me as we reached the crosswalk. "So you think I'm pretty?"
I watched the other side of the street and smiled as I hummed, "Well, I don't think I'd spontaneously go out with just anyone….For the record, 100 percent my type,” I said, looking at him through my lashes.
Noah's cheeks flushed with colour once again. "And what exactly is your type? I'll keep an eye out for them, just for you."
I thought about it for a moment, biting my lip. "Well, they tend to be hot brunettes with long hair and brown eyes," I trailed my gaze down his body, taking in his hands before looking back up to see the snake tattoo peeking above his hoodie collar, "and they must have tattoos...in variousplaces."
A deeper shade of red coloured Noah's cheeks. "Well, I do have tattoos in various places, if you ever feel curious."
I laughed, watching him. We stared at each other for a moment longer, my heart pounding, as his eyes devoured me before the beeping of the sidewalk timer pulled my attention away from him.
“I have to admit, this is probably the strangest thing I’ve ever done,” I confessed, shaking my head in disbelief as we walked along the park path.
“What do you mean?” Noah asked, his hands tucked into his jeans pockets as he looked between me and the path ahead.
"Going on a ‘date’ with someone I know nothing about," I started, trying to keep things light. "For all I know, you could be a serial killer."
Noah chuckled. "Valid point. This wasn't exactly how I expected to spend my Tuesday evening either, but I do find a dash of danger titillating.” 
I grinned at him. "So you're not a serial killer then?"
"Not that I know of. Pretty sure that's not something I would get enjoyment from," Noah laughed, but I noticed he looked away, eyes becoming distant.
“So who are you then?” I asked as Noah and I followed each other down the park path towards the neighbourhood. The wind was picking up slightly, causing me to shiver and pull my sleeves over my hands, fingers intertwining together in my hoodie pouch. We were walking along a path by the inner city river, the leaves of the birch trees swaying as they danced along to nature’s beat.
As I strolled next to Noah I felt an odd sense of comfort, despite knowing absolutely nothing about the man beside me. I eyed him, his hair flying behind him, eyes squinting through the wind.
Noah seemed to ponder my question for a moment, his eyes scanning the water beside us. "I'm just a guy trying to figure out his place in the world, I guess," he said, “I don’t know who I am.”
As the river rushed by, his words hung in the air, washing away memories of the city and carrying them through the earth in a predetermined path.
"Sometimes I feel like a lost soul," He said softly, his eyes distant as if lost in thought.
I nodded, understanding his sentiment. "I think we all do at times."
Noah let out a low chuckle, pulling himself back to reality. "There's much more to your story though," he prodded.
I shrugged nonchalantly, trying to deflect his question. "I suppose everyone has a past."
He looked at me intently, pulling his hoodie over his head to shield himself from the wind. "What's yours? You're not from around here."
I arched an eyebrow, curious about how he had determined this information. "How did you know?" I inquired.
"Your accent," he replied with confidence. "And I haven't seen you around before. I'm pretty familiar with the area."
"Ah, makes sense." I nodded, amused by his observation. "I just moved here from Canada."
"You left the Great White North for this dump of a city?" Noah scoffed, surprised. "You could have gone anywhere in the world, and you chose LA?"
"They call it the City of Dreams," I defended with a shrug. "Plus, I needed to get as far away as possible."
Noah fell silent for a moment, deep in thought. We continued our walk in silence towards the houses.
"Running away from something?" He finally asked, barely above a whisper. Noah's eyes met mine as he tried to read me for an answer.
I let out a sigh, giving him a small smile. "Always."
"Who or what?" Noah prodded further, leaning in with interest.
"Ghosts, demons," I joked, trying to lighten the mood. "And people too."
We shared a laugh, our voices blending into a beautiful melody that I never wanted to end.
"I left everything behind - everything I've ever known," I began, but turned my head away to avoid his gaze.
I took a deep breath before admitting, "My parents were killed when I was thirteen."
Usually, people would immediately apologize and offer their condolences, but Noah remained silent, letting me continue.
"After that, I bounced around different foster homes because no one wants to take in a teenager."
Noah hummed, encouraging me to keep talking. We strolled down the sidewalk, passing houses as we neared my own. I couldn't help but stare at it as we passed by, but I quickly focused on the path ahead.
"Unfortunately, I fell in with the wrong crowd and ended up involved with some really bad people who only wanted me for what I could give them," I said with a hint of bitterness. "But I worked my ass off to get out, and now I have my own place in an entirely new part of this earth."
I smiled at the brunette, feeling grateful for his willingness to listen. He returned the smile and gave me a knowing look, almost as if he understood.
Noah's attention turned toward the houses we passed. His gaze was intense as he scanned each one carefully.
"Sorry for dumping all that on you," I said with an uncomfortable laugh. "I don't know why I just told all that to a stranger."
He shook his head, a small smile playing on his lips. "We're not strangers anymore," he said. "More like acquaintances."
I felt reassured by his words and couldn't help but ask about him. "So what about you? You seem pretty mysterious."
Noah fell into silence, his brows furrowed in thought once again. His gaze scanned the grass intently as if searching through memories. Eventually, he turned back to me with a small grin.
“I’m…just Noah,” He said; but as I stared into his eyes, devouring his soul, I saw that he was much more than that. His eyes held a depth of emotion that hinted at hidden truths and untold tales. But I didn't push. After all, we had only just met.
"Well, 'just Noah,'" I said with a playful smile, "I'm glad our paths crossed today."
He returned my smile, his eyes crinkling at the corners. "Me too. More than you know."
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chapter two
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Tags: @crimson-calligraphyx @lma1986 @spicywhenspeaking @sammyjoeee @shilohrosechicken
@princessmarshmallowx @laurpartyprogram @cookiesupplier @nojoyontheburn @lacktoesandtoddlerant
@veronicaphoenix @er3nslovergirl @cncohshit @scrumptiousfestivalpost @melcchs
@flowery-mess @mentallynot-here @judging-from-afar @darkmxgician @badomensls
@hoe-for-daddywise @philomenie @xxkittenkissesxx @venturethroughtheveil @thefallennightmare
@blend-in-with-the-madness @reyadawn @deathblacksmoke @Anameunmusical @sitkowski
@anything-more-than-human @into-the-grey @amelia-acero @rumoured-whispers @artificialbreezy
253 notes · View notes
lurkingshan · 11 months ago
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I've been in multiple tumblr fandoms over the years and the same shit comes up over and over again wrt arguments about how we all engage with our chosen media on here, so here are a few things to keep in mind that have helped me along the way:
Not everyone is going to engage in the same way as you, and that's good, actually. Some people are purely here to gush over the things they like. Some people are here to do deep analytical breakdowns which will include criticism. Some people are cheerleaders. Some people are haters. A lot of people are a mix of both depending on what they're talking about on any given day. It's all good and valid, and it's what gives this space variety, allows us to learn from each other, and keeps it interesting.
The filter, unfollow, and block functions are your friend. If you love a mutual but hate the volume or the way they talk about a certain thing, just add it to your filtered tags (relatedly: tag your shit so people can filter you when needed!). If you consistently don't vibe with the way a person chooses to engage on here, just unfollow them. If you find them actively offensive or detrimental to your mental health, hit that block button, baby. We are all anonymous internet strangers and no one will die.
Someone expressing a different opinion from yours is not a personal attack on you. If someone hates a thing you like, they are not calling you stupid for liking it. If they love a thing you hate, there's nothing wrong with them, they are just taking something different from it than you are. That shit is all about you and your own insecurities, don't try to put it on them.
Vague posting is rude. If you want to directly respond to something someone said to get better clarity about what they meant, reply to their post or shoot them an ask or DM and talk to them about it. If you simply want to express a counterpoint without directly engaging them, just post your own take without vaguely alluding to them and building what is almost certainly a strawman of their original point. People you're vaguing can see you on here, folks. Don't be a dick.
Credit and reblog other people's ideas when you are building on them, and be kind to the creators who provide the artwork that make this place so special and unique. Reblogging is the lifeblood of this website. It's the only way people get to see content that is by anyone they don't follow, and the gifmakers on here in particular put in so much time and effort to give us beautiful images--share their work and tell them you appreciate it! You also don't have to agree with every single word of a meta post to reblog it (why would you expect to, it comes from a different brain than yours), and you absolutely should be crediting people and sharing their words when they sparked something that inspired your own thoughts. This is just being a good community member.
Embrace the difference between meta and fanwanking. Meta writing is analysis of the actual media content as it is presented, with arguments based in the canon text. Fanwanking is doing your own work to fill in gaps or create headcanons to supplement the canon text. Some people prefer content that leaves a lot of gaps because they love to creatively fanwank; some people prefer to be told complete stories without having to do all that extra work to make them make sense. These are both very cool and fun ways to engage, but when you're fanwanking be aware that those ideas are all coming from you, not the actual media being discussed, so others might not vibe with your interpretation.
When posting your own opinions, try to be clear about where you're coming from and why. If you have a personal experience or bias that is affecting your read, own it. If you're looking at a piece of media from a specific angle related to your own interests and learning, say that. It helps other people to know where you're coming from and why you're thinking about something in a certain way that can then help them puzzle out why they feel differently.
You don't owe anyone your presence here, and you don't have to express opinions on everything or respond to tags or asks if you don't have anything to say. Sometimes you might just want to take a break from posting, some things in the discourse might just flow right on by you, sometimes you will not have a firm opinion on a debate. You can post as much or as little as you want. You can suddenly decide you don't want to talk about a show anymore. You can not log into your tumblr for days or weeks at a time. Do you, boo!
Most people come to tumblr because they do want to engage with others, and this place can be a lot of fun if you just take what you need from it and let things that aren't serving you go.
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