#the rendering isn't perfect but im still learning

[galacticrain]

I started this piece playing around with color theory and somehow ended with a nicely rendered drawing of Solstice and Echo

[studioboner]

Hi! I actually am wondering about trying watercolors for the first time but feel a little anxious haha.. how you go about drawing on the paper with confidence? Like, watercolor paper isn’t exactly cheap. I think I got the cheapest one avaible from Canson but still the anxiety is real… do you pick very light pencils like 2B so you can sketch veryyy lightly, or before sketching on the paper itself you do a planning sketch in another paper?

Im asking this cos I really love your art and it’s so cool that it’s mostly traditional! And the way you draw Tails is too adorable and consistent while being in your style, it always feels like you have confidence when you draw him.

oh i think this is gonna be a long one

all in all?i have the same anxiety as you. but i've confidense that i can make something good sometimes, but not that i will get it right every time. So i keep trying, but heres some stuff that helped

a warning though, i keep going on and on in this reply and can get pretty negative at times

my watercolor paper i use costs 2 dollars and has 20 sheets so that's 10 cents per sheet. which i feel helps with my anxiety... it's the canson multimedia block too, 140 msg .....

watercolor sketchbooks i'd find online were around 80 or more BRL, and then 20 BRL shipping.... that's 20 USD in total...

but a block of this plus getting it binded costs me 4 USD.....so i think that one [price] helps alot lol.....

as for the confidence.....

i've had enough time to do quite a bit of trad art, specifically ink and watercolors so im USED to the material and now quite as scared to "mess up" as when i first started it.... [hint, i still am] this is one example of a sketch page, they vary in size, and how "done" they are... i dont really worry too much about maintaining a rule of "everything in this sketchbook must be fully rendered " bc it ended up stunting my creativity

i did try the "sketch it onto a sketchbook and then pass it to watercolor paper" approach and tbh...? not really my thing... i've found that to me the first sketch always end up being looser than when i pass it on... i'm always more focused on getting the flow, composition and pose there than i am getting the right details or right lines or colors etc....

like this one, im more happy with the sketch, it's mroe dynamic, mroe fun

i DO sketch stuff on cheaper paper first when it's for trad art commissions though, just bc there i HAVE to make sure the client is getting what they asked

and i do use 2b pencils AND a "soft lead" mechanical pencil, btu tbh it's mroe bc of the feeling of it on paper than for the look of it...

here for example you can see the circle i used to have a basis on where tails would be.. i didnt erase it as i continued painting bc tbh it was just the sketch. i ended up liking it tho

i actually got quite MAD and angry at myself recently bc i noticed how much my sketches were looser in the sketchbooks when i did try the passing onto watercolors thing and i had a full on discussion with a fellow artist about daring myself to be bolder in the future, it has been working well

I sadly have to say though, that figuring out how to build confidense is more of a personal journey, and i cant claim that what worked for me [trusting my first sketch] would work for you.....

It's time, practice, trial and error....

OH, one thing though that DID help me. is:

-There's no art wasted, even if it doesnt turn out how you wanted it, you still learned something.

-Makins these personal art/fanarts isn't some school paper you have to hand it to be graded and then not get it back. You can re-do a piece as many times as you want until you get it right! I have quite a queue of pieces i plan on re-doing in the future bc i didnt like the first ones i did. im not perfect on confidence and i get scared of fully committing to drawings alot, many of them are pale not for choice bc bc i got scared of making my art too saturated and overworking it

i am about to get negative now so stop reading if you dont want to see that.

HERE NOW i's a alot of pieces i made that im unsatisfied with and plan on re-doing one day: too dull, simply way too watered

which led me to make THIS piece and do better colors

i hATE the way i did the lineart here. it's boring, the anatomies are wonky. it's a good concept but i didnt excecuted it as well as i wanted. but this piece has made me just go and try inking MORE so i could make up for it

which lead to this piece here eventually

This one here.... the colors look so muddy it just makes me SAD, bc i had been so scared to use high saturation that i went with the muddier colors by choice, if i had allowed myself to experiment i wonder how happier i'd be about it

which led me to make THIS piece with softer in value and more saturated colors

The colors and blending of this one are too soft and not bold enough for what i had envisioned it, i made it as fanart of a friends fic and it made me feel like i failed my friend and insulted her fic when i finished this. I dont think the piece looks bAD, mind you. i know it looks cute. and good even. But i had such high hopes for it.

which led me to make this one

THIS ONE OH MY GOD HOW I HATE IT. sonics expression is SO creepy hes like a horror movie weirdo , honestly not my best work when it comes to anatomy

so i've been doodlin sonic now and then as practice so that i could make this one eventually

The perspective on knuckles could be better and the characters look out of place on this scene, the background is ok

but in this piece here i was able to get a better harmony between colors, background and whatever sparse linework i threw in

Theres so many more haha but i'll stop for now....

Dont get me wrong i dont ACTUALLY think those pieces are HORRIBLE horrible,,,, i see the flaws in them yes, but theres always something i like too, and i know people like them, and that people wont throw away a whole piece over one small detail that in the end doesnt even affect the overall thing....

i've just been getting into the headspace of "ok. at least this one is done, onto the next"

plus the whole thing i told you of realising my first sketches are looser....

sorry im not too good at talking about this and my points arent very clear, i dont think this is going to be quite the help you expected it to be because the truth is that the struggle with your art is soemthign that doesnt go away no matter what skill you have...

at times to me it feels more like a mentality practice than skill, reasurring myself that it's ok to get it wrong and try again, etc etc....

i used to go to therapy and one of the things we talked about was my perfectionism, how i used to be so scared to mess up a piece. that i wouldnt even start, and wouldnt draw for months. this has been going for years now and hey i've gotten better.

but..... yeah im in the same boat as you.... except mine is no longer just about the paper quality!

Sorry this got so personal now, i hope that this hasnt killed your hopes on getting better at the anxiety. it does get way better haha... trying to force your brain to not judge yourself so harshly is half the battle in my opinion, the practice of drawing is the other half....

good luck i hope you have fun painting, i know i do, i love the process even when i dont like the result, good night and thank you for the question

[perilus]

Im 16 my life is worthless does it get better ?

Hey there. I'm so sorry to hear you think that, but thank you for reaching out. When I was 16 (I'm 22 now), similar thoughts crossed my mind, but trust me when I tell you two things- I promise you, your life is not worthless, and yes it gets better. Keep pushing through. I believe in you. You deserve to take up as much space as you want to, be as loud as you want to be, and try as many things as you want to try.

Purposelessness haunted my thoughts when I was 16 too. Sometimes it still does. Society pushes a lot of pressure on us to live the "perfect" life and to prove to others that you do. Sometimes I find myself jealous of other people who are moving at a faster pace than I seem to be. But this does not render me worthless, and neither does it you. Everyone at their own pace. You will figure it out.

In the meantime, I'll give you some examples of how I've developed myself as an individual so far. (I don't have it all figured out; this is just what I've done to boost my sense of worth.) I hope you find it helpful:

Build a list of things you are passionate about. What sets your heart on fire? What do you find yourself doing that keeps you up late into the night simply because it sparks your curiosity? For example (me), those things include writing and listening to music, learning my instruments, reading books, writing poetry and ideas down, etc. This isn't even a career-oriented question, okay? Just write down what you genuinely like to do.

Build a list of people who inspire you, people you want to be like, or people you just find interesting. Whose interviews do you find yourself watching all the time, just for fun? Whose opinions do yours align with? Whose writing do you read? For example, my list of inspirational/interesting/cool people include Franz Kafka, Shakespeare, PJ Harvey, Peter Steele, Syd Barrett, Jim Jarmusch, Tom Hiddleston, many others. Then, try to figure out why you like them. Take note of what characteristics they embody. Take note of what is so special about their writing/music/quotes that make you feel so understood.

Build a list of characteristics you want to encompass. Or if it helps, build a character and show up as that person. What aspects of your personality do you want to bring to the forefront? What are your notable traits that you have already that you are most proud of? How do you want to dress? Who is your strongest you? Describe you in the way that you want to be seen. Then, try to show up as that person every day forth.

If you want to hear more about anything I've listed above, please don't hesitate to reach out. Ask me anything.

I hope this helps a little.

Love,

Tina

[artfightdramaconfessions]

the 3d model thing is so stupid tbh. I gave up on trying to perfect my anatomy without the use of models a year or two ago because my short term memory is so shoddy that looking away from a reference for literally a second to look at the position of my pen will render my mind completely blank. I draw because I enjoy making my ideas visual, not to gain skill, so why not use all the tools at my disposal?

besides, using 3d models effectively is a learning curve in its own right. just because it's not a ~traditional~ drawing skill doesn't mean their isn't effort behind it. I get the rule is probably put in place to try to stop people from putting out insane amounts of attacks but I spend just as much time positioning as I see other people sketching so like. whats the point. (and I KNOW there are people out there not using 3d models pumping out like 10 attacks a day. reeks of pre drawing but honestly I dont give a shit if that's the case either. its just a game).

anyway. im still going to use them for art fight. as long as I dont brag about it on social media with my username attached or make any enemies that know I use 3d models I should be fine. sucks that I have to treat it like a dirty little secret both on and artfight tho to avoid getting accused of being a cheater.

[coolspacequips]

How do you draw natural hair???? I can't find a solid reference that isn't just "draw individual strands" or "make blocks and nothing else"

omg thats a tricky question, tbh, anon!!! and also tbh this answer got longer than i expected... i dont rly have the Art Language to rly teach anything v well so uhh i just threw a bunch of stuff in here

ive never made a tutorial, and i dont rly have the time to do one atm, but HERE is a pretty decent one i see floating around from time to time, and HERE is one that loosely goes over some dos/donts of drawing black features, and mentions hair as well. theres a particular one i think is rly good that i cant find, unfortunately, but oh well

the first guide i linked gives a pretty neat rundown of a few things to keep in mind, namely:

texture types

hairline!!

lighting

colors/undertones

just like w straight hair, the first thing to consider is the hairline and HOW the hair falls, which may seem intimidating bc of the natural beautiful voluminousness of black hair, but rly isnt as hard as it seems. 

i think ppl are often intimidated by learning to draw curly hair out of this feeling that they have to render each strand/curl and flyaway, but when ur doing art youre trying to CONVEY something, not render a picture perfect image. you can translate the curl, volume, and texture of hair without fully rendering it, the same way that u can translate the swish and fall of straight hair without having to draw every single strand, but ya, you cant rly draw ‘blocks’ with no nuance or defining features and hope to communicate the same thing

it might be useful to kind of envision it as drawing layers. like, the way that you wear layers of lace and crinoline to give size and volume to a skirt. this applies for rly picturing most styles, but w curly hair in particular its a good way to imagine how/why the volume builds the way it does

this is just a scribble to illustrate my point lol, but u wanna get the shape and stuff down!! when its shorter, it sticks up into those cute, curly afros and bobs, and when its long it gets heavy and the curls tend to droop down more. btw, shrinkage refers 2 the way that ur hair shrinks up from the curls themselves, so keep that in mind when it comes to the hair length that youre drawing, also! if the girl i drew had wet hair, itd probs go to the middle/bottom of her shoulder blades, despite being shoulder length when curled

ur best tool is reference! look at pictures of black hair in different styles. its like, the most versatile hair in the world, u can curl it and shape it and braid it, hell, afro textured hair can be sculpted into just about anything, broaden ur scope of what you think black hair can be!!! and dont just draw sleek 4c ringlet curls and call it a day!! also, get more comfortable drawing the shape of a bald head, dont hide behind hair. itll help you draw all hair and features better, but especially will help w faded styles, braids, and of course shaved heads

reference doesnt have to just be pictures, tho, bc it can be hard to know where to start. look at how other BLACK artists draw black hair, and take note!! focus on what they thought needed to be included to get the point across, what silhouette the hairstyles have, where they draw curls, where they draw parts in the hair, how they highlight and what shapes they make. give braids and locs a try-- its not as hard as it might seem, but it takes practice to get it right!!

if u have a more realistic style, its def worth getting further into the nitty gritty of just how all of those curls come together, im just talking more about the shape and how it translates in a p basic way, especially since i have a more cartoony style afiowejaioej im also still learning!! 

im sure u have all seen asieybarbie’s stuff floating around on tumblr thru the years, and she is one of my Big Inspirations when it comes to drawing varied black hair AND skintones (which she has a tutorial about lol), and HERE is a little sketchpage she posted once that has a small variety of both. some are more rendered, while some are big blocks of color broken up by highlights and loose curls on the edges to define the shape of the hair, and note w the locs how u can see her scalp between the parts in her hair

if u have a simple or comic style u can still convey black hair, either as a block of shape w defining features, or by drawing out the texture of the curls and strands, like this

(first two are old, finished comics lol, and hey look 2 black wlw!!!!! tiger tiger is something ive been working my way thru, but is recent, ongoing, and cute and funny and inspiring lmao. notably tho none of these are black artists :c ive been out of the web comics game for a minute and tiger tiger is the first one ive read in a while lmao)

***its girlswithslingshots.com, made a typo!! 

also when i think mainstream comics, the first character w natural hair that comes to mind is my wife gwendolyn from saga who i couldnt not mention

on the left her curls are more rendered, its cover art, notice how the light hits the curls and the way that they curls end, which is simplified to the right image a lot of the time in the main body of the comic!

and idk ive said too much already, but hopefully that helps!! im just kind of rambling at this point lol, but research and reference and practice are rly the best thing, and looking at other art of respectfully portrayed black characters