#the only way for me to be productive is to work myself to death!!

[mikeru-funzies]

would have rebloghed this if I could find it but

(rant in the tags)

[sherlock-is-ace]

.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[vasquez-rocks]

i know most ppl haven’t seen it yet but wanted to write something abt how annoyed some of the critical discourse abt I Saw the TV Glow is making me. MAJOR SPOILERS below the break, be warned!!

so idk i’ve seen so many reviews of the film positing that it’s about the dangers of obsessive fandom and overidentification with fictional characters, esp vis a vis real life self-actualization/coming out. (like, essentially every review has some of this in it, from what i’ve seen.) and, like: i don’t think that’s wrong, but i also think it’s massively underselling what schoenbrun is doing here. the metaphor of the show’s bleed-over is so smart because works in both directions at once.

like, in one direction: when maddy asks owen to come into the show by burying himself alive, you can read it as her asking him to abandon his real-life responsibilities, and the material facts of his real life body, in favor of a fantasy life where everything is already fixed. she’s inviting him to skip over the hard, messy work of transitioning and to sink even deeper into the analgesic obsessions he uses to numb his dysphoria. in this interpretation, it’s, like, the equivalent of overprioritizing “transition goals” instead of actually medically/legally/socially transitioning if that’s what you want, living forever in the ideal instead of taking difficult steps to change the material. (also, uh, if you don’t think she’s literally correct about the nature of reality, she is in fact asking him to kill himself. there’s that.)

BUT! it also works the other way. when maddy tells owen that the show is real, that their lives are just the buried dreams of dying girls in another life, she terrifies him by confronting him with something he’s always known about himself: he was supposed to be a girl. what she proposes is radical, dangerous, seemingly unhinged, and based on a childish fixation: all the things scared closeted trans people worry transition is, basically. on a more figurative level, too, the feeling she’s telling owen is real – that his real life is just a dream within a dream, that his home is not his home, that he belongs somewhere else, that he is supposed to be SOMEONE else – is something so, so, so many closeted trans people have felt before, myself so much included. when he sobs in the shower, yelling “this isn’t my home!” at his dad, i felt a sense of identification stronger than i’ve almost ever gotten from art before. when maddy finally calls him isabel, it’s the gentlest thing i can imagine.

in this read – which i do love, while thinking the other one is simultaneously true – it’s less “come sink deeper into delusion with me instead of dealing with your own life” and more “it’s going to be terrifying, but that childish dream of being a girl you once held wasn’t childish, and it can be real if you’re courageous enough.” he says he runs away from the football field because he thinks maddy’s not mentally well; it takes very little analysis of subtext to figure out he’s running away because he’s afraid of how much he wants what she’s offering. and, of course, the idea of the visible world being an illusion laid atop the world in which one is one’s truest self is a classic trope of trans cinema going all the way back to the matrix. (also: while i’m pretty death-of-the-author-pilled in most media analysis, it kinda seems like schoenbrun themself has interpreted the film in this way, as they’ve spoken at length in interviews about how, to them, transition felt like asking to be buried alive.)

all of which is to say: i think the film IS commenting on fandom, obsession, overidentification, and the ease with which queer people can sink into art as a way to dissociate from real life. but i think it makes the film so much more cynical and so much less tender to treat it as the ONLY read of the film’s relationship with the pink opaque. art, especially the sort of slow, metaphor-laden art schoenbrun makes, is best when it is complex and productively contradictory. the pink opaque is a problem, and an escape, and a fantasy, and it’s real, and one day isabel is going to wake up.

[taffywabbit]

"why not just make your own website?"

with the announcement of cohost's death and amidst all the other tumultuous shit currently going on with social media as a concept (i am AMAZED twitter has survived this long given the circumstances), one suggestion that i've been hearing a lot is "we should just go back to the good old days of personal websites. let's all just make neocities pages!!"

(this is gonna be a long one sorry)

and like. idk! it's certainly something i've considered, i think it would be a fun thing to have, but it also feels like the equivalent of "capitalism sucks so let's all just run off into the woods and live in a cabin outside of society" to me. like it would be nice, it would be fun, but it doesn't ultimately solve the actual problems that are present with the modern internet, it just evades them. more importantly in my case and many others, it does not really help people who rely on the modern internet and the connections they're able to make there for their income. sure i can make a website and host my art and blog posts there, but who's going to see it? i can't build a consistent audience and make a living off of random passersby who peek at my website once, say "huh, neat!" and MAYBE add it to an RSS feed or whatever if they really like it. there's minimal potential for meeting and impressing new people outside my existing circles if i don't ALSO still have some manner of social media platform to promote the website on.

a lot of the "solutions" i see people proposing for the slow, painful decline of social media as a user experience keep coming back to old-fashioned, more isolated/insular systems. we miss forums, we miss personal webpages, we miss newsletters, etc etc. but like... those things were ideal in the "old web" because the old web was more about sharing hobbies and interests with whoever happened to pass by and check them out, and even just USING the internet was a niche hobby in and of itself for a lot of people. if you wanna be kinda cynical about it (and not unjustifiably so), web 2.0 is much more blatantly business-oriented, and its algorithms and carefully crafted UX's are primarily meant to funnel you towards viewing ads and spending money on products. looking at it that way, it sure does suck and Everything Was Better Before! but the modern web is ALSO more powerful than anything before it for just like. connecting people. spreading information and news. showing your art/music/writing/thoughts/etc to strangers who never knew you existed an hour ago. putting the tools to reach out to someone and tell them you think they're cool right there on the same website where their art is hosted, just a comment or a message away.

if you're able to avoid patterns of engagement-bait and obsessing over follower counts as a measure of self-worth (a big "if", i realize, but i view it like installing an adblocker - it's just kind of a basic prerequisite for modern internet safety and survival), a lot of these systems can genuinely be really positive and life-changing in ways that were simply not possible 20 years ago! almost all of my current closest friends are people I met through sharing our art on platforms like Twitter who were complete strangers at the time. all of the art clients that regularly pay my bills and support my work came from places like that too! the "social" part of "social media" is really what makes it ultimately worth keeping around in any form, and makes the pursuit of a Good social media platform still valuable.

there's a lot to love about the old web - its aesthetics, simplicity and freedom for personal expression - but every time someone says "just delete your socials and make a personal website" i am forced to confront the fact that i could never do what i currently do or be the person i am on the old web. if i was stuck hanging out in my own little space and only ever interacting with people who openly and loudly share my interests, i couldn't support myself with art full-time, i probably would never have met the kind and quiet strangers who are now my best friends and have made me who i am, and i'd just generally get a lot less insight into the vast range of experiences and perspectives that exist outside of my own. my life would be on a fundamentally different trajectory in countless ways without the advent of web 2.0.

and that's not to say "well twitter and facebook and tumblr all suck but you kinda still have to hand it to them" cuz you don't, obviously. they're corporations, and their job is to take the personalities and thoughts and art of the people who use their products and try to scrunch it all into something uninform and marketable that generates profit and pleases their shareholders. but like, you CAN still make a good thing out of them! these websites are tools just as much as geocities or myspace or IRC used to be. and the one thing these newer tools are pretty much all REALLY good at is discoverability. if you're just a hobbyist at the things you wanna share on the internet, then you likely don't have a lot of use for those tools, and perhaps you WOULD genuinely be happier just keeping a personal blog site or hanging out in private groupchats or sticking to specialized federated Mastodon instances or whatever. it just isn't feasible for me, and there are a LOT of people in my same situation. my entire industry of online freelance artists barely existed 20 years ago, and the web culture of that era is largely incompatible with my continued survival in the mid-2020s. i would LOVE to run off and live in the woods in concept, but all my survival skills are adapted for city living and i would just eat the wrong berry and die out there. i want- i NEED people to try and improve the spaces we're in, and support better forms of social media (like what cohost was trying and largely succeeding to do!) instead of just complaining that it all sucks, everything was better when we were kids, and digging ourselves little holes to hide in. much like all the other problems and frustrations and systemic issues of the world we live in, the modern web isn't going to go away if you just ignore it, so we may as well try to make it better for everyone.

anyways tl;dr i probably WILL make a neocities at some point. it could be fun, even if it doesn't help my career stability or whatever. but i do also need ALL THE SOCIAL PLATFORMS I USE FOR MY JOB TO STOP EXPLODING PRETTY PLEASE, and failing that, some actual half-decent alternatives that aren't going to fizzle out in a month would also be great thanks ✌

[your-unfriendlyghost]

dally studies

Was doing some studies for a comic, and I like how these turned out- pretty simple but kinda cool I think. Nothing fancy, but figured I’d post them anyhow

idk, Dally’s such an interesting character to me. I hated him the first time I read this book, but then the second time I nearly teared up at his inevitable death.

He’s an ass, and if I met him in real life I’d despise him- but then he’s got so many traits that I genuinely do admire and sorta envy. (Hell, I even kind of envy some of his bad traits due to my own social conditioning. I’m working on that.) He’s a product of circumstances and in some ways I see myself in him, but he also consistently chose to continue being a bad person. But he wasn’t all bad, either, which I guess is the point…and idk, I wish he could’ve seen a sunset, but then I don’t see them all the time either so who the hell am I to talk.

I dunno, I could talk about him and really ALL the characters in this book for hours and still only scratch the surface, so I’ll leave it at that for now.

still do think he deserves to be shoved a few times though

[just-null]

YO, SUPER LATE SUPER LONG SUPER MESSY OCTOBER POST THAT I JUST SHOVED EVERYTHING INTO BC I DIDN'T WANT TO DO MULTIPLE. FUCK IT.

I forgot halfway that these were supposed to be costumes and not mini aus... SO REMEMBER IN MY PLACE, EVERYTHING IS HYPOTHETICAL. also. some have a bit of yandere elements to them bc its SO FITTING FOR NORITOSHI.

Happy late October, everyone. it's winter now. Let's get it, baby.

[Long rambles and doodles under the cut!]

Vampire!

I kept asking myself, "How sexy is too sexy.." and "How the fuck does a sexy vampire even look like without it being a shirtless guy w fangs or Edward Cullen....." I think I figured it out

Sure, sure, vampires are superhumans with sun allergies that can drink blood really hotly. They can also easily overpower you to feast and blah blah blah, but what if said vampire (Noritoshi) was too weak to do any of that? Not literally, but he craves your say. He wants not only your blood but your affection. He wants to get praised as he drinks you in. Are you comfortable? How much will you allow him to take? Do you want to get him back in return? Guidance with this makes him feel more at ease. It's still Noritoshi at the end of the day. He's going to find a way to be a little awkward about you because of his crush. He refuses to drink from anyone other than you, even if it causes his death. Therefore, he has to keep you healthy! For the rest of your lives..! Besides, he can't really go outside or else he'd.. y'know. So if you think about it, this is a very beneficial relationship for both of you!!

The only downside is that you're losing blood on the regular, and for some reason, more people are moving away... Probably nothing, right? Noritoshi is always there to keep you company and help you recover anyways.

Witch!

my attempts also bled into the witch design.... you got greedy with requesting two in one ask, but I'll spoil you this time bc I also wanted to see Noritoshi as a (sexy) vampire and witch. heh. AND I DIDNT REALIZE HED BE SO CUTE AS A WITCH..... WHAT THE FUCK?? rip momo, fight for your title of cute witch...

Noritoshi strikes me as one of those witches who'd rather be left to their own devices because they're running some important magic whatever in the background. though, he'll take some breaks and indulge you if you insist on having him around. Insist meaning you pass by and strike conversation, leaving him to neglect anything and everything to prioritize his time with you. He doesn't want to use magic on you unless it's beneficial for either you or both. Noritoshi likes a natural progression with you that he knows for a fact is true and not some product of some spell. Though it doesn't mean he wouldn't use charms and such to get you to interact with him more often to speed up the process!

Can't sleep? He has a remedy perfect for that! Bad luck? Oh no, take a charm. Nerves? A potion he perfected will help you ease your jitters. Annoying peers? With a snap of Noritoshi's fingers, they're gone! Just don't ask what happened. Enjoy yourself instead and come to him with any new issue. He's quick to resolve it.

Definitely has some sort of doll that looks suspiciously like you.. Noritoshi would probably talk to it and practice one liners that give you the strongest sense of nostalgia once he uses them. He's simultaneously giddy that the charm he put in the doll works but also a little annoyed that his hard work isn't surprising you, but leaving you with deja vu.

Idol!

i was crying the entire time bc what does an idol look like.... noritoshi is handsome enough to be an idol without actually being an idol... now i can confirm that idols are very well dressed though. thumbs up 100% but i had some thoughts...

[Idol]

Noritoshi would be the type to cherish his fans, but hold clear favoritism over you. he'd be those idols that look cold, but they talk, and they sound smug in a charming way. i don't know much about idols, but i know he'd be so fucking good.... he'd be the type of guy to sing to you amongst the hundreds in the crowd.... ahhh the interviews w these famous aus. they're just talking and acting like themselves. can you imagine Noritoshi getting asked the question if he has a lover or not? he can lie, im sure you're alright with that, but he doesn't want to!! he does have someone!!! someone he loves more than all his fans love for him combined!!! he just can't say it for the sake of your privacy and his career. so Noritoshi does what any charming guy who's good with their words does. he deflects the question. answering the question, but not really, that'd be something he's known for. fans online are split on why Noritoshi does this. some think he's trying to keep that side of his life private, others think he's trying to mess around, and others think he's hiding a secret lover!!! though the last one is usually seen as the outlandish one, sometimes it makes Noritoshi's heart drop bc they get some things right. "Having a lover is a complicated question hidden behind a simple disguise. If I had to answer, I'd say my lovers are my audience. they make sure i'm well cared for, some more than others." AND HIS FUCKING LITTLE SMIRK I CANT COUGHS UP BLOOD. IM A THEORIST TOO. SECRET LOVER. 🫵🫵🫵🫵🫵

ON THE FLIP SIDE....

[Not an Idol]

An amusing thought where Noritoshi goes out in his casual clothes, and he's mistaken for an idol. No one knows who he is, but he just looks like he'd be one. bro's just trying to buy groceries, and now he has a fan group asking him to take pictures with them.. He'd tell them that he's just a guy, not an idol, but the group would still want a picture with him. it'd be a waste to pass by someone who's so naturally gorgeous, so with a sigh of defeat, he relents. It's just a photo, right? No harm done. Noritoshi'd go home and feel overwhelmed/embarrassed by the whole ordeal. later, he gets a call from someone in the kyoto group or you to inform him how he's all over social media, known as that handsome guy in the supermarket. HED BE COMPLETELY UNREACHABLE TO MEDIA OUTLETS BC NORITOSHI IS THAT GUY WHO DOESNT HAVE SOCIAL MEDIA.... he'd have to make one to make sure no one pretends to be him online. "Hello, I don't use social media, but I've been informed I've been getting attention online. To prevent anyone from being fooled by an impersonator, this is my official and only account. thank you." P.R. STATEMENT WRITING ASS.. his single post gets flooded with likes, comments, and DMs. it almost blows up his phone..... he was just buying bread, dude...... people try to dig up and find him through the other Kyoto group's social media.

[bonus] my second in command requested to put him in a fem idol outfit bc he thought it was funny. after frothing at the mouth and coughing out blood, I complied.

Doctor!

THIS IS SUCH A STRAIGHT FORWARD ASK BUT IT HAS SO MANY IMPLICATIONS. MY BELOVED CULT MEMBER.. THOSE EMOJIS GIVE ME A DIFFERENT IMPRESSION BUT IM NOT SURE.

Noritoshi as a doctor...... apple sales would plummet. his little clinic's business would skyrocket. sick cases would peak in his area. getting your heart checked by his stethoscope would be so fucking embarrassing bc all he'd hear is THUMPTHUMPTHUMPTHUMP

LIKE IMAGINE IF THAT WAS YOUR DOCTOR? BRO.

COUGH COUGH HACK WHEEZE COUGH COUGH.

Noritoshi would probably own a small clinic that he wants to expand. That or he opened one after working for a hospital for a while. He's a great doctor who's most likely respected but a pain in the ass to work with. Among patients, he's gotten the hot doctor reputation. Most want to be treated by him, but he's so professional, any chance of trying to flirt goes down the drain. Yeah, he puts his hair up to avoid it in his face even though his eyes are closed classic lab safety procedures. He seems like the type to have a soothing but authoritative voice during examination, so he gets his message across. it's a bit difficult when dealing with patients for Noritoshi. If he sees them too often, he firstly scolds you for not taking care of yourself, then feels guilty for not giving you the proper care. Keep yourself safe and healthy, or else Noritoshi will clearly :( Putting him in a yandere setting would be dangerous. He'd have a lot of control over you, considering he can prescribe medication, shots, visits, and other things.... he'd have a ball.... nothing that would cause you any harm, of course. he's only looking out for you and doing what's best for you..!

Pirate!

my second in command wanted a pirate. pirates are so fucking cool and i know damn well if this guy were a pirate he'd have a bunch of battle scars under that fancy coat.

Noritoshi as a pirate would be more than a little odd, but also fitting. He looks like the type of guy who'd be well put together, yet he's willing to get his hands dirty. Like the guy who got into the pirate life because of some personal issue that couldn't be solved fast enough through conventional means. Even as a pirate, i imagine he holds everyone to high standards. They're still pirates though.. so his expected standards aren't even that high. He has more freedom here, so even he himself lets loose once or twice. Especially with you. He's even able to get away with more violent actions for you, the seas are unpredictable, after all. While taking some treasure, Noritoshi'd toss you a gem or golden coin, just so you can say you were the first to claim it. Just so he can see that happy glint in your eyes when getting your hands on treasure. God forbid anyone try to get their hands on your hard earned goods. They'd be met with a bullet to the foot or a sword at their neck. Everyone and their mother knows how you're his favorite, but Noritoshi downplays it. Its not a crime to help out someone from his crew is it? Not in the seven seas. He leans more into his cold ruthless killer side here. He has goals and people to help keep in line whether hes captain or not. Yet when around you, he's almost adorable in how he shows you a pearl so entrancing that it reminded him of you.

Corpse Bride!

my submission to my Noritoshi Halloween costume closet.. CORPSE BRIDE, THIS MOVIE FUCKS. esp w the yandere elements.

Noritoshi 100% made you recite the wedding vows to him before accepting the ring. If you fumbled up, he'd correct you with SO much attitude and expect you to start from the top until you got it perfectly.

Hypothetically, in the chalice scene towards the end..

Noritoshi is the type to never be fully relaxed unless he knows for sure you'll be eternally his. In this scenario, YOU proposed to HIM but have to die to continue being together. Not only that, but someone in the living world is also after your heart. Someone who bleeds. Someone who's the obvious choice. Someone who can give you the life that you deserve. Someone who will succeed in their pursuits if you. remain. alive. Noritoshi's life was cut short, yet he still managed to lose so much and be abandoned a considerable amount of times. When he meets you and finds out about the possibility of having to go through that again even in death, it finally clicks in his rotting mind. He realizes he's been doing something wrong to keep constantly failing. Noritoshi revises his methods to a more.. selfish course. Why should he care about anyone else's wants or how his actions hurt them? You were the only one who made him truly fulfilled, to make him feel alive. The only one who deserves anything and everything good that comes from this world. Destiny is never done toying with him when he realizes your marriage is invalid because of your pulse and his lack thereof no matter how hard he'd try, but the opportunity arises. of course, he's ecstatic to give you an afterlife worth much more than what a silly beating heart can achieve. "All people die eventually. If you miss your living family or friends, all it takes is patience, darling. I'll wait by your side in the meantime." He weighs the pros and cons of everything, but when it comes to swaying manipulating your thoughts he only highlights the ones that'll get you on his side. in this case, the pros of dying to be with him! Honestly, the answer was so obvious that Noritoshi didn't know why he was stressing about it before. It hurts him to see you in any type of pain, but he reassures both himself and you that it'll only be for a moment. Afterward, he'll have the rest of your afterlives to make it up to you!! What happened to Till Death Do Us Part? Noritoshi thinks it's insulting that something as shallow as that could be so widely accepted. If your love were true, it wouldn't stop just because the world decided to take them away. "Till death do us part? Darling, don't be silly. 'Not even death will do us part' feels much better, doesn't it?" 

[halcyone-of-the-sea]

OH GOD YOUR REQS R OPEN, i would rlly like to request something, could you write an one shot of price with a little daugther reader? just like, him coming home and spending some time with his little girl, she tells him about her school, he tells her some funny stories that happened while he was at work, he cooks her favorite meal, just a big fluff, i love this man more than anything and i just need some paternal love LMAO, feel totally free to deny! do everything in your time and remember to take good care of urself!

Memories of Youth

Pairing: Father!John Price x F!Daughter!Reader

Synopsis: It was hard being away from his little girl, but warm mornings spent in each other's company were blessings - even if they were far and few in between. It didn't matter the form.

Word Count: 4.5k (short and sweet)

Warnings: Angst (just a little cuz I can't help myself), a lotta fluff, banter, just good platonic/paternal relationship in general, etc.

A/N: Didn't specify if the reader was adopted or blood-related, so that's really up to you! Enjoy, Anon!

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

He got the call at the halfway point of crossing the English Channel, Northern France behind him and Southern England just on the horizon line as the sun began to spread its orange glow over the waves. Sitting high above the water in a slick black Heli, John Price’s hand snaps to his side pocket, fingers deftly peeling back the layers as the overwhelming sound of helicopter blades shakes the hull. 

The rest of Task Force 141 watch with varying interest, only Gaz taking notice of the sudden frown that mars his Captain’s face; the furrowed brow, and the spark of concern in his eyes. A call was unusual. The Sargeant tries not to intrude, but can’t help the way his body lightly shifts so he can have a better view.

John doesn't bother to look at the contact when he takes the device out, rapidly pressing the answer button and slotting the phone at his ear, tilting his head so his opposite rests at the junction of his shoulder. It only stops a fraction of the noise, even so, it would have to do for now. But with how his ears were already straining to find a sound over the line, he may not need to force out the jarring racket after all. 

Inside his chest, John’s heart is racing – confusion laces his mind. This was abnormal. 

I told her only to call if it was an emergency. What could she have gotten herself into now? I said to stay out of trouble…

“Where are you?!” The Brit has to shout down the line, his familiar deep accent loud and guttural. 

His mind flies through every possibility. An intruder had broken into the house, you had broken your arm falling down the stairs again, or a fire had broken out in the kitchen. Fuck…he was too far away to help if anything bad had happened. John’s jaw clenches, eyes looking out over the water as the bucket hat on his head flops in the wind. It was only a product of his job that made him think like that; years of intuition and thinking on the fly leading to his mind making up the worst scenarios. 

Especially when you called on a secure line when he told you it was only appropriate for life-and-death situations. Especially when it was his little girl.

I told ‘er about the Pistol in my office, yeah? The Captain asks himself with a steel-like resolve. And gave her Laswell’s number?

John’s fingers tighten over the phone when he hears your breath over the line, a shuffling of clothes, and a deep exhale.

“Sunshine!” He tries again, sitting up straighter as his pulse gets faster. Why isn’t she answering me? “Where are you right–”

“We don’t have anything for breakfast.” Your voice is heavy with sleep; fatigue drowning the syllables and holding them under the very waves that rage under John only separated by thin sheets of metal. 

The Brit stops. His body freezes, and as the tense minutes go by his panic falls away and leaves a thick stain of annoyance resting behind his eyelids. Of course. John brings two fingers to his nose bridge, digging into the skin until tiny crescent moons are left behind; he has to take a deep breath before answering, but his tone leaves nothing to the imagination.

“...Breakfast…?”

“Yeah, Old Man, you need me to spell it for you? B-R-E-A-K-F-A–”

“Enough!” John barks stiffly and has to hold back his anger as you laugh from the other side. Ever the jokester – did you not realize how serious this was? How fast your father’s heart was racing with adrenaline? 

Fuck, he had just about been ready to radio the cockpit and force the pilots to fly faster.

Across the way, Ghost locks eyes with the man, and with a tilt of his head and a loud call he asks, “That the Mutt?”

The Captain’s eyes slip back into a firm blank slate.

“Affirm.” John tilts the phone away from his mouth, ignoring your sarcastic comments to catch his sanity for a moment and respond to his Lieutenant.

Simon blinks as Johnny perks up at his side, looking in from the view in favor of the Captain with newfound interest. A bright smile forms over his scruffy cheeks

“She all good?” The skeletal man asks, and Gaz smirks lazily tapping his fingers over his knee, immediately noticing your shenanigans and the way the Cap was so worked up. 

But anyone would be when they had a daughter thousands of miles away.

John simply nods once with an exasperated expression to Ghost. MacTavish snorts out a laugh, knowing the context of the situation without having to think hard.

“Is that Uncle Simon?” You ask, and with a scratch at his beard, your father hums in confirmation, letting the sound of your voice put him more at ease. She’s just fine. “Tell him I want him to come over and play Mario Cart with Gaz, Johnny, and me again! He wiped the floor with ‘em last time!” 

There’s a clinking of pots and pans as you move throughout the house. 

“Sweetheart,” Your father grumbles, sighing through the call. His voice takes on the authoritative tone that works for both soldiers and teenagers – but it rarely works on you, despite that fact. Took after your dad too much, is what John would say. Never listened until it was absolutely necessary. “What did I tell you about callin’ this phone when I’m away from the house?”

He hears your scoff and raises a warning eyebrow, though you can’t see it. You know your dad enough to know he’s doing it despite being separated. It was pretty common.  

“Not to, unless it’s an emergency…But I’d say food is a big enough reason, y’know? Unless you want me to eat the leftover cake for breakfast – which I haven’t thrown out as a possibility yet, honestly.”

“You’re not eatin’ bloody cake for breakfast. You’ll get sick.” Gaz snickers, turning his face away to hide the amusement at the comment. 

It hadn’t been a surprise that the Captain’s daughter was such a familiar creature – they saw traits reflected every time the two were together. Everyone had expected her to take after her old man in nearly everything, and when she had they had bumped fists and prayed for the brown-bearded man. But it was funny nonetheless, considering they got along better than most fathers and daughters; practically reading each other's minds when everyone was playing poker. Johnny was still pretty ticked off about that – he’s a good deal deep into the sweets debt he owes you because Price helps you win. But where they really shined was with the shared deadpan attitudes, bottom-of-the-barrel sarcasm, and knowing how to command a room without even trying. Safe to assume that the rest of the team would do anything for you.

“Will not.” You grumble in retaliation, and John’s lips threaten to tilt into a grumpy smile when he hears you put the cake plate back into the counter. 

Letting the tension fall from his shoulders, the brown-haired man takes a glance outside, watching the waves go bright orange as they lap and writhe like great sea serpents. 

“How long have you been up, eh? The sun’s barely risen. Thought Sunday was when you always slept in?” 

There’s a pause in what John believed were fingers digging through a cupboard, and he narrows his eyes in confusion as the silence grows long. He frowns when you speak again, words so quiet he has to place a hand over his other ear to hear properly. Having half a mind to go and tell the pilots to hurry up and go faster so he can just talk to his little girl in person, he refrains, knowing that’s not how this works. But something was wrong – it had been laced in your previous words, as tiny and unnoticeable as it may have been. Only a father would notice it.

“You said you were gonna be home last night. I stayed up.” It takes a moment of halted breathing before John’s eyes widen, blues full of realization.

Oh. 

…Damn it. He lets out the tense breath of air from his lips, shifting in his seat as the gear around his body weighs him down. His gun digs into his chest. 

He hadn't seen you for over a week – leaving you in the care of a close and trusted neighbor, Mrs. Lilly, just as he always had when he needed to leave for work on short notice. But seeing as you were older now, it became apparent that, with your learned independence, staying at the house by yourself was alright as long as you checked in with the neighbor every morning and night. You had been waiting for him to come home. All alone. In the dark. 

Fucken’ hell, John thinks in a deep layer of guilt as wrinkles overtake his forehead, I did tell her I’d be back yesterday. I forgot to call and tell ‘er. Shit! He didn’t want to imagine the stress that had been put on your shoulders. God, what’ve I done?

Not checking in was something he had never missed before – he always told you when he was about to come back. What had gone wrong this time? How had something that important just slipped his mind? Sure the Op had been tedious, but he was trained to handle it. It was no excuse. 

“Sweetheart,” John starts and then pauses the soft and gentle endearment, knowing that an apology didn’t fit into what you were looking for. You didn’t want an ‘I’m sorry’ right now, you wanted your father. Flattening his lips into a line, he continues, wishing he was with you more than ever so he can press a kiss to your forehead. “...I should be back before 1200. How about when I get back I’ll cook you up somethin’ myself, yeah? Or we can go to that Cafe you like down on Newman Street and I’ll get you whatever you want.”

“...When do you have to go back?” You don’t answer his question, and yours makes his heart hurt. 

John clears his throat.

“None of that, now. We’ll talk more when I get back, Darling, alright?” You don’t respond, but he hears you sigh and quietly scoff under your breath. “Alright?” He tries again, head tilting forward and eyebrows rising as if you could see him. Maybe you could.

“Fine. But you better make me pancakes. I don’t care if it’ll be noon.” 

“Pancakes it is.” The Captain looks up in time to see Johnny mouthing words to him, and with a blank face and stiff lip, your father mutters with a grunt, “Johnny says ‘hello.’” 

Your shocked snort makes him feel better, but a layer of guilt still stays. You were awake all night waiting for him, and he never showed up. Did you sleep on the couch? Damnit, he hoped you didn’t…but in his rattling chest knew you had. He found you like that every time he came back from a long stay away. Huddled under blankets, no pillow under your head. Sometimes you steal one of his shirts and hold it like a stuffed bear to your chest, shoving your face into it. 

How could I forget to fucken’ call her?

Your voice takes him out of his growing self-resentment. 

“Tell him to watch his back – I’m getting better at Rainbow Road. Soon enough I’ll be able to beat him in a 1V1!” John can’t help the slow chuckle that bounces in his throat, mind, for the moment, at ease as long as you continue to speak to him.

“I’ll be sure to pass it along. But, eh,” The Brit makes sure he speaks slowly, letting you hear every syllable of his next words. “Promise me you’ll stay at the house until I get there. No goin’ out with friends, yeah? You know how I worry.” John ignores the teasing look from Gaz and peeks out again to see how close they were to the mainland with narrowed lids. “‘Specially when I’m not there.”

Getting back to the Base wasn’t the problem, it was the damn reports coming in that would wring his neck before he could get out the door. But he’d push it off for however long he could; call in favors from Laswell to get him more time with his little girl so he can fix his mistake. As a dad, the only thing that counted was seeing his daughter after a seemingly unending Op that he didn’t want to relive. The hardest part wasn’t the blood or the guts – it was being away from you. Nothing would ever change that, even if he was the one on the ground gritting his teeth at the bite of a bullet.

“Scout’s honor, Old Man.” The happiness in your voice makes him smile to himself. 

“Stop calling me that, Muppet.” John grumbles affectionately, rolling his eyes, “I’ll give you a call when back I’m in town, Sunshine. Make sure the door’s locked–”

“--Locked, the windows too, plus, if someone knocks on the door I need to look through the peephole and if I don’t recognize them don’t open it…Am I missing anything?”

“Mind yourself, now you’re just being cheeky, you are.” John teases, scoffing, but proud that you remembered his rules. It made all of this just a bit more manageable.

“Who do you think I got it from?” You laugh, but it tapers off sullenly, “Just…get home safe, okay, Dad?”

John’s beard pulls back into a soft close-lipped grin, eyes crinkling as his heart warms. He so desperately wanted to ruffle your hair. 

“Of course, Hun. But, eh, take a nap. It’s still early, and I know you’ve got schoolwork to do later. You sound like you’re about to keel over where you stand.” You scoff before agreeing with a muttered grumble, most likely already stumbling to the living room couch, and then the line goes silent and is replaced once more by the whirring of the helicopter blades. 

The man peels back the phone and pockets it, hand unconsciously brushing his breast pouch where a picture of the two of you always sits. It was a baby picture, with your little form held in his grip delicately; looking down at you with soft eyes and an easy smile on his lips that always formed when he was with you. From under a soft blanket, your tiny hand reaches out to try and brush his stubbily cheek. 

It never failed to bring him ease when he realized the photo was there. A reminder that if everything else in his life went horribly wrong, you would still be looking up at him with those eyes of yours. At the very least, he had managed to do one thing right.

“She’ll be fine. She’s a good kid.” Gaz calls at him, and John spares him a glance out of the side of his eye with a raised brow.

“I know she is. I’m the one who raised her.”

—

You remember eating a piece of toast before you made your way over to the couch, throwing your phone to the coffee table haphazardly before tossing yourself onto the cushions. Still in your pajamas, you can’t find it in you to go and grab the homework in your backpack this early. The sun had only just risen, and the bags under your eyes reminded you how late you stayed up last night. 

But your father had never shown up.

Frantic was too light a word to describe the feeling you had when your eyelids had peeled back to the empty living room and the TV still playing. It had been second nature to snatch your phone and call the secure line – half of you had said it was better to call Laswell, just in case, but your adolescent brain had wanted nothing more than to hear your father’s voice.

He would make it better. But you needed to hear his voice. 

Dad, you remembered pleading to yourself as the sound of the dial tone echoed in your ear, please answer the phone. Please. Answer the fucking phone. 

Your heart was pounding; hands shaking. He never just didn’t show up when he said he was going to. Never. Your dad was punctual – always on time no matter what – and he had ingrained the same sentiment in you as well. 

When his deep voice finally bounced in your eardrums you nearly started to cry, missing the first hurried and concern-filled inquiry of where you were. Hearing his voice put you at ease, and after a week of missing your father’s strong presence and his warm hugs, it was hard not to take a shaky inhale when he seemed so close.

You just wanted him home; you wanted him to make you pancakes and help you with your schoolwork. You wanted him to read a book to you on this couch like you were a toddler again while his old record player was on in the background. 

It was childish, getting so worked up about it, but your dad meant the world to you. Not having him here felt wrong. 

Sighing, you rub at your eyes and revel in the darkness before letting out a strained yawn, grabbing the blanket from the back of the couch and pulling it over your body. It didn’t take long before your eyes were flickering shut, a calm quiet settling over the house as cars passed by outside in the street. You pull the blanket closer and breathe, inhaling pine needles and ash. 

You don’t know how long you were there, twitching in your sleep before the scent woke you up – it makes your nose scrunch, eyelids blinking away fuzz. There was a pillow under your head, the blanket wrapped tight around your neck to keep out the London chill, and a clanking of pans in the kitchen. Scraping spatula over cast iron, you knew, the sizzling of batter. 

The haze of that in-between state, sleep and consciousness fighting in the back of your skull and under your hairline, stays even as you try to force it away. It was like a wave – it constantly pulled you under when you thought you were getting to the surface. Your eyes would blink open and closed; comforted back into sleep by the deep humming, the waver of an old record player. Feet over hardwood and the smell of fresh pancakes. 

Dad’s home. 

A delirious smile slides over your sleep-hot face. That was why you were so content. This was what home sounded and smelled like. 

Dad’s home. You repeat it once more, nuzzling farther into your father's travel pillow he brings to and from Base. Pine needles. Ash. Cigar smoke.

Dad’s home! Your eyes snap open wildly, your body shooting up from the cushions as the blanket falls to the floor. Angling your head to the separated kitchen, you swipe the drool from your mouth with a heavy hand and listen. 

Your dreams had tricked you before, but no. Not this time. 

He was humming along to some old tune under his breath that mirrored the record player behind the couch; the antique turned low so it wouldn’t wake you. Blinking in shock, your mouth morphs into a rich smile instantaneously. 

Throwing yourself off the couch, your feet slam to the floor, rushing and almost tripping over the blanket on the floor as your body slants forward. Giggling, you push on, righting yourself with no second thought other than welcoming your dad home the same as you always did. Zipping around the corner, a shadow is already turning your way, a plate of pancakes ready to be put on the table and devoured. 

“Dad!” You yell loudly and launch yourself at him, hearing his chest let out a grunt and his hands splay around you so he won’t drop breakfast food all over the floor. 

A velvety chuckle is wrung from his body, and his free digits go to rest heavily on your head as you shove yourself into his hold. Gripping his shirt tight between your fingers, you try not to cry when that scent that had been fading from the house comes back tenfold. Your eyes burn, but you only let one tear out when your dad’s finger begins stroking your hair just like he did when you were little.

You had been so worried. 

“There’s my girl,” His voice whispers out, “I’m here, Sunshine. Easy now.” 

“I thought you died,” You can’t help the helpless gasp that rips from you. Your father’s hand freezes; body going rigid around your smaller, desperately grasping frame. The atmosphere of the room flips. Digging into the fabric of his shirt the full flood of tears finally comes forward. “W-when I woke up and you weren’t here I… I thought you were never coming back home, and that I would have to go and live with the neighbors and I’d have to bury you in the cemetery. I don’t-don’t wanna have to put you in the ground.” You’re rambling, but you can’t stop the words. “I don’t want you to leave me alone, Dad. Please don’t leave me alone.” 

At some point, the plate of pancakes had been tossed to the counter without care for if the porcelain cracked from the force, and both of your father's arms hand scooped you into his hold effortlessly. Your breath was hiccuping violently, tears making his shirt wet and sticking to his skin. 

But John didn’t care. 

He wrapped his arms around you and curled his body in, taking you into a hold so warm and tight you couldn’t leave it even if you tried.

What’ve I done? The man feels his lips tense, blinking down at your shaking body with guilt as you sob. Oh, my Little Girl, I’m so sorry. What’ve I done to you? 

Had he never noticed the toll that this job was taking on you? John asked himself this in disgust as he pressed his lips to the crown of your head, whispering words into your hair under his shaky breath. He hated when you cried because of him.

“I’m not going anywhere, Love, alright? Look at me.” You don’t move your bruising grip, face still held away from sight as you gasp down frantic breaths. John’s voice gets firmer, “Sweetheart, I need you to look at me, yeah?”

Your tight fingers stutter, and your head barely shifts to the side, one red eye peeking up as he looks down at you with all the love he can muster without looking incredibly broken. He never wanted to see you cry again but knew that would be an impossible feat to accomplish – but he’d do his damndest to try.

“There she is.” John’s hand goes to your cheek, brushing away the saltwater with a calloused thumb as you sniffle. “Just keep those eyes on me, Little One.”

“...M’ not little anymore.” You grumble out, your cheeks heating even as your pulse slows as you focus on your dad's eyes. So soft the edges were nearly liquid; water that held your attention as they lapped across your form. 

“To me, you’ll always be little. Can’t change that I’m afraid.” The man grunts out, tilting his head down at you and letting his eyes travel from concern to comfort. But that doesn’t change the present. 

“I’m so sorry, Love,” Your father mutters, eyes flickering away from yours in guilt so rarely shown to others. He always prided himself on being strong, you knew, bearing the brunt of the weight. Apologies weren’t often verbally said until it truly mattered. “I should have called you. That’s all on me, that is. Bloody stupid to forget about, knowin’ how you wait up for me.” 

Your lips thin to mimic your dad's, brows pulling close. But in your chest, your heart couldn’t be larger. You didn’t hold it against him, but you wished he could be here more often; not put himself in dangerous situations. Knowing as little as you did about your dad's actual job, you still knew it wasn’t entirely safe. 

Maybe the two of you protected each other from the things unseen. 

Your chest aches.

“...You’re funny lookin’ when you have to apologize. Like a kicked bear.” Pulling back your lips, a tiny smile lighting your face, and you look up at your dad with a sniffle in your nose. 

His visage snaps to yours, eyebrows going high on his head in surprise, and hooded blue eyes widening. It takes a moment, but a smirk pushes back his beard when he sees the tears have stopped falling. 

“Yeah?” John asks you, a grumble reverberating in his chest, “Now, y’know, that is just bloody rude, Sunshine. Thought I raised you better…And after I made you pancakes.” 

Laughing, you pull back, stomach rumbling and nose twitching at the prospect of the nearly forgotten food. Slithering past your father, you snatch the plate and fork before rushing into the living room. Jumping on the couch you begin to cut into the carbs, piling pieces into your mouth and smiling at the taste. No one else could make them as your dad could. 

The Brit comes not seconds later, a cup of tea held in his hand before he sits down next to you with a groan, stretching out and laying his socked feet on the coffee table next to your tossed phone from hours earlier. You giggle, suddenly leaning to his large frame and hearing him grunt in retaliation. 

“Tell me a funny story,” You demand, listening to him sip his drink in the mid-morning glow that spreads outside the house and leaks in through the opened curtains. Birds sing outside, heard from the street. 

Your dad hums, his beard tickling your scalp as he leans into you in turn, making you chuckle before he nuzzles against you kissing your head; leading to a larger exclamation of glee before you elbow his gut. 

He laughs and answers with a smile in his voice.

“Hm, did I tell you ‘bout the time Gaz fell out of the Heli?” 

You laugh, eating the rest of the pancake remnants; feeling incredibly happy and warm. There were many memories you loved of your dad and his recounting of stories fit many of them. He always kept out the gory bits – promising himself that he would never lead you down that path no matter what – and always opted for the many downright hilarious situations the rest of the 141 always seemed to get into.

“Yes, but tell me again. It’s funny, especially when you describe his face afterward! Like he–”

“Like he had shit his pants and didn’t want to tell me,” John chuckles, eyes squinted, looking down at you as you snuggle into his side. He wraps an arm over your shoulders, taking your empty plate with one hand and putting it on the side table before pulling you close and making sure his tea won’t spill. He feels your tiny, bird-like, heartbeat on his ribcage and knows that nothing could ever take you away from him. You would always be his little girl.  “Yeah, Love, I remember that one. Now, let me start from the beginning…”

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[obsidianbaby]

Don't Love Me Like A Brother - Prologue

Brothers Best Friend Series - PROLOGUE

CHAPTER 1 -

series synopsis - ronnie's younger brother, tyler, is a famous youtuber & influencer and is best friends with the sturniolos. This series will be following ronnie's life as she befriends the triplets and catches herself developing feelings for a certain someone...

**series will contain smut as it develops but warnings will be added to those specific chapters

**found myself writing a few flashback chapters before present day just to build up the established friendships bc I'm impatient and don't want the slow burn to drain anyone 😭

warnings/notes - no smut in this as it's just the prologue to introduce y'all to the story.

a/n - starting this series and im very exciteddddddd i hope y'all fuck with a slow burn, friends to lovers best friends brother type beat. Buckle up mfs it's gonna be an angsty ride

a/n pt 2 - im not gonna share who ronnie develops feelings for just yet I want y'all to be on edge okok enjoy MWAH xx

__________________________________

PROLOGUE

ronnies pov

having a brother who's famous on social media is humbling to say the least.

The amount of fan girls who have followed my accounts just because they're obsessed with him makes me question many people's sanity (including my own).

But tyler is one of my best friends. And thank god for my dad, who from the jump, did not tolerate any misogynistic bullshit from my brother.

Raising two kids as a single dad after my mom passed away (before ty and I were older than the age of 5) was tough for him and he embraced the times when he needed support (like when i first got my period, bless his heart he bought almost every type of menstrual product off the shelf).

His values were the perfect structure for us to grow up following; respect, open communication, giving our best efforts to everything (even if the only effort we could offer up was a 60% instead of a 100%)

My childhood friends would always whine about how "chill" my dad was. And it's not cause he didn't care, (he probably cares too much) but he didn't want to shield us either, knowing we need to learn how to exist in the world without him constantly up our asses.

"As long as we can talk about shit at the end of the day then we're good" one of his favorite mantras he would spew to me and ty when we would get caught doing something you might call a "right of passage" as a teenager.

And since it was just the three of us, we've always leaned on each other a lot. Sunday family dinners at nans' every week, taking turns helping my dad at his shop after school (he's a car mechanic), movie nights every thursday night where my dad would close up shop early, setting up the projector in the shop garage and ordering us pizza. My brother has been a best friend to me since I held him in my arms at the age of 3 when he was born.

And of course, we have the usual chaotic fights to the death like most siblings do, him pranking me in the most annoying ways, me making fun of his dumbass, him eating all of my food, me stealing his cool clothes, him begging me to uber him around everywhere, etc.

But we also just really enjoy each other's company too; going on late night walks around town, sitting in bed staying up talking all night, playing mario cart for hours (id always kick his ass), going adventuring together to forests or beaches, hanging out at the skate park together (me laughing at him eating shit and him chasing me around trying to whack me with his board), us both ditching our friends to stay at home and yap to each other instead, us having campfires in the backyard with both of our friend groups together, working on restoring mom's 1967 ford mustang together that she left us when she passed.

So when he came to me a few years back, during the pandemic, asking my thoughts on him posting on youtube, I was in full support (after teasing him that no one would find him, an 18 year old lanky white boy about to graduate high school funny or interesting. I have to keep him humble ya know?)

But his first few videos on youtube went viral and his following kept growing daily, especially when he started posting on tiktok too.

He's had me (and even my dad) featured in his videos which i don't mind at all (since im the one that's editing them)

I can see why the internet loves him (i did help raise him of course).

But since he's hit over 3 million on youtube last year, he's been doing a shit ton of collabs with other influencers and youtubers; the sturniolo triplets, larray, emma chamberlain, jake webster, tarayummy, vinnie hacker, carrington, etc.

And these days I try to stay behind the scenes as much as possible, trying to enjoy my solitude away from the opinions of crazy fans. (why do they care so much about what im doing anyways?)

Yet he understands (thank god) and he's always inviting me to come hangout with the friends he's made through social media, and i can't lie and say i don't enjoy being in the company of such dope (and attractive) people.

END OF PROLOGUE

______________________________________________

a/n - hellooooo i have a few more parts already written for this but im gonna wait to see how this post goes first (because i have a dire need for validation and praise) anywaysssss thank you for reading mwah xx

[many-but-one]

why do people program kids? what's the point???

(TW: ramcoa, programming, mc, trafficking, torture, child death, csem)

This is a question that has been rattling around in many people’s brains for a long time. I will rephrase your question in a way that is even more blunt: why do people torture kids? Because that is what programming is. Torture.

There are two answers, one is the one that programmers would say. One is the truth.

What programmers say: to create a perfect slave, someone who will do what I want with a simple gesture, phrase, etc. No matter the risk of harm to them or others.

The truth: thrill seeking egocentric sadists derive pleasure from torturing kids, raping kids, and making them bend to their will. They often film it and sell the media to other sick fucks for profit. These sorts of videos are unfortunately extremely profitable. One snuff film made over the course of a night could be worth thousands of dollars. That is why they do it. They like hurting people, kids are easy to control, and they like making money doing it.

There is no real, justified reason why programmers do what they do. There is no justification for torturing children and animals, no matter what they say. And if they truly believe what they tell others, it is because it helps them distance themselves from their heinous acts. If they are creating something with it, it makes the actions seem justifiable to the right people. They may claim they are building an army of programmed soldiers, but don’t realize that if they sent their programmed system into a combat situation the gunfire would trigger them so such a degree that they would be rendered useless. They make subservient sex slaves for profit, but once they get too old to not draw in the same crowd, they dispose of them and let them out into the world with no care to the mental and physical toll that life as a sex slave has done to the child.

They are insidious, evil people. They do not see children as human beings, but products to sell. Animals to put down. They care a lot less about the final product and more about the product that is made along the way—the torture films they make money off of and the excitement and thrill they get from torturing kids to program them.

Programming is not like how Alison Miller and many other conspirators make it seem. They are not making super soldiers or spies. They are profiting off of child torture and then either killing them by the end or letting them go. The only true reason things like callback programming or loyalty programming or silence programming or omega/suicide programming exists is so that they don’t get caught. If the system goes back, they will either be killed or reprogrammed or retrafficked or convinced to become a programmer themselves. They will not be going to complete some sacred duty that the programmers told them. Loyalty is only so they never tell secrets. Silence is so they never tell secrets. Suicide programming is so that they will die before telling secrets.

Programming is all about profit and not getting caught. That is why they do it. My programmers told me all the time that I would eventually become a spy for them. Black Widow style—a seductress who would kill their targets. The reality? I was a sex slave who had to commit heinous acts on camera that they sold, and when they were done with me, they cared less about that “end product” they claimed I was working towards. They’d rather see me kill myself than say even a modicum of truth about their motives.

To which I would say: kill me yourself, you cowards.

I hope that answers your question.

-Jade 🐉 (she/her)

[captain19cb97]

Fairytale (M/F/A) P1.5 :: l.mh

Synopsis: Minho doesn't pretend to know everything, but he's positive that he knows this much is true.

Pairing: Mafia!Lee Know x Fem!Reader

Word Count: 2.7k

Genre: Mafia AU. Fluff, some angst, smut! Established friendship to relationship. Secrets.

Warnings/Triggers: 18+ audience! Small SMUT moment, mention of violence, mentions of weapons- (not in this part but in others) please don't read if anything related to violence are triggers for you in any way, shape, or form. This little series will not be without some deaths, sadly, I mean, they are mafia after all... Cursing, crying. The usual pet names- baby, jagi.

(A/N:: Just a little filler part that I wanted to do. I felt like it would be nice to see some of Minho's inner thoughts about them. I hope you guys enjoy! As always, please let me know if I've left any warnings out)

How did Minho know that things with you would be any different?

It was a question that Minho seemed to keep asking himself whenever he had to cancel plans with you because something happened or he had a mission, but you never questioned him about why he needed to leave your place at 2 or 3 in the morning to go to work, or why he was canceling dinner plans only hours before he was supposed to pick you up.

Before he knew it, months had gone by, and you two were still together, and even then, you still never asked him about all the little work related mishaps that he had to deal with. Until one night, about 5 months into being together, he came over and was sporting a nasty looking bruise along his jaw, and his lip was busted up a little.

You frowned at him the minute he stepped foot into your apartment, seeing the look on his face. “What happened to you?” You asked, quickly getting up from the couch and rushing towards him.

He sighed as he set his things down by the door, “Some crazy asshole tried to get to Chan today. I threw myself in between them so Chan didn’t get hurt.”

Mostly true, but then again, you didn’t need every detail.

You were silent for a moment as you gently touched his cheek, nudging his chin to turn his head so you could really look at the damage.

“Someone tried to attack your boss?” You asked, the genuine surprise in your tone not lost on Minho as you led him into the bathroom to put some ointment on the cut on his lip and to tend to the bruises you could see beginning to form along his jaw. “Why?”

“He was some protester, I guess.” Minho shrugged, leaning against the bathroom counter as you moved around him. “He’s convinced that the company is responsible for that accident that happened at that product factory a couple weeks back. And since it’s Chan’s company, he blames Chan for it.”

You frowned deeply, holding Minho’s chin between your fingers to keep him still, “Even an idiot would know that Chan and the company aren’t responsible for what happened at that factory.” You shook your head, “Chan’s got power and money, yes, but he’s not corrupt or evil. And he’s definitely not going to blow up his own factory and kill innocent people in the process for any reason.”

Minho flinched as you wiped an alcohol covered cotton pad across the cut, “You’ve never met him and yet you sound so sure about him.” He commented, admittedly letting his own curiosity of what you’d think loosen his mouth a little. “How do you know he isn’t corrupt or evil?”

You simple peered up at him, gently applying the healing ointment to his lip now, and smiled softly, “Because I don’t think you’d have put yourself in front of him, if he was either of those things.” You answered easily. “You’re not corrupt, or evil, so I doubt you’d work for someone who is.”

“I could be.” He said softly, his eyes following your every move.

You stopped putting the first aid kit away, staring back up at Minho with soft eyes and an even softer smile, “You carry cat treats in your pockets when we go on walks because of the stray cats around this neighborhood. You help Mrs. Yang down the hall with her groceries when you see her struggling in the lobby. You wave at kids on the street whenever we go somewhere.” You grinned up at him, “You are not corrupt or evil, baby.”

“You sound awfully sure about that.” He countered, an almost undetectable edge to his words.

You looked him in the eyes. “Because I am sure about it,” You replied easily. “I have never once felt unsafe with you, or around you. You actually make me feel the safest I’ve felt since I was a child and given all the things I’ve seen in my life, that’s as close to a miracle as it gets, Min.”

You were both quiet for a moment before you gave him a gentle smile, “Is Chan okay?”

He let out a small sigh and nodded, “Completely, yeah. The guy never got near him.”

“Thanks to you,” you offered him a gentle smile. “Did Chan have the guy arrested or is he pressing charges on your behalf?”

Minho hesitated for a mere second in his reply, knowing that where that guy was currently locked up was the furthest thing from a lawful imprisonment that someone could get when it came to Chan or the guys, “Something like that, yeah.”

You nodded, “Good. Then whatever happens to him from here on out is entirely deserved for trying to attack your boss.” Then you let out a soft breath, “I’m just glad that you’re okay, though. You’re not in too much pain, are you?” You asked, gently cupping his slightly bruised cheek.

He shook his head, “I’ve dealt with much worse, jagi, don’t worry about me.”

You gave him a look, “Normally I don’t, but when you show up at my apartment at almost midnight with a face that’s bloody and bruised, it’s kind of hard not to, my love.”

You both fell into a quick silence once again. Minho was waiting for you to truly begin questioning him about what really happened, while you were just looking over his face, really taking in his very minor injuries. You had questions- of course you had questions- but you weren’t going to ask any of them because it wasn’t anything he wanted to talk about, clearly. If he did, he never would’ve stopped talking in the first place.

But you never asked anything else.

He just continued to stare down at you for another moment, before he grabbed the sides of your face, quickly blanketing your lips with his. He knew he caught you off guard, but you kissed him back eagerly, gripping the sides of his shirt in your hands as you relaxed into the kiss, letting him pull you as close as possible before he slowly wrapped his hands under your thighs, and lifted you from the floor.

You pulled away from his lips in surprise, eyes wide as he carried you out of the bathroom and straight to your bed. He peered up at you, standing with his knees just barely brushing the mattress, set on laying you down as you stared at each other.

You could see the words swirling behind his eyes, but he wasn’t actually saying anything, as you gently stroked his cheek with one hand, the other still threaded in the back of his hair. “What are you thinking about, my love?” You whispered, your nose brushing his.

How did Minho know that things with you would be any different?

Minho would admit to not knowing everything, but he was as sure about you as he was about breathing. And while he was still hesitant about many things because this was so entirely new to him, and his only example for something similar went down in flames, and is now the reason Chan implemented new foundations for new protocols within the crew for safety.

You were nothing like Haerin- Minho hadn’t trusted her from the moment Chan introduced her to the boys- but you? Minho was captivated by you the moment he laid eyes on you. And he felt as comfortable around you as he did around all the boys, he always has.

He took that to mean that his sixth sense was still working, he’d never been wrong about someone or something yet, not even after all the years he’s spent not trusting a single person other than the crew, or you.

There was something about you that he could never pinpoint, something that told him you were everything you seemed to be where he was concerned. You had your secrets, but he didn’t push about knowing them, anymore than you pushed him to know his.

How did Minho know that things with you would be any different?

Because you showed him every single day that you wanted the person he was at 2 in the morning while you both are wrapped up together in your bed, talking about how he’d reorder the letters of the alphabet if he had to.

And when you asked him how work was at the end of the day, it was the same questions, “How was your day, baby?” and, “I hope you had a good day today because my god, you look too handsome to not have had a good day.” And honestly, his favorite to answer to when he tells you it was a slow day, “Did your day go as slow as mine did today because you missed me so much?”

You never asked for more, and when he tells you that he doesn’t want to talk about his day, you smile at him, kiss his cheek and tell him that it’s okay, “We can just make dinner, then.” And the night goes on like he’s just some regular joe kinda boyfriend.

Minho doesn’t pretend to know everything, but he’s positive that he knows this much is true.

He let out a breath through his nose, pecking your lips once, twice, three times before he knelt on the bed. “How much I love you.” He mumbled gently laying you on your back as he trailed soft kissed from your lips, down your neck, across the bare skin of your chest, where you shirt didn’t cover, before he was planting his lips back on yours again.

His words rang in your ears, and you slowly pulled away from him, your eyes flicking between his. “You mean that?”

He cupped your cheek, a small smile on his face, “With everything I have.”

You blinked, “Say it again.” You whispered.

He pecked your lips once, mumbling against them, “I love you.”

You hummed softly into the next kiss, hands tangled in his hair, “I love you.” You said against his lips.

The weight of his body on top of yours was comforting and yet, also lighting a fire within you, the longer he kissed you- which by now felt like an eternity. His hands trailed along your skin, leaving goosebumps in their wake as he held and gripped different parts of you. And you could feel that you weren’t the only one being affected.

“Min,” You breathed softly, your eyes closed at the feeling of his lips pressed to your neck, before you gasped in pleasure when he sank his teeth into your skin.

“I want you.” He panted against your shoulder, “Fuck, I-I need you, baby.”

You felt yourself nodding before he’d even finished talking, gripping the back of his head tightly, pulling his lips back to yours, “Please, Minho. Please, touch me.” You begged, arching your back and pressing your chest into his.

He let out a strained noise, quickly kissing you again, and letting his hand wander a little lower than before, his fingertips dancing along the band of your sweatpants for only a moment before he slid his hand under the elastic.

You moaned into his mouth, the feeling of him applying gentle pressure against your clit before he started teasing your slit, was enough to send a shiver down your spine.

“You’re soaked already, baby,” He smirked against your lips, teasingly rubbing his finger up and down your slit even slower, “What should I do about that, hmm?”

You let out a shaky breath, as he continued his ministrations, “Do anything, just don’t be gentle about it.”

He chuckled darkly, nudging his nose against your jaw, “Oh, baby, no. Of course not.” His breath fanned your neck before he pressed the lightest kiss to your skin, “I’m not going to make love to you, I’m not even going to fuck you.”

You whined, your brows pinching together as you shot him a pleading look, “Please.”

He cupped your jaw with his other hand, keeping your eyes on his as he smiled wickedly, “You’re still going to get my cock, baby, don’t worry. But this time- this time, I’m going to own you. Completely.” His eyes searched yours, “Got it?”

You whimpered, your mind already fuzzy from just him toying with you, but his words were sending your brain into a haze as you nodded as much as you could with him tightly holding your jaw.

“Use your words, Kitten. You never stop using that pretty mouth, so don’t stop now.”

Your eyes closed as he suddenly plunged two fingers into your core, easily hitting that spongy spot within you. “Fuck!” You moaned, digging your nails into his bicep. “Yes, baby. I’m yours, you know I’m always all yours.” You babbled, already feeling the not in your stomach tightening. “Use me, own me, do whatever you want to me.” You panted, throwing your head further into the mattress.

Minho’s eyes were glued to your face, watching you squeeze your eyes shut tighter as you moaned out his name like a prayer. He could feel your walls clenching around his fingers, and just from the way your hips were twitching, he knew you were already getting close. So he stopped. Pulling his fingers from you and from inside your pants before bringing them to his lips.

You whined, your head shooting up as you looked at him with slightly tear filled eyes, “No, please! I was so close, baby. Please, don’t stop.”

Minho just let out a low chuckle at you, before he grabbed the waistband on your pants, “I’m just getting started, baby. You don’t want it to be over already, do you?”

Your chest heaved in frustration as you stayed on your back, staring up at him as he pulled your sweats off, along with your panties, leaving you completely bare from the waist down.

If he thought you’d become some pliant little princess without some kind of backtalk, he was sadly mistaken, and didn’t know you as well as you thought he did.

You took a deep breath, trying to let your heart rate come down some more from your stolen orgasm, before you smirked up at him. “You can make me cum more than once, can’t you? You have before.”

He stopped unbuttoning his own pants and stared at you, slowly raising an eyebrow at your words. He nodded slowly a few times, his tongue poking out of his mouth, running it over his lips before he grinned at you, “Should’ve known you say some dumb shit.” He sighed affectionately, sliding his pants off finally, “I hope you know what you’ve just done, kitten. Because now I get to see how many times you can cum before you’re begging me to stop.”

You felt the excitement thrumming within you, mixing with the slight hesitancy as his words, watching him finish stripping down to nothing in front of you.

“Take it off.”

You met his eyes, “What?”

You watched his smirk widen when he realized that you’d been staring at the rest of him. “Your shirt.” He told you again, gesturing to it with just his eyes, “Take it off, or I’ll rip it off you myself.”

You swallowed thickly, reaching for the hem of it as you held his gaze, “Is that a promise?” You asked, your voice low as a playful smile tugged at your lips.

“Test me and find out.” He challenged you, a look in his eyes that sent a shiver down your spine as you slowly dropped your hands back to the bed beside you.

“Rip it off then.”

He kept your gaze as he knelt back on the bed, settling in between your open legs, and slowly trailing his hands up your legs until he’d reached the tops of your thighs. “You really want to test the boundaries tonight, don’t you?” He asked, continuing to drag his hands up your body.

The shirt bunched up slightly under his hands as his hands met your ribcage, fingers splayed wide along your sides before he took both hands, and grabbed at the collar of the shirt and pulled. The sound of tearing fabric sent a jolt of excitement through your body, and you gasped when he let both sides of the destroyed shirt fall to your sides, leaving your chest bare below him to stare at.

He pulled his bottom lip between his teeth for a moment as his eyes roamed your body, before he caught your eyes again and smirked, “Let’s see how much you can take then, huh?”

[spookyspecterino]

Grunt Work

Sam Coe x GN! Reader

GN! Reader. No pronouns, no use of Y/N, or reader descriptions used. Reader is referred to as Captain sometimes, like in the game.

Canon typical violence: blood, injury, mentions of death, guns, language, romance, kissing. All PG-13.

Spoilers for the “Grunt Work” Quest

It’s the very first UC Vanguard quest. If you haven’t played it yet, I highly recommend it. Out of my 20-ish hours playing it’s my favorite so far.

No spoilers for the end of game (I haven’t even gotten close to it yet) or anything to do with Sam Coe’s romance questline (I haven’t finished that either).

Non-spoiler summary for this fic/quest:

Reader and Sam Coe go to Tau Ceti II to check up on the settlers in the Tau Gormet Production Center.

More descriptions of the fic with a more specific summary below the cut. I’m being very specific about spoilers because for most people, myself included, we’ve only had the game for a week.

More specific summary of this fic/quest:

The UC Vanguard sends you on a routine mission to check in on a settler colony on Tau Ceti II—it turns out to be anything but routine. With Sam Coe at your side, your first Vanguard mission is a baptism by fire.

Characters: Hadrian, Sam Coe, Vasco (mentions of other characters: Cora Coe and Barret)

“Vasco, do a quick comms check for me. I want to make sure it’s working after it glitched out on the last planet.”

The tall robot makes some beeping and whirring noises. The way it stares into nothing bothered you at first, but after some time you’d gotten used to it—even appreciating how it followed commands without hesitation. Over by the ships on and off-boarding ramp, Sam says goodbye to Cora. A smile spreads across your face as you watch them.

The Frontier’s external lighting illuminates the surrounding landing site. An otherworldly moon hangs in the night sky. You take one more moment to do a last check of your pack’s contents. This was going to be a routine check-in mission, but it never hurt to be safe than sorry.

“Comms are operational, Captain.”

“Thank you.” You wave goodbye to Cora who smiles and waves back before returning to the Frontier. “Comms are good Sam, ready to go?”

Your companion saunters over with that signature ranger’s confidence. “Always.”

“Great. I think I’ve got everything. Vasco, have I got everything?”

“Scanning now.”

Sam shifts from foot to foot. “Storm’s rolling in.” He comments, looking into the distance. “I’d like to get there before it starts raining.”

Sure enough, muted thunder rolls on the horizon and the wind picks up a touch.

“Yeah, yeah. Hold your horses, cowboy.”

“I don’t even know what a horse looks like.” He mumbles.

Vasco beeps affirmatively. “The necessary items are present, Captain. However, you are carrying more than the recommended amount.”

You sling your pack over your shoulder with a grin, ignoring the second part. “Thanks Vasco. You know, for a second there Sam, I thought you were going to say something about your joints hurting.”

“Ha ha. I’m not that old.”

You make a teasing face at him as you start heading toward the compound’s lights in the distance. The trek isn’t bad, mostly flat terrain with a few rocks here and there. The wind continues to pick up, carrying the scent of rain.

Sam hops over a rock, taking his place by your side. “Not to sound too over-eager to get this Vanguard busy work out of the way, but, where’s our next stop after this?”

“I was thinking we could explore the rest of this system. How’s that sound?”

“You know me, no complaints here.”

A radio tower comes into view, red lights along the sides flashing periodically. Beyond it is the main compound.

“Oh, Cora asked to keep an eye out on books specifically about ship reactors. She thinks she can fix ours.”

You hike your pack higher on your shoulder, already feeling the soreness. Blast your incessant need to carry every type of weapon part with you at all times. “I’ll be on the look-out. If she can save me a few credits and fix it herself, she’s welcome to try.”

“She’s a brilliant kid, but let’s do it on a planet with an actual mechanic who can make sure it works after. I have faith in her, but she’s 11 and you can’t learn everything from books—”

“Hold up. Sam. Stop.”

He freezes, noticing your stock-still posture, eyes fixed on the wide-open doors of the radio tower. Bright light filters out into the night.

“Does that look like a body to you?” you ask him, pointing toward a slumped over shape laying against a supply crate.

“Sure does.”

Unholstering your pistol, you both crouch and move closer. The grass underfoot sways in the wind.

It’s a grisly scene. Multiple bodies litter the area. All settlers—dressed in civilian working clothes. Blood splatters dot the concrete, some trail back to a body. Sam whistles, short and low, to get your attention. He’s looking inside. On the table is a settler, face up, arms splayed out and gutted. Clothes stained a vibrant red. Deep claw marks gouge out sections of the floor.

“No bullets, no casings in sight.” He murmurs close to your ear. “And it’s all fresh.”

You don’t need to look at him to know he shares your particular anxiety. “Let’s check out the main compound.”

Moving out of the small building and down toward the tar mac, you’re about to say something about the wrecked ship when an alien scream interrupts you. It sets every hair on end. Never have you heard a sound like that, even on the many planets you’ve explored.

In little to no time after the scream, a sharp static crackles over your comms, making you jump. Sam shuffles closer, crouched low next to you. If the situation wasn’t so tense, he may have chuckled, but he stays frozen and somber faced.

“I am so glad to see you.” The voice, a woman’s, sounds heavy with relief. “I think it knows you’re here. Hurry up to the second-floor office, I’ll unlock the door.”

As you make your way into the compound, it feels like walking straight into the lion’s den. Every sense is on high alert. Lightning flashes, making you see things in the shadows that aren’t really there. Only Sam’s presence behind you keeps you level-headed.

The brightly lit, glass windowed office only makes you feel worse, like a sitting duck on display.

“I’m Hadrian.” The woman introduces herself curtly while holding her side. “Are you my saving grace?”

“Not exactly. I’m UC Vanguard—sent to check in on the settlers.”

“Well shit.” She leans against the table, eyes closed in pain.

“Please don’t tell me we’re dealing with a Terrormorph here.” Sam asks, beating you to the punch.

She sighs. “Unfortunately, yes.”

“Shit. That’s bad news, Captain. Real bad.”

“Listen,” Hadrian starts, moving away from the table, “I know you’re just two people, but you have to help me kill this thing.”

“And why’s that? Why don’t we all just leave now?” You ask.

“It’s unique. It showed up way too early. Tau Ceti’s only been colonized for 20 years. If this is a new kind of Terrormorph that matures faster and shows up earlier, we need to know.”

“Damnit.” You hiss. “Terrormorphs that show up after only 20 years of colonization could wipe humanity off the map.”

“Exactly.”

Rain begins to fall on the large windows with a clatter. The rolls of thunder were becoming booming clashes now. Visibility was already reduced at night, but now the storm made things worse.

You relent, giving up any notions of leaving. “Alright. I’ll help. Got any ideas on how to kill it?”

Sam’s eyeing you particularly hard from where he stands.

“Yeah, turrets. But we need to bring them back online and get them powered up. The terminal’s on ground level at the far end of the warehouse.”

Sam grunts. “So, closer to the Terrormorph?”

“I’m not sure where it is right now. My best guess is it’s still around the outer edge of the facility. But there’s a tracking system you can use on one of the terminals.”

You run a hand over your face. “Ok. Tracker and turrets. That’s better than nothing. I can make do”

“Radio me when you’ve reset the system and I’ll calibrate it from here. Thank you for helping and good luck.”

You and Sam sneak out one of the office doors into the warehouse. Fat raindrops fall on the metal roof, amplifying the sound into a loud drumming. It doesn’t come close to the volume of your heartbeat in your ears.

“Vasco, come in.”

“Reporting, Captain.”

“Initiate full lockdown on the ship. Tell Cora we ran into some trouble and are taking necessary precautions. If she seems worried, give her a book from my locker.”

“Yes Captain.”

You shut off comms and sling your pack from around your shoulders, attempting a commanding tone that you’ve always needed to fake. “Sam Coe.”

His usual raspy, low voice is layered with apprehension. “Captain?”

You’re pulling out weapon pieces from your pack for your rifle. They’re big—heavy duty—and add a decent amount of weight to the gun. “Go back to the ship.”

“I had a hunch you were gonna pull something like this. No. No way.”

“That’s an order—”

“Don’t try that with me. You know it ain’t gonna work.”

You pause, just as you’re changing out the rifle’s .50 Cal magazine with a 9x39mm eight round clip. “Sam.”

“I’m staying.”

His eyebrows are furrowed. Mouth slanted in a stubborn, almost angry frown. You’d have to dig deep. “Cora can’t lose you.”

“You always pull that card. It’s lost its affect.”

“…I can’t lose you either.”

You’ve never used that before and quite frankly are surprised to hear it come out of your mouth. Maybe it’s too soon. Up until now, you and Sam have only been flirting—no real feelings or moves have been made. It’s a bit of a jump, but you’re sincere.

His eyes hold yours unflinchingly. The crease on his forehead lessens a little. “Then you know how I feel and why I’m staying right here.”

He’s one-upped you and you weren’t prepared for it. You murmur a “Damit Sam” and go back to modifying your rifle. Fighting is pointless, and his admission has your nerves shaken more than you’d like. “Stay glued to my side unless I say otherwise. If things turn sideways and I order you back to the ship, you’d better listen. Got it?”

“Understood, Captain.”

“I mean it.”

A hint of his familiar smile returns. “I heard ya.”

“And Sam…”

“Hm?”

“No heroics.”

He doesn’t respond, his brows pinch together again. It’ll have to do.

Moving through the warehouse went excruciatingly slow. At all times you wished you could just get up and run instead, but it would signal the monster almost immediately. The whole situation made you feel like you were prey, scared and small. The addition of Sam’s presence put a heavy responsibility on your shoulders and that made you even more careful.

Hadrian was on your comms as soon as the system was reset. She directed you to the tracker frequency tuner in the same room. While finding the frequency, the system went into high alert—detecting the major threat. Your watch begins beeping steadily, and then rapidly speeds up. The Terrormorph was getting closer to your position.

Your eyes met Sam’s just as the alien appeared on the roof of the building outside. Right in sight from the room’s windows you were in. A rough hand yanks you down to the ground. Sam is crouched damn near on top of you, shotgun aimed up at it. However, it doesn’t notice you two in the dark room. You slowly cover the watch face to try and muffle the beeping sound. Maybe it was the rain, or the creature was just playing games, but it moved on past to a different part of the facility. Loud footsteps fading as it leaves. The radar lessens to a low, steady beat.

“Hadrian, come in.”

“I read you. The turrets are going to need their power sources reset with the security system in lockdown.”

“Great.” Sam sighs, lowering his gun. His shoulder leans into yours as he gets closer.

“We’ll find them. Out here.”

Reaching for your rifle, your hands visibly shook. You can feel Sam’s watchful gaze.

“Last chance to leave.” You whisper, aimlessly checking over your gun. You feel his hand squeeze your shoulder reaffirming.

“Not happening.”

The first power source wasn’t hard to find. You took the slow route, keeping an ear out for any changes in the radar frequency. The power switch was like a beacon, a big red switch on a yellow panel—it stuck out like a sore thumb. When you flipped it lights came on, loudspeakers announced to stand back…and the radar went nuts.

“Out, out, out!” You hiss, pushing Sam toward the far end door. He doesn’t need to be told twice as he beelines it.

With Sam leading, you follow him, scrambling up onto the roof of the building near the turrets. Two of the six are online now. Two more switches and you’ll have a fighting chance. Maybe.

Behind you, further in the facility, things crash. For now, it seems you’re safe.

You huff, lightening the death grip you have on your rifle. “Ok, here’s the plan. We’re going to split up.”

“I’m not gonna like this am I?”

“Take the watch. Find the power sources. I’ll create a distraction.”

“No.”

“Sam…” you exhale, closing your eyes. Despite the sheer terror you feel, you manage a chuckle. “We’re not going to get anything done if you keep arguing with me.”

“Let me create the distraction.”

“No.”

“Now who’s arguing?”

“Your shotgun has no range—it’s effectively useless, you’d be dead in two seconds.”

“Fair point. Then give me your rifle, I’m a good shot.”

You’re already unclasping your watch’s band from around your wrist. “I’m not taking the risk.”

“What if I wanna take the risk?”

Shuffling over while still crouched, you bring his arm closer. The watch slides on and you make sure to fasten it tightly. “You already know I won’t let you. At least now you can radio Vasco if…”

It didn’t need to be said.  

He looks at the device and back to you. “Why is this startin’ to feel like you’re on a suicide mission?”

You can’t look at him or you’d lose the last of your nerve. “I’ll be on that walkway over there. It’ll have to run through the turrets to get to me and they’ll still have a shot when it tries to climb up.”

The way Sam chews his cheek really underlines how unhappy he is with this plan of yours. “Remind me to have a word with you about your savior complex when this is all over.”

“Hm. I’m looking forward to it.”

A gentle hand wraps around your arm. His eyes are soft, pleading. His other hand cups your face, it’s rough and calloused, but warm. “If you need to run, then run. You don’t have to die for some Vanguard that sends you on a ‘routine’ mission they were too lazy to check first—or for a colony full of dead settlers. Ok? I want you back, with me, alive, and in one piece.”

You don’t trust yourself enough to speak, something sappy or cheesy may decide to come out, so you simply nod.

It isn’t enough for him. “Please, say you’ll come back to me. I need to hear you say it.”

If he wasn’t so close, he may not have heard you through the pounding rain. “I’ll come back to you.” You pretended that you meant it, that you believed it.

“Thank you.” His hand falls away to hold his shotgun. “Now let’s kill this thing.”

“Be safe.” You manage before turning and heading toward your position. The chill of the rain creeps through your spine, but the warmth from Sam’s hand lingers on your cheek. You try to hold onto that feeling.

The steel walkway is sturdy and grated, giving you a good vantage point of the surrounding area. Once in position, you set up your rifle and lay flat, adjusting the scope. Lightning flashes, the crash of thunder isn’t far behind it. Water runs down your face and you wipe it hastily to keep it from your eyes.

The bright fire of the flare casts everything in red. With a good toss, it lands directly in the middle of the kill lanes. Bringing out your pistol you shoot once, twice, up into the air. The alien screams and the sound of wrenching, tearing metal draws near.

The hulking creature appears at the far end of the kill lanes, focused on the flare. It’s huge, big enough to fill your scope’s sights. You breathe deep and exhale slowly as you take your first shot.

The round hits the Terrormorph square in the back leg, crippling it for a moment. Blood leaks out onto the ground below. It lurches before regaining balance on its five other legs, letting out an enraged roar.

More lights come on in the facility. Sam’s already found one power breaker. Two more turrets begin to flash and come online.

The monster’s head swings in a different direction. Toward Sam, no doubt. The realization fuels you with a cold fury. You crank the rifle’s bolt-lever, a long bullet casing flies out of the chamber with a cling. Sliding the lever back with a heavy clunk you even your breath and prepare to take another shot.

You take it, aiming for its other back leg, but miss—the shot glances off the ground. Six shots left.

The thing’s giant head swings back to stare at you directly. Through your scope it’s as if you’re staring it directly in the eyes. Its front legs stomp the ground, and it roars. It ambles forward right into the kill lanes. Four turrets open fire, knocking it off balance and sending it sprawling momentarily. You take another shot, this time severing its thinner front limb.

The thing howls, ear splittingly loud and shrill, but claws its way back onto its feet. The turrets are doing damage, but it isn’t enough. It lurches toward you with surprising speed. The turret fire follows. You take a shot and miss. You exhale and your breath comes out shaking.

It's at the base of the building your walkway is on as Sam flips the final switch and the last of the turrets power up. The Terrormorph slows down a little, struggling to climb the building with two of its limbs missing. You have another 130 seconds, maybe, before it reaches you.

Your fifth shot hits it in the back, effectively doing nothing. The thing is bloody and losing steam from the constant onslaught of all six turrets. You start to feel hopeful. There’s movement to your left. It’s Sam on one of the rooftops. You’re about to give him a thumbs up when lightning flashes—some of the facility machines spark, an alarm sounds, and all lights except for auxiliary backups flatline. An unlucky power surge from the storm.

The Terrormorph has reached the base of the walkway below and is trying to make its way up, now free from turret fire. This would be your chance to run, but something holds you there. A false hope maybe.

You hold your breath, take a shot, and hit it square in the face. It doesn’t stop, clawing at the thin metal for purchase. Pulling the bolt lever and sliding it home, you fire again, chipping its other back leg and causing it to stumble. Metal rails groan and collapse under the monster’s weight. It falls to the ground with a metallic crash. You don’t fire, yet.

Sam is still on the other roof. You wave him off, pointing to the ship. Trying to make it clear that this was the order to run. A clashing sound below snags your attention back to the monster. It’s testing out the strength of the rail supports.

You’re aiming again as it springs up and begins throwing its weight at the steel rods. The vibration of the metal groaning and shifting with each impact reverberates through you. This is your last shot.

You fire and miss entirely as a section of rails to your right collapse and bend, tugging your section down. You’re forced to let go of your rifle to hang on. It clatters to the ground below.

More support beams collapse and you can feel the structure groan before you even hear it, vibrating hard enough to numb your hands. Trying to climb up the tilting walkway was a mistake as the shift in weight caused the whole thing, with you attached, to fall entirely. The feeling of falling was short-lived, something sharp sliced at your leg as you fell into the railing and walkway debris below.

For a moment, you lay dazed and in pain. The sound of rain patters around you on metallic surfaces. The whole walkway and railing fell over, the area was littered with jutted angles and metal parts. Something shifted under the debris. Something big enough to toss heavy metal away with ease. Any hope of the Terrormorph getting crushed by the impact was gone as it reared back and screamed. Its eyes, all six or seven of them, landed on you.

There was no way of escaping, debris had fallen over you. A particularly large beam held you in place on your back. Your pistol, the last line of defense, dug into your hip uncomfortably.

Sensing it had you trapped, the creature took its time closing the distance. Your leg was devoid of all feeling except a vague sensation of warmth spreading around it. The rails on top of you pinned you down, but you managed to free your measly pistol.

Only three or four of your shots made contact, others glanced off the Terrormorph’s armored shoulders or missed entirely. Either way, the low caliber did nothing to it. With an empty mag, and nothing else to defend yourself with, your arm fell to your side. You just hoped Sam was smart enough to listen and go back to the ship.

A loud blast caught the monster on the side of its head, snapping it away from you, and causing it to stumble.

Apparently, he wasn’t.

Sam emptied three more shells into the creature before reloading with cool, practiced ease. One blast dislocated the Terrormorph’s other back leg. Chunks went flying.

It howled and thrashed as he kept unloading shells into it. When he was completely out, he dropped the shotgun and picked up a long rod of metal with a jagged, broken end. The sharp tip sliced clean into its ribcage. When the alien still tried to pull itself up on its remaining two feet, Sam pulled it out with a yank and drove it home into the thing’s head, right above the mandibles. It gave one final spasm and finally fell dead.

At last, the only sound around you was the rain.

Sam dropped the crude spear with a clatter, eyeing the body a few times as he rushed over through the debris.

“You ok?” he panted, kneeling down. His hands cupped your face, bringing the familiar warmth with them.

“Holy shit.” Was all you were able to say.

It made him laugh with relief as he moved to check you over. “And you said a shotgun wouldn’t do anything.”

His hands moved debris from your legs, and he hovered as you yelped in pain. “You’ve got a nasty gash here. We need to get you back to the ship for medical attention. Let me see if I can get this off you.”

With a grunt of effort, he pushed the beam up enough for you to pull yourself out. Your leg was bleeding badly, but nothing you couldn’t fix with some TLC and bed rest. The pain hadn’t set in yet, thankfully.

Near you was a chunk of the Terrormorph’s leg. Feeling oddly disconnected from yourself, you grabbed it, staring at the gross thing, and put it in your pocket for Hadrian.

Sam started taking out bandages and doing what he could to wrap your leg. You could see his hands were shaking now.

Against all odds you both were alive; you started to laugh.

Sam gave you an odd look. “Don’t go loopy on me.”

A giant smile broke across your face. “Wasn’t expecting to live. There goes my chance at a cool memorial or bragging rights.”

“Going face to face with a Terrormorph and only losing a chunk of your leg gets bragging rights. Believe me.”

“Nah. All the credit goes to you on this one. That was just badass.”

He grunted, throwing more debris out of the way, and trying to clear a path. “Wasn’t thinking about how cool it looked when I did it. I was just trying to save you.”

“You know I’ll be telling this story forever, right?”

He chuckles, helping you up, slinging your arm over his shoulder and wrapping his around your waist. “I can see Barret’s expression now.”

“‘Sam Coe, my hero’ is how I’ll start it.”

He groans playfully. “Please don’t.”

“It’s true.” You looked at him as your feet touched even ground. Your faces were close. You could see the rain drops clinging to his hair and beard. “You saved my life.”

When he looked over, his nose nudged yours from close proximity. He didn’t shy away from the contact. Your paces slowed to a stop. “I wouldn’t hesitate to do it again, either.”

Your grin was slow to spread as you glanced at his lips more than once. “Would you prefer a quippy one line as thanks?”

“Mm—no. Maybe something else though.”

You feigned ignorance as his eyes trailed down your face. “Oh? And what would that be?”

“I’ll let you think of it.”

“A hero’s song?” you joked, voice softening.

“Nope.”

“How about a poem?”

He faces toward the room Hadrian’s in with a low laugh and begins to walk again. “You know, if you were as much of a smartass to that Terrormorph as you are to me, it would have keeled over on the spot.”

You put your good foot down and hold it, halting any forward progress. “Ok, ok. I think I’ve come up with something.”

He’s still smiling as he looks at you. Your noses nudge again. “If you suggest a book or a short story—”

His surprised breath as your mouth presses to his is an award in itself. He stays motionless for a moment, as if his brain had short-circuited, before his lips move and mold to yours. Slow and tentative at first, exploratory. Soft and gentle as if he’s afraid of hurting you. His hand on your waist moves to your lower back, gripping your clothes. He leans into you, beard scratching the skin of your face. Your fingers slide through and tangle in his wet hair. It makes him pant into your mouth before kissing you again, more eager this time.

Breaking apart, you both linger close, hot breath mixing together. His forehead leans to yours, eyes still closed.

That raspy voice of his you love so much is the first to break the silence. “You have no idea how long I’ve been wanting you to do that.”

“You could have made the first move. I wouldn’t have minded.”

“Was never sure if you were just being quippy and flirtatious for fun or not.”

“It is fun, but it’s also because I care for you.”

He hums, nuzzling his nose against yours. “Good to know, we’re going to have to find time for this more often.”

You close the distance enough to ghost your lips over his. “We have time now.”

He hesitates, so tempted with the offer, but exhales instead. “You’re hurt and bleeding all over the place, I need to get you some medical help. Plus, Hadrian needs her damn samples.”

“Pshh. I’ve got plenty of blood left—and she can be patient.”

He starts walking again, bringing you with him, and pressing the gentlest kiss you’ve ever felt against the corner of your mouth. “Just wait until you’re healed. You won’t be able to keep me away.”

[literary-illuminati]

2024 Book Review #50 – The Gold Eaters by Ronald Wright

This was the rare book I had literally never heard of before opening it - a birthday gift from a friend, and the rare one not resulting from some sort of conversation about what books we’ve been meaning to read. It’s the first historical fiction I’ve read in year and years, so I can’t really say how it stands in terms of the rest of the genre. Reading it for myself, I had a great time – though the book did seem confused about which part of ‘historical fiction’ it actually cared about.

The book (primarily) follows Waman, an adolescent boy just coming of age in a nowhere coastal village on the edge of the ascendant and seemingly world-spanning Inca Empire, the demands and products of which are the only outside intrusions upon his life. Feeling stifled at home after his father returns from a period of conscription building roads and bridges in the highlands, he runs away to have some adventures and become a man on a trading ship. And in a stroke of truly cosmic misfortune, on his first voyage they run into a scouting expedition run by one Francisco Pizarro, investigating rumours of a strange land called Peru and its cities of gold.

Waman is abducted and conscripted into service as the Spaniards guide and interpreter. He spends the next decades of his life with an unwilling front-row seat to History unfolding, making and losing friends and endlessly searching for his family and childhood love as the whole world is overthrown again and again around him.

The great strength of the book, I think, is how it manages to portray the civilizations of the past as both familiar and awe-inspiring. The Spanish and Inca Empires are both portrayed almost like fictional kingdoms in a fantasy novel, simultaneously defamilirized and made new and strange, and presented from the point of view of someone whose ideas of normal are at least as strange to us as any of the peoples he meets. More than that, it never stops feeling like a world where people actually lived and worked, one that made sense on a human scale where all its inhabitants could find a place for themselves (or else be forced into one). It was never exactly confusing either -even if it does feel a bit like cheating to jump between points of view to ensure there’s a wide-eyed foreigner needing things explained to them wherever it’s required.

Wright is apparently a historian by trade, and has mostly previously written nonfiction. Given the sheer cornucopia of details about both daily life and the exact sequences of events that led to Spanish dominion, I entirely believe it.

As history, the two things that I most took away from the reading experience were the portrayal of the Inca at their peak as a really vital, world-shaping imperial society on the one hand, and just how drawn out and contingent the process of conquest was, on the other. The book does a great job getting across just how incredible the road- and bridge-building projects and the great imperial cities were, and how rich and organized a society it was (without ever entirely falling into portraying the Inca as some prelapsarian utopia, either, which is how a great many works in the general space seem to screw this up). It then also does an excellent job getting across just how apocalyptic the smallpox epidemic that swept through the empire was, and how ruinous the wars of succession that followed. Pizarro triumphed because he was facing an empire that was a death-choked ruin at war with itself, manipulating and extorting an emperor with many enemies and not much way in the way of skills or legitimacy except that everyone ahead of him was dead.

The other thing that did strike me is that – the historical narrative as I have always received it is that the Spanish conquered their American empire in one single, cataclysmic moment of contact, disease and violence and simple shock leaving them ruling the better part of a continent before anyone even realized what was happening. Which I’d intellectually known was false, but the book really does an amazing job dramatizing the fact that the building of the Spanish empire was a multi-decade – multi-generational, really – affair, and far more a matter of politics and logistics than initial shock an awe.

My main complaint with the book is the matter of genre – it spent the entire back half continuously changing its mind about what it wanted to be. Is this Waman’s story, a man coming of age and scrambling to form a life for himself as the tides of history destroy and remake his world around him and buffet him hither and yon? Or is he just a convenient POV to what’s essentially a rationalized history of (the initial chapters of) the fall of the Inca, improbably standing at the side of and sharing drinks with one famous personage after another to hear their thoughts and see their pivotal deeds? The book never quite settles on an answer, and so Waman’s own arc and personal concerns shift from feeling like thin connective tissue to the emotional core of the story and back several times. The issue gets worse in the latter parts of the book, where it just outright shifts into omniscient exposition of historical events at times.

Also on goodreads this is tagged as a romance and – okay so there is a romance in this book. But it’s the third or fourth most important relationship at most. For the vast majority of the page count it’s just a childhood crush Waman nurses as motivation to get home. If you come in expecting this is mostly be a love story you are going to have a bad time.

But yeah! I should read more historical fiction.

[a-court-of-moonlight-and-ire]

Alright, I took a quick nap and Ive decided that I wanna get the UTM reenactment over with as quickly as possible so Im reading chapter 42 and then I'll reward myself with some pain au chocolats and not thinking about this book for the rest of the day and watching the 2002 takarazuka flower troupe production of elisabeth instead. lets go

Chapter 42

here we fucking go with the illyrian wingspan-dicksize correlation, how would Amren even know that isnt she above sex or something. Honestly, I think Cassian would know wayyyyy more about that. on account of all the gay sex hes having i mean. I thought of that joke and then I realized that you could interpret it to mean that he knows about that because hes illyrian and has a dick, but I want to make it very clear that this is a gay sex joke

how come wings are so sensitive that just barely stroking them makes you moan and shudder but you can still fly with them in harsh winds with no issue. My headcanon is that wings arent actually that sensitive, Rhysand and Cassian are just weirdos with a specific kink

This conversation Feyre and Rhys are having about his wings is so weird, its like dirty and yet uncomfortably clinical

oh Rhysand is quicker than death just fucking kill me, im getting so angry again

Syphons are called 'Trichtersteine' ['funnel stones' or 'funnel gems'] in german which is more accurate to how we're actually told they work imo but it sounds pretty lame

Is it just me or is Rhysand being kinda weirdly paranoid rn. I mean granted, they did just get attacked with ash arrows so maybe hes actually doing a good job for once and Im just biased against him

Okay so we finally get some night court fae wearing white, but of course its not for moon symbolism its so they can blend in with the rock of the mountain because this series does nothing but disappoint me

The Hewn City actually sounds really cool, why couldnt this have been the secret city where we spend most of our time, you couldve made it a whole thing about Feyre healing from her trauma UTM through like, exposure therapy or something idk. That wouldve been neat and dramatic, her healing from her UTM trauma in the place that inspired it with the person that inflicted it. I mean, maybe that would be less healthy and even more controversial than Feysand already is but then you could atleast lean into the dark romance of it

I mightve said this already but you knowwww sjm is NOT a painter and consulted ZERO painters because Ive never heard of anyone think about creating art the way feyre does

and Mor is wearing red AGAIN why would you make this a trigger for Feyre just go back and edit it out its not like it matters

God, the description of her outfit is so deeply discomfortingl like it literally is exactly what she wore while she was being drugged assaulted but atleast they left the bodypaint out this time

"[Keir] looked at my face, then my body. I had thought that he would stare and drool greedily but... there was nothing. No emotion. Just ice cold. Shaking internally, - from anger and revulsion - I followed Mor." Im sorry, is she mad that Keir doesnt find her hot????

Theres something uncomfortable about Feyre referring to Rhysand as 'Mor's Lord' especially when we just had a whole paragraph describing her as a proud and empowered queen

"Usually, one Syphon was enough for an Illyrian to to able to steer his urge to kill down the right path." what???

Now shes describing Azriel as dark and beautiful as death and oughhhhhh i knoww im the only who cares about this and its for a pretty stupid reason but I care a lot and it makes me very angry

Feyre referring to a 19 year old Mor as 'barely more than a child' is weirdddddd

of COURSE hes wearing a black tunic for this, I cant believe this is the guy that the fandom has designated the fashion lover when he has two (2) outfits

Feyre describing Rhysand as sooooo powerful and beautiful with a face of nightmares and dreams makes me want to vomit, but more importantly, it makes me yearn to rewatch the 1996 takarazuka star troupe production of Elisabeth with Asaji Saki as Death who unirionically fits all of Feyres descriptors 1000 times better

Not Rhysand using Feyres Cursebreaker title while hes thoroughly humiliating her

Now Feyre is calling him a god, bro youre not gonna be able to have sex if you jack him off this hard hes gonna be all sore

Imagine being a hewn city noble and you all get together because your high lord wants something from you and youre kinda scared because hes the worst, and then you just have to watch him finger some random lady. and you cant leave because then he'll just kill you

I dont like that this is framed as empowering to Feyre, i think its one thing to write a female character who sexualises herself in order to empower herself but the fact that Feyre is doing this at the behest of Rhys automatically renders it non-empowering to me. Like yeah, she obviously consented to this but it wasnt her idea but this was not her idea and this is not something she usually does, the only times shes been sexualized like this is because it was part of some plan that Rhysand came up with

"[Keir] apparently clung to the power. But Rhys was the power." i hate that that sentence made me think of Keir/Rhysand as a ship why am I so goddamn yaoi-brained. And yeah, i know theyre related but according to Rhys himself, he and Mor are only cousins in the most distant sense, so. Man, that would make the IC dynamics so much more fucked up but also so much funnier

Theyre trying so hard to make this hot n sexy but its just so unappealing and dragged out. Granted, sorry if this is TMI, but I did just jerk off so Im all out of horniness for the next little while so maybe I just dont like this because Im not in the mood but idk. theres something so annoying about this, i think its how over-the-top and artificial Rhysands hotness feels, not to mention the fact that he is absolutely not my type

Imagine being Keir rn, just trying to do your job and tell your high lord everything that he needs to know, meanwhile his high lord is sitting in front of him fondling his new sex slave and you just have to keep a straight face. i mean, he sucks ass so i guess he deserves it but man

Presented to you with no further comment: "My breasts became heavy and full, longing, desiring, just like my crotch."

goddamnit, Rhysand just said that he put Feyre on his leash and then Keir made a kinda slutshame-y remark about her clothes and then I thought Rhys was like "maybe I'll put you on a leash too" but it was Feyre who said that. another loss for big gay incest

"He liked this as little as I did" uhhhhh no offense girlie but you actually seem to be having a pretty great time rn

I dont even know what to say about this part where Feyre is like, detaching herself from her thoughts that are calling her a traitor a liar and a whore ?? I think thats whats happening here?? Like, its trying so hard to be sexy but its invoking the imagery of Feyre's (and even Rhysand's) trauma and its just very strange

It took Rhys a fucking eternity to actually touch her pussy

What if Keir developed a voyerism kink because of this. would that be fucked up or what

Its so weird how Feyre thinks about how maybe Rhysand doesnt like sex or being desirable anymore because of amarantha and that certainly sounds like a trauma response he should have but instead it just never matters

"I had been tortured and tormented but my pain was nothing compared to his." YOU DIED

Oh man I cant believe I completely forgot about the absolutely iconic part where Rhysand gets so mad Keir for calling the woman he introduced as a whore a whore that he telepathically breaks his hand about it

what was the point of doing that, Feyre didnt even seem to like it that much

[ableism]

Okay as promised to my instagram followers: My Review Of The Substance 2024 ❇️ Spoilers ahead! Tread carefully!

To qualify myself… I’m a body horror buff. If you ask me to list my favorite movies, 80% of them will be about people experiencing horrific transformations and acts of fantastical violence. Body horror is kind of my whole thing! I love French New Extremity, I’ve seen every Cronenberg, I can only get off if something nauseating happens to somebody’s body. I’m very drawn to body horror as a vessel for visualizing experiences of sexual violence and desire(re: Crash 1996, Titane, Hellraiser) or dysphoria/dysmorphia (also Titane, Being John Malkovich ((I will fight you to death, it IS body horror, die mad)), Tusk) but I think a lot of the genre leans into the ways our lives and bodies are altered by technology and the possible consequences of these extremes (The Fly, Crimes of the Future 2022, Tetsuo the Iron Man, and you guessed it, Titane AGAIN).

Immediately I’m thrilled by how The Substance hits every single one of these genre concepts. It makes the concept feel more suffocating and inescapable than other films that deal singularly with their messaging. Elisabeth is trapped by perceptions of her body on all sides; she takes the drug because she’s been deemed undesirable and devoid of value by the same people who made her famous in the first place. To escape this, she creates (through a disfiguring and grotesque process) a conventionally desirable vessel. The chase to obtain beauty is worth the most violent of undertakings. For her prime self, it generates more self loathing and degradation of her self image. For the secondary self, she continues to experience profound amounts of objectification, still valued only for her desirability, her youth, her performance of childlike naïveté. I saw an excellent review that stated The Substance holds the viewers accountable through the scenes of full nudity and salacious dancing to interpret the way we’ve been trained to default to a sexual view of bodies, physical movement, behavior. We’re made complicit in Elisa/Sue’s dehumanization.

The Substance depicts dysmorphia through body horror in the most articulate way I’ve ever seen. Logically, the viewer knows; This is not how aging works. This woman is not decrepit and wasting away, she’s just middle age. But in the digital age, youth is capital, and youth is sexually desirable and attractive. It may not be the reality of aging, but this is how we’ve been conditioned to feel about the natural course of our lives. The solution is not self acceptance. It is products, procedures, adapting diets rooted in a culture of systemically encouraging disordered eating. Elisabeth’s body becomes worthless, just a source to be used as a fountain of eternal youth. Her pain, deformity, depression, are all irrelevant if it means she can temporarily experience youth. When she tries to stop the procedure, deformed into a funhouse mirror of what an elderly person actually looks like, Sue beats her to death in a blind rage. Her appearance makes her worthless. Her perversely obtained youth is the “only good part” of her. The metaphor frankly could not be clearer and Im not… shocked per se to see people not getting it online, because I know media literacy just isn’t for everybody, but it’s straightforward and concise. That isn’t to say that The Substance isn’t full of other commentary and room for interpretation.

A lot of people in me and D’s screening were laughing during the Mostro section of the film. I spent a decent chunk of it crying! Again, media literacy isn’t for everybody, and I’m the ideal audience for this one with the existing body of knowledge to appreciate what was done here, but we still found it quite distasteful. It’s terrible and grotesque and is the most robust and “bashing you over the head” part of the metaphor. To make it abundantly clear what was being said: The best version of yourself that you could ever be is the person you are, and the person you have always been, exactly where you’re at.

At her most fantastically deformed (HUGE credit to the practical effect work in this movie, which we’ll talk about a little more in a second), she wishes she could just go back to who she was before any of this happened. None of it was worth the terror, and now she’s trapped in a monstrous body, with the same soul and character she had the entire time. It offers the sense that her body is simply something that is now happening to her, rather than just existing, or being contended over, as previously seen. It’s a level of constant infliction she could not have imagined. Loss of control is a large theme of The Substance, the point being clearly that you cannot stop the natural progression of your body’s changing, and intervention only worsens your ability to perceive your body as your own. She dresses up to perform anyways. She tries to curl her few strands of hair. She stabs earrings through her almost inconceivable skull. She just cannot stop trying to be beautiful. It’s all she’s ever been allowed to be. When she goes to perform, she is screamed at in horror by the audience, while calling out “It’s still me! It’s still me!” to no avail. Nobody ever cared who she was or how she felt, only what her body could do for them.

That’s my general plot analysis but for Other Bullshit… I cannot gush enough about the homages paid to Cronenberg in this film, and the follow through on visual language borrowed from Carrie and The Shining. It was viscerally satisfying and just a lot of fun for horror enthusiasts. The director spends so much time being totally original, while still occupying the sandbox Built by other pioneers of the genre, and I absolutely loved seeing a female director in body horror taking up the space to say “You did this, it was incredible, and here is the fresh and enthralling ideas I’m bringing to the table.” It was a body horror movie my beloved Cronenberg could not have made. That’s not to decry his skill and vision, but to praise The Substance for its bold direction and fierce representation of uniquely woman-centered body horror. To hype up my favorite little things, I adored all the flies buzzing around in the beginning of the movie before she undergoes any transformation, I love that the catalyst for her taking the drug is getting into a car crash, I love that all the sets full of evil male directors are stylized after Kubrick’s Shining (because FUCK that guy! I piss on his grave!), I love love love that the beheading at the end is the same as the head pop scene from the beginning of Scanners, and I just cannot get over the Mostro suit. It’s sublime, and the actresses deserve joint best actress Oscar’s for what they accomplished in them. Holy fucking shit! Oh my gd! Wow!!!! It’s the same feeling at the end of The Fly, but with such a fresh take, the same sharp attention and reverence for practical FX work, and drawn out for much longer, with much more modern capability to enjoy the suit for longer, from more angles, with more gritty detail. It’s not trying to emulate or elevate anything. It’s just a perfectly present and challenging addition to the genre at large.

I love that none of the men in this movie were fully formed human beings. They’re the most uncanny and robotic part of the whole film. They question and belittle the personhood of the women they encounter, so the director takes the time to strip them of theirs. It’s really not about the men here. Hell yeah! I’m also glad that there was no sexual assault scene in this film. I don’t mind this content at all and I’ve seen many done in an incredibly visceral way, I’m pro-depiction of everything and anything, but The Substance didn’t need one. The whole thing is an act of sexual violence. It’s stronger that way and was the perfect decision. And since you knew it was coming… The Substance is one of the best , if not the best, addiction allegory I’ve ever seen. The other you, the real you, is just a life source for the impostor, It takes and it takes until there’s nothing left. I felt it strong and will definitely be looking for more readings on the same page so I can expand more at some point, but I found it very clear through the visual language of IV drug use, tooth loss, aging, etc. that there was a strong point on addiction being posited in The Substance.

So that’s my enthusiasts review!!! If i was unclear: Go see this movie. If you’re a sensitive soul or new to/unsure about body horror and specific types of gore, Please check online for trigger warnings, because it is a very graphic and brutal piece of film. I’ve seen pretty much every indie horror released in 2024 and as much as I did enjoy Longlegs and Cuckoo, The Substance blows them both out of the water. We’re in the age of women in horror and I love it!! It’s fucking awesome!!!! Go watch The Substance and then eat a bug. Stay vigilant I love you 🦩

[cyberdragoninfinity]

wild dana spotted howling and barking about yugioh arc-v out in the parking lot

oh BOY oh boy it's bout that time again. i can't believe it's been OVER A YEAR (?!?!?) since i last did one of these 'i just finished a yugioh here's my little rambly retrospective about it' posts but we are BACK!!! Finished my first ever watch-through of Arc-V last Tuesday after some 8 months of it putting me through the spin cycle and now as it's wedging itself permanently into my psyche i need to talk about its Everything or i will explode. so LET'S SWING INTO ACTION!!! I'M TAKING CONTROL OF THIS DUEL STARTING NOW!!!

[SPOILERS ahead for this decade old anime, of course]

WOW. YUGIOH ARC-V, HUH. before i started it watching it, I knew two things: A.) every single bit of knowledge I'd learned about it from Duel Links events or otherwise had me so, so, unbeliebable fucking hyped. I was absolutely certain this Yugioh was going to be so full of Danabait and completely fry my brain like an egg on the griddle. I had to physically restrain myself for TWO YEARS to keep from jumping the gun and watching Arc-V before I'd finished all the series before it (a decision I'm ultimately thankful for--Arc-V hits kind of fuckign crazy as a chaser to four other yugiohs.). And also, B.) when people Talk About Arc-V they always talk about it in a Very Particular Way. like. it's hard to describe. I feel like you know it when you see it. There is the full range of human emotion in the way people talk about Arc-V. People talk about Arc-V like its a confusing, malicious specter haunting their living room. And this admittedly got me even more hyped to watch it.

And then I watched it and here I am and I KNOW NOW. I KNOW NOW WHY PEOPLE. TALK ABOUT IT LIKE THAT. FROM THE BOTTOM OF MY HEART: WHAT THE FUCK WAS THAT. SLASH POS. SLASH NEG. SLASH SECRET THIRD THING.

Arc-V is a fucking MESS. It starts out SO strong and then it starts setting plot threads on fire and writing conceptual checks it absolutely cannot cash. It falls down the narrative stairs like it has a goddamn death wish. It introduces 342052805 characters and then forgets to do anything with 99% of them. It does things to its girl characters that makes the back half of 5Ds's girl writing failure look like the height of feminist theory. If the stories I've heard about its deeply troubled production are any indication it is some kind of MIRACLE this show got made and aired at ALL. IT'S LIKE WATCHING A CAR WEAVING THROUGH TRAFFIC AT 90 MPH ONLY TO PLOW DIRECTLY INTO THE SIDE OF A PARTY CITY.

and goddamn if I didn't have a FUCKING BLAST watching it. GODDAMN IF I DIDNT HAVE SO, SO MUCH FUN. goddamn if Arc-V might very well end up being my FAVORITE yugioh out of ALL of them when all is said and done. WHOOOOOPSSS!!! 🥴🥴🥴🥴🥴

like. imo Zexal is absolutely from a quality/art direction/narrative/everything standpoint leaps and bounds better than Arc-V. Definitely one of my favorite cartoons I've ever seen period, and most people should give it a shot. Such a beautiful work of art. But Arc-V....... girl they put something In this one. My pre-show hype was absolutely warranted. This show is just one blast of Shit That Makes Dana Crazy after another. Every character absolutely delights me and is my best friend. I'm going to be losing my mind over Yugioh Arc-V for the rest of the year and maybe forever.

As usual I primarily watched the dub, with some sub episodes sprinkled in if I got tipped off about a big change, or just if I wanted to see what was going on back there. (glad I did, of course, for a number of reason--least of all that Arc-V's OPs and EDs are SO fun and so charming!!) (THOUGH SIDE NOTE: THE DUB OPENING SHREDS SO HARD IM SORRY. IT'S UP THERE WITH THE GX DUB OPENING FOR ME. CAN YOU FEEL THE FUCKING POWER!!!!!) Anyway, gotta say, really was blown away by this dub!! It's tied with Zexal for what's imo the 'best' yugioh dub--the majority of the voice performances were just fantastic (truly all the love in my heart for Michael Liscio Jr.'s performances as the yuboys, they all have such unique and charming voices and im OBSESSED WITH THEM.) and having watched some sub eps side by side with the dub it's really cool seeing a dub that genuinely tried to faithfully translate Most of the Original. idk it's just a really solid localization to me!! I loved it a lot!! ALSO IT'S EXTREMELY FUNNY. I SAY THIS ABOUT EVERY DUB BUT IT'S TRUE. there are line reads in the arc-v dub that have me SOBLAUGHING.

anyway. I like to do these little subsection breakdowns in these little retrospective roundups, so let's get into the weeds with it:

Stuff I Didn't Like: loooooooooong inhale through my nose. looks at you with mildly pained eyes. alright. let's get this one over with.

though I did really try to go in as blind as I could/avoid most spoilers with this one, I did inevitably get spoiled by some things from Duel Links, but in the case of. uh. Riley Getting Turned Back Into a Baby At the End. 👶🏼 I AM glad I had that spoiled for me, so I knew it was coming. Because if I didn't know that was going to happen and that clocked me over the head I would have been on the NEWS. I WOULD HAVE BEEN, SO MAD. HEY, YUGIOH: WHAT THE FUCK WAS THAT!!!!!!!!!!!!!!!!!!!! 👶🏼👶🏼👶🏼👶🏼👶🏼 WHY DID YOU DO THAT TO RILEY!!!!

"character gets permanently turned back into a baby for Critical Plot Reasons" has gotta be one of my LEAST favorite tropes in anything, it's NEVER GOOD. AND IT'S ESPECIALLY BAD HERE!!! Riley is such a good character, he's got such an interesting arc going on, and THEY JUST RIP THAT TO PIECES. SO RILEY'S JUST FUCKING GONE NOW I GUESS. COOL. ALRIGHT. SURELY THERE COULD HAVE BEEN BETTER WAYS TO DEFEAT ZARC. SURELY. just. good GOD. it was a small miracle to me when this happened like 8 episodes before the end, it was like ripping the bandaid off early, it was like "oh thank christ i got past that. ok well whatever happens it cannot possibly be as bad as the shit they did to riley"

^ (and imo it wasnt. thank GOD. actually let's talk about that)

LIKE. MAKE NO MISTAKE ARC-V'S ENDING IS CONFUSING AND CLUMSY AND SO STUPID AND NOT GOOD. WHY ON GOD'S GREEN EARTH DOES THIS SERIES NEED EIGHT EPISODES AFTER ITS BIG BAD DUEL.WE COULD HAVE WRAPPED THIS UP IN 2-3!!!! it feels like watching Chopped and the contestant has 20 seconds on the clock left and theyre like "i gotta make my whipped cream" like WEEEE DONT NOT HAVE TIMEEE FOR THAT!!!!! WHAT ARE WE DOINGGGG. why are we dueling jack AGAIN. FOR TWO EPISODES. EVERYONE IS YELLING AT YUYA LIKE ALL OF THIS IS HIS RESPONSIBILITY AND FUCKING IS IT??!?!??! HE'S 14. AND THEN THOSE EPISODES HAVE THE GALL TO THROW SO MANY COOL IDEAS ON THE TABLE (Gong fully exploring dueltaining, the Dimensional Highway, etc) AND IT'S LIKE. COOL!! WISH WE COULDVE HAD THIS ANY OTHER TIME THAN THE LAST POSSIBLE SECOND!!! WHAT ARE WE DOINGGGG

BUT all that being said, the way people talk about that fucking last episode I was expecting some genuinely godawful 'zuzu is yuyas mom again like in the manga' tier absolute nightmare scenario. i literally made a secret prediction chart of what insane plot twist i assumed the last episode was going to drop on me.

AND THEN THE LAST EPISODE WAS JUST. FUNNYBAD. just a run of the mill whimper at the end of eight episodes we KIND OF REALLY DID NOT NEED. THE SHEER AMOUNT OF RELIEF I FELT. like absolutely i think going into it completely blind/encountering that ending watching live I would have been pissed, folks are rightfully frustrated with it, but I WAS TRULY. EXPECTING MUCH WORSE. IT ENDS LIKE A FAKE TUMBLR POST. "AND THEN EVERYONE CLAPPED" ASS ENDING. I DO HAVE TO LAUGH

^ YIPPEEEE SIX CHARACTERS HAVE EFFECTIVELY STOPPED EXISTING YAAAAAYY (😬😬😬😬)

ALSO, IN GENERAL. SPEAKING OF. GOD. THE BRACELET GIRLS. YALL ARE SO COOL AND THEN POOR LULU AND RIN DIDNT GET TO DO A GODDAMN THING EXCEPT HAVE WORMS IN THEIR BRAINS!!!! HELL ON EARTH!!!!!! WHY DID THEY DO THATTTT GAHHHHH again!! show that introduces SO many characters, so many FUCKING COOL CHARACTERS, and then does NOTHING with them. Or hits them with PARALYZING NERVE GAS FOR 20 EPISODES. CHRIST!!! WHY DO ARC-V GIRLS SUFFER MORE THAN JESUS. LEAVE MY GIRL ZUZU ALONEEEEE

TO THAT END, ARC-V JUST MAKES; SO MANY CONFUSING CHARACTER DECISIONS. AND CHOICES. why is Yuto just out of the picture for like 60 episodes!!! Let him be Yuya's brain buddy!!! WHY WASNT HE. DID YOU NOT WANNA ANIMATE HIM FLOATING NEXT TO THE DUEL RUNNER??! BE REAL. It's like. GRAHHH In general Arc-V has a pacing problem that is like. Atrocious even for yugioh's bad pacing problems. This series needed to be 400 episodes long. I like the IDEA of a yugioh with a big cast, spending episodes cutting between different groups of characters like some kind of bulky YA fantasy novel, but in practice it got. Real Muddy. RIP Xyz dimension arc you shoulda had so much more to you. And then there's that combined with this way it's trying Really Really hard to ape the themes of the past yugiohs ('dont forget to have fun,' grief/moving on after loss, classism) but it's hitting every damn branch on the way down and just completely fumbling ALL of them, it's not actually doing much to Earn being able to have those kind of themes resonate properly. IT'S SUCH A BAFFLING SHOW. IN THE THEMES DEPARTMENT. AMONG OTHER THINGS. "DONT EVER BE VISIBLY PUBLICLY SAD" IS A FUCKING INSANE MORAL. AND IT TAKES THAT SHIT WITH IT TO THE BITTER END. WHY IS THE FATE OF THE WORLD HINGED ON YUYA MAKING A BABY LAUGH. WHERE AM I!!!!

god. god. ok. ok im calm now. im sure in the coming weeks i'll have more barking about arc-v's various fumbles. but i'll leave it at that for now, i wanna talk about stuff i DID like now lol

Favorite Season/Arc: ok well. this actually is a hard question. um. hrm. LIKE. I'LL GET SHOT BY SNIPERS IF I SAY IT WAS SYNCHRO ARC BUT ALSO

IM SORRYYYYYYYYYYYYY I GOT THAT DOG IN ME (A BACK HALF OF 5D'S LIKER'S SOUL.) and unfortunately I WILL go in there and think about it that hard (the absolutely fucked to hell sociopolitical situation happening in Arc-V New Domino City and how it contrasts with the NDC in 5D's) (one thing about me I love weird fucked up yugioh old people I love those bitchass old centrists apparently governing the entire dimension and doing a piss poor job of it it's just like contemporary American politics!!!!!!) ROGET WAS JUST REANIMATING DEAD PEOPLE AND PUTTING MIND CONTROL CYBERNETICS IN THEM AND WELL YEAH SURE I'LL BE NORMAL GRIP ABOUT THAT. NORMAL. i need to make an arc-v AU Aporia so fucking bad THEN YOULL ALL SEE *talking to empty room*

YES synchro was way too fucking long. but regretfully i love turbo duels and will never not be charmed when yugioh puts guys on motorcycles that have no business being on motorcycles. DAMN I JUST FUCKING WISH YUYA AND YUGO GOT TO ACTUALLY TALK AND MEET IN THE SAME ROOM THOUGH!!!! BUT ANYWAY!!!!

im. kidding at least a little, I actually thoroughly enjoyed like...all of Arc-V's seasons/arcs at least a little (barring a lot of the Weird Post Zarc Duel 8 Episode Dead Zone.) The first 50 episodes really are just peak banger Yugioh, I do love action duels to absolute bits (though Action Spells. Uh. Need Some Workshopping 8| If I See Evasion One More Time Im Gonna Lose It) and the shit especially that first season does with the crazy Action Fields is AWESOME. GENUINELY. GO DUEL IN THE VOLCANO. DO A FLIP. RIDE YOUR MONSTER. it's practically running on Pokemon universe logic i cant NOT love it. And well Fusion Dimension arc does just have a whole lot of episodes that make me go cuckoo bananas crazy. Truly something for Dana in every crevice of Yugioh Arc-V.

Favorite Characters: god I do think like a solid half of why I think Arc-V may be becoming my top fav Yugioh is that the cast is just, really Really fucking good. Like yes so many of them are underutilized but the time we Do get with them really just shows off what delightful characters they all are. Half the reason it took me so damn long to finish was I was having so much fun and was going to miss seeing them!! IT'S GENUINELY HARD TO PICK A TOP LINEUP OF FAVS. THERE'S SO MANY DANABAIT GUYS IN YUGIOH ARC-V. YES EVEN THE SYNCHRO ARC GUYS. LUCAS SWANK I MISS YOU SO FUCKING MUCH.

The Lancers alone are SO good, theyre up there with Team 5D's in terms of Favorite "Main Yugioh 'Friend Group'/Organization". Group of guys who kind of have horrible synergy and only like 3 of them are actually competent. Declan came up with it when he was 13. Funniest group of teenagers imaginable, I love them all. LIKE .YUYA MAY BE MY FAVORITE YUTAGONIST??? IM NOT SURE YET BUT. I DO LOVE HIM A LOT. HE'S A PATHETIC WET PAPER TOWEL AND I WANT TO GIVE HIM A NOOGIE. SLASH POS.

And I mean I'm always gonna be Z-one biased but I do like Zarc as a Big Bad a lot too... damn if I don't love Just Some Guy Has Become God and Is a Huge Tool About It <3 WHAT IS YOUR PROBLEM WHY ARE YOU ACTING LIKE THIS!!!!

ah. but. of course. i'd be remiss if i didn't bring up. Rainbow Carrot Rock Your World.

hey guys. why'd it happen again. why'd the Yugioh Carrot and Company get in my head and completely fry my brain AGAIN!!!!!!!! ORANGE CARROT. PURPLE CARROT. YELLOW CARROT!!!!🥕🥕🥕🥕🥕🥕🥕🥕🥕🥕🥕🥕🥕 YUGO ISNT EVEN MY TOP FAV BUT HE'S IN MY HEART AND IN OUR HOUSE FOREVER NOW. meanwhile i dont want. to talk about what yuri is doing to me. if i think too hard about this little purple freak i'll start going bonkers ballistic chewing my leg off. I like all the yuboys but he is especially. Gripping Me. La Cucaracha Loca. My shithead gay son.

dennis needs his own post he's just. a Lot. may very well be one of the funniest yugioh characters ever. Among Other Things. his dub VA's performance needs to be marked as culturally significant. AND THEY JUST KEPT BRINGING HIM BACK.

IN GENERAL, AS I WAS COMPLETELY EXPECTING, FUCKED UP AND EVIL DUEL ACADEMY REALLY DID ME IN I love you Fusion Dimension kids I love getting sick in the head thinking about card game child soldiers.My Actual favorite Arc-V character may just straight up be Sora..... I just like him a lot. He's got a really solid character arc, his deck rules, he's a little fucker AND an absolute real one. Just 10/10 little guy.

GOD WHAT EVEN IS MY TOP FIVE FAVORITES. UHHHH Okay Sora and Yuri for sure, and Declan, I love Declan. Yugo..... god. GOD IS THE FIFTH ONE DENNIS FOR REAL. I FEEL HIM IN MY BRAIN SO BAD. AAAAUUGHHHH (Runners Up: Yuya, Yuto, GONG MOTHERFUCKING STRONG!!!!!!, Rin my girl my badass mechanic girl IM ON MY WAY. I'LL THINK ABOUT YOU THAT HARD., Riley, Arc-V Aster unfortunately a Dana Guy ever. Why Is He Here. He Didnt Even Go to DA in GX. But all of this is subject to change in coming months as the entire cast continues to hit me with weapons. An honor and a privilege to induct these characters into my Blorbo Hall of Fame)

Favorite Duel: HEY QUICK QUESTION: WHY ARE ARC-V'S DUELS SO FUCKING WEIRD. LIKE. NARRATIVELY. There's like 4352984589 ties and duels that get cut short and DUELS WE JUST NEVER GET TO SEE THE FULL OUTCOME OF ON SCREEN?!?!? WHAT WAS GOING ON THERE. It feels like another symptom of arc-v just desperately trying to bite off more than it can chew 😭 Frustrating!! And god I LOVE the zaniness of Action Duels, but we neeeeeed to do something about Action Spells... GRABBING AN ACTION SPELL SHOULD NOT BE THE CRUTCH OF YOUR WHOLE DECK.........

coughs. anyway. My actual honest to god favorite Arc-V duel is Yugo vs. Celina in the Friendship Cup <3 IVE ALREADY TALKED ABOUT IT BEFORE BUT IT'S JUST SUCH A FUN ONE. It's got some great character moments on both sides, a yugioh girl Getting to Be Cool, the colors are gorgeous, it's SO funny, I just get such a kick out of it....I think part of what I Do like about the Friendship Cup is it really shows this sense of kinetic energy that the WRGP in 5D's really needed. I also really like the Shay vs. Dennis Friendship Cup duel for just going completely off the rails. Blow Up This War Criminal and The Whole Stadium With the Giant Bird Satellite Cannon. DOES NOT GET MORE YUGIOH THAN THAT!!

for all its weirdness Arc-V has a LOT of really fun duels that i enjoy--Shay vs. Sora is beloved for a reason, it also goes hard as hell. So many Season 1 duels are just a goofy blast, I really need to rewatch the quiz show one. For as much of an unnecessary mess as those last 8 episodes are, I DO really like Yuya and Dennis's duel too (THAT GETS REALLY REALLY GAY AT THE END???!?!? ARE WE ALL SEEING THIS.)

Hell even the Zarc duel started making me kind of sick in the head--watching Yuya's friends passing around his pendulum necklace while trying to save him makes me turbo emo WHAT CAN I SAY!!!

Arc-V also has the thing I had with Zexal where there's just some individual episodes that are absolute bangers for me. i love the Prison Break episode, it's fucking INSANE. HIP HIPPO SAID FUCK COPS FUCK THE PRISON SYSTEM!!! I love the episode where Gong and Dennis duel. FOR HOW LONG IT DID DRAG SYNCHRO HAS SOME REALLY FUN ONE-OFF EPISODES which I just really enjoy. Also love when Zuzu and Sora beat the shit out of a pack of cops. Based for that for real.

i do also love Yuri and Yuya's duel. Of course.

Other Miscellaneous Gushing/Shrieking/Losing My Mind About Yugioh Arc-V For Good and Bad and Everything in Between: arc-v arc-veeeeee yugioh arc-fiveeee theres just so MUCH. TO TALK ABOUT. THIS ONE'S GONNA BE IN MY HEAD FOR EONS I FEAR. THINKING ABOUT THE EVERYTHING. The sheer amount of narrative traits that make me specifically lose my mind (in a good way. as opposed to. the babyfication making me lose my mind. in a Real Bad Way :////) that they crammed into this. It's like digging in the treasure chest of elaborate fanfics I was writing in my brain in freshman year of high school. The Sick and Twisted Evil AU Version of Duel Academy. The Trained to Be Weapons Child Soldiers. Mind Control Reanimated Corpse Brain Chip. Alternate Dimension Selves. All of the Split Different Dimension Bullshit. Soul Splitting and Soul Fusion Framed as Fucking Terrifying. It's good I didn't have Arc-V growing up it would have been doing IRREVERSIBLE THINGS TO MY DEVELOPING CREATIVE BRAIN. INSTEAD IT'S DOING THEM TO ME NOW.

(side note, re: terrifying soul fusion: Arc-V is SO FUCKING SCARY SOMETIMES?!?? Like "ohh i wish yugioh was still a horror story" DAWG ARC-V ROUTINELY HAS SOME OF THE MOST DREAD-INDUCING CONCEPTS GETTING FLUNG AT YOU AT 90 MPH. SKIP BOYLE FORGETS HIS DAUGHTER EXISTED AND IT'S ONE OF THE MOST HEARTBREAKINGLY HORRIFYING THINGS IVE EVER SEEEEENNNNN )

The shit Arc-V does with Yugioh's themes of identity, these "when does a piece of yourself stop being you and start being their own person?" "what happens when multiple free standing people are one person" type ideas, you KNOW that makes my Aporia Turbofan ass go CRAAAZYYYY. AND THEN IT HAD RELIGIOUS MOTIFS TOO <3333 YOU'RE ME AND IM YOU AND IT DOESNT MATTER WHO DOES WHAT THE DEVIL WILL COME BACK REGARDLESS 😊💞💞💞

Arc-V takes such bold swings at things and 95% of the time it misses the ball entirely and spins up and out and directly into the fireplace but that 5% of sheer genius and thematic weight hits like a truck. Is Arc-V good? FUCK IF I KNOW. PROBABLY NOT. BUT ALSO YES IT IS. BUT ALSO IT'S NOT. BUT ALSO IT'S SOMETHING SO SPECIAL, AND I LOVE IT. That first like 50 episodes makes for such a good yugioh starter course tbh, the way it goes over different summoning methods and is very engaging and energetic, and then the rest of the show is an 18 car pileup of Card Game War that makes me automatically like DONT. START WITH THIS ONE. WATCH ANOTHER YUGIOH OR TWO FIRST AND THEN COME MELT YOUR BRAIN IN HERE. AND THATS SUCH A WEIRD DICHOTOMY TO HAVE WITH ONE YUGIOH. weird like everything else with arc-v i suppose. :,)

For all the mess and all the madness there truly is so much I love, though. I love the character dynamics, even when the show isnt doing much more with its cast--Yuya and Gong's friendship may be one of my favorite 'yutag and best friend' bonds, it's SO sweet and I'm going to be mad forever that Gong isn't more popular in western ygo fandom. I love the DUEL MONSTERS!! Performapals are SOOOO sillygoofy I have to adore them, the dimensional dragons all kick so much ass I love you Clear Wing my big legless weirdo. I love Shay's increasingly bigger Bird Guns. I LOVE FRIGHTFURS!!!! I LOVE D/D/DS!!!!! SO HAPPY TO SEE THEM ON ESPECIALLY SCREEN AFTER PLAYING THEM FOR MONTHS IN DUEL LINKS. MY FREAKY DECLAN DEMONS. I love the miscellaneous callbacks to past iconic monsters and funky weird AU retrains of the Legacu character's decks. Scarlight Red Dragon Archfiend my friend Scarlight Red Dragon Archfiend

I also do love that Arc-V in theory is trying very hard to be a celebration of past Yugiohs, but it's also instead being completely fucking insane with its 'tributes.' Oh you like Heartland City from Zexal? It's a carpetbombed warzone now! LIKE... HUH!!! When Lazar showed up at the end of season 2 i SCREAMED. I WANT TO KNOW THE LOGIC OF THESE CHOICES. THEY DONT MAKE ME MAD OR ANYTHING REALLY IM JUST FASCINATED BY THEM. i cant really be too angry at arc-v I'm just. transfixed. at every baffling choice it's ever made. I've really truly never seen a show that's so thoroughly felt like some kids doing a roleplay on a forum somewhere, players dropping in and out and mods not really knowing what to do with the lore anymore as things become more and more convoluted. I watch arc-v scenes and i can picture the text RP in my head, the players' forum signatures and all. It's truly some kind of feat to achieve that inherent vibe, that's for sure.

ok im running out of steam i think... what else. god. Yugioh Arc-V is just.... such a teetering Jenga tower of a show, a complete nuclear meltdown of clumsy writing and fantastic vocal performances (dub and sub) and confused handling of its own lore and occasionally some of the fucking coolest most intense expressions and gorgeous shots of any yugioh

I held out on watching it for so long cuz i just fuckin KNEW it was going to grab me by the brain and swing me into the wall and WELL!!! I WAS RIGHT!!!! SHES A MESS BUT SHES MY MESS BABEYYY!!! IS ARC-V GOOD? MAYBE NOT BUT, BROTHER, I FUCKIN LOVE WHEN YUGIOH IS BAD ❤ ive been a disciple of Bad Yugioh for 20 goddamn years and im not stopping now!!!!! I love you Pendulum summoning you insane busted ass mechanic. I love you all four completely fucked up dimensions. I love that they localized Maiami to Paradise City. I love the little nods to past yugioh things (like fusing with a motorcycle <3 Primo Moment...2!) I hate you Leo Akaba explode and die forever (though 'parent going mad trying to bring their child back' do also go me a little bananas.) I love the kickass shots of Yuya's monsters being set in the pendulum scale.I love Sora's relationship with Yuya and Zuzu. I love every fucked up crazyass expression Yuri makes. I love the sense of character design in this show. I love the Action Duel start chants. I love seeing the Synchro Math again and the Overlay Units and the deeply unsettling fusion hand gesture kids use with Polymerization. I love that third ED thats just the Lancers dicking around in different locations and having fun. I love Declan and Riley's complicated but deeply loving bond. I love when characters RIDE THEIR DUEL MONSTERS!!! AND I LOVE THAT DESPITE EVERYTHING I ALREADY WANNA SEE THESE CHARACTERS AGAIN. THEYRE MY FRIENDS!!!!! THEYRE IN MY BRAIN!!!!! MY KIDSSSSS

I KNOW NOW. WHY PEOPLE TALK ABOUT ARC-V LIKE THAT. AND IM ABOUT TO START TALKIN LIKE THAT TOO. YUGIOHHHHHH!!!!!