#the rewrite isn't a fic and and it's not exactly an adaptation... but it's certainly not your average poto story! ;)
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Marc Snuffy: the one who's in control
my Snuffy & Lorenzo fic using this characterization
Snuffy is the epitome of the word 'control'. From his motto to the use of his body with its perfect, calibrated balance on the field in the form of jiu jitsu (elements of which were also utilised by logic genius Sherlock Holmes in Conan Doyle's fictional style).
Snuffy controls everything from the individual strengths of his players to their place in his strategies, while also building all of his logic on a solid, confident base: for example, when constructing his team at Ubers he goes by the club's tradition and builds it on defence rather than attack. Even Lorenzo was raised by him to be flexible and adaptable (and most importantly, with the understanding that the most important thing is not to win, but to live), which can be seen in his attitude to the game - both serious and entertaining at the same time. And capable of accepting both losing and winning with dignity.
He controls even personal relationships, clearly defining the conditions for both sides, their benefits and losses - where it would seem that there should be no room for formalities. And if about Barou this could be hardly regarded to the football, then with the starving Lorenzo everything is a bit more complicated.
And I think it's obvious to everyone that this not entirely healthy level of control, going far beyond the boundaries of dedication, grew out of his trauma from Mick's death and their failure.
It's evident even in his relationship with the characters closest to him, Lorenzo and Barou. Through them both - two people so similar to Mick Moon (Lorenzo in appearance in his homeless era, Barou in both appearance and personality) - Snuffy recreates his trauma in an attempt to rewrite it with a happier ending. The kind of thing that Barou gets a glimpse of and is rightly angry about.
Of course this is hardly fully realised, only partly - in life, for example, kids who were bullied in their childhood sometimes become teachers. And then they stop the bullying near them as working adults, giving the new kids the happy ending they once deserved. And that's exactly Snuffy's case: he saves his players from a fate he himself couldn't avoid. He's willing to keep them as safe as he can control, growing them in almost hothouse conditions, which is exactly what Barou hates. So much so that he's easily willing to take the blame if they fail.
But at the same time, which makes perfect sense for such a person, Snuffy hates it when things get out of control, especially when there is deliberate sabotage - which is actually what Noa is teasing him about. I'd even go so far as to say that Snuffy is the kind of person who can only focus on a far-reaching goal by completely ignoring the unimportant things along the way - for example, he saved Lorenzo's life, but it seems they never talked about the fact that he didn't have to play football for Snuffy to love him, and that "worth" of his isn't that important.
Remember how Snuffy reacts to Barou's attempts to get out of his control and break his patterns: he's full of cold fury. That look is far scarier than shouting and punishment.
Because through Barou's prism Snuffy sees both his and Mick's paths. And most of all Snuffy is terrified of falling back into that helplessness - when he wasn't prepared for the event that broke his life in two. An event over which he had no control.
But it would seem impossible to be prepared for such an event. It's like a natural disaster and a terrorist attack - it's something that tears the usual fabric of life apart.
But when has that ever stopped anyone, right?
So Snuffy, in the moment of tragedy that destroyed his past, felt that he had a duty to anticipate everything. He had to know how and where to act, find the right words for Mick, save the careers of both of them, and basically hold the world on his shoulders so that it wouldn't break them apart.
It's terribly cruel and certainly unfair upon himself - but that's the way trauma works.
And that's why the journey he takes with Barou's help is so satisfying and liberating. Blue Lock does show overcoming one's traumas and chains visually and vividly very well - and how, with Barou's help, Snuffy was able to transcend his limitations, rising like a phoenix from the ashes, is perceived both visually and consciously, because it's relatable.
Because a person who is able to prepare for everything, to expect both loss and failure in advance, who knows exactly all his skills and advantages....
...also clearly sees the limitations of his body and mind. He simply cannot go beyond them - because he controls himself so much that he unwittingly limits himself, almost self-sabotaging - just to stay on predictable, familiar ground.
Logic is incapable of improvisation.
And this is what Barou is talking about - and what he teaches Snuffy anew, re-igniting his desire to live and play.
He shows Snuffy again that both life and football are made up of unpredictable moments - those where you are happy that something unexpected has happened that you weren't waiting for, those where you amaze yourself by going beyond your limits, those where you are happy and at the peak. Those where you need logic, but where you can't build your victory and happiness on it alone. Because happiness is in illogicality and unpredictability.
These moments are the things a person's destiny consists of.
The moments that Mick Moon lived for.
And the moments for which Marc Snuffy survived and rose again.
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Hey there! I was wondering if you tell us all again about your rewrite, as I am sure a lot of folks missed your original post. It’s such a fun idea that it would be sad for other people to miss out! Cheers and happy writing/drawing ❤️
thanks so much! i'm so glad you love it! ♥
the rewrite is basically my version of poto! i came up with it nearly a year ago as a way to have more eristine moments and a happy ending for erik, but it's blossomed into so much more than just an idea! :D
some might say it's a fic, but it's not really based on one version of poto. it's a blend of various adaptations! poto soup if you will ;)
phans will certainly enjoy the rewrite since there are a ton of references to so many adaptations! from the big bois like the book, musical, 1925 movie and susan kay's phantom to smaller ones like the mini series, the 1943/62 movies, love never dies and freddy phantom to tiny tales like ghost on the roof, phantom heart, journey of the mask and maskerade
some references are obvious like song lines from the musical (christine wanting to see the beauty underneath or whispering to her papa's grave, 'i wish you were somehow here again'), erik calling himself 'poor, unhappy erik' and raoul being on the naval borda ship like in the book, eristine having a picnic like in the mini series, erik having opera props on the wall like in ghost on the roof and masks from other adaptations being shown during the masquerade
others are super subtle like raoulstine reuniting on april 14th (the only thing i could pull from that lost 1916 movie das phantom der oper), walter plinge being a pseudonym from maskerade and cecile thinking the opera ghost is a canary (as 'the canary trainer')
and of course it wouldn't be a poto story without references to the creator, gaston leroux! manager armand is a fan of le gaulois, the paper that poto was originally published in, christina nilsson is name inspiration for christine (just like irl!), the maiden name of christine's mom is leroux (but they're not related probably) and-
...well let's just say there are a few neat cameos in store ;)
as you can see, it's a love letter to poto with original twists! (like the story taking place in 1888 and erik & raoul becoming friends (now there's an adaptation first!))
but the rewrite isn't just a bunch of references and weird coincidences, it's a story with a bunch of amazing characters! ;D
the rewrite trio (christine, erik and raoul) are based on multiple versions too, but they've really taken on lives of their own
christine is shy and steadfast with a heart full of kindness, erik an awkward yet witty stringbean (not your typical phantom although he has his moments...) and raoul is a caring, optimistic lad with a love for the sea! :D
just like with the references, there are a ton of other poto characters in here like meg, madame giry, nadir, ayesha, carlotta, piangi, sorelli and cecile (two ballerinas from the book) oroyeso (a mini series guy), carlous fonta (truly the most underrated poto character ever!), caesar the horse, madame valerius and of course good ol' daddy daae :)
the story mostly takes place in palais garnier (the lake isn't as magical as other adaptations make it, but it goes far beyond the opera house! from bois de boulonge (book reference!) to the mazarine library and even the village of giverny, it explores the world of paris like never before! (and there's an eiffel tower cameo of course)
the plot of the rewrite is mostly the musical with elements of the book and mini series. there are plenty of original plot lines, though! ever wanted to see christine be roommates with meg, explore paris with raoul or do adorable things with erik besides singing? the rewrite's got it all and more! ;D (it's a very eristine heavy story but there are plenty of raoulstine moments... and who she ends up with is another reason why i started the rewrite)
but the rewrite isn't just one story... just like with my original stories, i've planned out short stories and mysteries that take place after the main story ends. this is just the beginning! ;)
at the time of this ask, the rewrite is 347 pages long (certainly the longest story i've ever written!) with 24 chapters (only 4 chapters left to write!). when i started it, i thought it would be a little thing i'd share on tumblr, but it's a bit too big for that now! i've shared multiple parts from it tho, which you can find here. i have no idea where it'll go when i'm done with it besides in a folder with my other finished stories, but i'm hoping it'll be published someday. who knows? it could be the next poto adaptation wink wink! ;D
it already is in my heart ♥
#ask#i don't think i've ever properly introduced the rewrite! :o#i've just thrown stuff out there and shared things from it#this is a nice intro to it all! :)#the rewrite isn't a fic and and it's not exactly an adaptation... but it's certainly not your average poto story! ;)#the references section is a bit long but they're a big part of what makes the rewrite special#it's truly a love letter to the tale gaston leroux created and the countless stories it inspired! :)#poto rewritten
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